678 Sentences With "childe" | Random Sentence Generator

The Canton Museum of Art (CMA) acquired Childe Hassam's "Bleak House, Broadstairs" (19453).

Such split allegiances are explored through the pairing of Childe Hassam and Marsden Hartley.

None more so than Childe Hassam's dreamy paintings of flags in New York City.

George Gordon Byron wrote of the "pleasing fear" of "the freshening sea" in "Childe Harold's Pilgrimage".

His signed contract hung on the wall behind the Childe Harold's bar until it closed in 2007.

Flags are snapping over Main Streets as if auditioning for the Childe Hassam treatment, proud and valiant, bittersweet.

The couple attracted dozens of artists and writers as boarders, including Childe Hassam, Willa Cather and Lincoln Steffens.

Childe Hassam's impressionistic New York scenes feature Union Jack flags to stir up feelings of allegiance to the Allies.

Panel: Dan Barclay (BMO Cap Markets CEO), Margaret Eve Childe (Director, ESG Research & Integration, Manulife Investment Management), Toby Messier (Aquantix CEO).

In Childe Hassam's painting of a Central Park pond, two swans warily observe the shoreline strolls of women and children in long skirts.

The famous Childe Hassam painting "The Avenue in the Rain," which depicts a flag-draped Fifth Avenue, has long hung in the Oval Office.

He wanted to find out if three Childe Hassam works being gifted to the museum had been painted on Appledore Island, and, if so, where?

In his singular variation on genius, the author of "Childe Harold" was nearly capable of holding two different women in his arms at the same time.

Her mother, an art historian who specializes in Childe Hassam, an American Impressionist, is a co-author of the comprehensive, annotated listing of all the artist's known works.

The English fairy tale, Tom Tit Tot is interlaid within collages with Browning's "Childe Roland to the Dark Tower Came," Coleridge's Collected Letters, Ovid's Metamorphoses, and Spinoza's Ethics.

It would target local independent financial advisers, accountancy firms, trusts and family offices, among others, to sell its products, according to Tim Childe, head of international at Quilter Cheviot.

He had actually been inspired to track down the artist's views long before Coffey's query, when he found David Park Curry's 1990 book Childe Hassam: An Island Garden Revisited.

J.M.W. Turner's "Ehrenbreitstein" (also known as "The Bright Stone of Honour and the Tomb of Marceau, from Byron's Childe Harold") (1835) was sold at Sotheby's for just under $24 million.

At his home there in Windham, he sketched meadows bordered by picturesquely sagging fences and encroaching railroad lines and textile mills; his visitors included John Singer Sargent and Childe Hassam.

American Impressionist Childe Hassam (1859–1939) is famously known for scenes of patriotic, flag-draped New York City streets and romantic women in filmy gowns lounging on porches and sun-drenched beaches.

" The work's title is perhaps in reference to a poem by Lord George Gordon Byron, "Childe Harold's Pilgrimage," the opening line of which reads: "There is a pleasure in the pathless woods.

Trump has held onto "The Avenue in the Rain," by the American impressionist Childe Hassam, from Obama's Oval Office, and the back wall still hangs a painting of George Washington above the fireplace.

American Impressionist: Childe Hassam and the Isles of Shoals, on view now at the Peabody Essex Museum, gathers and studies Hassam's works from Appledore, revealing another side of one of America's most famous painters.

Paintings like Childe Hassam's 1888 "Bois de Boulogne" capture how the gaslights changed the quality of the night, where orange carriage lamps mingle with the yellowy street lamps and the white points of the stars.

This month, a major exhibition of the works of the American artist Childe Hassam will open at the North Carolina Museum of Art in Raleigh and then travel to the Peabody Essex Museum in Salem, Mass.

Balancing on the cusp of a new millennium, the show, It Was a New Century: Reflections on Modern America, brings in distinct creatives from the epoch, including George Bellows, Childe Hassam, Winslow Homer, and Maurice Prendergast.

The artist Childe Hassam — who painted "Flags on 57th Street, Winter of 1918," a famous impressionistic scene with flags hanging from the buildings — had gone to Riverside Park several months earlier and noticed a ship with dazzle camouflage.

Sony has consequently been keeping details about the new film, which stars Idris Elba as the Gunslinger Roland (as in, "Childe Roland to the Dark Tower came") and Matthew McConaughey as the villainous Man in Black, tightly under wraps.

Among the standouts are a George Bellows painting, "Tennis at Newport" (21921), composed around a rushing, dynamic take on linear perspective, as well as paintings by Childe Hassam, Robert Henri, Max Pechstein, Beauford Delaney, Berthe Morisot and Eastman Johnson.

The iPhone app he just released, eWilner Frames, can instantly place any picture from the phone's camera roll into one of more than 100 frames in his collection — including those used for paintings by Picasso, Childe Hassam and Thomas Eakins.

Richard Gilder, the chairman emeritus of the New-York Historical Society, donated Childe Hassam's "The Fourth of July, 19363 (The Greatest Display of the American Flag Ever Seen in New York, Climax of the Preparedness Parade in May)" (1916) to the museum.

Advertise on Hyperallergic with Nectar Ads As artists like Georges Seurat and Claude Monet were capturing the refinement of European gardens in quick brushstrokes, so did American Impressionists like Childe Hassam and William Merritt Chase turn to the cultivated landscapes around them for inspiration.

A selection of approximately 50 works by artists such as Edgar Degas, Mary Cassatt, Pierre Bonnard, Édouard Vuillard, Georges Seurat, Henri de Toulouse-Lautrec, Jean Béraud, James Tissot, Childe Hassam, Charles Courtney Curran, Alfred Maurer, and Maurice Prendergast, among others, will be on view.

The prosecution also accused Mr. Marshall of grand larceny for giving himself a raise for managing his mother's finances, and for pocketing a $2 million commission when he sold a Childe Hassam painting belonging to his mother for $10 million after persuading her that she needed the money.

The late Childe Harold may not have even been a dive bar—it had fucking crabcakes on its menu—but it holds its own unassailable place in DC music history, and the list of bands who played there was long enough to be included as an index in a longtime local DJ's autobiography.

Not because Bad Brains played a gig in that same space, back when it was a wood-paneled, weed-scented bar called the Childe Harold, but because DIVE is exactly the kind of place where you could wear a $320 "punk rock jacket" and still pretend that words like "punk rock" and "dive bar" still mean what they did a couple of decades ago.

But her poems draw their unique power from a similar source: the tigerish child who lives in the attic of the adult self; the child who is both vulnerable ("Dark was the day for Childe Rolandine the artist / When she went to work as a secretary-typist") and drawn to malice ("And now in the desolate night / I think only of the people I should like to bite").

Painting by James Warren Childe Childe was born in Poole, Dorset and first appears as an exhibitor in the Royal Academy in 1798. In that year he was residing at 29 Compton Street, Soho with his older brother Elias Childe. He was also the brother of magic lantern maker Henry Langdon Childe. His first exhibited works were landscapes, chiefly taken from London and the immediate neighborhood.

At his death, Rowland Lacon was succeeded by his son, Sir Francis Lacon, who married Jane, daughter of the Viscount of Montague in 1589. The marriage of Ann Lacon to Sir William Childe in 1640, bought the Childe family to Shropshire. Their eldest son, Sir Lacon Childe, was left the lordship at Kinlet and Cleobury Mortimer, whilst their younger two sons, Thomas and William, were left the manor of Earnwood. After the death of Sir Lacon Childe, Kinlet was held by his nephew, William Lacon Childe.

Harriet Louisa Childe-Pemberton was born in 1852, in St Leonards-On-Sea, Sussex, and raised at Millichope Park, Munslow, Shropshire, the daughter of Charles Orlando Childe-Pemberton and Augusta Mary Shakespear Childe-Pemberton. In 1859, her father served as Sheriff of Shropshire. In 1870, she was presented to Queen Victoria. Her younger brother William Shakespear Childe-Pemberton (1859–1924) was also a writer, best known as a biographer.

The Manhattan Club, 1891 painting by Childe Hassam The exterior of the club was featured in an 1891 painting by Childe Hassam when it was at the Stewart Mansion.

However, the word is still used in the local Doric dialect of north-east Scotland known as Doric a Childe. Here it may be directly translated as 'fellow' or 'man' into Standard English. For example, a working childe would mean a working man, while a dour childe would indicate a taciturn individual.

Renfrew noted that Childe was liberal-minded on social issues, but thought that—although Childe deplored racism—he did not entirely escape the pervasive nineteenth-century view on distinct differences between different races. Trigger similarly observed racist elements in some of Childe's culture- historical writings, including the suggestion that Nordic peoples had a "superiority in physique", although Childe later disavowed these ideas. In a private letter Childe wrote to the archaeologist Christopher Hawkes, he said he disliked Jews. Childe was an atheist and critic of religion, viewing it as a false consciousness based in superstition that served the interests of dominant elites.

William Lacon Childe (3 March 1700 – 1757) of the Birch, Kinlet, Shropshire was a British Tory politician who sat in the House of Commons from 1727 to 1734 Childe was the eldest son of Thomas Childe of the Birch, Kinlet and his wife Sarah Acton, daughter of Sir Edward Acton of Aldenham, Shropshire. In 1708, he succeeded his father. He matriculated at Christ Church, Oxford on 25 May 1715. In 1720, he succeeded his uncle, Sir Lacon William Childe, at Kinlet, Shropshire.

Marjorie Maitland Howard, pictured around 1958, with her bust of V. Gordon Childe and models created for Frederick Zeuner. right Bust of V. Gordon Childe. Marjorie Howard, c. 1958. Institute of Archaeology library, London.

File:James Warren Childe, circa 1810-15 A subaltern of the 24th (2nd Warwickshire) Regiment of Foot.jpg File:Mary Ann Paton by James Warren Childe.jpg File:Mendelssohn Bartholdy.jpg File:Portrait of a girl holding a bonnet, James Warren Childe.

Whereas previous archaeologists had concentrated on chronology and technology, Childe applied concepts and theories from the social sciences to interpret archaeological finds. Childe first discussed the Urban Revolution in his 1936 book, Man Makes Himself,Childe, V. Gordon (1936) Man Makes Himself. Watts and Co., London. and then his 1950 article in the journal Town Planning ReviewChilde, V. Gordon (1950) The Urban Revolution.

Wilfred Rowland Childe (1890–1952) was a British author and poet. Childe was educated at Harrow School and Magdalen College, Oxford. He edited Oxford Poetry in 1916 and 1917. He became a Roman Catholic convert in 1916.

Childe exhibited for the last time in 1848, and died in 1849.

He married Ann, née Banfield on 25 June 1810. His own children, who included singer Ann Childe Seguin and artist Maria Louisa Childe, were also favorite subjects. Childe resided the greater part of his life at 39 Bedford Street, Covent Garden, and died at Searsdale Terrace, Kensington, on 19 September 1862, aged 82. His middle name has also been listed as Wearing, Wearin or Waring.

The bronze bust of Childe by Marjorie Maitland Howard has been kept in the library of the Institute of Archaeology since 1958. Childe thought it made him look like a Neanderthal. Childe's biographer Sally Green found no evidence that Childe ever had a serious intimate relationship; she assumed he was heterosexual because she found no evidence of same-sex attraction. Conversely, his student Don Brothwell thought him to be homosexual.

In mid-1956, Childe retired as IOA director a year prematurely. European archaeology had rapidly expanded during the 1950s, leading to increasing specialisation and making the synthesising that Childe was known for increasingly difficult. That year, the institute was moving to Gordon Square, Bloomsbury, and Childe wanted to give his successor, W.F. Grimes, a fresh start in the new surroundings. To commemorate his achievements, the Proceedings of the Prehistoric Society published a Festschrift edition on the last day of his directorship containing contributions from friends and colleagues all over the world, something that touched Childe deeply.

Culture-historical archaeology was first introduced into British scholarship from continental Europe by an Australian prehistorian, V. Gordon Childe. A keen linguist, Childe was able to master a number of European languages, including German, and was well acquainted with the works on archaeological cultures written by Kossina. Following a period as Private Secretary to the Premier of New South Wales (NSW), Childe moved to London in 1921 for a position with the NSW Agent General, then spent a few years travelling Europe.Allen 1979 In 1927, Childe took up a position as the Abercrombie Professor of Archaeology at the University of Edinburgh.

Devon folk singer Seth Lakeman sang about Childe the Hunter on his 2006 album Freedom Fields.

The room was decorated with paintings by Childe Hassam, Edmund C. Tarbell, and Guy C. Wiggins.

Childe was born on 14 April 1892 in Sydney. He was the only surviving child of the Reverend Stephen Henry Childe (1844–1923) and Harriet Eliza (1853–1910), a middle-class couple of English descent. The son of an Anglican priest, Stephen Childe was ordained into the Church of England in 1867 after gaining a BA from the University of Cambridge. Becoming a teacher, in 1871 he married Mary Ellen Latchford, with whom he had five children.

Elidor begins with an epigraph quoting from William Shakespeare's King Lear: "Childe Rowland to the Dark Tower came" (Act III, sc. 4). This is also an allusion to the English folktale of "Childe Rowland", from which several elements of the plot of Elidor are drawn. Childe Rowland features the eponymous Rowland, his two brothers, and his sister Burd Ellen. Rowland kicks a ball over a church and when Burd Ellen attempts to retrieve it she disappears.

Traitor to the Living (1973) is a science fiction novel by American writer Philip José Farmer. The story follows Herald Childe, a private detective, who is also the lead character in two earlier Farmer novels published as pornography by Essex House."Farmer, Philip Jose", The Encyclopedia of Science Fiction, St. Martin's, 1995 In this non-erotic novel, the lead character is clearly Herald Childe, but it follows the events of a never-written third book which left Childe amnesiac.

Peter Ucko, one of Childe's successors as director of the Institute of Archaeology, highlighted that Childe accepted the subjectivity of archaeological interpretation, something in stark contrast to the processualists' insistence that archaeological interpretation could be objective. As a result, Trigger thought Childe to be a "prototypical post- processual archaeologist".

View of the setting of Childe's Tomb According to legend, the cross was erected over the kistvaen ('chest-stone' i.e. burial chamber) of Childe the Hunter, who was Ordulf, son of Ordgar, an Anglo-Saxon Earl of Devon in the 11th century. The name Childe is probably derived from the Old English word cild which was used as a title of honour. Legend has it that Childe was in a party hunting on the moor when they were caught in some changeable weather.

Rejecting Spencer's theory of parallel cultural evolution, Childe found that interactions between cultures contributed to the convergence of similar aspects most often attributed to one culture. Childe placed emphasis on human culture as a social construct rather than products of environmental or technological contexts. Childe coined the terms "Neolithic Revolution", and "Urban Revolution" which are still used today in the branch of pre-historic anthropology. In 1941 anthropologist Robert Redfield wrote about a shift from 'folk society' to 'urban society'.

One of the formative influences on her art was Childe Hassam, specifically for his scenes of city life.

Following his death, several articles examining Childe's impact on archaeology were published. In 1980, Bruce Trigger's Gordon Childe: Revolutions in Archaeology appeared, which studied the influences that extended over Childe's archaeological thought; the same year saw the publication of Barbara McNairn's The Method and Theory of V. Gordon Childe, examining his methodological and theoretical approaches to archaeology. The following year, Sally Green published Prehistorian: A Biography of V. Gordon Childe, in which she described him as "the most eminent and influential scholar of European prehistory in the twentieth century". Peter Gathercole thought the work of Trigger, McNairn, and Green was "extremely important"; Tringham considered it all part of a "let's-get-to-know-Childe-better" movement.

The Childe Cycle is an unfinished series of science fiction novels by Canadian writer Gordon R. Dickson. The name Childe Cycle is an allusion to "Childe Roland to the Dark Tower Came", a poem by Robert Browning, which provided considerable inspiration for elements in Dickson's magnum opus. The series is sometimes referred to as the Dorsai series, as the Dorsai people are central to the series. The related short stories and novellas all center on the Dorsai, primarily members of the Graeme and Morgan families.

Additional journeys to the realm include the fairy tale "Childe Rowland", which presents a particularly negative view of the land.

Elias Childe (1778–1849) was a British landscape painter. He was a prolific artist, working both in oils and watercolours.

Harriet Louisa Childe-Pemberton (1 April 1852 – 1922) was an English author of the late-nineteenth and early-twentieth centuries.

Founding the Edinburgh League of Prehistorians, he took his more enthusiastic students on excavations and invited guest lecturers to visit. An early proponent of experimental archaeology, he involved his students in his experiments; in 1937 he used this method to investigate the vitrification process evident at several Iron Age forts in northern Britain. Childe regularly travelled to London to visit friends, among whom was Stuart Piggott, another influential British archaeologist who succeeded Childe as Edinburgh's Abercromby Professor. Another friend was Grahame Clark, whom Childe befriended and encouraged in his research.

McNairn suggested that this was because the term "culture" had become popular across the social sciences in reference to all learned modes of behaviour, and not just material culture as Childe had done. By the 1940s, Childe was doubtful as to whether a certain archaeological assemblage or "culture" really reflected a social group who had other unifying traits, such as a shared language. In the 1950s, Childe was comparing the role culture-historical archaeology had among prehistorians to the place of the traditional politico-military approach among historians.

In anthropology and archaeology, the Urban Revolution is the process by which small, kin-based, nonliterate agricultural villages were transformed into large, socially complex, urban societies. The term "urban revolution" was introduced in the 1930s by V. Gordon Childe, an Australian archaeologist. Childe also coined the term Neolithic Revolution to describe the earlier process by which hunter-gatherer societies domesticated crops and animals and began a farming lifestyle. Childe was the first to synthesize and organize the large volume of new archaeological data in the early 20th century in social terms.

In the Middle Ages, a childe or child (from "Young Lord") was a nobleman's son who had not yet attained knighthood or had not yet won his spurs. As a rank in chivalry it was used as a title, e.g. Child Horn in King Horn, whilst a male progressed through the positions of squire and then knight. The term is now obsolete in standard English but is still well-known from poetry, such as Robert Browning's Childe Roland to the Dark Tower Came and Lord Byron's Childe Harold's Pilgrimage.

Consider how the journalistic immediacy of Childe Harold enabled Byron to overgo the Spenserian poems recently published by Campbell and Scott.

She served in the Mediterranean and the Levant in 1846. By December 1848 she was at the Cape of Good Hope. On 16 February 1850 she rescued the survivors of the barque Childe Harold, a passenger ship homeward bound from Australia. Childe Harold had struck the south east point of Dassen Island on the West Coast of South Africa.

Moonlight: A Composition by Elias Childe Childe exhibited upwards of 500 pictures at the exhibitions of the Society of British Artists, the Royal Academy, and the British Institution. His pictures were popular, and sold well. He particularly excelled in moonlight effects, and an example of that style went to the National Gallery of British Art at South Kensington.

Mendelssohn (1809–1847) by the English miniaturist James Warren Childe (1778–1862), 1829 This is a list of compositions by Felix Mendelssohn.

Monserrate Palace in Sintra, noted for its beauty in Lord Byron's Childe Harold's Pilgrimage during his grand tour through the Portuguese Riviera.

Rheta Childe Dorr died in New Britain, Pennsylvania, on August 8, 1948. She was 81 years old at the time of her death.

31 But the Childe was to be found applying himself to other activities than travel. The 62 pages of Francis Hodgson's Childe Harold's Monitor, or Lines occasioned by the last canto of Childe Harold (London 1818),Google Books are given over to literary satire in the manner of Byron's English Bards and Scotch Reviewers. Written in heroic couplets, it champions the style of the Augustan poets against the emergent Romantic style, particularly of the Lake Poets. Childe Harold in the Shades: An Infernal Romaunt (London 1819), displays much the same sentiments.The British Critic, Volume 11 (1819), pp.83-87 The poem is set in the Classical underworld and its anonymous youthful author has since been identified as Edward Dacres Baynes.Ian Macdonald, "A Love of Poetry", Guyana Chronicle, 13 September 2014 Title page of Alphonse de Lamartine's Le dernier chant du pèlerinage d'Harold, 1825 Byron's death in the Greek War of Independence initiated a new round of imitations. William Lisle Bowles responded to his interment with a generous elegy in the six stanzas of "Childe Harold's Last Pilgrimage" (1826).

V. G. Childe, "The Urban Revolution," Town Planning Review 21 (1950) pp. 3–17. The legacy of this fundamental article is discussed in M. E. Smith, "V. Gordon Childe and the Urban Revolution: a historical perspective on a revolution in urban studies," Town Planning Review 80 (2009) pp. 3–29. The causes of the appearance of cities have been discussed a great deal.

The Final Encyclopedia is a science fiction book by Gordon R. Dickson published in 1984. It is part of the Childe Cycle series. The Final Encyclopedia transitions from the militaristic action-adventure of the earlier books in the Childe Cycle to a philosophical commentary on the evolution of humankind. The Final Encyclopedia is analogous to the Theatre of Memory from Renaissance times.

From 1919 to 1921, Childe worked for the leftist politician John Storey as his personal assistant. Childe returned to Australia in August 1917. As a known socialist agitator, he was placed under surveillance by the security services, who intercepted his mail. In 1918 he became senior resident tutor at St Andrew's College, Sydney University, joining Sydney's socialist and anti-conscription movement.

Long before Gordon Childe, he disputed the Nordic theory, which was later used by the Nazis as the foundation for their racial supremacy ideas.

The next trilogy to be published, the Childe Morgan series, is a direct prequel to the first Deryni series, the Chronicles of the Deryni.

In 1866 Doane moved to New York. He and his wife had a daughter, Kathleen Maud Doane, who married the American artist Childe Hassam.

It is the link between this novel and the rest of Dickson's Childe Cycle. Also represented, though, are themes of time-travel, immortality and parapsychology.

The Childe of Hale has since been a role model for generations of rowers and a portrait still hangs in the college. By tradition, the First VIII is now called "The Childe of Hale," and the First VIII wears the colours of the Childe's London costume — red, purple and gold. This follows an older tradition where each new boat would be given a name.

Dutt was imprisoned for refusing to fight, and Childe campaigned for the release of both him and other socialists and pacifist conscientious objectors. Childe was never required to enlist in the army, most likely because of his poor health and eyesight. His anti-war sentiments concerned the authorities; the intelligence agency MI5 opening a file on him, his mail was intercepted, and he was kept under observation.

In these works, Childe accepted a moderate version of diffusionism, the idea that cultural developments diffuse from one place to others, rather than being independently developed in many places. In contrast to the hyper-diffusionism of Grafton Elliot Smith, Childe suggested that although most cultural traits spread from one society to another, it was possible for the same traits to develop independently in different places.

Though Dorsai! (as The Genetic General) was actually written first, Necromancer is chronologically the first story in Dickson's Childe Cycle of novels. Dickson's own chronology in the essay "See a Thousand Years" places the events at the last decade of the 21st century. However, Sandra Miesel identifies Paul Formain as another incarnation of characters found later in the Childe Cycle: Hal Mayne and Donal Graeme.

Childe Morgan is a fantasy novel by American-born author Katherine Kurtz. It was published by Ace Books on December 5, 2006. It is the fifteenth of Kurtz' Deryni novels to be published, the second book in the fifth Deryni trilogy, the Childe Morgan trilogy. The events of this trilogy are a direct prequel to the first Deryni trilogy, the Chronicles of the Deryni.

Wills was born in Fort Wayne, Indiana, in 1878, the youngest child of John C. and Angelina S. Wills. His first name Childe was taken from the poem Childe Harold's Pilgrimage by Lord Byron. Wills hated the name, however, and always went by his middle name Harold or his initials instead. By 1885, the family had moved to Detroit, Michigan, where Wills finished his schooling.

He was elder brother to the artist James Warren Childe and Henry Langdon Childe who developed the magic lantern. He first exhibited in 1798 at the Royal Academy, when he was living at 29 Compton Street, Soho, with his brother James. He concentrated on landscape, a field in which he was a success. In 1825 he was elected a fellow of the Society of British Artists.

Ann Childe was born in London on 20 April 1811. Her parents were the painter James Warren Childe and Ann, née Banfield. She met her future husband at the Royal Academy of Music in London where she later taught. She was a soprano while he was a bass. Childe was taking the lead in as Catherine in Lord Burghersh's opera of the same name in 1830. Her future husband, Arthur Seguin (1809–1852) sang in support as Ismael. They were married in 1834 which was the same year as she sang at the Westminster Abbey festival. Her début at Covent Garden was playing Marcellina in Fidelio the following year.

Five years later she dedicated her first book, Hunters, Fishers, and Farmers: 6,000-3,000 B.C, to V. Gordon Childe, Stuart Piggott, Bohumil Soudsky, and Peter Ucko.

Selected publications 1954 The Dartmoor Legend of Mrs. Childe. Folklore 65, 103-9. 1958 The Black Dog. Folklore 69, 175-192. 1961 Tales of a Dartmoor Village.

The Water Garden is a 1909 painting by Childe Hassam. Done in oil on canvas, the painting is currently on display at the Metropolitan Museum of Art.

John Middleton (1578–1623), the Childe of Hale, was reputed to be nine feet, three inches tall, or 2.8 m. His cottage and grave are located in the village. Just outside St Mary's Church was a wooden carving of the Childe Of Hale which is said to have been life sized. It was replaced in 2013 by a bronze statue 3 metres tall by local sculptor, Diane Gorvin.

After the opening of the London Colosseum, Childe was a frequent exhibitor there. Princess Victoria with her mother attended Childe's entertainment of dissolving views at the Adelphi. During Lent of the years 1837–40 Childe was engaged with his lanterns to illustrate a series of lectures on astronomy given at Her Majesty's Theatre. At the Royal Polytechnic Institution, the building was opened with his "grand phantasmagoria" in 1838.

As a result, the storyline of the Childe Morgan Trilogy immediately precedes Deryni Rising, despite the fact that it was published over thirty years after the first novel.

Another interpretation of history, generally and erroneously considered to be contradictory to Jacobs' is supported by Marxist archaeologist Vere Gordon Childe and in recent times by another historical materialist Charles Keith Maisels These writers argue that agriculture preceded cities. The apparent opposition between Childe and Jacobs theories rests in their definition of 'city,' 'civilization,' or 'urban.' Childe, like other materialists such as Maisels or Henri Lefebvre defines 'urban' or 'civilization' as Synoecism—as a literate, socially stratified, monolithic political community, whereas, as one can see from The Economy of Cities or from Cities and the Wealth of Nations, Jacobs defines the city purely along the lines of geographically dense trade giving way to entrepreneurial discovery and subsequent improvements in the division of labor. Without the requirements of literacy, monumental building, or the signs of specialized civil and armed forces, 'cities' can be accurately be interpreted to exists thousands of years before when Childe and Maisels place them.

Childe joined the editorial board of the periodical Past & Present, founded by Marxist historians in 1952. During the early 1950s, he also became a board member for The Modern Quarterly—later The Marxist Quarterly—working alongside the board's chairman Rajani Palme Dutt, his best friend and flatmate from his Oxford days. He authored occasional articles for Palme Dutt's socialist journal, the Labour Monthly, but disagreed with him over the Hungarian Revolution of 1956; Palme Dutt defended the Soviet Union's decision to quash the revolution using military force, but Childe, like many Western socialists, strongly opposed it. The event made Childe abandon faith in the Soviet leadership, but not in socialism or Marxism.

In the early part of his career, Childe was a proponent of the culture-historical approach to archaeology, coming to be seen as one of its "founders and chief exponents". Culture-historical archaeology revolved around the concept of "culture", which it had adopted from anthropology. This was "a major turning point in the history of the discipline", allowing archaeologists to look at the past through a spatial dynamic rather than a temporal one. Childe adopted the concept of "culture" from the German philologist and archaeologist Gustaf Kossinna, although this influence might have been mediated through Leon Kozłowski, a Polish archaeologist who had adopted Kossina's ideas and who had a close association with Childe.

She created models for Frederick Zeuner to use in his lectures and busts of V. Gordon Childe (c.1958) and Mortimer Wheeler.From the Archives. Archaeology International, 1 December 2012.

The trio were elected onto the committee of the Prehistoric Society of East Anglia. At Clark's suggestion, in 1935 they used their influence to convert it into a nationwide organisation, the Prehistoric Society, of which Childe was elected president. Membership of the group grew rapidly; in 1935 it had 353 members and by 1938 it had 668. Childe spent much time in continental Europe and attended many conferences there, having learned several European languages.

Grimes was appointed CBE in 1955. He continued his excavations in London after he succeeded V. Gordon Childe as director of the Institute of Archaeology and professor of archaeology at the University of London in 1956 (Wheeler had founded the Institute in 1937, and Childe became director after Wheeler resigned in 1946). While Grimes was its director, the Institute moved from St John's Lodge in Regent's Park to new premises at Gordon Square.

Japanese direct investment in 2016 to Childe totaled US$237 million. Several well known multinational Japanese companies such as Honda, Sony, Toshiba, Nissan, Komatsu and Toyota (among others) operate in Chile.

That year, Buczynski decided to stop using his flat as a covenstead, which he moved to the Earth Star Temple, the back room of The Magickal Childe, Herman Slater's new shop.

July Fourteenth, Rue Daunou, 1910 is an early 20th century painting by American impressionist Childe Hassam. Done in oil on canvas, the painting depicts the celebration of Bastille Day in Paris.

In 1922 he travelled to Vienna to examine unpublished material about the painted Neolithic pottery from Schipenitz, Bukovina, held in the Prehistoric Department of the Natural History Museum; he published his findings in the 1923 volume of the Journal of the Royal Anthropological Institute. Childe used this excursion to visit museums in Czechoslovakia and Hungary, bringing them to the attention of British archaeologists in a 1922 article in Man. After returning to London, in 1922 Childe became a private secretary for three Members of Parliament, including John Hope Simpson and Frank Gray, both members of the centre-left Liberal Party. Supplementing this income, Childe worked as a translator for the publishers Kegan Paul, Trench, Trübner & Co. and occasionally lectured in prehistory at the London School of Economics.

After publishing Prehistory of Scotland (1935), Childe produced one of the defining books of his career, Man Makes Himself (1936). Influenced by Marxist views of history, Childe argued that the usual distinction between (pre- literate) prehistory and (literate) history was a false dichotomy and human society has progressed through a series of technological, economic, and social revolutions. These included the Neolithic Revolution, when hunter-gatherers began settling in permanent farming communities, through to the Urban Revolution, when society moved from small towns to the first cities, and up to more recent times, when the Industrial Revolution changed the nature of production. After the outbreak of the Second World War, Childe was unable to travel across Europe, instead focusing on writing Prehistoric Communities of the British Isles (1940).

Like most archaeologists in Western Europe and the United States at the time, Childe did not regard humans as naturally inventive or inclined to change; thus, he tended to perceive social change in terms of diffusion and migration rather than internal development or cultural evolution. During the decades in which Childe was working, most archaeologists adhered to the three-age system first developed by the Danish antiquarian Christian Jürgensen Thomsen. This system rested upon an evolutionary chronology that divided prehistory into the Stone Age, Bronze Age, and Iron Age, but Childe highlighted that many of the world's societies were still effectively Stone Age in their technology. He nevertheless saw it as a useful model for analysing socio-economic development when combined with a Marxist framework.

They moved to Australia in 1878, where Mary died. In 1886 Stephen married Harriet, an Englishwoman from a wealthy background who had moved to Australia as a child. Gordon Childe was raised alongside five half-siblings at his father's palatial country house, the Chalet Fontenelle, in the township of Wentworth Falls in the Blue Mountains, west of Sydney. Rev. Childe worked as the minister for St. Thomas' Parish, but proved unpopular, arguing with his congregation and taking unscheduled holidays.

Maria Walecka-Garbalińska, Jules Lefèvre-Deumier (1797–1857) et le mythe romantique du genie, Université d'Uppsala, 1987 In the following year Aristide Tarry published the pamphlet-length Childe-Harold aux ruines de Rome: imitation du poème de Lord Byron, which was sold in aid of the Greek combatants.Christian A. E. Jensen, L'évolution du romantisme: l'année 1826, Slatkine Reprints, Geneva 1986, p.145 A later imitation of Childe Harold’s Pilgrimage lay unacknowledged for more than a century.

Church at Old Lyme, Childe Hassam, 1905. Albright-Knox Art Gallery, Buffalo, New York. May Night, Willard Metcalf, 1906 Ranger began his American equivalent to the French Barbizon school, a similar seasonal retreat from less bucolic communities, in the modest boarding house of Florence Griswold, bringing fellow artists Lewis Cohen, Henry Rankin Poore, Louis Paul Dessar, and William Henry Howe in 1900. The group came to be dominated, socially and artistically, by Childe Hassam after his appearance in 1903.

He was married to Matilda Ackley Donoho. He died on January 28, 1916, in New York City.After Donoho's death, Matilda Donoho sold the Long Island property to the Childe Hassams - good friends.

The club's colours are black and gold, with black blades. The 1st VIII, however, may wear the distinctive "Childe of Hale" colours — red, purple and gold — which are traditional in Brasenose rowing.

CHILDE AND GRANT A STONE-AGE SETTLEMENT AT THE BRAES OF RINYO, ROUSAY, ORKNEY.. Retrieved 24 August 2008.Rousay "Orkney Guide Book" Retrieved 24 August 2008."Rousay, Rinyo" RCAHMS. Retrieved 25 June 2009.

Harris said the book sought to "demonstrate the dynamic qualities of Childe's thought, the breadth and depth of his scholarship, and the continuing relevance of his work to contemporary issues in archaeology". In 1995, another conference collection was published. Titled Childe and Australia: Archaeology, Politics and Ideas, it was edited by Peter Gathercole, T.H. Irving, and Gregory Melleuish. Further papers appeared on the subject of Childe in ensuing years, looking at such subjects as his personal correspondences, and final resting place.

Born in Paris, Harvey was the illegitimate child of the French sculptor Henri Joseph François, Baron de Triqueti and the English sculptor Susan Durant.UK, Naturalisation Certificates and Declarations, 1870–1916Jacqueline Banerjee, Baron Henri-Joseph-François de Triqueti (1803-1874), Victorian Web, 9 May 2010. Accessed 9 June 2013. After his mother died, he was brought up by Blanche Lee Childe, his aunt or half-sister; when Childe also died in 1886, he was sponsored by Augusta, Lady Gregory with help from Henry James.

Although the Oxford Dictionary of National Biography states positively that he was not related to the Child & Co bankers of Osterley Park, Burke's Armorials 1884 provides evidence to the contrary, giving both families the same armourials: "Gules, a chevron ermine between 3 eagles close argent". (See Villiers, Earls of Jersey, into which family the banking Child family married.) The earliest bearer of these Child arms was William Childe, sheriff of Worcestershire in 1585. Burke's Armorials, 1884, p. 193\. Child & Childe; p.

It was extremely successful but also caused controversy due to its explicit contents and cover designs. In 1974, Slater was initiated into the Gardnerian tradition and assumed leadership of the coven in the late 1970s. The Warlock Shoppe later moved to West 19th Street in Manhattan (the borough of New York City) and operated under the name Magickal Childe. The Magickal Childe functioned as a major focal point for the neopagan community in the 1970s and well into the 1990s.

Childe's relationship with the conservative Wheeler was strained, for their personalities were very different; Wheeler was an extrovert who pursued the limelight, was an efficient administrator, and was intolerant of others' shortcomings, while Childe lacked administrative skill, and was tolerant of others. Childe was popular among the institute's students, who saw him as a kindly eccentric; they commissioned a bust of Childe from Marjorie Maitland Howard. His lecturing was nevertheless considered poor, as he often mumbled and walked into an adjacent room to find something while continuing to talk. He further confused his students by referring to the socialist states of eastern Europe by their full official titles, and by referring to towns by their Slavonic names rather than the names with which they were better known in English.

Green said that Childe accepted "Marxist views on a model of the past" because they offer "a structural analysis of culture in terms of economy, sociology and ideology, and a principle for cultural change through economy". McNairn noted that Marxism was "a major intellectual force in Childe's thought", while Trigger said Childe identified with Marx's theories "both emotionally and intellectually". Childe said he used Marxist ideas when interpreting the past "because and in so far as it works"; he criticised many fellow Marxists for treating the socio- political theory as a set of dogmas. Childe's Marxism often differed from the Marxism of his contemporaries, both because he made reference to the original texts of Hegel, Marx, and Engels rather than later interpretations and because he was selective in using their writings.

This conditioned him from the start to the brightly colored, flat patterning effects that characterized his mature work.Roberts, p. 54. He was also inspired by the example of Boston Impressionist Childe Hassam.Mathews, p. 12.

Ann(e) Childe Seguin (1811–1888) was a British and American opera singer who was part of the Seguin Troupe in America. Her best known role was as the lead in The Bohemian Girl.

Diamond Dogs (1974) is an album by David Bowie. "Turquoise Days" is a song on the album Heaven Up Here (1981) by Echo and the Bunnymen. The character Roland Childe and his obsession with the spire are references to Robert Browning's poem "Childe Roland to the Dark Tower Came". During their hibernated sleep on the way to the planet, the characters in Diamond Dogs share dreams which reference the novel Rogue Moon by Algis Budrys, and the films Cube and Raiders of the Lost Ark.

Byng sent two squadrons of the SALH unmounted to ascend the hill while the remaining squads gave covering fire with rifles and 3 machine guns. but they had no artillery support. Major Childe successfully lead the attack as the Boers fled from the summit however, just like at Spion Kop the crest of the hill was exposed to the enemy artillery and Childe was killed by a fragment from an exploding shell. They were relieved that night by 2 companies of the Queen's Royal (West Surrey) Regiment.

Childe Hassam (1859–1935), Flags on the Waldorf, 1916 Charles Demuth (1883–1935), Chimney and Water Tower, 1931 The ACMAA collection contains several examples of American Impressionism. Idle Hours (about 1894) by William Merritt Chase (1849–1916) anchors the ACMAA holdings of American Impressionist paintings. Chase's student and protégé Julian Onderdonk (1882–1922) is represented by a Texas scene, A Cloudy Day, Bluebonnets near San Antonio, Texas (1918). Flags on the Waldorf (1916) is a signature New York work by Childe Hassam (1859–1935).

By the 1920s sufficient archaeological material had been excavated and studied to suggest that diffusionism was not the only mechanism through which change occurred. Influenced by the political upheaval of the inter-war period Childe then argued that revolutions had wrought major changes in past societies. He conjectured a Neolithic Revolution, which inspired people to settle and farm rather than hunt nomadically. This would have led to considerable changes in social organisation, which Childe argued led to a second Urban Revolution that created the first cities.

Charles Baldwyn (1729–1801) was a British politician who sat in the House of Commons from 1766 to 1780. Baldwyn was the son of Charles Baldwyn of Bockleton and his wife Elizabeth Allgood, daughter of John Allgood of Newcastle upon Tyne and was baptized on 29 September 1729. He matriculated at St Mary Hall, Oxford in 1747. In April 1751 his father died and he succeeded to the estates. He married Catherine Childe, daughter of William Lacon Childe, MP for Shropshire on 14 May 1752.

In 1544 the More family bought the manor of Lower Millichope. Thomas More, who inherited the estate in 1689, started the creation of the surrounding pleasure park. His daughter and heiress Catherine left the estate to her cousin Robert Pemberton, after which it descended to the Revd R. Norgrave Pemberton. He replaced the original house by the present one, leaving it in 1848 to his own cousin Charles Orlando Childe, who thereafter changed his surname to Childe Pemberton (and was High Sheriff of Shropshire in 1859).

See Guy Rose by Will South. The City of Rosemead is named after his family. Also Paris-trained, Benjamin Brown, whose work suggested an Impressionism reminiscent of Childe Hassam, settled in California in the 1890s.Gerdts, 257.

He did not stand at the 1734 British general election but contested Bridgnorth at the 1741 British general election where he was defeated. He did not stand again. Childe died on 14 December 1757 leaving three daughters.

The Elizabeth B. Noyce Collection, a bequest of 66 paintings and sculptures, includes paintings by George Bellows, Alfred Thompson Bricher, Abraham Walkowitz, and Jamie Wyeth, and masterpieces by Childe Hassam, Fitz Henry Lane, and N. C. Wyeth.

Matilde Pérez Mollá is regarded as a pioneer for woman politicians in Spain. In 2004 mayor Maria Magdalena Childe, named a street after her and inaugurated a plaque to her honor on the building of her birth.

