98 Sentences With "ceramic objects" | Random Sentence Generator

Most are wood constructions but there are a few ceramic objects, too.

And simultaneous with the completion of his "Victory" commission, he was producing semiabstract, bizarrely decorative ceramic objects.

Advertise on Hyperallergic with Nectar Ads DETROIT — One does not, perhaps, consider ceramic objects to be immediately gendered, possess sexuality, or be particularly political.

The Italian Carabinieri Command for the Protection of Cultural Heritage (Carabinieri TPC) sized 91 ceramic objects and 109 ancient coins found in private property and mail centers.

Cammie Staros's ceramic objects allude to the forms of classical vessels, but update them with neon or metal additions, as well as references to feminism and S&M.

The cozy studio environment and the casual, gonzo aesthetic of the ceramic objects, not to mention Wackers's personality, may bely how technically precise and complexly orchestrated his paintings are.

Archaeologists said on Wednesday they confirmed the function of these ceramic objects by finding chemical traces of milk belonging to animals such as cows, sheep and goats in three such items found buried in child graves in Germany.

Again, against a blank, edgeless backdrop, Porter has arranged a group of figurines, ceramic objects, and other cheaply manufactured items, each featuring the image of political figures ranging from China's Mao Zedong to France's Napoleon Bonaparte to the US's George Washington and John F. Kennedy to Argentina's Eva Perón.

Hrag Vartanian in Conversation with Shary Boyle On July 11, coinciding with the public launch of the specially-commissioned series, Hyperallergic editor-in-chief and podcast host, Hrag Vartanian will moderate a public conversation at the Gardiner Museum in Toronto with Canadian artist Shary Boyle on the social history of ceramic objects and contemporary art.

Gro Pedersen Claussen (born 1 October 1941) Norwegian graphic designer at the earthenware factory Stavangerflint AS in Stavanger, Norway, (1963–1967) and textile designer at Sandvika Veveri, Bærum, Norway (1977–2004). Her many designs on ceramic objects like "Per Spelemann", "Ut etter øl" and "Venner" are sought after by collectors of industrial ceramic objects from Norway.

This archaeological area has also remains from the Roman Hispania era. These are mainly ceramic objects and walls with opus africanum masonry.

Jiha Moon (born 1973) is a contemporary artist who focuses on painting, printmaking, and sculptural ceramic objects. Born in Daegu, South Korea, Moon is currently based in Atlanta, Georgia.

The Garden of Hospital São João de Deus was designed in the French style of the early 20th century. It has beds of geometric design with a marble fountain at center; it features three interlaced dolphins at its center. The garden is surrounded by large columns crowned by ceramic objects in the shape of vases, dogs, and pine cones. Five of the ceramic objects were imported from the Santo António do Vale da Piedade factory in Vila Nova de Gaia, Portugal.

LeDray also makes hand-thrown ceramic objects. Milk and Honey (1994–1996), is one of these works. Contained within a freestanding glass cabinet, this piece is composed of 2,000 white, miniature ceramic vessels including teapots, vases and saltshakers.

It also houses a collection of 360 ceramic objects. The dormitory was constructed under Sultan Murad IV in 1635. The building was restored by Sultan Ahmed III in the early 18th century. The dormitory is vaulted and is supported by 14 columns.

Although the first documentary record of Socodor dates from 1299, the traces of inhabitance on this area are lost in the darkness of time. Archaeologists have discovered ceramic objects belonging to the Osmanli culture, traces from the Bronze Age and two burial vaults belonging to the Avars.

The combined work of archaeologists Jesús Carballo (1910 to 1911), Geoffrey Clark (1971), José María Apellániz (1973 to 1983) and the current team of Juan Luis Arsuaga account for the documentation of the excavation sequence of ceramic objects from all relevant sediment layers since the Neolithic.

Thefts include a complete burial with various ceramic objects. A large grinding stone was destroyed intentionally. The site was discovered about sixty years ago but there has been no budget to excavate it formally. However, there have been about 160 structured counted including platforms, plazas, patios and more.

Fulford, Michael & Peacock, David. (1984). The Avenue du President Habib Bourguiba, Salammbo: the pottery and other ceramic objects from the site excavations at Carthage. (The British Mission 1.2.) Sheffield: University of Sheffield, Department of Prehistory and Archaeology. Carandini's typology, published in Enciclopedia dell'arte antica classica e orientale, is also important.1981\.

Lee Seung Hee (born 1963 in Cheongju, South Korea; Hangul:이승희; Chinese: 李承熙) is a South Korean ceramic artist. He is known for his interpretation of Korean and Chinese ceramic objects into two-dimensional works of art. Lee Seung Hee's work is mainly exhibited in South Korea and China.

The northern border was presumably north of the current Königstraße. To the west the settlement bordered the castle directly, while to the east it reached the Wakenitz. The settlement area was probably about 6 ha. Discoveries in the interior include mines, mining houses, hearths, and a great number of ceramic objects.

There are approximately 60 ceramic objects on view in the Bellerive room. They date from the early Islamic periods through to the 17th century. Their styles reflect the innovative technological and aesthetic contributions of Islamic potters through the ages, which were often in dialogue with influences from as far afield as China and Europe.

Retrieved 8 November 2013. The evidence of old stone tools in Zamboanga del Norte may indicate a late Neolithic presence. Ceramic burial jars, both unglazed and glazed, as well as Chinese celadons, have been found in caves, together with shell bracelets, beads, and gold ornaments. Many of the ceramic objects are from the Yuan and Ming periods.

