The rear and front concrete façades, concrete door casements and exterior decking will all be preserved, as will the interior maisonette.
|
|
One of the scientists remembered that the brass in the tough artillery shell casements had the exact qualities that the detector needed.
|
|
"Residents under the bombs would routinely recall being thrown through the air by the pressure waves of air mines exploding, and window casements and doors would be blown off their hinges," Major said.
|
|
With the aim of "keeping everything as light and bright as possible," the couple, new parents, didn't hesitate to rip out the two-bedroom's window casements, tall baseboards, worn hardwood flooring and the "thick, chunky molding" surrounding the doors.
|
|
" If the Jew's daughter should fail to lock the doors and close the casements, she would be able to watch the Christians parade by in carnival masks and listen to "the drum / And the vile squealing of the wry-necked fife.
|
|
These weights are secreted inside window casements, thus typically invisible to those who never intervene with these spaces, but for anyone who has handled one, their presence overhead represents a kind of quiet menace — were one to drop, it could cause terrible injury.
|
|
The 2073-unit building, which is being developed by Simon Baron Development and Quadrum Global, has a brick and masonry exterior with decorative ironwork, wraparound corner windows with vertical casements and, like the Naftali buildings, Juliet balconies and multiple setbacks that will be used as private terraces.
|
|
The narrow front room is lit by rectangular casements windows to all three sides and banks of casements windows light the offices.
|
|
The windows are a mixture of single and three light casements.
|
|
288 This entrance is flanked by 17th-century casement windows; there are three casement windows on the first floor and three gabled dormer windows with casements, dating from the late 17th century. All the casements have a lattice of small panes, headed by a circular pattern. The three first-floor casements contain old stained glass displaying the Crewe and Mainwaring coats of arms.Stevenson, p.
|
|
Some of the windows are sashes, and others are casements under pointed arches.
|
|
The ground floor windows are double casements and those above are sash windows.
|
|
One gabled dormer window on each side pierces the roof; they are set with six-light casements.
|
|
"Magic Casements" is the seventh episode of the first series of the British television series, Upstairs, Downstairs. The episode is set in the summer of 1906. "Magic Casements" was among the episodes omitted from Upstairs, Downstairs' initial Masterpiece Theatre broadcast in 1974, and was consequently not shown on US television until 1989.
|
|
It took us 3 > days to capture the German dyke at Vlissingen, there were about 300 > casements. Captain J. Linzel.
|
|
Various window types feature including three-light casements, aluminium sliders and louvers. The rear facade is dominated by the two projecting wings forming a courtyard. The areas of enclosed verandah are variously clad in weatherboards or chamferboards. A multitude of window types feature, including original timber- framed double-hung sashes, four-light timber casements, and aluminium-framed sliders.
|
|
There is a three-storey gabled porch to the rear. The front of the building is in seven bays. The windows are casements.
|
|
Bow or bay windows were the "chief architectural feature" of Brighton's early houses. Vertical sliding timber-framed sash windows with glazing bars were usually inserted into these, although casements were sometimes used—typically on the oldest or most modest buildings. Casements would sometimes be given glazing bars as well. Such bars were usually slim and had mouldings in various patterns.
|
|
Irregular fenestration with 2 3-light and 2 2-light modern mullion windows to ground floor street side and 3 3-light casements to upper floor. Upper floor close- studded to both sides. Irregular fenestration to rear with C18 and C19 casements and evidence for one C17 plain chamfered mullion window. 2 axial stacks and an C18 or C19 shallow pitched roof. Interior.
|
|
Three casements at the sluice-complex in the south, and two casements on each side of the railroad bed were the only concrete positions. The balance of the line was formed by earth and timber reinforced constructions and trenches. Some minefields had been laid at certain strategic locations along the approaches. The Germans soon began their assault on the Zanddijkline.
|
|
For my temptation to think it a right, I refer every caviller to a brick house, sashed windows below, and casements above, in Highbury.
|
|
Wiggin, Kate Douglas Smith; Smith, Nora Archibald. Magic Casements: a second fairy book. Garden City, N.Y.: Doubleday, Doran & Co.. 1931. pp. 3-13.Grundtvig, Svend, and Jane Mulley.
|
|
It is a weatherboard building on low stumps with a hipped corrugated iron roof. The windows are casements with horizontal glazing bars and there is a small porch.
|
|
It has pressed metal sunhoods to some windows, which are generally casements in timber frames. A metal cyclone fence runs along the front of the whole police reserve.
|
|
Around 1990 the western door was closed off and all the floorboards replaced with similarly-designed modern wood. The current owner has also had to replace the window casements.
|
|
Early timber joinery retained in the building includes: timber-framed casements to the offices; a panelled timber door to the western office; timber-framed casements with wired glass and metal grates; and VJ-lined timber doors braced with metal strips to the dangerous goods store. External fixed timber louvre sunshades are attached to the eastern office's windows. Non-significant elements include wire mesh and corrugated metal sheets that divide the central parking area, and plywood boarding over windows.
|
|
To west an early C19 brick and ashlar extension of two storeys. 19th- and 20th-century casements, gabled slate roof and ridge stack right of centre with paired octagonal gault brick flues.
|
|
A timber-framed verandah with corrugated galvanised iron roof is attached along one side of the building and an addition attached along the opposite side. The addition is timber framed with chamferboard cladding on a suspended concrete slab on a concrete block base and a skillion roof of corrugated galvanised-iron. Windows comprise casements with eight pane sashes, casements with three pane sashes and louvres. The central section of the back wall is screened and has a screen door opening to the dining section.
|
|
Original exterior joinery generally survives to all elevations with original obscure glazing to all fanlights and doors. Windows generally comprise single or paired six-light timber casements with two or four-light fanlights above respectively and timber sills. The bathroom in the south-east corner has a smaller pair of four-light casements. Original doors comprise a six-light French entrance door, a six-light high waist rear door and a four-light high waist female public toilet door, all with four- light fanlights above.
|
|
The cottage is clad with wide rusticated weatherboards. A high waisted door is on the right side of the front. Windows are paired casements. Internally the cottage has v-jointed boards and its original timber floor.
|
|
The unvarying glass pattern was a variation of the typical Prairie muntin bar design and consisted of a frame of narrow rectangular and trapezoidal panes surrounding a single large glass pane. Wright arranged most windows into one of two ensembles – one for each floor – to unify his design. In five locations on the first floor, double casement windows or full length French doors were flanked by two more isolated, narrow casements. All openings on the second floor were composed of paired casements topped by a single transom light.
|
|
The gables contain restored bargeboards and finials. The windows have moulded wooden mullions and transoms, and contain casements, and the windows in the middle storey have pediments. The decoration of the timber framing includes lozenges and wavy motifs.
|
|
The upper floor has cantilevered bay windows with flared chamferboard skirtings. Each one has four six-light casements. The north facade has extensions added to the upper floor. The largest is an early timber extension supported on diagonal brackets.
|
|
Salvanh probably limited himself to the facade. The prize was confirmed in October 1524, honoured in 1528. The ornate gate casements are dated 1532. The church of the convent of the Annonciades of Rodez built from 1517 required rework.
|
|
Phillip's windows are 19th-century metal casements. Its porch, open sided with hipped roof, with first floor window forms a central bay; the bay either side with ground and first floor windows. A chimney stack is at each gable end.
|
|
Further English translations renamed it The Story of the Hind in the Forest,Wiggin, Kate Douglas Smith; Smith, Nora Archibald. Magic Casements: a second fairy book. Garden City, N.Y.: Doubleday, Doran & Co.. 1931. pp. 194-229. The Enchanted Hind,Valentine, Laura.
|
|
The building has principally sash windows, with some later casements. A lean-to bathroom has been added to the southwest. The building has been recently refurbished, with new timber floors and some new windows. The rear of the site is grassed.
|
|
Window and door frames are made of wood. Walls are built with wood, stucco and limestone. The southern elevation features a limestone wall topped with two rows of limestone blocks. The western portion includes a stone-arched window with mullioned casements.
|
|
The first floor has chamfered stone-mullioned casements with stopped hoods and the ground floor has metal casements to ground floor, all with leaded panes. The original central doorway, door and door surround has been repositioned in the early century extension and comprises a studded plank door with decorative hinges within a roll-moulded Tudor-arched surround with raised, carved spandrels, and thin pilasters to either side supporting rectangular pediment. Banks Farm is another classic Cotswolds stone farmhouse with elements dating back to the 17th-century. It has two stone plaques on the front bearing witness to major rebuilding, in 1736 and 1784.
|
|
To the far right (east) is a pair of small casements. The west elevation has the primary entry sheltered under an aluminum awning. North of this is a picture window grouping. The east elevation has two pairs of symmetrically placed casement windows.
|
|
The priory's stonework is ashlar and coping, and the roof is composed of slate. South front of two storeys in two bays. 20th-century door and porch to left. Windows are 3-light cross casements under re-used square hoods on head stops.
|
|
Hough Hole House is constructed in coursed, buff sandstone rubble. It has a concrete tiled roof and two stone chimneys. The house is in two storeys, and has a near-symmetrical three-bay front. The windows are 20th-century casements with stone lintels.
|
|
The tiled and marble threshold records the name "MARX" an early Katoomba businessman who used the premises. The building has a skillion roof behind the parapet. The rear walls are of fibro with a weatherboard spandrel and have paired 2 pane casements windows with fanlights.
|
|
Two set-offs to east gable wall, remains of one C12 lancet and C17 attic window. North elevation with 12th-century string course at first floor, flat central buttress and remains of annulated engaged column to right. Three inserted casements and door. Dentil eaves cornice.
|
|
The windows in the south wall are shuttered. The west wall of the wing has 6 over 6 pane double hung windows. 2 no. hipped roof bay form dormers are in the west roof slope and have double hung windows detailed to look like casements.
|
|
Silk ribbons were woven first, and broad-silk looms arrived around 1756. Silk weavers often worked at home, cottages and later houses were built with loomshops in the roof space. These garret workshops had distinctive large casements. Later, these garrets were built with separate access.
|
|
Above the porch is a centrally- placed timber fixed ventilator window with a pointed head. The balustrading to the front steps is wrought iron. The side windows of the church are pivoting timber casements. The front windows are framed externally in unusual projecting decorative timber hoods.
|
|
The windows in the older part are sashes, and in the newer part they are casements. The house is listed at Grade II. This grade is the lowest of the three gradings given to listed buildings and is applied to "buildings of national importance and special interest".
|
|
The windows are glazed in tall steel casements allowing for ample natural lighting and the doors are made of heavy hardwood panels hung in timber frames, pedimented to the lintels. The floors are finished in parquet to the main areas with terrazzo to the entrance way.
|
|
The first floors have two-light casement windows under chamfered ashlar lintels. Gabled dormers to the attics have two-light casements with small panel glazing. Similar two-storey cottages were built without dormers to their attics. All the houses have back yards enclosed by brick walls.
|
|
Louvred panels on the side walls of the nave do not appear to be original and all other windows are casements. The interior is plain and comprises a nave, chancel and attached vestry. The walls appear to be lined with fibrous cement, but the ceiling is unlined.
|
|
This room is clad with fibro. A wall has been added to divide the verandah. Timber-framed casements windows with coloured panes of glass are located along the eastern wall of the verandah. Internally, the north wing consists of one large room divided by a timber arch.
|
|
Directly above the main entrance a double casement window flanked by single casements opens onto a small balcony with a wooden balustrade. Dr. Orr practiced medicine in Anderson for 25 years, and was active in the community. The house was listed in the National Register on April 13, 1973.
|
|
Windows are multi-paned casements with lancet arched tops. Gable ends are finished in sheet material decorated with vertical timber strips. The interior is lined with horizontal tongue-in-groove boarding and has an open ceiling with exposed scissor trusses. Some of these have been stiffened with steel rods.
|
|
Inside the hall, the walls and ceiling are lined with fibro sheet. The ceiling is raked up to the line of the collar tie. The south-west verandah has been infilled with rooms, clad with external boarding and smaller casements, and internal vertically jointed boards. At the rear are two sheds.
|
|
This building was originally located on the other side of the stables, but was moved during the Second World War to accommodate women and children evacuees. It is currently located approximately from the south-east corner of the house. The external walls are clad in weatherboards and the windows are casements.
|
|
The windows have three wooden casements with small leaded panes; those to the attic are under gables. There are two Tudor arched doorways with plank doors to south and east fronts. There is a wooden round arched loggia to the east front and a gabled porch to the south front.
|
|
There is a three- window range, of double-hung sashes with glazing bars, on the south-east front. The ground storey, faced in red brick, may possibly have been an underbuilding for a formerly jettied upper storey. Other windows are mainly casements. The north-west wing has one gabled dormer.
|
|
The food shops have metal security doors that open upwards. The first floor level is delineated on the facade by a rendered stringcourse. All the windows on the upper level have round headed windows containing steel framed eight pane casements. The panels below the windows contain a decorative pattern of brickwork.
|
|
The central door and gabled porch are flanked by two light casements; all are attributed to the 20th century. The building's exterior is made of dark slate and stone. It has a cobbled courtyard which features an old rusty anchor and a red telephone box. Historically, however, the courtyard was gravel.
|
|
The French doors are low-waisted with two large lights each side divided in two by a mullion. They also have glazed fanlights above. There are a number of double-hung windows throughout with two lights, each divided in two. A number of double casements are used in the enclosed verandah.
|
|
A curved cantilevered street awning supported on a steel frame shelters a centrally-placed entrance door with timber- framed casements on either side. A curved garden bed separates the building from the footpath. Other elevations are plain with walls clad in fibrous cement sheeting. Internally the building comprises several office spaces.
|
|
The roof overhangs at the front and rear but is nearly flush at the gable ends. The south elevation faces Bowser Avenue. It has two picture window groups, each consisting of four-light casements flanking a fixed picture window. The picture window group to the west is in a slightly projecting bay.
|
|
The upper floor has pairs of eight-light casements. The third floor has a flat roof, painted cement plaster exterior walls, and irregularly spaced double hung windows. The east elevation has the same parapet and entablature. It is divided into five bays, with four Corinthian pilasters similar in detail to the front columns.
|
|
The verandah has paired verandah posts and timber rail balustrade. Four timber approach steps are off centre and directly access the main entrance door to the police station. A faceted bay window protrudes onto the verandah space. An eyelid dormer window with four small fixed casements is located above the bay window.
|
|
The casements at floor level are decorated with opus sectile. Each exedra has five windows, some of which are blind. Each semi-dome has 14 windows and the central dome 28 (four of which are blind). The coloured glass for the windows was a gift of the Signoria of Venice to the sultan.
|
|
Entries occur at the base of these bays, the major public entry on the right. Plain giant order pilasters occur to either side of the fourth and fifth floor windows of these bays. Cable moulding is a decorative feature of the facade around each entry. The windows are all steel framed casements.
|
|
Chairs and tables [were] for the privileged few, and the wind whistled through the gaping casements. Candlesticks were made by folding the cover of a school-book and cutting a hole to receive the candle. A servant was supposed to sweep the rooms, make beds and light fires, but this was all.