A further period of travel with Byron followed, and at this time Hobhouse wrote some notes to the fourth canto of Childe Harold. This canto was afterwards dedicated to him, and a revised edition of a part of his notes entitled Historical illustrations of the fourth canto of "Childe Harold" containing dissertations on the ruins of Rome and an essay on Italian literature, was published in 1818. He shared Byron's enthusiasm for the liberation of Greece; after the poet's death in 1824 he proved his will, and superintended the arrangements for his funeral.

Childe Rowland is a fairy tale, the most popular version written by Joseph Jacobs in his English Fairy Tales, published in 1890, based on an earlier version published in 1814 by Robert Jamieson. Jamieson's was repeating a "Scottish ballad", which he had heard from a tailor. Joseph Jacobs called the King of Elfland's palace "the Dark Tower" in his version, an addition he made that was not part of the original ballad. This harks to Shakespeare's King Lear and Robert Browning's poem "Childe Roland to the Dark Tower Came".

In 1935, he suggested that culture worked as a "living functioning organism" and emphasised the adaptive potential of material culture; in this he was influenced by anthropological functionalism. Childe accepted that archaeologists defined "cultures" based on a subjective selection of material criteria; this view was later widely adopted by archaeologists like Colin Renfrew. Later in his career, Childe tired of culture-historical archaeology. By the late 1940s he was questioning the utility of "culture" as an archaeological concept and thus the basic validity of the culture-historical approach.

108, 1825, pp.453-60 Its English translation by J. W. Lake, The Last Canto of Childe Harold's Pilgrimage, was published from Paris in 1826. Another in heroic couplets followed from London in 1827.Google Books Another French enthusiast, Jules Lefèvre-Deumier, had actually been on the way to join Byron in Greece in 1823 but a shipwreck robbed him of the opportunity to join the cause. He too recorded a pilgrimage from Paris into Swizerland in Les Pélerinages d’un Childe Harold Parisien, published in 1825 under the pseudonym D. J. C. Verfèle.

Henry Langdon Childe (1781–1874) was an English showman, known as a developer of the magic lantern and dissolving views, a precursor of the dissolve in cinematic technique. While the priority question on the technical innovations Childe used is still debated, he established the use of double and triple lanterns for special theatrical effects, to the extent that the equipment involved became generally available through suppliers to other professionals. By the 1840s the "dissolving view", rooted in Gothic horror, had become a staple of illustrated talks with restrained animations.

It remains unclear what Childe himself invented, and when, but according to some sources his technique became established in British theatres in the 1820s and 1830s: the lantern was used as a heightened dramatic effect and supported "transformation scenes". In 1827, a production of The Flying Dutchman opera by Edward Fitzball projected an image of the ship from backstage onto gauze. Childe has been credited with this moving image effect. Fitzball himself, however, took the credit at the time, for the use of a lantern on a track.

The clone of Roland that stars in the story is the 19th clone. 19 is a reoccurring motif in The Dark Tower Series by Stephen King, which also draws deeply from Childe Roland to the Dark Tower Came.

Clairmont and Mary also made fair copies of Byron's current work- in-progress, Childe Harold's Pilgrimage.Eisler, p. 519. Clairmont was the only lover, other than Caroline Lamb, whom Byron referred to as a "little fiend".Eisler, p. 515.

By 1882 he was an instructor at the Boston Art Club. He later also taught at the Rhode Island School of Design. Among his pupils were Childe Hassam, A.W. Buhler and Sears Gallagher.Tufts Journal, article on works for chapel.

To deal with the Spire's puzzles, the team submit to more and more cybernetic and artificial aids, which eventually culminate with Childe and Richard resembling nothing so much as diamond dogs, with artificially-accelerated consciousness and an advanced grasp of mathematics. While tackling the Spire, Celestine barges in and tries to persuade Richard to abandon the quest. Apparently, Childe knew more about the Spire than he should, and medical investigation of the corpses revealed all of them came from the same individual – because they had the same DNA. It is revealed that the bodies were actually clones of Childe, who had already visited the place before, and what he did was to go in, get to where he thought he could not go on much further, and then have his memories trawled and implanted into a clone, before returning to continue solving the puzzles, and die of failure.

Hardcastle, > "Black History shines new light on 'color'", Dayton Daily News, Dayton, > Ohio, 30 January 2003, accessed 5 January 2011 If the Court had believed his testimony, it would have influenced the outcome. In 1655, the English colonists would not have considered a Turk a free English subject or a Christian. "The most persuasive evidence" came from Elizabeth Newman, 80 years old and a former servant of Mottram, who testified that > it was a common Fame in Virginia that Elizabeth a Molletto (sic mulatto), > now (e) servant to the Estate of Col. John Mottrom, deceased, was the > Daughter of Mr. Kaye; and the said Kaye was brought to Blunt-Point Court and > there fined for getting his Negro woman with Childe, which said Negroe was > the Mother of the said Molletto, and the said fine was for getting the Negro > with Childe which Childe was the said Elizabeth.

Childe continued writing and publishing books on archaeology, beginning with a series of works following on from The Dawn of European Civilisation and The Aryans by compiling and synthesising data from across Europe. First was The Most Ancient Near East (1928), which assembled information from across Mesopotamia and India, setting a background from which the spread of farming and other technologies into Europe could be understood. This was followed by The Danube in Prehistory (1929) which examined the archaeology along the Danube river, recognising it as the natural boundary dividing the Near East from Europe; Childe believed it was via the Danube that new technologies travelled westward. Although Childe had used culture- historical approaches in earlier publications, The Danube in Prehistory was his first publication to provide a specific definition of the concept of an archaeological culture, revolutionising the theoretical approach of British archaeology.

Upon his retirement, he told many friends he planned to return to Australia, visit his relatives, and commit suicide; he was terrified of becoming old, senile, and a burden on society, and suspected he had cancer. Subsequent commentators suggested that a core reason for his suicidal desires was a loss of faith in Marxism following the Hungarian Revolution and Nikita Khrushchev's denouncement of Joseph Stalin, although Bruce Trigger dismissed this explanation, noting that while Childe was critical of Soviet foreign policy, he never saw the state and Marxism as synonymous. A view of Grose Valley from Govetts Leap, the site where Childe chose to end his life Sorting out his affairs, Childe donated most of his library and all of his estate to the institute. After a February 1957 holiday visiting archaeological sites in Gibraltar and Spain, he sailed to Australia, reaching Sydney on his 65th birthday.

Alfred, Lord Tennyson was born. Nikolai Gogol was born. In 1811 Jane Austen published (anonymously) Sense and Sensibility In 1812, George Crabbe published Tales in Verse. Byron published Childe Harold's Pilgrimage Cantos I and II. Samuel Taylor Coleridge published Remorse.

The Dorsai Companion is a collection of science fiction stories by American writer Gordon R. Dickson, part of his Childe Cycle series. It was first published by Ace Books in 1986. The collection includes a number of articles by Sandra Miesel.

The National Academy of Design awarded him its 1919 Watrous Gold Medal, for his portrait bust of Childe Hassam. The Chicago Art Institute awarded him its 1921 Potter Palmer Gold Medal"Prize Work at American Art Exhibit", The Monumental News, vol.

On 23 February 1647 Fortrey married Theodora Jocelin, the child for whom Elizabeth Jocelin wrote The Mother's Legacie to her Unborn Childe. He died in February 1681. His third son, James, groom of the bedchamber to James II, married Lady Belasyse.

While the three-age system was being attributed to Childe in popular fame, Kenyon became gratuitously the discoverer of the PPN. More significantly the question of revolution or evolution of the Neolithic was increasingly being brought before the professional archaeologists.

Surf, Isles of Shoals is a 1913 painting by Childe Hassam. Done in oil on canvas, the work depicts the rugged New England shoreline near Portsmouth, New Hampshire. The painting is currently in the collection of the Metropolitan Museum of Art.

Having uncovered a well-preserved Neolithic village, in 1931 he published the excavation results in a book titled Skara Brae. He made an error of interpretation, erroneously attributing the site to the Iron Age. During the excavation, Childe got on particularly well with the locals; for them, he was "every inch the professor" because of his eccentric appearance and habits. In 1932, Childe, collaborating with the anthropologist C. Daryll Forde, excavated two Iron Age hillforts at Earn's Hugh on the Berwickshire coast, while in June 1935 he excavated a promontory fort at Larriban near to Knocksoghey in Northern Ireland.

Trigger expressed the view that while adopting Kossina's basic concept, Childe displayed "no awareness" of the "racist connotations" Kossina had given it. Childe's adherence to the culture- historical model is apparent in three of his books—The Dawn of European Civilisation (1925), The Aryans (1926) and The Most Ancient East (1928)—but in none of these does he define what he means by "culture". Only later, in The Danube in Prehistory (1929), did Childe give "culture" a specifically archaeological definition. In this book, he defined a "culture" as a set of "regularly associated traits" in the material culture—i.e.

McNairn considered Childe's Marxism "an individual interpretation" that differed from "popular or orthodox" Marxism; Trigger called him a "a creative Marxist thinker"; Gathercole thought that while Childe's "debt to Marx was quite evident", his "attitude to Marxism was at times ambivalent". The Marxist historian Eric Hobsbawm later described Childe as "the most original English Marxist writer from the days of my youth". Aware that in the context of the Cold War his affiliation with Marxism could prove dangerous for him, Childe sought to make his Marxist ideas more palatable to his readership. In his archaeological writings, he sparingly made direct reference to Marx.

English linguists lost no time in bringing Van Vliet's oud Duijts into English as "Old Dutch". The linguistic noun "Old Dutch", however, competed with the adjective "Old Dutch", meaning an earlier writing in the same Dutch, such as an old Dutch rhyme, or an old Dutch proverb. For example, Brandt's "old Dutch proverb", in the English of his translator, John Childe, mentioned in 1721: Eendracht maekt macht, en twist verquist, "Unity gives strength, and Discord weakness," means contemporary Dutch and not Old Dutch. On the frontispiece, Childe refers to the language in which the book was written as "the original Low Dutch".

The linguistic noun "Old Dutch", however, competed with the adjective "Old Dutch", meaning an earlier writing in the same Dutch, such as an old Dutch rhyme, or an old Dutch proverb. For example, Brandt's "old Dutch proverb", in the English of his translator, John Childe, mentioned in 1721: Eendracht maekt macht, en twist verquist, "Unity gives strength, and Discord wastes," means contemporary Dutch and not Old Dutch. On the frontispiece, Childe refers to the language in which the book was written as "the original Low Dutch". Linguistic "Old Dutch" had already become "Low Dutch", the contemporary language, and "High Dutch", or High German.

179; archive.org. On this account, repeated in the Dictionary of National Biography account of 1887, Childe innovated with his method of "dissolving views": one picture appeared to fade away, while another as gradually took its place, an effect created by two lanterns with shutters. He worked from 1807, and completed his method in 1818; a brother of the artist Elias Childe, he had learned while still a young man to paint on glass, and prepared his own lantern slides. The date of the original introduction of dissolving views was the subject of an 1893 debate in The Optical and Magic Lantern Journal.

Coast Scene, Isles of Shoals is a 1901 painting by Childe Hassam which is in the collection of the Metropolitan Museum of Art. Done in oil on canvas in luminous colours, the painting depicts the remote Isles of Shoals off the rocky shoreline of New England, a favourite haunt of Childe Hassam at the end of the 19th century and where he painted a series of similar coastal scenes. The painting is accompanied at the Metropolitan Museum of Art by Surf, Isles of Shoals, a similar work by Hassam. The work is currently (2018) not on view.

Set around the late 25th century, Diamond Dogs is a new treatment of the classic SF plot of the deadly maze. While visiting the Monument to the Eighty in Chasm City, Richard meets his old friend Roland Childe, who has been presumed dead for over a century and a half. Childe takes Richard back to his home, and reveals that he is assembling a team to tackle a curious artificial – alien – structure found by probes sent out secretly by his family ages ago. The team consisted of Richard, Celestine (Richard's ex-wife who underwent Pattern Juggler neural transforms that left her with a brilliant capacity at mathematics, and who divorced Richard around 2490), Hirz (sometime hacker, sometime infiltrator, who has herself frozen between missions), Dr Trintignant (expert doctor and cyberneticist, infamous for conducting horrific medical experiments on allegedly unconsenting subjects), Forqueray (an Ultranaut, captain of the lighthugger Apollyon) and, of course, Childe himself.

Charlotte Harley (1801–1880), to whom Byron dedicated Childe Harold, using the nickname Ianthe The poem contains elements thought to be autobiographical, as Byron generated some of the storyline from experience gained during his travels through Portugal, the Mediterranean and Aegean Sea between 1809 and 1811.. The "Ianthe" of the dedication was the term of endearment he used for Lady Charlotte Harley, about 11 years old when Childe Harold was first published. Charlotte Bacon, née Harley, was the second daughter of 5th Earl of Oxford and Lady Oxford, Jane Elizabeth Scott. Throughout the poem, Byron, in character of Childe Harold, regretted his wasted early youth, hence re-evaluating his life choices and re- designing himself through going on the pilgrimage, during which he lamented various historical events including the Iberian Peninsular War among others. Despite Byron's initial hesitation at having the first two cantos of the poem published because he felt it revealed too much of himself,.

After he left the Navy he read voraciously. He often read Shakespeare's plays and attended the theatres in Covent Garden. He began incorporating references to Shakespeare in his personal letters. He also enjoyed reading the works of Lord Byron, including Childe Harold's Pilgrimage.

The Tardenoisian (or Beuronian) is an archaeological culture of the Mesolithic/Epipaleolithic period from northern France and Belgium. Similar cultures are known further east in central Europe, parts of Britain.V. Gordon Childe, The Prehistory of Scotland, 1935, p. 20 and west across Spain.

Byron was deeming the work "my best" in 1817, a year before adding a fourth canto.Chalk, Aidan. "Childe Harold's Pilgrimage: a Romaunt and the Influence of Local Attachment", Texas Studies in Literature and Language, Vol. 40.1, Local Habitations (Spring 1998), pp. 48–77.

Timbre is the third album by American singer-songwriter Sophie B. Hawkins, released in 1999 (see 1999 in music). This album was re-released in 2001 with a bonus disc. One release has censored lyrics in "The Darkest Childe" and "Help Me Breathe".

Church at Old Lyme, oil on canvas, Childe Hassam, 1905. Albright-Knox Art Gallery, Buffalo, New York. The Old Lyme Congregational Church is located in Old Lyme, Connecticut. The church is noted as a favorite subject of Old Lyme Art Colony painters.

In the phantasmagoria tradition, which continued to be popular with British audiences of the early 19th century, Childe showed Castle Spectre within a Gothic setting in 1828. The Literary Gazette of 27 March 1830 reported on Childe's support of a popular scientific lecturer.

A surviving lantern slide of Hill's has dimensions 17 cm by 21 cm, larger than was standard. The Polytechnic's slides were professionally painted, by a group including also Charles Gogin, Isaac Knott, and Fid Page. Childe lived to age 93, dying in 1874.

Captain Sandy was by Sandydale (USA) P.2:01 ¾ from Waikaura (F1931) by Guy Parrish (USA) tracing through mares by imported sires to the ex-Australian mare Ella G (F1897) by Vancleve (USA) from Rosebud by Tempest (F1885 by Childe Harold (USA)).

Rheta Louise Childe Dorr (1868–1948) was an American journalist, suffragist newspaper editor, writer, and political activist. Dorr is best remembered as one of the leading female muckraking journalists of the Progressive era and as the first editor of the influential newspaper, The Suffragist.

Childe Hassam, Washington Arch, ca. 1893 In 1914, he married author Olivia Howard Dunbar, who was a magazine writer, novelist, and reporter for the New York World. They lived at Washington Square in Lower Manhattan. Torrence died on December 25, 1950 in New York City.

Childe Wynd thrice kisses the laidly worm, John D. Batten, 1890 The Laidly Worm of Spindleston Heugh, also known as The Laidly Worm of Bamborough, is a Northumbrian ballad about a princess who is changed into a dragon (the "laidly worm" of the title).

In 1975 Larraz won the Cintas Foundation Fellowship from the Institute of International Education, New York. In 1977 he was awarded the Acquisition Prize. Childe Hassam Fund Purchase Exhibition from the American Academy of Arts and Letters and Institute of Arts & Letters, New York.

Königswinter and the Drachenfels. Postcard in Photochrom, around 1900. The rock and the ruins gained popularity in the romantic era, after the Napoleonic Wars had ended. The visit of Lord Byron to and its appearance in Childe Harold's Pilgrimage provided the rock with international attention.

Winter in Union Square is a late 19th-century painting by American artist Childe Hassam. Done in oil on canvas, the painting depicts Union Square in New York City during a winter snowstorm. The painting is in the collection of the Metropolitan Museum of Art.

Bakhtin argues that the prominence of the novel caused other genres to adapt themselves and try to treat time in the same way as the novel. He gives the specific example of Lord Byron's Childe Harold as a poem that adopted certain novelistic features.

Ending his studies in 1913, Childe graduated the following year with various honours and prizes, including Professor Francis Anderson's prize for philosophy. Wishing to continue his education, he gained a £200 Cooper Graduate Scholarship in Classics, allowing him to pay the tuition fees at Queen's College, part of the University of Oxford, England. He set sail for Britain aboard the SS Orsova in August 1914, shortly after the outbreak of World War I. At Queen's, Childe was entered for a diploma in classical archaeology followed by a Literae Humaniores degree, although he never completed the former. Whilst there, he studied under John Beazley and Arthur Evans, the latter being Childe's supervisor.

The Neolithic passage tomb of Maes Howe on Mainland, Orkney, excavated by Childe 1954–55 In 1946, Childe left Edinburgh to take up the position as director and professor of European prehistory at the Institute of Archaeology (IOA) in London. Anxious to return to London, he had kept silent over his disapproval of government policies so he would not be prevented from getting the job. He took up residence in the Isokon building near to Hampstead. Located in St John's Lodge in the Inner Circle of Regent's Park, the IOA was founded in 1937, largely by the archaeologist Mortimer Wheeler, but until 1946 relied primarily on volunteer lecturers.

Childe has typically been seen as a Marxist archaeologist, being the first archaeologist in the West to use Marxist theory in his work. Marxist archaeology emerged in the Soviet Union in 1929, when the archaeologist Vladislav I. Ravdonikas published a report titled "For a Soviet History of Material Culture". Criticising the archaeological discipline as inherently bourgeois and therefore anti-socialist, Ravdonikas's report called for a pro-socialist, Marxist approach to archaeology as part of the academic reforms instituted under Joseph Stalin's rule. It was during the mid-1930s, around the time of his first visit to the Soviet Union, that Childe began to make explicit reference to Marxism in his work.

As a moderate diffusionist, Childe was heavily critical of the "Marrist" trend in Soviet archaeology, based on the theories of the Georgian philologist Nicholas Marr, which rejected diffusionism in favour of unilinear evolutionism. In his view, it "cannot be un-Marxian" to understand the spread of domesticated plants, animals, and ideas through diffusionism. Childe did not publicly air these criticisms of his Soviet colleagues, perhaps so as not to offend communist friends or to provide ammunition for right-wing archaeologists. Instead, he publicly praised the Soviet system of archaeology and heritage management, contrasting it favourably with Britain's because it encouraged collaboration rather than competition between archaeologists.

In July 1986, a colloquium devoted to Childe's work was held in Mexico City, marking the 50th anniversary of Man Makes Himself's publication. In September 1990, the University of Queensland's Australian Studies Centre organised a centenary conference for Childe in Brisbane, with presentations examining both his scholarly and his socialist work. In May 1992, a conference marking his centenary was held at the UCL Institute of Archaeology in London, co-sponsored by the Institute and the Prehistoric Society, both organisations he had formerly headed. The conference proceedings were published in a 1994 volume edited by David R. Harris, the Institute's director, entitled The Archaeology of V. Gordon Childe: Contemporary Perspectives.

Fritz, was foaled in 1890 and broke the previous Australian Standardbred time record by more than 10 seconds for the mile. Vancleve's progeny won him leading sire titles in Australia and New Zealand, although he did not stand at stud in New Zealand.Vancleve Retrieved 2010-5-15Classic Families: Vancleve Retrieved 2010-5-19 Andrew Town of Richmond, New South Wales imported the Kentucky bred, Childe Harold (by Harold) in 1882 for £3,935. Childe Harold had won in 1874 the International Trot at Liverpool, England. In 1879, he won an important race in France, and he was then taken on a tour of the Continent.

In 2010, for reasons as yet unexplained, the inflow to The Wells ceased for a while, and has only been intermittent since then. To the west of the church is the recently refurbished Market Hall, which now houses a number of facilities including the Tourist Information Centre. There are six public houses in the town of Cleobury, with a further one (the Blount Arms) on the A4117 road in the direction of Kidderminster.Shropshire Pub Survey Cleobury Mortimer The town also has a secondary school, Lacon Childe,Lacon Childe School a primary school, a library, a post office and a fire station; until 2014 it also had a police station.

Sinclair was immortalised in the poem "The Ballad of George Sinclair" translated into English from the original Danish/Norwegian and written by Edvard Storm, in 1781.Edvard Storm, The Ballad of Sinclair, from Scottish Soldiers of Fortune by Grant (retrieved 13 November 2008) Childe Sinclair and his menyie steered Across the salt sea waves; But at Kringellens' mountain gorge They filled untimely graves. They crossed the stormy waves so blue, for Swedish gold to fight; May burning curses on them fall That strike not for the right! The horned moon is gleaming red, The waves are rolling deep; A mermaid trolled her demon lay - Childe Sinclair woke from sleep.

This was followed by The Danube in Prehistory (1929), in which Childe examined the archaeology along the Danube river, recognising it as the natural boundary dividing the Near East from Europe, and subsequently he believed that it was via the Danube that various new technologies travelled westward in antiquity. In The Danube in Prehistory, Childe introduced the concept of an archaeological culture (which up until then had been largely restrained purely to German academics), to his British counterparts. This concept would revolutionise the way in which archaeologists understood the past, and would come to be widely accepted in future decades.Trigger 1980. pp. 56-60.

Childe, in particular, was responsible for formulating the definition of archaeological culture that is still largely applies today:. Though he was sceptical about identifying particular ethnicities in the archaeological record and inclined much more to diffusionism than migrationism to explain culture change, Childe and later culture-historical archaeologists, like Kossinna, still equated separate archaeological cultures with separate "peoples". Later archaeologists have questioned the straightforward relationship between material culture and human societies. The definition of archaeological cultures and their relationship to past people has become less clear; in some cases, what was believed to be a monolithic culture is shown by further study to be discrete societies.

Zelda Harrison was born in New York City. She studied voice with Ann Childe Seguin, who sang at the coronation of Queen Victoria.Thomas Allston Brown, A History of the New York Stage from the First Performance in 1732 to 1901, Volume 1 (Dodd, Mead 1903): 250.

Call in thy deaths head there: tie up thy fears. He that forbears To suit and serve his need, Deserves his load. But as I rav'd and grevv more fierce and wilde At every word, Me thoughts I heard one calling, Childe: And I reply'd , My Lord.

For further information on this edition and subsequent reprints, see More recently, Michael Bertiaux described a system called Angelic Gematria in his The Voudon Gnostic Workbook (1989),Bertiaux, Michael. The Voudon Gnostic Workbook. Magickal Childe, 1989. . Republished as The Voudon Gnostic Workbook: Expanded Edition, p. 82.

Theodore Robinson visited France in 1887, befriended Monet, and became one of the first U.S. painters to adopt the new technique. In the last decades of the century American Impressionism, as practiced by artists such as Childe Hassam and Frank W. Benson, became a popular style.

The chapel also houses a portrait and a painting of one hand of the Childe of Hale, described in contemporary sources as man of 9 foot 3 inches in height. This recalls a visit to the college on his return from a visit to London in 1617.

Byron published Manfred. In 1818, Mary Shelley anonymously published Frankenstein which came to be known, eventually, as the first science fiction novel and the template for the mad scientist subgenre. Byron published Childe Harold Canto IV. John Keats published Endymion. Thomas Love Peacock published Rhododaphne and Nightmare Abbey.

Title page of Concrete surface finishes, renderings and terrazzo by W.S. Gray & H.L. Childe. (2nd reprinted, 1948) The Concrete Series was a series of books about the use of concrete in construction that was published by Concrete Publications Limited of Dartmouth Street, London, from the 1930s to the 1960s.

In that year, he won races in Ireland, Scotland, France, Germany and also in Russia, where he won two big trotting events. This stallion produced superior quality trotters and 45 of his sons became sires. Childe Harold's name can still be found in some of today's Standardbred pedigrees.

John Middleton (1578–1623) was an English giant who was born in the village of Hale and is commonly known as the Childe of Hale. Legend tells that he slept with his feet out of the window of his small house. Tales also credit him with great strength.

The bulk of the novella is taken up by flashbacks to 1945, concerning Farringdon and the Club. The narrative slowly builds up to the unfolding of a tragedy that killed Joanna Childe, the elocution instructor, and led to Farringdon's conversion through the evil heartlessness he perceived in Selina's behavior.

Childe's Tomb today Childe's Tomb before its destruction in 1812 Childe's Tomb is a granite cross on Dartmoor, Devon, England. Although not in its original form, it is more elaborate than most of the crosses on Dartmoor, being raised upon a constructed base, and it is known that a kistvaen is underneath. A well-known legend attached to the site, first recorded in 1630 by Tristram Risdon, concerns a wealthy hunter, Childe, who became lost in a snow storm and supposedly died there despite disembowelling his horse and climbing into its body for protection. The legend relates that Childe left a note of some sort saying that whoever found and buried his body would inherit his lands at Plymstock.

He retained a love of the Soviet Union, having visiting on multiple occasions; he was also involved with a CPGB satellite body, the Society for Cultural Relations with the USSR, and served as president of its National History and Archaeology Section from the early 1950s until his death. In April 1956, Childe was awarded the Gold Medal of the Society of Antiquaries for his services to archaeology. He was invited to lecture in the United States on multiple occasions, by Robert Braidwood, William Duncan Strong, and Leslie White, but the U.S. State Department barred him from entering the country due to his Marxist beliefs. Whilst working at the institute, Childe continued writing and publishing books dealing with archaeology.

"Diffusionism" in its original use in the 19th and early 20th century did not preclude migration or invasion. It was rather the term for assumption of any spread of cultural innovation, including by migration or invasion, as opposed "evolutionism", assuming the independent appearance of cultural innovation in a process of parallel evolution, termed "cultural evolutionism". Opposition to migrationism as argued in the 1970s had an ideological component of anti-nationalism derived from Marxist archaeology, going back to V. Gordon Childe. Childe in the interwar period combined "evolutionism" and "diffusionism" in arguing an intermediate position that each society developed in its own way, but strongly influenced by the spread of ideas from elsewhere.

There, he found that he developed a relationship of mutual respect with the director, Childe, despite their strong personal and professional differences. In April 1949, after the retirement of Cyril Fox, Wheeler was nominated for the Presidency of the Society of Antiquaries, but lost to James Mann; many archaeologists, including Childe and O. G. S. Crawford, resigned from the Society in protest, deeming Wheeler to have been a far more appropriate candidate for the position. Wheeler was nevertheless elected director of the Society. In 1950 he was awarded the Petrie Medal, and was knighted in the 1952 Birthday Honours, with his investiture by the Queen taking place at Buckingham Palace on 8 July.

Amanda Morgan (also ap Morgan for generations after the First Amanda -- "ap" is a Welsh Patronymic similar to "Mac" in Gaelic) is the name of several fictional characters appearing in Gordon R. Dickson's Childe Cycle series of novels and stories. This includes the protagonist of the novella "Amanda Morgan" in The Spirit of Dorsai and The Dorsai Companion. Within the Childe Cycle there are several characters that have a triple nature which manifests itself in different ways (see: Welsh Triads) Amanda Morgan is one of them, and as a unique character she is a single character written as three entirely separate people. The three characters are referred to as The First Amanda, The Second Amanda, and The Third Amanda.

Lubbock created such concepts as savages and barbarians based on the customs of then modern tribesmen and made the presumption that the terms can be applied without serious inaccuracy to the men of the Paleolithic and the Neolithic. Childe broke with this view: > The assumption that any savage tribe today is primitive, in the sense that > its culture faithfully reflects that of much more ancient men is gratuitous. Childe concentrated on the inferences to be made from the artifacts: > But when the tools ... are considered ... in their totality, they may reveal > much more. They disclose not only the level of technical skill ... but also > their economy .... The archaeologists's ages correspond roughly to economic > stages.

In 1996, a major retrospective at LAA was held to commemorate the 75th anniversary of the gallery. Works by Henry Ward Ranger, Bruce Crane, Robert Vonnoh, Willard Metcalf, Childe Hassam, Carleton Wiggins, Guy C. Wiggins and William Chadwick were featured. Artwork by Ornithologist Roger Tory Peterson was also on display.

Dorsai! is the first published book of the incomplete Childe Cycle series of science fiction novels by American writer Gordon R. Dickson. Later books are set both before and after the events in Dorsai!. The novel was originally published in serialized form in Astounding Science Fiction, starting in May 1959.

V. G. Childe, The Prehistory of Scotland (London: Taylor and Francis, 1935), p. 115. By the Iron Age, Scotland had been penetrated by the wider La Tène culture.R. G. Collingwood and J. N. L. Myres, Roman Britain and the English Settlements (New York, NY: Biblo & Tannen, 2nd edn., 1936), , p. 25.

The Spirit of Dorsai is a collection of two science fiction stories by American writer Gordon R. Dickson. It was first published by Ace Books in 1979. The collection includes linking material and the stories are part of Dickson's Childe Cycle. The first story, "Amanda Morgan", is original to this collection.

It was renamed Woman Citizen and declared to be the official organ of the NAWSA.Fowler (1986), pp. 117, 119 Alice Paul began publishing a newspaper called The Suffragist in 1913 when she was still part of the NAWSA. Editor of the eight-page weekly was Rheta Childe Dorr, an experienced journalist.

Byron has quoted this letter in his Childe Harold's Pilgrimage.Haskell, H.J.: "This was Cicero" (1964) p.250-251. The other is an excellently clear account of the murder of his ex-colleague Marcus Claudius Marcellus (consul 51 BC) in Piraeus (the port of Athens) in 45 BC. QuintilianInstit. x. 1, 1,6.

She also attended lectures by Gordon Childe, Kathleen Kenyon and Max Mallowan, which gave her a solid background in the archaeology of Central Europe and the Middle East. Her father had inherited Chastleton House in the Cotswolds (built in 1603) in 1955, and Clutton-Brock would spend her vacations there.

The Oxford Companion to American Literature, fourth edition, described Hesperia as "a long poem in Tom Moore's vein." The Encyclopedia of American Poetry: The Nineteenth Century calls it "part epic, part Byronesque narrative in the manner of Childe Harold, part autobiography and part philosophic essay." It is written in ottava rima.

Childe Harold Wills (June 1, 1878 – December 30, 1940) was an American engineer and businessman. He was an early associate of Henry Ford, one of the first employees of the Ford Motor Company, and the chief contributor to the design of the Model T. After leaving Ford, he began his own automobile company.

Fiona Wilson, "Virt'ous Fraud": The Perverse Politics of the "Caritas Romana" Scene in "Childe Harold", Keats-Shelley Journal Vol. 54 (2005), pp. 93–112, at pp. 109–110. Published by: Keats-Shelley Association of America, Inc. As an engraver, Heath exhibited at the Royal Academy and Suffolk Street Gallery from 1801 to 1825.

The born alive rule was originally a principle at common law in England that was carried to the United States and other former colonies of the British Empire. First formulated by William Staunford, it was later set down by Edward Coke in his Institutes of the Laws of England: > If a woman be quick with childe, and by a potion or otherwise killeth it in > her wombe, or if a man beat her, whereby the child dyeth in her body, and > she is delivered of a dead childe, this is great misprision, and no murder; > but if he childe be born alive and dyeth of the potion, battery, or other > cause, this is murder; for in law it is accounted a reasonable creature, in > rerum natura, when it is born alive.Cited in "The New "Fetal Protection": > The Wrong Answer to the Crisis of Inadequate Health Care for Women and > Children" , Linda Fentiman, 2006, note 119, (abstract and download link) The phrase "a reasonable creature, in rerum natura" as a whole is usually translated as "a life in being", i.e. where the umbilical cord has been severed and the baby has a life independently of the mother.

A wooden statue of the Childe of Hale, John Middleton John Middleton, the "Childe of Hale," was a 17th-century giant, standing over nine feet tall, from Hale in Lancashire. He accompanied his landlord, Sir Gilbert Ireland, to the court of James I, where he took on the King's champion wrestler and won. Sir Gilbert, later Lord of the Manor of Hale, was a member of Brasenose College at the time, and he brought Middleton to College on his return from court, where two life–size portraits were painted of him wearing his "London costume" - a fantastic outfit of red, purple and gold. When, in 1815, the students came to establish a Boat Club, it was this story and tradition that was used as inspiration.

Realising he would be barred from an academic career by the university authorities, Childe sought employment within the leftist movement. In August 1919, he became private secretary and speech writer to the politician John Storey, a prominent member of the centre-left Labor Party then in opposition to New South Wales' Nationalist Party government. Representing the Sydney suburb of Balmain on the New South Wales Legislative Assembly, Storey became state premier in 1920 when Labor achieved electoral victory. Working within the Labor Party allowed Childe greater insight into its workings; the deeper his involvement, the more he became critical of Labor, believing that once in political office they betrayed their socialist ideals and moved to a centrist, pro-capitalist stance.

Childe introduced his ideas about "revolutions" in a 1935 presidential address to the Prehistoric Society. Presenting this concept as part of his functional-economic interpretation of the three-age system, he argued that a "Neolithic Revolution" initiated the Neolithic era, and that other revolutions marked the start of the Bronze and Iron Ages. The following year, in Man Makes Himself, he combined these Bronze and Iron Age Revolutions into a singular "Urban Revolution", which corresponded largely to the anthropologist Lewis H. Morgan's concept of "civilization". For Childe, the Neolithic Revolution was a period of radical change, in which humans—who were then hunter-gatherers—began cultivating plants and breeding animals for food, allowing for greater control of the food supply and population growth.

John Edward Childe-Freeman, usually known during his playing career as John Freeman (born 28 June 1935 in Brisbane) is a former cricketer for Queensland who played 28 matches of first-class cricket between 1956 and 1962. A leg-spin bowler, Childe-Freeman had his best season in the Sheffield Shield in 1956–57, taking 23 wickets at an average of 34.04 and forming a leg-spinning partnership with Wal Walmsley (who took 28 wickets at 28.39) that helped Queensland achieve second place at the end of the season.Wisden 1958, pp. 861–87. He took his best figures of 6 for 134 in the second match of the season, against Western Australia, after taking 5 for 77 against New South Wales in the first match.

In 1936 a champion came forward who would advance the Neolithic Revolution into the mainstream view: Vere Gordon Childe. After giving the Neolithic Revolution scant mention in his first notable work, the 1928 edition of New Light on the Most Ancient East, Childe made a major presentation in the first edition of Man Makes Himself in 1936 developing Wallace's and Lubbock's theme of the human revolution against the supremacy of nature and supplying detail on two revolutions, the Paleolithic—Neolithic and the Neolithic-Bronze Age, which he called the Second or Urban revolution. Lubbock had been as much of an ethnologist as an archaeologist. The founders of cultural anthropology, such as Tylor and Morgan, were to follow his lead on that.

Fourth excavation was the largest and the longest, from 1929 to 1932. It was financially supported by archaeologist Gordon Childe, who was a patron of the University of Belgrade. Excavation was systematic and conducted by the most current archaeological methods of the day. In 1931, a mass burial site with nine skeletons was found.

His art includes abstract paintings, lithographs, sculptures and sketches. He won a Childe Hassam Prize from the American Academy of Arts and Letters. Leepa was an art professor at Michigan State University in East Lansing from 1945 until 1983. He earned a Master of Fine Arts and Doctor of Education degrees from Columbia University.

Born in London in 1943, he is the eldest son of the late John William Frederick Keen, an engineer, and Dorothy Ethel Keen, née French. He was educated at Kilburn Grammar School, St John's College York (CertEd, Music), the Institute of Archaeology (PGDip, European Archaeology, Gordon Childe Memorial Prize), and University College London (MPhil, Archaeology).

In 1964 Pinkney Near, curator of paintings, selected American paintings for the Cincinnati Museum's survey exhibition, ranging from early painters such as John Trumbull, Gilbert Stuart, and Washington Allston to later painters John Marin, Max Weber, George Bellows, Childe Hassam, Robert Vickrey, Marsden Hartley, Stuart Davis, Mark Tobey, Jane Freilicher, Milton Avery, and Tom Wesselmann.

Early exhibitors included Alice Pike Barney, Frank Weston Benson, William Merritt Chase, L. Birge Harrison, Childe Hassam, Hobart Nichols, Edward Willis Redfield, George Senseney, Juliet Thompson, and Irving Ramsey Wiles. The Society has a collection of art. The majority of the collection was donated in 2015 from the trustees of Corcoran Gallery of Art.

In 1827 he discovered the modern ascent of Mont Blanc. After the death of his mother in 1832 he passed the greater portion of his time in Italy, Greece and the Levant. The numerous sketches he executed were largely used in illustrating Childe Harold. In 1838 he went to Asia Minor, making Smyrna his headquarters.

V. Gordon Childe, an Australian archaeologist and one of the 20th century's most prominent Marxist academics According to a 2007 survey of American professors by Neil Gross and Solon Simmons, 17.6% of social science professors and 5.0% of humanities professors identify as Marxists, while between 0 and 2% of professors in all other disciplines identify as Marxists.

Steger, Martha (June/July 1979). "Keith Fowler: Rebel With a Cause", Virginia Lifestyle. As with many such art and censorship clashes, the passions over Childe Byron were quick to rise and then dissipated over time. Romulus Linney's frank, witty drama remained intact throughout its original run;Linney voluntarily substituted the word "fornicate" for "fuck" at the show's student matinees.

Lord Byron mentions Godoy in his Childe Harold's Pilgrimage (Canto the First, XLVIII), where a Spanish lusty muleteer... chants "Viva el Rey" / And check his song to execrate Godoy, / The royal wittol Charles... etc. and in the note to these lines he explains that it is to this man that the Spaniards universally impute the ruin of their country.

Dorr had one son, Julian Childe Dorr, who was a United States Consul to Mexico during the Presidential administration of Herbert Hoover."Rites for Julian C. Dorr: Ashes of Former Envoy to Mexico are Buried at Arlington," The New York Times, Oct. 7, 1936. (Paywalled.) The former envoy died in Mexico City on September 2, 1936.

She matriculated at the University of Edinburgh in 1925. From 1928-29 Margaret attended an archaeology class taught by Gordon Childe, entitled the First Ordinary Archaeology Class. From 1929-30 she was the first secretary of the Edinburgh League of Prehistorians. She was elected as a Fellow of the Society of Antiquaries of Scotland in 1930.

Together with Wallace Thorneycroft, another Fellow of the Society of Antiquaries of Scotland, Childe excavated two vitrified Iron Age forts in Scotland, at Finavon, Angus (1933–34) and at Rahoy, Argyllshire (1936–37). In 1938, he and Walter Grant oversaw excavations at the Neolithic settlement of Rinyo; their investigation ceased during the Second World War, but resumed in 1946.

He also observed that many of the wild progenitors of domesticated crops had their natural habitats in the Hilly Flanks, as did wild sheep and goat. His theory was in opposition to the oasis theory of V. Gordon Childe, which placed the origins of agriculture in well-watered desert refugia such as Mesopotamia. Ultimately, archaeological investigations proved Braidwood correct.

The ritual is said to have been the source of the expression that a man was "Sworn at Highgate", meaning that he was a man of the world. Lord Byron took the oath, though not necessarily at The Flask, and devoted a verse of Childe Harold's Pilgrimage to it.Tucker, David. (2009) London walks: London stories Random House, p. 74.

Childe tempered Forde's enthusiasm for hyperdiffusionism, but Forde still advanced the idea that European megaliths were a "degenerated" imitation of monuments in the Near East. This theory remained influential in archaeology for many years. Forde's archaeological work won him the Society of Antiquaries' prestigious Franks Studentship in 1924, and in 1928 he was awarded a doctorate in prehistoric archaeology.

They travelled to Canada and California, and spent close to a year in Mexico. Rook had known Childe Hassam in France, and painted with him at Old Lyme during the summer of 1903. After living in New York City, the Rooks settled in Old Lyme in April 1905. Rook was a recluse and a bit of an eccentric.