Langgaard passed away in 1890 and his heirs sold the brickyard to a British consortium in 1895. The clay deposits had been depleted in 1908 and the Hoffmann kiln was demolished in 1909. The factory was from then on used for production of ceramic objects and tiles. Morten Korch was managing director of the factory from October 1909 to September 1911.

A collage of images showing Qom people in their traditional clothing. Qom culture, with respect to their customs and traditions, is very efficient and functional in design. The Qom lived in log shelters covered in straw with living spaces that measured some two meters in diameter. The Qom made ceramic objects, wove baskets and knit clothes for mostly utilitarian purposes.

Mictlantecuhtli Statuette in the British Museum Measures 60 by 27 centimeters. El Zapotal is a great Totonac site whose apogee seems to have occurred at the end of the late classical and early postclassical period. Although it contains many buildings, (as is typical in Mexico) only a few have been explored. There is an ossuary and many ceramic objects, some with excellent hand craft.

Rosas Volume 2, p.6-7. Painted ceramic plate from Calakmul, 600 to 800 AD. Mesoamerican painting is found in various expressions—from murals, to the creation of codices and the painting of ceramic objects. Evidence of painting goes back at least to 1800 BCE and continues uninterrupted in one form or another until the arrival of the Spanish in the 16th century.Rosas Volume 3, p.2.

The earliest known ceramic objects are the Gravettian figurines from the Upper Paleolithic period, such as those discovered at Dolní Věstonice in the modern- day Czech Republic. The Venus of Dolní Věstonice (Věstonická Venuše in Czech) is a statuette of a nude female figure dating from some time from 29,00025,000 BCE. It was made by moulding and then firing a mixture of clay and powdered bone.Chris Stringer.

Medieval bowl from Paterna (14th century). González Martí National Museum of Ceramics and Decorative Arts. The museum collection comprises from antique pottery: Greek, Iberian and Roman to modernism piece. The first collection donated by founder González Martí, consisted of about 6.000 items, mostly ceramics from the medieval period (including ceramic objects from Manises and Paterna and Hispano-Moresque ware) to popular 19th- century Valencian tiles.

In 1992, while a fence was being installed around the cemetery of Ameno in Borgo del Magnanoa, a significant quantity of ceramic material from the Bronze Age was found by Walter Baronchelli. The materials are now kept by the Municipality of Ameno. A subsequent excavation test carried out in 1994 highlighted ceramic objects that were for domestic use coming from a nearby settlement, dating back to the Middle Bronze Age.

There is a long history of ceramic art in almost all developed cultures, and often ceramic objects are all the artistic evidence left from vanished cultures, like that of the Nok in Africa over 3,000 years ago.Breunig, Peter. 2014. Nok: African Sculpture in Archaeological Context: p. 21. Cultures especially noted for ceramics include the Chinese, Cretan, Greek, Persian, Mayan, Japanese, and Korean cultures, as well as the modern Western cultures.

Gabbianelli is an Italian ceramics company specialising in ceramic wall and floor tiles. It was founded in 1939 by Enrico Gabbianelli with its manufacturing plant in Cusano Milanino. During the 1960s and 70s it also produced a series of ceramic objects for the home by prominent Italian designers. The company was bought by Ceramica Bardelli in 1996, although the two companies maintained their own production and brand names.

There is a long history of the form and function of the vase in almost all developed cultures, and often ceramic objects are all the artistic evidence left from vanished cultures. In the beginning stages of pottery, the coiling method of building was the most utilized technique to make pottery. The coiling method is the act of working the clay into long cylindrical strips that later become smooth walls.

Echinopsis pachanoi is native to Ecuador and Peru. It is very different in appearance from L. williamsii. It has tall stems, up to high, with a diameter of , which branch from the base, giving the whole plant a shrubby or tree-like appearance. Archaeological evidence of the use of this cactus appears to date back to 2,000–2,300 years ago, with carvings and ceramic objects showing columnar cacti.

Selective laser sintering (SLS) uses powdered material as the substrate for printing new objects. SLS can be used to create metal, plastic, and ceramic objects. This technique uses a laser, that is controlled by a computer, as the power source to sinter powdered material. The laser traces a cross-section of the shape of the desired object in the powder, which fuses it together into a solid form.

Storing objects near windows, heaters, fireplaces, and exterior walls can create an unstable environment with temperature and humidity fluctuation and increase potential for damages. Some storing materials can be harmful to ceramic objects. Wool felt attracts and harbors insects including moths and silverfish which can be potentially very harmful to other collection material types. Polyurethane foam deteriorates over time which leaves a by-product that are sticky and acidic.

The Arizona occurrence lies appropriately above a canyon named Alum Gulch. Alunite is mined as an ore of both potassium and aluminium at Marysvale. Some of the ore deposits were located by airborne and satellite multispectral imaging. An article in the May/June 2019 issue of Archaeology magazine states that in China, in Henan province, an assortment of ceramic objects and jars were found, dating back 2000 years.

During the period of 200 BCE to 200 CE, Cuetlajuchitlán flourished; this is characterized by the abundance of ceramic objects, which were dated to the late preclassical period; also found in one of the corridors were sculptures carved on Tuff blocks, worn out by time. From this begins the architectural development of the site, with limestone blocks and cylinders carved for its construction in columns and walls, all very well defined in its manufacturing.