|
|
The tower on the east side was crenelated at the top. The entrance itself was white glazed terra cotta. The façade featured different window shapes, such as a rose window, pointed arch chapel windows, gothic outlined and tracery windows and simple multi-paned casements. Lewis Hall was designed by architect Edward Lerch.
|
|
Its facade is six bays wide, with the entrance in the center-right bay, sheltered by a gabled porch with rustic square posts. First floor windows are paired six-pane fixed windows, except the leftmost, which has sliding casements. Second floor windows are paired casement windows. The interior is rustic and simply appointed.
|
|
The house is constructed in brown brick with stone dressings, and has a slated roof. It is in two storeys and its entrance front has five bays. There are three large Dutch gables on the entrance front, and another on the north face, each with reverse-curved scrolls supporting pediments. The windows are casements.
|
|
There is a curved, embossed iron window hood over the northern porch window. The former school room has a boarded ceiling and much of the internal joinery is intact. The large main windows have the appearance of double hung windows however, the sashes operate as casements. The building has been recently restored and repaired.
|
|
There are casements in the chancel and vestry. Internally, the nave floor is of hardwood tongue and groove boarding. Floor boarding is pencil-edged in the porch, and shot-edged in the vestry. Hardboard lining which concealed the nave walls has been removed since 1987, exposing the boards and battens, which have been painted recently.
|
|
Shippey adds that the poem offers Wordsworthian "romantic glimpses of 'old unhappy far-off things'", as well as echoes of Keats's "magic casements opening on the foam / Of perilous seas, in faery lands forlorn" (with Shippey's emphasis on the alliteration and assonance, similar to some of the devices used by Tolkien in the poem).
|
|
The premier was a former Institute president. The West Australian described the building: > [The hall] is a magnificent apartment, 70 feet x 31 feet, with platform, > dressing rooms, and so forth. This and all the rooms on the same floor > facing the street have French casements opening on to the balcony which > surrounds the building.
|
|
The hall is constructed in the Tudor Revival style from coursed squared stone with ashlars dressing with a stone slate roof. The windows are mainly wood mullioned casements with label moulds. There is a small square porch with Tudor arch at the front door. The western side has a square two storey stone bay window.
|
|
The central entrance comprises a porch of three archways with a half-timbered ceiling. On the roof is an octagonal fleche which has a copper cupola roof and louvred arcading around the sides. All external windows, many original, are multi- panelled casements. The internal windows are multi-panelled sash windows with hopper ventilating top lights.
|
|
The windows are all casements, some with shutters. There are two working waterwheels, one on the outside, the other inside the building. The external wheel is a timber overshot wheel, which drives largely 18th-century wooden machinery. The internal wheel is in cast iron, and is breastshot; it drives Victorian mainly cast iron machinery.
|
|
The house consists of a rectangular block with a wing to the rear. The windows in the front of the house are sashes, and elsewhere there is a mixture of sash windows and casements. At the front of the house is a timber porch on a stone plinth with octagonal columns, behind which are pilasters.
|
|
Together with the old vestibule, the new court formed a sequence of spaces decorated with doric pilasters and mouldings. Some Baroque interior fittings from this time is still present in the building, including classical corner mouldings, fire resistant doors with six double fillings, and separate windows with original hinges, colour, and glaziers lead casements.
|
|
These extensions were designed to match the existing structure, being red brick with stone and buff dressings. Each comprised a classroom with verandahs. A plan dated September 1912 detailed alterations to undercroft archway enclosures, including new sashes, six-light casements and part-glazed double doors, which were part of improvements, repairs and internal painting to "basement" classrooms.
|
|
The windows are a combination of 4/4 double hanging and 6/6 double hanging. There are two four-light casements flanking the chimney. The Mariah Wright House had an attached kitchen wing added around 1890. In 1965 the National Park Service restored the house, removing the kitchen wing and excavating a basement and full cement foundation.
|
|
Each wing has an internal stair, and the northern wing has a ground floor toilet block extension and the southern wing a ground floor entrance verandah. Windows are mostly casements, but some sash windows survive from the original structure. Internally, circulation is via the northeast verandah. Stairs are concrete with timber handrails, and metal balustrades and newel posts.
|
|
"Stalls instead of rich wares were set out with children, open casements filled up with women." The kingdom to which James succeeded, however, had its problems. Monopolies and taxation had engendered a widespread sense of grievance, and the costs of war in Ireland had become a heavy burden on the government, which had debts of £400,000.
|
|
The architectural historian Nikolaus Pevsner comments that the black-and-white decoration of this bay is "very rich". It consists of studding in the ground floor, lozenges and shaped balusters in the upper floor, and lozenges and serpentine struts in the gable. In the adjacent bay is a wooden doorcase with a triangular pediment. All the windows are casements.
|
|
The rear door is timber paneled with a paint finish and adjacent windows are casements with multi-paned coloured glass. A small louvred window is located to the west. Internal walls are lined with double-beaded tongue and groove board and side walls abut immediately to adjoining buildings. This addition is not considered to be of cultural heritage significance.
|
|
The south-west wing has an oriel window on the upper storey on the north-west side, on four shaped brackets. It also includes a jettied gable with carved bressummer and bargeboards. The windows are mostly mullioned and transomed casements with leaded lights, some with the original 17th-century fastenings. There are some original windows, blocked.
|
|
The interior and exterior building walls were made of adobe bricks in size. Exterior walls were thick, while interior walls were thick. The interior walls of the seven officers' quarters were finished in white plaster, and had glass windows set in white-painted wood casements. There were four U-shaped infantry barracks, each on a side and with ceilings.
|
|
The Stock Agents' Offices is a single- storey, rectangular building with sub-floor, constructed in dark brick with stepped parapets. Three sides of the building are freestanding and these each have an entrance. The windows are casements in timber frames on the upper level. Panels of fixed timber louvres at ground level provide light and ventilation to the basement.
|
|
Israel James Kapstein was born in Fall River, Massachusetts, and grew up in Providence, Rhode Island. With a childhood friend, S. J. Perelman, he attended Classical High School and Brown University. In college he wrote for the literary supplement of the Brown Daily Herald, contributed to the book review page of The Brown Jug, and was editor of Casements.
|
|
The staircases have cast iron balustrades with timber handrails and marble or terrazzo treads. Steel casement windows are used throughout with the exception of Units 3 and 4 which have timber casements. Internal walls are generally double brick with a rendered finish. The former caretakers flat located on the roof is of lightweight construction with a corrugated iron roof.
|
|
The ground and first-floor windows have 12-pane sashes with triangular pediments to the ground floor and cornices to the first. The shorter second floor windows have casements added later. The south front has a three-bay bow window with tall ground-floor windows. The centre window was originally a doorway accessed by a flight of four steps.
|
|
This central arch originally had two smaller archways supported on a slender central Corinthian column above which was a small circular window. The original sash windows of these openings have been replaced by large casements. The three openings are separated by pilasters with Corinthian capitals. Below each window is a balustrade of roundels, with a rosette in each circle.
|
|
Dive bomber support was also available from the Luftwaffe. In the initial attack, battle group 380 captured 2 blockhouses by clambering on their roofs and dropping explosive charges into their embrasures. Utilizing the gap in the line, further casements were outflanked and attacked from the rear, by nightfall 6 blockhouses had been captured in its sector.
|
|
The hoods on the northern side project further than the south. The windows are large, double glazed aluminium framed casements and have spandrel panels inset with a chunky, white quartz aggregate. The window hardware has been removed from the sashes. The side (eastern and western) elevations are painted concrete, finely articulated with off-form-patterned panels.
|
|
Richmond Baptist Church Richmond Baptist Church is in Breck Road, Liverpool, England. It is a chapel that was built in 1864–65 and was designed by Sir James Picton. The chapel is constructed in common brick with red brick banding and stone dressings. It has a slate roof, is in two storeys, and has round- headed windows containing casements.
|
|
The second floor ceilings are generally coved, with the exception of the teachers room which is flat, and are lined with beaded timber boards. Most early timber joinery survives, including: double-hung sashes with awning fanlights to verandahs; casements with awning fanlights to gable end walls; casements to stairwells; arched windows to the undercroft of the central wing; dormer windows to the northeast wing; panelled double doors with stop-chamfered detailing and awning fanlights above (many retaining early hardware); panelled, folding timber door partitions between some classrooms in the central and southwest wings; and half-glazed partitions within the southwest wing. Most windows have wide concrete sills and lintels. Timber-framed, corrugated metal-clad window hoods shelter windows on the southeast elevations of the northeast and southwest wings.
|
|
Central block with Dutch gables to west, north and south, the west one facing the entrance and with an attic window. Windows generally are ovolo-moulded cross casements, cornices are saw-toothed. 2 square one-storey pavilions flank main entrance right and left. Recessed linking blocks had retaining walls with taller central doorways enclosing forecourt, but this remains now only to south side.
|
|
Of the three surviving entrances, the main, cambered-arched doorway is aligned to the left and has an original panelled wooden door, and the other two have straight-headed doorways with simple wooden doors. Remains of another entrance are still visible. Above the main door is a datestone showing the year 1780. There is a four-window range consisting of tripartite casements.
|
|
It has a busy roof line, with multiple gables and dormers, and its windows are predominantly diamond-pane casements. The cottage was designed by Boston architect Harry Little of Little & Robb, and built in 1929 as a guest house for Mrs. William Amory as part of her extensive estate. It is set on the foundation of an early 19th-century farmhouse.
|
|
The eclectic neo-baroque Edwardian building is two storeys high with a loft space in the hipped roof. A load-bearing construction, the walls are of plastered brickwork with timber and steel floors. The roof is corrugated iron and the windows are timber casements. The front elevation is well proportioned creating an ordered and balanced appearance, but on a domestic scale.
|
|
There is evidence of this earlier smaller timber structure in the timber wall separating buildings Nos.8 and 9 that only extends across half the breadth of the current interior space. The rear of this building is clad with metal sheeting with the same casements of narrow metal louvres. The interior is a large space with numerous supporting posts and exposed roof trusses.
|
|
The postal hall breakfront wing is in exposed face brick with three stilted arched windows. These are divided into two plain-paned hinged casements in the lower parts and fixed multi-pane lunettes in the upper. The postal hall wing has a flat roof concealed behind a parapet. The original door that accessed this balcony has been replaced by a new panel door.
|
|
It has two storeys. Over all the windows are wedge lintels. The two windows in the ground floor of the entrance front are sashes with glazing bars; the two windows above them are casements. Between the windows on the ground floor is a doorway containing a six-panel door with flat pilasters and an open pediment, over which is a fanlight.
|
|
Residence, 2006 The Director's residence is attached to the garage building. It has a hipped, corrugated asbestos cement tiled roof which is contiguous with the garage roof; however over the house the parapet wall gives way to overhanging eaves. Walls are face-brick and doors and windows are timber casements and painted white. Brick stairs lead up to the recessed entrance.
|
|
The windows on both levels are timber- framed casements or double-hung sashes, both with fanlights and original hardware. Some windows are sheltered by large timber awnings with timber brackets and battened cheeks. Two projecting stove recesses are on the northern side. Timber stairs provide access to the upper level as well as to the connecting walkway linking the two building parts.
|
|
Outside the colonnade, each side has two flanking windows. They have similar decorative treatment as the central bays, but are set with one-over-one double-hung sash above a recessed panel. On the sides, windows are set with two eight-pane casements, opening in the center, above a recessed panel. A stringcourse is at the bottom, paralleled by the building's water table.
|
|
The north-western side is less articulated and shelters a small back-of-house court, reflecting its service rooms inside. A timber- framed room projects from the northern end. It has walls clad with weatherboards and a pyramidal roof clad with terracotta tiles with a terracotta finial. The windows in this room are also later, timber-framed casements with green lights.
|
|
It has a fanlight with a round arch, above which is a pediment. The lateral two wings have semicircular two-storey bay windows, which are in a different style from the rest of the house. The central pane of each window is octagonal. The other windows in the lower two storeys are 12-pane sashes, and those in the top storey are 12-pane casements.
|
|
In a number of places where there is geothermal activity, wells have been drilled and fitted with impermeable casements that allow them to erupt like geysers. The vents of such geysers are artificial, but are tapped into natural hydrothermal systems. These so-called artificial geysers, technically known as erupting geothermal wells, are not true geysers. Little Old Faithful Geyser, in Calistoga, California, is an example.
|
|
Within the parapet, to the north-east, is a small chimney. There are two original lancet windows, and two, three light casements which were added sometime in the late 1900s. The square tower, to the south, has a plain parapet wall and contains a small, arched window. These two structures are linked by a low, pitched roof block with a single, small, casement window.
|
|
The Casements is a mansion in Ormond Beach, Florida, U.S., famous for being the winter residence of American oil magnate John D. Rockefeller. It is currently owned by the city of Ormond Beach and is used as a cultural center and park. It is located on a barrier island within the city limits, overlooking the Halifax River, which is now part of the Florida Intracoastal Waterway.
|
|
Ventilation is provided in the ceiling by a centrally placed latticed vent and by means of moveable floor vents situated at the base of the front wall. Cross ventilation is provided by casement windows on the north and south walls. Each pair of casements has a three paned hopper above, which can be opened. Fittings on the windows on the southern wall are original.
|
|
The windows are related to the postal hall in front, but are double-hung sashes rather than hinged casements. The gable ends have painted horizontally-laid boarding, coming down to just above the window-heads, with simple, deep-chord bargeboards. The roof has exposed rafters and angled eaves. It appears to have a small flat roof and timber bracketing directly onto the house wall.
|
|
It is in two storeys, the front being gabled with a decorated bargeboard. The windows are transomed casements, and there is a four-light oriel window on the left side. The Home Farm is built in sandstone with red tiled roofs. It consists of a cottage with a single storey and an attic, a shippon and calf house, a barn, pigsties, a stable, and a cart shed.
|
|
Some of the first German fortifications built on the French coast were started at Azeville battery in 1941. The Germans installed four First World War 105mm guns in concrete casements. The guns at the battery fired upon Utah Beach on D-Day (6 June 1944) and the battery fell into American hands on the morning of 9 June 1944. The battery is now a museum.
|
|
Five-sided Fort Macon is constructed of brick and stone. Twenty-six vaulted rooms (also called casements) are enclosed by outer walls that are thick. Fort Macon view of casement looking into the central courtyard. In modern times, the danger of naval attack along the North Carolina coast seems remote, but during the 18th and 19th centuries the region around Beaufort was highly vulnerable to attack.
|
|
Notable are blind armorial shields in the gable heads and casements with diamond-paned glazing. The Bastie Monument, early 19th century, consists of a square plinth and pedestal embossed with crosses and classical cornice, topped by a stylised urn. Erected by General James Home in honour of Antoine d'Arces, Seigneur de la Bastie, a warden of the Marches murdered by Clan Home near Langton in 1517.
