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57 Sentences With "carved figure"

How to use carved figure in a sentence? Find typical usage patterns (collocations)/phrases/context for "carved figure" and check conjugation/comparative form for "carved figure". Mastering all the usages of "carved figure" from sentence examples published by news publications.

Luckily Claire doesn't need to because the carved figure at the bow has done it for her!
In a third, a tall, curving wood-carved figure with hermaphroditic features has the en pointe grace of a Chartres saint.
Dominating the movement, like the carved figure on the prow of a warship, is Agnès Dorgelle (Catherine Jacob), whose rallies amount to an act of collective worship.
Aubert and his colleagues, however, say they look more like therianthropes: human-animal hybrids that show up in cultures around the world, including in 15,500-year-old paintings in the Lascaux caves of France and a 40,000-year-old carved figure from Germany.
What followed was a long battle between Scott's children and the land's new owner, a local builder, during which the chapel was damaged by water, had its pews demolished, and even had some internal parts stolen, including a carved figure of Christ on a crucifix.
Its centre is occupied by the beautiful carved figure of an angel by Baron Carlo Marochetti, with crossed arms, holding palons, i.e. symbols of peace.
In some regions wayside crosses are mostly made of wood (e. g. in the Alps). They vary in size from small, inconspicuous crosses to great crosses hewn from stout beams. On many crosses, a skillfully carved figure of Jesus Christ is displayed.
The linga is associated with the intangible fifth element, akasha (ether or space), the eternal infinite expanse where the dance of Lord Shiva takes place daily puja is offered to the linga and also to a small gem-carved figure of Ratnasabhapati.
Pausanias' description of the carved figure of Caucon holding a lyre atop his tomb speaks to their tribal poetic literacy. Several scholars believed Pylian Caucones (Hdt. 4.148, 1.147, 5.65) brought Neleid legends and Nestor's polemic exhortations to Kolophon.T. W. Allen JHS 30 (1910) 302.
Folk sculptor Stanislaw Zachara in 1884 from the trunk of lime carved figure of St. Stanislaus. In 1900, people just built this chapel, which in later years was several times renewed. In 2008, the chapel has gained a new grid input. Opposite the chapel is the Well of Saint Stanislaus.
Weaved hand fan with a carved figure handle. The outer islands produce traditional weaving of fans, mats, basketware and hats. Particularly fine examples of rito hats are worn by women to church on Sundays. They are made from the uncurled fibre of the coconut palm and are of very high quality.
A black metal dove with olive leaves in its mouth, a symbol of peace, sits over the entrance. The interior contains a sarcophagus surmounted by the carved figure of a dog. Both the interior and exterior have numerous leaded memorial and pacifist inscriptions. At the bottom of the entrance is the inscription "All my hope lies buried here".
Browse posed for the New Elgin memorialNew Elgin, Ashgrove & Moycroft UKNIWM Ref no: 8709 which is located in Cemetery Drive, New Elgin Road, Elgin, Moray, Scotland. A grey granite pedestal surmounted by a carved figure of a Seaforth Highlander in full marching order, standing with arms reversed. The sculptor was Aberdeen granite mason Robert Warrack Morrison.
The inscription is in gothic script, and the memorial has a high relief carved figure of a woman and child. The church holds a fairly well-preserved effigy of a military figure almost long from about 1250. It is held under a low arch in the north wall of the north aisle, behind the organ. The figure is recumbent, with crossed legs.
In 1931 it was set up on a new base at Tregoad by the Looe Old Cornwall Society. In 1971 it was removed to the Guildhall Museum in East Looe for preservation. It is a rare example in east Cornwall of a cross with a carved figure of Christ, in this case incised.Langdon, A. G. (2005) Stone Crosses in East Cornwall; 2nd ed.
Closer view of the seat's carved figure. Some of the first people that Christopher Columbus met in the American continent were the Taino people. Their 7,000-year-old civilisation did not benefit from pre-colonial contact as many were later enslaved or died of disease. It was noted by early explorers that some of their time the Taino people were using hallucinogenic drugs.