In Tlatelolco, the burials that have been found have demonstrated a great diversity in the form and customs with which the deceased were buried. It has been found that they differ from each other in terms of the number and quality of the pieces that have been found in them. Ceramic objects consist mainly of dishes, crockery, pots and figurines.Sánchez, Carlos Serrano, and Sergio López Alonso. “Algunos datos sobre la funeraria entre los tlatelolcas prehispánicos”.

He conceived his theory of the seven basic elements of Mexican art through his time as an assistant to the archaeologist Gamio. Gamio introduced him to Boas, a professor at Columbia University in New York. Boas' research on refuting the concept of racial determinism was a great influence on Best Maugard's drawing method. During his time as an assistant to Gamio, he catalogued and drew more than two thousand ceramic objects selected by Boas.

In the late 1980s, Selvin began creating larger tableaux of ceramic objects in minimal contexts that referenced architecture and domestic space. While this work was more personal and sometimes suggestive of narrative (with the introduction of enigmatic text, as in Rough White, detail), formal concerns of composition, color and surface, as well as process, continued to dominate.Levin, Elaine. "Ceramic Still-Life: The Common Object," Ceramic Art and Perception, No. 32, 1998, p. 52–58.

A jar with reproductions of wickerwork and textiles - Walters Art Museum Pre-Columbian textiles and wickerwork of the Zenú are almost completely lost, but the tools they used for producing these items, such as needles and spindles made of bone, shells, and ceramics, did survive. The development of woven fabrics can be traced from numerous representations in gold and ceramic objects. Women were portrayed with long woven skirts with a variety of patterns.

Devoting the majority of his career to porcelain, Doherty has developed a unique process of crafting his ceramic objects. The shapes are thrown, then carved and shaped using only one type of porcelain clay. One slip in which copper carbonate is added as a colouring material is applied. Finally, he uses a single soda-firing technique, executed by spraying a mixture of water and sodium bicarbonate into the kiln at a high temperature.

Article about Diet Wiegman Sculptures, paintings, drawings, glass and ceramic objects, performance art, art in public space, referring to fashion, architecture and more. In his performances, music and dance were also integrated. More and more he combines his works from various periods and mixes everything together. In his own words: ‘Analogous to life, just as every person reuses his early experiences and memories and combines them with new achievements from the present’.

The knapping technique they used is well understood by lithics experts. The stone core was placed on a hard level surface such as a large rock, log, or trunk, then struck from above, forcing flakes to separate from the material from underneath. This use of a makeshift anvil is typical of bipolar percussion. There is some confusion about the purpose of a number of small stone and ceramic objects that are cigar-shaped and rasp-like.

She was influenced by Pierre Bonnard and Henri Matisse, and was more concerned with creating a compelling composition than addressing spatial illusions. Throughout the 1970s and 1980s, Kurz painted studio models and portraits. In 1981, she began an extensive exploration of still life in which she focused on arrangements of commercially produced ceramic objects, which she purchased inexpensively and chose for their lack of traditional aesthetic value.Sandra L. Langer, “Diana Kurz,” Arts Magazine 58, no. 6 (February 1984): 14.

After two days these pots are bone dry and ready to be fired. Only men throw the Kyaukmyaung pots because they are so big that they require longer arms to reach the bottom, and that requires significant strength. The more decorative and smaller types of pottery are thrown by women. They are generally thrown off the hump or a large block of clay that is centered and then used to throw three or four ceramic objects.

Between 1952 and 1966, Kunze continued the excavation joined by architect Alfred Mallwitz. They excavated Pheidias' workshop, the Leonidaion and the north wall of the stadium. They also excavated the southeast section of the sanctuary and out of approximately 140 debris pits found many bronze and ceramic objects along with terracotta roof tiles. Mallwitz took charge of the excavations between 1972 and 1984 revealing important dating evidence for the stadium, graves, and the location of the Prytaneion.

Speaking about "New Morphologies: Studio Ceramics and Digital Practices" at Schein-Joseph International Museum of Ceramic Art at Alfred University, which she curated with Del Harrow in 2013, Scott said, "What most excites me about digital fabrication are the ways in which it continues to enact our very human striving to bring form to an ideal." The exhibit highlighted "work that emerges from the encounter between the physical materiality of ceramic objects and the ephemerality of digital information".

Der schiefste Turm der Welt The settlement was first mentioned in documents from 1255 and in former times was also called Zuiderhusen ("Southern Husen"), most likely due to close proximity of Osterhusen and Westerhusen. However, a stone with the year 1004 and ceramic objects found in the old church tower point to the fact that the village is much older. In the village centre is a small museum in which the life of an agricultural worker's family is illustrated.

The title of the catalogue refers to 43 watercolor drawings portraying indigenous, military, costumes, slaves and their activities including diamond mining. Ethnographic representations of colonial Brazil; an ethnographic record of great utility to the authorities that run the empire. In the same catalogue are also included 33 drawings of Peruvian indigenous ceramic objects and textiles, confiscated from a Spanish shipwreck at Peniche in Portugal.Julião, Carlos "Riscos Iluminados de Figurinhos de Negros e Brancos dos Uzos do Rio de Janeiro e Serro Frio", 1960.

Historian A. P. Vlasto writes that the holy man's prophecy was fulfilled after the chieftain was forced to accept the suzerainty of Moravia or was captured. Inscriptions on two fragmentary ceramic objects unearthed at Podebłocie have been interpreted as the abbreviation of the Greek text "Iesus Chrestos Nika" by Tadeusz Wasilewski and other scholars, but their view has not been universally accepted. According to Przemysław Urbańczyk, no archaeological evidence of Christian communities in Poland before the 960s has been presented.

