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"carbon paper" Definitions
  1. thin paper with a dark substance on one side, that is used between two sheets of paper for making copies of written or typed documents
"carbon paper" Synonyms

144 Sentences With "carbon paper"

How to use carbon paper in a sentence? Find typical usage patterns (collocations)/phrases/context for "carbon paper" and check conjugation/comparative form for "carbon paper". Mastering all the usages of "carbon paper" from sentence examples published by news publications.

It is devoted to presenting six re-creations of Rockburne's 21972 Carbon Paper Installations.
It's basically digital carbon paper (if you're old enough to know what that is).
A computer is on the premises but so is carbon paper for making copies.
In order to raise the money, she typed up signs on carbon paper requesting donations.
"She got out her trusty Royal typewriter from college and carbon paper," her son said.
Even handwritten friends' names and phone numbers were retraced on the wall using carbon paper.
His mind is dense with facts, from the origins of carbon paper to the many varieties of rope.
Before I discovered these tools, I would try to use a pencil, pen, or carbon paper to transfer designs to fabric.
But just as Xerox made carbon paper obsolete, the iPhone, Google Docs and the cloud made Xerox a company of the past.
The carbon paper has been folded on the diagonal and from adjacent corners to longer sides, to make a pair of isosceles triangles.
My father said I would lose my job if each day ended with originals, copies and carbon paper filling up the trash can.
They are made quickly with a ballpoint pen, a ruler, and a homemade version of large-scale carbon paper (oil paint applied to paper).
The central element of each of the six separately titled works is an approximately 603-by-260–inch double-sided sheet of black carbon paper.
Unfolded, the carbon paper's creases are drawn upon and extended outward onto the wall or the floor, depending on where the carbon paper is located.
Simple things like factory blueprints and the introduction of paperclips and carbon paper to the company's filing system told a different side of Martin's story.
As a translator of digital culture, Noh compares himself to a carbon paper — a material he places between a printed source and his drawing paper.
Here's an example: The Pentagon opened in 227 to house nearly 216,22018 people who managed a global war with manual typewriters, carbon paper and filing cabinets.
Now, consider how many people should get cut out of that process when you replace manual typewriters, carbon paper, and filing cabinets with iPads or personal computers.
We'd get these purchase orders, and it was my job to pull out the yellow ones, put 'em in a stack, and fill out the carbon paper.
Parks may have been good with the carbon paper and coffee machine, but by the time of the bus boycott, her résumé also featured decades of not-so-quiet resistance.
If that worked, it was on to the decollator, a Coupe de Ville-length machine that transformed the sets into a neat stack of forms and multiple rolls of carbon paper.
Viewing works such as "Carbon Paper Installation: Whitney Piece" (260/23), the visitor tussles mentally with a gestalt, suggested by the lines, that stubbornly refuses to resolve itself into a closed form.
For instance, for "Bennington," she cribbed photographic images of the buildings at the site (originally taken with a fisheye lens) and transferred them, using carbon paper and onion skin, into her landscape.
Ms. Vasavada's mother had done something similar when she arrived in 1986: She wrapped a tiny container of yogurt in carbon paper, believing that an airport X-ray machine couldn't detect it.
She started off on an old Royal manual machine, typing up legal briefs, including one about the Lenny Bruce case — "Eight sheets of carbon paper for that one" — in which the comedian was prosecuted for using obscenities in a Greenwich Village nightclub act.
His "automatic" poems from 1961 are simply comprised of a torn sheet of used carbon paper, calling to mind the practice of samizdat, or underground publishing, that consisted in typing multiple copies of a manuscript that could not be printed legally, and then distributing them surreptitiously.
After a few queries, Maya handed her a copy of a poem typed, in the samizdat fashion, on what was called "cigarette paper" — it was thin as rolling papers, and this allowed as many as four copies to be produced through the use of carbon paper and a manual typewriter.
Echoing the Judson Dance Theater ethos, viewers of her work could encounter an installation and complete it with their active presence; they could be inadvertent dancers responding through their bodies to the monumental paper figures of Domain or to the dance-like "choreography" of lines emanating from the carbon paper pieces.
Powers cut off both his pinkies, his ear lobes, and his Achilles tendon, removed one of his testicles, drilled a hole in his skull, pushed pieces of metal into his brain, and tattooed his entire body with what he called "Avatar stripes" using a razor blade and black dust from carbon paper.
His efforts helped chart the country's meteorological history as it played out on the East End of Long Island from July 1, 20143, the day Mr. Hendrickson took his first reading, until this past September, when — more than 150,000 readings later — he put down his instruments, his rotary phone and his carbon paper and, on his 103rd birthday, reluctantly retired.
The licorice-twinged Papier Carbone captures the childhood scent of the carbon paper that French schoolteachers formerly wrote on; Toï Toï Toï, which borrows its name from the expression of good luck offered ahead of a stage performance, smells woody and waxy, reminiscent of the Opera Garnier or the Bolshoi Ballet; L'Ivrée Bleue, heavy on vanilla and rum, evokes the intoxicating, tropical paintings of Paul Gauguin and Henri Rousseau.
While he confesses that he sees his works as purely digital, that he deems his process complete once the drawings are scanned into jpeg, like his sources, and that the "original" drawing on paper is more of a byproduct than the other way around, there is something doggedly idiosyncratic in the process of freezing digital images that fleet across a screen and making them material, in the slightly impressed lines made by tracing against a carbon paper and the unforgiving stain of watercolor.
Carbon paper is also used in fuel cell applications. However, this carbon paper has nothing to do with the carbon paper used for copying texts. It consists of carbon microfibers manufactured into flat sheets. It is used to help as an electrode that facilitates diffusion of reagents across the catalyst layered membrane portion of membrane electrode assembly.
Other researchers have been successful using carbon paper manufactured from pyrolyzed filter paper. The paper is inserted in between the electrode and cathode. The use of a carbon paper as an interlayer in Li-S batteries improves the batteries efficiency and capacity. The carbon paper increases the contact area between the cathode and the electrode which allows for greater flow of electrons.
As of 2013, in Canada only one eight-person company still manufactures carbon paper, in the United Kingdom one company and in the United States only two small companies. There have been some experimental uses of carbon paper in art (as a surface for painting) and mail art (to decorate envelopes). Carbon paper is commonly used to transfer patterns onto glass in the creation of stained glass . Carbon paper disks are still used in school physics labs as parts of experiments on projectile motion or position, velocity, and acceleration.
A sheet of carbon paper is placed between two or more sheets of paper. The pressure applied by the writing implement (pen, pencil, typewriter or impact printer) to the top sheet causes pigment from the carbon paper to reproduce the similar mark on the copy sheet(s). More than one copy can be made by stacking several sheets with carbon paper between each pair. Four or five copies is a practical limit.