Traditional Maori wood carved figure with paua shell eyes and a piupiu (flax garment worn around the waist), and a tiki. Alongside is a display of weapons and cloaks. Photograph taken by Albert Percy Godber circa 1900 A grass skirt is a costume and garment made with layers of plant fibres such as grasses (Poaceae) and leaves that is fastened at the waistline.
A carved figure from the stern of HMS Anson was sold at auction for £19,975 and is currently displayed on the Holland America cruise liner MS Noordam outside the Level 10 Observation Lounge. Two of her cannon now guard the entrance of Porthleven Harbour, they were recovered in 1961 from the sands at Loe Bar, the site of the wreck.
Although the parish is in Herefordshire, its mail is handled in Worcester and its outward postcode is WR6. St Mary's parish church at the south of the village is approached through a lychgate. The church contains a font over 700 years old, and a memorial depicting the carved figure of a knight in armour, sword in hand and a lion at his feet.
Rituals were involved in selecting and making these figures. It involved a male relative of the deceased specifically visiting the Russel Mountain quarries to acquire a suitable stone. The funerary sculpture was made by specialist artists. The carved figure was presented to a local leader in secret, where it would be formally kept, sometimes standing in rows with other kulaps, within leaf-decorated mortuary structures.
The Basque variants, splitting horizontally or vertically disposed logs, are generically called aizkolaritza (from aizkora: axe). In Yorùbá mythology, the oshe (double-headed axe) symbolises Shango, Orisha (god) of thunder and lightning. It is said to represent swift and balanced justice. Shango altars often contain a carved figure of a woman holding a gift to the god with a double-bladed axe sticking up from her head.
This "assertion that a carved figure of a cat existed on Newgate gaol before the great fire is an unsupported assumption," or so it was pronounced by historian Charles Lethbridge Kingsford. Work on Newgate at Whittington's bequest did not commence during his lifetime in 1412, but in 1442.Way, R. E., correspondence, in ' III, p. 266, 31 May 1873 (in reply to T. R., p. 200).
Bromberg 54 As a result, the feathers of the dolls would be carved into the wood, which led to a new brand of Hopi art—the katsina sculpture.McManis 10. As the dolls became more extravagant and the consumer demand went up, the prices of dolls also rose significantly. Prices today range on average from $500 to $1,000, and it is not unusual to see a carved figure up to $10,000.
A round window with unusual flanking decorative panels adorns the pediment, and the main cornice is modillion in front only. The center door is topped by a rectangular transom, sheltered by a one-story portico that was probably added about 1787–90. The pediment of the porch, supported by four columns, contains a carved figure of Cupid. The brick wall between the end pilasters of the portico is plastered and painted.
The Long Man of Wilmington, inscribed into the scarp face of the South Downs in East Sussex Two of the landmarks on the Downs are the Long Man of Wilmington, a chalk carved figure, and Clayton Windmills. There is also a war memorial, The Chattri, dedicated to Indian soldiers who died in the Brighton area, having been brought there for treatment after being injured fighting on the Western Front in the First World War.
A pilgrimage to a miraculous image of Mary (wundertätiges Marienbild) in Werl began in 1661. The ' is a wood-carved figure of Mary with her son on her lap, dated to the 12th century. An abbey church of the Order of Friars Minor Capuchin, designed by a friar Bonitus from Trier and completed in 1662, became unstable and was demolished. A larger church was built instead to accommodate the rising numbers of pilgrims.
Looking toward the Dutch windmill from houseboat The previous owners, the McElroys, built an authentic reproduction of a 16th-century Dutch windmill. Though the mill was never put to use, its sails are functional and capable of turning in the wind. Then came a boat dock and landing, whose peaked roof, carved figure-heads, and benches added yet another charming touch to the unusual setting. Yogananda converted the windmill into a chapel were meditations and services were held.
