Cantos shares custody with the boys' mother – she says she is happy with Cantos' role in her sons' lives, but declined to comment.
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Ian Rountree, founder of Cantos Ventures Ian Rountree, founder of Cantos Ventures Yeah, ok, everyone uses Slack and decentralized sounds like orgastic crypto jargon. Valid.
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But that doesn't stop Cantos from seeing them every day.
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Ms. Cantos and Mr. Damon started planning their wedding months ago.
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Mientras uno baila, otros lo acompañan con cantos, jaleos y palmas.
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"My life has been so blessed with these three," Cantos says through tears.
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Also born blind, Cantos knew he'd have a lot in common with the boys.
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He made a series of "transfer drawings" illustrating the thirty-four cantos of Dante's Inferno.
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The boys live with Cantos on the weekend and stay with their mother during the week.
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Paula Cantos and David Damon got engaged in June and are aiming to be married Jan.
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After Cantos results were released at a cardiology conference in Barcelona, analysts drew widely diverging conclusions.
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A stream of harp (Bridget Kibbey) lent a mystical vibe to "Sombre," settings of Ezra Pound cantos.
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" 'The Cantos' are very brilliant and they're also very frustrating," he told the poet Mark Halliday in 1983.
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Soon after he met the boys, Cantos realized he wanted to take the necessary steps to adopt them.
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I have the book, Border Cantos, published by Aperture in 2016, with an Introduction and Epilogue by Josh Kun.
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Richard Misrach and Guillermo Galindo: Border Cantos continues at Pace (510 West 25th Street, Chelsea, Manhattan) through August 18.
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Leo says that when Cantos came into their lives, he created structure and showed them a world of opportunity.
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Those items have become the raw materials for Border Cantos, a project that turns the border's trash into musical instruments.
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Border Cantos continues at the San Jose Museum of Art (110 S Market Street, San Jose, CA) through July 31.
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The exhibition's title nods to both Misrach's photographic series, called Desert Cantos, and Galindo's musical assemblage project, named Sonic Border.
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From 2009 to 2015, Richard Misrach worked on Border Cantos, capturing traces of human activity along the US-Mexico border.
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No. 2 was the 2015 Los Cantos from Finca Torremilanos, pure and harmonious, with flavors of flowers and dark fruits.
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Pound was living in Italy and toiling on his great poem "The Cantos," while dallying with Fascism and Benito Mussolini.
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"The grand bad faith of the Cantos—its pomposity, its anger—is a constant, running line after line," Swift notes.
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We must start with the sheer pleasures to be found in individual cantos, which build in places into pairs or suites.
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" He even calls Shakespeare "the bard of Avon" and notes that the Cantos of "Old Ez" Pound "couldn't possibly be sung.
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A GoFundMe page was created to help Cantos with costs, such as tuition for four-year colleges for each of the boys.
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Estas interacciones han ocurrido en sueños, visiones, cantos e interacciones telequinéticas, a veces con la ayuda de chamanes o de la ayahuasca.
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The company also talked up lung cancer benefits, with fewer patients on canakinumab dying from the disease over the six-year Cantos trial.
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En esta ocasión transcurrió entre cantos, golpes de propaganda y escaramuzas de manifestantes independentistas con la policía, pero sin novedades en la cancha.
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In 2010, Ollie Cantos, a lawyer with the U.S. Department of Education in Washington D.C., enthusiastically agreed to mentor 10-year-old triplet brothers.
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Kenner modeled The Counterfeiters and The Pound Era on Pound's Cantos, a fragmented epic that combines lyrical observation and radical juxtapositions with historical sweep.
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The Pousada dos Quatro Cantos, with its lush gardens, canopy beds and distinctive decorations, is a fail-safe choice in the heart of Olinda.
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"He said he was losing sleep after he had learned that there were these blind triplet boys who had it really rough," Cantos tells PEOPLE.
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The show convenes a suite of drawings employing that technique, made between 1958 and 1960: putative illustrations of the thirty-four cantos of Dante's Inferno.
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It was " The Cantos of Ezra Pound " that showed Bidart what a poem could be: unlimited in scope, mind-blowing in its dance with the mind.
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He and his musicians (Michael Shapiro on drums, Hussain Jeffry on six-string bass and Bill Cantos on piano and occasional vocals) displayed a comfortable familial bonhomie.
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Mortgages are available to foreigners, although typically not for more than 70 percent of the sale price, and less than that for investment properties, Mr. Cantos said.
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The result of their collaboration, "Border Cantos," is a multimedia installation of photographs, sculpture, found objects and sound that explores immigration across the United States-Mexico border.
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The result is his eye-opening project Border Cantos, which Misrach describes as less of a journalistic account of dramatic moments than a "slow meditation on overlooked details."
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Ms. Cantos, 34, and Mr. Damon, 35, are among the many couples whose plans to marry in our nation's capital have been complicated by the partial government shutdown.
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His most recent album, the remarkable "New Throned King," layers his smooth and threadlike saxophone playing over cantos and rhythmic patterns from the Arara people of western Cuba.
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This question is at the heart of the artistic collaboration between American photographer Richard Misrach and Mexican composer Guillermo Galindo in Border Cantos, published earlier this year by Aperture.
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Foreign buyers are also interested in seaside properties, Mr. Cantos said, although they often prefer the beach areas just outside city limits, where more property is available and there is more new construction.