A sheet of carbon paper, with the coating side down Carbon paper (originally carbonic paper) was originally paper coated on one side with a layer of a loosely bound dry ink or pigmented coating, bound with wax, used for making one or more copies simultaneously with the creation of an original document when using a typewriter or a ballpoint pen. The manufacture of carbon paper was formerly the largest consumer of montan wax. In 1954 the Columbia Ribbon & Carbon Manufacturing Company filed a patent for what became known in the trade as solvent carbon paper: the coating was changed from wax-based to polymer- based. The manufacturing process changed from a hot-melt method to a solvent- applied coating or set of coatings.
In 1801, Pellegrino Turri, an Italian inventor, invented carbon paper to provide the ink for his mechanical typing machine, one of the first typewriters. Ralph Wedgwood obtained the first patent for carbon paper in 1806. Carbon paper was the principal medium of reproduction for samizdat, a publication method used in the former Soviet Union in order to publish books without having to use state-controlled printing houses and risk the censorship or imprisonment that was commonplace at the time. While the use of carbon paper has declined to almost nothing, a legacy of its once widespread use has remained in the header of emails, where the abbreviation "cc" stands for "carbon copies", the copies intended for recipients other than the principal addressee.
It was then possible to use polyester or other plastic film as a substrate, instead of paper, although the name remained carbon paper.
"The initial intent for this method of moving a pre- made image from one location to another was to serve as an essential substitute for ink. In 1801, Pellegrino Turri, an Italian inventor, invented carbon paper to provide the ink for his mechanical typing machine, one of the first typewriters." Ralph Wedgwood obtained the first patent for carbon paper in 1806. Wedgwood's technique was then continuously perfected.
This must all be laboriously written in quintuplicate using carbon paper, so make sure you have it the right way up before you answer all the questions.
A decollator and a burster A decollator separates multi-part continuous form paper into separate stacks of one-part continuous form paper and may also remove the carbon paper.
"Top-down" synthetic route refers to breaking down larger carbon structures such as graphite, carbon nanotubes, and nanodiamonds into CQDs using laser ablation, arc discharge, and electrochemical techniques. For example, Zhou et al. first applied electrochemical method into synthesis of CQDs. They grew multi-walled carbon nanotubes on a carbon paper, then they inserted the carbon paper into an electrochemical cell containing supporting electrolyte including degassed acetonitrile and 0.1 M tetrabutyl ammonium perchlorate.
This would continue for one revolution of the drum printing. The printer could print up to eight copies of a report by using carbon paper between each layer of paper.
Liborio Pedrazzoli: Inventor of swimming umbrellas. Ralph Wedgwood (inventor): Invented carbon paper. William Willoughby Cole Verner: Invented cavalry sketching board to enable cavalrymen to make accurate maps whilst on horseback.
Patents by Lebbeus H. Rogers In 1870, Rogers founded the Rogers Manifold Carbon Paper Company in New York City, the first company in America, and possibly in the world, to produce carbon paper, even before the advent of typewriters. A good friend of inventor Alexander Graham Bell, Rogers turned down an offer to purchase a tenth share of Bell's telephone patent, which would have ultimately made Rogers a very rich man. Rogers died in his home in Portland, Oregon on December 16, 1932.
Electrolyte is highly concentrated or pure liquid phosphoric acid (H3PO4) saturated in a silicon carbide matrix (SiC). Operating range is about 150 to 210 °C. The electrodes are made of carbon paper coated with a finely dispersed platinum catalyst.
The building was converted in 1934 into a typewriter ribbon, stencils and carbon paper factory under the name Carfa SA. Carfa remained in operation until 2003. In 2005, just over half of all jobs in the municipality were in manufacturing.
Pellegrino Turri (1765–1828), an Italian inventor, invented a mechanical typing machine, one of the first typewriters, at the start of the 19th century (conflicting accounts suggest 1801, 1806 or 1808) for his blind friend Countess Carolina Fantoni da Fivizzano. He also invented carbon paper to provide the ink for his machine. According to another version, the machine was invented in 1802 by Agostino Fantoni from Fivizzano, nephew of the Italian poet Labindo, to help his blind sister, while Turri merely improved Fantoni's machine and invented the carbon paper in 1806. Although not much is known about the machine, some of the letters written on it by the countess have survived.
The growth of business during the industrial revolution created the need for a more efficient means of transcription than hand copying. Carbon paper was first used in the early 19th century. By the late 1840s copying presses were used to copy outgoing correspondence. One by one, other methods appeared.
Henry Brown was an American inventor, perhaps best known as the inventor of a type of paper storage box. Henry Brown developed a type of compartmented storage box intended to keep sheets of carbon paper separate from each other, and patented his invention (number 352,036) on November 2, 1886.
"In the course of my patent work," wrote Carlson, "I frequently had need for copies of patent specifications and drawings, and there was no really convenient way of getting them at that time." At the time, the department primarily made copies by having typists retype the patent application in its entirety, using carbon paper to make multiple copies at once. There were other methods available, such as mimeographs and Photostats, but they were more expensive than carbon paper, and they had other limitations that made them impractical. The existing solutions were 'duplicating' machines—they could make many duplicates, but one had to create a special master copy first, usually at great expense of time or money.
One example, ORION, had 50 rows of plaintext alphabets on one side and the corresponding random cipher text letters on the other side. By placing a sheet on top of a piece of carbon paper with the carbon face up, one could circle one letter in each row on one side and the corresponding letter one the other side would be circled by the carbon paper. Thus one ORION sheet could quickly encode or decode a message up to 50 characters long. Production of ORION pads required printing both sides in exact registration, a difficult process, so NSA switched to another pad format, MEDEA, with 25 rows of paired alphabets and random characters.
An often-used analogy to the cryptographic blind signature is the physical act of a voter enclosing a completed anonymous ballot in a special carbon paper lined envelope that has the voter's credentials pre-printed on the outside. An official verifies the credentials and signs the envelope, thereby transferring their signature to the ballot inside via the carbon paper. Once signed, the package is given back to the voter, who transfers the now signed ballot to a new unmarked normal envelope. Thus, the signer does not view the message content, but a third party can later verify the signature and know that the signature is valid within the limitations of the underlying signature scheme.
The errors were reported by Bergling to Moscow who called them back home. To get in touch with the Soviets he wrote letters with "invisible writing", which was done with the help of carbon paper. The writings were then presented with a special liquid. He got messages back using a shortwave radio.
He made his own hand-carved frames and printed paper backings for his pieces that told the story behind the scene depicted; thus he made several versions of the same picture. Mitchell would copy his most popular scenes using carbon paper on top of watercolour paper, making each scene appear as an original.
It is used for making car and shoe polishes, paints, and phonograph records, and as lubricant for molding paper and plastics. About a third of total world production is used in car polish. Formerly, its main use was making carbon paper. Unrefined montan wax contains asphalt and resins, which can be removed by refining.
Styluses are still used in various arts and crafts. Example situations: rubbing off dry transfer letters, tracing designs onto a new surface with carbon paper, and hand embossing. Styluses are also used to engrave into materials like metal or clay. Styluses are used to make dots as found in folk art and Mexican pottery artifacts.