Michael Tye (born 1960) is a mosaic artist specialising in the design, fabrication and installation of unique mosaic and decorative tilings. He also works as a community artist and has worked on community mosaic projects throughout South Australia. Starting out as a graphic designer, Michael spent a few years in the printing and advertising industry before moving onto ceramic design. From 1990 to 1996 he ran a pottery studio, making a range of wheelthrown and sculptural ceramic objects, including functional tableware.

A museum technician applies acetone to a ceramic piece to remove a previous conservation adhesive of Duco glue. This object is from the collection of the Indiana State Museum Kylix before and after conservation - restoration. Conservation and restoration of ceramic objects is a process dedicated to the preservation and protection of objects of historical and personal value made from ceramic. Typically this activity of conservation-restoration is undertaken by a conservator-restorer, especially when dealing with an object of cultural heritage.

Commonly used preceramic polymers include polycarbosilanes and polysiloxanes, which transform through pyrolysis to SiC and SiOC type ceramics respectively. Ceramic Forming Polymers Starfire Systems Through photopolymerization methods, preceramic polymers can be used in stereolithography approaches, enabling the additive manufacturing of complex shaped ceramic objects. In such methods, by means of irradiation-driven cross- linking, liquid preceramic polymers transform into rigid thermoset polymers that preserve their shape through the following polymer-to-ceramic transformation that takes place in pyrolysis. In this transformation, polymers transform into glassy ceramic products.

The gorge of the Vardar at modern Demir Kapija was the site of Strez's capital, Prosek, from 1208 to 1214 Prosek (Macedonian alphabet: Просек), also known as Stenae (in Greek Στεναί narrow), is an archaeological site located in the Demir Kapija Canyon, in North Macedonia. This ancient settlement had an excellent strategical and war position. It was discovered in 1948. Some things that have been found here include four towers still standing today, many ceramic objects, jewellery, coins, and a few acropoli and necropolis.

During this period (1250 B. C - 1 A. D.) there is a remarkable advance in ceramic art. Painting and sculpture take in place; there are beautifully naturalistic and symbolic representations; many of them enriched by the use of incise decoration in which the Cupisnique artist get to a high development. The Inca culture conquered all the territory of pre-Columbian Peru where they restored with great political ability the Tahuantinsuyo empire. In the Inca Gallery magnificent ceramic objects are showcased like the emblematic aribalos or monumental vessels.

In a culture without a written language, ceramics portrayed the basic scenes of everyday life, including the smelting of metals, relationships and scenes of tribal warfare. The most distinctive Inca ceramic objects are the Cusco bottles or "aryballos". Many of these pieces are on display in Lima in the Larco Archaeological Museum and the National Museum of Archaeology, Anthropology and History. Almost all of the gold and silver work of the Incan empire was melted down by the conquistadors, and shipped back to Spain.

In 1970, between the North and Central Basilica and in the western necropolis 55 graves were discovered. In 1955 in the southern part of the North Basilica 23 Slavic graves dating from the 9th to 12th centuries were discovered. Bronze statues from the archaic and classical periods as well as ceramic objects from the Neolithic era were discovered in the two parts of the civil basilica. An older part of the second synagogue was discovered in the Central Basilica, as well as architectonic structures and 23 Slavic graves in the North Basilica.

Typical souvenirs from Slovakia are dolls dressed in folk costumes, ceramic objects, crystal glass, carved wooden figures, črpáks (wooden pitcher), fujaras (a folk instrument on the UNESCO list) and valaškas (a decorated folk hatchet) and above all products made from corn husks and wire, notably human figures. Souvenirs can be bought in the shops run by the state organization ÚĽUV (Ústredie ľudovej umeleckej výroby - Center of Folk Art Production). Dielo shop chain sells works of Slovak artists and craftsmen. These shops are mostly found in towns and cities.

Standing as "one of New York City’s great treasures",Smith, Roberta (August 2, 2012). "Everyday Treasures Gaze Out to Sea". The New York Times. the museum's 7,000 plus collection has been formed almost entirely through gifts. Spanning a wide variety of mediums, the collection includes over 1,200 paintings on canvas or panel, 1,500 drawings and works on paper, 1,000 sculptural objects, 1,000 textile items, 200 ceramic objects, 100 pieces of furniture, 300 decorated household items from the Historical Society of Early American Decoration, and two large-scale architectural models.

About a hundred meters (yards) further north is the village of Vers-l'Eglise. The first settlement here dates back to the Neolithic, based on a layer of ceramic objects that date from between 2900 BC and 2700 BC. It remained occupied through the Late Bronze Age. North-east of Grande-Cité is the third lake settlement, Les Roseaux, which comes from the Early Bronze Age. It is a rich site for artifacts including numerous edge strips for bronze axes and cups made of fine ceramics (of the Roseaux type).

In modern ceramic engineering usage, ceramics is the art and science of making objects from inorganic, non-metallic materials by the action of heat. It excludes glass and mosaic made from glass tesserae. There is a long history of ceramic art in almost all developed cultures, and often ceramic objects are all the artistic evidence left from vanished cultures, like that of the Nok in Africa over 2,000 years ago. Cultures especially noted for ceramics include the Chinese, Cretan, Greek, Persian, Mayan, Japanese, and Korean cultures, as well as the modern Western cultures.