Haunted Britain. London: Hutchinson. . p. 30. Childe's Tomb on Dartmoor is the site of the death of Childe who was caught in a snowstorm, killed and disembowelled his horse and climbed inside for shelter, but still froze to death. He left a message to say that the first person to bury him would get his lands at Plymstock.

George Gordon, Lord Byron cited Vathek as a source for his poem, The Giaour. In Childe Harold's Pilgrimage, Byron also calls Vathek "England's wealthiest son." Other Romantic poets wrote works with a Middle Eastern setting inspired by Vathek, included Robert Southey's Thalaba the Destroyer (1801) and Thomas Moore's Lalla-Rookh (1817).Robert J. Gemmett, William Beckford.

The human remains are described in more detail in Childe & Smith at p.220 The remains appeared to have been placed between two large vertical posts, 1.2 metres apart. Pottery shards and animal bones were found at the core of the mound and the excavators suggest that these came from ceremonial feasting when the mound was built.

Gordon R. Dickson's Dorsai!, part of his Childe Cycle, includes the planet Dorsai with a society structured like that of Switzerland. Like the old style Swiss mercenaries who hired themselves out to the Italian states, Dorsai hire themselves out to other planets. A series by Mercedes Lackey concerning mercenaries is the Vows and Honor Trilogy (The Oathbound, Oathbreakers, Oathblood).

V. Gordon Childe undertook excavations at Castlelaw in 1932-33\. The work focused on the rampart, and showed that it consisted of a clay and timber filling, faced by stone. The fort commands views over the Forth and Lothian. Traprain Law and Berwick Law, both significant centres of power in the Iron Age, are visible from the site.

Counting the original, the Childe then in the Spire with Richard and Celestine was the nineteenth in the series. Finally, Richard abandons the quest only to find that Dr Trintignant, confronted with the possibility of restoring Richard to his human form and thus undoing his magnum opus, decided to commit suicide by disassembly. There was surprisingly little organic matter left among his remains, which were all sorted and placed neatly in jars and the like. Richard and Celestine end up going back to post-plague Yellowstone – when they left they could not find any new remains of Childe, who was thus presumably still inside the Spire – and Richard is left without any hope of becoming human again, since the Melding Plague wiped out most of the required technology.

Through his work, Childe contributed to two of the major theoretical movements in Anglo-American archaeology that developed in the decades after his death, processualism and post-processualism. The former emerged in the late 1950s, emphasised the idea that archaeology should be a branch of anthropology, sought the discovery of universal laws about society, and believed that archaeology could ascertain objective information about the past. The latter emerged as a reaction to processualism in the late 1970s, rejecting the idea that archaeology had access to objective information about the past and emphasising the subjectivity of all interpretation. The processual archaeologist Colin Renfrew described Childe as "one of the fathers of processual thought" due to his "development of economic and social themes in prehistory", an idea echoed by Faulkner.

In the Kingdom of Northumbria, a kind king in Bamburgh Castle takes a beautiful but cruel witch as his queen after his wife's death. The King's son, Childe Wynd, has gone across the sea and the witch, jealous of the beauty of the king’s daughter, Princess Margaret, and quick to take advantage of Wynd’s absence, turns her into a dragon. The enchantment used is usually: ::::I weird ye to be a Laidly Worm, ::::And borrowed shall ye never be, ::::Until Childe Wynd, the King's own son ::::Come to the Heugh and thrice kiss thee; ::::Until the world comes to an end, ::::Borrowed shall ye never be. Later in the story, the prince returns and, instead of fighting the dragon, kisses it, restoring the princess to her natural form.

Washington Arch, circa 1893 by Childe Hassam Robert Moses became the parks commissioner in 1934. He embarked on a crusade to fully redesign the park, and local activists began an opposing fight that lasted three decades. In 1934, Robert Moses had the fountain renovated to also serve as a wading pool. In 1952, Moses finalized plans to extend 5th Avenue through the park.

Anthony Child, Mayor of Newbury 1614, and sometime leasee of Sandleford;6 May 1668: Lease of Sandleford coppices, called Bradmore and Highwood, the first late held by Anthony Childe and the other by Richard Pinfold, and their coppices in the Parish of Migham, in all 68 acres, by the Dean and Canons of Windsor to John Kingsmill of Sandelford, esquire. Counterpart.

Her appointment in 1930 as the Assistant Inspector of Ancient Monuments is considered as the first professional female archaeologist in Scotland. In a letter to Margaret, regarding her application, Gordon Childe wrote: "I am really very keen that they should get the right person and I think that you are it. It’s good to have a woman." She held the post until 1948.

The biographer Sally Green noted that Childe's beliefs were "never dogmatic, always idiosyncratic" and "continually changing throughout his life". His theoretical approach blended together Marxism, diffusionism, and functionalism. Childe was critical of the evolutionary archaeology dominant during the nineteenth century. He believed archaeologists who adhered to it placed a greater emphasis on artefacts than on the humans who had made them.

Lost Dorsai is a collection of science fiction stories by Gordon R. Dickson from his Childe Cycle series. It was first published by Ace Books in 1980. The collection includes two stories that originally appeared in the anthology series Destinies, one that appeared in the magazine Analog Science Fiction and Fact and an excerpt from Dickson's novel The Final Encyclopedia.

The Govetts Leap Falls, also called the Bridal Veil Falls or simply Govetts Leap, is a bridal veil waterfall on the Govetts Leap Brook where it falls over Taylor Wall, located at Govetts Leap Lookout, approximately east of in the Blue Mountains region of New South Wales, Australia. The archaeologist, V. Gordon Childe committed suicide at the falls in 1957.

Many American Impressionist paintings of the era are of subjects in and around the Griswold House and are featured in the museum, along with many other works and personal possessions of the artists who frequented there. The building of the Old Lyme Congregational Church is known for the many paintings that have been made of it, most notably by Childe Hassam.

Maeshowe is one of the largest tombs in Orkney; the mound encasing the tomb is in diameter and rises to a height of .Childe 1952, p. 18 Surrounding the mound, at a distance of to is a ditch up to wide. The grass mound hides a complex of passages and chambers built of carefully crafted slabs of flagstone weighing up to 30 tons.

Anderson and Dickson also inaugurated the Hoka series with "The Sheriff of Canyon Gulch" (Other Worlds Science Stories, May 1951). Dickson's series of novels include the Childe Cycle (sometimes called the Dorsai series) and the Dragon Knight. He won three Hugo Awards and one Nebula Award. For a great part of his life, he suffered from the effects of asthma.

This poem begins "Amanda Morgan", one of a series of stories referred to as "illuminations" that are not part of the Childe Cycle proper. It was written specifically for The First Amanda by her son James. All of her descendants were musically talented. > Stone are my walls, and my roof is of timber; > But the hands of my builder are stronger by far.

London: William Pickering Her beauty as a child prompted Lord Byron to dedicate the first two cantos of Childe Harold's Pilgrimage to her, under the name "Ianthe".Gunn, John Alexander Wilson; Wiebe, Melvin George. eds. (2008). Benjamin Disraeli letters, Volume 7. University of Toronto Press, Lord Byron had been one of the many lovers of her mother, Jane Elizabeth Scott.

"Upon these islands I neither could see one good timber-tree nor so much good ground as to make a garden. The place is found to be a good fishing-place for six ships, but more can not be well there, for want of convenient stage room, as this year's experience hath proved." Childe Hassam. Isles of Shoals, Broad Cove, 1911.

After first visiting the country in 1935, he returned in 1945, 1953, and 1956, befriending many Soviet archaeologists, but shortly before his suicide sent a letter to the Soviet archaeological community saying he was "extremely disappointed" they had methodologically fallen behind Western Europe and North America. Other Marxists—such as George Derwent Thomson and Neil Faulkner—argued that Childe's archaeological work was not truly Marxist because he failed to take into account class struggle as an instrument of social change, a core tenet of Marxist thought. While class struggle was not a factor Childe considered in his archaeological work, he accepted that historians and archaeologists typically interpreted the past through their own class interests, arguing that most of his contemporaries produced studies with an innate bourgeois agenda. Childe further diverged from orthodox Marxism by not employing dialectics in his methodology.

As a result, in the United States he erroneously gained the reputation of being a Near Eastern specialist and a founder of neo- evolutionism, alongside Julian Steward and Leslie White, despite the fact that his approach was "more subtle and nuanced" than theirs. Steward repeatedly misrepresented Childe as a unilinear evolutionist in his writings, perhaps as part of an attempt to distinguish his own "multilinear" evolutionary approach from the ideas of Marx and Engels. In contrast to this American neglect and misrepresentation, Trigger believed it was an American archaeologist, Robert McCormick Adams, Jr., who did the most to posthumously develop Childe's "most innovative ideas". Childe also had a small following of American archaeologists and anthropologists in the 1940s who wanted to bring back materialist and Marxist ideas into their research after years in which Boasian particularism had been dominant within the discipline.

In particular, Alexander Pushkin's famed character Eugene Onegin echoes many of the attributes seen in Childe Harold's Pilgrimage, particularly, Onegin's solitary brooding and disrespect for traditional privilege. The first stages of Pushkin's poetic novel Eugene Onegin appeared twelve years after Byron's Childe Harold's Pilgrimage, and Byron was of obvious influence (Vladimir Nabokov argued in his Commentary to Eugene Onegin that Pushkin had read Byron during his years in exile just prior to composing Eugene Onegin).Christiansen, 218–222 The same character themes continued to influence Russian literature, particularly after Mikhail Lermontov invigorated the Byronic hero through the character Pechorin in his 1839 novel A Hero of Our Time.Christiansen, 220, note The Byronic hero is also featured in many contemporary novels, and has played a role in modern literature as the precursor to a popular form of antihero.

1, p.490 It was also set by some twelve other composers as well as in German and Danish translations.Lieder Net And in addition to the songs, just two Spenserian stanzas from the Pilgrimage's Canto III have had musical settings: stanza 72 by the American composer Larry Austin in 1979 and a German translation of stanza 85 by Robert von Hornstein (1833–1890).Lieder Net There were also two European Romantic composers who referenced Childe Harold’s Pilgrimage in their programmatic works. Hector Berlioz recorded in his memoires that, in composing Harold en Italie (1834), he wished to draw on memories of his wanderings in the Abruzzi, making of the solo for viola at its start "a sort of melancholic reverie in the manner of Byron’s Childe Harold" (une sorte de rêveur mélancolique dans le genre du Child-Harold de Byron).

In the King's Service is a historical fantasy novel by American-born author Katherine Kurtz. It was first published by Ace Books in 2003. It was the fourteenth of Kurtz' Deryni novels to be published, and the first book in the fifth Deryni trilogy, the Childe Morgan trilogy. The events of this trilogy are a direct prequel to the first Deryni trilogy, the Chronicles of the Deryni.

Haglund was born in Sweden. She studied Latin, Greek and classical archaeology at the University of Lund. During her studies she visited Australia to study Cypriot pottery with Jim and Eve Stewart, where she also met with V. Gordon Childe. Observations of Aboriginal lithic scatters in the Bathurst area lead to her switching focus of study to prehistory and conservation at the University of London.

On returning to Venice, he wrote the fourth canto of Childe Harold. About the same time, he sold Newstead and published Manfred, Cain, and The Deformed Transformed. The first five cantos of Don Juan were written between 1818 and 1820. During this period he met the 18-year-old Countess Guiccioli, who found her first love in Byron, and asked her to elope with him.

Byron was a bitter opponent of Lord Elgin's removal of the Parthenon marbles from Greece and "reacted with fury" when Elgin's agent gave him a tour of the Parthenon, during which he saw the spaces left by the missing friezes and metopes. He denounced Elgin's actions in his poem The Curse of Minerva and in Canto II (stanzas XI–XV) of Childe Harold's Pilgrimage..

The first true towns are sometimes considered large settlements where the inhabitants were no longer simply farmers of the surrounding area, but began to take on specialized occupations, and where trade, food storage and power were centralized. In 1950 Gordon Childe attempted to define a historic city with ten general metrics. These are: # Size and density of the population should be above normal. # Differentiation of the population.

Founding members included Troy Kinney, Eugene Higgins, Fred Reynolds, Paul Roche, and Ernest Roth. Approximately 200 etchings by sixty-five artists including John Taylor Arms, Frank W. Benson, Mary Cassatt, Childe Hassam, John Marin, and Mahonri Young where exhibited at the Brooklyn Museum as part of the organization's inaugural exhibition.Brooklyn Museum, Brooklyn Society of Etchers: Annual Exhibition 03rd"Brooklyn Society of Etchers 3rd Annual Exhibition." Brooklyn Museum.

Sterne was awarded second prize at the Art Institute of Chicago Annual in 1957. In 1963, she was granted a Fulbright Fellowship, and studied in Venice. In 1967, her work won first prize at the Art Institute of Newport Annual. The American Academy of Arts & Letters awarded her a "Childe Hassam Purchase Award" in 1971, and a "Hassam and Speicher Purchase Fund Award" in 1984.Portraits.

University of Alabama Press, Tuscaloosa Childe and others viewed "each archaeological culture ... the manifestation in material terms of a specific people."Colin Renfrew and Paul Bahn, 2008 Archaeology: Theories, Methods and Practice Fifth edition. New York: Thames and Hudson. p. 470 In 1948, Walter Taylor systematized the methods and concepts that archaeologists had developed and proposed a general model for the archaeological contribution to knowledge of cultures.

With this under his belt, his mother then sent him to Harrow. Brought up as a Protestant, he was baptised before going to Harrow, with George Adolphus Storey the painter as his godfather. After Harrow, he went to Magdalen College, Oxford, where he had many friends including Wilfred Rowland Childe and John Wain. His verse was published in Oxford Poetry 1910–13 and later volumes.

In addition, each of their personal stories can be considered important to the overall narrative while at the same time being background or color. Only the Third Amanda is a main character in the Childe Cycle proper. Each of the Three Amandas can also be looked at as an evolution of the previous character. This evolution can be equated with that of The Dorsai culture.

Zeluco provided inspiration for the title character of Lord Byron’s poem Childe Harold's Pilgrimage and was transformed into a stage play in 1812.Perkins 2008, p. vii Anna Laetitia Barbauld’s glowing review in an 1810 edition of The British Novelists seemed to indicate the novel’s lasting success.Barbauld 1820, p. i-vii Zeluco’s popularity faded, however, and the novel remained out of print from 1827 to 2008.

Born in Ludlow, Shropshire, England, in 1951, he lived in nearby Cleobury Mortimer until he went to university. He was Head Boy at Lacon Childe School in Cleobury Mortimer and won the British Sugar Corporation Prize for his A Levels at Kidderminster College of Further Education. He played football and cricket for Shropshire schoolboys. He has taught in numerous universities in the UK, United States and Australia.

Sales were initially promising. J. G. Lockhart reported that bookshops in Oxford were besieged by customers wanting to read the poem, and bets were placed as to whether Rokeby would outsell Byron's recent Childe Harold's Pilgrimage. Byron himself wrote urgently from Italy asking his publisher John Murray to send him a copy. In the event Rokeby sold ten thousand copies in the first three months.

In 1954, Premonition was prepared for the major staying races. To assist his preparation, Wyatt purchased a supposedly ordinary French horse named Osborne to act as his training partner and pacemaker. His season began successfully as he won the Yorkshire Cup in impressive style by three lengths from Eastern Emperor, Childe Harolde and Osborne. Premonition and Osborne ran next in the Winston Churchill Stakes at Hurst Park.

Clare's grave in Helpston churchyard During his first few asylum years in High Beach, Essex (1837–41),BBC article. Retrieved 12 September 2013. Clare re-wrote famous poems and sonnets by Lord Byron. Child Harold, his version of Byron's Childe Harold's Pilgrimage, became a lament for past lost love, and Don Juan, A Poem became an acerbic, misogynistic, sexualised rant redolent of an ageing Regency dandy.

The Kentucky-bred Childe Harold was imported from Glasgow, Scotland by Andrew Town of Richmond. 1 October 1949 marked the beginning of night racing, following legislation enacted with the support of all parties in the State Parliament. Harold Park, from that time, become known internationally as the mecca of Australian harness racing. From May 1927 until December 1987, Harold Park also hosted Greyhound racing meetings.

Brandon was created Earl of Lincoln by Henry VIII on 18 June 1525 at the age of only two. "...the lorde Henry Brandon, sonne to the duke of Suffolke and the Frenche Quene the kynges sister, a childe of twoo yere old, was greated Erle of Lincolne..." In: Hall's chronicle: containing the history of England, during the reign of Henry the Fourth, and the succeeding monarchs, to the end of the reign of Henry the Eighth, in which are particularly described the manners and customs of those periods. Carefully collated with the editions of 1548 and 1550, London 1809, p. 703 He was "so young that Sir John Vere was appointed to carry him" "...The King's nephew, Henry [...] was so young that Sir John Vere was appointed to carry him..." In: William S. Childe-Pemberton: Elizabeth Blount and Henry the Eighth, with some account of her surroundings, 1913, p.

A mezzanine floor at cornice height was used for storage. The house was separated from the sidewalks by a moat-like light well that lit the service areas in the basement. The main parlor ran the full length of the house's Fifth Avenue frontage. On the death of Stewart's widow in 1886, it was rented as premises for the Manhattan Club and was portrayed in paint in 1891 by Childe Hassam.

In 1970, an exhibition of her work was held at the Contemporary Arts Museum in Houston, Texas. Rice University featured Hood's work in a 1971 exhibition. She had five one-person shows in major Texas museums by 1971 and won the Childe Hassam Award in 1973. The following year, a retrospective of her work traveled the United States, which exposed her work to a greater audience of collectors and clients.

Vol 1. New York: J.P. Putnam's Sons. The term "civilization" later gave way to definitions given by V. Gordon Childe, with culture forming an umbrella term and civilization becoming a particular kind of culture. The rise of cultural anthropology took place within the context of the late 19th century, when questions regarding which cultures were "primitive" and which were "civilized" occupied the mind of not only Freud, but many others.

The earliest generally accepted name in English was the Danubian of V. Gordon Childe. Most names in English are attempts to translate . Since Starčevo-Körös pottery was earlier than the LBK and was located in a contiguous food-producing region, the early investigators looked for precedents there. Much of the Starčevo- Körös pottery features decorative patterns composed of convolute bands of paint: spirals, converging bands, vertical bands, and so on.

He joined the radical leftist Industrial Workers of the World, which at the time was banned in Australia. In 1921 Storey sent Childe to London to keep the British press updated about developments in New South Wales, but Storey died in December and an ensuing New South Wales election restored a Nationalist government under George Fuller's premiership. Fuller thought Childe's job unnecessary, and in early 1922 terminated his employment.

Such an honor was quite rare for an American artist. Critics at the time, and up to the present, frequently compared the works of Cooper and Childe Hassam. They have often been credited as being the two most iconic artists whose paintings began a trend of celebrating the wonders of the modern city, especially New York City. Cooper may have intentionally avoided certain subjects in order to differentiate himself from Hassam.

Childe Harold (USA) Globe Derby at a race meeting. Harness racing became a popular sport as few people could afford the expense of a hack, let alone a Thoroughbred racehorse, whereas most families had a horse which could be driven as well as ridden. Initially trotting events were scheduled for Trotting under saddle and Hack trots. Various allowances were made for horses measuring under 15 hands 1 inch, too.

Prausnitz was born in Berlin, Germany in 1922. He moved to Israel with his family in 1937 at the age of 15, and lived on Mount Carmel in Haifa. After the Second World War ended he studied at the University of Edinburgh in Scotland. In 1953 he went to study in England under V. Gordon Childe, an Australian archaeologist and philologist who specialized in the study of European prehistory.

Byron c. 1816, by Henry Harlow The Byronic hero is a variant of the Romantic hero as a type of character, named after the English Romantic poet Lord Byron. Both Byron's own persona as well as characters from his writings are considered to provide defining features to the character type. The Byronic hero first reached a very wide public in Byron's semi-autobiographical epic narrative poem Childe Harold's Pilgrimage (1812–1818).

Laighton's daughter Celia married Thaxter, and she became a popular poet. She hosted an arts community on the island frequented by Nathaniel Hawthorne, John Greenleaf Whittier, Harriet Beecher Stowe, Oliver Wendell Holmes, Sarah Orne Jewett, and Impressionist painter Childe Hassam. Sarah Orne Jewett wrote "On Star Island" about her visit to Star Island and the Gosport church, which was published in Harper's Magazine in September 1881. The Oceanic Hotel c.

Naldrett (2017), pp. 30, 34 In 1914, Wills married Mary Coyne. He had two sons with Mary: John Harold and Childe Harold Jr. Although Ford and Wills began as friends, over time the relationship between the two grew frosty, exacerbated by Charles E. Sorensen's dislike for Wills. In 1919, as Ford began buying out his minority shareholders, Wills demanded an accounting of the profit-sharing he had accrued.

Lindsay was educated at Eton College, where he first started rowing, and read geography at Brasenose College, Oxford.Oxford Blue Boat 1999 profile – Andrew Lindsay He rowed in the Oxford blue boat in The Boat Race three times, once as president of the boat club, and in The Childe of Hale, the First VIII of Brasenose College Boat Club. In 1994 he won bronze at the World Rowing Junior Championships in Munich.

Frederick Childe Hassam (; October 17, 1859 – August 27, 1935) was an American Impressionist painter, noted for his urban and coastal scenes. Along with Mary Cassatt and John Henry Twachtman, Hassam was instrumental in promulgating Impressionism to American collectors, dealers, and museums. He produced over 3,000 paintings, oils, watercolors, etchings, and lithographs over the course of his career, and was an influential American artist of the early 20th century.

Many of the painters felt the influence of older U.S. artists such as Thomas Eakins, Mary Cassatt, John Singer Sargent, James McNeill Whistler, Winslow Homer, Childe Hassam, J. Alden Weir, Thomas Pollock Anshutz, and William Merritt Chase. However they were interested in creating new and more urbane works that reflected city life and a population that was more urban than rural in the U.S. as it entered the new century.

239 The child was healthy and "was christened there the Sunday following, and because this childe was the first Christian borne in Virginia, she was named Virginia". A modern bust of Virginia Dare stands near the font (one of the few survivals from the original church)"The City Churches" Tabor, M. p68:London; The Swarthmore Press Ltd; 1917 replacing an earlier monument which was stolen and has not been recovered.

Print of the Lion Gardiner House, Easthampton (Childe Hassam – 1920) Shortly before departing from the Netherlands, he married Mary Willemsen Deurcant, the daughter of Dericke Willemsen Deurcant and Hachin Bastiens, who was born at Woerden about 1601. She died in 1665 in East Hampton, New York. They were the parents of three children: David, Mary and Elizabeth. Their only son, David Gardiner, was born on April 29, 1636, at Saybrook.

However, after Karl Penka's 1883Karl Penka, Origines Ariacae: Linguistisch- ethnologische Untersuchungen zur ältesten Geschichte der arischen Völker und Sprachen (Vienna: Taschen, 1883), 68. rejection of non-European origins, most scholars favoured a Northern European origin (see North European hypothesis). The view of a Pontic origin was still strongly favoured, e.g., by the archaeologists V. Gordon ChildeVere Gordon Childe, The Aryans: A Study of Indo-European Origins (London: Kegan Paul, 1926).

Now expanded with many modern additions, the museum, while relatively small and "off the beaten track" contains an impressive and broad collection including Italian Renaissance and eighteenth-century French antiques, and works by Botticelli, El Greco, van Dyck, Ingres, Raphael, Rembrandt, Rubens, Tintoretto, Cézanne, Degas, Matisse, Picasso, Renoir, and van Gogh. In addition, works by important American artists including Eakins, Childe Hassam, Winslow Homer, Ryder, and Whistler are also present.

The North Shore Art Association Upstairs Main Gallery The North Shore Art Association of East Gloucester, Massachusetts is one of the oldest art associations in the United States. Founded in 1922, it was the gathering place of some of the great American artists of the 20th century. Childe Hassam, Emile Gruppe, Paul Strisik, Fredrick Mulhaupt, Winslow Homer and many others were early members of the NSAA. Other members include Louise Herreshoff.

Smith spent her early life in Ontario, studying for a BA in English and French at the University of Toronto in 1935, followed by scholarships at the University of Grenoble and the Sorbonne. After the Second World War she moved to London where she enrolled for a part-time diploma at the Institute of Archaeology. She subsequently studied for a PhD on English Neolithic ceramics under the supervision of Gordon Childe.

The dying Howard on the field of Waterloo; detail from a print of The Meeting of Wellington and Blücher after the Battle of Waterloo by Daniel Maclise, 1861. Major Hon. Frederick Howard (6 December 1785 – 18 June 1815) was a British Army officer who fought in the Napoleonic Wars and was killed at the Battle of Waterloo. He is the "young, gallant Howard" mentioned in Lord Byron's poem "Childe Harold's Pilgrimage".

Roberts' works were shown at different museums in New York, Philadelphia and Cleveland. In 1893, her work was selected to be displayed in Minnesota's building at the World's Columbian Exposition in Chicago. After her successful exhibition there, she formed her own studio with her friend Florence Wales and continued to study under Irving Ramsey Wiles and Childe Hassam. In 1897, she produced a watercolor of chrysanthemums titled In November.

Artists in the collection include Thomas Hart Benton, Charles Biederman, Frederick Childe Hassam, Anna Hyatt Huntington, Jean-Francois Millet, Robert Motherwell, Robert Priseman, John Henry Twachtman and Helen Turner. The Tweed contains the largest collection of paintings by the American landscape artist Gilbert Munger. The collection also features painting and illustrations about the Royal Canadian Mounted Police that were donated by the Potlatch Corp., including works by Arnold Friberg.

Originally, the theater was built to be a horse stable in 1888 by Charles T. Barney, a banker who later became president of the Knickerbocker Trust Company. The upper stories were rented out as The Holbein Studios, and were occupied by artists, such as John Singer Sargent, impressionist painter Childe Hassam, and portrait artist Cecilia Beaux. Later, in the late 1920s, the stable building was converted into a movie theater.

It was an early watercolor organization, following the 1804 establishment of the first Watercolor Society in England called the Society of Painters in Water Colours, the present day renamed Royal Watercolour Society. The name of the organization was sometimes confused with the New York Watercolor Club. For instance Childe Hassam was said to be the Society's first president (1889), but he was the first president of the New York Watercolor Club.

The remains of Kilphedir broch, Sutherland, are surrounded by massive earthworks. The original interpretation of brochs, favoured by nineteenth century antiquarians, was that they were defensive structures, places of refuge for the community and their livestock. They were sometimes regarded as the work of Danes or Picts. From the 1930s to the 1960s, archaeologists such as V. Gordon Childe and later John HamiltonHamilton, J.R.C. (1968) Excavations at Clickhimin, Shetland. Edinburgh.

An important work, it was released when there were few professional archaeologists across Europe and most museums focused on their locality; The Dawn was a rare example that looked at the larger picture across the continent. Its importance was also due to the fact that it introduced the concept of the archaeological culture into Britain from continental scholarship, thereby aiding in the development of culture- historical archaeology. Childe later said the book "aimed at distilling from archaeological remains a preliterate substitute for the conventional politico- military history with cultures, instead of statesmen, as actors, and migrations in place of battles". In 1926 he published a successor, The Aryans: A Study of Indo-European Origins, exploring the theory that civilisation diffused northward and westward into Europe from the Near East via an Indo- European linguistic group known as the Aryans; with the ensuing racial use of the term "Aryan" by the German Nazi Party, Childe avoided mention of the book.

Paintings in the permanent collection include works by Italian Renaissance, Baroque, Impressionist, and 20th-century artists. The Kress Collection is one of numerous collections of paintings distributed by this philanthropist among American museums. The Brooks also has a fine collection of English portraits, including works by Gainsborough, Reynolds, Lawrence, and Romney. There are impressionist works by Camille Pissarro, Renoir, and many American impressionists: Winslow Homer, Thomas Hart Benton, Childe Hassam, and Robert Henri.

Moffats School is for children aged between 4 and 13 years old and has been based in Kinlet Hall since the end of the Second World War. Older pupils travel to the Lacon Childe School in Cleobury Mortimer. There are two public houses in the parish, The Eagle and Serpent in village of Kinlet and the Button Oak Inn the village of Button Oak. There is also a village hall and a residential care home.

There are also tombs for Sir Humphrey Blount and his wife, Elizabeth and Sir John Blount and his wife, Catherine. The church was restored in 1892 by John Oldrid Scott who later designed the memorial to Major Charles Baldwyn Childe (killed in Boer War 1900). St Andrew's Church in Button Oak is also an Anglican church. It was built in the 19th century as a mission church for people working in the Wyre Forest.

Frederic C. Hamilton bequeathed 22 Impressionist works from his private collection to the museum in 2014, including Vincent van Gogh's Edge of a Wheat Field With Poppies, fours works by Claude Monet, three paintings by Eugène Boudin and works by Paul Cézanne, Edouard Manet, Berthe Morisot, Camille Pissarro, Auguste Renoir, Alfred Sisley, William Merritt Chase and Childe Hassam.Randy Kennedy, "Denver Art Museum Gets Impressionist Trove," The New York Times, January 12, 2014.

Rinyo was a Neolithic settlement on Rousay in Orkney, Scotland. The site was discovered in the winter of 1837-38 on the lands of Bigland Farm in the north east of the island at . The site was excavated in 1938 and 1946 by Vere Gordon Childe, who also excavated Skara Brae on Mainland Orkney, and by W. G. Grant. Finds included flint implements, stone axes and balls, pottery and a stone mace-head.

In 1914, Impressionists Childe Hassam and Edward Simmons came to Piedmont to view Martinez' desert paintings. The following year he exhibited at the Panama Pacific International Exhibition (where he won honorable mention) and at the Golden Gate Park Museum in San Francisco. Throughout this period he had shows in New York, Philadelphia and San Francisco. Noted paintings of this period are Head of a Girl, The Storm, Piedmont Hills and Lake Merritt.

There was in it all a certain > "bonheur d'être triste"Happiness at being sad which attracted. This > pessimistic state was analyzed in René with great subtlety and penetration. > The hero was made a most original and living type, a type that was repeated > in the Childe Harold and Manfred of Byron, and even, in some of its > manifestations, in the Hernani of Victor Hugo. In the opinion of > Chateaubriand, René was his masterpiece.

In 1929 Margaret was also one of the team of archaeologists who excavated the chambered cairn at Kindrochat (aka Kindrochet) in Perthshire, once more under the leadership of Gordon Childe. In his later correspondence he wrote that "she was entrusted with the examination of one of the megalithic chambers and produced, quite unaided, an excellent plan with elevations." Her drawings and observations can be found in the Proceedings of the Society of Antiquaries of Scotland.

Modern theories are careful to avoid unsourced, ethnocentric speculation, comparisons, or value judgments; more or less regarding individual societies as existing within their own historical contexts. These conditions provided the context for new theories such as cultural relativism and multilineal evolution. In the 1920s and 1930s, Gordon Childe revolutionized the study of cultural evolutionism. He conducted a comprehensive pre-history account that provided scholars with evidence for African and Asian cultural transmission into Europe.

Vere Gordon Childe (14 April 189219 October 1957) was an Australian archaeologist who specialised in the study of European prehistory. He spent most of his life in the United Kingdom, working as an academic for the University of Edinburgh and then the Institute of Archaeology, London. He wrote twenty-six books during his career. Initially an early proponent of culture-historical archaeology, he later became the first exponent of Marxist archaeology in the Western world.

His proposers were fellow geologists John Horne, Ben Peach, Sir John Smith Flett and L. W. Hinxman. His East Plean mine suffered a major underground explosion in 1922 with many dead and injured. Of the 520 total mining workforce 12 were killed at 59 injured. In 1937 he came to relative fame in Europe by experimenting on recreating conditions to create a vitrified fort, this being in liaison with archaeologist Vere Gordon Childe.

John Atherton, Bishop of Waterford and Lismore, was hanged for sodomy under a law that he had helped to institute. His lover was John Childe, his steward and tithe proctor, also hanged. Anonymous pamphlet, 1641. The history of violence against LGBT people in the United Kingdom is made up of assaults on gay men, lesbians, bisexual, transgender, queer and intersexed individuals (LGBTQI), legal responses to such violence, and hate crime statistics in the United Kingdom.

The invention of the phase-shift drive allowed the colonization of the Younger Worlds. (The drive used in the Childe Cycle appears in many of Gordon R. Dickson's works.) It uses an application of the Heisenberg uncertainty principle. During a jump, a spaceship's position becomes infinitely uncertain, and occupies every position in the universe, before resolving again at a specific point. The jump itself is instantaneous, but each jump requires a lengthy calculation.

145 \- as well as by associated advances in standardisation of weights and measures, mathematics, calendar-making and irrigation.G Childe, What Happened in History (Penguin 1954) p. 117-125 Exploited labour is extracted as forced corvee labour during a slack period of the year (allowing for monumental construction such as the pyramids, ziggurats and ancient Indian communal baths). Exploited labour is also extracted in the form of goods directly seized from the exploited communities.

The title comes from the term childe, a medieval title for a young man who was a candidate for knighthood. The poem was widely imitated and contributed to the cult of the wandering Byronic hero who falls into melancholic reverie as he contemplates scenes of natural beauty. Its autobiographical subjectivity was widely influential, not only in literature but in the arts of music and painting as well, and was a powerful ingredient in European Romanticism.

The first two cantos of Childe Harold's Pilgrimage were published in 1812 and were received with acclaim.. In his own words, "I awoke one morning and found myself famous." He followed up his success with the poem's last two cantos, as well as four equally celebrated "Oriental Tales": The Giaour, The Bride of Abydos, The Corsair, and Lara. About the same time, he began his intimacy with his future biographer, Thomas Moore.

William McTaggart, The Storm (1890) The earliest examples of art from what is now Scotland are highly decorated carved stone balls from the Neolithic period."Carved stone ball found at Towie, Aberdeenshire", National Museums of Scotland, retrieved 14 May 2012. From the Bronze Age there are examples of carvings, including the first representations of objects, and cup and ring marks.V. G. Childe, The Prehistory Of Scotland (London: Taylor and Francis, 1935), p. 115.

1921 Wills Sainte Claire Roadster Wills Sainte Claire was an American automobile brand manufactured by C. H. Wills and Company, in Marysville, Michigan, from 1921 to 1927. Childe Harold Wills, the company founder, was a perfectionist and his automobile company focused on very high quality cars. Wills' mother was a fan of Lord Byron's poetry and Wills never used his first name. As a metallurgical engineer, Wills was an aide of Henry Ford.

Matthew Ashforde is an English actor, known for his appearances in EastEnders, Press Gang and Is It Legal?. Ashforde played Sonia Fowler's lawyer Adam Childe in EastEnders in 2007. He also played the character of Darren in Is It Legal?, the hotel porter in Mr. Bean in Room 426, Abi Harper's boyfriend in the My Family episode "Imperfect Strangers" and Zane in the 2001 The Tomorrow People audio drama, The New Gods.

Grace A. Albee, James E. Allen, Irving Amen, Clarence William Anderson, John Taylor Arms, Peggy Bacon, Will Barnet, Lionel Barrymore, Isabel Bishop, Jean Charlot, Minna Citron, Howard Cook, Adolf Dehn, Jolán Gross-Bettelheim, Childe Hassam, Kenneth Hayes, Stanley William Hayter, Edward Hopper, Marvin Jules, Robert Kipniss, Kathe Kollwitz, Armin Landeck, Clare Leighton, Wilhelm Lembrook, Martin Lewis, John Marin, Reginald Marsh, John A. Noble, Joseph Pennell, Camille Pissarro, John Sloan, Lynd Ward and Stow Wengenroth.

James Castell, "Wordsworth and the 'Life of Things'" in The Oxford Handbook of William Wordsworth, OUP 2015, p.740 Nor was Wordsworth's 'egotistical sublime' much admired by the next generation of Romantic poets. The Radicalism espoused by Percy Bysshe Shelley invades his contemplation of landscape in "Lines Written Among the Euganean Hills" and is everywhere apparent in Lord Byron's Childe Harold's Pilgrimage. The transition, even in their case however, has been to a subjective viewpoint.

Haynes was born the first childe of Floyd Haynes and Lola Rampey Haynes on June 3, 1909 in Paint Rock, Texas. After graduating from Mills High School, she attended a nursing school at Scott and White Hospital. She began nursing in 1932 when she was commissioned in the Army Nurse Corps Reserve. After coming on active duty in 1933, becoming an operations room nurse at Fort Sam Houston and Sternburg General Hospital.

In the sixteenth century it was still seven leagues in circumference. At the start of the 19th century the area of the wood was still about 100 square kilometres, but due to wood cutting its area diminished to its current area of 44.21 km². The Forest extended in the Middle Ages over the southern part of Brabant up to the walls of Brussels and is mentioned, under the name of Ardennes, in Byron's Childe Harold.

Northup was employed by cabinet maker C. J. Wadsworth in Painesville, Ohio, early in his career. Then he worked as a designer for automaker Wills Sainte Claire under Childe Wills. Northup joined Murray Corporation of America in 1924 where he was in charge of regular production bodies and Ray Dietrich designed their custom bodies. Murray did a lot body design work for their client companies that did not have internal design departments.

During her school life, and subsequently, her love of poetry increased year by year. She studied at Newell's Private School, Wilbraham, Massachusetts; Burnett's English Classical Institute, Springfield, Waterville, Maine; and in the Coburn Classical Institute, in Waterville, Maine, for several years, though ill health compelled her to leave during the last year of her course, without graduating. Her classical instruction included art under Childe Hassam, John Joseph Enneking, Emil Carlsen, and others.

The Ten American Painters in 1908. The 10 were Childe Hassam, J. Alden Weir, William Merritt Chase, Robert Reid, Willard Metcalf, Frank Weston Benson, Edmund Charles Tarbell, Thomas Wilmer Dewing, Joseph DeCamp, and Edward Simmons. From the late 19th to the early 20th centuries, the United States experienced huge industrial, economic, social and cultural change. A continuous wave of European immigration and the rising potential for international trade brought increasing growth and prosperity to America.

Anne Childe Seguin is valued because she was the first English opera singer to make America her home. She also left her notes which give an important insight into the introduction of opera into America. One of her students, who also became her daughter-in-law, was contralto Zelda Seguin Wallace.Thomas Allston Brown, A History of the New York Stage from the First Performance in 1732 to 1901, Volume 1 (Dodd, Mead 1903): 250.

In the churchyard is the grave of John Middleton, known as the Childe of Hale, who was reputed to have been over tall. Also in the churchyard are the war graves of four soldiers of World War I and two of World War II. Opposite the church on the other side of the road is a wooden carving of John Middleton with other images of the village, called the History Tree, dating from 1996.

On 15 June, the night before the Battle of Quatre Bras, his wife held a ball for his fellow officers. The glittering celebration became famous as the Duchess of Richmond's ball and was immortalised by William Makepeace Thackeray in Vanity Fair and by Lord Byron in Childe Harold's Pilgrimage. Although the Duke observed the Battle of Quatre Bras the next day, as well as Waterloo on 18 June, he did not participate in either.

In 1937 he was elected a Fellow of the Royal Society of Edinburgh. His proposers were Thomas James Jehu, Gordon Childe, James Pickering Kendall, and Thomas Matthew Finlay. A trouble- shooter for the Royal Air Force during the Second World War, after which he studied industrial relations in the British National Coal Board in detail. While at the University of Glasgow in the Department of Social and Economic Research he founded Methectics, now Methexis.

Edmund H. Garrett's bookplate, which he designed. A woman resembling a Muse is surrounded by printing tools. The motto reads "Honoratus Qui Virtutem Honorat" Garrett was born in Albany, New York on October 19, 1853. While little is known of his initial art education, Garrett rose through the ranks to become a distinguished member of the Boston Art Club and the Copley Society of Art, and was an acquaintance and colleague of renowned impressionist artist Childe Hassam.

Several parishioners of Boxgrove were prosecuted for playing cricket in the churchyard in 1622. There were three reasons for the prosecution: one was that it contravened a local bye-law; another reflected concern about church windows which may or may not have been broken; the third was the charge that "a little childe had like to have her braines beaten out with a cricket batt".McCann T (2004) Sussex Cricket in the Eighteenth Century, p.xxxi. Sussex Record Society.