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Misrach is famous for his meticulous, large-scale color photographs of the American Southwest, which were the source material of his celebrated book, Desert Cantos (1987), and the museum exhibitions based on this collection.
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Each artist envisioned his images or instruments as cantos — parts within a long poem — adopting the literary device as a way to frame and tell the complicated history and ongoing narrative of border crossings and conflicts.
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" That's an extravagant claim, but the book abounds in striking details—Pound's childlike hunger for gifts of apple candy, friends' tender letters to and about him, and, especially, the hours poured into his unruly, unfinished "Cantos.
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This discrepancy was just one of many things I thought about when I was looking at and listening to the multi-media, collaborative exhibition, Richard Misrach and Guillermo Galindo: Border Cantos, at Pace (June 1960 – August 18, 2017).
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The leaves that rustle outside as the men talk, and when they pause, bring to mind a fragment of Ezra Pound's "The Cantos": "I have tried to write Paradise/Do not move/Let the wind speak/That is paradise."
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Middleland Capital and S2G Ventures led the Series A investment in Arable, joined by Princeton, New Jersey-based Chase Field, SparkLabs and Cantos VC. Believe it or not, farmers in the U.S. have faced a labor shortage for years.
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Although Mr. Sellars had staged "Hagoromo" in the 1980s, and Ms. Saariaho set two of Pound's austere "Cantos" in her chamber piece "Sombre," their earlier stage works, like "L'Amour de Loin" and "La Passion de Simone," focused on women.
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Photographer Richard Misrach's large-scale grid of images, "Artifacts found from California to Texas between 22020 and 2015" (2013–15) from his series Border Cantos (2004–16), documents objects abandoned in the desert near the Mexico-United States border.
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El cabaret con su juego de luces y sombras; con sus cantos, declamaciones y bailes se ha convertido en la expresión artística preferida de un talentoso grupo de artistas drag que iluminan las noches neoyorquinas con sus fantasías orientales.
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But while scientists lauded the results of Novartis's Cantos study as a revelation, the benefit of the medicine was downplayed by some cardiovascular experts who concluded it was insufficient to justify expanding existing approvals to routine use in cardiac patients.
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Border Cantos reminds viewers of the politics, cultures, and communities that collide along the border, but ultimately Misrach and Galindo highlight what unites us as human beings, building on the imagery of familiar objects and the experience of listening to stir emotion.
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"Based on the correspondence, the Cantos data would not support labeling for the use of canakinumab as a targeted therapy for those patients with cardiovascular disease who achieved a reduction of hsCRP below the 2 mg/L target," Novartis said in a statement.
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These creations born from the traces of migrant activity are currently on view in Border Cantos, an exhibition at the San Jose Museum of Art (it will also travel to the Amon Carter Museum of American Art and the Crystal Bridges Museum of American Art).
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The cello's darkly expressive riches seem to have especially appealed to Zimmermann; he also wrote two concertos for the instrument, one relatively early, and revised as "Canto di Speranza," with formal inspiration derived from Ezra Pound's cantos, and a second in the mid-1960s.
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A typical two-bedroom apartment there sells for around 300,000 euros (or about $340,000), while a two-bedroom penthouse in a fully restored building can go for around 500,000 euros ($343,000), said Miguel Angel Cantos, the general manager of the Valencia office of Engel & Völkers.
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New analysis of Phase III data shows canakinumab cut risk of another adverse cardiac event by 25 percent in patients whose inflammatory markers fell significantly three months after starting treatment, Novartis said on Monday, adding the group represented 55 percent of those in the so-called Cantos trial.
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Ezra Pound worked for 47 years on "The Cantos"; William H. Gass began his novel "The Tunnel" in 1969, finishing it in 1995; Ralph Ellison's follow-up to 19603's "Invisible Man," eventually titled "Juneteenth," was pulled together from 2,000 manuscript pages and scraps after the author died in 1994.
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Ian Rountree, the thirty something captain at the helm of Cantos Ventures, an SF-based micro-fund, is characteristic of a new breed of venture capitalists in tech — a group of small funds looking to go toe-to-toe with some of the valley's most entrenched seed funds like First Round Capital and SV Angel.
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This long poem consists of 328 cantos that incorporate elements of the literature, philosophies, and religions of both the West and East; the natural world and our predations upon it; the wars and bloody history of the human race; fragments of Peck's own intellectual and lived experiences; and the fields of mathematics, nuclear physics, and alchemy.
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En los últimos días, miles de personas han salido a protestar con cacerolazos, los más jóvenes con bailes y cantos, manifestantes extremos han usado la violencia y el presidente ha recurrido a medidas inéditas desde que volvió la democracia al país: decretó un estado de emergencia, toque de queda y dispuso a los militares a reguardar el orden.
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Vicky Shiefman Barbara Harshav Emerging American Playwright: Mike Lew American Playwright in Mid-Career: Sibyl Kempson Master American Dramatist: Luis Alfaro Kamau Brathwaite Dave Kindred Edna O'Brien Janine Beichman for her translation of The Essential Yosano Akiko: The Ripening Years Alexander Dickow, for his translation of Neverending Quest for the Other Shore: An Epic in Three Cantos by Sylvie Kandé.