To everyone's surprise, these carried textiles, ceramic objects and some pieces of gold, silver and emeralds, making Ruiz's findings the central focus of this second expedition. Some natives were taken aboard Ruiz's ship to serve as interpreters. He then set sail north for the San Juan River, arriving to find Pizarro and his men exhausted from the difficulties they had faced exploring the new territory. Soon Almagro sailed into the port laden with supplies and a reinforcement of at least eighty recruits who had arrived at Panama from Spain with an expeditionary spirit.

For the descent, a rope is required. Around the top of the mountain of Kallimani there are other caves including: # The cave Agiasma or Graspilaia situated at Askala a short distance from Boti’s Cave (Tripa). Finds here include ceramic objects and shards, and bones from Proto Helladic period (3200-2000 BC) # The Cave of Zoodochos Pigi, is a small cave in the church yard in Tsouka. The icon of the Virgin Mary was found in the cave, and the church of Zoodochos Pigi was built to honor it.

Bryk's parents were Felix Bryk, an Austrian entomologist, and Aino Mäkinen. Bryk studied graphic art at the Art and the Central School of Helsinki in 1936–1939 and started working in 1942 in the Arabia Factory in Helsinki working with Birger Kaipiainen. Bryk's early works include graphical designs for greeting cards and book covers, as well as ceramic objects, such as colorful containers, trays and jewelry. In the mid-1940s she made faience plates characterized by pastel colors, and scenes of women in fancy hats, strolls in the park, and young courting.

B.B.A.A. Boletín Bibliográfico de Antropología Americana 35.1 (1972): 47–60. Web. In the archaeological site and its surroundings a large number of children's burials have been found, in which researchers have found the widespread tradition of performing burials with ceramic objects that were most likely used as instruments of play by the deceased child, among the most common play objects that have been found are clay marbles, ceramic figures with animal shapes, and personal objects of the deceased such as vessels or small knives of obsidian. An interesting fact is the existence of offerings consisting of human bones.

There were people in that town from 1,675 BC to 1100 BC. Its maximum population consisted of 600-800 inhabitants and it took place about 1550 BC. During the late Bronze Age, people moved from the settlement because of a crisis that was caused by a lack of foodstuff for all the inhabitants of La Bastida. They started to populate a new settlement named Las Cabezuelas. Remains about the Iberian era have been found in Las Cabezuelas. These consist mainly of ceramic objects and wall plinths belonging to little- sized rooms, with regular allocation and ordinary masonry.

The conservation and restoration of Ancient Greek pottery is a sub-section of the broader topic of conservation and restoration of ceramic objects. Ancient Greek pottery is one of the most commonly found types of artifacts from the ancient Greek world. The information learned from vase paintings forms the foundation of modern knowledge of ancient Greek art and culture. Most ancient Greek pottery is terracotta, a type of earthenware ceramic, dating from the 11th century BCE through the 1st century CE. The objects are usually excavated from archaeological sites in broken pieces, or shards, and then reassembled.

These fears were alleviated during an extraordinary find in August 2012; excavating a palace in the ruined city, archaeologists uncovered the ancient tomb of a young prince, alongside a rare artefact. A concealed entrance to a small burial chamber was found in the royal palace, leading to the remains of a 25-year-old man and nine ceramic objects. On one of the cups found, it contained a simple message saying, “[This is] the cup of the young man/prince”. Another of the cups bore a date thought to be 711 A.D., giving some indication of when the monarch was alive.

Four ostrich eggs were probably decorated by Phoenician artists in Lebanon. There were also a large number of bronze vessels interred in the tomb, including cups, bowls, tripod-bowls, a cauldron, a lamp-stand, an amphora, a brazier and a cinerary urn. Ceramic objects included a hydria, a large amphora and a kylix, and there was also a range of gold jewellery included a diadem. Perhaps the most important objects buried in the tomb were a number of bronze and gypsum sculptures, including a half-life size statue of a noble lady, perhaps a depiction of the original occupant of the burial chamber.

Nora Eccles Harrison and her second husband, Richard Harrison, founded the museum with a gift to build a museum building and more than four hundred ceramic objects. The building was designed by architect Edward Larrabee Barnes and opened in 1982. In the fall of 2013 the courtyard outside the museum’s entrance began renovations. NEHMA’s collection continues to grow with ceramics in the vessel tradition, as well as works on paper, painting, sculpture and multimedia works, enabled largely through the support of the Marie Eccles Caine Foundation, Kathryn Caine Wanlass Foundation, Fredrick Quinney Lawson Foundation and the Lawson Foundation.

Of prehistoric origins, Foglianise is known locally for the Grain Festival that takes place each August. The discovery of Neolithic pottery and ceramic objects testifies to the antiquity of the human civilisation here, which may date back to the Samnite era. The area is rich in water and pasture, so the economy of that time was probably pastorally based. A Latin epigraphy believed to date from the 3rd century AD and dedicated to the goddess Fortuna Folianensis, indicates that the name Foglianise was of Roman origin, possibly connected with a substantial land owner names Folius Oriens.

Mayans also portrayed smoking on ceramic objects including boxes, plates, vases, and bowls. The ceramics were carved or painted multiple colors (typically black, white, and red). Important ceramics featuring smoking include the Vase of the Dancing Lord, the Reynolds vase (at the Museum of the American Indian), Plate of the Smoking God, the Woman, and the Monkey (at the National Museum of Guatemala), Vase of the Smoking Monkey, and Bowl of the Eleven Deities, Five of Them Smoking. The Vase of the Danse Macâbre depicts a smoking skeleton carrying a jar or pouch and another skeleton and two jaguars also holding pouches or jars.