The porch was added at the east end into Coney Street, and a south porch also added near the tower. New stained glass windows by William Wailes were added. The clock on the east front was added in 1856 by Mr Cooke, with a carved figure of the ‘Little Admiral’ dating from 1778. It was badly damaged by bombing on 29 April 1942 and was rebuilt between 1961 and 1968 under the supervision of George Pace.
Monument No. 327636 , Pastscape, retrieved 10 April 2012 Finds included coins, hexagonal tiles, fragments of pillars, part of a shell-headed niche and glass tesserae. The stone relief of a "hunter god" with hare, dog and stag, sometimes ascribed to the southeast temple, may have come from this site. Another carved figure was discovered bearing a fragmentary inscription which it is believed may refer to the healing god Mars Lenus, a deity of the Treveri tribe in Gaul.
The shaft is heavily decorated with various forms of interlace, divided into four sections. The third section also displays a winged figure, armed with a spear and presumed to be an archangel, or Luke the Evangelist. (See External link for photo of carved figure.) According to Kendrick, this dense interlacing is distinctly Mercian in character. It shows similarities to the densely carved Wolverhampton Pillar, and the fine interlacing to be seen on the Brunswick Casket and the Witham Pins.
Alongside the doorway there is a water stoup which shows signs of weathering, and a carved stone depicting the crucifixion. It shows a "crudely carved" figure on a wheel cross, and is probably from the 13th century. It was previously set in a recess above the south door. The plain baptismal font, thought to be from the 12th century, is at the west end of the nave. The chancel measures 12 feet 9 inches by 10 feet 6 inches (3.9 by 3.2 m).
The Norman features are the north doorway, a blocked south doorway, the chancel arch, a lancet window in the south wall of the chancel and the head of a similar lancet that has been reset in the north wall of the organ chamber. The north doorway has a single order and a tympanum including a carved figure. The tympanum of the south doorway is decorated with stone of two different colours in three horizontal bands. The chancel arch has zigzag carving and capitals decorated with scallops.
The collection includes prints, paintings, sculpture - including a carved figure of Johnson by Denis Parsons, furniture, manuscripts and books: including many early and rare editions of Johnson's work. The book collection has largely been obtained through two major donations, now housed in the libraries named after their donors: the Hay Hunter and Blum Libraries, and the Wood library contains a further 2,000 volumes. Personal items include Johnson's armchair, tea set, breakfast table and portable writing desk, David Garrick's walking stick and a bookcase belonging to James Boswell.
There were also a number of stone projectile points and celts. The most famous of the goods associated with these individuals is the cast gold composite effigy animal pendant with an emerald embedded in its back. This was found lying bottom up atop the gold plaques that covered the two central individuals. Numerous items were placed with the other occupants of this grave: gold triangles, a pair of whale teeth, a carved figure covered with gold, canine teeth, several green projectile points and a stone celt.
In the churchyard is a red sandstone cross base and shaft from the 15th or 16th century which is listed at Grade II. Also in the churchyard is a war memorial in Portland stone designed by Sir Percy Scott Worthington. It consists of a lantern cross containing a carved figure of Christ, and is listed at Grade II. The churchyard also contains the war graves of a Royal Engineers soldier and two airmen of World War II. The lych gate is also listed at Grade II.
The town of Santa Bárbara de la Isla de los Achaguas was founded in 1774 by Fray Alonso de Castro, and its name was taken from the native tribe "The Achaguas". Since 1835, the miraculous wood-carved figure of "El Nazareno de Achaguas" is venerated in the town's church. This figure was a donation that General José Antonio Páez gave to the town in agreement to the victory obtained in the battle against the Spanish for the independence of Venezuela which was to take place in Carabobo.