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The company just raised $1.1 million in seed funding from Y Combinator, General Catalyst, Boost VC, Anorak Ventures, Candela Partners, Social Starts, M Ventures, Seraph Group, Taimatsu, Outpost VC, Colopl Next, Shrug VC, Andrew Ogawa and Cantos VC. Supermedium was founded by a couple of Mozilla alums that were behind some of the company's foundational work on the WebVR standard.
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El nuevo año recibe a nuestro chamán ecuatoriano favorito con un nuevo y prometedor EP. Luego de participar en el compilado Moon Faze Sun Gaze III a mediados del pasado año, Nicola Cruz regresa al sello canadiense Multi Culti para presentar Cantos de Visión, un trabajo compuesto por seis cortes en los que el artista andino ahonda en los terrenos del downtempo más experimental.
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So do his generosity and loyalty as a critic and friend (to Eliot, Joyce and others), his tirelessness as a teacher, his unorthodox brilliance as a translator from multiple languages and above all, his supreme ambition for poetry, expressed in his long poem the "Cantos," and in its animating conviction that poetry not only could but should guide the practical motions of society itself.
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It is hard to identify Swift's final judgment of the poetry; he declares that "the grand bad faith of the 'Cantos' — its pomposity, its anger — is a constant, running line after line," but this is so instantly untrue that one wants to chalk it up to the spiteful impatience every reader has felt who has engaged deeply with Pound's allusive and polyphonic poem and emerged occasionally inspired but also baffled and frustrated.
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Misrach's series is divided into eight cantos, all of them focused on specific visual elements of the border that suggest its many associated communities: the wall itself; the surrounding found artifacts; civilian infrastructure beside the wall; Border Patrol shooting ranges; the objects agents use to track migrants; scarecrow-like sculptures with mysterious origins; the many water barrels placed by humanitarian groups since 2000; and views of life as seen through the other side of the fence.
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The Cantos was initially published in the form of separate sections, each containing several cantos that were numbered sequentially using Roman numerals (except cantos 85–109, first published with Arabic numerals). The original publication dates for the groups of cantos are as given below.
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Cantos III and IV were written in winter of 1819–1820 and canto V was written in October–November 1820. Cantos I and II were published on 15 July 1819, and cantos III, IV, and V were published on 8 August 1821. Byron began to write canto VI in June 1822, and had completed writing canto XVI in March 1823. Given the moralistic notoriety of the satirical, epic poem, John Murray refused to publish the latter cantos of Don Juan, which then were entrusted to John Hunt, who published the cantos over a period of months; cantos VI, VII, and VIII, with a Preface, were published on 15 July 1823; cantos IX, X, and XI were published on 29 August 1823; cantos XII, XIII, and XIV were published on 17 December 1823; and cantos XV and XVI on 26 March 1824.
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Tres Cantos has variety of transport connections. Train transit connects Tres Cantos with the district of Parla, Alcobendas, San Sebastián de los Reyes and Colmenar viejo via C-4 transit. Buses that connect Tres Cantos to Plaza Castilla in Madrid city are 712, 713, 716. Bus that connects Tres Cantos with Colmenar Viejo is 723.
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The earliest part of The Cantos to be published in book form was released by Three Mountains Press in 1925 under the title A Draft of XVI Cantos. The first nearly complete edition was New Directions' The Cantos (1–120) (1970). This was reissued in paperback in 1986 with the addition of the Italian Cantos 72–73. In 2015 Carcanet Press published a volume of Posthumous Cantos, a selection of discarded and uncollected drafts, c. 1915–1970.
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Retrieved 27 September 2015. The use of the canto was described in the 1911 edition of the Encyclopædia Britannica as "a convenient division when poetry was more usually sung by the minstrel to his own accompaniment than read". There is no specific format, construction or style for a canto and it is not limited to any one type of poetry. Some famous poems that employ the canto division are Dante's Divine Comedy (with 100 cantos), Camões' Os Lusíadas (10 cantos), Torquato Tasso's Gerusalemme liberata (20 cantos), Byron's Don Juan (17 cantos, the last of which is unfinished) and Ezra Pound's The Cantos (116 cantos).
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Pound scholar Richard Sieburth describes the Italian Cantos as marking "the moral nadir of the poem". Pound, Ezra and Sieburth, Richard (ed). The Pisan Cantos. New York: New Directions, 2003.
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Tres Cantos also connects with Canillejas via Alcobendas and Autónoma university via the 827 bus. Night service between Tres Cantos and Madrid are ran every hour through the 701 bus. Tres Cantos has also local bus routes through the different town districts ran by the L-1, L-2 and L-3 buses.
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After going to Leipzig in 1747, he recast the prose into dactylic hexameters. In 1748, this verse for the first three cantos appeared anonymously in the Bremer Beiträge ("Bremen Contributions"). The next two cantos appeared in 1750, and the next five appeared in 1755. Ten more cantos appeared substantially later: five in 1768 and five in 1773.
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As Misrach's longest-running and most ambitious project, the Desert Cantos, an ongoing series of photographs of deserts, may be considered the photographer's magnum opus.Badger, Gerry. "In Photographica Deserta – The Desert Cantos of Richard Misrach," Creative Camera, 1988. Begun in 1979 with a Deardorff 8×10” view camera, the series is ongoing and numbers 39 cantos as of 2017.