Pottery may well have been discovered independently in various places, probably by accidentally creating it at the bottom of fires on a clay soil. All the earliest vessel forms were pit fired and made by coiling, which is a simple technology to learn. The earliest-known ceramic objects are Gravettian figurines such as those discovered at Dolní Věstonice in the modern-day Czech Republic. The Venus of Dolní Věstonice is a Venus figurine, a statuette of a nude female figure dated to 29,000–25,000 BC (Gravettian industry). Sherds have been found in China and Japan from a period between 12,000 and perhaps as long as 18,000 years ago.

The first indications of contact between the indigenous population and Phoenician traders are found in manufactured pottery dating from around the 8th century BC.Bierling Gitin 2002 p. 206 A settlement emerged whose urban characteristics had nothing in common with contemporary groups of huts found in the surrounding countryside. Phoenician influences are evident in the remains of buildings constructed in the 7th and 6th centuries BC using Middle Eastern techniques. Evidence of innovations marking the transition from the Bronze to the Iron Age have been found there: solid houses constructed in this Middle Eastern style, Phoenician wheel-thrown pottery and iron metallurgy, as well as hand-modeled native ceramic objects.

He was also granted tenure, and received the 2009 Young Alumnus Award from the University of Illinois at Urbana–Champaign. In 2011, Schuh was elected a MacVicar fellow for undergraduate teaching excellence and received the SAE International Ralph R. Teetor Education Award. He was later appointed head of the Department of Materials Science and Engineering, succeeding Carl Thompson. The following year, Schuh, Tongjai Chookajorn, and Heather Murdoch co-developed a method to produce nanocrystals, alloys made of tiny grains which hold exceptional strength and other properties. By 2013, Schuh's research team developed a method of making minuscule ceramic objects flexible and able to hold “memory” for shape.

Paraloid B-72 or B-72 is a thermoplastic resin that was created by Rohm and Haas for use as a surface coating and as a vehicle for flexographic ink. Today B-72 is commonly being used as an adhesive by conservator-restorers, specifically in the conservation and restoration of ceramic objects, glass objects Paraloid B-72: Museum of Fine Arts Boston: Material Database, the preparation of fossils, the hardening of piano hammers Paraloid B-72 in Voicing Pianos: How and Where to Apply It, How and Where to Get it, and What Effects Can Be Achieved Paraloid B72 as hammer hardner , and can also be used for labeling museum objects.

Lubaantun (pronounced /lubaːnˈtun/; also Lubaantún in Spanish orthography) is a pre-Columbian ruined city of the Maya civilization in southern Belize, Central America. Lubaantun is in Belize's Toledo District, about 42 kilometres (26 mi) northwest of Punta Gorda, and approximately 3.2 kilometres (2 mi) from the village of San Pedro Columbia, at an elevation of 61 metres (200 ft) feet above mean sea level. One of the most distinguishing features of Lubaantun is the large collection of miniature ceramic objects found on site; these detailed constructs are thought to have been charmstones or ritual- accompanying accoutrements. Structures are mostly built of large stone blocks laid with no mortar.

TiN layers are also sputtered on a variety of higher melting point materials such as stainless steels, titanium and titanium alloys. Its high Young's modulus (values between 450 and 590 GPa have been reported in the literature ) means that thick coatings tend to flake away, making them much less durable than thin ones. Titanium nitride coatings can also be deposited by thermal spraying whereas TiN powders are produced by nitridation of titanium with nitrogen or ammonia at 1200 °C. Bulk ceramic objects can be fabricated by packing powdered metallic titanium into the desired shape, compressing it to the proper density, then igniting it in an atmosphere of pure nitrogen.

It is located in the neighbourhood of the village Skrino and is named after St Ivan Rilski for his being born in the same village. A steep path starts from the monastery and leads up in the mountains to the cave where St Ivan Rilski used to live. Located nearby in the neighbourhood of the Slatino village, an Eneolithic settlement with valuable objects of the early 5th millennium BC was uncovered during excavations. In addition to more than 500 ceramic objects, qualified as true masterpieces of fine art, there is a unique finding of an oven model with a lunar calendar painted on its bottom.

It included traditional textiles, carvings, metal and ceramic objects from Hawai'i, the Pacific Islands, and Southeast Asia. Richard Joseph, Esquire's travel writer, likened the hotel to "strolling through an open-air museum and art gallery—past Hawaiian quilts hung as tapestries, bronze ceremonial drums and red-and-gold scroll boxes from Thailand, Japanese and Chinese scrolls and paintings, New Guinea carvings and masks ..." The resort's golf course, designed by Robert Trent Jones, opened first, in 1964, and the Mauna Kea Beach Hotel itself opened on July 24, 1965, operated by Rockefeller's hotel company RockResorts. The hotel famously operated without guestroom televisions until 1995. In 1978, Rockefeller sold the hotel to United Airlines.

The Garden of Hospital São João de Deus () is an abandoned garden in Cachoeira, Bahia, Brazil. It is part of the Hospital São João de Deus architectural ensemble that includes a hospital building, a large Baroque- style church of the early 18th century that faces Praça Dr. Aristides Milton, and a set of houses built by the Santa Casa da Misericórdia along Rua Durval Chagas. The garden is located to the rear of the chapel. The garden was listed as a historic structure by National Institute of Historic and Artistic Heritage (IPHAN) in 1938; five of the ceramic objects that crown the columns of the garden were listed separately the same year.