The zinc electrodeposition on the negative electrode has been studied using a Hull cell. Carbon paper has also been studied as an alternative material for the positive electrode. Graphene oxide-graphite composites have shown some promise as a better catalytic electrode material for the reaction of cerium in the positive electrolyte. A similar cerium-lead RFB has been proposed.
Rose and Frank Co was the sole US distributor of JR Crompton's carbon paper products. In 1913, the parties signed a new document which included this clause: The relationship between the two parties broke down as JR Crompton refused to supply some of the orders of the plaintiff. Rose & Frank Co sued on enforcement of the agreement.
Global Secur. 1, 175 (1990) In 1968, a friend suggested that Sakharov write an essay about the role of the intelligentsia in world affairs. Self-publishing was the method at the time for spreading unapproved manuscripts in the Soviet Union. Many readers would create multiple copies by typing with multiple sheets of paper interleaved with carbon paper.
Ralph Wedgwood (1766–1837) was an English inventor and member of the Wedgwood family of potters. His most notable invention was the earliest form of carbon paper, a method of creating duplicate paper documents, which he called "stylographic writer" or Noctograph. He obtained a patent for the invention in 1806. Wedgwood was born in Burslem, Staffordshire.
The advent of word-processing and the decline of typewriting meant that any number of copies of a document could be printed on demand, and the decline of carbon paper, which had already been partially superseded by photocopying and carbonless copy paper, became irrevocable. A few specialist or remnant uses remain. Examples of these are receipts at point of sale (though they have mostly been relegated to being backups for when electronic POS devices fail) or for on-the-spot fine notices, duplicate checks, and some money orders (though the United States Postal Service has recently converted to an electronic format), and tracking slips for various expedited mail services requiring multiple copies. In India, form-filling is on a sufficient scale that carbon paper is still widely used.
The top sheet is the original and each of the additional sheets is called a carbon copy. The use of carbon copies declined with the advent of photocopying and electronic document creation and distribution (word processing). Carbon copies are still sometimes used in special applications: for example, in manual receipt books which have a multiple-use sheet of carbon paper supplied, so that the user can keep an exact copy of each receipt issued, although even here carbonless copy paper is often used to the same effect. It is still common for a business letter to include, at the end, a list of names preceded by the abbreviation "CC", indicating that the named persons are to receive copies of the letter, even though carbon paper is no longer used to make the copies.
The building's architect was P.W. van den Belt, and it now enjoys the status of an industrial monument. As of 1932 the typewriter became increasingly popular in offices, and the mimeograph became all the rage. Talens started to supply carbon paper, typewriter ribbon, stencils and stencil ink. The brand Gluton, the glue in the famous pot-and-brush, became a household name.
Reynolds and Reynolds started as a printer of standardized business forms on carbon paper. By the 1940s, Reynolds' business was divided into four main areas: automotive, medical, custom forms and Post-Rite Peg Boards. Reynolds' first electronic accounting service was introduced in 1963. Its parts inventory software product, called Electronic Parts Inventory Control (EPIC), was released in beta in 1966.
In defiance of these regulations, some banned authors began writing samizdat articles and distributing them secretly in Czechoslovakia and abroad. In order to produce multiple copies of their works, they used carbon paper to produce up to fifteen copies at once. Other methods of copying included cyclostyle, spirit duplicator, photocopying, and xerography. The materials were secretly distributed among dissidents and sometimes smuggled abroad.
They were kept in prisons in Tuzla, Banja Luka, and Bihać. In the Banja Luka prison, they were all kept in the same room, enabling them to organise political and literary discussions. They issued a comic and satirical magazine, called "Mala paprika" (Little Paprika), the copies of which they made using carbon paper. A number of copies found their way out of the prison.
Using carbon paper, Chapman recovers a phone number and contacts another of Cindy's friends, a photographer, who explains that she was investigating corruption and a possible conspiracy involving human trafficking. When the photographer is unwilling to part with proof, Chapman pickpockets it. The photographer dies in a car bomb seconds later. After engaging in a gun fight with yakuza gangsters, Chapman investigates a nightclub with yakuza ties.
This necessitates the use of more platinum, increasing the cell's expense and thus feasibility. Many potential catalyst choices are ruled out because of the extreme acidity of the cell. The most effective ways of achieving the nanoscale Pt on carbon powder, which is currently the best option, are through vacuum deposition, sputtering, and electrodeposition. The platinum particles are deposited onto carbon paper that is permeated with PTFE.
Autographic Register - National Cash Register Company, 1898 An Autographic Register is a business machine invented in 1883 by James C. Shoup. The device consisted two separate rolls of paper interleaved with carbon paper. Usually one or both of the rolls would be preprinted with form information. To operate the machine the user would write, for example, a sales receipt and the machine automatically produced a copy.
It is then transferred with carbon paper, etched with a stylus, and red clay bole is applied to the areas to be gold leafed. The gold leaf is applied first and then finished. The twelve layers of egg/vinegar tempera is applied in puddles to the horizontal board and allowed to sink in and dry. Each layer is an opportunity to be still in meditation and contemplation.
Royal Talens is a Dutch company located in Apeldoorn that specializes in art materials. The company produces and markets its own products, apart of commercializing other licensed brands such as Van Gogh, Rembrandt, Bruynzeel. Products commercialised include acrylic paints, oil paints, watercolor paintings, brushes, markers, inks, pastels, pencils, pens, gouache, canvas, papers. In the past Talens has also produced fountain pen ink, typewriter ribbon, carbon paper and other office supplies.
The special aniline dyes for making the master image came in the form of ink or in pens, pencils, carbon paper and even typewriter ribbon. Hectograph pencils and pens are sometimes still available. Various other inks have been found usable to varying degrees in the process; master sheets for spirit duplicators have also been pressed into service. Unlike a spirit duplicator master, a hectograph master is not a mirror image.
MEC systems are based on a number of components: Microorganisms – are attached to the anode. The identity of the microorganisms determines the products and efficiency of the MEC. Materials – The anode material in a MEC can be the same as an MFC, such as carbon cloth, carbon paper, graphite felt, graphite granules or graphite brushes. Platinum can be used as a catalyst to reduce the overpotential required for hydrogen production.
Also there are forms for taxes; filling one in is a duty to have determined how much tax one owes, and/or the form is a request for a refund. See also Tax return. Forms may be filled out in duplicate (or triplicate, meaning three times) when the information gathered on the form needs to be distributed to several departments within an organization. This can be done using carbon paper.
The pores in the paper allow the electrons to travel easily while preventing the anode and the cathode from being in contact with one another. This translates into greater output, battery capacity and cycle stability; these are improvements to conventional Li-S batteries. The carbon paper is made from pyrolyzed filter paper which is inexpensive to make and performs like multi-walled carbon nanotube paper used as a battery.