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That dissertation, the 865-page "Materials for the Study of Pound's Cantos,"tracked down all the classical allusions in the Cantos, Hightower, James Robert (1997). "Achilles Fang: In Memoriam". Monumenta Serica. 45: 339–413.
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The Oxford Companion to English Literature. Oxford University Press. 1985. page 1071. It is told in seventy-two cantos, the cantos being made up of six-line stanzas of iambic tetrameters, which rhyme ababcc.
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Sepulveda released her second CD in 2015 called Cantos del Corazon.
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Tres Cantos Central Park Tres Cantos is a Spanish municipality in the province and Community of Madrid, situated 22 km to the north of the capital. Tres Cantos' location is highly desirable because of its location, near Monte del Pardo, in the south, and in Viñuelas. As a "satellite city" of Madrid conceived by urban planners in the 1970s, it is the youngest incorporated municipality in the Community of Madrid, with a population of 46,046 inhabitants. Biblioteca Municipal Public Library "Lope de Vega" de Tres Cantos (Madrid).
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Cunizza is mentioned in both Robert Browning's Sordello and Ezra Pound's Cantos.
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The third issue also carried Cantos CX and 116 by Ezra Pound.
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There are fourteen cantos (adhyaaya) and each canto consists of many sections (Sandu).
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The poem can be divided in two parts: the first three cantos are about the qualities of the Wind and each ends with the invocation "Oh hear!" The last two cantos give a relation between the Wind and the speaker.
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Fuente de Cantos () is a municipality located in the province of Badajoz, Extremadura, Spain.
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Virgil's discourse on love concludes at midnightPurgatorio XVIII.76–78 (Cantos XVII and XVIII).
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An overwhelming majority of the employed work in the services sector, either in Madrid or in Tres Cantos itself. A majority of working residents regularly commute to Madrid for work, with only about a quarter of the workforce having employment in Tres Cantos itself. Those who remain behind are joined by a daily influx of approximately 20,000 who commute from Madrid and its environs to Tres Cantos for work. Light and medium industries account for some 20% of employment in Tres Cantos, the construction sector providing a further 7.4%; a bare handful (0.2%) are employed in agriculture.
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It was here that Klopstock published the first cantos of his epic poem Der Messias.
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Lagoa dos Três Cantos is a municipality in the state of Rio Grande do Sul, Brazil.
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The book consists of seventy-six sargas (sometimes translated as chapters or "cantos") of Sanskrit verse.
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The Divine Comedy is composed of 14,233 lines that are divided into three cantiche (singular cantica) – Inferno (Hell), Purgatorio (Purgatory), and Paradiso (Paradise) – each consisting of 33 cantos (Italian plural canti). An initial canto, serving as an introduction to the poem and generally considered to be part of the first cantica, brings the total number of cantos to 100. It is generally accepted, however, that the first two cantos serve as a unitary prologue to the entire epic, and that the opening two cantos of each cantica serve as prologues to each of the three cantiche.Dante The Inferno A Verse Translation by Professor Robert and Jean Hollander p. 43Epist.
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Bromige published Indictable Suborners and Behave or Be Bounced with dPress, Sebastopol, in 2003. For the past few years, Bromige had been collaborating with poet and dPress editor Richard Denner on 100 Cantos. Spade: Cantos 1-33 was published in 2006. Bromige lived in Sebastopol, California.
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Most of the events described in fifteen cantos of the epic can be found in the Hindu scriptures including Vālmīki's Rāmāyaṇa, Tulasīdāsa's Rāmacaritamānasa, Śrīmadbhāgavata, Brahmavaivartapurāṇa, Prasannarāghava (a play by Jayadeva) and Satyopākhyāna. The narrative of six cantos is original composition by the poet.Dinkar 2008, p. 116.
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In 2004, another name change, with the club being renamed Sección de Acción Deportiva Tres Cantos Pegaso. Three years later, after a merge with Tornado Tres Cantos, the latter acted as its reserve team for one year. Subsequently, the team became the property of Stars2007 Group S.L., changing names again, now to Galáctico Pegaso. In May 2010, after losing the company's support, the club was merged with Club Deportivo Islas to form UD Tres Cantos Islas.
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Confucius "cut 3000 odes to 300". :First published in Cantos LII–LXXI. Norfolk Conn.: New Directions, 1940.
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This section of the cantos is, for the most part, made up of fragmentary citations from the writings of John Adams. Pound's intentions appear to be to show Adams as an example of the rational Enlightenment leader, thereby continuing the primary theme of the preceding China Cantos sequence, which these cantos also follow from chronologically. Adams is depicted as a well-rounded figure; he is a strong leader with interests in political, legal and cultural matters in much the same way that Malatesta and Mussolini are portrayed elsewhere in the poem. The English jurist Sir Edward Coke, who is an important figure in some later cantos, first appears in this section of the poem.
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The text is divided into fourteen cantos. The poem begins with an invocation to Hindu deities and Jain tirthankaras. It then describes the life Hammira, who is compared to the legendary heroes Mandhata, Yudhishthira and Rama. Cantos 1-4 are devoted to Hammira's ancestors, including kings from the Shakambhari Chahamana dynasty.
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Cantos 5-7 describe Hammira's engagement in various services, sports and festivities. The information contain in this part is of little historical value. The next few cantos describe his reign. The last third part of the text describes Hammira's conflict with Ala-ud-Din Khalji, the Muslim Sultan of Delhi.
