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11 Sentences With "changing gradually"

How to use changing gradually in a sentence? Find typical usage patterns (collocations)/phrases/context for "changing gradually" and check conjugation/comparative form for "changing gradually". Mastering all the usages of "changing gradually" from sentence examples published by news publications.

The tradition may be changing gradually but there are signs of change.
"(The fact) I'm existing in China already means a lot, the society is changing gradually," Jin said.
Laying down face-up on a mattress on the floor, my head surrounded by a half-dome of fuzzy crafting pompoms lit up and changing gradually colors, I listened to a calming composition while staring at my own eyes in a mirror hanging from the top of the dome.
The pupa is 4–5.5 mm and fusiform. It is greenish yellow in the early pupal stage, changing gradually to dark brown.
The pupa is 4–6 mm, fusiform and greenish yellow in the early pupal stage, changing gradually to yellowish brown and eventually blackish brown before eclosion (emergence).
Due to the proximity of numerous lakes, rivers and mountains, Post Falls has developed tourism and retirement communities. There is an increasing number of retail, dining and entertainment businesses locating in the City. Kootenai County traditionally has had a timber-based economy. That is changing gradually, as the manufacturing base has become more diverse.
Thomasomys ucucha is a medium-sized Thomasomys with a relatively long tail. The dense, fine, and soft fur is dark brown on the upperparts, changing gradually into the grey underparts. The mystacial vibrissae (whiskers above the mouth) are long and extend beyond the ears when laid back against the head. Sparse short, dark hairs are present on the ears.
Gleason developed the individualistic (also known as open or continuum) concept of community, with the abundance of a population of a species changing gradually along complex environmental gradients. Each species changes independently in relation to other species present along the gradient. Association of species is random and due to coincidence. Varying environmental conditions and each species' probability of arriving and becoming established along the gradient influence the community composition.
Males have a mostly velvety grey chest and head, changing gradually to white on the remaining underparts (the demarcation between grey and white is stronger in L. d. gracilis). The back, tail, and wing-coverts are dark iridescent green with a purplish tinge (especially on the wing-coverts), and the crown and eye-stripe are black. Females are mostly brown, with strongly dark-spotted pale underparts (less spotting in L. d. gracilis). Juveniles are generally reported as resembling a dull female, but at least juveniles of L. d.
Alvin Liberman and colleagues (he did not talk about voice onset time in that paper) reported that when people listen to sounds that vary along the voicing continuum, they hear only /ba/s and /pa/s, nothing in between. This effect—in which a perceived quality jumps abruptly from one category to another at a certain point along a continuum, instead of changing gradually—he dubbed "categorical perception" (CP). He suggested that CP was unique to speech, that CP made speech special, and, in what came to be called "the motor theory of speech perception," he suggested that CP's explanation lay in the anatomy of speech production. According to the (now abandoned) motor theory of speech perception, the reason people perceive an abrupt change between /ba/ and /pa/ is that the way we hear speech sounds is influenced by how people produce them when they speak.
Philosopher and cultural critic Slavoj Žižek wrote that: > RoboCop, a futuristic story about a policeman shot to death and then revived > after all parts of his body have been replaced by artificial substitutes, > introduces a more tragic note: the hero who finds himself literally "between > two deaths"clinically dead and at the same time provided with a new, > mechanical body—starts to remember fragments of his previous, "human" life > and thus undergoes a process of resubjectivication, changing gradually back > from pure incarnated drive to a being of desire. ... [I]f there is a > phenomenon that fully deserves to be called the "fundamental fantasy of > contemporary mass culture," it is this fantasy of the return of the living > dead: the fantasy of a person who does not want to stay dead but returns > again and again to pose a threat to the living. The depiction of Murphy's struggles in reasserting his humanity also deals with themes of identity. This is even touched upon in the cyborg's construction.

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