Hastie first noted what he thought were her artistic inclinations when she was six months of age; while he was sitting on his couch writing on a legal pad, she jumped up and began scratching at the pad. Believing that she was attempting to communicate in some way, he affixed a sheet of carbon paper to the pad and she scratched her first image. Tillamook Cheddar's 2008 painting "Unicorn Tapestry".
Most journals were manufactured at or near the front lines of the trenches. However, there were many different methods of manufacture, copying, and distribution. For example, some journals were physically printed away from the trenches in England, while some used abandoned printing presses found in old printeries. In terms of duplication, materials such as carbon paper, typewriters, and stencils were used, contributing to the informal and handmade appearance of the magazines.
A sturdy East German Erika typewriter could handle four sheets of paper, with carbon paper between the sheets: One could borrow a popular work for a night, if one delivered four copies of it to the lender. One could keep one copy,” Mallinen says. Even during his student days, Mallinen smuggled forbidden literature from the Soviet Union to Finland. Later, when he worked for Finnish businesses, he translated e. g.
The most important product of the Carnauba tree is the wax extracted from its leaves. It can be used in floor, leather, furniture, car and shoe polish, and enters into the manufacturer of carbon paper, candles, chalk, matches, soap and woodwork stains. It consists of myricyl cerotate and small quantities of cerotic acid and myricyl alcohol. After harvesting, the leaves are left upon the field to dry under the sun.
The crank on the machine ejected the records and moved a blank form into view. The original receipt produced would go to the user and the copy was filed. Shoup founded the Autographic Register Company in Hoboken, NJ to manufacture his invention. The Autographic Register was an advance over use of separate forms and carbon paper as it guaranteed that the copy was made and kept the forms in relative alignment.
The print head had enough force to print through six pieces of paper, allowing it to print using carbon paper or copy paper forms. The systems were so popular that several 3rd party companies introduced add-on cards to give the systems more functionality. The Intertec Superdec offered 1200 bps support, double-wide characters, APL characters and even user-defined character sets. The Datasouth DS120 was similar, lacking the character sets but adding bidirectional printing.
VNs were reproduced using a typewriter and using Carbon paper, and a lack of paper meant the available supply became worse and worse as the war progressed. Not until 1944 did Fenner obtain permission to use Wachsplatten, a device created to print multiple copies. As soon as the copies were made they were sent to Leutnant Kalckstein who was changed with all further details. He kept the one copy which ultimately went to the Archive.
Roller copiers competed with carbon paper technology. It was claimed that a roller copier could make a half dozen copies of a typewritten letter if the letter was run through the copier several times. It could make a dozen copies if the letter was written with a pen and good copying ink. The Process Letter Machine Co. of Muncie, Indiana, offered the New Rotary Copying Press, a loose-leaf copier, in 1902.
Now largely superseded by first EARS and then VAN software (named Connect in the UK) for the Liberal Democrats, MERLIN for the Conservative Party and Contact Creator for the Labour Party. They were known as Mikardo pads after Ian Mikardo in the Labour party and as Reading pads in the Conservative party - in both cases because of the original invention, using carbon paper during the 1945 General Election in the Reading constituency, won by Mikardo.
In 1926 Royal introduced the "Roytype" brand name for its line of typewriter ribbons and carbon paper. Royal entered the portable typewriter market in 1926 - years behind its competitors such as Underwood, LC Smith Corona, and Remington. In order to promote the new portable Royal president G. E. Smith secured the exclusive sponsorship of the September 23, 1926, Dempsey–Tunney championship fight for $35,000. This boxing match was the first nationwide radio hook-up.
The transfer technique is a special drawing technique that was developed by the painter and draftsman Jules Pascin. In Pascin’s mind a drawing should be done in complete freedom by the hand that is doing the drawing, without being controlled by the eye. He developed a form of blind contour drawing whereby a sheet of carbon paper was laid between two sheets of paper. The drawing itself was done using a non-writing pen (or stylus).
Throughout its lifetime, Dement Printing Company has produced many different products. At the turn of the 20th century when the business was located on 4th Street, popular products included letterheads, envelopes, statements, circulars, and order blanks. During World War II, Dement Printing Company was asked to fill a $26,000 order of carbon paper for Brookley Field in Mobile, Alabama. The company was also asked to print blueprints for the Air Base at Key Field in Meridian.
After Kudrow leaves, Jordan shows the carbon paper evidence to Lomax and confirms that the fingerprint markings on it were Pedranski's, now fully validating the evidence against Kudrow. Jeffries, with Jordan and an FBI task force's help, sets a trap at the meeting spot. Armed with a machine gun, Burrell fires at the FBI squad resulting in a shootout, while Kudrow attempts to escape with Simon on a pre-arranged helicopter. Jordan protects Stacey from the killer's fire.
Carbon paper, used for making duplicate typewritten documents was coated with carbon black suspended in wax, typically montan wax, but has largely been superseded by photocopiers and computer printers. In another context, lipstick and mascara are blends of various fats and waxes colored with pigments, and both beeswax and lanolin are used in other cosmetics. Ski wax is used in skiing and snowboarding. Also, the sports of surfing and skateboarding often use wax to enhance the performance.
Jordan discreetly arranges for her to meet with Jeffries to show them both the carbon paper of the letter, which, being covered in Pedranski's fingerprints, is crucial evidence. After the meeting Jeffries gives Stacey Jordan's number in case of an emergency. Jeffries goes to Kudrow’s home during his birthday party, and demands that Kudrow announce on national TV that the Mercury Encryption Project is a failure. Jordan, under Jeffries suggestion, arranges for Simon to go into the Witness Protection Program.
Eastman Autographic Orthochromatic Speed Non-Curling Non-Halation Film (Expired: March 1st 1920) 1915 magazine ad The autographic system for roll film was launched by Kodak in 1914, and allowed the photographer to add written information on the film at the time of exposure. The system was patented by Henry Jacques Gaisman, inventor and safety razor manufacturer. George Eastman purchased the rights for US$300,000. It consisted of a tissue- like carbon paper sandwiched between the film and the paper backing.
Dot matrix and daisy wheel impact printers are also able to use carbon paper to produce several copies of a document in one pass, and most models feature adjustable impact power and head spacing to accommodate up to three copies plus the original printout. Usually, this feature is used in conjunction with continuous, prearranged perforated paper and carbon supplies for use with a tractor feeder, rather than with single sheets of paper, for example, when printing out commercial invoices or receipts.
A typical fixed install card terminal from 2006 Prior to the development of payment terminals, merchants would use manual imprinters (also known as ZipZap machines) to capture the information from the embossed information on a credit card onto a paper slips with carbon paper copies. These paper slips had to be taken to the bank for processing. This was a cumbersome and time-consuming process. Point of sale terminals emerged in 1979, when Visa introduced a bulky electronic data capturing terminal which was the first payment terminal.