The Chinese assemblage recovered from an archaeological excavation of its rear yard is considered to be a rare find within Sydney and some ceramic objects such as the "sand-pot" are seldom found outside of China. The place is important in demonstrating the principal characteristics of a class of cultural or natural places/environments in New South Wales. 75.5 George Street is representative of a boarding facilities set up for the Chinese sojourner who came to make a living in Sydney. 70 George Street, which was used as a Chinese laundry between 1944 - 1974, is representative of one of the Chinese occupations taken up by Chinese sojourners who made the decision to remain in Australia.

A stone box grave is a coffin of stone slabs arranged in the rectangular shape into which a deceased individual was then placed. Common materials used for construction of the graves were limestone and shale, both varieties of stone which naturally break into slab like shapes. The materials for the bottom of the graves often varies, with grave floors made of stone, pottery, shell, dirt, perishables, or some combination of those materials, while the tops are more slabs of stone. Grave goods were often interred with the deceased and included mortuary pottery, ceramic objects, stone implements such as celts, axes, and arrowheads, figurines, bone beads, dice, and awls, and personal ornaments including marine shell gorgets and freshwater pearls.

Hampton Springs Cemetery is a cemetery in rural Dallas County, Arkansas, at the junction of county roads 425 and 427, near the city of Carthage. The cemetery is divided into two sections, one in which traditional European grave markers predominate, and another section in which graves are marked by a local adaptation of African burial customs. This African-American section of the cemetery is said to have been in use since the late 19th century, although its oldest identified grave is dated 1916. Most of its estimated 128 marked graves are denoted by informal means, including small bushes, ceramic objects, metal pipes, wooden stakes, offering vessels such as glass jars and bowls, and even a kerosene lamp.

By 1955 her works were recognised by the market to such a degree that the company had to expand the production capacity by establishing an I.W department, with up to ten assistant artists to cope with the orders of hand painted ceramic objects from the UK, US and other countries. In 1968 Stavangerflint A/S merged with Figgjo Fajanse AS. The main office and the leadership of the artistic functions were moved to Figgjo. Inger Waage continued her work at the Stavanger branch for eleven more years, and was also a member of the company's artistic team, until 1979 when the branch in Stavanger was closed down and Inger Waage left the company. She died in Stavanger, aged 72 years.

The Towner Collection is one of the most significant public art collections in the South East of England. It boasts in excess of 5,000 works of art by historic, modern and contemporary artists including: Lawrence Alma- Tadema, John Gascoigne Lake, Vanessa Bell, David Bomberg, Alan Davie, Tacita Dean, Olafur Eliasson, Anya Gallaccio, Thomas Jones, Peter Liversidge, Henry Moore, William Nicholson, Julian Opie, Ian Potts, Victor Pasmore, Pablo Picasso, Eric Ravilious, Eric Slater, Wolfgang Tillmans, Alfred Wallis, Christopher Wood, Joseph Wright of Derby and Carol Wyatt. The initial collection consisted mainly of Victorian narrative painting, especially pictures of animals and children. The current collection now includes oil paintings, watercolours, works on paper, etchings, prints, sculpture, wood cuts, ceramic objects, installations and video art.

This archaeological area includes several areas that suggest, based on archaeological evidence (ceramic objects and stone tools), an affinity with the Tunal Grande region (San Luis Potosí) and strong links with prehispanic settlements in Zacatecas, Jalisco and the Guanajuato Bajio. Beatriz Braniff made the first archaeological research in 1962. Establish the first ceramic sequence, knowledge of some architectural elements (the presence of columns that linked it with sites like La Quemada and Altavista (Zacatecas)) as well as an occupation that started in the Preclassical and ended in the early Postclassical. In 1965, Mr. Jesús Aguirre, local researcher, conducted other research, found several pieces that from its quality, artistic and religious implications, inferred a high level of social development on the site during its occupation.

The Miller Performing Arts Center The Powell Campus Center Alfred is especially well known for its programs in ceramic art, ceramic engineering, glass engineering, and has a strong astronomy program due in part to the presence on campus of the 7-telescope Stull Observatory, which has one of the largest optical telescope in New York state. Asteroid 31113 Stull was named for John Stull, who helped establish the observatory in 1966. There are two libraries on Alfred's campus, the Herrick Memorial Library, which primarily serves the private colleges, and the Scholes Library, which primarily serves the New York State College of Ceramics. The Alfred Ceramic Art Museum has a collection of 8,000 ceramic objects, including both ancient and modern ceramic art and craft.

It gives very precise and consistent shapes, and is now the most common technique used for commercial mass-produced pottery, although it began as a technique for fine pottery, especially porcelain. In a solid cast mould, ceramic objects such as handles and plates are surrounded by plaster on all sides with a reservoir for slip, and are removed when the solid piece is held within. For a hollow cast mould, for objects such as vases and cups, once the plaster has absorbed most of the liquid from the outside layer of clay the remaining slip is poured off for later use. After a period for further absorption of water, the cast piece is removed from the mould once it is leather-hard, that is, firm enough to handle without losing its shape.