In trying to establish whether Key's father was a free English man, the Court relied on the testimony of witnesses who knew the people in the case. Nicholas Jurnew, 53, testified in 1655 that he had > heard a flying report [rumor] at Yorke that Elizabeth a Negro Servant to the > Estate of Col. John Mottrom (deceased) was the Childe of Mr. Kaye but... Mr. > Kaye said that a Turke of Capt. Mathewes was Father to the Girle.

Childe Hassam, Sunday on Fifth Avenue, 1891 She married John Sergeant Cram (1851–1936) on January 17, 1906. He was the chairman of the Democratic National Committee, president of the Dock Board, and the Public Service Commissioner. The Tammany Hall leader, Charles Francis Murphy, was a political intimate. They had three children. Henry Sergeant Cram (1907–1997) married Edith Kingdon Drexel (1911–1934), the granddaughter of Anthony Joseph Drexel Jr. and George Jay Gould, in 1930.

The experience proved to be transformative and Dorr became committed to the idea of voting as a fundamental right even at this early age. Child studied for two years at the University of Nebraska before moving in 1890 to New York City, where she worked as a journalist.Mari Jo Buhle, "Rheta Childe Dorr," in John D. Buenker and Edward R. Kantowicz (eds.), Historical Dictionary of the Progressive Era, 1890-1920. Westport, CT: Greenwood Press, 1988; pg. 119.

He combated scientific racism by finding the tools and artifacts of the indigenous people from Africa and Asia and showed how they influenced the technology of European culture. Evidence from his excavations countered the idea of Aryan supremacy and superiority. Childe explained cultural evolution by his theory of divergence with modifications of convergence. He postulated that different cultures form separate methods that meet different needs, but when two cultures were in contact they developed similar adaptations, solving similar problems.

The Farnsworth Art Museum in Rockland, Maine, United States, is an art museum that specializes in American art. Its permanent collection includes works by such artists as Gilbert Stuart, Thomas Sully, Thomas Eakins, Eastman Johnson, Fitz Henry Lane, Frank Benson, Childe Hassam, and Maurice Prendergast, as well as a significant collection of works by the 20th-century sculptor Louise Nevelson. Four galleries are devoted to contemporary art. The museum's mission is to celebrate Maine's role in American art.

He founded the museum in 2003 after exhibiting portions of the collection in the headquarters building of the Westervelt Company. The Westervelt-Warner collection contains more than 500 works from 1775 onwards.Westervelt Warner Museum of American Art, YouTube. Artists represented include John Singer Sargent and Childe Hassam as well as several artists of importance to American Art, including Albert Bierstadt, Rembrandt Peale, Edward Hicks, Thomas Moran, Edward Hopper, Robert Henri, Edward Potthast, and Charles Bird King.

Leacock attended New York public schools during her childhood until her teenage years, when she got a scholarship to the prestigious private high school Dalton School. Also on scholarship, she started undergraduate courses in anthropology at Radcliffe College in 1939. At Radcliffe, she was introduced by Carleton S. Coon to the neo-evolutionary thought of V. Gordon Childe and C. Daryll Forde. She also became involved in studying Lewis H. Morgan and Karl Marx and in radical student politics.

To Byron's assertion that she had replied Over the years, others wrote works dependent on the Pilgrimage to a greater or lesser degree. George Croly celebrated the victory at the Battle of Waterloo with his Paris in 1815: A Poem (London, 1817). It was prefaced by 21 Spenserian stanzas in the Byronic manner, followed by many more sections in couplets.Spenserians This was followed in 1818 by the anonymous collection Childe Harold’s Pilgrimage to the Dead Sea (and other poems).

There the Byronic outcast of the title poem relates a catalogue of sins through thirty pages of irregular couplets, wound up by a call to last minute repentance.London 1818, Google Books, pp. 6-36 By 1820 the habit of imitation had crossed to the US, where five Spenserian stanzas dependent on the Pilgrimage's Canto II were published under the title "Childe Harold in Boetia" in The Galaxy.William Ellery Leonard, Byron and Byronism in America, Columbia University, 1905, p.

The New Monthly Magazine pronounced it "a vast improvement on Vivian Grey", and Henry Milman described it as the equal of Childe Harold's Pilgrimage. However, in 1977, referring to Disraeli's intention that the novel reveal the development of his poetic character, Professor Charles Nickerson wrote: > Contarini is full of fine sentiments and painfully contrived expressions; > yet little is presented in a way that seems genuinely and deeply felt...The > effect is finally one of appalling emptiness.

Entry to "The Cats" From 1925 until his death in 1944 Wood lived with his second wife, Sara Bard Field, in Los Gatos in a house named "The Cats." His friends included Chief Joseph, Emma Goldman, Eugene Debs, Ansel Adams, Robinson Jeffers, Clarence Darrow, Childe Hassam, Margaret Sanger and John Steinbeck. At the time of his death Wood was West Point's oldest living graduate. He was the father of Nan Wood Honeyman, Oregon's first U. S. congresswoman.

Hasselvander moved to New York and recorded the albums Devil Childe and Phantom Lord with former Virgin Steele guitarist Jack Starr. He also recorded his first solo album, Lady-Killer. On Lady-Killer, Hasselvander performed rhythm guitar, bass, drums and vocals, while Jack Starr played the guitar solos. 1985 found Hasselvander working with British blues legend, Kim Simmonds performing 2 years' worth of shows throughout the U.S. under the names Savoy Brown or The Kim Simmonds Band.

Child Okeford village and Hambledon Hill viewed from watermeadows by the River Stour Child Okeford (sometimes written Childe Okeford) is a village and civil parish in the county of Dorset in southern England, situated east of the small town of Sturminster Newton in the North Dorset administrative district. Child Okeford lies downstream from Sturminster, along the River Stour, which passes half a mile west of the village. In the 2011 census the civil parish had a population of 1,114.

Examples of his work can be found in the permanent collections of the Pratt Institute, the Brooklyn Historical Society and the Bridgehampton Museum. Springsteel formerly operated the Springsteel Art Gallery in Greenport, New York. In recognition of his artistic talent, Springsteel was elected to New York City's Prestigious Salmagundi Club, "one of the oldest art organizations in the United States", whose members have included such well-known artists as N. C. Wyeth, William Merritt Chase and Childe Hassam.

Paul de Philipsthal used a magic lantern in London in 1802, for a phantasmagoria; he used effects such as animation of images, and a lantern on rails so that images could be changed in size. Childe reportedly worked for Philipsthal. He demonstrated his own magic lantern at the Sanspareil Theatre which was replaced by 1806, by the Adelphi Theatre. The magic lantern had not advanced much from the 17th century to the latter part of the 18th century.

At that point, the search for the earliest written reference to the technique was pushed back only to 1843, in the 25 March issue of the Magazine of Science. Later, a slightly earlier reference was found, to the 12 and 19 February issues during 1842 of The Mirror of Literature, Amusement, and Instruction. Childe had made a demonstration on 5 December 1840, at the Adelaide Gallery in London, before those at the Royal Polytechnic Institution the following year.

1826 version In 1824, Delacroix recorded in his diary his experience of reading The Giaour and Childe Harold's PilgrimageRoger J. Porter, 'A serpent in the coils of a pythoness : conflicts and self- dramatization in Delacroix's journal', in Autobiography, Historiography, Rhetoric: A Festschrift in Honor of Frank Paul Bowman, Rodopi, 1994, 302 p. ( et 9789051835762) Edmond Estève, Byron et le romantisme français, Slatkine, 1973, 560 p., p. 196., probably in their 1819–1824 French translations by Amédée Pichot.

It was at this time also, that Pope Innocent VI made, in Fuller's words, "a new distinction – primate of All England, and Primate of England: giving the former to Canterbury and the latter to York. Thus, when two children cry for the same apple, the indulgent father divides it betwixt them. Yet so that he giveth the bigger and better part to the childe that is his darling." The archbishop undertook much building work at York Minster.

Among the noted artists were Claude Monet, Robert Henri, Mary Cassatt, and John Singer Sargent. It has exhibited the works of Mary Cassatt, Claude Monet, Cecilia Beaux, Rockwell Kent, John Singer Sargent, Daniel Chester French, and Childe Hassam. In 1924, Concord Art Association inaugurated the bronze Medal of Honor, with an eagle on one side and a pine cone on the other, for meritorious works of art. Mary Ogden Abbott was the president from 1942 to 1971.

Patterns for Newcomb-Macklin's arts and crafts style frames were conceived by an in-house stable of designers. These designs were then hand-carved into frame molding on the company's production floor and the frames assembled. This creative capability also enabled company craftsmen to produce frames that were designed according to a customer's specifications. Maxfield Parrish, Childe Hassam, George Bellows and John Singer SargentArticle states that some of Sargent's American portrait commissions were framed in Newcomb-Macklin frames.

Childe's Tomb on Dartmoor is the legendary site of the death of Childe who, caught in a snowstorm, killed and disembowelled his horse and climbed inside for shelter, but still froze to death. He left a message to say that the first person to bury him would get his lands at Plymstock. The greedy monks of Tavistock buried him and claimed the lands. The ghosts of monks carrying a bier have supposedly been seen at Childe's Tomb.

" Letter to "The Board of Trustees, Virginia Museum" from "Walter Coppage, Gerald Donato, David Freed," et al., April 25, 1977 According to the minutes of the trustees' meetings, complaints of censorship occupied the institution's director and trustees for the ensuing three monthsDohn, Helen, Secretary of the Museum, "Excerpt from the Minutes [redacted] of the meeting of the Executive Committee of the Board of Trustees of the Virginia Museum of Fine Arts held in the Conference Room of the Museum on May 19, 1977" In May, the Childe Byron incident was cited among other grounds for a possible "first amendment court case through the American Civil Liberties Union" against the Virginia Museum."Possible Court Showdown....," Independent Virginian," May 15, 1977Merritt, Robert, "Court Showdown Possible About Policies of Museum," Richmond Times-Dispatch, May 11, 1977 At the end of the 1977 theater season, Fowler was awarded Richmond Newspapers' "Phoebe" prize for "Best Direction" for the staging of Childe Byron. He was subsequently hired by his alma mater, the Yale School of Drama, to head the directing program there.

The book is about Donal Graeme, warrior extraordinaire. In the Childe Cycle universe, the human race has split into a number of splinter cultures. Donal is a member of the Dorsai, a splinter culture based on the planet of the same name, which has specialized in producing the very best soldiers. Since each splinter culture specializes in a specific area of expertise, a system of trade labour contracts between the cultures allows each planet to hire the expertise they need.

V. G. Childe, The Prehistory Of Scotland (London: Taylor and Francis, 1935), p. 115. There are also elaborate carved stone battle-axes found in East Lothian, Aberdeenshire and Lanarkshire. These show little sign of use or wear, so may be symbolic representations of power, rather than designed as weapons.M. MacDonald, Scottish Art (London: Thames and Hudson, 2000), , p. 12. Elaborate metal weaponry includes bronze leaf swords and ceremonial shields of sheet bronze made in Scotland between 900 and 600 BCE.

After leaving the army in 1870 he devoted himself to languages, travel, and folklore. In 1904 he introduced the term beaker into the archaeological lexicon to describe the copper age drinking vessels being found all over western Europe. He supported the Society of Antiquaries of Scotland and served as its president from 1913 to 1918. His will provided for the foundation of the Abercromby Chair of Archaeology at Edinburgh University, a post occupied by Vere Gordon Childe and Stuart Piggott.

Childe became separated from the main party and was lost. In order to save himself from dying of exposure, he killed his horse, disembowelled it and crept inside the warm carcass for shelter. He nevertheless froze to death, but before he died, he wrote a note to the effect that whoever should find him and bury him in their church should inherit his Plymstock estate. His body was found by the monks of Tavistock Abbey, who started to carry it back.

In medieval times Northwick was a collection of smallholder's cottages surrounding a mansion owned by the Childe family. In 1683 it was bought by Sir James Rushout, Bt, the son of a rich Flemish merchant, who carried out extensive remodelling in 1686. The 4th Baronet continued the work, commissioning the architect Lord Burlington to design a Palladian east front and entrance hall in the 1730s. The 5th Baronet, later Baron Northwick, employed architect John Woolfe to carry out further improvements c.

Point of view is a support mechanism for the Childe Cycle's grand theme, the evolution of Responsible Man in the face of the forces of conservatism. "Amanda Morgan" is a detail perspective of a portion of Tactics of Mistake. This device is also used between Soldier, Ask Not, "Brothers" and Dorsai, as well as among the later novels of the cycle. Amanda Morgan's point of view, highlights the crisis of Tactics of Mistake as a locus moment in the future evolution of humanity.

An English merchant named Gerard de Visme rented the farm in 1789 and built a neo-Gothic house over the ruins of the chapel. In 1793-1794 the estate was subleased by William Thomas Beckford who started to design a landscaped garden. Though the property was still in ruins when Lord Byron visited in 1809, its magnificent appearance inspired the poet, who mentioned of the beauty of Monserrate in Childe Harold's Pilgrimage. After that, the property attracted foreign travelers’ attention.

Margaret participated in the excavation at Skara Brae, led by Prof. Gordon Childe in the years 1927–1930, and was later acknowledged by him in a monograph on the subject. She also features in several photographs from the excavation (currently in the collection of Orkney Library and Archive), along with other female archaeologists (Margaret Mitchell, Mary Kennedy, and Dame Margaret Cole). They were initially considered to be either tourists or local women visiting the site, but are now identified as Prof.

'A Handled Beaker from Norfolk' in Childe, V. G., (ed.) Proceedings of the Prehistoric Society for 1940 (London: Prehistoric Society, 1941) p. 144 Gresham was the site of a famous clerical battle in the 1940s. Although it was then seen as an Anglo-Catholic parish, the inside walls of the church are now bare and whitewashed, due to the efforts of the squire of the day, Colonel Batt, who was a determined Protestant, while his parish priest was an Anglo-Catholic.

Nevertheless, Woodbury maintained a close friendship with John Singer Sargent and a pleasant acquaintance with many of his contemporaries including J. Alden Weir and Childe Hassam. He was president of the Boston Watercolor Society, and became associate of the National Academy of Design, New York in 1906 and a full member in 1907. His wife, Marcia Oakes Woodbury, born in 1865 at South Berwick, Maine, also became known as a painter. She died at the age of 49 in 1913.

Childe Harold's Pilgrimage is a long narrative poem in four parts written by Lord Byron. The poem was published between 1812 and 1818. Dedicated to "Ianthe", it describes the travels and reflections of a world-weary young man, who is disillusioned with a life of pleasure and revelry and looks for distraction in foreign lands. In a wider sense, it is an expression of the melancholy and disillusionment felt by a generation weary of the wars of the post-Revolutionary and Napoleonic eras.

Mémoires de Hector Berlioz, Paris 1896, p.302 Nevertheless, Donald Tovey has pointed out in his analysis of the work that "there is no trace in Berlioz's music of any of the famous passages of Childe Harold". Several of Franz Liszt's transcriptions of Swiss natural scenery in his Années de pèlerinage (composed during the 1830s) were accompanied by epigraphs from Canto III of Byron's poem, but while the quotations fit the emotional tone of the music, they are sometimes contextually different.

Johnson, Allen W. and Timothy K. Earle (2000) The Evolution of Human Societies: From Foraging Group to Agrarian State. 2nd ed. Stanford University Press, Stanford. there is general agreement that he correctly identified one of the most far-reaching social transformations prior to the Industrial Revolution, as well as the major processes involved in the change.Smith, Michael E., “V. Gordon Childe and the Urban Revolution: An Historical Perspective on a Revolution in Urban Studies,” Town Planning Review 80 (2009) 3-29.

Scripps College is also the home of the Ruth Chandler Williamson Gallery, which maintains Scripps College's permanent art collection of some 7,500 objects spanning 3,000 years of art history. Objects are available for use in classes, displayed in campus exhibitions, and loaned to other exhibiting institutions. Among the holdings in the collection are works by American artists Andy Warhol, Winslow Homer, Childe Hassam, and John James Audubon, and an extensive collection of paintings by the California artist and Scripps Professor Emeritus Millard Sheets.

Portrait by Richard Westall Byron became a celebrity with the publication of the first two cantos of Childe Harold's Pilgrimage (1812). "He rapidly became the most brilliant star in the dazzling world of Regency London. He was sought after at every society venue, elected to several exclusive clubs, and frequented the most fashionable London drawing-rooms." During this period in England he produced many works, including The Giaour, The Bride of Abydos (1813), Parisina, and The Siege of Corinth (1815).

The name "United Nations" for the World War II allies was suggested by President Franklin D. Roosevelt of the United States as an alternative to the name "Associated Powers". British Prime MinisterWinston Churchill accepted it, noting that the phrase was used by Lord Byron in the poem Childe Harold's Pilgrimage (Stanza 35). The Declaration by United Nations formed the basis of the United Nations Charter;Townsend Hoopes; Douglas Brinkley (1997). FDR and the Creation of the U.N. New Haven, Connecticut: Yale University Press. .

There have been numerous local uses and commemorations of Middleton; a pub in Hale, named "The Childe of Hale", bears a copy of the Brasenose College portrait as its sign. Previously situated across the road from the church was a large tree trunk. In 1996 it was carved with representations of John Middleton, Hale Lighthouse and other local symbols. In 2011, due to disease and in the interests of public safety the tree trunk was removed by Halton Borough Council.

Millais The ball inspired a number of writers and artists in the nineteenth century. Sir Walter Scott mentioned it in passing in Paul's Letters to his Kinsfolk. It was described by William Makepeace Thackeray in Vanity Fair and by Lord Byron in Childe Harold's Pilgrimage. Byron emphasises the contrast between the glamour of the ball and the horror of battle, concentrating on the emotional partings, Thackeray's dramatic use of the ball in Vanity Fair inspired, in turn, a number of screen depictions.

The Florence Griswold House in Old Lyme housed an art colony for many years in the early 20th century to many prominent American Impressionist painters. The Lyme Art Colony included Childe Hassam, Edward Charles Volkert, Willard Metcalf, Wilson Irvine, and Henry Ward Ranger, among many others. These artists made Old Lyme a thriving art community, which still continues today. The Griswold House was transformed into an art museum, the Florence Griswold Museum, or affectionately called "Flo Gris", by residents of Old Lyme.

200 Eastern Parkway, Brooklyn, NY 11238. January 1919. The organization continued to grow aggressively during the first fifteen years of its existence with both the membership and number of prints exhibited at the annual exhibitions tripling. The first international exhibition was organized at the Anderson Galleries in New York in 1922, including works by several major European and American artists such as Mary Cassatt, Ernest Haskell, Childe Hassam, Edward Hopper, Wilhelm Lembrook, Henri Matisse, Pablo Picasso, Camille Pissarro, and John Sloan.

The Drachenfels, crowned by the ruins of a castle built in the early 12th century by the archbishop of Cologne, rises behind the town. From the summit, which can be accessed by the Drachenfels Railway, there is a view celebrated by Lord Byron in Childe Harold's Pilgrimage. A cave in the hill is said to have sheltered the dragon () which was slain by the hero Siegfried. The mountain is quarried, and from 1267 onward supplied stone (trachyte) for the building of Cologne Cathedral.

The term Danubian culture was coined by the Australian archaeologist Vere Gordon Childe to describe the first agrarian society in central and eastern Europe. It covers the Linear Pottery culture (Linearbandkeramik, LBK), stroked pottery and Rössen cultures. The beginning of the Linear Pottery culture dates to around 5500 BC. It appears to have spread westwards along the valley of the river Danube and interacted with the cultures of Atlantic Europe when they reached the Paris Basin. Map of the European Late Neolithic (c.

She appeared as Donna Anna at Drury Lane in a version of Don Giovanni in English.R. H. Legge, "Seguin, Arthur Edward Sheldon (1809–1852)", rev. Anne Pimlott Baker, Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, May 2005 accessed 14 May 2015 An engraving of Ann Childe Seguin They went to America at the invitation of John Lester Wallack with their three children. Her début was in the Barber of Seville at the National Theatre in New York in 1839.

Jim Lees in The Quest for Robin Hood (p. 81) suggests that Maid Marian was originally a personification of the Virgin Mary. Francis J. Childe argues that she was originally portrayed as a trull associated with a lascivious Friar Tuck: "She is a trul of trust, to serue a frier at his lust/a prycker a prauncer a terer of shetes/a wagger of ballockes when other men slepes."Child, Francis J. The English and Scottish Popular Ballads, vol. 3, 122.

The couple married in 1889. Adams advocated for female sculptors including Laura Gardin Fraser, Evelyn Beatrice Longman, Janet Scudder, Bessie Porter Vonnoh, Abastenia St. Leger Eberle and Anna Hyatt Huntington. She also advocated for war memorials to be created by professional sculptors rather than mass-produced in factories. Adams's seven published texts include: "The spirit of American sculpture," "Daniel Chester French, sculptor," "Childe Hassam," "John Quincy Adams Ward; An Appreciation," "Sylvia," "An Exhibition of American Sculpture," and "Our medals and Our Medals".

He was part of the Cos Cob Art Colony, where did some painting but did not show his work. Among his visitors there were John Twachtman, Childe Hassam, Willa Cather, Arthur B. Davies, George Luks, and Walt Kuhn; many of these acquaintances would come to play an important role in Taylor's life as an artist. He married Clara Sidney Potter Davidge, the daughter of Bishop Henry Codman Potter, on March 20 1913. They moved to her estate on Staten Island.

The Letters of Sir Walter Scott: 1811–1814, ed. H. J. C. Grierson (London, 1932), 260 (Scott to Lady Louisa Stuart, 23 April 1813). Thomas Moore sarcastically wrote that Scott's works were turning into a picturesque tour of Britain's stately homes. Lockhart, writing after Scott's death, admired the scenery of Rokeby, and found many thrilling episodes and lines scattered through the poem; he attributed its disappointing sales to the inevitable comparisons drawn by the public with Childe Harold’s greater raciness and romantic glamour.

They were in regular correspondence with leading archaeologists, including the Australian, V. Gordon Childe, who recognised, in particular, their work on the Bell Beaker Culture. After the death of Georg in 1958, Vera, who in Georg's later years had already been carrying out the bulk of the research work, continued the research in collaboration with leading Portuguese archaeologists. She was awarded an honorary doctorate at the University of Freiburg in Germany in 1960. She published the third volume in 1965.

The representations of an axe and a boat at the Ri Cruin Cairn in Kilmartin, and a boat pecked into Wemyss Cave, are probably the oldest two-dimensional representations of real objects that survive in Scotland. Similar carved spirals have also been found on the cover stones of burial cists in Lanarkshire and Kincardine.V. G. Childe, The Prehistory Of Scotland (London: Taylor and Francis, 1935), p. 115. There are also elaborate carved stone battle-axes found in East Lothian, Aberdeenshire and Lanarkshire.

Inspired by James George Frazer's Golden Bough and the archaeologist V. Gordon Childe, he transferred to Archaeology and Anthropology when he resumed university study in 1946. Meyer Fortes was his first mentor in Social Anthropology. After fieldwork with the LoWiili and LoDagaa peoples in northern Ghana, Goody increasingly turned to comparative study of Europe, Africa and Asia. Between 1954 and 1984, he taught social anthropology at Cambridge University, serving as the William Wyse Professor of Social Anthropology from 1973 until 1984.

For the next two years, they had conducted independent study, guided by frequent critiques from faculty, students, and visiting artists. From 1811 to 1969, the Academy organized important annual art exhibitions, from which the museum made significant acquisitions. Harrison S. Morris, Managing Director from 1892 to 1905, collected contemporary American art for the institution. Among the many masterpieces acquired during his tenure were works by Cecilia Beaux, William Merritt Chase, Frank Duveneck, Thomas Eakins, Winslow Homer, Childe Hassam, and Edmund Tarbell.

Childe Hassam's 1885 painting Rainy Day, Boston bears "an uncanny resemblance" to Caillebotte's work. Émile Zola, often a critic of Caillebotte, praised this work in an article "Notes parisiennes: Une exposition: les peintres impressionnistes" published in Le Sémaphore de Marseille in 1877. As with many of Caillebotte's paintings, it remained with the family until the mid twentieth century. It was acquired by Walter P. Chrysler Jr. in 1955, who in turn sold it to the Art Institute of Chicago in 1964.

The founding members of The Ten were Frank W. Benson, Joseph Rodefer DeCamp, Thomas Wilmer Dewing, Childe Hassam, Willard Leroy Metcalf, Robert Reid, Edward Simmons, Edmund C. Tarbell, John Henry Twachtman, and J. Alden Weir. All were former members of the Society of American Artists. Winslow Homer declined an invitation to join the group; Abbott Handerson Thayer accepted membership but withdrew before the group's first exhibition. After J. H. Twachtman died in 1902, William Merritt Chase joined in his place.

Charles Tersolo (born 1974 in Rochester, New Hampshire) is a Boston artist and member of the Copley Society of Art. He paints much of his works outdoors, or en plein air in the tradition of Corot, Monet, and American Impressionists such as Childe Hassam. The coloring of his works is closer to the broad palette of the Boston School of painters, who mix American impressionist technique with more traditional coloring and paint application. His largest public work is a Synthetic Impressionist piece of the Harvard Footbridge.

Bede (c. 672–735) wrote a famous epigram celebrating the symbolic significance of the statue, ("as long as the Colossus stands, so shall Rome; when the Colossus falls, Rome shall fall; when Rome falls, so falls the world"). This is often mistranslated to refer to the Colosseum rather than the Colossus (as in, for instance, Byron's poem Childe Harold's Pilgrimage). However, at the time that Bede wrote, the masculine noun was applied to the statue rather than to what was still known as the Flavian Amphitheatre.

Discussing his dramatized women in The New York Times, Linney commented, "I'm not writing about what you're supposed to think of women, but what you really think of them. … Oh, they get credit for doing the right thing or the wrong thing, but not the unique or surprising thing. … I love the contradictions in women." In the end of Childe Byron, a compromising reconciliation between daughter and sire is reached—providing a freshly intimate view of the major Romantic poet of the early 19th century.

Lord Byron refers to the Symplegades in the concluding stanzas of Childe Harold's Pilgrimage: The New Critic I. A. Richards refers to 'Symplegades' in his work Practical Criticism. In Chapter 2, 'Figurative Language', he refers to dangers of misinterpretation in reading poems: "These twin dangers - careless, 'intuitive' reading and prosaic, 'over-literal' reading - are the Symplegades, the 'justling rocks', between which too many ventures into poetry are wrecked." In his 1961 novel Jason, Henry Treece depicts the Symplegades as icebergs that drifted downriver into the Black Sea.

Frederick Everard Zeuner, FZS (8 March 1905 – 5 November 1963) was a German palaeontologist and geological archaeologist who was a contemporary of Gordon Childe at the Institute of Archaeology of the University of London."Alumni Reflections: Charles Thomas" in Archaeology International, Issue 15 (2011-2012), pp. 119-123. Zeuner proposed a detailed scheme of correlation and dating of European climatic and prehistoric cultural events on the basis of Milankovitch cycles.Wright, H.E. (1993) Global Climates Since the Last Glacial Maximum. University of Minnesota Press, p. 1.

Portrait of Mendelssohn by the English miniaturist James Warren Childe (1778–1862), 1839 One crucial change was the shift towards harmonies centering on "flatward" keys: shifts in the subdominant direction . In the Classical style, major key was far more common than minor, chromaticism being moderated through the use of "sharpward" modulation (e.g., a piece in C major modulating to G major, D major, or A major, all of which are keys with more sharps). As well, sections in the minor mode were often used for contrast.

A sickly child, Gordon Childe was educated at home for several years, before receiving a private-school education in North Sydney. In 1907, he began attending Sydney Church of England Grammar School, gaining his Junior Matriculation in 1909 and Senior Matriculation in 1910. At school he studied ancient history, French, Greek, Latin, geometry, algebra, and trigonometry, achieving good marks in all subjects, but he was bullied because of his physical appearance and unathletic physique. In July 1910 his mother died; his father soon remarried.

He was a fan of good quality food and drink, and frequented restaurants. Known for his battered, tatty attire, Childe always wore his wide-brimmed black hat—purchased from a hatter in Jermyn Street, central London—as well as a tie, which was usually red, a colour chosen to symbolise his socialist beliefs. He regularly wore a black Mackintosh raincoat, often carrying it over his arm or draped over his shoulders like a cape. In summer he frequently wore shorts with socks, sock suspenders, and large boots.

Some of his other students included Childe Hassam, George Hitchcock, Frederick William MacMonnies, Gari Melchers, Willard Leroy Metcalf, Elizabeth Nourse, Robert Reid, and Edmund Charles Tarbell - Anna's work was in good company. Likely her awareness of the reputations of her mentors resulted in welcomed reception of their instruction. In one letter, she wrote that she received "stern criticisms" and yet recounted that they were “fair and instructive.” Several other artist and friends from the Pennsylvania Academy of the Fine Arts also studied at the Académie Julian.

On 10 March 1812 Murray published Byron's second book, Childe Harold's Pilgrimage, which sold out in five days, leading to Byron's observation "I awoke one morning and found myself famous". On 17 May 1824 Murray participated in one of the most notorious acts in the annals of literature. Byron had given him the manuscript of his personal memoirs to publish later on. Together with five of Byron's friends and executors, he decided to destroy Byron's manuscripts because he thought the scandalous details would damage Byron's reputation.

This is often mistranslated to refer to the Colosseum rather than the Colossus (as in, for instance, Byron's poem Childe Harold's Pilgrimage). However, at the time that the Pseudo-Bede wrote, the masculine noun coliseus was applied to the statue rather than to what was still known as the Flavian amphitheatre. The Colossus did eventually fall, possibly being pulled down to reuse its bronze. By the year 1000 the name "Colosseum" had been coined to refer to the amphitheatre from the nearby "Colossus Solis".

As opined by Gordon Childe and popularized by Erim; ...invention of agriculture automatically brought about surplus food which enabled groups of people to divorce themselves from food production and devote attention to other occupations. This situation created extensive division of labour... it was from this occupational specialization that political integration emerged. With the conducive atmosphere and availability of food, settlement was encouraged, men and women encouraged to engaged on activities that geared toward development. The inter and intra marriages also played vital role in the developmental process.

On the circular lawn in front of the museum's entrance, the founders placed a bronze sculpture by Hermon Atkins MacNeil, The Sun Vow, another gift from Evans. It remains there as a signature piece for the museum, blending Native American and American themes. At its opening the museum had two collections gifted by its principal organizer, Evans, and its principal funder, Lang. Evans' donation of American art included 2 sculptures and 54 paintings, among them works by George Inness, Ralph Albert Blakelock, and Childe Hassam.

In 1956, Wheeler retired from his part-time professorship at the Institute of Archaeology. Childe was also retiring from his position of director that year, and Wheeler involved himself in the arguments surrounding who should replace him. Wheeler vocally opposed the nomination of W.F. Grimes, deeming his career undistinguished; instead, he championed Glyn Daniel as a candidate, although ultimately Grimes was selected. That year, Wheeler's marriage broke down, and he moved from his wife's house to a former brothel at 27 Whitcomb Street in central London.

The Third Amanda's support for Hal Mayne is part of another trilogy of characters that combine the three parts of humanity as Gordon R. Dickson envisions. She is the strength, the courage, and the competence that complements the other two muses in his life. Rukh Tamani, who embodies Faith, and Ajela who embodies Understanding being these other two components based on the Childe Cycle splinter cultures. The interesting thing is that each of these three characters embodies all three of the important philosophies: Courage, Faith, Understanding.

Childe used achromatic lenses and an improved oil-lamp; and moved to the limelight, then associated with Thomas Drummond. The limelight has also been attributed to Robert Hare, and Goldsworthy Gurney. In Childe's hands, it increased the scale and brightness of the projected images at public performances. It was the combination of the double image and the improved lighting that made the lantern technique standard for a time; credit for this advance in projection, underpinning "dissolving views" in practice, has been given to John Benjamin Dancer.

The innovations of Childe and the instrument-maker Edward Marmaduke Clarke (the "biscenascope") played a part in displacing the diorama as a fashionable entertainment; it was a type of double lantern, but in fact had a single light source, divided by a mirror system. Claims of priority were made on Childe's behalf, by 1885.Thomas Humphry Ward, ed., Men of the Reign; a biographical dictionary of eminent persons of British and colonial birth who have died during the reign of Queen Victoria (1885), p.

Such conditions delayed the coming of the Neolithic to as late as 5,500 years ago in Northern Europe. As what Vere Gordon Childe termed the "Neolithic Package" (including agriculture, herding, polished stone axes, timber long houses and pottery) spread into Europe, the Mesolithic way of life was marginalised and eventually disappeared.Childe 1925 Controversy over the means of that dispersal is discussed below in the Neolithic section. A "Ceramic Mesolithic" can be distinguished between 7,200 and 5,850 years ago and ranged from Southern to Northern Europe.

In March 1830 he appeared in Edinburgh as Harry Bertram in Guy Mannering, and was subsequently engaged in other operas—notably in Michael William Balfe's, in some of which he created the principal part—at Covent Garden and Drury Lane. His acting was, however, considered stiff, and he abandoned the stage to become an exponent of Scottish song. From 1838 to 1840 he was in America appearing with Jane Shireff, Edward and Ann Childe Seguin. Wilson appeared before Queen Victoria at Taymouth Castle in 1842.

The room was designed for British shipping magnate F.R. Leyland and is lavishly decorated with green and gold peacock motifs. Purchased by Freer in 1904 and installed in the Freer Gallery after his death, The Peacock Room is on permanent display. The Freer also has works by Thomas Dewing (1851–1938), Dwight Tryon (1849–1925), Abbott Handerson Thayer (1849–1921), Childe Hassam (1859–1935), Winslow Homer (1836–1910), Augustus Saint-Gaudens (1848–1907), Willard Metcalf (1858–1925), John Singer Sargent (1856–1925), and John Twachtman (1853–1902).

As opposed to other works dealing with the same period, the play is more a biopic dealing with Byron's divorce and exile from England, than with the Shelleys' lives. He appears as a drug induced apparition to his dying daughter, Ada, in Romulus Linney's two-act play Childe Byron, premiered in 1977 by the Virginia Museum Theater (now the Leslie Cheek Theater), with Jeremiah Sullivan as Byron and Marjorie Lerstrom as his daughter Ada, Countess Lovelace. The play was commissioned and directed by Keith Fowler.

3000 BC. In the following centuries, especially in the south of the peninsula, metal goods, often decorative or ritual, become increasingly common. Additionally there is an increased evidence of exchanges with areas far away: amber from the Baltic and ivory and ostrich-egg products from Northern Africa. The Beaker culture was present in Iberia during the Chalcolithic. Gordon Childe interpreted the presence of its characteristic artefact as the intrusion of "missionaries" expanding from Iberia along the Atlantic coast, spreading knowledge of Mediterranean copper metallurgy.

Edward "Ned" Salisbury Field (February 28, 1878 – September 20, 1936) was an American author, playwright, artist, poet, and journalist. He was born in Indianapolis, IndianaSalisbury Field, bio at IMDb to Edward Salisbury and Sarah Mills Hubbard Field. He was the husband of Isobel Osbourne (step- daughter of Robert Louis Stevenson) and step-father of playwright Austin Strong (Isobel's son from a former marriage). Field was an employee and friend of William Randolf Hearst where he made drawings for Hearst newspapers, signing his drawings "Childe Harold".

Even as Childe was developing this revolution theme the ground was sinking under him. Lubbock did not find any pottery associated with the Paleolithic, asserting of its to him last period, the Reindeer, "no fragments of metal or pottery have yet been found." He did not generalize but others did not hesitate to do so. The next year, 1866, Dawkins proclaimed of Neolithic people that "these invented the use of pottery...." From then until the 1930s pottery was considered a sine qua non of the Neolithic.

In World War II she served as a commander in the Red Cross. In 1952–58 she took over operations at Jericho as the Director of the British School, verifying and expanding Garstang's work and conclusions. There were two Pre-pottery Neolithic periods, she concluded, A and B. Moreover, the PPN had been discovered at most of the major Neolithic sites in the near East and Greece. By this time her personal stature in archaeology was at least equal to that of V. Gordon Childe.

The art historian Samuel Benjamin considered her "one of the finest still life painters in America." Another art historian, however, has compared the "harsh edges and forthright local color" of Robbins's flower paintings unfavorably to the work of Childe Hassam, yet those are precisely the qualities that her fans admire. In addition to publishing books, Robbins sold original paintings through a shop in Boston. Her work became fashionable in both America and England, and she began painting botanical designs on china and even furniture for her clients.

On November 1, 1925 he was returning to his family in Maine after organizing an exhibition of the new paintings in New York when he was involved in a fatal automobile accident near West Point in Phippsburg, Maine.The New York Times, Tuesday, November 3, 1925 "Ernest Haskell Dies in Auto Crash" The exhibition became a memorial show at the Macbeth Gallery in New York City. Ernest was eulogized by fellow artists and friends John Marin and Childe Hassam among others. Royal Cortissoz called him "a brilliant artist".

While he was Dean of the Music School, Howe was also instrumental in the founding of Alpha Chi Omega fraternity. Howe gathered together seven young women from the school to attend a meeting for the purpose of forming a society. The first appearance of the seven founders – Anna Allen Smith, Olive Burnett Clark, Bertha Deniston Cunningham, Amy DuBois Rieth, Nellie Gamble Childe, Bessie Grooms Keenan, and Estelle Leonard – was in Meharry Hall of East College, wearing scarlet and olive ribbon streamers attached to their dresses.

London: Halton & Truscott Smith Limited The volume reproduced 150 etchings, drypoints, lithographs or woodcuts by major British and American printmakers of the day such as Stanley Anderson, Frank Benson, Edmund Blampied, Frank Brangwyn, Gerald Brockhurst, F.L. Griggs, Childe Hassam, James McBey, Henry Rushbury, Frank Short and William Walcot as well as the work of many artists whose work is less well known. Some copies of volume two, for the year 1924, contained as a frontispiece an unsigned, original etching by Frank Brangwyn.Salaman, M.C., editor (1925). Fine Prints of the Year 1924.

He obtained a BA and MA in Architecture and Sanskrit at Trinity College, Cambridge before completing a postgraduate Diploma at the Institute of Archaeology, University of London. At the Institute he qualified with distinction and was awarded the Gordon Childe Prize, as one of two best all-round students in all fields of archaeology. In 1968 he joined the Archaeological Survey Department of Sri Lanka as the Assistant Commissioner in charge of scientific excavations. In 1969 he oversaw the first excavation at the citadel of Anuradhapura down to its earliest levels.

A chromatrope is a type of magic lantern slide that produces dazzling, colorful geometrical patterns set in motion by rotating two painted glass discs in opposite directions, originally with a double pulley mechanism but later usually with a rackwork mechanism. The chromatrope was possibly invented around 1844 by English glass painter and showman Henry Langdon Childe. It was soon added as a novelty to the program of the Royal Polytechnic Institution, which had previously included many other types of magic lantern shows with moving images, such as phantasmagoria and dissolving views.

Greaves was born in 1943 on the US Army Air Forces base at Georgetown, Guyana. A nephew of Sam Cooke, he grew up on a Seminole Indian reservation in the United States, but he moved to England in 1963. Greaves had built a career both in the Caribbean and in the UK, where he performed under the name Sonny Childe with his group the TNTs. His debut recording, "Take a Letter Maria", was released under the name R.B. Greaves and produced by the president of Atlantic Records, Ahmet Ertegün.

The Florence Griswold House in Old Lyme, Connecticut was a boarding house run by Florence Griswold, where American Impressionist artists lived and painted-- often directly on the walls and doors of the house. The building is now part of the campus of the Florence Griswold Museum. May Night (1906) by Willard Metcalf, National Gallery of Art, Washington, D.C. This depicts the Florence Griswold House. Leading artists of the Old Lyme Art Colony who stayed at the boarding house were Henry Ward Ranger, Edward Charles Volkert, Childe Hassam, and Willard Metcalf.

The Cycle of Terror and Tragedy (detail) by Graydon Parrish. Collection of the New Britain Museum of American Art Works by American Impressionists at the museum include a pastel by Mary Cassatt and works by Theodore Robinson, John Henry Twachtman, J. Alden Weir, Willard Metcalf, and 11 oil paintings by Childe Hassam. Among the later Impressionist works are paintings by William Glackens, Ernest Lawson, Frederick Carl Frieseke, Louis Ritman, Richard Emil Miller, and Maurice Prendergast. The collection also includes the mural series "The Arts of Life in America" by Thomas Hart Benton.