In 1882, Moore left to found Moore Business Forms (then called Grip Printing & Publishing Company), which sold books of sales slips with flip-over carbon paper. The company, later Moore Corporation Limited, went on to become a major supplier of business forms and printing services in North America. Other affiliated companies were formed in the United Kingdom and Australia. Moore also founded the Metropolitan Bank of Canada in 1902; it was merged with Scotiabank, where Moore served as president and chairman of the board.
Describing herself as being "totally computer illiterate", she worked on a typewriter and used carbon paper to produce a duplicate copy of her writings. By 2000, Morlan had published 93 works of short fiction. Several of her collections were published, such as Smothered Dolls (2006), Ewerton Death Trip (2011), and Homely in the Cradle and Other Stories (2015). She used various pen names for her science fiction and horror works, including Renee M. Charles and Ana Rose Morlan, eventually changing her legal name to the latter.
Fountain pens dating from the first half of the 20th century are more likely to have flexible nibs, suited to the favored handwriting styles of the period (e.g. Copperplate script and Spencerian script). By the 1940s, writing preferences had shifted towards stiffer nibs that could withstand the greater pressure required for writing through carbon paper to create duplicate documents. Furthermore, competition between the major pen brands such as Parker and Waterman, and the introduction of lifetime guarantees, meant that flexible nibs could no longer be supported profitably.
As an analogy, consider that Alice has a letter which should be signed by an authority (say Bob), but Alice does not want to reveal the content of the letter to Bob. She can place the letter in an envelope lined with carbon paper and send it to Bob. Bob will sign the outside of the carbon envelope without opening it and then send it back to Alice. Alice can then open it to find the letter signed by Bob, but without Bob having seen its contents.
The pamphlets had titles like The becoming of the Nazi movement, Call for opposition, Freedom and violence and Appeal to All Callings and Organisations to resist the government. The writing of the AGIS leaflet series was a mix of Schulze-Boysen and Walter Küchenmeister, a communist political writer, who would often include copy from KPD members and through contacts. They were often left in phone booths, or selected addresses from the phone book. Extensive precautions were taken, including wearing gloves, using many different typewriters and destroying the carbon paper.
The result is fibers with higher specific tensile strength than steel. Carbon black is used as the black pigment in printing ink, artist's oil paint and water colours, carbon paper, automotive finishes, India ink and laser printer toner. Carbon black is also used as a filler in rubber products such as tyres and in plastic compounds. Activated charcoal is used as an absorbent and adsorbent in filter material in applications as diverse as gas masks, water purification, and kitchen extractor hoods, and in medicine to absorb toxins, poisons, or gases from the digestive system.
The downside to this approach was that it required the customers to give their names, addresses, and phone numbers with each order. The risk of identity theft made some customers wary of shopping in such stores, particularly when purchasing simple household items such as batteries. For non-jewelry orders, customers would enter the showroom and receive a carbon- paper order form and clipboard to record the catalog numbers of desired items. Items were displayed in working order in the showroom, allowing customers to test products as they shopped.
Glen Cove Creek was channelized in the early 20th century by the US Army Corps of Engineers. Li Tungsten produced tungsten powder and tungsten carbide powder, along with other specialty products. The company was first known as Wah Chang Smelting and Refining Company, and later as Teledyne Wah Chang. Columbia Ribbon and Carbon Manufacturing Company opened a Glen Cove research lab in 1932 and produced blue printing inks, carbon paper and typing ribbon until 1980. Powers Chemco, which made photographic equipment and supplies, was renamed Chemco Technologies in 1987.
The majority of implementations of EMV cards and terminals confirm the identity of the cardholder by requiring the entry of a personal identification number (PIN) rather than signing a paper receipt. Whether or not PIN authentication takes place depends upon the capabilities of the terminal and programming of the card. When credit cards were first introduced, merchants used mechanical rather than magnetic portable card imprinters that required carbon paper to make an imprint. They did not communicate electronically with the card issuer, and the card never left the customer's sight.
Furthermore, for producing copies using carbon paper, copying pencils were considered superior to both ordinary pencils (whose writing in the original could be erased) and fountain-pens (whose nibs could not always withstand the pressure needed to produce the carbon-copy). Copying pencils saw extended use in World War I in the completion of a wide range of paperwork. However, with the advent of refined ball-point pen technology in the 1930s, their use gradually died off in much of the world. They saw longer use in some places.
As an avid reader of Galsworthy, she was taken to the lecture by her teacher, and called to the stage by Galsworthy when it turned out she was the only person in the largely academic audience who had read his latest work. They discussed Indian Summer.Margaret Diesendorf, sub judice This was the beginning of the first of her many communications with writers, artists and philosophers which were ultimately to comprise an archive of letters, including her responses, always duplicated with carbon paper. Three important aspects of Máté's life at this time were to affect her later life and work.
It was usually used with carbon paper for typing duplicates in a typewriter, for permanent records where low bulk was important, or for airmail correspondence. It is typically 25–39 g/m² (9-pound basis weight in US units), and may be white or canary-colored. In the typewriter era, onion skin often had a deeply textured cockle finish which allowed for easier erasure of typing mistakes, but other glazed and unglazed finishes were also available then and may be more common today. Onionskin paper is relatively durable and lightweight due to its high content of cotton fibers.
Columbia finished her sea trials and sailed around Cape Horn to San Francisco, California loaded with 13 locomotives, 200 railroad cars and other railroad supplies. Columbia made a stop in Rio de Janeiro to replenish her coal supply and was exhibited to Emperor Pedro II of Brazil, who had a fascination with electricity. While passing through the Straits of Magellan, the propeller shaft and rudder were checked using light bulbs attached to a tallow covered cable. After arriving in San Francisco without incident, the original carbon paper filament bulbs were replaced by a shipment of newer bamboo filament bulbs, sent by Edison himself.
To prevent capture, regular bookbinding of ideologically-approved books have been used to conceal the forbidden texts within. Samizdat copies of texts, such as Mikhail Bulgakov's novel The Master and Margarita or Václav Havel's essay The Power of the Powerless were passed around among trusted friends. The techniques used to reproduce these forbidden texts varied. Several copies might be made using carbon paper, either by hand or on a typewriter; at the other end of the scale, mainframe computer printers were used during night shifts to make multiple copies, and books were at times printed on semiprofessional printing presses in much larger quantities.
PEMFCs are built out of membrane electrode assemblies (MEA) which include the electrodes, electrolyte, catalyst, and gas diffusion layers. An ink of catalyst, carbon, and electrode are sprayed or painted onto the solid electrolyte and carbon paper is hot pressed on either side to protect the inside of the cell and also act as electrodes. The pivotal part of the cell is the triple phase boundary (TPB) where the electrolyte, catalyst, and reactants mix and thus where the cell reactions actually occur. Importantly, the membrane must not be electrically conductive so the half reactions do not mix.