The workshop at Shearwater Pottery Shearwater Pottery is a small family-owned pottery in Ocean Springs, Mississippi, United States founded in 1928 by Peter Anderson (1901-1984),Mississippi Artists with the support of his parents, George Walter Anderson and Annette McConnell Anderson. From the 1920s through the present day, the Pottery has produced art pottery, utilitarian ware, figurines, decorative tiles and other ceramic objects. Two of its most important designers were Walter Inglis Anderson (1903-1965) and his brother James McConnell Anderson (1907-1998). Although Shearwater was severely damaged by Hurricane Katrina in 2005, the workshop was rebuilt and restored by Jason Stebly. Pottery continues to be thrown by Peter’s son James Anderson and the latter's son Peter Wade Anderson, and decorated by Patricia Anderson Findeisen, Christopher Inglis Stebly, Adele Anderson Lawton and others.

Tegula and imbrex roofing tiles from Fishbourne Roman Palace A tile antefix of the Twentieth Legion, bearing the legion's symbol, a wild boar Two manufactured materials were of great importance in Roman architecture: concrete and fired clay in the form of structural bricks and tiles, and to a lesser extent, in architectural decoration. These materials were used in buildings all over the Roman Empire, and in many areas, they fell out of use again after the Roman period, only to be rediscovered centuries later. Like other mass-produced Roman ceramic objects, bricks and tiles were often marked with inscriptions that indicate their manufacturer, or the organisation or authority, military or civilian, for which they had been made.The methods and technology of manufacture are described in some detail by Middleton 1997, pp. 158–163.

Ceramic objects, tools and jewellery were unearthed from what turned out to be a ringwall, as these structures are known, from Celtic times, between 450 and 250 BC, in the time of the La Tène culture. Rittershausen's first documentary mention came in 1344 when the Mann- und Zinsbuch der Herren von Bicken ("Man and Interest Book of the Lords of Bicken") mentioned that in Ruderszhausen disz seyt der Bach (ie "this side of the brook"), the Lords were entitled to Groß- und Kleinzehnt (great and small tithes). Within the fields attached to Rittershausen once lay the villages of Langenbach, Dunnenbach, Hilgeshausen, and possibly also Kirsebach. Nobody quite knows when these places were abandoned, but according to the aforesaid Reverend Karl Nebe, who was reporting local oral history, Langenbach was destroyed by the Plague, and the last few survivors moved to Rittershausen.

The Van Tilburg Collection is an art collection at the University of Pretoria that comprises 17th and 18th century furniture, paintings, Delft ceramics and other works of art, and includes the largest South African collection of Chinese ceramic objects. The oriental ceramic collection comprises 1699 pieces of earthenware, stoneware and porcelain dating from about 2000 BC until the early twentieth century. J. A. van Tilburg bequeathed his collection of Eastern and European ceramics, furniture, paintings, graphic works, carpets and metal ware to the University of Pretoria on 19 November 1976. This collection includes Chinese ceramics dating from 2000 BC, furniture dating from 1100 AC, several European paintings and vases from the Kangxi Emperor's personal collection. Examples of Chinese ceramics from the Qin (221-206 BC), Han (202 BC – AD 220), Tang (AD 618-906), Song (AD 960-1279), Ming (1368-1644) and Qing (1644-1912) dynasties can be seen in this collection. There are also examples of Japanese Arita and Imari porcelain and Annamese (Vietnamese) ceramics, as well as 63 examples of early Delft earthenware.

Castelluccio culture was present in the villages of south-east Sicily, Monte Casale, Cava d'Ispica, Pachino, Niscemi, Cava Lazzaro, near Noto, of Rosolini, in the rocky Byzantine district of coasts of Santa Febronia in Palagonia, in Cuddaru d' Crastu (Tornabé-Mercato d'Arrigo) near Pietraperzia, where there are the remains of a fortress partly carved in stone, and - with different ceramic forms - also near Agrigento in Monte Grande. The discovery of a cup of Etna type in the area of Comiso, among local ceramic objects led to the discovery of commercial trades with Castelluccio sites of Paternò, Adrano and Biancavilla, whose graves differ in making due to the hard basaltic terrain and also for the utilization of the lava caves as chamber tombs. In the area around Ragusa have been found evidences of mining of the ancient residents of Castelluccio; tunnels excavated by the use of basalt bats allowed the extraction and production of highly sought flints. Some dolmens, dated back to this same period, with sole funeral function, are found in different parts of Sicily and attributable to a people not belonging to the Castelluccio Culture.

Pottery from Székely Land, Romania, on sale in Budapest. Pottery is one of the oldest human inventions, originating before the Neolithic period, with ceramic objects like the Gravettian culture Venus of Dolní Věstonice figurine discovered in the Czech Republic dating back to 29,000–25,000 BC, and pottery vessels that were discovered in Jiangxi, China, which date back to 18,000 BC. Early Neolithic and pre-Neolithic pottery artifacts have been found, in Jōmon Japan (10,500 BC), the Russian Far East (14,000 BC), Sub-Saharan Africa (9,400 BC), Simon Bradley, A Swiss-led team of archaeologists has discovered pieces of the oldest African pottery in central Mali, dating back to at least 9,400BC , SWI swissinfo.ch – the international service of the Swiss Broadcasting Corporation (SBC), 18 January 2007 South America (9,000s-7,000s BC), and the Middle East (7,000s-6,000s BC). Pottery is made by forming a ceramic (often clay) body into objects of a desired shape and heating them to high temperatures (600-1600 °C) in a bonfire, pit or kiln and induces reactions that lead to permanent changes including increasing the strength and rigidity of the object.