|
|
It has a paneled door in the center of front facade with a four-light flush transom. Two nine-over-nine windows are on each side of the door. A kitchen wing was added to the structure in the 1920s with a similar gambrel roof. The wing also has a circular window, double casements on the front, and doors connecting with the house windows.
|
|
One original timber-boarded door remains in the southernmost room. The original windows are timber-framed and double- hung or casements with fanlights. Air conditioning units have replaced some windows however those remaining retain original brass hardware. The southern wing comprises two levels, four rooms on the upper floor and three rooms and a toilets area on the lower, connected by a stair to west-facing verandahs.
|
|
The doors are timber with a glazed panel and some have screens. The original windows are timber-framed with two layers, an inner set of double hung sashes and an outer layer of casements. Those on the eastern side have timber brackets with slots for a workbench shield. The toilet ceilings and walls are sheeted, and the floor is a vinyl composite coved to the wall.
|
|
Additional stairs () have been inserted into the east and west verandahs, providing covered access to the understorey. The east verandah stairs are enclosed with a combination of modern fixed glazing and louvres. The eastern teachers room ( - 1950) is lowset on timber stumps; and connected to the 1929 building via a small verandah extension. The door is panelled and the windows to the north, east and south are narrow, double-row casements.
|
|
Main outer blocks with cross casements, Dutch gables to all faces (north return of north block with twin shaped gables), and frontal (west) polygonal towers with doors at the bases and pierced parapets at the top. Gabled roofs carry romantically-placed 2- and 3-flued stacks. Platform canopies supported on square section welded steel piers of late C20. The piers rise to timber braces within which are cast-iron scrolled brackets.
|
|
There was probably here originally a matching doorway to that in the S wall, leading to the other service room. To the left of the outer door is a window with 18th century moulded ashlar surround containing three modern wood casements. To the right of the outer door the wall is covered by the end of the brick-arched passage between house and stable range (Figs. 22, 23).
|
|
Parkhead Hall is constructed from squared stone with ashlar dressings, the light coloured exterior stone complements the pink roof tiles. There are three distinctive side wall chimney stacks along with the three on the roof. The windows are mainly casements. The extensive gardens of the original house have been gradually reduced over the years as the land was sold off for housing, allowing dwellings to be built on Abbey Lane.
|
|
James's English coronation took place on 25 July, with elaborate allegories provided by dramatic poets such as Thomas Dekker and Ben Jonson, though the festivities had to be restricted because of an outbreak of the plague.Stewart, p 172. Nevertheless, all London turned out for the occasion: "The streets seemed paved with men," wrote Dekker. "Stalls instead of rich wares were set out with children, open casements filled up with women".
|
|
A wrap-around porch stretches around the west, south (front), and east sides of the house. On the front elevation, French windows with fanlights on either side of the portico open onto the porch. Casement windows with lattice lights above sit on the second story above the French windows. On the east side, there are two French windows with casements above and a porte-cochère below a small balcony.
|
|
Triangular stops to first floor casements. Moulded ashlar eaves cornice below gabled roof with 19th-century internal end stacks carrying twin octagonal gault brick flues. Gable ends on kneelers. East wall with remains of external stack, flat buttress to left and clasping buttress to right, the latter being the remains of a 12th-century pier: single shaft to left and on north face multi-shafted above set-off.
|
|
The building does not consist of much decoration, there are only some decorative brickwork features and ironwork balustrading. There are not much structural alteration to the building. The pitched roof is finished with double layer Chinese clay tiles, with a single chimney stack and flue openings projects above the ridge. The windows of the building consist of wooden casements incorporated in window openings with granite cills and lintels.
|
|
Crownhill Fort has six three-storey caponiers. The first floor was for infantrymen, the second was for gun casements each housing Smooth-Bore Breech-Loading guns and the third connects with the Chemin de Ronde, the parapeted walkway circling the fort. The north caponier is a full caponier because it points in two directions. The other five caponiers are demi-caponiers because they face in one direction only.
|
|
The converted railroad bridge stood for many years until it became too old to be serviced. A newer, two-lane concrete bascule bridge (drawbridge) was constructed to carry Granada Boulevard. It was opened on March 2, 1954, and named the Rockefeller Memorial Bridge for Standard Oil billionaire John D. Rockefeller, who had made The Casements in Ormond his winter and retirement home until he died in 1937.Florida Dept.
|
|
The Warwickshire squad was: Dave Tierney, Ian Dooley, Eamonn Hanlon, Michael Hayden, Joseph Dowling (Sean McDermotts), Gavin Farrell, Bobby Scully, Damian Cassidy, David Cunningham, Paul Houston, Michael Hegarty, Kieran Boyle, Eamonn Fallon, Joe Bergin, Brian Higgins, Mel Guinan (Roger Casements), James O'Hara, Alan Armstrong (St. Barnabas), Brian Cuffe, Mark Ryan (Four Masters), Neil Corrigan, Johnny Connaire, Tommy Mooney, Paul Troupe(Various), Mark McLoughlin, Steve McGeer(Various), Peter Healy (John Mitchels).
|
|
The front entrance is from a small verandah with timber balustrading which is approached by low timber steps. The windows are paired casements. The houses are not identical although similar in form, and the floor plans differ, presumably to suit the use of the first tenants. The interiors still reflect the era in which they were built, although the inspector's house has been fitted out as an office.
|
|
The ceiling of the Chinese Room consists of a dramatic elliptical dome. A gilt plaster molding of wreathes surrounds the dome, while the rest of the ceiling is covered in chinoiserie paintings of animals, people, and trees. A two-tiered crystal chandelier hung from the center of the dome. At some point in time, the windows in the east wall were filled in, and mirrors inserted in the new, false casements.
|
|
1938 teaching building from north-east, 2015 The teaching building is a highset, timber-framed and weatherboard-clad building. The roof is gabled, with timber batten infills, and is clad in corrugated metal sheeting. The north and south end walls each have large banks of casements with horizontal centre-pivoting fanlights, protected by hoods with battened timber brackets. The walls and ceiling of the classroom are lined with VJ boards.
|
|
The same brick is used for three carefully modelled chimneys, which rise from sturdy bases to tall, slender stacks. It is high-set on brick piers at the front and low-set at the rear, and the understorey is accessible through arched openings in the perimeter wall. The windows are primarily two banks of small, timber-framed casements with multiple panes. A wide verandah "piazza" runs along the south-eastern side.
|
|
At the east end is a shed-roofed porch and the main entrance. In the center is a pair of large 12-over-12 sash windows in casements, with a smaller pair of windows followed by a secondary entrance at the north end. All the windows have solid wooden shutters painted red and green. The west profile has two windows, one on each story, with the east having double that.
|
|
The three-storeyed verandah ensemble has bays supported on single and paired posts, the lower two storeys with open balusters and the top level with flared shingled aprons topped by baluster-work. The fenestration comprises bracketed oriels, facetted bays and ranges of multi-paned casements. The wall-hung shingling imparts to the design an American Shingle-style flavour. The terraced garden includes a couple of very tall, shaft-like Washingtonia palms.
|
|
She also designed her personal residence constructed in 1926 at 878 Franklin Avenue in Columbus, where she lived until her death. The long, narrow home she designed for herself is a stuccoed two-and-a-half story structure. With its gable end to the street, the house is modest and has an asymmetrical front facade. It combines French doors, small rectangular windows, round-headed windows, and steel casements in an eclectic and very personal design.
|
|
Above the door, a balustrade is suggested by half-round, vase-shaped balusters applied to the spandrel under the tall, double round-arched window. First- and second-floor windows in the flanking bays of the pavilion are blind. Windows in the wings are double casements, four panes high at the first floor, three at the second; two are blind at each floor. The pavilion pilasters support a plain architrave and pulvinated frieze.
|
|
The double-height painted timber church is designed in the native timber Gothic Revival style. The symmetrical five-bay double-height church has a three-stage tower fronting its forward gable, supporting a shingled needle spire. The tower and nave are flanked to both sides by five-bay lean-to aisles, which terminates distinguishing the final nave bay as the chancel. Windows are pointed stained- glass casements at aisle, and stepped to second stage tower.
|
|
The family residence moved to Moseley Court around the 1820s, which was a new Regency-style house built for George Whitgreave. Few structural changes were made to the Hall until around 1870, when the outer walls of the building were replaced by bricks, and casements replaced the Elizabethan windows. Around that time, a first floor corridor was constructed. Descendants of the Whitgreave family owned the house until 1925, at which point the estate was sold.
|
|
The windows to the main space are large timber multi-paned double hung windows, while those to the smaller spaces are small paned casements matching those used in the Little Hall. The hall has a second well defined entrance at its northern end leading from the driveway into two offices. These are currently used by the preparatory school located behind the hall. The hall has a full stage at its southern end.
|
|
The Brunswick Street elevation is four storeys high and is constructed of rendered and painted masonry. There are thirteen windows on each floor, arranged in vertical panels between flat pilasters and becoming successively less decorated. The first floor windows are casements with semi-circular fanlights and distinctive projecting arched hoods. The second and third floor windows consist of pairs of rectangular sash windows with decorative moulding below the sill and around the frame.
|
|
The mansion's flanking wings, which are one story lower than the one-room central section, each consist of two rooms. The central gable is crowned by two rectangular interior chimneys which run parallel to the mansion's roofline. The central gable also contains three bays with casements of nine panes each. The second story of the central section is crowned by a mousetooth brick cornice that once marked the edge of the mansion's clipped roof.
|
|
A cassone that has been provided with a high panelled back and sometimes a footrest, for both hieratic and practical reasons, becomes a cassapanca ("chest-bench"). Cassapanche were immovably fixed in the main public room of a palazzo, the sala or salone. They were part of the immobili ("unmoveables"), perhaps even more than the removable glazed window casements, and might be left in place, even if the palazzo passed to another family.
|
|
There appears to be at least eight hospital beds and two operating tables. Access was gained by a steeply-angled staircase through a hatch in the roof. A framed wooden door allowed for entry and exit on the starboard side of the hospital closer to the waterline while two framed glass sash windows allowed in light on the port side. Window casements framed into the roof allowed for some additional light and ventilation.
|
|
When Casement was 13 years old his father died in Ballymena, and he was left dependent on the charity of relatives, the Youngs and the Casements. He was educated at the Diocesan School, Ballymena (later the Ballymena Academy). He left school at 16 and went to England to work as a clerk with Elder Dempster, a Liverpool shipping company headed by Alfred Lewis Jones.Séamas Ó Síocháin, Roger Casement, Imperialist, Rebel, Revolutionary, Lilliput Press, 2008, p.
|
|
Below the kitchen, the understorey is enclosed to form a laundry. A large painted, brick chimney breast is at the centre of the gable and is flanked by windows. A verandah runs the length of the eastern (side) elevation and is enclosed at the southern end by weatherboards and timber- framed casements. The main entrance timber door has bolection moulded panels and glazing surrounded by fan and side lights forming an unusual semi-circular feature.
|
|
The widely arched windows are spaced alternately with triangular topped casements separated with decorative stucco architraves. The windows hold stained glass in the upper portion of the frame with regular glass panes below. The front of the building has tiled dado of patterned rectangular green and brown glazed tiles. Much of the facade has Queen Anne style architectural elements The building has frontage along High Street and a depth of along Henry Street.
|
|
The elaborate moulding and keystone over the arched window protrude into the tympanum above. Windows are generally pairs of timber casements with pivoting highlights over. The ground floor is raised above the street and a half flight of stairs at the street corner leads to glazed timber doors opening onto the entry vestibule. The entry vestibule is octagonal in plan with timber panelling up to door head height and a tiled floor.
|
|
Crowley was born in Coventry and raised in the Coundon area, where he attended Christ the King Primary School before moving on to Cardinal Newman Catholic School. He has four younger siblings. His father, Dave, came through Coventry City's youth system before playing for and captaining non-league club Nuneaton Borough. As a child Crowley played for his local GAA Club, Roger Casements and participated in the annual Feile na nGael gaelic sports festival.
|
|
The inside of one of the Hilsea Lines' gun casements The current lines were constructed between 1858 and 1871. They included special fortified bridges for road and rail access. A model of the Hilsea Lines featured in the 1862 International Exhibition. Even before their completion the Hilsea Lines had been rendered obsolete by the 1859 Royal Commission and advances in artillery technology; as such they were the last full bastioned trace constructed in the United Kingdom.
|
|
Finally, a and tunnel was built through the West centre curtain to act as a sally port. It was originally planned to equip the lines with smoothbore guns; however, it appears the guns may never have been fitted. In 1886 the lines were equipped with a mix of RML 7 inch guns and RBL 7 inch Armstrong guns on Moncrieff mountings fitted in newly constructed concrete emplacements. Further RBL 7 inch Armstrong guns were fitted in the original casements.
|
|
Left bay in 19th-century brick now painted black and white in imitation of timber frame. The Lack, Brompton/Churchstoke The windows are late 19th century casements; first-floor window of right gable end has a moulded wooden cill of an earlier window. Brick addition has segmental- headed casement. The interior has been considerably altered in the early 20th century with new staircase and fireplaces but retains chamfered cross-beam ceiling with ogee stops to right ground-floor room.
|
|
Most original windows have been replaced with modern aluminium frames. Windows on the eastern and southern elevations are generally casements with two-light fanlights, positioned between brick pilasters; however the central bay windows have arched fanlights, with arched sandstone lintel cappings. Timber-framed, double-hung sashed windows survive in the rear verandah and balcony. The rear verandah has square timber posts, timber floor boards, a timber battened valance and a decorative timber balustrade of crossed members.
|
|
Entry to the church is from the Ballow Road frontage by a more recent timber stair with steel handrails. The paired entry doors to the church have an arched head and are timber framed and clad with tongue and groove boards. Windows to the church are three panel timber framed casements with coloured glass infills. Internally the church is a single volume space with a small vestry formed in the southern corner by low height partitions.
|
|
The light gently textured surface contrasts with the dark coloured timber windows located in the central range, the stair halls and the southern elevation. At the rear of the building eleven banks of four casements with fanlights are symmetrically placed on the ground and first floor. Identical grouped casement windows are located on the east and western face of the building. The verandahs are floored with polished concrete and double hung sash windows line this space.
|
|
There is a two-story turret with conical roof that defines the south corner of the house. There are decorative wood moldings above and below the second floor windows, which form a band around the house and turret. A bay window extends on the first floor to the south and two hipped dormers with diamond configurations in the casements break the roof line. Members of the Clark family occupied the home until 1962, when Dr. and Mrs.
|
|
This poem is believed to have been written by Rockefeller: > I was early taught to work as well as play; My life has been one long, happy > holiday—Full of work and full of play—I dropped the worry on the way, And > God was good to me every day. It was in this home that Rockefeller eventually died in his sleep on the morning of May 23, 1937. The Rockefeller family sold The Casements in 1941.