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Silenus joins Sad King Billy on Hyperion. Billy is an aristocrat who decides to relocate to Hyperion and establish a kingdom of artists. Silenus resumes work on the Cantos and becomes convinced that the Shrike is his muse. Billy burns the Cantos manuscript and is taken away by the Shrike.
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When he was still a child, his babysitter and her husband found Chou's football talents and suggested Pepe to let him have formal training. Chou then joined Asociación Deportiva Juvenil, which is a futsal team in Tres Cantos. After three impressed matches, he joined the local amateur team Balompié Tres Cantos.
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Patrick McGuinness, "Ezra Pound: Posthumous Cantos edited by Massimo Bacigalupo review – fresh insights into an epic masterpiece". Accessed 24.03.2016.
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The remaining cantos (11-14) narrate different stories which are only very loosely connected with these two major stories.
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A short summary of the contents of Kidung Sunda is presented below. The summary is divided in different cantos.
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This section of The Cantos concludes with a vision of Hell. Cantos XIV and XV use the convention of the Divine Comedy to present Pound/Dante moving through a hell populated by bankers, newspaper editors, hack writers and other 'perverters of language' and the social order. In Canto XV, Plotinus takes the role of guide played by Virgil in Dante's poem. In Canto XVI, Pound emerges from Hell and into an earthly paradise where he sees some of the personages encountered in earlier cantos.
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The Malebranche threaten Virgil and Dante, portrayed by Gustave Doré. The Malebranche (; "Evil Claws")Dorothy L. Sayers, Hell: notes on Cantos XXI and XXII, Penguin, 1949, . are the demons in the Inferno of Dante's Divine Comedy who guard Bolgia Five of the Eighth Circle (Malebolge). They figure in Cantos XXI, XXII, and XXIII.
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She died in 1474 and was buried in the church of San Francesco. She is featured in Ezra Pound's Cantos.
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It is considered the most prestigious form in Sanskrit literature. The genre evolved from the earlier epics, the Mahabharata and the Ramayana. Despite the length of mahākāvyas (15-30 cantos, a total of about 1500-3000 verses), they are still much shorter than the Ramayana (500 cantos, 24000 verses) and the Mahabharata (about 100000 verses).
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1913 photograph of Ezra Pound by Alvin Langdon Coburn The Cantos by Ezra Pound is a long, incomplete poem in 116 sections, each of which is a canto. Most of it was written between 1915 and 1962, although much of the early work was abandoned and the early cantos, as finally published, date from 1922 onwards. It is a book-length work, widely considered to be an intense and challenging read. The Cantos is generally considered one of the most significant works of modernist poetry in the 20th century.
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Tres Cantos is a sister city to the planned cities of Columbia, Maryland, United States, Cergy-Pontoise, France and Nejapa, El Salvador.
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Coleridge, "Introduction", p. 000. At his death in 1824, Lord Byron had written sixteen of seventeen cantos, whilst canto XVII went unfinished.
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Byron's magnum opus, Don Juan, a poem spanning 17 cantos, ranks as one of the most important long poems published in England since John Milton's Paradise Lost.. The poem, often called the epic of its time, has roots deep in literary tradition and, although regarded by early Victorians as somewhat shocking, equally involves itself with its own contemporary world at all levels – social, political, literary and ideological. In addition to its biting satire, the poem (especially in the early cantos) is funny. Byron published the first two cantos anonymously in 1819 after disputes with his regular publisher over the shocking nature of the poetry. By this time, he had been a famous poet for seven years, and when he self-published the beginning cantos, they were well received in some quarters.
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300px The epic is composed in 21 cantos of 101 verses each. The first nine cantos describe the incarnation of Paraśurāma, his learning from the god Śiva on mount Kailāsa, the execution of his father's command to kill his mother and three brothers and their subsequent resurrection, his battle with the thousand-armed king Sahasrārjuna, the extermination of Kṣatriya ("warrior") race 21 times from the earth by him, and his confrontation with Śiva's son and the god of wisdom, Gaṇeśa. The next five cantos describe the incarnation of Rāma and his consort Sītā, and their child sports (Līlā). The final seven cantos follow the Bālakāṇḍa of the Rāmacaritamānasa, starting from Viśvāmitra's journey to Daśaratha's capital city Ayodhyā and ending with the marriage rites of the four sons of Daśaratha – Rāma being the eldest – in Mithilā.
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Phantasmagoria is divided into seven cantos which are named: :Canto 1. The Trystyng :Canto 2. Hys Fyve Rules :Canto 3. Scarmoges :Canto 4.
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Juan Francisco Aranda Rodríguez (born 24 July 1988) is a Spanish footballer who plays for UD Fuente de Cantos as a right back.
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Tres Cantos' main economic activity is derived from the existence of various high-tech factories and headquarters in designated zones, including from the pharmaceutical, aerospace and computing industries. A production hub of Netflix is also found here. Approximately 20,000 employees from outside of Tres Cantos (predominantly Madrid) commute daily to work in its industrial zones its "Technological Park," home of cutting-edge companies in the aerospace industry, such as GMV Innovating Solutions. Other multinational corporations with offices and/or production in Tres Cantos are: Lucent Technologies, BP Solar, BDF Nivea, Nokia Siemens Networks, Samsonite, Altair, Hella, Siemens, Dannon, GMV, IFS.