More seriously, perhaps, in 1810 Miller turned down the chance to publish the young Lord Byron's epic poem "Childe Harold". This decision was supposedly taken because the poem attacked Miller's patron, Lord Elgin, as a "plunderer" (an opinion not a few Greeks would agree with).Samuel Smiles, A publisher and his friends, a memoir and correspondence of John Murray [II]: with an Account of the Origin and Progress of the House, 1768-1843. As a business decision it was unfortunate as John Murray II published it the following year with great success.

Politically, he had moved toward socialism under the influence of Childe, who had become a close friend. He expressed the view that socialism was "the natural corollary of science in the regulation of human affairs". He attempted to incorporate Marxist ideas into his archaeological interpretations, as a result producing articles such as "The Dialectical Process in the History of Science", which was published in The Sociological Review. He became enthusiastic about the Soviet Union, a state governed by the Marxist Communist Party, viewing it as the forerunner of a future world state.

The furniture in the eldest son's room, for example, is decorated with ebony inlaid motifs that are repeated in the oak paneled walls. Chester Congdon's art collection hangs in the home as it did when the Congdons lived there. The collection includes works by American artists Charles Warren Eaton, Henry Farrer, Childe Hassam, Albert Lorey Groll, Hamilton King, Lawrence Mazzanovich, Henry Ward Ranger, Peter Alfred Gross, David Ericson, C. F. Daubigny, Henri Harpignies, and many more. The house also contains a silk embroidery done by Japanese artist Watunabe.

The Indus Valley Civilization was a Bronze Age civilization (3300–1300 BC). Along with Mesopotamia and Pharaonic Egypt, it was a cradle of early civilization in the Old World (Childe 1950). Of the three, the Indus was the most expansive, covering an area of 1.25 million km2 and encompassing what is today most of Pakistan, parts of Afghanistan, and north west India. It flourished in the basins of the Indus River, one of the major rivers of Asia, and the Ghaggar-Hakra River, which once coursed through northwest India and eastern Pakistan.

He did not return, and the middle brother followed, only to meet the same fate. Finally Childe Rowland went forth, having been given his father's sword, which never struck in vain, for protection. Merlin gave him his orders: he must chop off the head of anyone in Elfland who speaks to him until he sees his sister, and he must not eat or drink anything while in that realm. Rowland obeyed the orders, dispatching a horseherd, a cowherd, and a henwife, who would not tell him where his sister was.

Paul Zarifopol, Artişti şi idei literare române: Geniul neprihănit (wikisource) Cerna was also a late admirer of Lord Byron, a main figure of English Romanticism, and translated from his Childe Harold.Émile Turdeanu, Études de littérature roumaine et d'écrits slaves et grecs des principautés roumaines, Brill Publishers, Leiden, New York & Köln, 1985, p.397. One of Cerna's poems was an epic piece inspired by the Book of Genesis, where Adam confronts God. Titled Plânsetul lui Adam, it builds on themes which recalled Byron's 1821 play Cain, and constituted an interrogation of divine laws.

All this was done with the aim of developing comparative approaches at the site level and beyond. Taylor's A Study of Archaeology provided a number of early impacts. First, it was a history of Americanist archaeology. Alongside V. Gordon Childe and especially Grahame Clark, he envisaged an archaeology that saw the necessary goal of archaeology as the reconstruction of prehistoric lifeways with a focus on cultures as "functioning entities embracing social, political, and ideological as well as economic components that the archaeologist must try to study holistically from the inside".

Born in Sydney to a middle-class English migrant family, Childe studied classics at the University of Sydney before moving to England to study classical archaeology at the University of Oxford. There, he embraced the socialist movement and campaigned against the First World War, viewing it as a conflict waged by competing imperialists to the detriment of Europe's working class. Returning to Australia in 1917, he was prevented from working in academia because of his socialist activism. Instead, he worked for the Labor Party as the private secretary of the politician John Storey.

The leftist community condemned this as an infringement of Childe's civil rights, and the centre-left politicians William McKell and T.J. Smith raised the issue in the Parliament of Australia. Moving to Maryborough, Queensland, in October 1918, Childe took up employment teaching Latin at the Maryborough Boys Grammar School, where his students included P. R. Stephensen. Here, too, his political affiliations became known, and he was subject to an opposition campaign from local conservative groups and the Maryborough Chronicle, resulting in abuse from some pupils. He soon resigned.

The writers were Alice Paul and Rheta Childe Dorr, the founding editor, who came to Washington at the urging of Paul and Lucy Burns, another suffrage leader. Allender, having been coaxed by Paul, found she had a talent for drawing cartoons and became The Suffragist's "official cartoonist". Her first political cartoon, which portrayed the campaign and women's need for the ballot, was published in the June 6, 1914 issue on heavy 10" x 13" paper. The entire front page was subsequently occupied by a cartoon by Nina Allender.

He was deemed better at giving tutorials and seminars, where he devoted more time to interacting with his students. As Director, Childe was not obliged to excavate, though he did undertake projects at the Orkney Neolithic burial tombs of Quoyness (1951) and Maes Howe (1954–55). In 1949 he and Crawford resigned as fellows of the Society of Antiquaries. They did so to protest the selection of James Mann—keeper of the Tower of London's armouries—as the society's president, believing Wheeler (a professional archaeologist) was a better choice.

Trigger argued that Childe's work foreshadowed processual thought in two ways: by emphasising the role of change in societal development, and by adhering to a strictly materialist view of the past. Both of these arose from Childe's Marxism. Despite this connection, most American processualists ignored Childe's work, seeing him as a particularist who was irrelevant to their search for generalised laws of societal behaviour. In keeping with Marxist thought, Childe did not agree that such generalised laws exist, believing behaviour is not universal but conditioned by socio- economic factors.

Childe believed the study of the past could offer guidance for how humans should act in the present and future. He was known for his radical left-wing views, being a socialist from his undergraduate days. He sat on the committees of several left-wing groups, although avoided involvement in Marxist intellectual arguments within the Communist Party and—with the exception of How Labour Governs—did not commit his non-archaeological opinions to print. Many of his political views are therefore evident only through comments made in private correspondence.

He married Catherine Pytts, daughter of Samuel Pytts of Kyre, Worcestershire. Kinlet Hall Childe was returned unopposed as Tory Member of Parliament for Shropshire at the 1727 British general election. He voted consistently with the Opposition and was one of a group of Shropshire MP who brought in a bill to prevent irregularity in the delivery of election writs. He replaced the old manor house at Kinlet by Kinlet Hall between 1727 and 1729, commissioning the architect Francis Smith of Warwick to create the present Palladian style mansion.

She later said to her mother that though she would not venture to introduce herself to Lord Byron, she would certainly accept his introduction if it were offered. Byron's popularity was soaring following the success of his work Childe Harold's Pilgrimage. Annabella met him on many social occasions as he began a relationship with Caroline Lamb, the wife of her cousin, William Lamb. However, Byron was attracted to her modesty and intellect and in October 1812 he proposed marriage through her aunt, the well- connected political hostess Elizabeth Lamb, Viscountess Melbourne.

Marold was built as a private, high speed motor yacht for Childe Harold Wills by the Matthews Boat Company, Port Clinton, Ohio, in 1914.A contemporary term for such large, fast yachts was "express cruiser." The name is a compound of the owners given names, Mabel and Harold. The yacht was designed by M. J. H. Wells to meet a requirement for a speed of with triple screws driven by three four stroke, eight cylinder, 300 horsepower Sterling Engine Company engines designed specifically for naval coast defense craft and fast yachts.

However, the quality of the book has been cast into doubt by modern scholars: > "As for Ashe, the titles are the most Manx part of his poems. He started a > trend of 'topographical' poems, describing various houses with the owner’s > name thrown in as a selling-point. The poems themselves are on the whole > conventional in imagery and content but reveal a genuine fascination with > the sea." Further to this, at least one poem in the book has been identified as plagiarised from Lord Byron's Childe Harold, casting doubt on the rest of the work.

Dallas saw something of Byron after the poet's return from the Near East, gave him literary advice, and communicated for him with publishers; Byron in recognition gave him copyright for some of Childe Harold's Pilgrimage, and for The Corsair. But Dallas's didactic line palled, and Byron, after corresponding with Dallas in 1808–11, dropped him. Some letters addressed by Byron to his mother during his eastern travels were given to Dallas by Byron. Dallas, on the strength of these and other communications, prepared an account of Byron's life from 1808 to 1814.

Beal was active in the art community. By 1934, he was a participant in the Salmagundi Club, Lotus Club, Century Club, National Academy of Design and the American Water Color Society. He was also a member of the Society of American Engravers and the National Arts Council. His progressive tenets marked him as a "modernist", and he helped found the Society of Independent Artists and the New Society of Artists, which consisted of fifty of the most important painters of the day, including George Bellows, Childe Hassam, John Sloan, William Glackens and Maurice Prendergast.

Fox Tor is a relatively minor tor on Dartmoor in the county of Devon, England. On the flank of the tor, about 500 m to the north stands Childe's Tomb - according to local legend, the last resting place of Childe the Hunter, an unfortunate traveller who died there during a blizzard. About 800 m. NNE of the tor lie the remains of Foxtor Farm, which was used by Eden Phillpotts as one of the main settings of his 1904 novel The American Prisoner, and in a subsequent early "talkie" film, made in 1929.

Hanley counted among his personal friend political leaders with widely divergent views from conservative Republicans like William Howard Taft to populist Democrats like Williams Jennings Bryan. His personal political views were closely aligned with his friend and fellow Bull Moose progressive Theodore Roosevelt. He also included among his close friends business tycoons such as James J. Hill, owner of the Great Northern Railway and well known literary figures like CES Wood, poet Edwin Markham, and painter Childe Hassam.Engeman, Richard H., The Oregon Companion, Timber Press, Portland, Oregon, 2009, p. 168.

The poem has four cantos written in Spenserian stanzas, which consist of eight iambic pentameter lines followed by one alexandrine (a twelve syllable iambic line), and has rhyme pattern ABABBCBCC. Frontispiece to a 1825 edition of Childe Harold's Pilgrimage Lyrics in a different form occasionally punctuate these stanzas: the farewell to England following Canto I's stanza 13 and later the address "To Inez" following stanza 84; and in Canto II the war song that follows stanza 72. Then in Canto III there is the greeting from Drachenfels following stanza 55.

Of these, Smith and Verner were Charleston natives, while Taylor hailed from elsewhere in the state and Hutty came from New York. Other visual artists considered part of the movement include Edwin Harleston, Anne Taylor Nash, and William Posey Silva. Visiting artists such as Ellen Day Hale, Gabrielle D. Clements, Edward Hopper, and Childe Hassam are sometimes included in the group. The Charleston Renaissance artists' oil paintings, watercolors, and prints documented Charleston and the South Carolina Lowcountry around the city through sometimes romanticized landscapes, architectural studies, and scenes of daily life past and present.

Frederick Howard (the "young, gallant Howard" mentioned in Lord Byron's poem Childe Harold's Pilgrimage) and a group of camp followers, including a vivandière or cantinière, a Sister of Charity, and a tonsured priest delivering the last rites to an officer. In the background, a peasant woman is looting from the dead on the battlefield. In the background, the army is advancing along a road. The copyright was acquired by the Art Union of London in 1865, and Lumb Stocks made an engraving of the painting from photographs of the original.

Humphries has spent much of his life immersed in music, literature and the arts. A self-proclaimed 'bibliomaniac', his house in West Hampstead, London supposedly contains some 25,000 books, many of them first editions of the late 19th and early 20th centuries. Some of the more arcane and rare items in this collection include the telephone book of Oscar Wilde, Memoirs of a Public Baby by Philip O'Connor, an autographed copy of Humdrum by Harold Acton, the complete works of Wilfred Childe and several volumes of the pre-war surrealist poetry of Herbert Read.

The Stroke-ornamented ware (culture) or (German) Stichbandkeramik (abbr. STK or STbK), Stroked Pottery culture, Danubian Ib culture of V. Gordon Childe, or Middle Danubian culture is the successor of the Linear Pottery culture, a major archaeological horizon of the European Neolithic in Central Europe. The STK flourishes during approximately 4600-4400 BC. Centered on Silesia in Poland, eastern Germany and the northern Czech Republic, it overlaps with the Lengyel horizon to the south, and the Rössen culture to the west. Map of late European Neolithic showing the survival of STK.

Ochtman and his wife, the accomplished American Impressionist painter Mina Fonda Ochtman (1862–1924), moved to Mianus, Connecticut in 1891, where they became founding members of the Cos Cob Art Colony. Other members of the colony included John Henry Twachtman, Childe Hassam, Julian Alden Weir, Elmer Livingston MacRae, and Theodore Robinson. From Grayledge, the house that he built overlooking the Mianus River, Ochtman instructed younger artists boarding at the nearby Bush- Holley House. In 1910 and 1911, Ochtman held classes for the New York Summer School at Grayledge.

The term Danubian culture was proposed by V. Gordon Childe to describe the first agrarian society in central and eastern Europe. This hypothesis and the appearance of writing in this space is supported by Marco Merlini,Marco Merlini “La scrittura è natta in Europa”, Avverbi, Roma, 2004 Harald Haarmann, Joan Marler, Harald Haarmann, Joan Marler, An introduction to the study of the Danube Script, Journal of Archeomythology, Vol.4, 2008 Gheorghe Lazarovici,Gheorghe Lazarovici, Cornelia-Magda Lazarovici, Marco Merlini. TĂRTĂRIA and the sacred tablets, Editura Mega, Cluj-Napoca, 2011 and many others.

Burd Ellen and Young Tamlane is Child ballad number 28.Francis James Child, The English and Scottish Popular Ballads, "Burd Ellen and Young Tamlane" Despite similarity in names, it appears to have no connection with Tam Lin, nor with the tale of Childe Rowland, though they both have characters named Burd Ellen; indeed, Francis James Child was unable to connect this ballad with any other tradition or ballad.Francis James Child, The English and Scottish Popular Ballads, v 1, p 256, Dover Publications, New York 1965 The ballad is quite probably fragmentary in its current form.

In 1906, the P Ranch and the neighboring Diamond Ranch were sold to Henry L. Corbett and his partners his brother Elliott R. Corbett and C.E.S. Wood.C.E.S.Wood would paint there with his friend the American Impresionist Childe Hassam. The Corbett brothers also had Hassam paint oils of the P Ranch for them that hung in their Dunthorpe, Portland, Oregon homes. Henry L. Corbett's was of the Ranch house (burned down in a fire in 1947) and Elliott R. Corbett's was the exact reverse, of the view away from the ranch house.

He contributed to the British Naval Intelligence Division Geographical Handbook Series that was published during the Second World War, and to the noted 11th edition of the Encyclopædia Britannica (1910–1911). Myres was president of the Royal Anthropological Institute between 1928 and 1931. His work in Cyprus spanned several decades, with the German archaeologist Max Ohnefalsch-Richter he published the first catalogue of the Cyprus Museum and he excavated at Lapithos in 1913 with Leonard Halford Dudley Buxton. He was a major influence on the British- Australian archaeologist Vere Gordon Childe.

Childe's lantern exhibitions in Manchester and most of the large provincial towns were successful. He and his associates took part in the management of the Royal Polytechnic Institution, until it closed in 1882. On 1 January 1863 the Illustrated London News reported on a lantern production of Cinderella at the Polytechnic, in which Childe was involved in painting slides, after designs of Henry George Hine. W. R. Hill (1823–1901) was Childe's apprentice in the slide painting art; he moved on in 1867 to work for John Henry Pepper of the Polytechnic.

The poem was written after Byron had become famous overnight after the publication of the first two cantos of Childe Harold's Pilgrimage and reflects his disenchantment with fame. It also reflects the gloom, remorse and lust of two illicit love affairs, one with his half-sister Augusta Leigh and the other with Lady Frances Webster. The earliest version of the poem was written between September 1812 and March 1813, and a version of 700 lines published in June 1813. Several more editions were published before the end of 1813, each longer than the last.

He was one of the first painters to move to the area, and is sometimes considered a co-founder of the artist colony at New Hope along with William Langson Lathrop, who arrived in the same year.Folk, Edward Redfield, p.29. Redfield would be considered the leader of a group of landscape painters who settled near the Delaware River, north of the Pennsylvania town of New Hope. His art was seen as totally American, not copying the style of the French Impressionists as earlier American Impressionists, such as Childe Hassam had done.

Tactics of Mistake is a science fiction novel by American writer Gordon R. Dickson, first published as a serial in Analog in 1970-1971. It is part of Dickson's Childe Cycle series, in which mankind has reached the stars and divided into specialized splinter groups. The fourth book written, it is chronologically the second book of the cycle, occurring roughly a century after Necromancer, and a century before Dorsai!. The primary character, Cletus Grahame, is the ancestor of the key characters in later works: the twins, Ian and Kensie Graeme, and their nephew, Donal Graeme.

Also characteristic of Mármol are his unique descriptive sensibility and his treatment of love. In Uruguay in 1847 he published six of what would eventually be twelve cantos of El Peregrino ("The Pilgrim"), a long autobiographical poem set to the rhythm of his changing fortunes, which drew heavily from Byron's Childe Harold's Pilgrimage. His lyric poems were collected into Armonías (Montevideo, 1851). In 1844 he published the first part of his semi-autobiographical Costumbrist novel Amalia, whose second part would not appear until his return to Buenos Aires years later.

In chapter 29 of Part Two, Humbert comments that Lolita looks "like Botticelli's russet Venus—the same soft nose, the same blurred beauty", referencing Sandro Botticelli's depiction of Venus in, perhaps, The Birth of Venus or Venus and Mars. In chapter 35 of Part Two, Humbert's "death sentence" on Quilty parodies the rhythm and use of anaphora in T. S. Eliot's poem Ash Wednesday. Many other references to classical and Romantic literature abound, including references to Lord Byron's Childe Harold's Pilgrimage and to the poetry of Laurence Sterne.

In some cases criticism resulted in other, parallel three-age systems, such as the concepts expressed by Lewis Henry Morgan in Ancient Society, based on ethnology. These disagreed with the metallic basis of epochization. The critic generally substituted his own definitions of epochs. Vere Gordon Childe said of the early cultural anthropologists: > Last century Herbert Spencer, Lewis H. Morgan and Tylor propounded divergent > schemes ... they arranged these in a logical order .... They assumed that > the logical order was a temporal one.... The competing systems of Morgan and > Tylor remained equally unverified—and incompatible—theories.

Founded as the Boston Watercolor Society, the group held its first exhibition in 1885, showing works by Childe Hassam, George Randolph Barse, and other artists. In 1892, the group's name was changed to the Boston Society of Watercolor Painters, and in 1966 it was changed back to the Boston Watercolor Society. In 1980, with a growing membership and expanding locales for exhibits, the name was changed to the New England Watercolor Society (NEWS). Andrew Wyeth was made an honorary member a few years before his death in 2009.

"The Evil Eye" is one of several tales Shelley published in The Keepsake. Others include "Ferdinando Eboli" (1829), "Transformation" (1831), "The Invisible Girl" (1832), "The Dream" (1833), and "The Mortal Immortal" (1834). "The Evil Eye" employs many motifs common in Gothic fiction, including abduction, revenge, and the curse of the Evil Eye. The tale displays the aesthetics of Romantic Orientalism, and can be categorized as an Oriental tale alongside William Beckford's novel Vathek (1786), Lord Byron's poems The Giaour and Childe Harold's Pilgrimage (1812–1818), Thomas Hope's Anastasius (1819), and Prosper Mérimée's La Guzla (1827).

Richard Hill died on duty in the vestry of St James, reportedly of apoplexy. A tombstone commemorating him is at Camperdown. His sudden death shocked his contemporaries and inspired earnest original poetry in tribute to his memory. At least two multi-stanza original poems were published in the Sydney press, one of which self-consciously referenced a recent poem by Lord Byron by beginning with "There was a sound of revelry by night", borrowed from Childe Harold (Canto the Third, Stanza XXI), and attempting to copy that poem's versification throughout.

Many of these editioned works were produced at the renowned atelier Il Bisonte in Florence who also produced significant works for Henry Moore and Pablo Picasso. Sherman won numerous awards and prizes for her work including a Pepsi Cola award (1945), Fulbright Foundation fellowship to Italy (1952-1954), a painting award from the American Academy and Institute of Arts and Letters, New York City (1964) and their Childe Hassam Prize (1970); in addition to many medals, citations and prizes in exhibitions throughout Italy and the Proctor Prize, National Academy of Design, New York City (1976).

A messenger arrives, bound for Arthur and seeking help for a lady who is besieged by a sultan: > Mete and drynke was ther dighte, And men to serve tham full ryghte; The > childe that come with the knyghte, Enoghe ther he fand. At the mete as thay > beste satte, Come the portere fro the gate, Saide a man was theratte Of the > Maydenlande; Saide, 'Sir, he prayes the Off mete and drynke, for charyté; > For a messagere es he And may nott lange stande.'Braswell, Mary Flowers. > 1995.

Stephensen was chosen as a prefect in 1918, his fourth and final year at the school. For a brief period he was taught by V. Gordon Childe, whose socialist and pacifist beliefs prompted community opposition and led to his early resignation. Towards the end of the year, Stephensen led a student boycott of the school's speech day, at which the annual prizes were to be handed out by the state treasurer Ted Theodore. The boycott was in protest at the sacking of Wallace by the board of trustees.

The Newark Museum of Art (formerly known as the Newark Museum), in Newark, Essex County, New Jersey, United States, is the state's largest museum. It holds major collections of American art, decorative arts, contemporary art, and arts of Asia, Africa, the Americas, and the ancient world. Its extensive collections of American art include works by Hiram Powers, Thomas Cole, John Singer Sargent, Albert Bierstadt, Frederick Church, Childe Hassam, Mary Cassatt, Edward Hopper, Georgia O'Keeffe, Joseph Stella, Tony Smith and Frank Stella. The Museum's Tibetan art galleries are considered among the best in the world.

Spring Morning in the Heart of the City is an 1890 painting by Childe Hassam which is in the collection of the Metropolitan Museum of Art in New York city. The painting depicts Fifth Avenue in New York City, specifically the busy area west of Madison Square Park between Fifth and Madison Avenues just north of 23rd Street. The entrance to the Fifth Avenue Hotel can be seen at the left, denoted by the classical portico and large circular clock. The work is on view in the Metropolitan Museum's Gallery 774.

'" At the invitation of Francis Davis Millet, in 1886 the Browns joined an artists' colony in England, where Americans including John Singer Sargent and Edwin Austin Abbey were working. His paintings of the English countryside, much like in New England, were well received in Boston. Later in the 1880s the Browns summered not only in West Newbury, but also at Celia Thaxter's salon on Appledore Island among the Isles of Shoals off the coast of southern Maine. There he became a close friend of Childe Hassam and painted seascapes, including the dramatic and powerful "Storm at the Isles of Shoals.

Another theater-goer wrote "to protest vehemently the attempts at censorship of Keith Fowler's Virginia Museum Repertory Theater. ...As far as my friends and I are concerned, if Mr. Fowler goes, so goes one of the bastions of culture in Virginia." Madison, Terry M., "Loss of Director Would be a Shame," Richmond News Leader, March 31, 1977 The public response triggered by Childe Byron did not remain confined to the play. The museum's censorship attempt stirred citizen groups to challenge the powerful institution, including a letter of protest circulated by local artists who alleged that the museum had a pattern of peremptory censorship.

Napoleon Crossing the Alps by Jacques-Louis David (1801–05) History of a Six Weeks' Tour is part of a liberal reaction to recent history: its trajectory begins with a survey of the devastation of the Napoleonic Wars and ends by celebrating the sublime in nature. William Wordsworth's 1850 The Prelude and the third canto of Byron's Childe Harold's Pilgrimage follow a similar course. As Moskal explains, "nature is troped as the repository of a sublimity, once incarnated in Napoleon, that will re-emerge in politics". The book is therefore not only a liberal political statement but also a Romantic celebration of nature.

Horace maintained a central role in the education of English-speaking elites right up until the 1960s.S. Harrison, The nineteenth and twentieth centuries, 340 A pedantic emphasis on the formal aspects of language-learning at the expense of literary appreciation may have made him unpopular in some quartersV. Kiernan, Horace: Poetics and Politics, x yet it also confirmed his influencea tension in his reception that underlies Byron's famous lines from Childe Harold (Canto iv, 77):S. Harrison, The nineteenth and twentieth centuries, 334 William Wordsworth's mature poetry, including the preface to Lyrical Ballads, reveals Horace's influence in its rejection of false ornamentD.

Argyll's birthplace: Newbattle Abbey, Dalkeith. He was born in 1629 in Dalkeith, Scotland, the eldest son of Archibald Campbell, 1st Marquess of Argyll, and Lady Margaret Douglas, the daughter of William Douglas, 7th Earl of Morton. At the age of four, an agreement was made, in accordance with a custom common amongst the Scottish nobility of the time, for young Archibald to be fostered with Colin Campbell of Glenorchy, one of his father's kinsmen.Nugent, "Your louing childe and foster: the fostering of Archie Campbell of Argyll" in Nugent and Ewan (eds.), Children and youth in premodern Scotland, 2015, p.

"Tall poppy syndrome" is a cultural phenomenon where people of high status are resented, attacked, cut down, or criticized because they have been classified as better than their peers. This is similar to "begrudgery", the resentment or envy of the success of a peer. If someone were to feel joy by the victim’s fall from grace, they would be experiencing schadenfreude. A "Roman holiday" is a metaphor from Byron's poem Childe Harold's Pilgrimage, where a gladiator in ancient Rome expects to be "butchered to make a Roman holiday" while the audience would take pleasure from watching his suffering.

Bleasdale Circle In 1932, Varley worked under V. Gordon Childe at the Old Kieg Stone Circle, near Alford, Aberdeenshire, Scotland – an example of a recumbent stone circle, with a large recumbent stone between two standing pillars – carrying out surveying and assisting with the preliminary excavation.Burl, p. 105 Maiden Castle on the summit of Bickerton Hill One of his early independent excavations was carried out between 1933 and 1935 at the Bronze Age Bleasdale Circle, near Bleasdale, Lancashire,Varley 1938, p. 154 now considered to be an urnfield with a mound ringed by oak posts and enclosed in a palisade.

Theodore Robinson, Low Tide Riverside Yacht Club, (1894), Collection of Margaret and Raymond Horowitz Impressionism emerged as an artistic style in France in the 1860s. Major exhibitions of French impressionist works in Boston and New York in the 1880s introduced the style to the American public. Some of the first American artists to paint in an impressionistic mode, such as Theodore Robinson and Mary Cassatt, did so in the late 1880s after visiting France and meeting with artists such as Claude Monet. Others, such as Childe Hassam, took notice of the increasing numbers of French impressionist works at American exhibitions.

He became a sympathiser with the Soviet Union and visited the country on several occasions, although he grew sceptical of Soviet foreign policy following the Hungarian Revolution of 1956. His beliefs resulted in him being legally barred from entering the United States, despite receiving repeated invitations to lecture there. Upon retirement, he returned to Australia's Blue Mountains, where he committed suicide. One of the best-known and most widely cited archaeologists of the twentieth century, Childe became known as the "great synthesizer" for his work integrating regional research with a broader picture of Near Eastern and European prehistory.

Unable to find an academic job in Australia, Childe remained in Britain, renting a room in Bloomsbury, Central London, and spending much time studying at the British Museum and the Royal Anthropological Institute library. An active member of London's socialist movement, he associated with leftists at the 1917 Club in Gerrard Street, Soho. He befriended members of the Marxist Communist Party of Great Britain (CPGB) and contributed to their publication, Labour Monthly, but had not yet openly embraced Marxism. Having earned a good reputation as a prehistorian, he was invited to other parts of Europe to study prehistoric artefacts.

Neolithic dwellings at Skara Brae in Orkney, the site excavated by Childe 1927–30 Childe's university position meant he was obliged to undertake archaeological excavations, something he loathed and believed he did poorly. Students agreed, but recognised his "genius for interpreting evidence". Unlike many contemporaries, he was scrupulous with writing up and publishing his findings, producing almost annual reports for the Proceedings of the Society of Antiquaries of Scotland and, unusually, ensuring that he acknowledged the help of every digger. His best known excavation was undertaken from 1928 to 1930 at Skara Brae in the Orkney Islands.

In it, he described how he feared old age and stated his intention to take his own life, remarking that "life ends best when one is happy and strong." On 19 October 1957, Childe went to the area of Govett's Leap in Blackheath, an area of the Blue Mountains where he had grown up. Leaving his hat, spectacles, compass, pipe, and Mackintosh raincoat atop the cliffs, he fell 1000 feet (300 m) to his death. A coroner ruled his death as accidental, but his death was recognised as suicide when his letter to Grimes was published in the 1980s.

There is a distinction in his published works from the latter part of his life between those that are explicitly Marxist and those in which Marxist ideas and influences are less obvious. Many of Childe's fellow British archaeologists did not take his adherence to Marxism seriously, regarding it as something which he did for shock value. Childe was influenced by Soviet archaeology but remained critical of it, disapproving of how the Soviet government encouraged the country's archaeologists to assume their conclusions before analysing their data. He was also critical of what he saw as the sloppy approach to typology in Soviet archaeology.

Influenced by Marxism, Childe argued that society experienced widescale changes in relatively short periods of time, citing the Industrial Revolution as a modern example. This idea was absent from his earliest work; in studies like The Dawn of European Civilisation he talked of societal change as "transition" rather than "revolution". In writings from the early 1930s, such as New Light on the Most Ancient East, he began to describe social change using the term "revolution", although had yet to fully develop these ideas. At this point, the term "revolution" had gained Marxist associations due to Russia's October Revolution of 1917.

Churchill accepted the idea noting the phrase was used by Lord Byron in the poem Childe Harold's Pilgrimage, which referred to the Allies at the Battle of Waterloo in 1815. The name appeared in the "Declaration by United Nations", which was drafted by Roosevelt and Churchill with Roosevelt's aide Harry Hopkins while meeting at the White House in December 1941. The phrase "Four Policemen" was coined to refer to the four major Allied countries, the United States, United Kingdom, Soviet Union, and the Republic of China. The term United Nations was first officially used when 26 governments signed this Declaration in January 1942.

Kelley, who had extensive experience with route surveying and knew the topography of the state extremely well, ordered the routes resurveyed again, a process which began in October 1847 and ended about the end of January 1848. Engineers Frederick Harbach and John Childe issued a new report to the board of directors on August 19, 1848. They confirmed that the two most-favored routes in 1846 were still the best, although several changes were identified which greatly improved them both. The engineers' preferred route (known as the Western Route), began in Cleveland and was long, with a ruling gradient of just 0.28 percent.

Sometimes referred to as "slave society", an alternative route out of neolithic self-sufficiency came in the form of the polis or city-state. Technological advances in the form of cheap iron tools, coinage, and the alphabet, and the division of labour between industry, trade and farming, enabled new and larger units to develop in the form of the polis,G Childe, What Happened in History (Penguin 1954) p. 25 and 196-7 which called in turn for new forms of social aggregation. A host of urban associations – formal and informal – took over from earlier familial and tribal groupings.

Wills seemed to have an equal interest in commercial art and mechanical engineering; he learned a considerable amount about the latter from his father, a railroad mechanic.Hemmings Motor News: Childe Harold Wills, retrieved July 23, 2009 When Wills was 17, he began a four-year apprenticeship as a toolmaker at the Detroit Lubricator Company, where his father worked. At the same time, he took night courses in metallurgy, chemistry and mechanical engineering. After serving his apprenticeship, he moved on to the Boyer Machine Co., later the Burroughs Adding Machine Co., becoming chief engineer in 1901, when he was only 23.

An inquisition held at Ballymote in 1593 recorded that Tadhg Dall had died at Coolrecuil on the last day of March 1591. A chancery inquisition of 1617 provided further details, stating that members of the Ó hEadhra family of Cashel Carragh, Kilmacteige, were attained in 1591 for "murdering one Teige Dall O Higgen (sic) his wife and childe in the year one thousand five hundred ninetee and one or thereabouts". Tadhg Dall apparently composed a satirical poem about six robbers, all members of the Ó hEadhra family, who retaliated by cutting out his tongue before murdering him.

The first two cantos of Childe Harold’s Pilgrimage had scarcely been published before its world-weary hero was satirised in the popular Rejected Addresses of 1812. Cui Bono? enquires "Lord B". in the Spenserian stanza employed by the original: Byron was so amused by the book that he wrote to his publisher, "Tell the author I forgive him, were he twenty times our satirist". He was not as forgiving of the next tribute to his work, Modern Greece: A Poem (1817) by Felicia Hemans, which was dependent for its subject on the second canto of the Pilgrimage.

Tate Gallery For this, the poet had visited the battlefield in 1815 and Turner in 1817. Then in 1832 he exhibited a painting referencing Byron's poem in its title, Childe Harold’s Pilgrimage – Italy (1832), accompanied by lines reflecting on the passing of imperial might from Canto IV, stanza 26.Tate Gallery Turner's Ehrenbreitstein (1835) was still another landscape carrying an epigraph, this time from the subject's appearance in Canto III, stanzas 61–3. It had captured the painter's imagination on his first visit there in 1817 and he had made studies of the place many times since then.

Among his best-known works are the lengthy narrative poems Don Juan and Childe Harold's Pilgrimage; many of his shorter lyrics in Hebrew Melodies also became popular. He travelled extensively across Europe, especially in Italy, where he lived for seven years in the cities of Venice, Ravenna, and Pisa. During his stay in Italy he frequently visited his friend and fellow poet Percy Bysshe Shelley. Later in life Byron joined the Greek War of Independence fighting the Ottoman Empire and died of disease leading a campaign during that war, for which Greeks revere him as a national hero.

Throughout his early years as an artist, Jones served on the staff of the University of Texas at Austin as a supervisor to the Texas Union of Arts and Crafts. During this time he discovered the great painters of light, in particular, Childe Hassam, Jean- Baptiste-Camille Corot and J.M.W. Turner; he also became interested in the works of Luigi Loir, Jean-Bernart Duvivier and Edouard Cortès. Soon he began to shift from teaching to working on his art, and eventually he became a full- time artist. In 1957, Jones began selling his paintings under the signature G. Harvey Jones.

His earliest work was influenced by Smith's belief that all of human civilisation originated in ancient Egypt. In his first book, Ancient Mariners (1928), Forde traced the origins of shipbuilding and maritime navigation to Egypt, whence he supposed it was carried around the world in ancient voyages: Smith and Forde also collaborated on the excavation of a Bronze Age tumulus near Dunstable. The main focus of his research in the anatomy department, however, was the megalithic cultures of prehistoric western Europe. In this he was influenced by the culture historical theories of V. Gordon Childe, who would become a lifelong friend and collaborator.

Then, from the late 1920s, work recommenced with the assistance of the Royal Commission on the Ancient and Historical Monuments of Scotland and the Ministry of Works. The most eminent archaeologist to work here at this time was Vere Gordon Childe. He was involved in excavations at Skara Brae and Rinyo, but it was only when a shard of pottery was discovered at the latter site that it became understood that these settlements dated to the Neolithic rather than the Iron Age.Childe, V.G. and Grant, Walter G. (12 December 1938) A Stone-Age Settlement at the Braes of Rinyo, Rousay, Orkney.

Bronze sculpture of the Childe of Hale St Mary's Church A wooden sculpture formerly opposite the church but now removed John Middleton was born in the village of Hale, near Liverpool. According to contemporary accounts and his epitaph, Middleton grew to the height of and slept with his feet hanging out the window of his house. Because of his size the landlord and sheriff of Lancashire, Gilbert Ireland, hired him as a bodyguard. When King James I stopped by in 1617 to knight Ireland he heard about Middleton and invited both of them to the court, which they accepted in 1620.

The sculpture collection includes work by Thomas Crawford, Hiram Powers, Daniel Chester French, John Rogers, and others. The museum also has a good collection of American paintings and prints. The paintings include work by Samuel F. B. Morse (a relative of Charles Hosmer Morse), Thomas Doughty, George Inness, John Singer Sargent, Rembrandt Peale, Cecilia Beaux, Martin Johnson Heade, Maxfield Parrish, Arthur B. Davies, Hermann Herzog, Thomas Hart Benton, and Samuel Colman. Prints include work by some of the same artists as well as Grant Wood, Mary Cassatt, Paul Cézanne, Childe Hassam, John Steuart Curry, and Edward Hopper.

This Romantic conception of childhood, historian Margaret Reeves suggests, has a longer history than generally recognized, with its roots traceable to similarly imaginative constructions of childhood circulating, for example, in the neo-platonic poetry of seventeenth-century metaphysical poet Henry Vaughan (e.g., "The Retreate", 1650; "Childe-hood", 1655). Such views contrasted with the stridently didactic, Calvinist views of infant depravity. Armenian scouts in 1918 With the onset of industrialisation in England in 1760, the divergence between high-minded romantic ideals of childhood and the reality of the growing magnitude of child exploitation in the workplace, became increasingly apparent.

The archaeologists followed suit and attempted to find archaeological evidence of a culture or cultures that could be presumed to have spoken a proto-language, such as Vere Gordon Childe's The Aryans: a study of Indo-European origins, 1926. Childe was a philologist turned archaeologist. Those views culminated in the Siedlungsarchaologie, or "settlement- archaeology", of Gustaf Kossinna, becoming known as "Kossinna's Law". Kossinna asserted that cultures represent ethnic groups, including their languages, but his law was rejected after World War II. The fall of Kossinna's Law removed the temporal and spatial framework previously applied to many proto-languages.

The Women's Billiards Association (WBA) was founded on 13 May 1931 at the Women's Automobile and Sports Association, Buckingham Palace Gardens, London, with the objective of controlling the amateur and professional championships for women, and promoting other tournaments and competitions. Viscountess Elibank was appointed president, Mrs Longworth was Chairman, and Teresa Billington-Greig, who had chaired this initial meeting, became acting honorary secretary. Miss Marx of Women's Sports and Automobile Association became honorary treasurer. Other council members appointed included Mrs Eddowes, runner-up in the previous year's amateur championship, Thelma Carpenter, and Lady Constance Childe-Pemberton.

The American art collection includes paintings, sculptures, and works on paper from the United States from the colonial period to World War II, and art from Mexico, and Canada. Among the highlights of the collection are Duck Island (1906) by Childe Hassam, Lighthouse Hill (1927) by Edward Hopper, That Gentleman (1960) by Andrew Wyeth, Bare Tree Trunks with Snow (1946) by Georgia O'Keeffe and Razor and Watch by Gerald Murphy (1924, 1925). One of the most important pieces in the collection is The Icebergs (1861) by Frederic Edwin Church. This painting had long been referred to as a lost masterpiece.

Spanning the late 18th through mid-20th century, the Museum’s collection of American painting, sculpture, works on paper, and decorative arts features paintings by Gilbert Stuart, Childe Hassam, and Georgia O'Keeffe; sculptures by Hiram Powers and Frederic Remington; and important decorative pieces by Tiffany Studios and Frank Lloyd Wright. Considered one of the three most important American landscape paintings, the Museum’s Looking Down Yosemite Valley, California (1865) by Bierstadt was recently chosen by The National Endowment for the Humanities as one of 40 American masterpieces that best depict the people, places, and events that have shaped our country and tell America’s story.

Bush-Holley House, a circa 1730 waterfront mansion on the historic Cos Cob Harbor, became a boardinghouse in 1884, primarily serving artists and writers. "Between 1890 and 1920, beginning with classes taught by John Henry Twachtman and Julian Alden Weir for students from New York's Art Students League, the house became the center of the Cos Cob art colony." Bush-Holley House page of the Historical Society of the Town of Greenwich Web site, accessed July 19, 2006 Other artists associated with Cos Cob include Leonard Ochtman, Emil Carlsen, Mina Fonda Ochtman, Elmer MacRae, George Wharton Edwards, Theodore Robinson, and Childe Hassam.

Later Simmons decorated the Waldorf Astoria New York hotel, the Library of Congress in Washington, and the Minnesota State Capitol in Saint Paul. In the year 1914 he travelled with Childe Hassam to view the Arizona desert paintings of the rising California artist Xavier Martinez at his Piedmont studio. Simmons was a member of the Ten American Painters, who, as a group, seceded from the Society of American Artists. He was also considered a contributor to the style known as the American Renaissance, a movement after the American Civil War that stressed the relationship of architecture, painting, sculpture and interior design.