|
|
The passenger station building, signal cabin and utilities block are all constructed using a precast concrete system consisting of reinforced concrete planks slotted horizontally into a concrete frame, supported on concrete walls. Their timber framed roofs are clad in ribbed metal sheeting. Openings in the station building are fitted with timber framed doors and double hung windows. The ticket windows between the booking lobby and the office are of double hung casements with decorative steel grilles.
|
|
In each flat, there is a small triangular coat-cupboard in the entrance hall, and early built-in cupboards in the bathroom and kitchen. There is also an early, but not original, serving hatch between what is now the dining room (formerly the living room) and what is now the kitchen (formerly the bathroom)]. Windows throughout are timber-framed casements, most retaining their original patterned, opaque glass. The front door to each flat has a decorative oval leadlight window.
|
|
She managed Dromahair GAA in Leitrim, claiming that the passion she felt for her county was her motivation to take part in the show. Dromahair competed against the George Hook-managed Cuala Casements GAA of Dalkey, County Dublin in the tournament's quarter-final. Upon reaching the final, she appeared alongside her opponent Derek Davis on Tubridy Tonight. A 2009 DVD outsold efforts by Neil Delamere and PJ Gallagher, though did not manage to outsell Des Bishop.
|
|
The second floor has six-over- six double-hung sash over the entrance flanked by triple-paneled eight-light casement. The east and west facades are differently fenestrated. The former has one nine-over-six double-hung sash on either side of the first floor, four regularly spaced six-over-six double-hung sash on the second, and two six- light casements in the gambrel apex at the attic level. The foundation is partly exposed on this side.
|
|
Floors in the entrance vestibule are terrazzo with a central motif pattern. The eastern end is a symmetrical composition with large stucco quoins and capitals visually supporting the raked moulded cornice to the gable. The centrally placed entrance is framed by a projecting balcony with a wrought iron balustrade supported on Doric- style columns. A tall, arched doorway with ruled stucco keystone and reveals opens onto the balcony and is framed by tall rectangular windows with timber framed casements.
|
|
A cantilevered, rectangular bay, which formed a focal point on the second level of the street (east) elevation, contained a band of four such three-piece windows and was subtly bookended by two deeply inset casements. The remodel brought ample exterior space to the house. Matching porches extended into the front and rear yard on either side of the north-facing, vertical entry and stair tower. Both porches were terminated in a broad stair between elongated planting piers.
|
|
The north wall is clad with horizontal beaded tongue and groove boards. The plan is organised around a central corridor with bedrooms opening off to the south and lounge, bedroom and dining to the north. A verandah runs around this core with a kitchen and stove alcove built into the northeast corner and bathroom and storeroom to the southeast. The north verandah is enclosed with hopper windows (casements fitted to open horizontally) and lined with plywood and fibrous sheeting.
|
|
Centrally located immediately below the front half gable is a large rectangular inclined skylight supported by timber mullions, the bottom of which meets the top of a projecting bay window. This tripartite window consists of a central sash window with casements on either side. The upper portion of all 3 windows is multi-paned, while the lower portions have a single pane. Both the skylight and the bay window have modern roller blind systems attached to the outside.
|
|
The northeast verandah has been enclosed with chamferboard, and a stone flagged terrace has been added. The southwest section of the front verandah has also been enclosed. The rear of the building has been altered, with an original rear wing having been removed and verandahs enclosed and extended. Windows are mainly casements, some with corrugated iron and timber batten sunhoods, and a corrugated iron garage has been built adjacent to the southeast corner of the residence.
|
|
In their southern and side external walls there are large timber- framed, multi-paned windows (some casements and some fixed) with low sills. The interior sills are wide, making a ledge that has been fitted with timber. On the northern side the main entrance opens into a small vestibule from which a door in each side wall opens to an enclosed verandah room. In both rooms there is a brick fireplace with a timber surround and mantel.
|
|
The opposite side are lofted stables, connected to the tackrooms by a single-storey row of coach-houses. The entrance faces north and has four bays with a lateral chimney protruding to the left that are partly corbelled over the ground floor. The roof has three gabled dormers over a pedimented, 2-storey, rectangular bay window. The other windows are small- paned casements in freestone mullioned and transomed surrounds; the first- floor windows with flat moulded labels.
|
|
The base of the building, which has been refinished with a pebble aggregate, diminishes on the Stokes Street side due to a gentle rise towards the north. The northernmost part of the Stokes Street elevation, originally two shops, is face brickwork with a rendered entablature matching the main part of the building. An awning projects over the footpath in front of the brick section. Most of the windows are generously proportioned steel framed casements with simple classical architraves.
|
|
The 2½-story brick house features a main entrance with sidelights and other windows that reaches the attic level. It features a blend of wood carvings in foliate and rope designs, and Bedford stone lintels and blocks that are carved with reliefs that reflect an Italian Renaissance influence. The brick color, chimneys and roof style reflect the Tudor Revival style. The house also has large windows with transom and casements that reflect the Colonial Revival style.
|
|
The windows are two-leaf casements with exterior solid and Jouvered combination paneled shutters. Metal grilles are at each window. The walls have a simple low projecting base course, and the first floor walls are marked by horizontal incised coursing, all in stucco. There is a large molded string course between stories and on the second floor, five door openings, each with double-leaf doors that are half sash, which replaced the original louvered and paneled shutter combinations.
|
|
The parish contains one building that is recorded in the National Heritage List for England as a designated listed building. This is Marshfield Bank Farmhouse, which dates from the late 18th century, and contains some internal timber work possibly from an earlier date. It is built in brick with a tiled roof, is in storeys, and has a three-bay front. Most of the windows are casements, and there are some horizontally-sliding sashes at the rear.
|
|
At New Farm State School the two classrooms of the open-air annexe were divided into four and its windows were altered to include fixed panels and casements in 1949. A tuckshop and a library were also created within the existing urban brick school building in the 1950s. In 1958, folding partitions were installed in three classrooms in the southwest wing to provide a space for school assemblies.Project Services, Queensland Schools Heritage Study Part II Report, for Education Queensland, January 2008, pp.
|
|
A door from the parlour leads into the former dining room, off which, to the right, is the second bedroom. The parlour and dining room each have a fireplace in the east wall. The parlour has one window opening onto the front verandah, with s casements replacing earlier sashes. The dining room window in the rear wall has been bricked in and two small windows, one either side of the chimney in that room, appear to date from the s refurbishment.
|
|
Original windows are timber-framed, three-light casements of patterned glass, and louvres to the stove recess. The front verandahs have been enclosed with louvres above balustrade height. A short flight of steps to the front door has a modern metal handrail, while the rear steps retain their timber balustrade. Non-significant elements of the exterior include: louvre windows to the verandah enclosure and rear bathroom addition, roof ventilators, security screens to doors and windows, vinyl cladding, and metal handrails.
|
|
The original clubhouse, designed by Bruce Price, was built in 1886 and demolished in 1927. John Russell Pope's clubhouse was constructed on the original stone foundations the following year. The clubhouse is U-shaped, with stucco over wood frame, low hipped slate roof, stone embedded in stucco, leaded glass casements, and mullions forming crossettes in continuous fenestration. Located at the foot of Tuxedo Lake, it commands a view to the other end of lake and two ranges of wooded hills.
|
|
The architecture of the city is a blend of Gothic Revival, Indo-Saracenic, Art Deco, and other contemporary styles. Most of the buildings during the British period, such as the Victoria Terminus and Bombay University, were built in Gothic Revival style. Their architectural features include a variety of European influences such as German gables, Dutch roofs, Swiss timbering, Romance arches, Tudor casements, and traditional Indian features. There are also a few Indo-Saracenic styled buildings such as the Gateway of India.
|
|
Windows are mostly casements, with sashes to the verandahs and hoppers to some later sections. Internally, the central section has vertically jointed boarded walls and hardboard ceilings. Two partitioned staff areas have boarding to sill height with sash windows or fixed glazing above, and a separate staff room projects to the northeast of the verandah. The attached school building on the eastern corner has enclosed northwest and southeast verandahs, and the northern additions have boarded ceilings raked to collar-beam height.
|
|
On the eastern facade is a double-hung sash window with hand-drawn glass, and on the opposite facade there is a bank of casements, possibly dating from late 1900s to early 1920s. To the south, a square open section, occupies the middle of the kitchen's slab facade. A single board door opens onto the interior from here. A french door with 8 lights in each sash opens off the kitchen onto a semi- enclosed verandah area on the northern facade.
|
|
Francisco Manuel Barroso da Silva was an early Brazilian admiral. Manuel Luís Osório was a Brazilian military and political figure from Rio. André Vidal de Negreiros was a governor of the Portuguese colony of Brazil in the 17th century. The fort also has two small retractable casements on the flanks, each of which held a quick- firing gun with a 180° traverse and a range of . Unlike the large Krupp guns, these 75 mm guns are no longer in place.
|
|
There are three rectangular chimneys: one on the west wall of the "L", one on the east wall of the house, and one on the west end of the main section, emerging through the roof. Windows very in size and shape, utilizing 8/12, 6/9, 8/8, and 6/6 patterns. Dormers on the south and east sides each have two casements with six lights. The main (south) facade has seven bays; the main entrance is in the third from the west.
|
|
The hall is constructed from dressed stone with a hipped slate roof. The main frontage of the building faces south and is composed of three storeys and a seven window range, the windows are mostly 20th century top hung casements with moulded surrounds and keystones. The front also has a central pediment and the main entrance has an open Doric three bay colonnade. The main colonnade leads off the west side of the building and is composed of eight bays with Doric columns.
|
|
Each arcade has a concrete floor, and a vestry is located at the rear. The windows to the side aisles are separated by buttresses, and consist of triple leadlight lancets with lower casements sections set in a pointed arch composition. Paired timber doors housed in a pointed arch open from the side aisle to the arcade. Each vestry projects from the arcade, and the side wall has six narrow pointed lancet windows, and a pointed arch timber door opens to the rear.
|
|
The porch is to the west of the nave, its walls also constructed of random rubble with uncoloured concrete block quoins. The western porch facade has a rectangular window with three lights, the outer casements of which open outwards while the central light is fixed. There is a narrow, upright slit in the stone wall above the window. The western facade of the nave has a circular window in-filled with fixed louvers and topped by a stone drip moulding.
|
|
A pair of 2 panelled doors with a toplight are off centre in the south wall opening to the verandah. 6 over 6 pane double hung windows with 3 pane toplights are also in this wall. A 4-panel door opens from the east side of the west leg of the wing. 6 over 6 pane double hung windows are in the north and south gabled wails with 4 over 6 pane double hung windows built to imitate casements, in the gable above.
|
|
The corners of the verandah have been enclosed to the north for toilets and to the south for a small kitchen. Both enclosed areas open to the verandah. There are four timber casement windows to the west in the south corner and three timber casements windows to the west in the north corner. The open middle portion of the verandah has a timber handrail and two horizontal midrails and a single stop chamfered verandah post at the top of the stair.
|
|
The Granada Bridge is a high-clearance bridge that spans the Halifax River and Intracoastal Waterway, linking the mainland and beach peninsula parts of Ormond Beach, Volusia County, Florida. Granada Bridge carries four lanes of State Road 40 and Granada Blvd.Florida Dept. of Transportation, Florida Bridge Information The Casements, along with City Hall Plaza, Fortunato Park, and Riverbridge Park reside at the four corners of Ormond Beach's Granada Bridge, which give their collective name to the annual "Four Corners Festival" in Ormond Beach.
|
|
The four storey building is constructed of reinforced concrete frame with brick walls, which were plastered smooth and painted white to give a sleek, minimalist appearance. The staircase tower has a distinctive full height glass brick window panel and the building has a flat reinforced concrete roof. The windows are steel framed hung on pivots and with casements. The design utilizes the sloping topography of the site, gaining useful basement space from the decrease in ground level from the entrance corner.
|
|
In the left projecting gable is a porch, the windows are mullioned and transomed, and at the rear is a semicircular stair turret with a conical roof. The stables, now used for other purposes, are in brick with a storey band, and have tile roofs with parapeted gables. They have a single storey and lofts, and a U-shaped plan with a main range of three bays. The windows are casements with segmental arches, and there are doorways and loft openings.
|
|
The parish contains one listed building, Huntington Farmhouse, which is designated at Grade II, the lowest of the three grades, which is applied to "buildings of national importance and special interest". The farmhouse is in red brick with storey bands, a moulded eaves cornice and a tile roof. There are two storeys and an attic, and it consists of a central range and two projecting gabled cross-wings. The doorway has pilasters and a fanlight, and the windows are casements with segmental heads.
|
|
The building has a number of casement windows in groups of four on the front elevation, groups of three lining the enclosed verandah, and, elsewhere, groups of two. Corrugated iron clad window hoods, with sides of timber battening, provide sun shading to many of the pairs of casements. Internally the building is clad with VJ boarding on the walls and ceilings and has a timber boarded floor. The internal doors are generally four panelled with high mid (or lock) rails.
|
|
The eight large windows at the nave together with the other six at the transept and two at the sacristy are arched. There were originally eight large windows at the transept until the walling up of the two fronting Victoria Street. The original timber louvred casements of the windows were replaced by glass shutters with green glass in 1937. The stained glass windows in the lunettes of the nave and transept windows were presented to the cathedral by Bishop Charles Arsène Bourdon.
|
|
A private development named "The Hamlet" was built between 1883 and 1893. It consists of fourteen villas on Hamlet and Fox Hollies Roads, along with the Friends Meeting House on the Stratford Road. The architectural style of these brick and tile properties is typified by massive chimneys and timbers, leaded casements, and bracketed bays. It is believed that initially all the properties carried a moulded plaque bearing the initials 'MS' along with the date of construction but few of these plaques now remain.
|
|
Each block has three unornamented doorways with arched heads. Above the central doorway is a cast-iron plaque bearing the coat of arms of the Tollemache family and the date 1870.Simpson, plate 117 The ground floor has four casement windows, one of two lights and three of three lights; there are four two-light casements to the attic floor, two of which are gabled dormers. All the windows are latticed in iron with a diamond pattern and have arched heads.
|
|
Internal doors are timber with moulded panelling and operable timber panelled fanlights that retain original brass opening mechanisms. Timber French doors with fanlights have fine, moulded glazing bars and clear glass lights and open onto the verandah from most rooms. One set of French doors has been modified into one large sliding door and another set has been relocated to enclose the verandah nearby. Other windows are double-hung timber sashes or timber casements with fine, moulded glazing bars and clear glass.
|
|
The west elevation is similar except the bottom pair of casements of the southernmost window have been replaced by a door which is accessed by a ramp. Beyond the portico is the banking chamber, a large room approximately long and seven metres wide with ceilings. It occupies the entire enclosed space of the building for most of its length. The walls are lined with vertically jointed pine boards and there is a profiled picture rail in line with the head of the windows.
|
|
The attic story on the gable ends has four-light upward-swinging casement sashes. The basement sashes are four-light hoppers. The rear door on the south side has a centered four-paneled door providing to the first floor and another pair of cellar casements of three light. The front entrance on the north side has a porch with facing pediment covered in clapboards with two six-inch square posts and two six foot by three inch pilasters, simple one foot by three- quarter inch balusters.