Rice bran wax is edible and can serve as a substitute for carnauba wax in most applications due to its relatively high melting point. It is used in paper coatings, textiles, explosives, fruit & vegetable coatings, confectionery, pharmaceuticals, candles, moulded novelties, electric insulation, textile and leather sizing, waterproofing, carbon paper, typewriter ribbons, printing inks, lubricants, crayons, adhesives, chewing gum and cosmetics. In cosmetics, rice bran wax is used as an emollient, and is the basis material for some exfoliation particles. It has been observed that rice bran wax at concentrations as low as 1 wt% in triglycerides can crystallize to form stable gels.
He began to paint nudes, portraits, still life and genre scenes from suburban life; from 1954 he exclusively painted urban scenes. He had his first exhibition in 1955 and independent show in 1956. He was a protagonist of urban landscape in naïve art and outsider art in the South–Slavic region. Despite his great freedom in presentation and stylization, his compositions did not exceed the domain of the explicit and the recognizable, because he took black and white postcards with monumental buildings as models, and copied them by using carbon paper, then magnified them, always adding something from his fantasy.
Bykert Gallery, in New York, which also represented Chuck Close and Brice Marden, began showing her work in 1970. Rockburne’s series of installations, Set Theories, included works such as Intersection, which attempted to merge two of her other pieces of art (Group and Disjunction) to illustrate the mathematical concept of intersection. The series later led to her experimentation with new concepts and materials, such as Gold Section and carbon paper. In 2011, a retrospective exhibition of her work was shown at the Parrish Art Museum in Water Mill, N.Y., and in 2013, the Museum of Modern Art hosted a solo show of her drawings.
He carried his business papers in a battered leather briefcase, and was seldom without a list of books to be checked out from the library on the way home. Cooper never revealed his literary ambitions to anyone, and it came as a great surprise to many people when Houghton Mifflin published Sironia, Texas in 1952. Cooper wrote much of the draft of the novel on used carbon paper. Sironia, Texas was set in a fictional Texas town which appeared to be based on Waco; many of the characters were known to have been based in some part on local personalities, but to what extent Cooper would never admit.
Even so, it was a great success in different exhibitions, Malling-Hansen and Halll, received the first prize medal at a large industrial exhibition in Copenhagen in 1872, and at the world exhibitions in Vienna in 1873, as well as in Paris in 1878. That year Malling-Hansen developed a fast speed writing machine to be used for stenography, called the Takygraf. Malling-Hansen was also the first person to discover the unique possibilities of blue carbon paper, and developed a copying technique he called the Xerografi. It could, in a relatively short time, produce up to one hundred copies of letters and drawings.
Chester Carlson, the inventor of the photocopier and founder of Xerox had approached IBM in the 1950s when he was initially looking for investors, but IBM rejected his proposal because they felt that carbon paper was a cheaper alternative. By 1970, Xerox held 70% of what was then a one Billion Dollar (USD) Global copier market When IBM announced its first Copier product, Xerox immediately sued IBM for breaching 22 patents despite IBM having licensed many of these patents for use in computer printers. IBM counter-sued Xerox and their various court cases were finally settled in 1978 by an exchange of patents and a payment by IBM to Xerox of $25 million USD.
In 1968, Šiklová was forced to leave her position at Charles University and worked as a janitor until 1971, when she was employed as a researcher and social worker at a Prague hospital. Her involvement with Czech dissent led her to be jailed in 1981, and she was hounded by the StB, the Communist Czechoslovak secret police, and frequently brought in for interrogation. Despite persecution by the regime, she continued to write articles and books on sociology that were published aboard. Like many of the women who were a part of Czech dissident circles, she acted as a letter carrier between the mostly male dissidents, helping copy letters on carbon paper and deliver them.
The pressure of writing or typing on the top sheet transferred colored wax to its back side, producing a mirror image of the desired marks. (This acted like a reverse of carbon paper.) The wax-supply sheet was then removed and discarded, and the other sheet (containing the images) was fastened onto the drum of the (manual or electrical) machine, with the waxed (back, or reverse-image) side out. The usual wax color was aniline purple, a cheap, moderately durable pigment that provided good contrast, though other colors were also available. Unlike mimeo, ditto had the useful ability to print multiple colors in a single pass, which made it popular with cartoonists.
A fairly major typewriter user is the City of New York, which in 2008 purchased several thousand typewriters, mostly for use by the New York Police Department, at the total cost of $982,269. Another $99,570 was spent in 2009 for the maintenance of the existing typewriters. New York police officers would use the machines to type property and evidence vouchers on carbon paper forms.Typewrite & Wrong: NYPD 'Wastes' $1M on Relics , By Jeremy Olshan, New York Post, July 13, 2009 A rather specialized market for typewriters exists due to the regulations of many correctional systems in the US, where prisoners are prohibited from having computers or telecommunication equipment, but are allowed to own typewriters.
Dry correction products (such as correction paper) under brand names such as "Ko- Rec-Type" were introduced in the 1970s and functioned like white carbon paper. A strip of the product was placed over the letters needing correction, and the incorrect letters were retyped, causing the black character to be overstruck with a white overcoat. Similar material was soon incorporated in carbon-film electric typewriter ribbons; like the traditional two-color black-and-red inked ribbon common on manual typewriters, a black and white correcting ribbon became commonplace on electric typewriters. But the black or white coating could be partly rubbed off with handling, so such corrections were generally not acceptable in legal documents.
Thus, when using a spirit duplicator master with a hectograph, one writes on the back of the purple sheet, using it like carbon paper to produce an image on the white sheet, rather than writing on the front of the white sheet to produce a mirror image on its back. The master is placed on the gelatin and spirits applied to transfer the ink from the master to the gelatin. After transfer of the image to the inked gelatin surface, copies are made by pressing paper against it. When a pad ceased to be useful, the gelatin could be soaked with spirits, the ink sponged away, and the pad left clean for the next master.
Cheques sometimes include additional documents. A page in a chequebook may consist of both the cheque itself and a stub or ' – when the cheque is written, only the cheque itself is detached, and the stub is retained in the chequebook as a record of the cheque. Alternatively, cheques may be recorded with carbon paper behind each cheque, in ledger sheets between cheques or at the back of a chequebook, or in a completely separate transaction register that comes with a chequebook. When a cheque is mailed, a separate letter or "remittance advice" may be attached to inform the recipient of the purpose of the cheque – formally, which account receivable to credit the funds to.
A noctograph is a writing instrument composed of a piece of paper whose underside is treated with printer's ink carbon paper and a metal board with clips to hold the paper in place and guidelines to make for straight writing in the dark. The user writes with a metal stylus, and thus does not have to ink a pen or worry about knocking an inkstand over. The original purpose was to allow the blind or partially sighted to write with more ease than with a traditional pen, although it has also been used by the fully sighted to write in the dark. W R Wedgewood's advertisement of 1842 - It was originally patented by Ralph Wedgwood in 1806.