The 600-metre longitudinal axis goes east-west: from Bastion No. 7 to the Zamoyski Palace. The 400-metre crosswise axis goes north-south, linking the Great Market Square with the two smaller market squares: Solny and Wodny. Solny Square (Plac Solny) The red "Under the Angel" House at 26 Ormiańska street (Armenian street) was built in the early 1630s by a rich Armenian merchant, Gabriel Bartoszewicz. It is embellished with a carved figure of the founder's saint patron, the Archangel Gabriel holding a lily.
Truro: Joseph Pollard including two fine examples in St Buryan itself, one in the churchyard, and the other in the centre of the village. These take the form of a standing stone, sometimes carved into a Celtic cross but more often left roughly circular with a carved figure on the face. It is thought that many of these are pagan in origin, dating from the Neolithic and later periods, but were adapted by the early Christian church to remove evidence of the previous religion.Alex Everitt, n.d.
Jane Hocking's burial, the oldest in the cemetery, is marked by the carved figure of an angel clinging to a cross atop a tapered column. Service buildings constructed in the 1940s building programme survive. They comprise small brick toilet blocks, a brick building incorporating the walls and floor slab of a 1958 building, which was used as an office, store and garage, and a staff amenities block. The cemetery contains a Trig marker, which was part of a triangulation survey of the South East region carried out by the government in 1883.
A survey undertaken in January 1965 revealed that the exterior stonework was badly decayed, dry rot had eaten through the roof and the structural floor timbers, and the attics were infested with pigeons. Vandals had stripped the lead from the water tanks and had damaged the mirrors, fireplaces and carving work. The most notable loss was the theft of the carved figure of Fame from the Dining Room chimneypiece. Betjeman suggested that the owner's agents had deliberately refused to let the house, and allowed it to decline, intending to demolish it and redevelop the site.
This type of pole, which usually stands in front of a clan house, is erected about a year after a person has died. The clan chief’s memorial pole may be raised at the center of the village. The pole's purpose is to honor the deceased person and identify the relative who is taking over as his successor within the clan and the community. Traditionally, the memorial pole has one carved figure at the top, but an additional figure may also be added at the bottom of the pole.
Ngāti Rangitihi history is carved into the pole beside of the Rangiaohia wharenui at the Matata Pa and at Tamatekapua wharenui at Te Papaiouru Marae at Rotorua, Ngāti Rangitihi is the carved figure at the top of the pole, the 8 beating hearts are below Rangitihi. Their hapu, Ngāti Mahi and Ngāti Tionga are the recognised hapu of Ngāti Rangitihi today. The Ngāti Tionga hapu has occupied (Ahika) Otamarora (Matata) since 1700, under the chiefs Rohi, Tewhareiti, Tionga, Tangihia Tionga and Porione Tangihia. Pre-1928, carvings were green.
The very extensive Minoan commercial settlement Roussolakkos close to the Chiona beach, excavated by English archaeologists, clearly shows that the region was one of the most important commercial centres of the Minoan culture in the extreme east of the island of Crete. The Minoan Moulds of Palaikastro were discovered in October 1899 by a farmer 150 metres (160 yd) northeast of the village of Palaikastro. The Palaikastro Kouros is a carved figure of a youth that was recovered in fragments between 1987 and 1990. The village remains free from mass tourism.
He also points to the 13th-century chancel arch containing "most oddly, two plain Norman imposts", these too possibly previously placed elsewhere, a view supported by Cox. Above the arch are indications of the earlier chancel roof line, and on the chancel arch wall, above the pulpit on which is carved figure of John the Evangelist, is a small doorway to a former rood screen upper level loft. Within the chancel is a further arcade leading to the late Perpendicular north chapel. The Perpendicular west tower arch relates in style to the arcades and is edged with a quatrefoil frieze.
On a fifth panel was later inscribed "These men also gave their lives 1939-1945" with the names of seven men who fell in the Second World War. On the sur-base is superimposed another base block with cusped and traceried panels containing the arms of the County of Gloucestershire and of St. George emblazoned in colour and gilt. Above this rises an octagonal shaft crowned by the carved figure of St. George and the Dragon. The unveiling took place on the afternoon of Saturday 26 March 1921, when there was a large crowd from Moreton and the surrounding villages.