|
|
Southern windows comprise large banks of casements with horizontal centre-pivot fanlights. Windows to the northern verandah walls vary, with banks of high-level horizontal centre-pivot windows to Block B, and double- hung sash windows with horizontal centre-pivot fanlights to Blocks A and C. Windows and doors retain early fittings and hardware. The interior walls and ceilings are lined with timber v-jointed (VJ) tongue-and-groove (T&G;) boards. The ceilings are coved, with exposed metal tie rods and square lattice ceiling vents.
|
|
313 Gothic entrance and casements In the 1650s, "ye Hospitall howse" or "St Nicholas Hospitall" was owned by the Wilbraham family; it was leased in 1655 to William Jackson, a tanner. Jackson kept a tannery at the end of Hospital Street, possibly on the site now known as the "old tanyard"; this might have earlier been John Crewe's tannery.Lamberton & Gray, p. 118 Subsequent inhabitants of the house include the Goldsmith family (early 18th century) and the Caldwell family, later of Linley Hall, Talke, Staffordshire (late 18th century).
|
|
The entrance was originally on the north side and has a blocked doorway (bricked up in 1819) and two timber-framed windows with segmental arches. A new entrance was created in the east wall in the 19th century when a footpath from East End Lane was moved; it is set into a porch dated 1877 flanked by two long windows whose upper sections were inserted later. The other façades have segmental-arched windows similar to those on the north side. All windows are casements.
|
|
Banks of windows in the south walls of all wings have casements in the bottom row and horizontally centre-pivoting windows above. The east and west wings retain a top row of fanlights that are top-hinged and set within inclined frames (sheeted over on the exterior). Each end wall has three small, high, centre-pivoting windows. The teachers' room has modern aluminium casement windows in timber framing with early square timber fanlights above, shaded by timber-framed, skillion-roofed hoods on the north elevation.
|
|
The six windows have rounded Romanesque heads reflecting tradition brought from Rome when they conquered the original Dacian settlers in 106 AD. Two small window casements are deeply recessed and have marble window ledges. The four large center windows, form an alcove shut off from the main part of the room by an iron grilled gates wrought in Romania and hung in an arch. These gates swing back in folded sections against the plastered wall. A slab of polished marble tops the wrought-iron radiator grille.
|
|
This window has leaded glass casements with a decorative stained glass motif of a knight on horseback at the bottom center of the window; this window is fronted by a small, iron balcony. A pair of small rectangular windows are built near the top of the gable and are surrounded by half-timber framing. There is a stucco-faced chimney on one side of the central gable. The lower section of the chimney projects toward the front and creates another small roof and shape variety.
|
|
Windows on the west elevation are one-over-one double-hung sash windows, except for casements on a sleeping porch off the rear of the house. The interior of the house is laid out with a central hall with two bedrooms and a library on one side, and a dining room and salon on the other. A mantel in the library features reliefs of a horse and a mule, emblematic of Holman's early business. The stairwell at the end of the hall is flanked by Corinthian columns.
|
|
The attached cottage housing the kitchen and several utility rooms is highset on a combination of timber stumps and steel posts. It is a single-skin timber-framed building with exposed studs and has a hipped roofline clad in corrugated galvanised iron with quad guttering. Windows are three-paned casements with metal window hoods along the southern and northern elevations and French doors leading off the verandah on its western elevation. Toilets and storage areas lined with ripple iron are located under the building.
|
|
The monumental sandstone terraced entrance features white marble steps and landings rising to a pair of symmetric curving stairs which arrive at a broad marble terrace, which is the main entrance to the building. There are four cast iron light standards, each about nine feet tall, which feature lavender glass spheres on top and clusters of four dolphins at the base. There are regularly spaced French windows at both floors. The first floor has pairs of ten-light casements below an eight-light transom.
|
|
The upper floor windows have moulded surrounds with Art Deco- style decoration at the top that comprises a stepped pattern around a central keystone. The first floor windows are multi-paned casements with arched heads and at upper level are multi-paned sashes, all have deep sills. Air conditioning units have been inserted into some of the first floor windows. The George Street facade is symmetrically composed, with a central feature at upper level of a small balcony supported on corbels with a wrought iron balustrade.
|
|
17 Cranston Street stands on top of a low ridge southeast of the Hyde Square junction of Centre and Perkins Streets in Jamaica Plain. The main structure consists of three four-sided bays resembling truncated hexagons, which have been joined together in a Y shape around a central hexagon. Windows consist of paired casements, each set at one of the angled corners with a triangular colored transom, giving the pair the appearance of a peaked transom. Each window pair is framed by shouldered Italianate moulding.
|
|
A terrace runs the length of the front of the house. Small porches with entries similar to the main entry are between the wings on the south and north sides of the house. Windows on the first floor are casements with eight panes in each side and eight panes in a transom-like panel above. The house has chimneys at the ends of the north, south, and west wings, and two interior chimneys in the north wing and in the center of the main block.
|
|
The place is important in demonstrating aesthetic characteristics and/or a high degree of creative or technical achievement in New South Wales. Woodford Academy is the only surviving example of a Victorian Georgian sandstone inn in the Blue Mountains. It has been extended and altered for its various uses but still retains its essential Georgian character especially in the south verandahs and their sandstone flagging. The south wing of the house retains its original small pane window sashes and attic window designed to appear as casements.
|
|
It features an arrangement of three openings (windows and doors) on each level, while the side bays feature two windows each level. The windows on the lower two storeys are casements, while those on the top storey are double-hung. An oeil-de-boeuf is centred under the gable in the same position as a small window in the 1829 structure. Below this on the upper storey is also the royal cypher of King George IV and the date 1829 in a recessed panel.
|
|
The side aisles of the northern and southern facades of the building are lined with paired round arched openings divided by twisted columns with Composite order capitals and flanked by panels with dog tooth mouldings. These openings define the internal bays of the nave and are glazed with figured stained glass panels. The windows throughout the church are steel casements. Above the height of the side aisles are taller paired round arched openings aligned with the lower windows, but glazed with two tones of green leadlighting.
|
|
The former Warwick National School is situated within the school grounds of the Warwick East State School, in Fitzroy Street, Warwick. The former National School is prominently sited in the school grounds, facing the main entrance and surrounded by well tended gardens. The simple one storeyed building has a rectangular plan and is constructed of painted brick, on a rendered plinth. The gabled corrugated iron roof of the school is punctuated on the eastern facade with two timber boarded dormer windows, of three operable single paned casements.
|
|
Upstairs originally comprised a central hallway with two rooms on the left and three on the right, and a kitchen incorporated at the rear. The upstairs windows are all of the step-out sash type, and doors are of panelled cedar. The fanlights are casements with opaque, diamond pattern glass, though grooves suggest the former presence of fretwork panels. The inside walls are lined internally with vertical joint boards and externally with chamferboards which are believed to have been milled locally at Pattersons, Toowong.
|
|
They also received their own Irish Brigade uniformWith Casements Irish Brigade that was a standard German army uniform, adapted to include Irish symbols such as the shamrock and the harp. A military brigade usually has over 3,000 members, indicating its target size and the scale of Casement's optimism and failure. The intended Brigade was part of a much larger plan by Imperial Germany to involve Hindu nationalists and German- Americans, along with Irish nationalists, against their common enemy, Britain. Casement eventually became disillusioned with the German government.
|
|
The north-western elevation to Mabel Street is the building's front and composed of the side of the enclosed verandah with a window, a central bay with gabled roof and a tripartite window arrangement of three casements and the broad, open verandah. The three-part window has a timber- bracketed, metal sheeting-clad hood. The verandah has stop-chamfered timber posts and dowel balustrading with solid top rail, while its ceiling is lined with tongue-and-groove boards. A series of French doors open onto the verandah.
|
|
The north-eastern elevation features a gablet towards the rear under which are two double-hung sash windows, and the enclosed verandah with a series of casements and a timber double door at the top of the access stair here (timber). The open verandah runs along the south-western side of the building, with a roof ridge running parallel to the verandah length and finished with gablets at each end. Over the verandah the roof is broken- backed. The walls to the verandah are single skin.
|
|
The bottom level has casements; the second level has pivoting windows and the top level has fixed windows which slope in an easterly direction toward the main room of the building. At the top of the windows, between them and on the outer wall is a panel of mesh. The window is surmounted by a timber framed hood clad with corrugated iron. The rear (northern) verandah has been enclosed with weatherboards and louvres at the eastern end and with vertically joined timbers on the western side.
|
|
This extension is clad externally with wide weatherboards to sill height. Above the sill the weatherboards are narrower and likely to be later in-fill, and in this are several aluminium- framed windows which are understood to have replaced earlier casements. The narrow hardwood floorboards of this room are arranged in a pattern which reputedly mirrored the original lattice ceiling above, extant but now covered with a recent plaster ceiling. Opening into this room is an external entrance accessed from the south side verandah.
|
|
Those on the second floor are paired six-light casements within an elaborate terra cotta molding that continues up around the arched window/door openings of the third floor. The arches of those openings are incorporated into the terra cotta frieze that elegantly finishes the top of the wall directly below the cornice. Visible portions of the roof are hipped, covered with decorative tile. Hidden portions of the roof are flat, with the exception of the large skylights constructed of metal frames and wire glass.
|
|
The Edward L. Jones House is a historic house at 5555 North Casa Blanca Drive in Paradise Valley, Arizona. It is a property including a two-story adobe house, an adobe pump house, and an adobe and wood-frame barn. Built in 1932, the main house is a good example of Pueblo and Monterrey adobe revival styles, with walls of colored stucco and a multicolor tile roof. The roof eaves show exposed viga beams, and the windows are wooden casements, with wrought iron railings.
|
|
Back in Albania, Moisiu continued his military career in the engineers' department of the Ministry of Defense. From 1967 to 1968 he attended the higher courses of general staff at the Defense Academy of Tirana. At the same time he commanded a pontoon brigade in Kavajë (1966-1971). In 1971 he became the chief of the Bureau of Engineering and Fortifications of the Ministry of Defense (under Enver Hoxha, when thousands of concrete casements were built as defense against states held to be hostile).
|
|
The north-eastern side is the rear of the house and the gable ends here are clad with weatherboards and are vented with timber louvres. Projecting from the southern end of this side is a timber-framed, weatherboard-clad room with a hipped roof clad with terracotta tiles. It has a hexagonal end wall and windows that include later, timber-framed casements with green lights. At the northern end of the north-eastern side is a piazza, enclosed with more recent timber-framed awning windows.
|
|
The gabled roof to the hall is partially concealed behind a parapet along the southern elevation and has two clerestory lights along both sides. The walls to fly tower and southern dressing room are featureless apart from four small high level multi-light casements to the dressing room and a single window to the rear of the stage. The fly tower has a gabled roof, while the rear of the stage, a skillion roof. A parapet conceals a skillion roof over the dressing room.
|
|
Ardrossan, a decorative three-storeyed rendered masonry structure with strong Spanish Mission/Mediterranean architectural styling references, is prominently located on the northern corner of Julius and Moray Streets, opposite Green Gables. The building has a hipped, corrugated fibrous cement roof, and face brickwork to ground floor sill height with stucco above. Most windows are multi-paned casements with face brick sills. The building has a symmetrical elevation facing Julius Street to the southeast, which consists of a central section surmounted by a decorative shaped gable parapet, with projecting enclosed sleep-outs to either side.
|
|
The house had few windows (only two fixed casements to the sitting room); rather, it had pairs of French doors with glazed fanlights and gauzed timber-framed flyscreen doors to the exterior. Linked by a covered verandah to the north-eastern end of the house was a semi-detached service wing that accommodated a kitchen, a wash house, and a servants' room or large store room. The wing had a north-western verandah approximately wide accessed from the large kitchen via French doors. The wash house was at ground level reached via a short stair.
|
|
The castle is still in partially residential use, and a two-storey house directly abuts it to the west. As a result, the castle features some relatively modern additions, including, circular cast-iron downpipes, a steel gate, square- headed door openings to north, smooth rendered surrounds, some uPVC windows, uPVC and timber and glazed doors, hipped and pitched slate roofs, random rubble stone walling, segmental-headed window openings, red brick surrounds, painted timber casements etc., as well as a collection of agricultural buildings attached to the old castle.National Inventory of Architectural Heritage, op. cit.
|
|
All roof planes are clad in corrugated iron, and unless otherwise stated this is the case with the roofs of other buildings in the complex. A large proportion of the exterior walls to the northern section of the house are constructed of sandstone ashlar that is approximately deep. The sills and flat arches to windows and doors in these walls are also made of sandstone. The windows on the western elevation are timber-framed casements with a total of 3 lights in each sash, while the doors are five-panelled.
|
|
Each double door opening onto the verandah has a low waist, 4 lights in each leaf, and a 2-paned fanlight. The exterior walls to the southern section of the house are largely clad in chamferboards, except for a small section on the western facade, which is clad in wide, vertical timber slabs. A square verandah area occupies the south-east corner of this section of the house. The windows on the eastern facade are casements, except for a fixed pane of glass separating two double doors with upper lights.
|
|
The north, east, and west sides of the houses have gables and recessed arbours that have arches supported by oak posts. The doorways are constructed from arched oak frames and doors; the doors in the quadrangle have moulded hoods supported by carved corbels. The walls are of sandfaced brick, with handmade red roof tiles, oak window frames with iron casements and lead window glazing. The stone used for the copings, piers and finials is Cotswold stone, a yellow, oolitic Jurassic limestone, that was mined at Temple Guiting quarry, in Gloucestershire, England.
|
|
The entrance foyer on the western side is fully glazed with timber framing and a low brick garden bed along the north side. The eastern elevation is straight, while along the western elevation the vestry and entry foyer project out beyond the aisle wall. Both elevations are divided into bays by regularly spaced brick piers, with brick infill up to waist height and windows above. The timber framed windows are made up of four awning casements separated by strips of frosted glass in the shape of a cross.
|
|
A porch in the angle between the main gable and the southern wing has painted lozenges resembling quatrefoils. The main hall has two first-floor four-light wooden mullioned casements; the range to the left has a restored fourteen-light mullion and transom window, with a three-light window immediately to its right. The range of the cross-wing on the right has ten-light mullion and transom windows at the ground floor and twelve-lights at the first floor. The interior has some exposed timber work showing the house's original construction.
|
|
This led to a circular keep, also moated, served as a place for local defence, being equipped with twenty light guns. The nineteen heavy guns of the main armament were mounted on the ramparts reached by two ramps on the enclosed parade ground in the middle of the fort. A lower tier of eight guns, four in casements, on each flank provided cross fire support with Elson and Rowner. Beyond the moat on the north side was a triangular redan accessed by a covered way to allow riflemen to cover attempts to bridge the moat.