Continuous form paper sheet Continuous stationery (UK) or continuous form paper (US) is paper which is designed for use with dot-matrix and line printers with appropriate paper-feed mechanisms. Other names include fan-fold paper, sprocket-feed paper, burst paper, lineflow (New Zealand), tractor-feed paper, and pin-feed paper. It can be single-ply (usually woodfree uncoated paper) or multi-ply (either with carbon paper between the paper layers, or multiple layers of carbonless copy paper), often described as multipart stationery or forms. Continuous stationery is often used when the final print medium is less critical in terms of the appearance at the edges, and when continuously connected individual sheets are not inconvenient for the application.
When designing his Mad Fold-Ins, Jaffee starts with the finished "answer" to the Fold-In, and then spreads it apart and places a piece of tracing paper over it in order to fill in the center "throw-away" aspect of the image, which is covered up when the page is folded over, using regular pencil at this stage. Jaffee will then trace the image onto another piece of illustration board using carbon paper. At this stage he uses red or green color pencils, which are distinct from the black pencil of the original drawing, in order to discern his progress. Once the image is on the illustration board, he will then finish it by painting it.
An Oliver model No.9 The general design of Oliver typewriters remained mostly unchanged throughout the company's history. The Olivers are "down strike" typewriters, meaning the typebars strike the platen (also known as the roller) from above, rather than from below ("up strike") or from the front ("front strike"). Unlike the "up strike" method, which prints text out of sight on the underside of the platen, the "down strike" is a "visible print" design, meaning the full page is visible to the typist as the text is being entered. The relatively greater striking power of the "down strike" design led Olivers to be preferred for specialty uses such as stencil cutting or "manifolding" (copying using carbon paper).
Diagram of a vanadium flow battery A vanadium redox battery consists of an assembly of power cells in which the two electrolytes are separated by a proton exchange membrane. The electrodes in a VRB cell are carbon based; the most common types being carbon felt, carbon paper, carbon cloth, and graphite felt. Recently, carbon nanotube based electrodes have gained marked interest from the scientific community. Both electrolytes are vanadium-based, the electrolyte in the positive half-cells contains VO2+ and VO2+ ions, the electrolyte in the negative half-cells, V3+ and V2+ ions. The electrolytes may be prepared by any of several processes, including electrolytically dissolving vanadium pentoxide (V2O5) in sulfuric acid (H2SO4).
In the same period, Neustein began an extensive and innovative drawing practice that continues today, amassing a large body of work that grew to include torn and folded works on paper, erasure drawings, magnetic "drawings", and the Carbon Paper or Carbon Copy Drawing series, in which formerly standard carbon copy paper is torn, folded, pressed, and scraped. Neustein participated in the landmark Beyond Drawing show at the Israel Museum in 1974, curated by Yona Fischer and Meira Perry Lehmann. In 1977, the Tel Aviv Museum mounted a ten-year retrospective of Neustein's works on paper, curated by Sarah Breitberg. In 1992, the Albright Knox mounted a solo show of Carbon Copy Drawings which travelled to the Grey Art Gallery at NYU.
The choice of print technology has a great effect on the cost of the printer and cost of operation, speed, quality and permanence of documents, and noise. Some printer technologies do not work with certain types of physical media, such as carbon paper or transparencies. A second aspect of printer technology that is often forgotten is resistance to alteration: liquid ink, such as from an inkjet head or fabric ribbon, becomes absorbed by the paper fibers, so documents printed with liquid ink are more difficult to alter than documents printed with toner or solid inks, which do not penetrate below the paper surface. Cheques can be printed with liquid ink or on special cheque paper with toner anchorage so that alterations may be detected.
The first issue of La Libre Belgique de Peter Pan of 15 August 1940, produced with a typewriter on carbon paper. Later issues would be printed. During World War II, La Libre Belgique (French; literally The Free Belgium) was one of the most notable underground newspapers published in German-occupied Belgium. This was partly a result of the success of a newspaper with the same title that had been produced in German-occupied Belgium during World War I. Though a number of editions appeared in 1940 and 1941, the most enduring La Libre Belgique published during the World War II was the so-called "Peter Pan" edition which ran to 85 issues with a circulation of 10,000 to 30,000 each.
Sales of the Model A to the printing departments of companies like Ford Motor Company kept the product alive. Before the Model A, in order to make a paper lithographic master for a lithographic press like the Multigraph 1250, one had two choices: Type up a new master using wax-coated carbon paper on a special master sheet, or use a metal plate coated with a modified silver halide photographic emulsion. If retyping the document was not feasible, the photographic method could be used, but it was slow, expensive, and messy. Because the Model A's toner repelled water but attracted oil-based inks, a lithographic master could be made easily by simply making a copy of the document with the Model A onto a blank paper master.
A small boom in office work and desk production occurred at the end of the 19th century and the beginning of the 20th with the introduction of smaller and less expensive electrical presses and efficient carbon paper coupled with the general acceptance of the typewriter. Steel desks were introduced to take heavier loads of paper and withstand the pounding meted out on the typewriters. This also gave rise to the "typewriter desk", a platform, sometimes on wheels and with expandable surface via flaps, that was built to a specific height to make typing easier and more comfortable than when using a standard or traditional desk. The L-shaped desk also became popular, with the "leg" being used as an annex for the typewriter.
At that time, the investigation regarding Michael's disappearance became one of the largest in Canadian history, and still remains one of the largest today. Since Michael disappeared so quickly from a public place, the police quickly classified his case as an abduction rather than a missing child case, and all the detectives from the Victoria Police Department were called in to solve the case. Hundreds of tips began coming in every hour from across British Columbia and North America, and during that time had to be written on carbon paper and sorted out manually. The police believe that if they had current technology, such as video surveillance, DNA techniques, and a computer system to sort out tips, the case might have been solved.
A simple 2-ply code wheel consisted of two circular sheets, both with challenge symbols printed at intervals around the rim, and with the back sheet containing a table of responses printed to fit to the circle, and the front sheet a series of holes allowing the responses to be viewed, each hole labelled with a challenge symbol. The computer would present three challenge symbols, and the user would read the response by rotating the front sheet until the first two challenge symbols were aligned with each other on the rim of the wheel, then read the response from the hole indicated by the third challenge symbol. This type of codewheel was used for a large number of games, such as Neuromancer, and Cybercon 3 (which used a code wheel printed on carbon paper).
The Dutch Surrealist artist Kristians Tonny developed his own method of transfer drawing that focused on figures from mythology, inspired by Pablo Picasso's blue period. Tonny developed on Pascin's technique and replaced the carbon paper with a layer on the basis of oil paint which he applied evenly on the back of the sheet of paper that went on top: The recipe of the oil paint-based mixture enabled him to get an even imprint of his drawing on the sheet of paper below during several hours, so that a large composition could be set up. The mixture also ensured that both finely drawn lines and more robust tracts would show through with equal precision, enabling him to achieve a great multitude of shades and to do very detailed drawing.Frida de Jong, Laurens Vancrevel (1978).