The H.W. Watrous Collection of Palettes, each signed by the artist.Signed palettes of Thomas Moran and Harry Watrous. Beginning in the 1890s, Watrous collected the palettes of other painters, each signed by the artist. His collection came to include palettes from Ralph Blakelock, William Merritt Chase, Frederic Edwin Church, Thomas Eakins, Childe Hassam, Robert Henri, George Inness, Francis Davis Millet (who died on the Titanic), Thomas Moran, Elihu Vedder, and Watrous himself. The H.W. Watrous Collection of 100 palettes was reproduced in color over two pages in the book Cosmo Collection, published in 1908 and reprinted in 1910.

In 1972, Slater presented the Inquisitional Bigot of the Year award to NBC during a guest appearance on the Today show, for an episode of Macmillan and Wife that had taken witchcraft and corrupted it into devil-worship rituals for the plot. The crew of Today had Slater physically removed from the set. More controversy surrounding Slater's actual proficiency in the types of magick he claimed to practice, accusations that he plagiarized material, yelling out at irritable customers in his Magickal Childe store, "Get out of my store...", as well as outrage over other behaviors he exhibited earned him the nickname "Horrible Herman".

In 1911 the New South Wales Trotting Club was recognised as the controlling authority of harness racing in the state by the Colonial Secretary. The club retained that status until 1976, when control was transferred to the Trotting Authority of New South Wales. In 1911, the club purchased the course from the Metropolitan Rugby Union for 10,400 pounds. On 21 March 1929, due to confusion of the name with the Sydney suburb, the track was renamed from Epping to Harold Park, after the imported trotter Childe Harold, one of the great progenitors of the stock of the early trotting days.

In 1903, Childe Hassam was the sole Impressionist among the tonalist exhibition, and his presence marked a turning point among the painters toward a more impressionist style. In 1905, the Impressionist painter Willard Metcalf exhibited two works at the library. In subsequent years, artists such as Bruce Crane, Henry Rankin Poore, Robert Vonnoh, Bessie Potter Vonnoh, Matilda Browne, Lawton S. Parker, Everett Warner, Ivan Olinsky, George Henry Bogert, Wilson Irvine, Edward Volkert, Carleton Wiggins, Guy C. Wiggins, Harry L. Hoffman, Edward F. Rook, Lydia Longacre, Clifford Grayson, Lawton S. Parker, William S. Robinson, Frank Bicknell and Will Howe Foote would exhibit in the annual shows.

Vasić believed that success of the culture can be accredited to the vast mines of cinnabar, or mercury sulfide, at the nearby Avala mountain, which settlers of Vinča melted and used in metallurgy. Childe also supported Vasić's efforts to publish the findings in his magnum opus, the monumental monograph Prehistoric Vinča volumes I-IV (1932–36). Without modern dating techniques and guided by his firm belief in Greek colonization, Vasić went too far in dating of the medieval tell of Beli Breg. He considered it to be an Ionian colony and placed it in the 7th century B.C, publishing his ideas in Ionian colony of Vinča in 1948.

Garrett provided the chief influence for Childe Hassam's first study trip to Europe in July 1883. On June 30, 1883, Garrett and Hassam sailed to Europe aboard the SS Anchoria, then travelled for several months throughout Great Britain, The Netherlands, France, Italy, Switzerland and Spain studying paintings from the old masters and creating watercolors of the European countryside. In late August 1883, both Garrett and Hassam sailed aboard the SS Alsatia to several Spanish ports before crossing the Atlantic back home. After they both returned to Boston, Garrett resumed his illustration work for various publishers, which was very much in demand, keeping him from spending energy on his watercolors.

Geoffrey Bibby, The Testimony of the Spade (Fontana 1962) p. 167 and p. 311 Later Neolithic arrivals included the Corded Ware culture, whose round barrows scattered the Danish landscape, each including a stone battleaxe: the gradual replacement of these latter by bronze versions over time marked Danish entry into the Bronze Age.Geoffrey Bibby, The Testimony of the Spade (Fontana 1962) p. 280 A complex web of trading roots now linked Jutland with the remainder of Bronze-Age Europe. An overland route carried Jutland amber to Mycenaean Greece,G. Childe, What Happened in History (Penguin 1954) p. 171 while sea-routes also brought it to England,G.

The strength of the museum's collection has always been in 18th and early 20th Century art with paintings from such artists as Benjamin West and Thomas Sully. The American landscape tradition is represented with works by Thomas Cole, Thomas Moran, Frederic Edwin Church, Jasper Cropsey, Albert Bierstadt, George Inness, John Frederick Kensett and other members of the Hudson River School. Classic works by American impressionists Childe Hassam and Willard Leroy Metcalf, came into the collection through William and Anna Singer's friendships with these artists. The Ashcan School has excellent examples of paintings by George Luks, Robert Henri, William Merritt Chase, Arthur B. Davies, and Eduard Steichen.

This allows a modern view of Bell Beakers to contradict results of anthropologic research. The modern view is that the Bell Beaker people, far from being the "warlike invaders" as once described by Gordon Childe (1940), added rather than replaced local late Neolithic traditions into a cultural package and as such did not always and evenly abandon all local traditions. More recent extensive DNA evidence, however, suggests a significant replacement of earlier populations. Bell Beaker domestic ware has no predecessors in Bohemia and Southern Germany, shows no genetic relation to the local Late Copper Age Corded Ware, nor to other cultures in the area, and is considered something completely new.

Hay's relationship with Kamgren was strained, and he was bored by a life of domesticity and annoyed with Kamgren's controlling and regimented nature. They had little in common, with Kamgren not sharing Hay's interest in political activism, instead being conservative and, in Hay's words, "petty bourgeois". Kamgren permitted Hay to spend three nights a week in study, which the latter spent reading anthropological and historical texts to learn more about the role of gay people in society, becoming particularly interested in the berdache of Native American communities. In doing so, Hay was annoyed that Marxist scholars like V. Gordon Childe and George Derwent Thomson evaded the subject in their works.

Wiggins often painted scenes of New York City, as evident in The Metropolitan Tower (Metropolitan Museum of Art, New York); Washington Square in Winter (Richmond Art Museum, Indiana); Columbia Circle, Winter (National Gallery of Art, Washington); and Riverside Drive (1915). June, Berkshire Hills – Brooklyn Museum Wiggins painted in an impressionistic style, as may be seen especially in Berkshire Hills, June (Brooklyn Museum). He traveled New England painting streams, fields and woodlands capturing on canvas the various seasons of the year. He became one of the youngest members of the Old Lyme Art Colony of Old Lyme, Connecticut, and painted alongside his father, Carleton, Childe Hassam, and Frank Vincent DuMond.

Amanda Morgan is a science fiction novella by American writer Gordon R. Dickson, first published in The Spirit of Dorsai in 1979 and later included in The Dorsai Companion in June 1986. The story is set in 2185 on The Dorsai, a key planet and Splinter Culture of Dickson's future history known as the Childe Cycle. "Amanda Morgan" is a perspective piece expanding and illuminating the crisis of the novel Tactics of Mistake, in which the planet known as The Dorsai is attacked for the sake of defeating Cletus Grahame. Amanda Morgan, also known as The First Amanda, leads the resistance in Grahame's home district.

During the Second World War Piggott worked as an air photo interpreter. He was posted to India, where he spent time studying the archaeology of the sub-continent, eventually leading him to write the books Some Ancient Cities of India (1946) and Prehistoric India (1950). These experiences provided him with a valuable external view of European prehistory, which was to prove useful on his return to Britain. After the war he went to Oxford to study the work of William Stukeley, but in 1946 was offered the Abercromby Chair in Archaeology at Edinburgh University (now part of the School of History, Classics and Archaeology), in succession to Gordon Childe.

Many of the paintings on display reflect Arkell's personal taste. Growing up in Canajoharie, landscapes of rural New York State and the Mohawk River are what Arkell found intriguing as well as familiar as they can be seen hanging on the museum walls thumbnail The permanent collection includes twenty-one paintings by Winslow Homer, works by all members of The Eight, and paintings by leading American Impressionists such as Childe Hassam. George Inness and Ralph Blakelock are also well represented by several works in this impressive collection. American paintings from the 20th century include realist and regionalist works by Paul Sample, Ogden Pleissner and Thomas Hart Benton.

From the mid-1920s through to the outbreak of World War II, Calder was active in the resurgence of studies of Neolithic sites in Scotland as Investigator in the RCAHMS, as were V. Gordon Childe, Walter Gordon Grant and J Graham Callander, Keeper of the National Museum of Antiquities. By 1931 he had become an Associate of the Edinburgh Architectural Association. In the 1930s he excavated two Iron Age roundhouses on the Calf of Eday, with the help of local men. He excavated other sites on Eday and the Calf of Eday in the late 1930s and prepared the first complete description of the Dwarfie Stane on Hoy.

The events of Childe Morgan span a period of approximately two and a half years, from late December 1093 to late March 1096. In the Gwyneddan capital of Rhemuth, Sir Kenneth Morgan and his wife, Lady Alyce de Corwyn, bring their son, Alaric Morgan, to the court of King Donal Blaine Haldane. At Twelfth Night Court in January 1094, Kenneth is created Earl of Lendour and named primary regent for Alaric's future inheritance of the Duchy of Corwyn. After court, the Camberian Council discusses the emerging danger posed by Zachris Pomeroy, a rogue Deryni who is encouraging the current Festillic Pretender to press his claim for the throne of Gwynedd.

Childe studied for a degree in classics at the University of Sydney in 1911; although focusing on written sources, he first came across classical archaeology through the work of the archaeologists Heinrich Schliemann and Arthur Evans. At university, he became an active member of the debating society, at one point arguing that "socialism is desirable." Increasingly interested in socialism, he read the works of Karl Marx and Friedrich Engels, as well as those of the philosopher G. W. F. Hegel, whose dialectics heavily influenced Marxist theory. At university, he became a great friend of fellow undergraduate and future judge and politician Herbert Vere Evatt, with whom he remained in lifelong contact.

In History (1947) he commented that "magic is a way of making people believe they are going to get what they want, whereas religion is a system for persuading them that they ought to want what they get." He nevertheless regarded Christianity as being superior over (what he regarded as) primitive religion, commenting that "Christianity as a religion of love surpasses all others in stimulating positive virtue." In a letter written during the 1930s, he said that "only in days of exceptional bad temper do I desire to hurt people's religious convictions." Childe was fond of driving cars, enjoying the "feeling of power" he got from them.

Now Normie hates his father for supposedly abandoning him when Harry was mistakenly believed dead while being high on the Goblin serum. His hatred for Spider-Man is also reignited.The Amazing Spider- Man #581-582 Osborn's re-establishes himself as a major crime lord, undergoing plastic surgery to also establish himself as a businessman to provide a suitable inheritance for his grandson, with Liz apparently helping Norman in this endeavor.Superior Spider-Man #31 When Osborn acquires the Carnage symbioteAmazing Spider-Man #794 and transforms into the Red Goblin, Osborn attempts to gain his grandson Normie's aid by infusing a portion of the Carnage symbiote into Normie, turning into "Goblin Childe".

This story was retold in the French romance Horn et Rymenhild, and the fourteenth-century Horn Childe and Maiden Rimnild. Hind Horn, Child ballad 18, contains the story, distilled to the climax.Francis James Child, The English and Scottish Popular Ballads, v 1, p 188-192, Dover Publications, New York 1965 There is a marked resemblance between the story of Horn and the legend of Havelok the Dane, and Richard of Ely closely followed the Horn tradition in the 12th century De gestis Herewardi Saxonis. Hereward also loves an Irish princess, flees to Ireland, and returns in time for the bridal feast, where he is presented with a cup by the princess.

The primary property form of this mode is the direct religious possession of communities (villages, bands, and hamlets, and all those within them) by the gods: in a typical example, three-quarters of the property would be allotted to individual families, while the remaining quarter would be worked for the theocracy.G Childe, What Happened in History (Penguin 1954) p. 94-5 The ruling class of this society is generally a semi-theocratic aristocracy which claims to be the incarnation of gods on earth. The forces of production associated with this society include basic agricultural techniques, massive construction, irrigation, and storage of goods for social benefit (granaries).

The Confidence, from LOC. The Art Institute of Chicago awarded him the 1951 Blair Prize for Nine Men. The Metropolitan Museum of Art held its first annual exhibition in 1951, and awarded him Fourth Prize for Nine Men, the only non- abstract painting among the winners."The Metropolitan and Modern Art," Life Magazine, January 15, 1951. The Childe Hassam Purchase Fund of the American Academy of Arts and Letters purchased four of his paintings, beginning with The Burden in 1955. The Crucifixion won him the Butler Institute of American Art's 1964 purchase prize, and the painting remains BIAA's permanent collection.John Castagno, Jewish Artists: Signatures and Monograms (Rowman & Littlefield, 2010), p. 209.

His adaptations for the American stage of several modern foreign classics—plays and tales from Tolstoy, Chekhov, Ibsen and others—have been performed from New York to Minneapolis, and his melding of two novels by Henry Adams into the comedy Democracy was premiered by artistic director Keith Fowler at VMT.Linney, Romulus, Democracy, Dramatists Play Service, Inc., NY, NY. Linney's vivid biographical reconstructions of controversial personalities are remarkable for their power to retain a lifelike vigor—as in his treatment of Hermann Goering in 2: Goering at Nuremberg, and Lord Byron in Childe Byron.Childe Byron provoked a controversial charge of attempted censorship following its 1977 premiere at VMT in Richmond, Virginia.

By 1883, Hassam had exhibited watercolors in his first solo exhibition at the Williams and Everett Gallery in Boston. The following year, his friend Celia Thaxter convinced him to drop his first name and thereafter he was known as "Childe Hassam". He also began to add a crescent symbol in front of his signature, the meaning of which remains speculative, possibly an allusion to his penchant for inferring Middle Eastern or Turkish origins. Having had relatively little formal art training, Hassam was advised by his friend and fellow Boston Art Club member Edmund H. Garrett to join him on a two-month "study trip" to Europe during the summer of 1883.

Lord Byron drew this connection after viewing the busts of famous historical figures in the Roman Pantheon, writing in Childe Harold's Pilgrimage of how he wished to be at the center of an English Pantheon, and thereby associated with divinity.Clara Tuite, Lord Byron and Scandalous Celebrity (2015), pp. 140–141. The Pantheon "thus imbues the modern with the aura of the divine", and "models the interplay of ancient and modern forms of fame". This trend continued into modern times, with the word "pantheon" 'of or for the gods' being reflected in the journalistic meme that refers to financial titans as "Masters of the Universe".

Heinlein's feminist credentials were tarnished by revisionist reviews of his later female characters, but this was still the same man who, during an Apollo mission, reduced Walter Cronkite to a spluttering mess when he suggested women should be trained as astronauts. Heinlein also shows an influential and disturbing prescience in his story, "The Logic of Empire". It could be argued that the story is a variation on Richard Henry Dana Jr's Two Years Before the Mast with a space age twist on employment contracting. Gordon R. Dickson's Childe Cycle stories took the same idea further with "closed" and "open" contract systems applicable in the Dorsai universe.

127 He was educated at Tonbridge School in Kent, then at the University of London Institute of ArchaeologyThe Authors' and Writers' Who's Who, ed. J. V. Yates, Hafner Publishing Co., 1971, p. 653 in their first cohort of students for the Postgraduate Diploma of Prehistoric Archaeology, in 1946/ 7; amongst the five other students were Grace Simpson and Nancy Sandars. Based at St John's Lodge, Regent's Park, London, and started by Sir Mortimer Wheeler, they were taught by eminent archaeologists including V. Gordon Childe, Kathleen Kenyon, F. E. Zeuner, and Stuart Piggott.University of London Bulletin of the Institute of Archaeology, Collected Issues 23-24, University College London, 1987, p.

Stevenson had spent the final years of her father's life in conversation with him about his concepts for a museum and the role it should play in Fort Worth civic life. It was this familiarity with his vision, and her extraordinarily high standards, that would bring Stevenson into a leading role in the museum’s development. Jan Keene Muhlert oversaw an aggressive acquisitions program that brought works by William Merritt Chase (1849–1916), Thomas Cole (1801–1848), Arthur Dove (1880–1946), Childe Hassam (1859–1935), and David Johnson (1827–1908) into the collection, crowned by the acquisition in 1990 of Swimming by Thomas Eakins (1844–1916).

Widney, Joseph P Race Life of the Aryan Peoples New York: Funk & Wagnalls. 1907 In Two Volumes: Volume One--The Old World, Volume Two--The New World ISBN B000859S6O: Race Life of the Aryan Peoples Vol.1--"The Old World": Race Life of the Aryan Peoples Vol.2--"The New World": Gordon Childe would later regret it, but the depiction of Aryans as possessors of a "superior language" became a matter of national pride in learned circles of Germany (portrayed against the background that World War I was lost because Germany had been betrayed from within by miscegenation and the "corruption" of socialist trade unionists and other "degenerates").

' After its publication, Byron and Murray became good friends and their relationship is the reason why the Archive contains more than just Byron's works – his personal papers were collected by the Murray family over the years. This series contains the manuscripts of Childe Harold's Pilgrimage itself as well as manuscripts and drafts of most of Byron's other work, many of which have been put on display at various exhibitions like the National Library of Scotland's 'Such Seductive Poetry' exhibition (18 April 2019-27 July 2019) which featured letters written and received by Byron, as well as the manuscript of Don Juan (cantos I, II and V) with his annotations and additions.

The pottery is described and illustrated in Childe & Smith pp.221–8 After the re- excavation the soil was replaced, following Sir Lindsay Scott's plans and drawings, so that the appearance of the barrow now corresponds with that existing at the start of excavations in 1934. Radio-carbon dating has shown that the death, the burial and the building of the mound probably all took place within the period 3,750–3,100 B.C., but at different times within that period. The ceremonial burial could have been 45–150 years after the death and the completion of the mound could be up to 200 years after that.

In that year he came into prominence by his singing at a students' public concert in the Hanover Square Rooms. His performance of the part of Basilio in Rossini's The Barber of Seville, at the first dramatic performance of the Royal Academy of Music on 8 December 1828, was warmly praised by the press. On 6 November 1830 he was in the academy's production of Lord Burghersh's opera Catherine, Ann Childe (who subsequently became his wife) filling the title-role. A reviewer wrote: "... in the concerted pieces... his fine sonorous bass came in with a charming effect." Pages 515–516 The New Monthly Magazine. 1830.

Hisaya was even able to write the lyrics for the game's theme song "Real intention", something he had never done before. However, even with anticipation mounting, in August 2003, the project was frozen and has never been restarted again. In 2004, Hisaya started working for the video game company Siesta where he contributed as a sub-writer for their first title Moon Childe released in December 2005. Afterwards, Hisaya once again quit the company he was working for, but at Comiket 70 in August 2006, it was announced that he would now be working with illustrator Naru Nanao on a series entitled Sola as the main concept writer.

The 16 September 1980 episode of Arthur C. Clarke's Mysterious World features a segment in which the archaeologist Ian Ralston examines the mystery of the vitrified fort Tap o' Noth and tries to recreate how it might be accomplished by piling stones and setting a massive bonfire, repeating the work of V. Gordon Childe and Wallace Thorneycroft in the 1930s.Clarke, A. C, Welfare, S and Fairley, J. Arthur C. Clarke's Mysterious World. Collins, 1980, p.61. The experiment produced a few partially vitrified stones, but it was asserted that no answers were gleaned as to how large-scale forts could have been crafted with the approach tried in the programme.

The group (which included Michael McKean on bass) soon fell apart, following legal threats by Martin's lawyers. In the same baroque vein as the Left Banke, Sommer wrote "Brink of Death", recorded by the band Childe Harold. Next, he was recruited as a member of "the Tribe" for the musical Hair, and then promoted to the role of Woof. His "frizzed-out Afro" hair and eyes were featured on the Los Angeles Playbill for Hair in 1969. Sommer had been signed by Capitol Records, and in June 1969 released his first album, The Road to Travel, produced by Artie Kornfeld, as were his next two albums.

Though a small population remained, the islands were largely abandoned until the middle of the 19th century, when Thomas Laighton and Levi Thaxter opened a popular summer hotel on Appledore Island. Laighton's daughter, Celia, married Levi at the age of fifteen and as Celia Thaxter became the most popular American female poet of the 19th century. She hosted an arts community on the island frequented by such luminaries as authors Nathaniel Hawthorne, John Greenleaf Whittier, Oliver Wendell Holmes, Sarah Orne Jewett, and the Impressionist painter Childe Hassam. Having executed his last drawing three days previous, the Boston painter William Morris Hunt drowned there in 1879, reportedly a suicide.

Illustration of a fairy by C. E. Brock There is an outdated theory that fairy folklore evolved from folk memories of a prehistoric race: newcomers superseded a body of earlier human or humanoid peoples, and the memories of this defeated race developed into modern conceptions of fairies. Proponents find support in the tradition of cold iron as a charm against fairies, viewed as a cultural memory of invaders with iron weapons displacing peoples who had just stone, bone, wood, etc., at their disposal, and were easily defeated. 19th-century archaeologists uncovered underground rooms in the Orkney islands that resembled the Elfland described in Childe Rowland,Yolen, Jane (2000) Touch Magic. p.

She exhibited paintings and drawings of "vigorous, creative women whose faces defy any judgment based on culturally-defined standards of feminine beauty," including an expressive self-portrait called Revolutionary Woman (1973), which was later acquired by Western Illinois University. For her second solo exhibition at SOHO20, Wybrants showed painted "images of exaggerated feminine sensibility," and again received a positive review in Arts Magazine. Wybrants also exhibited in group shows, including The Eye of Woman (1974, Hobart and William Smith Colleges) and Year of the Woman (1975, Bronx Museum of the Arts). In 1974, she received the Childe Hassam Purchase Award from the American Academy of Arts and Letters.

In 1885, he started an emporium in downtown Atlanta with his brother, Charles. In 1889, he partnered with Amos G. Rhodes to start a law firm, which became known as Rhodes, Snook & Haverty after P. H. Snook joined it in 1894. In 1908, the Rhodes-Haverty partnership was dissolved, at which point Haverty founded the Havertys furniture company, along with his son, Clarence, and other business associates. He has been called the first "important collector of works of art" in Atlanta, with an eye for American Impressionist and Realist paintings, including work by Childe Hassam, Maria Turner, Albert P. Ryder, Jonas Lie and Henry O. Tanner.

At Halloween 1999 Karla established the First Satanic Church, which uses its website to promote the idea that it represents a direct continuation of the original Church of Satan as founded by Anton LaVey. Other LaVeyan groups appeared elsewhere in the United States. An early member of the Church of Satan, John Dewey Allee, established his own First Church of Satan, claiming allegiance to LaVey's original teachings and professing that LaVey himself had deviated from them in later life. In 1986, Paul Douglas Valentine founded the New York City-based World Church of Satanic Liberation, having recruited many of its members through Herman Slater's Magickal Childe esoteric store.

Chapter one, "The Revolutionary Neolithic", explores the background to this period of time, in which humans became increasingly sedentary and developed agriculture. Discussing the various different understandings of the Neolithic advocated within archaeology, they propose that it should be seen as a "revolutionary" period than as "a revolution" in itself, in this way challenging the view made famous by V. Gordon Childe. Moving on to an exploration of why humans adopted agriculture, they proclaim their adherence to Jacques Cauvin's concept of the Symbolic Revolution. From there, they discuss the role of religion, suggesting that it should be understood as a tripartite system uniting experience, practice and belief.

The stock company was not successful the first season; audiences were meager and the press critical. Edwin Forrest opened the second season August 28, 1848, in Othello. He played a total of eight weeks over three engagements during the season, in the roles of Macbeth, Virginius, Richelieu, Damon in Damon and Pythias, and Spartacus in The Gladiator. Ann Childe Seguin and her husband Edward Seguin, singers of opera in English, performed October 11 – 24, and performed The Enchantress by Michael William Balfe for 20 nights beginning March 30. December 4 – 9 General Tom Thumb acted in Hop o' My Thumb, or the Seven League Boots, written especially for him.

The main theme, the regeneration of Greece, was already a literary commonplace, to be followed shortly in Byron's Childe Harold's Pilgrimage, which eclipsed its rivals; the reason being, it has been argued, because he knew better the rhetoric to give the British audience, not because he knew more about Greece. Haygarth also wrote articles for the Quarterly Review and the British Critic. For the Quarterly, he reviewed the ancient Roman history of William John Bankes, and the ancient Greek counterpart of William Mitford. He found fault with Mitford's history, as far as the writing went; Mitford and his anti-democratic views went down well with the Quarterly's Tory readership.

In the same year, he became part-owner of the Edinburgh Review, although with the help of George Canning he launched in opposition the Quarterly Review in 1809, with William Gifford as its editor, and Scott, Canning, Robert Southey, John Hookham Frere and John Wilson Croker among its earliest contributors. Murray was closely cooperated with Constable, but ended the association in 1813 due to Constable's business methods that did not work properly. In 1811, the first two cantos of Lord Byron's Childe Harold were brought to Murray by Robert Charles Dallas, to whom Byron had presented them. Murray paid Dallas 500 guineas for the copyright.

Although much is known about the prehistoric development of agriculture, coined the "Neolithic revolution" by V. Gordon Childe, there is a distinct lack of knowledge about the development of agriculture on the African continent and African archaeology in general. Although Ifri Oudadane is not in any of the three areas of Africa that are thought to have independently developed agriculture (Ethiopian highlands, West Africa, Sahel) its location and the time frame of the early Neolithic occupation layers allows archaeologists to research and contextualize the agricultural revolution in the Maghreb region. This allows for a relationship to form between the development of agriculture in northwestern Africa and the rest of the world.

The Florence Griswold House (now the Florence Griswold Museum ) would eventually become the center of Old Lyme's artistic community and it is very likely that Henry Ward Ranger, often described as the Old Lyme colony's founder, was introduced to both Old Lyme and the Griswold House through Voorhees. Stylistically, Voorhees was one of the Old Lyme artists who remained at least somewhat loyal to the Barbizon-derived, Tonalist style associated with Ranger even after the majority had adopted Childe Hassam's Impressionist style. Most of Voorhees's paintings are undated, but it appears that he gradually adopted a more Impressionistic approach later in life. He also experimented with etching in the 1930s.

The museum strives, most of all, to fulfill the legacy of its founder, Alfred Heber Holbrook, and provide art for everyone, removing barriers to accessibility and seeking to foster an open, educational and inspiring environment for students, scholars and the general public. The foundation of the museum's collection, the Eva Underhill Holbrook Memorial Collection of American Art, a collection of 100 American paintings, was donated to UGA in 1945 by Holbrook in memory of his first wife. Included in this collection are works by such luminaries as Frank Weston Benson, William Merritt Chase, Stuart Davis, Arthur Dove, Georgia O’Keeffe, Childe Hassam, Winslow Homer, Jacob Lawrence, and Theodore Robinson.

She died without issue while they were in France following the English Civil War and was buried at Charenton, near Paris, on 9 June 1648. He married secondly, at Paris in November 1651, Mary Gardiner, a daughter of the Royalist Sir Thomas Gardiner, of Cuddesdon, Oxfordshire, and his wife Rebecca Childe. Maid of Honour to Queen Henrietta Maria and one of the four Dressers to Queen Catharine, she died of smallpox aged 38 on 17 March 1671 and was buried in Westminster Abbey on 1 April 1671. In 1670 Wood's daughter Mary, then aged seven and the heiress to his substantial fortune, was betrothed to Charles FitzRoy, Earl of Southampton, an illegitimate son of Charles II and Barbara Villiers.

Early diffusion of the Bell Beaker cultureMap based on Stuart Piggott, Ancient Europe (2007) While Bell Beaker (Glockenbecher) was introduced as a term for the artefact type at the beginning of the 20th century, recognition of an archaeological Bell Beaker culture has long been controversial. Its spread has been one of the central questions of the migrationism vs. diffusionism debate in 20th-century archaeology, variously described as due to migration, possibly of small groups of warriors, craftsmen or traders, or due to the diffusion of ideas and object exchange. Gordon Childe interpreted the presence of its characteristic artefact as the intrusion of "missionaries" expanding from Iberia along the Atlantic coast, spreading knowledge of copper metallurgy.

Crawford was contemptuous of the Society, disliking their neglect of prehistory and believing that they did little valuable research. Although designed to have an international scope, Antiquity exhibited a clear bias towards the archaeology of Britain, with its release coinciding with the blossoming of British archaeology as a field of study. It contained contributions from a variety of young archaeologists who came to dominate the field of British archaeology, among them V. Gordon Childe, Grahame Clark, Cyril Fox, Christopher Hawkes, T. D. Kendrick, Stuart Piggott, and Mortimer Wheeler. They shared Crawford's desire to professionalise the field, thereby taking it away from the domination of antiquarian hobbyists and in a more scientific direction.

The story tells of how the four children of the Queen (by some accounts Guinevere), Childe Rowland, his two older brothers, and his sister, Burd Ellen, were playing ball near a church. Rowland kicked the ball over the church and Burd Ellen went to retrieve it, inadvertently circling the church "widdershins", or opposite the way of the sun, and disappeared. Rowland went to Merlin to ask what became of his sister and was told that she was taken to the Dark Tower by the King of Elfland, and only the boldest knight in Christendom could retrieve her. The eldest brother decided he would make the journey, and was told what to do by Merlin.

Much of this journalism was collected in hard covers in 1910 as What Eight Million Women Want, a book which was regarded as influential in its day. Dorr was briefly a member of the Socialist Party of America and lived on the Lower East Side of New York City, where she came into contract with the city's immigrant population and became acutely aware of the economic plight of the working class. Dorr's political activity included picketing for striking workers in the garment industry and working with the Women's Trade Union League on behalf of social legislation such as the minimum wage, the 8-hour day, and women's right to vote.Rheta Childe Dorr, A Woman of Fifty.

In 1940 he received a scholarship to Bradfield College, but on the advice of a family friend was instead sent to Winchester College on a 'Headmaster's Nomination'. In 1945 at the age of 17 he joined the army as a Young Soldier and later was an ammunition examiner in the Royal Army Ordnance Corps; he would serve in Northern Ireland, Portsmouth, Scotland and Egypt, the latter of which helped inspire his interest in archaeology. He demobilised in 1948 at which point he matriculated into Corpus Christi College, Oxford, receiving a BA Honours degree in Jurisprudence in 1951. He then studied under V. Gordon Childe at the UCL Institute of Archaeology and received a Diploma in Prehistoric Archaeology in 1953.

In Easter 1918 he spoke at the Third Inter-State Peace Conference, an event organised by the Australian Union of Democratic Control for the Avoidance of War, a group opposed to Prime Minister Billy Hughes's plans to introduce conscription. The conference had a prominent socialist emphasis; its report argued that the best hope to end international war was the "abolition of the Capitalist System". News of Childe's participation reached the Principal of St Andrew's College, who forced Childe to resign despite much opposition from staff. Staff members secured him work as a tutor in ancient history in the Department of Tutorial Classes, but the university chancellor William Cullen feared that he would promote socialism to students and fired him.

In 1923 the London Labour Company published his first book, How Labour Governs. Examining the Australian Labor Party and its connections to the Australian labour movement, it reflects Childe's disillusionment with the party, arguing that once elected, its politicians abandoned their socialist ideals in favour of personal comfort. Childe's biographer Sally Green noted that How Labour Governs was of particular significance at the time because it was published just as the British Labour Party was emerging as a major player in British politics, threatening the two-party dominance of the Conservatives and Liberals; in 1923 Labour formed their first government. Childe planned a sequel expanding on his ideas, but it was never published.

Hinman, Royal, A Historical Collection from Official Records, Files, &c.;, of the Part Sustained by Connecticut, During the War of the Revolution: With an Appendix, Containing Important Letters, Depositions, &c.;, Written During the War, E. Gleason, 1842, p. 516Barber, John Warner, Connecticut Historical Collections, New Haven: Hamlen, 1836, p. 176 He was also appointed that year to a Connecticut government committee to prospect for lead mines in the colony.Child, Elias, Genealogy of the Child, Childs and Childe Families, of the Past and Present in the United States and the Canadas, from 1630 to 1881, Utica NY: Curtiss and Childs, 1881, p. 209 In 1776, he was a member of the New Haven Committee of Safety,Hinman, p.

Harold Park was named in honour of Childe Harold. Retrieved 2010-5-15 Globe Derby, foaled 1910 in Australia, was the champion pacer of his day and then went on to become a Leading Australian Sire for twelve successive seasons and still has present day descendants racing. In 1934 Springfield Globe by Globe Derby was foaled in Tasmania and later won the Inter Dominion. Springfield Globe was an outstanding sire that produced 229 winners. Dual gaited U Scott (USA) was exported to New Zealand in 1935 as a two year old where he became the outstanding sire of 410 winners of $2,315,503 and his name features prominently in the bloodlines of many of Australasia's greatest horses.

Portrait of Mendelssohn by James Warren Childe, 1839 Mendelssohn wrote the incidental music, Op. 61, for A Midsummer Night's Dream in 1842, 16 years after he wrote the overture. It was written to a commission from King Frederick William IV of Prussia. Mendelssohn was by then the music director of the King's Academy of the Arts and of the Leipzig Gewandhaus Orchestra. A successful presentation of Sophocles' Antigone on 28 October 1841 at the New Palace in Potsdam, with music by Mendelssohn (Op. 55) led to the King asking him for more such music, to plays he especially enjoyed. A Midsummer Night's Dream was produced on 14 October 1843, also at Potsdam.

The Prehistoric Society is an international learned society devoted to the study of the human past from the earliest times until the emergence of written history. Now based at University College London in the United Kingdom, it was founded by V. Gordon Childe, Stuart Piggott and Grahame Clark in 1935 but also traces its founding to the earlier Prehistoric Society of East Anglia which began in 1908. The society is a registered charity under English law. Membership is by subscription and includes the annual journal, Proceedings of the Prehistoric Society, which continues Proceedings of the Prehistoric Society of East Anglia (1911-1934), and bulletins from the newsletter, PAST, which is published in April, July and November.

504 Such were the results of the new poor law that Hutton and many other radical contemporaries were deploring. But even when dealing with a literary theme, as in "On reading Childe Harold's Pilgrimage", she tempers her sincere praise by going on to extend Byron's radical views into consideration of modern social issues in France and England. A further foreign theme, the suppression of the Polish November uprising, is carried forward into her next work too, Cottage Tales and Poems (1842).Google Books On 4 March 1844, the Sheffield social campaigner, Samuel Roberts, and the poet, James Montgomery, published an open letter in a Sheffield newspaper entitled "The case of Mrs Mary Hutton".

A short time after his visit, he wrote a letter to The Times which was published on 25 August 1888. He reported that he had likely discovered the room and that it was not part of the principal property that the Duke of Richmond had rented on the Rue des Cendres, but was a coach house that backed onto the property and had an address in the next street, the Rue de la Blanchisserie. The room had dimensions of long, broad, and about high (the low ceiling was a case where reality impinged on one meaning of Lord Byron's artistic allusion to "that high hall").Lord Byron, Childe Harold's Pilgrimage, Canto the Third, stanza XXIII.

The origins of the organization date back to 1915 with the formation of the Brooklyn Society of Etchers.American print clubs After several name changes, the present title was adopted in 1952 to allow for the inclusion of a full range of hand pulled printmaking techniques. Over the course of its close to 100 years of continuous operation, many important national and international modern artists have exhibited with SAGA, including Henri Matisse, Kathe Kollwitz, John Sloan, Edward Hopper, Pablo Picasso, Mary Cassatt, Joseph Pennell, John Marin, Childe Hassam and John Taylor Arms. SAGA continues to attract a diverse group of contemporary printmakers who serve as important contributors to and ambassadors of printmaking in the United States.

There, he resigned as the director of the London Museum and focused on organising the Institute of Archaeology, preparing it for its adoption of a new director, V. Gordon Childe, after the war. He also resigned as director of the Society of Antiquaries, but was appointed the group's representative to the newly formed Council for British Archaeology. He developed a relationship with a woman named Kim Collingridge, and asked her to marry him. As she was a devout Roman Catholic, he officially converted to the religion, something which shocked many of his friends, who believed that he was being dishonest because he did not genuinely believe in the doctrines of the faith.

American Fine Arts Building, where the club was headquartered and held its annual exhibits Winslow Homer, After the Hurricane, Bahamas, 1899, drawing and watercolor, exhibited at the New York Watercolor Club exhibition in 1902Marion Wachtel, Sunset Clouds, 1904 The New York Water Color Club (NYWC) was founded in 1890, accepting both men and women artists as members and officers, and held its first exhibition that year. Childe Hassam was the organization's first president. NYWC was organized in response to refusal by the American Watercolor Society (AWS) to accept women members and to organize an annual exhibition in the fall. In comparison to AWS, it held jury-selected exhibitions which meant stricter standards for the content included in its shows.

Leonora is also significant as it was the first grand opera written by an American composer. The opera was written for Ann Childe Seguin who took the title role when it opened.More Tresures from Tams, Geri Laudati, University of Wisconsin Madison, retrieved 15 May 2015 After a six-year sojourn in Europe (1846–52), where he served as foreign correspondent to the Philadelphia Public Ledger, Horace Greeley's New York Tribune, and The Message Bird (later known as the New York Musical World and Times), Fry gave a series of eleven widely publicized lectures in New York's Metropolitan Hall. These dealt with subjects such as the history and theory of music as well as the state of American classical music.

Thus, cultures can be distinguished by patterns of craftsmanship; for instance, if one excavated sherd of pottery is decorated with a triangular pattern, and another sherd with a chequered pattern, they likely belong to different cultures. Such an approach naturally leads to a view of the past as a collection of different populations, classified by their differences and by their influences on each other. Changes in behaviour could be explained by diffusion whereby new ideas moved, through social and economic ties, from one culture to another. The Australian archaeologist Vere Gordon Childe was one of the first to explore and expand this concept of the relationships between cultures especially in the context of prehistoric Europe.

The series was chiefly inspired by the poem "Childe Roland to the Dark Tower Came" by Robert Browning, whose full text was included in the final volume's appendix. In the preface to the revised 2003 edition of The Gunslinger, King also identifies The Lord of the Rings, Arthurian Legend, and The Good, the Bad and the Ugly as inspirations. He identifies Clint Eastwood's "Man with No Name" character as one of the major inspirations for the protagonist, Roland Deschain. King's style of location names in the series, such as Mid-World, and his development of a unique language abstract to our own (High Speech), are also influenced by J. R. R. Tolkien's work.

Cultural-historical archaeology had in many cases been influenced by a nationalist political agenda, being utilised to prove a direct cultural and/or ethnic link from prehistoric and ancient peoples to modern nation-states, something that has in many respects been disproved by later research and archaeological evidence. First developing in Germany among those archaeologists surrounding Rudolf Virchow, culture-historical ideas would later be popularised by Gustaf Kossinna. Culture-historical thought would be introduced to British archaeology by the Australian archaeologist V. Gordon Childe in the late 1920s. In the United Kingdom and United States, culture-history came to be supplanted as the dominant theoretical paradigm in archaeology during the 1960s, with the rise of processual archaeology.

1908 Ford Model T advertisement The Model T was designed by Childe Harold Wills, and Hungarian immigrants Joseph A. Galamb and Eugene Farkas. Henry Love, C. J. Smith, Gus Degner and Peter E. Martin were also part of the team.. Production of the Model T began in the third quarter of 1908.. Collectors today sometimes classify Model Ts by build years and refer to these as "model years", thus labeling the first Model Ts as 1909 models. This is a retroactive classification scheme; the concept of model years as understood today did not exist at the time. The nominal model designation was "Model T", although design revisions did occur during the car's two decades of production.

The Bush–Holley House is a National Historic Landmark and historic house museum at 39 Strickland Road in the Cos Cob section of Greenwich, Connecticut. It was constructed circa 1730 and in the late nineteenth century was a boarding house and the center of the Cos Cob Art Colony, Connecticut's first art colony. From 1890 to 1920, the house was a gathering place for artists, writers and editors, and scores of art students came to study with leading American Impressionists John Henry Twachtman, J. Alden Weir, Theodore Robinson, and Childe Hassam. It is currently operated as a historic site by the Historical Society of the Town of Greenwich, and is open for tours.

The first serious study of chambered long barrows took place in the sixteenth and seventeenth centuries, when the mounds that covered chambers were removed by agriculture. By the nineteenth century, antiquarians and archaeologists had come to recognise this style of monument as a form of tomb. In the latter nineteenth and early twentieth centuries, archaeologists like V. Gordon Childe held to the cultural diffusionist view that such Western European monuments had been based on tombs originally produced in parts of the eastern Mediterranean region, suggesting that their ultimate origin was either in Egypt or in Crete. In this view, the tradition was seen as having spread westward as part of some form of "megalithic religion".