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The fame of the work rests on the first ten cantos. By the time the last ten cantos came out, interest in the work had ebbed. A flood of epic imitations on various biblical subjects attested to his contemporary influence, and all the younger poets of his day learned from Klopstock, but the 19th century admired him from an ever-increasing distance.
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Scipio is mentioned four times in Dante's Divine Comedy: in "Inferno"—Canto XXXI, in "Purgatorio"—Canto XXIX, and in "Paradiso"—Cantos VI and XXVII.
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Incumbent Abraham Gutierrez is running for reelection. His opponent is 1-CARE Party-list representative Michael Angelo Rivera. Incumbent Noel Cantos is running for reelection.
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Mike's jealously leads to murder: the remaining cantos complete the narrative, in which only one of the original three will survive to tell the tale.
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Iohann Heinrich Voss, Homers Ilias, Cantos I–XII, p. 314 in the 3nd (1806) edition, Tübingen that was retained in subsequent Swedish and Dutch translations.
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I-Juca-Pirama is a short narrative poem by Brazilian author Gonçalves Dias. It first appeared in his 1851 poetry book Últimos Cantos, but is usually published independently of its parent tome. Written under decasyllabic and alexandrine verses, and divided in ten cantos, it is one of the most famous Indianist poems of Brazilian Romanticism. I-Juca-Pirama means, in Old Tupi, "He who must be killed".
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She learned of her illegitimacy only in her late teens. Pound asked Mary to translate his epic work The Cantos into Italian. This was to be the beginning of a lifelong passion and study of Pound's work, with Mary later referring to The Cantos as "my bible". Mary wrote her autobiography Discretions in 1971 (the title being a play on words on Pound's autobiography Indiscretions).
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Suggesting the passing of a single day, The Loves of the Plants is divided into four cantos, all written in heroic couplets. A preface to the poem outlines the basics of the Linnaean classification system. Guiding the reader through the garden is a “Botanic Muse” who is described as Linnaeus's inspiration. Interspersed between the cantos are dialogues on poetic theory between the poet and his bookseller.
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The national dance is the joropo. Venezuela has always been a melting pot of cultures and this can be seen in the richness and variety of its musical styles and dances: calipso, bambuco, fulía, cantos de pilado de maíz, cantos de lavanderas, sebucán, and maremare. Teresa Carreño was a world-famous 19th century piano virtuoso. Recently, great classical music performances have come out of Venezuela.
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In 1962, Pegaso company, founded Club Deportivo Pegaso', with the club fluctuating between the regional leagues and Tercera División in the first 16 years of existence. In 1977, Segunda División B had been created as the new third level and, after two seasons in that category, it returned to Tercera - now division four - for a further nine years. In the late 1980s/early 1990s, the team played three more seasons in the third division, spending the remaining years in the fourth. In the 2000, the team was moved to Tres Cantos in the Community of Madrid, merging with Club Deportivo Tres Cantos two years later, and being renamed Pegaso Tres Cantos.
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His crisis of belief, together with the effects of aging, meant that the proposed paradise cantos were slow in coming and turned out to be radically different from anything the poet had envisaged. Pound was reluctant to publish these late cantos, but the appearance in 1967 of a pirate edition of Cantos 110–116 forced his hand. Laughlin pushed Pound to publish an authorised edition, and the poet responded by supplying the more-or-less abandoned drafts and fragments he had, plus two fragments dating from 1941. The resulting book, therefore, can hardly be described as representing Pound's definitive planned ending to the poem.
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The actual story is classic Simmons in its literary allusions, with epigraphs from Ezra Pound's Cantos; the protagonist's father is a Pound scholar with an especial interest in the Cantos (reading from it to his children), and the premise can be seen as deriving from a line in the Cantos as well. The mother of the family has died of some unspecified illness. Stricken by grief, the father bargains (heedless of the prospect of financial ruin) with the "Resurrectionists" to have his wife's corpse technologically revived. The resurrection is a hollow one, as all higher cognitive functions are irreparably damaged, although it does function somewhat autonomously.
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In 2003, TriumphEnt and Cantos Music Museum joined forces to become the Cantos Music Foundation, located at the historic Customs House building, 134-11th Avenue S.E, and expanded its presentation of music programs using the collection and gallery spaces. In 2005, an exhibition commemorating 100 years of music in Alberta to mark the Centennial led to plans to expand the organization’s scope to chronicle, celebrate, and foster a broader vision for music in Canada. In February 2012, Cantos became the National Music Centre. As the centre began to outgrow its space, plans for construction of a 60,000 square-foot facility in Calgary’s East Village with a projected cost of $168 million.
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Paterson by William Carlos Williams published in five volumes from 1946 to 1958, was inspired in part by another modern epic, The Cantos by Ezra Pound.
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Rokeby (1813) is a narrative poem in six cantos with voluminous antiquarian notes by Walter Scott. It is set in Teesdale during the English Civil War.
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"The Pit" documented mass graves of dead animals in the Nevada desert while "Pictures of Paintings" focused on the representation of the western landscape in museums across the American West. "The Playboys" depicted issues of Playboy, discovered by the photographer at a military site, that had been used for target practice. Badger suggests that Misrach's Cantos have an antecedent in the work of Depression-era documentary photographer Lewis Hine, writing that with the Cantos, Misrach > ...has attempted a project of immense ambition – possibly one of the most > ambitious in the history of the medium – compounded of many ideas, existing > on different levels, and subject to profound shifts in subject and mood. He > must be judged on the Desert Cantos as a totality, the sum rather than the > individual parts... I regard the Desert Cantos as one of the most important > photographic enterprises of the nineteen-eighties and nineties.