The Anglican Parish Church of St Nicholas and the Blessed Virgin Mary at Stowey within the English county of Somerset dates from the 13th century. It is a Grade II listed building. There may have been a wooden church on the site at the time of the Domesday book, although the first written record from the Bath cartulary is of 1235. The oldest part of the current stone church is the chancel at the eastern end, which now contains the altar and has a small priest's door, above which is a small carved figure. The nave was added in the 14th century.
A visit to the park consisted of visitors riding up on the wagon, being "robbed" by "outlaws", and then disembarking at the main house. Adjacent to the house were the "graves" of Ben Cartwright's three wives, each of whom had given birth to one of the three (half) brothers. Graves of the Cartwrights and cook Hop Sing were later added, following the deaths of Dan Blocker (1972), Victor Sen Yung (1980), Lorne Greene (1987), and Michael Landon (1991). The house contained a less-than-realistic carved figure of Ben Cartwright sitting at his desk, and of Hop Sing working in the kitchen.
The area around Yaka was probably populated during the Neolithic Age and there is a rock carved figure of a female to the east of the town which is thought to be of Cybele, the mother goddess of ancient Anatolia. The present town was founded by Turks around the 15th century. The name of the town suggests that these people may be of Yaka tribe from Mangyshlak Peninsula at the east coast of Caspian Sea, now in Kazakhstan. (There are many other settlements in Turkey with the same name) But the population of the settlement also included Greeks up to 20th century before population exchange agreement between Greece and Turkey.
Originally, above the screen was a gallery with a large wooden cross, probably with a carved figure of Christ hanging on it; the hole where the cross was fixed is still there on the top of the screen. The Roundheads, who did not approve of figures of Christ and his saints in churches, removed the cross during the Civil War. For hundreds of years, as the largest public building in the village, the church was used for secular meetings as well as for services. When such meetings were held in the nave, the gates of the screen would be closed to preserve the sanctity of the chancel from non-sacred meetings.
Further on, still on the left, was a carved figure of the Emu, apparently crouching, its head pointed towards the large bora. To its right, a further three yards on, was Goomee, Baiame's fire, a foot high mound with a lit fire on top. A further 18 yards on, parallel to the track and on Goomee's side, a codfish was depicted, and after it the Currea, a serpentine creature, and, 15 yards on the other side of the path, two death adders, followed then by a turkey's nest, an earth-stuffed porcupine's skin, and a kangaroo rat's nest. At last, there was a carving of a full tribal man on one side of the track, and an aboriginal woman on the other.
Towards the end of the nineteenth century interest in the 'Hero of Camperdown' was renewed, in part through the success of the popular play "Jack Crawford the Hero of Camperdown""Jack Crawford the Hero of Camperdown" by James Roland MacLaren (ed: Michael MacLaren), The Salamander Studio, Edinburgh (1997), by Sunderland-based playwright James Roland MacLaren, which went on tour during the 1880s. This resulted in the erection of a headstone in Holy Trinity, Sunderland churchyard in 1888. Two years later public donations led to a monument being erected in Mowbray Park, opposite what is now the Civic Centre. A pub in Monkwearmouth was named the Jack Crawford and sported a carved figure of him on the side of the building.
An incised slab with a priest, which was removed from Castledillon, is now in the visitor centre in Kildare town. The stone has been damaged and although the inscription ICI GiST DEV DE SA ALLME EIT MERCI is visible, it is a generic phrase which translates as "Here Lies (name illegible) God Have Mercy on His Soul." The absence of a crosier has been noted to suggest he was not a bishop, as accorded in folklore, and may have been abbot in the friary of St Wolstan’s four miles to the north east, perhaps after it was dissolved in 1541. The left hand of the carved figure carries a reliquary suspended around the neck and hangs below a brooch like object at the throat.