|
|
The British influence on buildings in the city is evident from the colonial era. However, the architectural features include a range of European influences such as German gables, Dutch roofs, Swiss timbering, Romance arches and Tudor casements often inter-fused with traditional Indian features. Mumbai City Hall was built during the period 1820 and 1835, by Colonel Thomas Cowper. The Fort campus of the University of Mumbai and Rajabai Tower, Saint Xavier's College, The Secretariat, Telegraph Office, Wilson College, and Chhatrapati Shivaji Maharaj Terminus are also fine examples of gothic architecture in the city.
|
|
The Eastgate Street face of the bank has a four-light mullioned and transomed window with a basket arch on the ground floor. On the first floor is a five-light oriel window, above this is a six-light window with casements and the whole is surmounted by a gable with a carved bargeboard. Set at an angle on the corner between the streets is the doorway with a moulded basket arch over which are three ogee arches. Curving round the corner on the first floor is a three-light window.
|
|
The hipped roof has a louvred gablet at its apex, a scheme mirrored on the eastern elevation. The eastern elevation has a similar fenestration pattern determined by the enclosure of the verandah. A transverse gable roof at the rear of the house extends across the southern elevation, with six-light casements under each gable end facing the east and west. Beneath a wide awning supported on timber battened brackets and attached to the southern wall is a five-light casement, louvres, a semi-enclosed stair with solid balustrade and the stove recess.
|
|
The 1924 Classroom Block is located on Limestone Street to the east of the 1901 Technical College building. It too is complementary in its scale and form and materials and as it is at the lower end of the site presents three storeys to Limestone Street. The Classroom Block comprises red brick tuck pointed masonry piers relieved with infill panels of rendered masonry below casement windows with fanlights and cement rendered flat window hoods. Each panel contains fenestration that comprises three eight-light casements with four-light centre pivoting fanlights above.
|
|
Yorkshire House is a historic home located at Warrenton, Fauquier County, Virginia. It was built in 1938–1939, and is a two-story, 13 bay, brick dwelling in the Modern Movement style. It features a low-pitched slate roof, a horizontal emphasis, a curved corner with continuous steel windows, a large glass block window, an elliptical bay window with steel casements and a foliated, geometric, metal balustrade on the rear balcony. Also on the property are the contributing brick and- stucco garage, a banked stone pump house, and a frame storage shed (c. 1939).
|
|
After the Civil War, the fort was modernized for possible use during the Spanish–American War, but again it was not needed. Some sources suggest that the fort never fired a single hostile shot during its existence. Parts of the old brick walls and casements were dismantled in 1890, to make way for a harbor lighthouse, which operated into the 20th century. There was local opposition to the plans for the lighthouse; a movement had been undertaken to construct a retirement home for servicemen on the island instead.
|
|
The house retains its original joinery, including doors and window frames, some of which are sash and some casements. All the internal doors have fanlights above. The place is remarkably intact considering that it has been occupied as a rental property for approximately a century. A yard adjoining the cottage on the southern side contains a number of archaeological deposits—horse shoes, bottles, coins, broken pottery, shells and handmade nails have been found here—and there is sub-strata evidence of an early brick pathway to the cottage.
|
|
In order to remedy its vulnerability, two redoubts were constructed in Outeiro dos Pobres and Outeiro de São Francisco, reinforced by a zone that crossed the two by casements of canon emplacements. A new plan for the aqueduct was drafted in 1683 by Francisco Álvares Ribeiro, that included system. On 30 March 1689, Manuel Moniz was nominated to the position of master-builder for the aqueduct, on the death of Francisco Ferreira (who exercised this post), receiving a stipend of 12$000 reis annually. In 1698, there was a rupture that linked the hospital.
|
|
It contained three classrooms, separated by fixed partitions with centred doors, and had banks of south- facing casements with fanlights. The partitions and verandah walls were clad with a single-skin of vertical boards. In response to the sloping site, Block C was set slightly lower than Block A, to which it was connected by a verandah with steps.DPW, "Sherwood State School, New Wing and Improvements", Drawing A068, 25 May 1936DPW, Report of the DPW for the Year Ended 30 June 1937, Queensland Government Printer, Brisbane, 1937, p.8.
|
|
Some of the guns are maintained in functional level for symbolic reasons by the Sri Lanka Navy. In the 1990s the navy developed the location into a naval museum with many artifacts. Much of the museum itself is housed in ground level and underground casements built during World War II. House here is a collection of weapons, equipment and weapon systems used by the navy. Prizes of war on display include captured Sea Tiger attack crafts, suicide crafts and LTTE weapons, including an all terrain vehicle that was used by Charles Anthony.
|
|
Warwick Central State School, 2015 Sandstone blocks, corrugated iron roof, dormer windows and air vent, 2015 The original school is a single story building, T-shaped in plan and constructed from brown sandstone blocks. The gabled roof is clad in corrugated iron sheeting and is set with pairs of dormer windows on each side of the roof. Each dormer is composed of four single paned casements. The eastern, principal, elevation features a projecting gable with two narrow lancet windows with a small arched window above them and a centrally positioned circular air vent.
|
|
The home is a traditional two-story Georgia central hall plan which features a main hall running from the front to the back of the house, with four symmetrical rooms on each floor. The central hall contains a hand carved staircase leading to the second floor. There is an additional staircase located off the living room which leads to a private upstairs bedroom, believed to have originally served as a nursery. The home has heart pine floors throughout with one foot (30 cm) wide baseboards, door trim, and window casements.
|
|
It has a crown post roof with scissor braces. The transepts contain a Lady Chapel and Warrior's Chapel and are separated from the nave by pointed arches. The windows in the body of the church are casements with trefoil heads in moulded frames and are set with clear glass, but a group of seven above the altar are set with stained glass depicting Christ and the saints Paul, Mary, John, and Barnabus. The baptistery beyond an arch at the southern end of the building is lit by modern stained glass windows.
|
|
The windows of the sanctuary are in a Georgian Gothic style having the main outlines of the Perpendicular form but infilled with clear glazed casements in the Georgian manner. Substantial buttresses (to withstand the outward pressure of the side galleries) and corner pinnacles strengthen and enhance the otherwise plain exterior. Internally, little of Smith's influence remains — the removal of the side galleries gives the church a squarish rather than an elongated Gothic "feel". However the four iron pillars supporting the remaining back gallery are identical with those in Fordoun Church, and seem original.
|
|
The hat rooms at each end of the verandah were unlined internally and the remainder of the verandah had vertical balustrading. Two flights of uncovered external timber stairs provided access to the verandah between which the teachers' room was attached. The building comprised three classrooms with southern lighting and ventilation provided by a large bank of windows comprising casements, centre pivoting sashes and hoppers at the top to provide a variety of ventilation options. This arrangement was repeated, at the eastern and western ends of the building, both of which were protected by sunshades.
|
|
The residence has a gabled roof which breaks pitch to extend over a sleeping verandah on the eastern side. There is projecting front gable with triple casement windows and the main entrance to the east of this has been widened and is now reached by a ramp. A row of narrow decorative casements, set with pink and green glass, extends along the front wall bedside the entrance and down the eastern side of the house along what was the entrance and sleeping verandah. A subsidiary skillion roof at the rear covers a laundry section.
|
|
The gable- ended roof with slate tiles has a central chimney stack with diagonal chimneys. Durstone Farmhouse (listed 1973, and at ), 1500 yards north from the church, is an 18th-century two-storey house of red brick with four windows with casements, a gabled porch, and a tiled roof with gable ends. Further north still is the listed outbuilding north-east from Grendon Court (listed 1973, and at ), and north from the church. The building, with no obvious dating, might be a former chapel, but possibly converted to a barn in the 19th century.
|
|
Sometime after Newberry Davenport's demise the house was dramatically altered to conform to more of an estate taste with the addition of a gambrel-roofed second floor, porches and interior changes. The roof top ventilator was a functional part introducing the then modern idea of healthful living into the venerable structure. The principal (sound-side) rooms on the interior were embellished with new trim in a restrained manner. Windows were extended to floor level on the piazza and most sash were replaced with casements with an unusually configured muntin pattern.
|
|
The parish contains one listed building, Landywood Farmhouse, which is designated at Grade II, the lowest of the three grades, which is applied to "buildings of national importance and special interest". The farmhouse dates from the early 16th century and has a timber framed core on a sandstone plinth and a tile roof. It was altered and extended in the 19th century, the additions are in red brick and have been roughcast. There are two storeys and an attic, and a T-shaped plan, and the windows are casements with segmental heads.
|
|
The province of Zeeland had received little attention from the Dutch government prior to the German invasion of the Low Countries in May 1940. On 10 May, the Germans launched their attack. In an attempt to raise morale amongst the Allies and to stem the tide of the German onslaught, several Dutch battalions—most notably the 14th Border Infantry Battalion—rapidly constructed defensive lines in Zeeland. The first—the Bathline (named after the nearby medieval fortress of Bath)—was little more than a tank barrier, slightly reinforced with 12 concrete casements.
|
|
The main doorway was originally flanked by two plain pilasters with entablature over that have been removed and the adjoining columns completed. The window frames either side of the main doorway incorporate an arched transom between the casements and smaller upper panes and sashes. The two side bays of the frontage were finished as face brickwork panels initially but later were rendered over and painted. A classical cornice across the building at roof level projects forward over the three central bays and has pairs of dentils above the columns.
|
|
The studding is exposed on the verandahs of both sections and with the stud layout and cross-bracing typically associated with Suter designs on the north-western part. The 1871 room is wide with exposed Queen post trusses and a diagonal boarded ceiling and horizontal beaded boards on the walls. The windows are narrow horizontal pivot windows placed with two low (although sill heights are high) and one high on the gable walls. The windows in the verandah walls are casements with fanlights over and lower sills and are possibly a modification.
|
|
The bottom plates on the eastern and western ends extend to form the framing for the verandah floors. Timber posts mounted on the bottom plate, are positioned at regular intervals dividing the wall into panels. Horizontal top plates, positioned in line with the floor joists of the attic on the east and west walls and directly under the floor joists on the north and south walls, rest on the top of the posts. Between each post are two rows of timber nogging, dividing the panels equally except where windows, mostly timber casements, are incorporated.
|
|
Behind the portico, the remainder of the main building is long and narrow, timber-framed and clad in weatherboards with a gabled roof. The northern gable end is hidden behind the facade which forms a parapet and the southern end of the roof is hipped. The roof of the main building is clad with ribbed-profile metal sheeting and the low pitched skillion roofs to the rear additions are clad in corrugated metal sheeting. On the eastern elevation are four tall hooded windows each comprising two pairs of vertically aligned, six-pane timber framed casements.
|
|
Access to the ground floor is via a two single doors - a main entrance in the centre of the northwest wall, and a secondary entrance at the eastern end of the southeast wall. Access to the first floor is via a main timber staircase to the southwest wall, and a secondary staircase at the northern corner. Windows are generally timber-framed, two or three-light casements, with fanlights above windows in the southeast wall. Windows in the northeast walls are fanlights alone, protected by skillion-roofed hoods with decorative brackets and clad in corrugated metal sheeting.
|
|
Ash House Farmhouse is early to mid-18th century, constructed of limestone courses, of two storeys with casement windows, and an attic with 20th-century dormer windows. Fair View (listed 2019), south from the church, is a cottage dating to the 17th century, with additions and alterations from the 18th to 21st centuries. It is two storey with attic, of dressed Cotswold stone, and with a Welsh slate roof with a chimney stack at each gable end and attic windows. Windows are metal casements. It is of three-bay elevation with a central entrance and 20th- century porch.
|
|
First-storey and dormer casements 140–142 Hospital Street is one of a group of houses dating from the 15th and 16th centuries at the end of Hospital Street, which include Churche's Mansion, number 116 and The Rookery (number 125). It is a timber-framed building with a predominantly rendered finish under a tiled roof. It has three bays to the main front face and two storeys with attics. An 18th-century extension on the east (left) side is in painted brick and faces onto a passageway; the rear of the building also dates from the 18th century.
|
|
Former hall and classrooms, 2015 The 1933 purpose- designed former classroom and hall building ('Block D') stands on brick stumps and walls. The building is rectangular in plan, with a projecting, central porch on the western side and projecting stair landings at the eastern end of the north and south sides; the building and western porch have gable roofs with vertically-battened timber gable-ends. A prominent fleche and spaced eaves-cladding along the northern and southern elevations ventilate the roof space. Most windows are timber-framed casements with (now fixed) fanlights, sheltered by corrugated metal hoods with timber brackets.
|
|
Fabric from a former hat room located in the northeast corner of the verandah has been incorporated into the verandah enclosure. Early windows include timber sashes with fanlights in the verandah wall, and two large banks of timber-framed windows on the south wall, consisting of casements on the bottom row, horizontally centre-pivoting windows in the middle and fanlights at the top. Doors in the verandah wall each have two tall, horizontally centre-pivoting fanlights. A double door at the western end of the verandah is the only early door and retains its original handle.
|
|
There are double hung windows to the ground floor of the front elevation with multi- pane casements to the upper floors. The other elevations have both double hung and multi-pane casement windows to each level. Originally each floor accommodated classrooms and staff offices off a central corridor from east to west meeting a transverse corridor running along the rear wing from north to south connecting with the walkways which in the original master plan were to link with adjacent buildings. The internal spaces have been altered and are now organised off the original corridors as large studio spaces and smaller office spaces.
|
|
Hinged at the top: awning window In the United Kingdom, casement windows were common before the sash window was introduced, and usually metal with leaded glass—glass panes held in place with strips of lead (called lead "cames"; leaded glass is not to be confused with lead glass, which refers to the manufacture of the glass itself). These casement windows usually were hinged on the side, and opened inward. By the start of the Victorian era, opening casements and frames were constructed from timber in their entirety. The windows were covered by functional exterior shutters, which opened outward.
|
|
The new hotel was designed by Boardman to be spacious, luxurious and to have installed the latest modern fixtures and fittings of the time. Boardman also incorporated into the design of the new hotel part of the interior decoration of the former solicitor's offices which had stood on the site. The offices had contained a particularly fine example of a plasterwork ceiling laid on oak lath measuring by . This section of ceiling had been very carefully removed and was installed in the new first floor drawing room in the hotel, along with French casements to the balcony.
|
|
The windows were casements, and two stove recesses, projecting from the southern elevation of the cookery classroom, had separate skillion roofs with short chimneys.Bundaberg Mail, 25 January 1921, p.2DPW Plan 8-20-7/4, "Bundaberg Technical College & High School. Annexe for cookery & woodworking classes", July 1919Project Services, "Bundaberg State High School". Although it predates standard designs for vocational buildings that were introduced in 1928, Block G shares a number of characteristics of the later buildings: it is lowset, timber framed, with a Dutch gable roof, a verandah, and a pair of stove recesses for the cookery classroom.
|
|
The fleches are open timber-framed elements and appear like bellcotes sheltering plain metal ventilators under bellcast spire roofs decoratively clad with patterned pressed metal sheets. The central fleche and is topped by a metal weather vane finial. The building has large banks of timber-framed windows, many of which face south, allowing a high level of natural light and ventilation into the classrooms. The window banks comprise a row of casements below a row of horizontal pivot sashes below a row of fanlights, which were originally inwardly opening hopper sashes but have mostly been fixed closed.