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The Revolt of Islam (1818) is a poem in twelve cantos composed by Percy Bysshe Shelley in 1817.Sandy, Mark. "The Revolt of Islam". The Literary Encyclopedia.
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Ilmatar by Robert Wilhelm Ekman, 1860 Cantos 1 to 2: The poem begins with an introduction by the singers. The Earth is created from the shards of the egg of a goldeneye and the first man Väinämöinen is born to the goddess Ilmatar. Väinämöinen brings trees and life to the barren world. Cantos 3–5: Väinämöinen encounters the jealous Joukahainen and they engage in a battle of song.
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Within the urban area the terrain is gently undulating. It also an enormous new phase where there has been construction of new houses for new people for a long time. This new part of Tres Cantos is going to be named the Third Phase and is only composed of modern buildings and new houses for the city to expand. The climate of Tres Cantos is typical for continental Spain.
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Many times, da Gama bursts into oration at challenging moments: in Mombasa (Canto II), on the appearance of Adamastor, and in the middle of the terror of the storm. The poet's invocations to the Tágides and nymphs of Mondego (Cantos I and VII) and to Calliope (beginning of Cantos III and X), in typological terms, are also orations. Each one of these types of speech shows stylistic peculiarities.
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Only the last three out of twelve cantos have been preserved. What remains of the poem opens in the middle of a banquet. Had the first nine cantos been preserved, it is often thought that Judith would be considered one of the most laudable Old English works (Cook, pg. lxxvi–lxxvii). What is certain about the origin of the poem is that it stems from the Book of Judith.
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The Nazareno is one of Andújar Cantos' most notable works. Martín de Andújar Cantos (born 1602 in the Province of Albacete) was a Spanish sculptor and architect. He spent much of his life in Tenerife and is considered one of the island's most noted sculptors.Gran Enciclopedia del Arte en Canerias, Centro de la Cultura Popular Canaria Trained by Juan Martínez Montañés, he himself was a teacher of Blas García Ravelo.
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John Adams: "the man who at certain points /made us / at certain points / saved us" (Canto LXII). :First published in Cantos LII–LXXI. Norfolk Conn.: New Directions, 1940.
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In this respect, it is similar to The Cantos of Ezra Pound, or James Joyce's Finnegans Wake, and can confuse and mislead the over-attentive but impatient reader.
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Kalev proposes marriage to Linda. Kristjan Raud, ca. 1935. The Kalevipoeg consists of twenty cantos. Canto I - The marriages of Salme and Linda :Three brothers travel to different places.
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Besides Tribikrama Bhanja (author of Kanakalata) and Ghana Bhanja (author of Trailokyamohini, Rasanidhi and Govinda Bilasha) of the Bhanja royal family also enriched Odia Literature. Lokanatha Vidyadhara, a contemporary of Upendra Bhanja wrote Sarbanga Sundari. Dinakrushna Das's Rasokallola and Abhimanyu Samanta Simhara's Bidagdha Chintamani are also prominent kavyas of this time. Bidagdha Chintamani is considered the longest Kavya in Odia literature with 96 cantos exceeding that of Upendra's longest kavya of 52 cantos.
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His poetry, though painstakingly made and precise, is expansive, pushing against the forms it employs. Commenting on the tension between minute details and grandiosity, Australian novelist Greg Day has called him a "failed minimalist." Bluewren Cantos, Mark's latest book of poetry, is praised as "A gentle mix of the sublime and the mundane, so that we are invited to let such dualisms be undone in us."Anne Elvey, launch of Bluewren Cantos, 2014.
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For Pound, who spent a good deal of time seeking patrons for himself, Joyce, Eliot and a string of little magazines and small presses, the role of the patron was a crucial cultural question, and Malatesta is the first in a line of ruler-patrons to appear in The Cantos. Canto XII consists of three moral tales on the subject of profit.Hartnett, Stephen. "The Ideologies and Semiotics of Fascism: Analyzing Pound's Cantos 12-15".
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The first two cantos of Childe Harold's Pilgrimage were published in 1812 and were received with acclaim.. In his own words, "I awoke one morning and found myself famous." He followed up his success with the poem's last two cantos, as well as four equally celebrated "Oriental Tales": The Giaour, The Bride of Abydos, The Corsair, and Lara. About the same time, he began his intimacy with his future biographer, Thomas Moore.
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In 2009, Scott Derrickson was set to direct "Hyperion Cantos" for Warner Bros. and Graham King, with Trevor Sands penning the script to blend Hyperion and The Fall of Hyperion into one film. In 2011, actor Bradley Cooper expressed interest in taking over the adaptation. On June 10, 2015 it was announced that TV channel Syfy will produce a mini-series based on the Hyperion Cantos with the involvement of Cooper and King.
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His poems include "La gota de agua" ("The drop of water") (1923), "Gracia plena" ("Grace Full") (1925), "Poemas y palabras" ("Poems and words") (1935), "Diez Mujeres" ("Ten Women") (1937), "El pan nuestro" ("The bread and butter") (1941), "Nueve cantos" ("Nine songs") (1944), "Monsieur Jaquín" (1956), "Cantos del hombre" ("Songs of Man") y "Canto a Cuba" ("Singing to Cuba") (1960), "La hoja voladora" ("flying leaf") (1961), "El nivel y su lágrima" ("The level and tear") (1963).