The facade of the deuḷa above the left of the jagamohana is dominated by two chaitya windows—the lower one having a beautifully carved figure of Surya the Sun God noted for its facial expression, with Usha (Dawn) and Pratyusha shooting arrows on either side and with Aruna in front, driving a chariot of seven horses. The medallion in the upper Chaitya window houses a 10-armed Nataraja or dancing Shiva. In front of the flat roofed Jagamohana is a stone post relieved with two Buddha like figures seated in Dharma-Chakra-Pravartana mudra. Another striking feature is temple's Tantric associations, marked by eerie carvings in the sanctum and the image enshrined in the central niche, eight armed Chamunda, locally known as Kapaḷini, is the terrifying form of goddess Durga.
Penzance—Pennsans; "holy headland" in the Cornish language—refers to the location of a chapel nowadays called St Anthony's that is said to have stood over a thousand years ago on the headland to the west of what became Penzance Harbour. There are no early documents mentioning an actual dedication to St Anthony which seems to depend entirely on tradition and may be groundless. The only remaining object from this chapel is a carved figure, now largely eroded, known as "St Raffidy" which can be found in the churchyard of the parish church of St Mary's near the original site of the chapel. Until the 1930s this history was also reflected in the choice of symbol for the town, the severed "holy head" of St John the Baptist.
The portals themselves were sealed by gilded bronze doors, ornamented with scenes from Christ's Passion and clearly recording Suger's patronage with the following inscription; > For the glory of the church which nurtured and raised him, Suger strove for > the glory of the church, Sharing with you what is yours, oh martyr Denis. He > prays that by your prayers he should become a sharer in Paradise. The year > when it was consecrated was the one thousand, one hundred and fortieth year > of the Word.Fordham College Medieval Sourcebook, "Abbot Suger: ON WHAT WAS > DONE IN HIS ADMINISTRATION", Chapter XXVII: Concerning the Cast and Gilded > Doors On the lintel below the great tympanum showing the Last Judgement, beneath a carved figure of the kneeling Abbot, was inscribed the more modest plea; > Receive, stern Judge, the prayers of your Suger, Let me be mercifully > numbered among your sheep.
The names of those killed in the First World War are listed on the outer wall of the cloister, on tablets of Hopton Wood stone; each of the outer walls bears a pair of large tablets, eight in all, each comprising six smaller panels listing the names. Within the cloister is a garden designed by Gertrude Jekyll, with roses and white lilies, and four grass lawns separated by paths leading to a central memorial cross made by the sculptor Alfred Turner, with a wheel-headed Latin cross supported by an octagonal shaft on an octagonal plinth with three steps. To either side of the cross is the carved figure of a crusader knight. Baker had proposed a similar design of wheel-headed memorial cross to the Imperial War Graves Commission (now Commonwealth War Graves Commission), but a different design by Sir Reginald Blomfield was selected instead: the Cross of Sacrifice familiar at many CWGC cemeteries.
Another indication that the woman is not pregnant is that Giovanna Cenami (the identification of the woman according to most earlier scholars) died childless,Harbison 1990, 267 as did Costanza Trenta (a possible identification according to recent archival evidence); whether a hypothetical unsuccessful pregnancy would have been left recorded in a portrait is questionable, although if it is indeed Constanza Trenta, as Koster proposed, and she died in childbirth, then the oblique reference to pregnancy gains strength. Moreover, the beauty ideal embodied in contemporary female portraits and clothing rest in the first place on the high valuation on the ability of women to bear children. Harbison maintains her gesture is merely an indication of the extreme desire of the couple shown for fertility and progeny.Harbison 1990, 265 There is a carved figure as a finial on the bedpost, probably of Saint Margaret, patron saint of pregnancy and childbirth, who was invoked to assist women in labor and to cure infertility, or possibly representing Saint Martha, the patroness of housewives.

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