|
|
A small hatch door is built into the eastern panel and the western door panel has had a modern doorway cut into it. Rows of timber-framed casement windows on either side of the main entrance occupy openings that once housed timber awning shutters. The north-eastern and south-western facades each retain a single window opening with casements that match those on the main facade. A single timber-battened door with hood is located at the rear of the south-western facade, while a modern flush door is located at the rear of the north-eastern facade.
|
|
Windows are metal framed casements, and a crucifix is affixed to the gable apex. The southeast extension (retreat centre) consists of a two- storeyed U-shaped brick structure with a flat ribbed sheet metal roof. One side of the U-shaped structure replaced the southeast ground floor verandah, with the central section spanning over a driveway, and the southern side incorporating a sub-floor level. Internally, the building has plastered masonry walls, ceilings, cornices and picture rails, and cedar joinery (some of which is painted) including panelled doors, architraves, corniced panels above doorheads, skirtings and staircase.
|
|
On her return trip she carried broken biscuits for sale, cheap, to the local villagers. The mill was still in use in the 1950s having been upgraded from the original waterwheel and grinding stones to a water-turbine driving steel rollers in about 1939. It had fallen out of use by the early 1970s, and planning permission for conversion to apartments was granted in 1974. The extensive renovations involved re-cladding in white shiplap boarding, and replacement of its many windows with 20th century casements, sashes and some horizontal sliding sashes in the 18th century attic windows.
|
|
South elevation, Mansion House 2014 The south elevation of the house has been given a rendered finish obscuring the construction details. The gabled end of the east wing includes two ground floor windows, the eastern now within the later log-store. No first floor windows were visible during the initial survey due to vegetation and on the interior; the fitted bathroom in this location prevents ascertaining the presence/absence of any historic windows. The garret rooms within the southern end of the east wing are lit by two single light (20th century) casements, one to each side of the chimney stack.
|
|
Though none of the Immortal Six Hundred were killed by the continuing Confederate artillery fire from Fort Sumter, 14 died of dysentery. Of his time on Morris Island he wrote in the same 1892 account: After Morris Island, Fulkerson was taken to Fort Pulaski and placed on starvation rations for 42 days in retaliation for Confederate prisoner abuses at Andersonville. Crowded into the fort's cold, damp casements, the Confederates' "retaliation ration" consisted of 10 ounces of moldy cornmeal and a half pint of soured onion pickles. The starving men supplemented their rations with the occasional rat or stray cat.
|
|
The mud brick and wood structures at first sight have been described as crude and simple in appearance, but a closer inspection reveals elaborate and delicate patterns on casements and doors, elegant pillars and pillar supports, and a very comfortable and airy living environment. Nashi temples are decorated on the interior with carvings on poles, arches and wall paintings that often exhibit a unique combination of dongba and Buddhist influences. The decorations include depictions of episodes from epics, dancers, warriors, animals and birds, and flowers. The mural paintings depict Dongba gods, and stylistically are derived from Han Chinese interpretations of Tibetan Buddhist themes.
|
|
The entrances to the Council Chambers and Town Hall Theatre are located in the end bays above which a raised signage panel on the parapet clearly denotes these functions. The central bay signage panel bears the name, Gayndah Soldiers' Memorial Hall. The fenestration comprises pairs of three-light casements and fanlight which are separated by pilasters with simple vertical detailing and articulated by raised vertical and horizontal rendered concrete bands. The pilasters finish to the underside of a wide string course that projects forward to form a hood at each entrance and at the centre of the building.
|
|
In 1911, the house was purchased by SPNEA, its first architectural acquisition. With advice from restoration architect Henry Charles Dean, SPNEA removed layers of lath and plaster to reveal original timbers, early 18th-century paneling, and one of the largest fireplaces in New England. Restoration stopped when funds were exhausted, before any long-gone original features like diamond-paned casements were recreated, resulting in a house with an unrestored 18th-century exterior and a partially restored interior reflecting both the 17th and early 18th centuries. After restoration, the house was rented to a series of tenants, who operated a tea room there until 1965 when the house became a study museum.
|
|
The archaeological excavation of Bastion de San Diego was conducted by the Intramuros Administration and the National Museum from 1979 up to December 1982. Dog-leash method was used due to the sandy soil condition of the site. This method involved measuring the location of artifacts and their distances from a single control point, and orienting their location toward a datum point. Below were the following facts established: # The unexcavated portion below the exposed level of the outer circular structure and the casements on its street level may have been part of the original Vera-Sedeño tower, with possible improvements introduced during Manrique de Lara's time.
|
|
To some extent the higher quality of the armour minimized the loss of protection and the turret's flat face improved ballistic resistance at long ranges, while the low profile of the turret minimized target area at closer ranges. The reduction in turret and barbette armour was a compromise in favour of the thickest possible protection for the magazines. The extensive anti- flash protection in the turrets and barbettes was designed to ensure that the magazines would remain safe even if the turrets and/or barbettes were penetrated. The secondary gun mounts, casements and handling rooms received only light plating of 0.98 in (25 mm) to protect against splinters.
|
|
Retrieved 6 October 2019 Firs Farm (listed 1985), on Todenham Road south-west from the church, is a late 17th- to early 18th-century rectangular plan two-storey detached farmhouse with wall courses of dressed limestone, and three three-light mullioned windows with central casements on the first floor, and one off-centre from a central door, on the ground. The front face of the building has a stone lean- to up with to the eaves at the left, with inset mullioned window, and a single storey extension as a farm store to the right.Firs Farm, Todenham Road, Todenham, Google Street View (image date August 2016).
|
|
The Phineas Upham house is located in what is now a residential area east of downtown Melrose, on the south side of Upham Street opposite its junction with Lincoln Street. It is a 2-1/2 story timber frame house, three bays wide and two deep, with an off- center entrance and a centered chimney. Its window arrangement is irregular, with different sizes and shapes now filled with replacement diamond-paned casements. It probably began as a simple two-bay house, left of the chimney and was extended later in the 18th century with the addition of the third bay to the chimney's right.
|
|
The hospital occupied the first floor, a chapel for the prisoners was placed in the north end, and the rest of the building was occupied by the administration of the prison. In the beginning, able-bodied prisoners lived in the casements of the ramparts or on prison ships. In 1814 they were transferred to a building on shore, 115 meters long, which was perpendicular to the hospital, located on the southwest quay, between the Darse Vauban and the entrance to the old port. Even after the construction of the new building, some prisoners continued to be held on ships when there was no place on land.
|
|
The timber-framed windows and doors include casements with a semi-circular fanlight above to the front bay window, a small rondel window opposite the main entry stairs, double-hung sash windows more generally and high-waisted panelled doors throughout. Decorative stained-glass leadlight feature in the small rondel window and main entry door. The layout of the Manse is generally as originally built with the main entry hall/corridor flanked by bedrooms to the north, living and dining to the south. At the east end of this hall, a doglegged cross hall allows internal access to the Minister's study and bedroom on the north and bathroom to the south.
|
|
According to content about the Ormond Beach Historical Trail written by Orlando historian Steve Rajtar, Rowallen was later owned by Englishman Leonard Martin, and then Harold and Eileen Butts. The Butts renamed the house Linsaroe, which means "by the water" in Celtic. Eileen Butts was added to the state list of prominent Floridians for her work in the area including the creation of Tomoka State Park, the building of the Ormond Memorial Art Gallery and the preservation of John D. Rockefeller's Ormond Beach home The Casements. The plaque listing her as a great Floridian form the state's 2000 program is on the front of Rowallen.
|
|
In the formal living and dining rooms decorative features include picture rails, metal and glass pendant light fittings and an early chair and silk floor rug. A pair of early sliding leadlight doors separates these rooms. The leadlight pattern described above is carried through in the French doors opening into the eastern enclosed verandah; however leadlight casements opening from the dining room into this space and the rear informal living area are of a different design. The servery door from the kitchen is split horizontally into two sections: the top slides up into a wall cavity while the bottom swings open on a hinge.
|
|
A verandah runs along the south-east and a later kitchen extension is to the north-west. The original western and southern corner rooms open into the central room, the northern and eastern corner rooms open to the verandah and enclosed porch which in turn opens into the central room. The central room, lit by clerestorey semi-circular lights to the south- east and rectangular hopper windows to the northwest, is notable for its coved ceiling and a vaulted timber lined alcove to the southwest end. Three arched openings to the verandah accommodate two sets of French windows and a set of paired casements, all with fanlights.
|
|
NCO's of Casements Irish Brigade in Zossen (1915). The "Irish Brigade" was an attempt by Sir Roger Casement to form an Irish nationalist military unit during World War I among Irishmen who had served in the British Army and had become prisoners of war (POWs) in Germany. Casement sought to send a well- equipped and well-organized Irish unit to Ireland, to fight against Britain, in the aim of achieving independence for Ireland. Such an action was to be concurrent with the ongoing war between Britain and Germany, thereby providing indirect aid to the German cause, without the ex-POWs fighting in the Imperial Germany Army itself.
|
|
Western Australian Bank building on Stirling Terrace The Western Australian Bank, Albany, also known as the Haynes Robinson building, is a heritage listed building located on Stirling Terrace overlooking Princess Royal Harbour in Albany in the Great Southern region of Western Australia. It was built in the Federation Academic Classical style and originally housed the local branch of the Commercial Bank of Australia. The two storey building has many features that are identical to those of the eastern neighbouring building. The building is constructed on a rusticated base, there are two entrance doors with classically derived casements made up of plain pilasters, cornices, scrolled brackets and tympanum.
|
|
The tower element is lined on both storeys with round arched window openings fitted with casements and a round arched transom above. Below the windows, which are separated by simple moulded pier-like elements is a concrete panel with six rectangular perforations, filled with glass bricks on the inside face. The ground floor of tower windows are shaded by an awning supported on oversized brackets and extending from the front door around to the eastern facade of the building. The gabled projection on the southern face of the building features a ground floor bay window which has a steeply pitched hipped awning supported in similarly oversized brackets.
|
|
The diagonal cross design is repeated in the casement windows and in the fixed and sliding leadlight panels that replaced the wall dividing this room from the drawing room. The adjoining verandah, now a breakfast room has cedar bi-fold windows that match the design of the casements in the "new room". There is a fireplace for an electric fire that survives. Some modernisation also carried out in other rooms at the time, includes the installation of a matching fireplace in the drawing room and its Art Deco green tiling, a terrazzo hearth and a green enamel stove in the original brick stove recess of the kitchen.
|
|
Other early doors and windows on the street elevations have similar fanlights above, and early windows are timber framed four-light casement windows with textured glass. The rear first floor verandah is enclosed by a continuous band of casements and some side windows retain metal window hoods. Ornamentation is modest, featuring a diamond motif evident around the main entrance doorway; in the feature panels of the first floor verandah balustrade; and underneath the painted verandah signage, where there are traces of diamond shapes that had been formed by attached timber battens (now removed). Verandah posts are chamfered with decorative timber capitals on both floors.
|
|
The eastern elevation of the building is largely featureless with three high level multi-light casements, a fourth casement at the back of the fly tower and a window to the rear of the dressing room. Three openings on the eastern elevation give access to the basement below the stage. The opening at the southern end has a pair of ledged doors, while the other two openings have been altered with infill panels and later doors. Adjacent to the north-east corner of the building is a small toilet block which is a later addition and partially conceals the early rear wall of the dressing room.
|
|
Tô Vĩnh Diện (1924–1 February 1954) was a soldier in the Việt Minh during the First Indochina War against France in Vietnam. Dien was proclaimed a national hero by the Việt Minh after his death in the period leading up to the Battle of Dien Bien Phu. Before the battle, General Võ Nguyên Giáp, commanding the Việt Minh, needed to move large numbers of artillery through the jungle from the roads and tracks on which they had arrived into specially dug casements in the hillsides overlooking the French positions in the Dien Bien Phu valley. In process that took an average of seven nights per artillery piece,Windrow, Martin, The Last Valley, 2004.
|
|
Stone ender houses were usually timber-framed, one and one-half or two stories in height, with one room on each floor. One end of the house contained a massive stone chimney which usually filled the entire end wall, thus giving the dwelling the name of “stone ender.” Robert O. Jones noted that the windows were very small “casements filled with oiled paper” and that “the stairs to the upper chambers were steep, ladder-like structures usually squeezed in between the chimney and the front entrance.”1981 Statewide Historical Preservation Report K-W-1, Warwick, Rhode Island He points out that a few houses may have had leaded glass windows, but that was very rare.
|
|
Parliament disposed of Church property to raise money for the army and navy and the parliamentarian Oliver St John bought the lease to the manor of Longthorpe and built Thorpe Hall. In 1654 it was described by the author John Evelyn as "a stately place...built out of the ruins of the Bishop's Palace and cloisters."Davies, Elizabeth et al. "Civil war and a return to peace" in Peterborough: A Story of City and Country, People and Places (pp. 18–19) Peterborough City Council and Pitkin Unichrome, 2001 A symmetrical composition in ashlar, rusticated quoins, with square, groups of rusticated chimney shafts; the north and south elevations are identical, three dormers, casements under pediments, the centre one semi-circular.
|
|
He is a frequent panellist at science fiction conventions such as the Magic Casements Festival (Sydney, 2003) , the annual Conflux convention in Canberra (where with Margi Curtis he often runs workshops on magick), and has been a panellist at Constantinople Australian National Science Fiction Convention(Melbourne, 1994), Freecon (Sydney, 2003) and Aussiecon 4(Melbourne, 2010). Blackmore was heavily involved as a speaker and promoter in the June 2019 Australian speaking tour by Lovecraft scholar S. T. Joshi and lectured on Lovecraft alongside Joshi, Larry Sitsky and others at the ANU School of Music, Canberra and at the NSW Masonic Club in Sydney. In 2020 Blackmore served as convenor and judge on the Poetry category of the Australian Shadows Awards.
|
|
The 218th attack at Schoenau, led by Infantry Regiment 397, was held up by French fortifications which although damaged by the artillery preparation were not put out of action and forced the Regimental commander to suspend the river crossing in the face of mounting casualties. The divisions 386 Regiment had more success. Crossing the Rhine in an area of fewer fortifications, the regiments assault teams captured the French forward line and several casements, and by noon were engaging the French rearward defensive lines. The following day, with the assistance of further artillery, Stuka dive bomber strikes, the 218th was able to pierce the French defenses, together with 21st and 239th infantry divisions.
|
|
Wright's residential designs of this era were known as "prairie houses" because the designs complemented the land around Chicago. Prairie Style houses often have a combination of these features: One or two-stories with one-story projections, an open floor plan, low-pitched roofs with broad, overhanging eaves, strong horizontal lines, ribbons of windows (often casements), a prominent central chimney, built-in stylized cabinetry, and a wide use of natural materials—especially stone and wood. By 1909, Wright had begun to reject the upper-middle-class Prairie Style single-family house model, shifting his focus to a more democratic architecture. Wright went to Europe in 1909 with a portfolio of his work and presented it to Berlin publisher Ernst Wasmuth.