In the winter of 1920, Mary Russell is on the cusp of turning 21 and lives a double life of Oxford University theological scholar as well as a consulting detective and partner of Sherlock Holmes. After events in The Beekeeper's Apprentice, both Holmes and Russell are aware that their relationship and partnership has changed, perhaps romantically, but neither is eager to broach the subject. A chance encounter unites Russell with Veronica Beaconsfield, an old Oxford acquaintance who is worried about her former fiancé, Miles Fitzwarren, a returned soldier and drug addict. Veronica introduces Russell to the well-financed New Temple in God and its leader, the enigmatic, charismatic Margery Childe, who preaches empowerment of women.

The book deals heavily with the intersection of feminism and religion; more specifically, their combination in the form of the character Margery Childe. When Mary first hears her speak, Margery is discussing a passage from 1 Corinthians in the Christian Bible: > "Women should keep silence in church; for they are not permitted to speak, > but should be subordinate, as the law says...It is shameful for a woman to > speak in church." Margery's conclusion is that men are afraid of the questions women might ask concerning religion, the Bible, and God, and realize that women are not inferior. She points out that the Bible describes both men and women being created in God's image - not just males.

Evans was born in Moundsville, West Virginia, the daughter of D. Barger Evans (1859-1945) and Mary Estelle Myers Evans (1869-1956). Her extensive education made Evans one of the best trained artists of her generation. In 1914, Evans graduated from Wheeling's Mount de Chantal Visitation Academy, before attending Pittsburgh's Carnegie Institute of Technology School of Fine Arts, and then the Pennsylvania Academy of the Fine Arts in Philadelphia. In 1924, she received a fellowship to the Louis Comfort Tiffany Foundation, which included a brief residency at Tiffany's Mansion, Laurelton Hall, on Oyster Bay, Long Island, where Evans worked with leading painters such as Childe Hassam, Charles Webster Hawthorne, and Gari Melchers.

By the time of the Lewis & Clark Exposition held in Portland in 1905, the Portland Art Museum had outgrown its location in the public library and had moved into its own building at SW 5th and Taylor. The first exhibition in the new building featured watercolors and paintings that had come to Portland as part of the 1905 Exposition. Curator Henrietta H. Failing (the niece of founder Henry Failing) organized the exhibition with New England artist Frank Vincent DuMond. Three years later, in 1908, the museum acquired its first original piece of art, Afternoon Sky, Harney Desert by American impressionist painter Childe Hassam, who frequented Malheur and Harney counties in Eastern Oregon with his friend, C.E.S. Wood.

Hence it was known as the 'Dying' or 'Wounded Gladiator', 'Roman Gladiator', and 'Murmillo Dying'. It has also been called the 'Dying Trumpeter' because one of the scattered objects lying beside the figure is a horn. The artistic quality and expressive pathos of the statue aroused great admiration among the educated classes in the 17th and 18th centuries and was a "must-see" sight on the Grand Tour of Europe undertaken by young men of the day. Byron was one such visitor, commemorating the statue in his poem Childe Harold's Pilgrimage: It was widely copied, with kings,A plaster cast was made for the King of Spain in 1650, and a marble copy by Michel Monnier for Louis XIV remains at Versailles (Haskell and Penny 1981:22).

W. Galvin and John Moody), Collier's Weekly (Samuel Hopkins Adams, C.P. Connolly, L. R. Glavis, Will Irwin, J. M. Oskison, Upton Sinclair), Cosmopolitan (Josiah Flynt, Alfred Henry Lewis, Jack London, Charles P. Norcross, Charles Edward Russell), Everybody's Magazine (William Hard, Thomas William Lawson, Benjamin B. Lindsey, Frank Norris, David Graham Phillips, Charles Edward Russell, Upton Sinclair, Lincoln Steffens, Merrill A. Teague, Bessie and Marie Van Vorst), Hampton's (Rheta Childe Dorr, Benjamin B. Hampton, John L. Mathews, Charles Edward Russell, and Judson C. Welliver), The Independent (George Walbridge Perkins, Sr.), Outlook (William Hard), Pearson's Magazine (Alfred Henry Lewis, Charles Edward Russell), Twentieth Century (George French), and World's Work (C.M. Keys and Q.P.).Weinberg, p. 441-443 Other titles of interest include Chatauquan, Dial, St. Nicholas.

He was one of three persons to whom Robert A. Heinlein dedicated Stranger in a Strange Land (1961), a novel which explored sexual freedom as one of its primary themes.Heinlein 1991 Moreover, Fire and the Night (1962) is a mainstream novel about an interracial romance; it features sociological and psychosexual twists. In Night of Light (1966), he devised an alien race where aliens have only one mother but several fathers, perhaps because of an unusual or untenable physical position that cannot be reached or continued by two individuals acting alone. Both Image of the Beast and the sequel Blown from 1968–1969 explore group sex, interplanetary travel, and interplay between fictional figures like Childe Harold and real people like Forry Ackerman.

"The Mass Extermination of Jews in German Occupied Poland", by the Polish government-in-exile addressed to the wartime allies of the then-United Nations, 1942 The Joint Declaration by Members of the United Nations was a statement issued on December 17, 1942, by the American and British governments on behalf of the Allied Powers.The name "United Nations" for the World War II allies was suggested by President Franklin D. Roosevelt of the United States as an alternative to the name "Associated Powers." British Prime Minister Winston Churchill accepted it, noting that the phrase was used by Lord Byron in the poem Childe Harold's Pilgrimage (Stanza 35). In it, they describe the ongoing events of the Holocaust in Nazi-occupied Europe.

That same decade also witnessed similar ideas regarding a Neolithic religion focused around a great goddess being espoused in the works of Childe and Daniel; the historian Ronald Hutton later observed that "whether or not there was ever an 'Age of the Goddess' in Neolithic Europe, there certainly was one among European intellectuals in the mid twentieth century". Crawford's book was not well received within academia. Crawford was also interested in cats, and learned how to mimic cat noises, performing these on a BBC broadcast, "The Language of Cats", which proved popular and led to a range of fan letters. A publisher in the United States invited him to write a book on the subject, but Crawford never completed it.

At Oxford, Carlson raced in the losing Isis crew at the 2010 Oxford-Cambridge Boat Race, and in the victorious Oxford University Lightweight Rowing Club Blue Boat at the 2011 Henley Boat Races, before switching allegiance to Oxford Brookes University Boat Club in May, 2011. He trained and raced with Brookes, in spite of being an Oxford University student. He rowed bow seat in the Brasenose College Boat Club 1st VIII, The Childe of Hale, in 2010; and coxed Brasenose to victory in a 2015 re-enactment of the first ever collegiate rowing race, contested between Brasenose College and Jesus College two hundred years earlier. Prior to Oxford, Carlson coxed at Georgetown University, where he served as team captain in 2009.

Beginning during his tenure at Boeing Company, Pournelle submitted science fiction short stories to John W. Campbell, the editor of Astounding Science Fiction (later called Analog Science Fiction and Fact), but Campbell did not accept any of Pournelle's submissions until shortly before Campbell's death in 1971, when he accepted for publication Pournelle's novelette "Peace with Honor."Analog Science Fiction/Science Fact, May 1971 pages 137-158 From the beginning, Pournelle's work has engaged strong military themes. Several books are centered on a fictional mercenary infantry force known as Falkenberg's Legion. There are strong parallels between these stories and the Childe Cycle mercenary stories by Gordon R. Dickson, as well as Heinlein's Starship Troopers, although Pournelle's work takes far fewer technological leaps than either of these.

The poet Lord Byron (1788-1824), stayed with the Gregge-Hopwood family at Hopwood Hall from the end of September 1811 for about 10 days. He had come up to try and sell parts of the Byron family estate in Rochdale, a complex deal that was not to be completed fully in his lifetime. The 23-year-old poet probably spent his days at the Hall revising the draft of his ground breaking poem, Childe Harold's Pilgrimage. A first hand account of his stay and the impression he made on the Gregge-Hopwood family and their friends can be found in an essay 'Byron’s Week in Middleton', by Anne Falloon of Middleton Archaeological Society, published in the Byron Journal of 2013.

Its rocky shore and bold cliffs appear in such works as Crashing Surf, Monhegan, Maine.Chambers, 2007, p. 162 His summer visits to Monhegan were often followed by fishing and sketching trips in the fall to the White Mountains of New Hampshire. In April 1895, Gallagher married Charlotte Dodge and shortly thereafter left on a honeymoon to Europe, beginning in England but with the apparent goal of settling in Paris for further instruction.Chambers, 2007, p.165. Like such other Americans as Woodbury, F. W. Benson, Edmund Tarbell (1862–1938), and Childe Hassam (1859–1935), Gallagher joined the ateliers of Jean-Paul Laurens (1838–1921) and Jean-Joseph Benjamin-Constant (1845–1902) at the Académie Julian and settled in to study and paint.

Tatiana too ponders whether Onegin's guises make him "a Muscovite in Harold's dress, a modish second-hand edition" (7.24).Charles Johnston’s translation But however much that pose may have been appreciated in the first half of the 19th century, by World War 2 the reaction to the hero's attitudes had veered to scepticism. C. S. Lewis, in The Screwtape Letters (1941), bracketed Childe Harold and Young Werther as Romantic types "submerged in self-pity for imaginary distresses" for whom "five minutes' genuine toothache would reveal [their] romantic sorrows for the nonsense they were".C. S. Lewis, The Screwtape Letters (1941), Letter XIII Equally, the bluff hero of C. S. Forester's The Commodore (1945) dismissed Byron's poem as "bombast and fustian" while flipping through its pages for inspiration.

The first two cantos of the poem were launched under the title Childe Harold’s Pilgrimage: A Romaunt, and other poems.Google Books There were twenty of those "other poems", for the most part arising out of Byron's tour. These supplemented the three lyrics already mentioned that were incorporated into Cantos I and II. Five of the supplementary songs were set by composers, mostly during the course of the 19th century and sometimes in translated versions. "On Parting" (The kiss, dear maid, thy lip has left), for example, was set by Ludwig van Beethoven and some 25 other composers;Lieder Net the song "Maid of Athens, ere we part" had a setting by Charles Gounod as well as others in German and Italian.

Alexander Dallas gave a large series of changes and alterations, as well as the reasoning for some of them. He also stated that Byron had originally intended to prefix an argument to this poem, and Dallas quoted it.. Although the work was published anonymously, by April, R. C. Dallas wrote that "you are already pretty generally known to be the author.". The work so upset some of his critics they challenged Byron to a duel; over time, in subsequent editions, it became a mark of prestige to be the target of Byron's pen. BEIC After his return from travels he again entrusted R. C. Dallas as his literary agent to publish his poem Childe Harold's Pilgrimage, which Byron thought of little account.

He is an alumnus of HB Studio in New York City. He authored three novels, four opera librettos, twenty short stories, and 85 plays which have been staged throughout the United States from South Coast Repertory in California to the Virginia Museum Theater (VMT) in Richmond, and in Europe and Asia. His plays include The Sorrows of Frederick, Holy Ghosts, Childe Byron, Heathen Valley, and an adaptation of Ernest J. Gaines's novel, A Lesson Before Dying, which has been produced in New York and in numerous regional theaters. Many of his plays were set in Appalachia (Tennessee, Holy Ghosts, Sand Mountain, Gint and Heathen Valley), while others focused on historical subjects (The Sorrows of Frederick, King Philip, 2: Goering at Nuremberg).

Each story is preceded by a short introduction by the author, giving a brief history of the tale's literary mutations, or remarking on the strange similarities that versions exhibit across great geographical or historical distances.For example, asking, with reference to the story of Childe Rowland: "How can it be that the same story is found in Scotland and also in pre-Columbian America?" The collection has had a broad appeal. For instance Canadian poet P. K. Page cited it as the book she would give to a child, and author and storyteller Norah Dooley: "This is the book that turned my interest as an adult to folklore and inspired me to take up storytelling." and has become a widely used sourcebook of tales.

The museum owns more than 70,000 examples of California art and design, created from the mid-1800s to the present. Painters represented in the art collection include Addie L. Ballou, Albert Bierstadt, George Henry Burgess, Richard Diebenkorn, Maynard Dixon, Childe Hassam, Thomas Hill, Amédée Joullin, William Keith, David Park, Mel Ramos, Granville Redmond, Jules Tavernier, Wayne Thiebaud, and the "Society of Six" (William H. Clapp, Selden Connor Gile, August Gay, Bernard Von Eichman, Maurice Logan, and Louis Siegriest). The museum holds the personal archives of Dorothea Lange and images by many other noted photographers. Lange's archive was a gift given by the artist herself and includes thousands of negatives and vintage prints as well as field notes and personal memorabilia.

The McDonough Museum of Art is a center for contemporary art located in Youngstown, Ohio, USA, on the campus of Youngstown State University (YSU). Opened in 1991 in a building designed by Gwathmey Siegel & Associates Architects, the museum focuses on contemporary art through exhibits and art education. The origins of the museum begin in 1986 through the donations and efforts of local physician and art collector John J. McDonough, who used proceeds from the sale of his painting Gloucester Harbor by Childe Hassam to fund construction. The museum features changing exhibitions, installations, performances, and lectures by regional, national and international artists, and also functions as public outreach for the YSU College of Creative Arts and the Department of Art, exhibiting work by students, faculty and alumni.

Linney is a 1982 graduate of Northfield Mount Hermon School, an elite preparatory school in New England for which she currently serves as the chair of the Arts Advisory Council. She then attended Northwestern University before transferring to Brown University, where she studied acting with Jim Barnhill and John Emigh and served on the board of Production Workshop, the university's student theater group. During her senior year at Brown, she performed in one of her father's plays as Lady Ada Lovelace in a production of Childe Byron, a drama in which poet Lord Byron mends a taut, distant relationship with his daughter Ada.Cohen, Patrica, "Genuine Actress Flirts With Stardom," NY Times, January 20, 2010 Linney graduated from Brown in 1986.

The poet George Gordon Byron, 6th Baron Byron visited Ali's court in Ioánnina in 1809 and recorded the encounter in his work Childe Harold. He evidently had mixed feelings about the despot, noting the splendour of Ali's court and the Greek cultural revival that he had encouraged in Ioánnina, which Byron described as being "superior in wealth, refinement and learning" to any other Greek town. In a letter to his mother, however, Byron deplored Ali's cruelty: "His Highness is a remorseless tyrant, guilty of the most horrible cruelties, very brave, so good a general that they call him the Mahometan Buonaparte ... but as barbarous as he is successful, roasting rebels, etc, etc.." Ali Pasha's Grave. In 1820, Ali ordered the assassination of a political opponent in Constantinople.

For the "dissolving views" lantern shows that were popularized by Henry Langdon Childe since the late 1830s, lanternists needed to be able to project two aligned pictures in the same spot on a screen, gradually dimming a first picture while revealing a second one. This could be done with two lanterns, but soon biunial lanterns (with two objectives placed one above the other) became common. William and Frederick Langenheim from Philadelphia introduced a photographic glass slide technology at the Crystal Palace Exhibition in London in 1851. For circa two centuries magic lanterns had been used to project painted images from glass slides, but the Langenheim brothers seem to have been the firsts to incorporate the relatively new medium of photography (introduced in 1839).

The poem's main merit lies in its comparison of English and Italian morals, arguing that the English aversion to adultery is mere hypocrisy in light of the probably shocking, but more honest, custom of the Cavalier Servente in Italy. In comparison to Byron's Oriental Tales of 1813, it suggests that a looser attitude towards morals may be more pragmatic. The poem manifests a number of typical Byronic qualities, like the digressive structure and the use of satirical jabs at targets familiar to Byron's readership, such as literate women and as well as other poets (including Robert Southey, who appears as "Botherby"). As he does in major poems like Childe Harold's Pilgrimage and Don Juan, in Beppo Byron mixes fictional elements with autobiographical ones.

Some of the stories were reprinted in her second book, Doll Stories, which was published in 1883 under the name Lucie Cobbe. In November 1885 she married John Childe Heaton Armstrong at the register office on The Strand; he was a 34-year-old translator and the elder brother of William Heaton- Armstrong, later a Member of Parliament for the Liberal Party. John and Lucie lived near the British Museum, but he died of gastroenteritis four and a half months after the wedding. In 1893 Armstrong published The Etiquette of Party Giving, in which she not only provided the etiquette of giving a party, but also outlined several types of parties, including "A Clover Tea", "A Cobweb Party", "A Palette Party" and "An Epithet Party".

The twentieth-century recovery from shipwreck sites in the Mediterranean of Classical and Hellenistic Greek bronzes, made possible by scuba equipment, has resulted in a reappraisal of what constitute the finest survivals. Luca Giordano made hundreds of drawings of it, Samuel Rogers made daily appointments with it, Zoffany included it in his 1778 Tribuna of the Uffizi, and Lord Byron devoted five stanzas of Childe Harold to describing it. It was one of the precious works of art shipped to Palermo in 1800 to escape the French, to no avail: such diplomatic pressure was brought to bear that the Vénus de Medicis was shipped to Paris in 1803. After Napoleon's fall it arrived back in Florence on 27 December 1815.

Rob Roy was written at a time when many Europeans started regretting colonialism and imperialism, as reports circulated back of horrendous atrocities towards indigenous cultures. It was also a time when debates raged about the slave trade, the British occupation of India, and, more relevant to the novel, the disastrous effect of the Highland Clearances. During this era, William Wordsworth wrote The Conventions of Cintra, praising Spanish and Portuguese resistance to Napoleonic force; Lord Byron would go on to praise Amazonian women in Childe Harold's Pilgrimage, inverting the "polite" norms of femininity that the modern "civilized" world placed on them; and, finally, Scott would write about similar events in The Vision of Don Roderick. The term "guerrilla" came about during this period, due to the influence of the Peninsular War.

The theoretical development of Marxist archaeology was first developed in the Soviet Union in 1929, when a young archaeologist named Vladislav I. Ravdonikas published a report entitled "For a Soviet history of material culture". Within this work, the very discipline of archaeology as it then stood was criticised as being inherently bourgeois, therefore anti-socialist and so, as a part of the academic reforms instituted in the Soviet Union under the administration of Premier Joseph Stalin, a great emphasis was placed on the adoption of Marxist archaeology throughout the country.Trigger 2007. pp. 326–40. These theoretical developments were subsequently adopted by archaeologists working in capitalist states outside of the Leninist bloc, most notably by the Australian academic V. Gordon Childe, who used Marxist theory in his understandings of the development of human society.

Christopher among the Mountains, a satire on Christopher North's criticism of the last canto of Childe Harold, and a parody of the Noctes Ambrosianæ, were early efforts. In 1849 Ryan wrote the libretto of George Alexander Macfarren's Charles II; and a spectacular opera, Pietro il Grande, commissioned by Louis Jullien, was produced at the Royal Italian Opera on 17 August 1852. In collaboration with Francis Mori, Ryan wrote the opera Lambert Simnel, intended for Sims Reeves, but never produced. He wrote the words of a large number of songs, including Songs of Even, with music by Frederick Nicholls Crouch (1841), a set of twelve Sacred Songs and Ballads by Edward Loder (1845), and a collection of Songs of Ireland, in which, with Crouch, he fitted old melodies with new words.

The Volks began spending their summers in Center Lovell, Maine in the 1890s, and in 1904 bought a farmhouse on 25 acres along the shore of Kezar Lake. They renovated the house and added to it, naming it "Hewnoaks," and eventually building four additional cottages and an artist's studio for Volk. Numerous artists and craftspeople came to study with them over the years. Many of their friends in the Arts and Crafts Movement were houseguests, including artists J. Alden Weir, Frank Benson, Childe Hassam, and William Merritt Chase; architect John Calvin Stevens, interior designer John Scott Bradstreet, and Swedish-born woodcarver Karl A. von Rydingsvärd."Rydingsvard Divorce Case", New York Times, 30 September 1897 Von Rydingsärd carved frames for a number of Volk's paintings, and taught woodcarving to Wendell Volk.

His methods influenced those of V. Gordon Childe, whose associates dominated the field of archaeology for decades after World War II. In the years following World War II, particularly in the 1960s and 1970s, there was a counterreaction against Kossinna's theories of settlement archaeology, and the role of migration in archaeological history was generally denied. In June 2015 however, archaeogeneticists uncovered, in two groundbreaking studies, that the spread of the Indo-European languages in Europe was indeed accompanied by mass migrations and population replacements associated with the Corded Ware culture. These results shocked the scientific community and generated a considerable amount of controversy and anxiety, as they seem to validate Kossinna's theories. The apparent validation of the once outdated theories of Kossina has been referred to as Kossinna's Smile.

Recognizing the importance of this country's contribution to the arts, Mrs. Littlejohn launched a campaign to strengthen the Museum's holdings of American art, with special attention to artists associated with eastern Long Island such as Thomas Moran, Childe Hassam, and Thomas Doughty. Upon her death, the Museum became the beneficiary of more than 300 paintings, drawings, and watercolors from her personal collection, which included work by Martin Johnson Heade, Asher B. Durand, John H. Twachtman, John Sloan, and a remarkable collection of thirty-one paintings by American Impressionist William Merritt Chase. In 1981, further depth was added to the collection when nearly 200 works of art by the prominent American painter, critic, and longtime Southampton resident Fairfield Porter (1907–1975) were donated by his wife Anne and by the artist's estate.

11, p. 72. Though he begins with "commonplaces", he "takes care to adorn his subject matter "with 'thoughts that breathe and words that burn' ... we always find the spirit of the man of genius breathing from his verse". In Childe Harold's Pilgrimage, for example, though the subject matter is no more than "what is familiar to the mind of every school boy", Byron makes of it a "lofty and impassioned view of the great events of history", "he shows us the crumbling monuments of time, he invokes the great names, the mighty spirit of antiquity." Hazlitt continues, "Lord Byron has strength and elevation enough to fill up the moulds of our classical and time-hallowed recollections, and to rekindle the earliest aspirations of the mind after greatness and true glory with a pen of fire.

In this, Candido insists, the pact is analogous to the initiation rites of the chivalric romances, through which the wan childe becomes a worthy knight. Willi Bolle, on the other hand, in a materialistic view of the book, which he considers to demonstrate the formation of the social order in the sertão, sees the pact as an attempt by Riobaldo to socially ascend from his condition of a poor jagunço to the upper class of the rich farmers, an ascension which is the actual conclusion of the book. All this is conducted by the motif of the star-crossed love affair. Riobaldo is torn between two contrasting loves: Diadorim, another jagunço, to whom he refers as a “demoniac love”, and Otacília, an ordinary beauty from the backlands, a godly love for times of peace.

"John Gibson Lockhart, Life of Sir Walter Scott, vol.3, p.11 In the public sphere, the Anti-Jacobin Review came to the similar conclusion that Childe Harold "appears to be nothing but the dull, inanimate, instrument for conveying his poetical creator's sentiments to the public. Lord Byron avows the intent of this hero's introduction to be the 'giving some connection to the piece'; but we cannot, for the life of us, discover how the piece is more connected, by assigning the sentiments which it conveys to a fictitious personage, who takes no part in any of the scenes described, who achieves no deeds, and who, in short, has no one province to perform, than it would have been had Lord Byron spoken in his own person, and been the 'hero of his own tale'.

Because the sun played a highly important role in older religions, to go against it was considered bad luck for sun-worshiping traditions. It was considered unlucky in Britain to travel in an anticlockwise (not sunwise) direction around a church, and a number of folk myths make reference to this superstition, e.g. Childe Rowland, where the protagonist and his sister are transported to Elfland after his sister runs widdershins round a church. There is also a reference to this in Dorothy Sayers's novels The Nine Tailors (chapter entitled The Second Course; "He turned to his right, knowing that it is unlucky to walk about a church widdershins...") and Clouds of Witness ("True, O King, and as this isn't a church, there's no harm in going round it widdershins").

Philip Marshall further charged that his father sold his grandmother's favorite Childe Hassam painting in 2002 without her knowledge and with no record as to the whereabouts of the funds received from the sale. In addition to Annette de la Renta, Henry Kissinger and David Rockefeller provided affidavits supporting Philip Marshall's requests for a change in guardianship. The day the story appeared, New York Supreme Court Justice John Stackhouse sealed the documents pertaining to the lawsuit and granted an order appointing Annette de la Renta guardian and JPMorgan Chase & Co. to be in charge of Brooke's finances. Several news organizations, including the Associated Press and The New York Times, sued to have the records of the Astor case unsealed in the public interest; their request was granted September 1, 2006.

Weather conditions continued to be an issue for school rowing and the 2008 edition was cancelled after three 1st VIIIs, entered in the Childe Beale Cup, from The King's School, Canterbury, Bedford Modern School, and Shiplake College, swamped. It was decided by the officials to completely cancel the rest of the racing for both the Saturday and Sunday. The officials were criticised for not cancelling the event earlier and led to calls for the regatta to be moved to Dorney Lake, where the 2012 Olympics rowing events took place, although it is just as much prone to wind problems. Owing to Holme Pierrepoint having organised a triathlon over the desired weekend, the organisers were forced to relocate the regatta to Dorney Lake in 2016, where it was held from 2017 onwards.

The poem is related much like a regular narrative, as distinguished (by King himself in his prologue to it, for The Bazaar of Bad Dreams) from lyric poetry. It contains fewer than twenty stanzas and, although an occasional rhyme can be discerned, follows no standardised form, placing it in the category of free verse. The original late '60s version, since lost, was inspired, King says, by such Robert Browning narrative poems as "My Last Duchess". (Another Browning piece, "Childe Roland to the Dark Tower Came", famously inspired King's self-described magnum opus, his Dark Tower series.) The poem's narrative style, of a man relating to a stranger the details of a macabre journey, has invited comparisons with Samuel Taylor Coleridge, the plot of whose poem "The Rime of the Ancient Mariner" follows a similar thread.

Henry Brandon, 1st Earl of Lincoln (c. before June 18 1523 "...the lorde Henry Brandon, sonne to the duke of Suffolke and the Frenche Quene the kynges sister, a childe of twoo yere old, was greated Erle of Lincolne..." – 1 March 1534 "Yesterday morning died the earl of Lincoln..." Letter, dated 2 March 1534, William Lord Dacre to Lady Dacre In: 'Henry VIII: March 1534, 1–5', Letters and Papers, Foreign and Domestic, Henry VIII, Volume 7: 1534 (1883)) was the youngest child and second sonBrandon family tree In: Starkey, David (Hg): Rivals in Power: Lives and Letters of the Great Tudor Dynasties Macmillan, London 1990, p. 39 born to Charles Brandon, 1st Duke of Suffolk and Mary Tudor, Queen of France, who was a daughter of Henry VII, King of England. Thus Henry Brandon was nephew to King Henry VIII.

Jean Metzinger, 1914-15, Soldat jouant aux échecs (Soldier at a Game of Chess), oil on canvas The museum's modern art collection features paintings by Paul Delvaux, Arthur Dove, Childe Hassam, Walt Kuhn, Norman Lewis, Roberto Matta, Joan Mitchell, Jean Metzinger, Diego Rivera, and Mark Rothko, while the Joel Starrels, Jr. Memorial Collection includes sculpture by Jean Arp, Edgar Degas, Henry Moore, Jacques Lipchitz, and Auguste Rodin. One of the most notable items in the collection is the original dining room furniture designed by Frank Lloyd Wright for the Robie House, which is more or less on permanent display. Most of the original Robie House furniture as well as a few window casings were transferred into the museum collection before it opened in 1974. At that time, the Robie House was still being used as offices for the University of Chicago.

This was accompanied by a number of social changes resulting in what can fairly be called an 'urban' society as distinct from the 'rural' society which provided food for the growing portion of the population that did not feed itself, although the relationship between the two groups and the views of the people of the time about this distinction remain difficult to discern.G. Emberling, "Urban Social Transformations and the Problem of the 'First City': New Research from Mesopotamia," M. L. Smith (ed.), The Social Construction of Ancient Cities, Washington and London (2003), pp. 254–268 This phenomenon was characterised by Gordon Childe at the beginning of the 1950s as an 'urban revolution', linked to the 'Neolithic revolution' and inseparable from the appearance of the first states. This model, which is based on material evidence, has been heavily debated ever since.

The following years marked an increased interest in classical Greece, and in June 1816, after parliamentary hearings, the House of Commons offered £35,000 in exchange for the sculptures. Even at the time the acquisition inspired much debate, although it was supported by "many persuasive calls" for the purchase. Lord Byron strongly objected to the removal of the marbles from Greece, denouncing Elgin as a vandal. His point of view about the removal of the Marbles from Athens is also mentioned in his narrative poem Childe Harold's Pilgrimage, published in 1812, which itself was largely inspired by Byron's travels around the Mediterranean and the Aegean Sea between 1809 and 1811: > Dull is the eye that will not weep to see Thy walls defaced, thy mouldering > shrines removed By British hands, which it had best behoved To guard those > relics ne'er to be restored.

Map of central Europe including Dacia Written a few decades after the Roman conquest of Dacia 105–106 AD, Ptolemy's Geographia defined the boundaries of Dacia. There is a consensus among scholars that Ptolemy's Dacia was the region between the rivers Tisza, Danube, upper Dniester, and Siret. The mainstream of historians accepted this interpretation: Avery (1972) Berenger (1994) Fol (1996) Mountain (1998), Waldman Mason (2006). Ptolemy also provided Dacian toponyms in the Upper Vistula (Polish: Wisła) river basin in Poland: Susudava and Setidava (with a manuscript variant Getidava. This may be an echo of Burebista’s expansion. It appears that this northern expansion of the Dacian language as far as the Vistula river lasted until AD 170–180 when the Hasdings, a Germanic tribe, expelled a Dacian group from this region, according to Schütte (1917) and Childe (1930).

The building originally included 24 studio flats, eight one-bedroom flats, staff quarters, a kitchen and a large garage. The Pritchards lived in a one-bedroom penthouse flat at the top with their two sons Jeremy and Jonathan next door in a studio flat. Plywood was used extensively in the fittings of the apartments; Jack Pritchard was the Marketing Manager for the Estonian plywood company Venesta between 1926 and 1936, while he also operated the Isokon Furniture Company, originally in partnership with Wells Coates. Celebrated residents included: Bauhaus émigrés Walter Gropius, Marcel Breuer, and László Moholy-Nagy; architects Egon Riss and Arthur Korn; Agatha Christie (between 1941 and 1947) and her husband Max Mallowan, art historian Adrian Stokes, the author Nicholas Monsarrat, the archaeologist V. Gordon Childe, modernist architect Jacques Groag and his wife textile designer Jacqueline Groag.

Childe's next book, The Bronze Age (1930), dealt with the Bronze Age in Europe, and displayed his increasing adoption of Marxist theory as a means of understanding how society functioned and changed. He believed metal was the first indispensable article of commerce, and that metal-smiths were therefore full-time professionals who lived off the social surplus. In 1933, Childe travelled to Asia, visiting Iraq—a place he thought "great fun"—and India, which he felt was "detestable" due to the hot weather and extreme poverty. Touring archaeological sites in the two countries, he opined that much of what he had written in The Most Ancient Near East was outdated, going on to produce New Light on the Most Ancient Near East (1935), in which he applied his Marxist-influenced ideas about the economy to his conclusions.

There were three reasons for the prosecution: one was that it contravened a local bye-law; another reflected concern about church windows which may or may not have been broken; the third was that "a little childe had like to have her braines beaten out with a cricket batt".Timothy J McCann, Sussex Cricket in the Eighteenth Century, Sussex Record Society, 2004 The latter situation was because the rules at the time allowed the batsman to hit the ball more than once and so fielding near the batsman was very hazardous, as two later incidents confirm. In 1624, a fatality occurred at Horsted Keynes in East Sussex when a fielder called Jasper Vinall was struck on the head by the batsman, Edward Tye, who was trying to hit the ball a second time to avoid being caught.

Lorenzo E. Woodhouse; another for the painter Thomas Moran, who is credited with "colonizing" the Village of East Hampton as an artists' community in the mid-19th century. The third, smallest, gallery is named for the East Hampton artist and collector Tito Spiga, whose bequest funded the building of the gallery upon his death in 1988. There have been many notable artists of historical interest who have been exhibited at Guild Hall, such as Roy Lichtenstein, Lee Krasner, Jackson Pollock, Childe Hassam, Franz Kline, Robert Dash, Fairfield Porter, Thomas Moran, and Robert Motherwell. In recent years, art by area artists who are also internationally celebrated has included that of Larry Rivers, Ross Bleckner, Eric Fischl, April Gornik, Miriam Schapiro, Esteban Vicente, Barbara Kruger, Audrey Flack, Elaine de Kooning, Andy Warhol, Dan Flavin, Elliott Erwitt, Hans Namuth, Julian Schnabel, and Jane Wilson.

In an interview in 2016, Illes reported that she still had the BOTA deck, which her sister had purchased for her from the Samuel Weiser Bookstore in New York City. During her teen years, Illes frequented New York bookstores such as Magickal Childe and Samuel Weiser's, known for their metaphysical and occult collections, and Latin botanicasJoy and Fascination: An Interview with Judika Illes Facing North (April 5, 2009). Retrieved 2010-1-27 Her love for esoteric books led to her interest in astrology, which began with Zolar's It's All in the Stars. She has a Bachelor of Arts in English and Communications from Rutgers College and earned a Graduate Certificate in AromatherapyDepartment of Aromatherapy Description of certificate program, retrieved 2010-1-25 from the American College of Healthcare Sciences (previously known as the Australasian College of Health Sciences) in 1999.

From 1869 to 1913, 44 years, he was the keeper of the National Museum of Antiquities of Scotland. He was also editor of the Proceedings of the Society of Antiquaries of Scotland from 1869 to his death in 1916. V. Gordon Childe wrote that by 1886 Anderson "had sketched the essential outlines of Scottish prehistory in a comprehensive and scientific survey such as then existed in no other country". As keeper of the National Museum, he oversaw an "enormous growth in the Museum’s collections", and emphasised the importance of record- keeping. DV Clarke states that: "Anderson’s scholarship was, at its best, challenging and provocative, rivalling that of the finest European scholars of his day", but that "for many years a vibrant and influential figure in Scottish archaeology, in the end he became a poor reflection of once- innovative attitudes".

Thaxter's cottage on Appledore Island Karl, who had mental illness since childhood, traveled with Thaxter during the periods she returned to the islands, while the two younger sons traveled with the husband to Florida after his serious illness in 1868–69. Her life with Levi was not harmonious, and there were other periods of separation, She missed her islands, and so after ten years away, Thaxter moved back to Appledore Island. She became the hostess of her father's hotel, the Appledore House, and welcomed many New England literary and artistic notables to the island and to her parlor, including writers Ralph Waldo Emerson, Nathaniel Hawthorne, Henry Wadsworth Longfellow, John Whittier, Sarah Orne Jewett, and the artists William Morris Hunt and Childe Hassam, the latter of whom painted several pictures of her. The watercolorist Ellen Robbins also painted the flowers in her garden.

The BMA's American art collection includes paintings, sculptures, and decorative arts spanning from the colonial era to the late 20th century. The museum has several works of art from the Baltimore area, including portraiture by Charles Willson Peale, Rembrandt Peale, and other members of the Peale family; silver from Baltimore's prominent silver manufacturing company Samuel Kirk & Son; Baltimore album quilts; and painted furniture by John Finlay and Hugh Finlay of Baltimore. The American painting collection at the museum ranges from 18th- century portraits and 19th-century landscape painting to American Impressionism and modernism, with works by artists John Singleton Copley, Thomas Sully, Thomas Eakins, John Singer Sargent, Childe Hassam, and Thomas Hart Benton. Notable canvases include A Wild Scene (1831–1832) by Thomas Cole, La Vachère (1888) by Theodore Robinson, and Pink Tulip (1926) by Georgia O'Keeffe.

Under extreme pressure from Josiah Childe, William Gyfford introduced reforms to increase the revenues of the East India Company. The Madras Bank was established on 21 June 1683 with a capital of one hundred thousand pounds sterling. This bank lent money to the citizens of Madras at six percent interest. The Madras Bank, which later became the Bank of Madras in 1843 and eventually merged with the Bank of Bengal and the Bank of Bombay to form the Imperial Bank of India in 1921 is the oldest European-style banking institution in IndiaInsight into the progress of banking, Kanakalatha Mukund, The Hindu, 3 April 2007From Carnatic Bank to State Bank, The Hindu, 11 July 2005Paper promise, The Hindu Metro Plus, 3 June 2002 Gyfford also introduced a law to curb the slave trade in the Agency of Fort St George.

The permanent collection of more than 2,000 works of art includes prominent 19th- and early 20th-century American art, as well as significant modern and contemporary art, photography, design, and decorative arts, and several smaller collections including Southern folk art. The American art collection dates from the mid-19th through the second quarter of the 20th century, providing exemplary works from the Hudson River, American Realism, American Impressionism, and Arts and Crafts art movements; works by self-taught artists are a small but important subsection to this collection. American artists include Thomas Eakins, Winslow Homer, Childe Hassam, Maurice Prendergast, John Singer Sargent, Robert Henri, Norman Rockwell, George Inness, Eduard Steichen, and Thomas Hart Benton. The modern and contemporary collection includes works by Jasper Johns, Robert Rauschenberg, Jacob Lawrence, Romare Bearden, John Cage, Audrey Flack, and Dorothy Gillespie.

Advocates of culture-historical archaeology use the notion to argue that sets of material culture can be used to trace ancient groups of people that were either self-identifying societies or ethnic groups. The classic definition of this idea comes from Gordon Childe: The concept of an archaeological culture was crucial to linking the typological analysis of archaeological evidence to mechanisms that attempted to explain why they change through time. The key explanations favoured by culture-historians were the diffusion of forms from one group to another or the migration of the peoples themselves. A simplistic example of the process might be that if one pottery-type had handles very similar to those of a neighbouring type but decoration similar to a different neighbour, the idea for the two features might have diffused from the neighbours.

Program credits for the 1977 premiere of Romulus Linney's Childe Byron The play received its first production on March 4, 1977 in the Virginia Museum of Fine Arts, on the stage of the Virginia Museum Theater (now the Leslie Cheek Theater) in Richmond, Virginia. Commissioned by Keith Fowler, then the artistic director of the theater, with the aid of a Ford Foundation grant,Glover, William, AP Drama Writer, “Audience for Theater Grows”, Observer-Reporter, Washington, PA, May 7, 1977 and staged by Fowler as a part of that company's "Festival of Britain," the play received wide attention from local and national press. The original cast was led by Jeremiah Sullivan as Lord Byron and Marjorie Lerstrom as his daughter, with an ensemble of David Addis, Janet Bell, James Kirkland, Pamela Lewis, Rachael Lindhart, and William Stancil. The show's scenery was designed by Sandro LaFerla, and the costumes were by Paige Southard.

False Tsar Stephen the Little, Petar II Petrović-Njegoš (Serbian) In 1855, Camille Paganel wrote Histoire de Scanderbeg, inspired by the Crimean War,Camille Paganel, 1855,"Histoire de Scanderbeg, ou Turcs et Chrétiens du XVe siècle" whereas in the lengthy poetic tale Childe Harold's Pilgrimage (1812–1819), Byron wrote with admiration about Skanderbeg and his warrior nation.. Girolamo de Rada-Jeronim de Rada, an Albanian-Italian writer (Arberesh), published poem in AlbanianScanderbeccu i pa-faan [Misfortunate Scanderbeg] in period 1872—1884. Paul Pisani, French historian and Franciscan friar, wrote La Légende de Skanderbeg in 1891. The first [Albanian poet] who wrote epic account about Skanderbeg's battles against the Ottoman Empire was Naim Frashëri, Albanian poet and writer in Histori e Skënderbeut [History of Skanderbeg] published in 1898. A short story Đurađ Kastriotić Skenderbeg written by the Serbian writer Stevan Sremac was published in 1909.

Thus Byron's poem seems to show that a brooding, melancholy influence not only from Wordsworth but also from Macpherson was very much on his mind at an early date. After Childe Harold's Pilgrimage, the Byronic hero made an appearance in many of Byron's other works, including his series of poems on Oriental themes: The Giaour (1813), The Corsair (1814) and Lara (1814); and his closet play Manfred (1817). For example, Byron described Conrad, the pirate hero of his The Corsair (1814), as follows: > That man of loneliness and mystery, Scarce seen to smile, and seldom heard > to sigh— (I, VIII) and > He knew himself a villain—but he deem'd The rest no better than the thing he > seem'd; And scorn'd the best as hypocrites who hid Those deeds the bolder > spirit plainly did. He knew himself detested, but he knew The hearts that > loath'd him, crouch'd and dreaded too.