Multipart or multi-part stationery is paper that is blank, or preprinted as a form to be completed, comprising a stack of several copies, either on carbonless paper or plain paper interleaved with carbon paper. The stationery may be bound into books with tear-out sheets to be filled in manually, continuous stationery (fanfold sheet or roll) for use in suitable computer printers, or as individual stacks, usually crimped together. The purpose is to produce multiple simultaneous copies of a document produced by handwriting with a pen that applies pressure, such as a ballpoint pen, or with an impact printer.A Dictionary of Computing (6 ed.), John Daintith and Edmund Wright, Oxford University Press, 2008, The pressure of writing or impact printing on the carbon or carbonless paper transfers the content to the copy sheets.
Frances Stark (born 1967) is an interdisciplinary artist and writer, whose work centers on the use and meaning of language, and the translation of this process into the creative act.Jonathan Griffin, "Reflexive Faith," Modern Painters; Nov2013, Vol. 25 Issue 10, p84-87 She often works with carbon paper to hand-trace letters, words, and sentences from classic works by Emily Dickinson, Goethe, Henry Miller, Samuel Beckett, and others to explore the voices and interior states of writers.Benjamin Weissman, "As Eloquence Appears," Frieze June/July/August 2005 Issue 92 141, 141-42Dennis Cooper, "Frances Stark," Artforum April 1997 She uses these hand-traced words, often in repetition, as visual motifs in drawings and mixed media works that reference a subject, mood, or another discipline such as music, architecture, or philosophy.
Carbonless copy paper Carbonless copy paper (CCP), non-carbon copy paper, or NCR paper (No Carbon Required, taken from the initials of its creator, National Cash Register) is a type of coated paper designed to transfer information written on the front onto sheets beneath. It was developed by chemists Lowell Schleicher and Barry Green, as an alternative to carbon paper and is sometimes misidentified as such. Instead of inserting a special sheet in between the original and the intended copy, carbonless copy paper has micro-encapsulated dye or ink on the back side of the top sheet, and a clay coating on the front side of the bottom sheet. When pressure is applied (from writing or impact printing), the dye capsules rupture and react with the clay to form a permanent mark duplicating the markings made to the top sheet.
Neustein began to show regularly in Israel and the UK, starting his "Carbon Copy Drawing" series in 1970 by "marking" carbon paper stationary with cuts, tears, and folds. However, it was his 1971 Jerusalem River Project (made in collaboration with Gerry Marx and Georgette Batlle) -- a site-specific "sound sculpture" action in which loudspeakers installed across a desert valley played the looped recorded sound of a river—that earned him more widespread recognition. Photo documentation of the piece was shown at the Israel Museum, Yvon Lambert Gallery, Paris, the Museum of Fine Arts, Boston, the Museum of Contemporary Art, Los Angeles, Museum of Contemporary Art, Tokyo, MAK Vienna, and MACBA. Curator Yonah Fischer supported Neustein's work, including him in several exhibitions at the Israel Museum such as Concept Plus Information, and assisting in the realization and display of The Jerusalem River Project.
Before they could do this, however, in May 1968 the three brothers traveled to Prague, where they stayed for three days, and which they apparently managed to accomplish without the Ministry for State Security learning of their travel plans till it was too late to stop the brief trip. He flooded the "readers' letters" pages of East German newspapers with letters (which were never published), fulsome in support of the "Prague Spring". Following the Warsaw Pact invasion of Czechoslovakia on 20/21 August 1968, on 23 August 1968 Eisenfeld sent a telegram of solidarity to the Czechoslovak Embassy, containing the exhortations to "Stand firm and not give up hope" ("Halten Sie stand – Behalten Sie Hoffnung"). The next month, using a type-writer and carbon paper, he produced approximately 180Sources differ as to the precise number of fly- sheets involved.
In practice, several methods would often be combined. For example, if six extra copies of a letter were needed, the fluid-corrected original would be photocopied, but only for the two recipients getting a c.c.; the other four copies, the less-important file copies that stayed in various departments at the office, would be cheaper, hand-erased, less-distinct bond paper copies or even "flimsies" of different colors (tissue papers interleaved with black carbon paper) that were all typed as a "carbon pack" at the same time as the original. In informal applications such as personal letters where low priority was placed on the appearance of the document, or conversely in highly formal applications in which it was important that any corrections be obvious, the backspace key could be used to back up over the error and then overstrike it with hyphens, slashes, Xs, or the like.
Further efficiencies can be realized using an Ultrasonic nozzle to apply the platinum catalyst to the electrolyte layer or to carbon paper under atmospheric conditions resulting in high efficiency spray. Studies have shown that due to the uniform size of the droplets created by this type of spray, due to the high transfer efficiency of the technology, due to the non-clogging nature of the nozzle and finally due to the fact that the ultrasonic energy de-agglomerates the suspension just before atomization, fuel cells MEA's manufactured this way have a greater homogeneity in the final MEA, and the gas flow through the cell is more uniform, maximizing the efficiency of the platinum in the MEA. Recent studies using inkjet printing to deposit the catalyst over the membrane have also shown high catalyst utilization due to the reduced thickness of the deposited catalyst layers. Very recently, a new class of ORR electrocatalysts have been introduced in the case of Pt-M (M-Fe and Co) systems with an ordered intermetallic core encapsulated within a Pt-rich shell.
Either by transferring the penciled > line by pressing onto the front of the acetate or sheet of paper, or by > placing a sheet of carbon paper beneath the tracing and then drawing the > line one section at a time, a rough guide was established for each color > area, for example, the lips and the eyelids. The colors were then brushed on > by hand, often with the use of masking tape to create a clean junction > between them, with the eventual imposition of the black screened image also > serving to obscure any unevenness in the line. The acetates were examined by > Warhol before they were made into screens, so that he could indicate by > means of instructions, written and drawn with china-marking crayon, any > changes to be made: for example, to increase the tonal contrast by removing > areas of half-tone, thereby flattening the image. The position of the image > would be established by taping the four corners of the acetate to the canvas > and then tearing off the tape along the corner edges of the acetate; the > fragments of tape remaining on the canvas would serve as a guide in locating > the screen on top.
It has been said that Italian press censored itself before the censorship commission could do it. Effectively the actions against press were formally very few, but it has been noted that due to press hierarchical organization, the regime felt to be quite safe, controlling it by the direct naming of directors and editors through the "Ordine dei Giornalisti". Most of the intellectuals that after the war would have freely expressed their anti-fascism, were however journalists during fascism, and quite comfortably could find a way to work in a system in which news directly came from the government (so-called "veline", by the tissue-paper used for making as many copies as possible using typewriters with carbon paper) and only had to be adapted to the forms and the styles of each respective target audience. Newer revisionists talk about a servility of journalists, but are surprisingly followed in this concept by many other authors and by some leftist ones too, since the same suspect was always attributed to Italian press, before, during and after the Ventennio, and still in recent times the category has not completely demonstrated yet its independence from "strong powers".

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