|
|
However, the existing windows in the gable walls facing the street were enlarged using banks of casements to brighten and better ventilate the rooms. In addition, all but one of the classrooms were divided with new partitions to create smaller rooms. In 1930 a marble tablet was unveiled by Director of Education, BJ McKenna in front of a very large gathering at the school. The tablet was prominently mounted centrally at the front of the Ferguson teaching building and was a memorial to the late George James, head teacher of the school for 24 years. Rear view with playsheds, 2014 In 1932 a new highset teaching building was constructed at Albert State School to a standard design by the Department of Public Works.
|
|
During construction, smaller blocks of sandstone from Table Rock were ferried across the Boise River to the Bown ranch, about one mile from the quarry, but larger blocks were loaded onto a wagon and driven to the Morris Bridge,The Morris Bridge was constructed after 1876 at the site of the H.C. Isaacs Bridge and near the present Ninth Street Bridge. a roundtrip journey of about sixteen miles. Walls in the house are 22 inches thick, and sandstone casements surround the windows and doors. A center cupola was constructed of wood above the pyramid roof, but the cupola had been removed prior to 1941, and it had not been restored before preparation of the nomination form for NRHP listing in 1979.
|
|
One room in the house of her childhood was called "the little bookroom", Farjeon explains in the Author's Note. Although there were many books all over the house, this dusty room was like an untended garden, full to the ceiling of stray, left-over books, opening "magic casements" on to other times and places for the young Eleanor, filling her mind with a silver-cobwebby mixture of fact, fancy and romance which influenced all her later writing. "Seven maids with seven brooms, sweeping for half-a-hundred years, have never managed to clear my mind of its dust of vanished temples and flowers and kings, the curls of ladies, the sighing of poets, the laughter of lads and girls."Farjeon, "Author's Note", The Little Bookroom.
|
|
To the height of the timber handrail, which is approximately , it is clad in weatherboards, while above this it is partially enclosed with a variety of windows, including timber-framed casements and aluminium-framed sliders. The verandah can be accessed at two points: via a small, timber ramp on the western facade and from timber stairs, approximately wide, positioned in the centre of the southern facade. A recent metal roof shelters these stairs, and a set of timber-framed, 10-light double doors open into the verandah at the head of them; while a high- waisted timber door provides access from the ramp. A corrugated iron tank on a low, timber-framed tank stand is positioned adjacent to the door on the western facade.
|
|
The building has a central double timber door with glazed fanlight to the verandah, with narrow, paired timber sash windows to either side. The rear of the building has a central double timber door accessed via a timber stair with a timber and iron awning, with a narrow paired sash window to the west, and the former east window having been closed over with weatherboard. The gable ends originally had three narrow sash windows, evidence of which can be seen in weatherboard infill, but the west gable now has a triple panel of glass louvres and the east has four sets of paired casements with a timber and iron window hood. Each gable has a high level opening which has been closed over.
|
|
While the whole eventually came together as a Palladian composition centred on the portico it was, in fact, a conglomerate mess of uncomfortable rooms, meanly lit and with a plan which depended almost entirely on going outside in the cruel winters of the Yass plains. Except for the handsome stables block, thought to be designed by the Goulburn architect James Sinclair, nothing Hume built could be described as fine. With the exception of the kitchen block, it is hard to know what these rooms were used for; storage and perhaps strangers' rooms for putting up guests and of course rooms for employees. Hume and his wife were childless and presumably made use of the original O'Brien rooms with their pretty north-facing verandah and elegant French casements, almost like bookcase doors, opening onto it.
|
|
This arrangement framed a central door and two tall flanking casements on the ground floor, with 1:2 "Norman Shaw" light divisions; on the upper floor an arched central window with paired casement was set between two tall flanking windows with glazed roundels overhead, resembling a Serlian arch or transformed triumphal arch. The central window is also fronted by a waisted balustrade framing a balconette. The vigour of this breakfront largely submerged the former elevation, which was masked further by the replacement of its cast iron columns with a set of astylar pilasters backed by piers, and topped with scroll consoles supporting the upper verandah. This verandah floor was profiled by a frieze running across through the breakfront and then on around the base of the clock tower.
|
|
The building is on three floors: The ground floor, a warren of cellars and store rooms, is low; its small windows indicating by their size the lowly status and usage of the floor, above which is the double-height banqueting hall, which falsely appears from the outside as a first-floor piano nobile with a secondary floor above. The lower windows of the hall are surmounted by alternating triangular and segmental pediments, while the upper windows are unadorned casements. Immediately beneath the entablature, which projects to emphasize the central three bays, the capitals of the pilasters are linked by swags in relief, above which the entablature is supported by dental corbel table. Under the upper frieze, festoons and masks suggest the feasting and revelry associated with the concept of a royal banqueting hall.
|
|
The original rhythm of six sets of two has been maintained, although the fourth from the west has been formed into a door to give access to a small timber deck. This door and the two windows toward the west belong to a set of later additions, the former being timber-framed and painted white and the latter two being aluminium-framed casements. The remaining windows are merely openings that are sealed with flyscreen and can only be closed by bringing down the timber awning shutters, which are propped open with pieces of timber dowel. Running off the verandah, on the northern side of the barracks building, the demarcation of twelve small rooms can still be easily discerned, despite a number of openings being made to allow access between them.
|
|
Before the 5th Ranger Battalion landing on Dog White sector on Omaha Beach, during the Invasion of Normandy, the 2nd Ranger Battalion scaled the cliffs of Pointe du Hoc, a few miles to the west, to destroy a five-gun battery of captured French Canon de 155 mm GPF guns. The gun positions were empty on the day and the weapons had been removed some time before to allow the construction of casements in their place. (One of the gun positions was destroyed by the RAF in May—prior to D-day—leaving five missing guns). Under constant fire during their climb, they encountered only a small company of Germans on the cliffs and subsequently discovered a group of field artillery weapons in trees some to the rear.
|
|
Unique in its design, Red House was designed to an L-shaped plan, with two stories and a high-pitched roof made of red tile. The large hall, dining room, library, morning room, and kitchen were located on the ground floor, while on the first floor were situated the main living rooms, the drawing room, the studio, and the bedrooms. The servants' quarters were larger than in most contemporary buildings, reflecting the embryonic ideas regarding working class conditions which would lead Morris and Webb to become socialists in later life. Windows were positioned to suit the design of the rooms rather than to fit an external symmetry; thus a variety of different window types are present, including tall casements, hipped dormers, round-headed sash-windows, and bull's eye windows.
|
|
Winthrop Coffin of Boston — another off-island descendant of the original Tristram — stepped up to fund restoration of the house and his architect of choice, Alfred F. Shurrocks, began the work in 1927. Although Shurrocks determined that the house had originally had twin front gables, a decision was made to restore the structure to its more familiar appearance and to replace eighteenth-century double-hung sash windows with diamond-paned casements, which they felt more suited a seventeenth-century dwelling. The Jethro Coffin house was designated a National Historic Landmark by the Secretary of the Interior in 1968. On October 1, 1987, lightning struck the house, toppling the chimney, destroying half of the roof, and melting the electrical wiring, causing damage that required two years (and about a million dollars) to painstakingly mend.
|
|
From the junction with the covered passage, the main walling returns to link with the E wall of the old hall. The only exposed part of the hall, in stone rubble, has a single large window to the ground floor, of two lights in a plain wood frame with central mullion and partly sashed, partly fixed glazing under a cambered brick head. The added first-floor over the hall has a single window of two adjoining sashes. N of the 'Giles' hall the walling continues in stone rubble for three storeys with a pair of openings to each floor, now mainly modern wood casements under segmental brick arches. A vertical joint then occurs between this and the end bay which is of two storeys in brick and slate - containing, it appears, the 18th-century maltings, described earlier.
|
|
To stabilize the howitzer when firing, Becker arrived at the solution to direct the recoil forces to the ground through a lowered rear spur. Becker's personal relationship with Deutsche Edelstahlwerke Gmbh in Krefeld secured the 20 mm thick armor casements used to protect the crew compartment. In six months his unit succeeded in creating a complete battery, mobilizing twelve of the battalion's 10.5 cm leFH 16 howitzers to make the 10.5 cm leFH 16 Geschützwagen Mk VI 736 (e), and he mounted six of the larger 15 cm sFH 13 guns on a larger chassis. In addition, he built twelve munitions carrying versions of the Vickers Mk.VI, several munitions carrying versions of the Bren gun carrier and four armoured command tank versions of the Vickers Mk. VI. With mobilizing his guns Becker had built the first battery of self-propelled artillery.
|
|
Its clean, > white stucco walls (over a brick substructure) contrasted brilliantly with a > typically-Californian red-tile roof. Exterior details were markedly subtle, > a factor contributing to the building having been mislabelled as simply > "Spanish Style." Sash-type screened windows with full cast projecting sills; > a recessed arched entrance positioned on the central axis, with a radial fan > window over double french-style doors; a simple chamferred projecting base > (Plinth) which banded the entire building; and the formal, engraved Roman > Majuscules denoting Physicians Building; were all details more in keeping > with the stricter tenets of the Italianate mode. Window trims and door > casements were painted an: electric thalo blue-green, and the front six > paired windows were shielded by brilliantly striped canvas awnings — > additions of raw color reminiscent of the lively theatricality of mezzo- > mediterranean cultures.
|
|
Davis was well known for his work in the Spanish Colonial/Mission Revival style, but he also designed a very significant building that is one of the few enduring examples of rustic Mediterranean Revival architecture in the state: the Territorial Board of Agriculture and Forestry Building (1930) at the corner of Keeaumoku and King Streets in Honolulu. For this building, he employed locally quarried sandstone with distinctive green mortar, along with concrete masonry and finer sandstone for such detailing as window sills, lintels, colonnades and casements, topped by a tiled, low-pitched hip roof without eaves.Cheever and Cheever (2003), p. 91 During the early 1930s, land developer Theo H. Davies & Co. hired Davis to design new homes in a "Monterey" (or Spanish eclectic) style to be built on lots being developed in the new subdivision of Kāhala.
|
|
43Simpson, plate 24 Local historian Jeremy Lake has dated the roof timbers as late 16th or early 17th century. In 2015, after many years of neglect, The Rookery was acquired by local developer ISL who painstakingly restored the building in line with its Grade II status back to its former magnificent glory. The extensive works included: Underpinning to include a new 250mm waterproof structural floor, damp proofing up to 1.6m basement standard, a full roof renovation and strengthening with TLX gold multi-foil roofing insulation, roof valleys were replaced with code 6 lead, a complete new internal structural timber frame and Kingspan insulation. The building was completely repointed and missing bricks were replaced with new hand made Cheshire bricks, the sash windows were completely renovated with new mechanisms and new hand made casements and fitted with toughened glazing.
|
|
The church is constructed in ashlar stone and brick, with a tiled roof and on its exterior timber framing with rendered infill; its interior is brick-faced throughout. The church's layout consists of a narthex at the west end (comprising its narthex at ground level, and a two-level tower above), a three-bay nave with a south porch and a vestry projecting to the south, and a chancel. The projecting west front of the narthex has a central window with four casements and a two-light window on each side; above the window is a timber-framed gable, and the lower stage of the tower contains a bay window with four mullioned and transomed lights on the front and similar two-light windows on the sides; above the bay window is another timber-framed gable. The top stage consists of a brick belfry with louvred bell openings.
|
|
All undercroft spaces feature face brick columns, which are rounded below head height. Rare surviving early educational murals of painted text and images, on topics such as tourism, transport, farming, sugar cane, and Australian states, are painted directly onto the bulkheads and walls of classrooms in Block B. Most feature a detailed image with adjacent wording. Murals to the understorey classroom of Block B have been covered, although it is likely that these survive underneath the recent paint. Most early timber joinery within the building has been retained, including: double-hung sash windows with awning fanlights to verandahs; casements and centre-pivoting windows with awning fanlights (some angled) to exterior walls; fixed louvres to the understorey level; dual timber panelled doors with stop-chamfered detailing and centre-pivoting fanlights; tall, centre-pivoting fanlights over verandah doors, and panelled, folding timber door partitions between some classrooms in Block B. Most windows feature horizontal painted concrete sills and lintels.
|
|
Rail reorganisation in 1922 saw the Midland Railway's routes from Shrub Hill absorbed into the London, Midland and Scottish Railway. The inter-war years saw the rapid growth of engineering, producing machine tools James Archdale, H.W. Ward, castings for the motor industry Worcester Windshields and Casements, mining machinery Mining Engineering Company (MECO) which later became part of Joy Mining Machinery and open-top cans Williamsons, though G H Williamson and Sons had become part of the Metal Box Co in 1930. Later the company became Carnaud Metal Box PLC. During the Second World War, the city was chosen to be the seat of an evacuated government in case of mass German invasion. The War Cabinet, along with Winston Churchill and some 16,000 state workers, would have moved to Hindlip Hall (now part of the complex forming the Headquarters of West Mercia Police), north of Worcester and Parliament would have temporarily seated in Stratford-upon-Avon.
|
|
Alterations to the western end of Block D in 1958 included enclosing the northern end of the eastern verandah to form a store room, widening of windows with the addition of casements (northern wall) and double- hung sashes (east and west walls).DET 2016:9DPW, "Sherwood State School, New Classroom Store etc.", Drawing 78-635-2, 7 November 1957. Two highset timber- framed classroom buildings were also built to the north and west of Block D in the 1950s: Block E (north, aligned east-west) was constructed in phases between 1954 and 1956, and connected to Block D by a covered way; and Block F (west, aligned north-south) was constructed in 1957, and extended in 1958.DETE 2016:8DPW, "Sherwood State School, Additions", Drawing 78-513B, 5 February 1956DPW, "Sherwood State School, Additions", Drawing 78-602, 5 September 1956DPW, 'Sherwood State School, New Classroom Wing, Drawing 78-635-1, 7 November 1957Schneider and Jones, 1992, p.16.
|
|
The range is of dressed limestone, limestone rubble and tile roofs, with one cottage with some red brick infill in English garden wall bond. The farmhouse and its immediate cottage and the cottage at the right end of the range are of two storeys, with a one-storey residence with stable door entrance and ground to eave picture window between. The farmhouse, at the left of the range, is of three bays, the centre of entrance door and window above, those to the left and right of ground and first floor windows, all stone mullioned of four quartered lights with casements and hood moulds, the ground floor right only being a range of single lights.Home Farmhouse and cottages, off Todenham Main Street, Todenham, Google Street View (image date July 2009). Retrieved 7 October 2019 On the opposite side of the road to home Farmhouse is Dunsden Farmhouse (listed 1960). The rectangular plan detached house, in dressed limestone with limestone slate roof, dates mostly to the late 17th century; a datestone on a rear wing giving 1647.
|
|