Retrieved 10 September 2020. Agyeman-Duah worked with Adzido Pan African Dance Ensemble (for an Arts Council of England funded) $2-million and a year-long international mobile theatrical performance (in West Yorkshire Playhouse in Leeds, Manchester Opera House, Alexander Theatre, Birmingham and Edinburgh Festival Theatre), Accra and Kumasi of, Yaa Asantewaa Warrior Queen. This 50-person production was directed by the late Creator and Artistic Director of Carnival Messiah, Geraldine Connor. Adzido Pan African Ensemble, Yaa Asantewaa Warrior Queen, 2001. Retrieved 10 September 2020. In 2014, he was executive producer of two Soyinka stage plays, Ake: The Years of Childhood and Childe Internationale. Agyeman-Duah was also co-curator in 2004 (with art historian Kwaku Fosu Ansa and Myrtis Beddla) in Washington, DC of the exhibition Ancient Traditions and Contemporary Forms. He previously served on the international board of the Pan-African Historical Theatre Project (Panafest).

Childe Harold's Pilgrimage, canto III, stanza xxvii, beginning "And Ardennes waves above them her green leaves" as the soldiers assemble who are soon to die at Waterloo. Byron was inspired by his visit to the site of the Battle of Waterloo in 1816; his note to this line: "The wood of Soignies is supposed to be a remnant of the forest of Ardennes, famous in Boiardo's Orlando and immortal in Shakespeare's 'As You Like It'.... I have ventured to adopt the name connected with nobler associations than those of mere slaughter." Originally it was part of the Forest of Ardennes, the Romans' Arduenna Silva, and even at the time of the French Revolution it was very extensive. A major blow towards its nineteenth-century contraction was struck when Napoleon Bonaparte ordered 22,000 oaks to be cut down in it to build the Boulogne flotilla intended for the invasion of England.

Lord Byron in Canto III of Childe Harold's Pilgrimage has these words on the battle: 63 :But ere these matchless heights I dare to scan, :There is a spot should not be pass'd in vain,-- :Morat! the proud, the patriot field! where man :May gaze on ghastly trophies of the slain, :Nor blush for those who conquered on that plain; :Here Burgundy bequeath'd his tombless host, :A bony heap, through ages to remain, :Themselves their monument;--the Stygian coast :Unsepulchred they roam'd, and shriek'd each wandering ghost. 64 :While Waterloo with Cannae's carnage vies, :Morat and Marathon twin names shall stand; :They were true Glory's stainless victories, :Won by the unambitious heart and hand :Of a proud, brotherly, and civic band, :All unbought champions in no princely cause :Of vice-entail'd Corruption; they no land :Doom'd to bewail the blasphemy of laws :Making kings' rights divine, by some Draconic clause.

It has been used on the soap opera Neighbours several times including in 2006. In 2012, the Illawarra Mercury newspaper also used the term, when it reported that then-government minister Greg Combet wanted his colleagues to stop white-anting the Australian Prime Minister Julia Gillard. In 1938, Gordon Childe used the term in a letter to Rajani Palme Dutt, explaining how in his books he used the method of 'white-anting' to get his Marxist message to the masses rather than labeling himself as a Marxist and using Marxist terms, thus eroding the institution of bourgeois scholarship.Childe to Dutt, 14 October 1938, Palme Dutt Papers in Communist Party of Great Britain Archives, Labour History Archive and Study Centre, People's History Museum, Manchester In 2019, Steve Smith, the returned former captain of the Australian cricket team, was accused of white-anting the new captain Tim Paine.

Celia Thaxter in her Garden, 1892, by Childe Hassam Thaxter has done for the sea-shore and the varied aspects of ocean views and the rocky isles of her home, what Whittier has done for the milder aspects of the river on whose banks he dwelt. As he may be said to have exhausted the descriptive beauties of the Merrimac, Thaxter appears to have left nothing unsaid of the varying features of the ocean, whose waves were forever beating at her feet. With the minutest attention to detail; with the keenest observation for shades of difference; with an almost superfine susceptibility to climatic and meteorological changes, so that she might be termed a realist in word- painting, she at the same time possessed the glow and the imagination of the impressionist. Thus we see in her art the happy combination of the two schools.

In New York, Clark has exhibited in the American Academy of Arts and Letters, Museum of the City of New York, American Museum of Natural History, Albany Institute of History and Art, and the Hudson River Museum where she also guest curated a traveling exhibition of contemporary panoramas. Her work is in the collections of the Anglo-American Museum and Louisiana State Museum in Baton Rouge, LA, in Greenland at the Ilulissat Kunst Museum, and the Upernavik Museum, as well as in the Museum of the City of New York and the Albany Institute of History and Art. Clark has been a recipient of the Childe Hassam Award, a National Endowment of the Arts Artist in Residence grant and has written for Smithsonian Magazine, retracing travels of Thomas Cole. Clark taught drawing and color theory for many years at Parsons School of Design in New York City.

Though stunned and horrified by this act of vandalism, Gibran's family and Forest Hills Educational Trust administrators collaborated to replace this figure with a Standing Ceres that was installed and dedicated on August 15, 2008 at a spot in the cemetery park that Gibran loved best. On April 26, 2014 Gibran's bronze sculpture Ad Astra was dedicated at Childe Hassam Park located on the corner of Columbus Avenue and Chandler Street in Boston's historic South End Neighborhood. Love Made Visible by Jean Gibran, with a foreword by critic Charles Giuliano and an afterword by Katherine French Director of the Danforth Museum, tells the story of Scenes from a Mostly Happy Marriage while paying tribute to the exciting Boston art scene that flourished in that city during last half of the 20th century. In January 2017, Interlink Press published Gibran's & his wife's revision of their biography of Gibran Kahlil Gibran.

' As I said these words, I perceived in > the gloom a figure ... A flash of lightning illuminated the object, and > discovered its shape plainly to me, its gigantic stature ... instantly > informed me it was the wretch, the filthy demon, to whom I had given life.'" He concluded that both books show Shelley's use of Miltonic themes: > "Granted, storm scenes are not unusual in Romantic literature; one need only > recall Byron's Childe Harold. But the Miltonic image of a titanic Satan > silhouetted by fires in the pitchy blackness of Hell bears the unmistakable > mark of Shelley's influence." Stephen C. Behrendt noted that the plan for getting revenge upon God in Zastrozzi, as referenced in the epigraph, "anticipates the guerilla warfare that the Creature will wage on Victor Frankenstein": > "Speaking to the assembly of fallen angels in Hell, Beelzebub is proposing a > means of achieving revenge against God.

The book highlights the work of Australian archaeologists and others, such as Vere Gordon Childe, John Mulvaney, Rhys Jones, Isabel McBryde, Betty Meehan, Harry Lourandos, Jim Bowler, Lesley Maynard, Sylvia Hallam and Carmel Schire, and the role of both archaeologists and Aboriginal leaders in establishing heritage legislation to protect places of cultural and natural significance, often meeting resistance. According to the Australian Archaeological Association, the book helps to "introduce archaeological ideas, debates and methodologies to non-specialist audiences and to build bridges between the disciplines of history and archaeology, as John Mulvaney did throughout his life". The book also talks about the need of white Australians to learn of and come to terms with the magnitude of the dispossession of Aboriginal peoples of Australia, to help understand the need for Aboriginal reconciliation. The work met with many favourable reviews by authors, in publications such as The Monthly, The Sydney Morning Herald and Overland literary journal.

Childe, Cromwell. “Exiles of the Orient: Queer Types Found in New York's Syrian Quarter.” The Washington Post. August 21, 1899. p. 4. Once a pervasive building type in the area, these “old law” tenements were “low, red brick tenements whose fronts [were] scrawled over with fire escapes” and consisted of apartments of three or four rooms and “whose rears opened down into desolately dark courts.”“A Bit of Syria Between the Skyscrapers: Lower New York.” The Baltimore Sun. March 22, 1931, p. SM 16. Like most other tenements in Little Syria, No. 109 Washington Street had a commercial space of two large rooms on the ground floor. Although there is little documentation of the tenement's early inhabitants or the use of the ground floor storefront, three Syrian immigrants ran cigar factories at 57 and 109 Washington Street in 1894 and were caught for fraudulently putting on revenue stamps for tax purposes on their products.

In a cause celebre, Walter Bradford Woodgate introduced the coxless four to the United Kingdom in 1868, when he got his Brasenose cox, Frederic Weatherly (later a well-known lawyer and writer of the song "Danny Boy"), to jump overboard at the start of the Steward's Cup at Henley Royal Regatta. While Weatherley narrowly escaped strangulation by the water lilies, Woodgate and his home-made steering device triumphed by 100 yards and were promptly disqualified. A special Prize for four-oared crews without coxswains was offered at the regatta in 1869 when it was won by the Oxford Radleian Club and when Stewards’ became a coxless race in 1873, Woodgate "won his moral victory," the Rowing Almanack later recalled. “Nothing but defeating a railway in an action at law could have given him so much pleasure.” Brasenose and "Childe of Hale Boat Club" went on to record legitimate victories in the event.

The notion of world history as a succession of "civilizations" is an entirely modern one. In the European Age of Discovery, emerging Modernity was put into stark contrast with the Neolithic and Mesolithic stage of the cultures of many of the peoples they encountered. "Explicit theories of the origin of the state are relatively modern [...] the age of exploration, by making Europeans aware that many peoples throughout the world lived, not in states, but in independent villages or tribes, made the state seem less natural, and thus more in need of explanation." The term "civilization" as it is now most commonly understood, a complex state with centralization, social stratification and specialization of labour, corresponds to early empires that arise in the Fertile Crescent in the Early Bronze Age, around roughly 3000 BC. Gordon Childe defined the emergence of civilization as the result of two successive revolutions: the Neolithic Revolution, triggering the development of settled communities, and the Urban Revolution.

His book The Hunter-Gatherers, or the Origins of Social Inequalities (1982) 1982 : Les chasseurs-cueilleurs ou l'origine des inégalités, Paris : Société d'Ethnographie (Université Paris X-Nanterre) rapidly became a classic among prehistorians. It revisits the classical opposition between hunter–gatherers and agriculturalists (or horticulturalists). This opposition was accepted as valid in both ethnology and prehistoric archeology, as was the notion of the “neolithic revolution” earlier advanced by V. Gordon Childe: a radical transformation of social and economic structures that was said to mark the transition from an economy of gathering and hunting to one based on the domestication of plants and crops. In his book, Alain Testart points out that more than half of the hunter–gatherer societies known to ethnology, in fact, share the same characteristics as agricultural societies: a sedentary society which indicates village life; an increased demographic density (higher than neighboring agriculturalists); significant hierarchies, including slavery and the differentiation in social strata such as nobles and commoners.

The Cretan War (, ), also known as the War of Candia (, ) or the Fifth Ottoman–Venetian War, was a conflict between the Republic of Venice and her allies (chief among them the Knights of Malta, the Papal States and France) against the Ottoman Empire and the Barbary States, because it was largely fought over the island of Crete, Venice's largest and richest overseas possession. The war lasted from 1645 to 1669 and was fought in Crete, especially in the city of Candia, and in numerous naval engagements and raids around the Aegean Sea, with Dalmatia providing a secondary theater of operations. Although most of Crete was conquered by the Ottomans in the first few years of the war, the fortress of Candia (modern Heraklion), the capital of Crete, resisted successfully. Its prolonged siege, "Troy's rival" as Lord Byron called it,Lord Byron, Childe Harold, Canto IV.14 forced both sides to focus their attention on the supply of their respective forces on the island.

Frederick Childe Hassam, Flags on Fifty-Seventh Street, oil on canvas, 1918, in the New-York Historical Society's collection The Historical Society's collection continued to grow throughout the 20th century, but renewed financial woes in the 1970s and 1980s forced the Historical Society to limit access to its collections to professional researchers. In the 1980s, under the leadership of Herbert S. Winokur, Jr., a private equity financier and Enron board member, the Society was forced to use endowment invasion to pay their annual operating costs and cover their salaries, to the point where by 1988, they had only enough money in their endowment to pay for another 18 months of operating expenses. Barbara Knowles Debs from Manhattanville College was named interim director of the Historical Society. In the same year hundreds of paintings, decorative art objects, and other artifacts, which were stored in a Manhattan warehouse, were found to be critically deteriorating.

He believed the Urban Revolution was largely caused by the development of bronze metallurgy, and in a 1950 paper proposed ten traits that he believed were present in the oldest cities: they were larger than earlier settlements, they contained full-time craft specialists, the surplus was collected together and given to a god or king, they witnessed monumental architecture, there was an unequal distribution of social surplus, writing was invented, the sciences developed, naturalistic art developed, trade with foreign areas increased, and the state organisation was based on residence rather than kinship. Childe believed the Urban Revolution had a negative side, in that it led to increased social stratification into classes and oppression of the majority by a power elite. Not all archaeologists adopted Childe's framework of understanding human societal development as a series of transformational "revolutions"; many believed the term "revolution" was misleading because the processes of agricultural and urban development were gradual transformations.

He was to devote the rest of his life to literature, although he was severely criticised for lack of originality: Edward Irving Carlyle, in the first edition of the Dictionary of National Biography, says he "developed a remarkable capacity for plagiarism", adding that "Byron served for his chief model, but his poems and plays are full of sentiments and phrases taken undisguisedly from the best-known writings of Scott, Wordsworth, Ben Jonson, Croly, and others." His "Cain, the Wanderer" (1830), however, earned him an introduction to Coleridge and was praised by Goethe. In 1838, after a long stay in the southern Europe, he published his longest poem, Italy, which, according to Carlyle, "bears a close resemblance to Childe Harold, reproducing even the dying gladiator". His other publications included Sibyl Leaves: Poems (1827); The Revolt of the Angels, an epic drama (1830); Catiline, a tragedy (1839); Prose from the South (1846); and the novels The Light of other Days (1858), Wait and Hope (1859) and Saturday Sterne (1862).

Constructed in 1920 and used for twenty years as University's main dining hall, the Benton opened officially as an art museum in 1967. The museum building is designed in the Collegiate Gothic style and is one of the core campus buildings in the University of Connecticut Historic District- Connecticut Agricultural School, which is listed on the National Register of Historic Places. The Benton's collection originated with former Connecticut Agricultural College president Charles Lewis Beach, who began the college's art collection, bequeathed his personal collection of American art to the college in 1933, and left a trust fund for the college to continue acquiring art. Developed over the ensuing decades, the museum's permanent collection includes works by Childe Hassam, Henry Ward Ranger, Emil Carlson, Charles Harold Davis, Ernest Lawson, Ellen Emmet Rand, Guy Wiggins, Mary Cassatt, Thomas Hart Benton, Fairfield Porter, George Bellows, Gustav Klimt, Rembrandt Peale, Georges Braque, Edward Burne-Jones, Reginald Marsh, Käthe-Kollwitz, Arthur Bowen Davies, Maurice Prendergast and Kiki Smith.

His machinations were permitted by the Ottoman government in Constantinople from a mixture of expediency – it was deemed better to have Ali as a semi-ally than as an enemy – and weakness, as the central government did not have enough strength to oust him at that time. The poet George Gordon Byron, 6th Baron Byron visited Ali's court in Yanina in 1809 and recorded the encounter in his work Childe Harold. He evidently had mixed feelings about the despot, noting the splendour of Ali's court and some Orthodox cultural revival that he had encouraged in Yanina, which Byron described as being "superior in wealth, refinement and learning" to any other Albanian town. In a letter to his mother, however, Byron deplored Ali's cruelty: "His Highness is a remorseless tyrant, guilty of the most horrible cruelties, very brave, so good a general that they call him the Mahometan Buonaparte ... but as barbarous as he is successful, roasting rebels, etc.." Ali Pasha's grave.

Cajori's work is represented in numerous public collections, including the Metropolitan Museum of Art, the Hirshhorn Museum, the Whitney Museum, the Denver Art Museum, the Walker Art Center, the Weatherspoon Art Museum, the Arkansas Art Center, the Honolulu Art Academy and the National Academy of Design. In addition to his Fulbright grant, Cajori was awarded a Distinction in the Arts by Yale University, a Longview Foundation Purchase Award, a Ford Foundation Purchase Award, several awards from the American Academy of Arts and Letters (the Jimmy Ernst Award, the Arts and Letters Award, and three Childe Hassam Purchase Awards), the Louis Comfort Tiffany Award, a National Endowment for the Arts Grant, several awards from the National Academy of Design (the Henry Ward Ranger Fund Purchase Award, the Ralph Fabri Prize, and four Benjamin Altman Prizes) and a Guggenheim Fellowship. In 1982 he was elected as an Academician of the National Academy of Design.

The first meeting was held in the rooms of the Columbia College Law School (now the Columbia University Law School), where Theodore Dwight, the Club's first president and a Hamilton College alumnus, was a professor. After several moves, the club took over an existing townhouse at 26th Street and Madison Avenue, in 1883. Founded to celebrate the union of social duty and intellectual life, the Club states in its charter that the purpose of the organization shall be the "promotion of Literature and Art by establishing and maintaining a Library, Reading Room and Gallery of Art, and by such other means as shall be expedient and proper for such purposes." In addition to its many grand architectural features, the University Club hosts one of New York's great private art collections, with a particularly strong group of works by great American painters such as Gilbert Stuart and Childe Hassam, who featured the Club's facade in his work Allies Day, May 1917.

The exhibition traveled to many museums throughout America and drew large crowds. In 1990, Adelson re-established Adelson Galleries in New York and continued to specialize in 19th and 20th-century American art. The gallery regularly exhibits works by artists such as George Bellows, Charles Burchfield, Mary Cassatt, William Merritt Chase, Thomas Eakins, Childe Hassam, Winslow Homer, John Marin, Georgia O'Keeffe, Maurice Prendergast, John Singer Sargent, and Andrew Wyeth, among others. In addition, Adelson Galleries represents several contemporary artists including Jacob Collins, Andrew Stevovich, and Jamie Wyeth. Under his direction, Adelson Galleries has produced numerous exhibitions and books, including Sargent Abroad: Figures and Landscapes, From the Artist’s Studio: Unknown Prints and Drawings by Mary Cassatt, Maurice Prendergast: Paintings of America, Andrew Wyeth: Helga on Paper, Sargent’s Venice, Frederic Edwin Church: Romantic Landscapes and Seascapes, Jamie Wyeth: Seven Deadly Sins, Mary Cassatt: Prints and Drawings from the Collection of Ambroise Vollard, John Marin: The Late Oils.

Through her son Sydney, she was the grandmother of Confederate Major General Fitzhugh Lee (1835–1905), who later became Governor of Virginia (from 1886 to 1890), diplomat and writer; and served as Major General of U.S. Volunteers during the Spanish–American War, as well as least four more grandsons who served in the Confederate States Army or Navy. Through her son Robert, she was the grandmother of seven, including George Washington Custis Lee (1832–1913), who served as Major General in the Confederate Army and aide-de-camp to President Jefferson Davis, who died unmarried; Mary Custis Lee (1835–1918), who died unmarried; William Henry Fitzhugh Lee (1837–1891), who served as Major General in the Confederate Army who married twice; Anne Carter Lee (1839–1862), who died unmarried of typhoid fever; Eleanor Agnes Lee (1841–1873), who died unmarried of tuberculosis; Robert Edward Lee, Jr. (1843–1914), who served as Captain of the Rockbridge Artillery and who married twice; and Mildred Childe Lee (1846–1905), who died unmarried.

When first noted in the nineteenth century it was assumed that vitrification had been deliberately undertaken as part of the building process to harden walls, but this hypothesis was rejected by V. Gordon Childe in the 1940s and subsequent excavations have indicated that, since the debris from such walls fell on the deposits of occupation it could not have been part of the building process. Reconstructions have indicated the difficulty of deliberately firing timbers in this way, particularly in the prevailing climatic conditions in Scotland, and it is more likely that this was done as part of a process of fort destruction, either after conquest or when abandoned by the inhabitants.D. Harding, Iron Age Hillforts in Britain and Beyond (Oxford: Oxford University Press, 2012), , p. 29. Extensive studies of such a fort at Finavon Hill near Forfar in Angus, suggest dates for the destruction of the site in either the last two centuries BCE, or the mid-first millennium CE. Excavations at Dunnideer, Aberdeenshire indicate a date for its destruction in the period 500–250 BCE.

Scholars have frequently used in textual analogies such as 'record', 'source' and 'archive' to refer to material evidence of the past since at least the 19th century. The term 'archaeological record' probably originated this way, possibly via parallel concepts in geology (geologic record) or palaeontology (fossil record). The term was used regularly by V. Gordon Childe in the 1950s, and seems to have entered common parlance thereafter. In the first critical review of the concept, philosopher Linda Patrik found that by the 1980s archaeologists conceptualised the term in at least five different ways: # As a "receptacle" for material deposits # As material deposits # As artefacts and objects # As a collection of samples # As reports written by archaeologists Patrik argued that the first three definitions reflected a "physical model" of archaeological evidence, where it is seen as the direct result of physical processes that operated in the past (like the fossil record); in contrast, definitions four and five follow a "textual model", where the archaeological record is seen as encoding cultural information about the past (like historical texts).

As early in his career as 1905, Alten was being invited to show his paintings in museum exhibits. During his lifetime, his work was exhibited at the National Academy in New York, The Chicago Institute of Art, the Corcoran Gallery in Washington, D.C., the Pennsylvania Academy of the Fine Arts, the Detroit Institute of Art and other smaller venues. As catalogs from those aforementioned exhibits show, Alten's paintings hung among the works of acclaimed artists such as Childe Hassam, Edward Henry Potthast, Charles Russell, H.O. Tanner, Frederic Remington, O.E. Berninghaus, George Bellows, J.S. Sargent, E.L. Blumenschein, Thomas Eakins, William Merritt Chase, and William Wendt – as well as those of his similarly distinguished friends - H.R. Poore of Old Lyme, Connecticut, and E.I. Couse of Taos, New Mexico. According to Gerdts, "By 1898 Alten appears to have felt the need for greater professional training and exposure … to more cosmopolitan experience in artistic craftsmanship and association." He made a number of voyages to Europe; first to study his craft in Paris (with the help of wealthy patrons) in 1899.

The Salmagundi Club was a male-only club for its first century, although artworks by women were accepted and praised. A sister club for women artists, the Pen and Brush Club, was formed around the corner from Salmagundi in 1894. Salmagundi began admitting women members in 1973. Members of the Salmagundi Club have included Thomas P. Barnett, William Richardson Belknap, Ralph Blakelock, A. J. Bogdanove, Charles Bosseron Chambers, James Wells Champney, William Merritt Chase, C.K. Chatterton, Frederick Stuart Church, Jay Hall Connaway, John Henry Dolph, Charles Dana Gibson, Gordon H. Grant, Walter Granville-Smith, Edmund Greacen, Charles P. Gruppé, Emile Gruppe, William Hart, Childe Hassam, Ernest Martin Hennings, Harry Hoffman, Alexander Pope Humphrey, George Inness, Jr., Lajos "Louis" Jambor, John LaFarge, Ernest Lawson, Frank Mason, Leopold Matzal, Samizu Matsuki, John Francis Murphy, Spencer Baird Nichols, Richard C. Pionk, Howard Pyle, Will J. Quinlan, Norman Rockwell, Harry Roseland, Augustus Saint- Gaudens, Rudolph Schabelitz, Leopold Seyffert, Channel Pickering Townsley, Louis Comfort Tiffany, Edward Charles Volkert, J. Alden Weir, Jack Wemp, Stanford White, Stuart Williamson, and N.C. Wyeth.

A "civilized" way of life is ultimately linked to conditions coming almost exclusively from intensive agriculture. Gordon Childe defined the development of civilization as the result of two successive revolutions: the Neolithic Revolution, triggering the development of settled communities, and the Urban Revolution, which enhanced tendencies towards dense settlements, specialized occupational groups, social classes, exploitation of surpluses, monumental public buildings and writing. Few of those conditions, however, are unchallenged by the records: dense settlements were not attested in Egypt's Old Kingdom and were absent in the Maya area; the Incas lacked writing altogether (although they could keep records with Quipus); and often monumental architecture preceded any indication of village settlement. For instance, in present-day Louisiana, researchers have determined that cultures that were primarily nomadic organized over generations to build earthwork mounds at seasonal settlements as early as 3400 BC. Rather than a succession of events and preconditions, the rise of civilization could equally be hypothesized as an accelerated process that started with incipient agriculture and culminated in the Oriental Bronze Age.

The initial version of the type in Byron's work, Childe Harold, draws on a variety of earlier literary characters including Hamlet, Goethe's Werther (1774), and William Godwin's Mr. Faulkland in Caleb Williams (1794); he was also noticeably similar to René, the hero of Chateaubriand's novella of 1802, although Byron may not have read this.Christiansen, 201–203 Ann Radcliffe's "unrepentant" Gothic villains (beginning in 1789 with the publication of The Castles of Athlin and Dunbayne, a Highland Story) also foreshadow a moody, egotistical Byronic "villain" nascent in Byron's own juvenilia, some of which looks back to Byron's Gordon relations, Highland aristocrats or Jacobites now lost between two worlds. For example, in Byron's early poem "When I Roved a Young Highlander" (1808), we see a reflection of Byron's youthful Scottish connection, but also find these lines: > As the last of my race, I must wither alone, And delight but in days, I have > witness'd before: These lines echo William Wordsworth's treatment of James Macpherson's Ossian in "Glen-Almain" (1807): > That Ossian, last of all his race! Lies buried in this lonely place.

The protagonist of Childe Harold's Pilgrimage embodied the example of the self- exiled Byronic hero.cf. ¶ 3 in the article on the topic from the Norton Anthology of English Literature His antinomian character is summed up in Lord Macaulay's essay on Moore’s Life of Lord Byron (Edinburgh Review, 1831). "It is hardly too much to say that Lord Byron could exhibit only one man - a man proud, moody, cynical, with defiance on his brow, and misery in his heart; a scorner of his kind, implacable in revenge, yet capable of deep and strong affection…It is curious to observe the tendency which the dialogue of Lord Byron always has, to lose its character of dialogue and to become soliloquy."Lord Macaulay, Essays, Critical and Miscellaneous, Philadelphia 1846, pp.125, 126 The type was caricatured as the melancholy Mr Cypress in Thomas Love Peacock's Nightmare Abbey, published in 1818, following the appearance of the Pilgrimage's Canto IV.Peter Cochran, The Burning of Byron’s Memoirs: New and Unpublished Essays and Papers, Cambridge Scholars 2015, p.

The book's launch party was held at Sala One-Nine, a tapas restaurant at 35 West 19th Street in Manhattan, which existed on the site of Slater's Magickal Childe store. The event was reported on by a journalist from The New York Times, Corey Kilgannon, who noted that there was a "strapping man" dressed in a headdress and loincloth working at the door, with around 80 attendees inside, most of whom were Pagans. Among them included Bennie Geraci, Carol Bulzone, Kaye Flagg and Margot Adler, a number of whom gave speeches before a memorial service to Buczynski was held, in a ritual that Kilgannon thought resembled something from Stanley Kubrick's film Eyes Wide Shut. Bull of Heaven was positively reviewed by Pagan studies scholar Ethan Doyle White in The Pomegranate academic journal, who asserted that the book was "eloquently and engagingly written", and was important for documenting the life not only of Buczynski, but also of other important figures in the New York Pagan scene, like Herman Slater and Leo Martello.

The popular ballad contains little more than the climax of a tale that is told at much great length in several manuscripts: the English "King Horn", the latest parts of which are thirteenth century; the French romance, Horn et Rymenhild; and the fourteenth-century "Horn Childe and Maiden Rimnild", also English, but closer to the French version.Francis James Child, The English and Scottish Popular Ballads, v 1, p 188-192, Dover Publications, New York 1965 It appears to contain a stanza from "The Whummil Bore".Francis James Child, The English and Scottish Popular Ballads, v 1, p 247, Dover Publications, New York 1965 Several Swedish variants are known, including "Herr Lagman och Herr Thor", from the sixteenth century.Francis James Child, The English and Scottish Popular Ballads, v 1, p 194, Dover Publications, New York 1965 The hero's absence, return, disguised arrival at the wedding feast, and recognition by dropping a ring into the bride's wine cup is a common motif found in both ballads and fairy tales, such as Soria Moria Castle and The Raven.

Pyddoke was a keen motoring enthusiast, building cars raced at Brooklands with the Bolster Brothers with whom he had been at school, and following Tonbridge he went to work at SU Carburettors in Birmingham. After this he had worked for the Anglo-American Oil Company in 1939 and for the Bank of England Exchange Control prior to his archaeological studies; from 1948 to 1951, he was curator at the Barbican House museum at Lewes, Sussex, before in 1951 taking over from Dr Ian CornwallPrehistorian: a biography of V. Gordon Childe, Sally Green, Moonraker, 1981, p. 106 as Secretary and Registrar at the University of London Institute of Archaeology, serving in this capacity until 1955. Pyddoke wrote and co-wrote several works, including Stratification for the Archaeologist (1961), a "systematic treatment of soils" in which he "emphasized the geologic and geographic context of archaeological sites and... the importance of understanding natural formation processes to interpreting the archaeological record",Understanding the Archaeological Record, Gavin Lucas, Cambridge University Press, 2012, pp.

On Whiteleaf Hill, which extends above the hamlet of Whiteleaf to the top of the scarp at , is an oval Neolithic barrow (National Grid SP 822040), which was first excavated by Sir Lindsay Scott between 1934 and 1939, when the work was interrupted by the Second World War and the excavator died before he had had an opportunity to publish more than interim notes on his findings. A fuller report was published from his notes in 1954.Childe and Smith The site was re-excavated from 2002 to 2006 by Oxford Archaeology (assisted by the Princes Risborough Countryside Group) and their report was published in 2007.Hey et al. Unless another source is noted, the information below comes from this report, which includes a full bibliography Neolithic Barrow from the 4th Millennium BC on Whiteleaf Hill There was a single burial within the barrow, a middle aged man between 5'6" and 5'9" in height, with a long and narrow skull (a type found in the Neolithic period), badly worn teeth and arthritic joints.

Scott achieved immediate success with his long narrative poem The Lay of the Last Minstrel in 1805, followed by the full epic poem Marmion in 1808. Both were set in the distant Scottish past, already evoked in Ossian; Romanticism and Scotland were to have a long and fruitful partnership. Byron had equal success with the first part of Childe Harold's Pilgrimage in 1812, followed by four "Turkish tales", all in the form of long poems, starting with The Giaour in 1813, drawing from his Grand Tour, which had reached Ottoman Europe, and orientalizing the themes of the Gothic novel in verse. These featured different variations of the "Byronic hero", and his own life contributed a further version. Scott meanwhile was effectively inventing the historical novel, beginning in 1814 with Waverley, set in the 1745 Jacobite rising, which was an enormous and highly profitable success, followed by over 20 further Waverley Novels over the next 17 years, with settings going back to the Crusades that he had researched to a degree that was new in literature.Christiansen, 192–96.

Born in New York City, Mauceri studied Music Theory and Composition at Yale University earning a BA in 1967 and a Master of Philosophy in Music Theory in 1972. His teachers included William G. Waite, Claude Palisca, Beekman Cannon, Leon Plantinga, and Robert Bailey in musicology; Mel Powell, Donald Martino, Allen Forte and Peter Sculthorpe in theory and composition; Donald Currier in piano; and Gustav Meier in conducting. In addition he studied 20th-century architecture with Vincent Scully, French literature with Henri Peyre, religion (Pelikan and Kuttner) and psychology (Logan and Childe). In his senior year he made his conducting debut (December 4, 1966, Branford College), composed the music for a production of Brecht's A Man Is a Man, guest conducted the Yale Symphony Orchestra (YSO), and produced and music directed Benjamin Britten's Curlew River at Yale's St. Thomas More Chapel (March 11 and 12, 1967) and then brought the production to New York City for its New York premiere, which took place at the Catholic Chapel of the United Nations (Holy Family church) on May 13 and 14, 1967.

"Meridiani" Spring/Summer 1993. He also served as Commissioner of the Commonwealth War Graves Commission in Italy. In 1995, Babb left government service. Later that year he became chairman of AGIP Lubricants.Business Times 23 October 1995 From 1995 to 2002 he was a trustee of the Arthur Childe Army Award Trust. In 1997 he was appointed Director of the Cape Philharmonic Orchestra.users.iafrica.com/CTPO Board A year later, he was appointed consultant to the government of the Western Cape and he continued in that role till 2002. In the same year, he was appointed Honorary Consul General of the Republic of Turkey with jurisdiction for the Western, Northern and Eastern Cape Provinces. In 1999 he arranged Profumo d'Italia Flavour of Italy with the backing of the Italian Ambassador and the Italian-South African Chamber of Commerce and Industry at the V&A; Waterfront, a wide-ranging promotion of Italian goods which included a masked ball, two nights of opera, a gondola on the harbour, stands for Maserati and Alfa Romeo, two Italian film stars, Franco Nero and Claudia Pandolfi, who opened the Italian film evenings, Italian music in the Amphitheatre and Italian cooking and cheese-making lessons.

During his high school years, he struck up a friendship with classmate and fellow future anthropologist Harold C. Conklin. After serving in the United States Navy during World War II, he undertook his undergraduate and postgraduate education at Harvard University under the G.I. Bill, completing his bachelor's degree in 1949, his master's degree in 1953 and a doctorate in 1957. His senior honours thesis, The Urban Revolution in Central Mexico, applied the cultural evolutionary model outlined by V. Gordon Childe in his book What Happened in History to the study of Tenochtitlan. At Harvard he studied under Alfred Tozzer, Earnest Hooton, who inspired Sanders to apply to Harvard after he read Hooton's books as a teenager, Carleton S. Coon, who stimulated his interest in comparative ethnography, and Gordon Willey, who taught him about the regional settlement survey work he had led in the Viru Valley: Sanders would subsequently apply and refine Willey's methods in the course of his own work. In 1951 Sanders studied at the National School of Anthropology and History in Mexico City under Pedro Armillas, who also sought to apply Childe's thinking to Mesoamerica, and fostered Sanders' interest in landscape archaeology.

After a trial excavation at Methymna, where she found evidence of occupation from at least the seventh century BCE until the Roman period, she and her colleague Richard Wyatt Hutchinson identified prehistoric pottery at the site of Thermi. Lamb led excavations on this site from 1929 to 1933, largely funded at her own expense, discovering a series of prehistoric settlements. She visited the archaeological excavation of Troy in 1930 and 1932, which inspired further work, allowing her to associate Thermi towns IV and V with Troy IIa, and gave a lecture, expanding on these views, as part of the 1936 exhibition at the Royal Academy of Arts on British Archaeological Discoveries in Greece and Crete 1886–1936.David W. J. Gill, A Rich and Promising Site: Winifred Lamb (1894–1963), Kusura and Anatolian archaeology in Anatolian Studies, Vol 50 (2000) pp1-10 Lamb published her results from Thermi as a book in 1936 – for which she was awarded a Doctor of Science degree from Cambridge in 1940, examined by V. Gordon Childe and Carl Blegen – and provided a selection of finds from the dig to the Fitzwilliam Museum's prehistoric gallery.

"The cultural context of this refiguration of Cola is examined by Adrian Lyttelton, "Creating a National Past: History, Myth and Image in the Risorgimento", in Making and Remaking Italy: the cultivation of national identity around the Risorgimento, 2001:27–76; Cola is examined in pp 61–63 (quote p 63). Cola di Rienzo's life and fate have formed the subject of a novel by Edward Bulwer- Lytton (1835), tragic plays by Gustave Drouineau (1826), Mary Russell Mitford (1828), Julius Mosen (1837), and Friedrich Engels (1841), and also of some verses of Childe Harold's Pilgrimage (1818) by Lord Byron. Richard Wagner's first successful opera, Rienzi (Dresden, 1842), based on Bulwer-Lytton's novel, took Cola for a central figure, and at the same time, unaware of the Dresden production, Giuseppe Verdi, an ardent and anti-clerical patriot of the Risorgimento, contemplated a Cola di Rienzo.George Martin, Verdi, His Music, Life and Times, 1963:126, mentioning Bulwer-Lytton's "immensely popular historical novel" and remarking "As a leader sprung from the people, Rienzi was at the time a favorite symbol and hero of liberals and republicans throughout Europe.

It was not until the 20th century and the works of German prehistorian and fervent nationalist Gustaf Kossinna that the idea of archaeological cultures became central to the discipline. Kossinna saw the archaeological record as a mosaic of clearly defined cultures (or Kultur-Gruppen, culture groups) that were strongly associated with race. He was particularly interested in reconstructing the movements of what he saw as the direct prehistoric ancestors of Germans, Slavs, Celts and other major Indo-European ethnic groups in order to trace the Aryan race to its homeland or urheimat.. The strongly racist character of Kossinna's work meant it had little direct influence outside of Germany at the time (the Nazi Party enthusiastically embraced his theories), or at all after World War II. However, the more general "culture history" approach to archaeology that he began did replace social evolutionism as the dominant paradigm for much of the 20th century. Kossinna's basic concept of the archaeological culture, stripped of its racial aspects, was adopted by Vere Gordon Childe and Franz Boas, at the time the most influential archaeologists in Britain and America respectively.

In 1903, with earnings from his painting sales, Warner traveled to Europe (he would visit there again four years later), where he studied in Paris at the Académie Julian, while also making sketching trips to Italy, Germany, Spain, the Netherlands, and other countries. Returning permanently to the US in 1909, he became affiliated with the Old Lyme Art Colony at Old Lyme, Connecticut, which (under the sponsorship of art patron Florence Griswold) had become a well-known center for American Impressionism. One of the leading participants in that colony was Childe Hassam, who was a close associate of Abbott H. Thayer, a painter who was widely known for his theories of natural camouflage. In 1915, at the Panama-Pacific International Exposition in San Francisco, Warner won a silver medal in the painting category, and a bronze medal in printmaking. Featured prominently at that World's Fair were the allegorical sculptures of Iowa-born artist Sherry Edmundson Fry, who was awarded a silver medal, and who, a few years later, teamed up with New Hampshire painter Barry Faulkner (Thayer's cousin) to establish an artists’ camouflage corps.

Viewpoints like Wilde's have been applied by scholars such as Laura Erickson- Schroth and Jennifer Mitchell to pieces of pop-culture and literature; Steven Angelides also produced a book on the place of bisexuality in research and societal awareness throughout history, using a similar framework. Both pieces aim to achieve more inclusive readings of sexuality and allow for the re- designation of literary figures and real people as bisexual, rather than continuing with the assumption that any same-gender activity, explicit or implied, is homosexual, and any opposite-gender activity heterosexual. An example of a viewpoint similar to Wilde's is D.S. Neff's reading of Lord Byron's Childe Harold's Pilgrimage, which finds the poem is ambiguous in its mentioning of "concubines and carnal companie" as well as later parts of the work; Neff finds these ambiguities to be implications that both male and female lovers were had by the protagonist. This bisexual portrayal is supported through Byron's real-world interactions with lovers of multiple genders, and the culture of his literary affiliates at Cambridge condoning those interactions in the midst of the 19th century's moral panic around same- gender desires.

A Cucuteni-Trypillian culture deer antler plough Food and cooking items retrieved at a European Neolithic site: millstones, charred bread, grains and small apples, a clay cooking pot, and containers made of antlers and wood A significant and far-reaching shift in human subsistence and lifestyle was to be brought about in areas where crop farming and cultivation were first developed: the previous reliance on an essentially nomadic hunter-gatherer subsistence technique or pastoral transhumance was at first supplemented, and then increasingly replaced by, a reliance upon the foods produced from cultivated lands. These developments are also believed to have greatly encouraged the growth of settlements, since it may be supposed that the increased need to spend more time and labor in tending crop fields required more localized dwellings. This trend would continue into the Bronze Age, eventually giving rise to permanently settled farming towns, and later cities and states whose larger populations could be sustained by the increased productivity from cultivated lands. The profound differences in human interactions and subsistence methods associated with the onset of early agricultural practices in the Neolithic have been called the Neolithic Revolution, a term coined in the 1920s by the Australian archaeologist Vere Gordon Childe.