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One 150 mg subcutaneous injection, usually needed every two weeks, costs over $16,700. On August 27, 2017, the results of the CANTOS trial were announced at the European Society of Cardiology and published in The Lancet and The New England Journal of Medicine. Those treated in CANTOS had a 15% reduction in deaths from heart attacks, stroke and cardiovascular disease combined. However, there were serious side-effects and no statistically significant overall survival benefit.
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The Auroras of Autumn is a 1950 book of poetry by Wallace Stevens. The book of poems contains the long poem of 10 cantos by Stevens of the same name.
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Most recently, the largest cable provider in Spain, SOGECABLE, relocated here. The headquarters of both the Real Automóvil Club de España and the Spanish Metrology Centre are located in Tres Cantos.
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Māgha influenced Ratnākara's Haravijaya, an epic in 50 cantos that suggests a thorough study of the Shishupalavadha. The Dharmashramabhyudaya, a Sanskrit poem by Hari[s]chandra in 21 cantos on Dharmanatha the 15th tirthankara, is modeled on the Shishupalavadha. The oldest known commentary on the Śiśupālavadha is that by Vallabhadeva, known as the Sandehaviṣauṣadhi. The commentary by Mallinātha is known as the Sarvaṅkaṣā, and, as on the other five mahakavyas, is considered the pre- eminent one.
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The eight Cantos of the film are not conventionally dramatised, rather they are illuminated with layered and juxtaposed imagery and a soundtrack which comments, counterpoints and clarifies. There are visual footnotes delivered by relevant expert authorities, and these often perform the function of narration as well as illustration. The result is a video journey through Dante's underworld. A TV Dante was continued in 1991 through a further six of the Cantos, 9 through 14, by Chilean director Raoul Ruiz.
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Unión Tres Cantos Fútbol Sala is a futsal club based in Tres Cantos, city of the autonomous community of Community of Madrid. The club was founded in 1991 and its pavilion is Pabellón Municipal with capacity of 2,000 seaters. The club has the sponsorship of Tien 21 and Uicesa. In May, 2008, after of gaining the promotion to División de Honor de Futsal, they were forced to relegate to Primera Nacional A due to economic limitations.
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In July 2011 Papaveria Press published Songs for the Devil and Death, which includes the poems originally published in Sonnets for Orpheus and The Lucifer Cantos with the addition of several others.
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The poem consists of 50 cantos (runos) and 22,795 lines of poetry. The poem tells the story of a people, from the very beginning of the world to the introduction of Christianity.
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San Asensio de los Cantos is a village in the municipality of Ojacastro, in the province and autonomous community of La Rioja, Spain. As of 2018 had a population of 1 people.
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The Old Guitarist, by Pablo Picasso (1903–04) The Man With the Blue Guitar is a poem published in 1937 by Wallace Stevens. It is divided into thirty-three lengthy sections, or cantos.
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Editorial Crítica. Barcelona. 2003. pp. 431-433 After the occupation of Fuente de Cantos by Yagüe's column, some 325 Republicans were executed. Another 403 Republicans were executed after the fall of Almendralejo.Espinosa, Francisco.
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In the previous cantos he wrote about the earth, the air and the water. The reader now expects the fire—but it is not there. This leads to a break in the symmetry.
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Title page of L'Adone L'Adone (Adonis), which was published in Paris in 1623 and dedicated to the French king Louis XIII, is a mythological poem written in ottava rima divided into twenty cantos.
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It was very well-received, and Alexandre Herculano wrote an article praising it. Dias finished his play Leonor de Mendonça also in 1847, and tried to have it performed at the Conservatório de Música do Rio de Janeiro, but the play was not accepted. In 1848, he wrote two more poetry books: Segundos Cantos and Sextilhas de Frei Antão. In 1849 he became professor of Latin and History at the Colégio Pedro II. In 1851, he published his last poetry book, Últimos Cantos.
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Ariosto continued to write more material for the poem and in the 1520s he produced five more cantos, marking a further development of his poetry, which he decided not to include in the final edition. They were published after his death by his illegitimate son Virginio under the title Cinque canti and are highly regarded by some modern critics.Ludovico Ariosto,"Cinque Canti/Five Cantos" Translated by Alexander Sheers and David Quint, 1996, California Press (). The page also contains excerpts from various reviews.
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The major locus of these cantos is the city of Venice. Canto XVII opens with the words "So that", echoing the end of Canto I, and then moves on to another Dionysus-related metamorphosis story. The rest of the canto is concerned with Venice, which is portrayed as a stone forest growing out of the water. Cantos XVIII and XIX return to the theme of financial exploitation, beginning with the Venetian explorer Marco Polo's account of Kublai Khan's paper money.
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In 1969 to 1973, Vicente Mortes, the Minister of Housing (Ministro de la Vivienda), commissioned by the dictator Francisco Franco, was the first to establish and develop the town over a rural area. This was not the Tres Cantos we know today, because it was the old version of it. Later on, they decided to regenerate the city, copying what some English cities did during those times. In 1976, the company “Tres Cantos S.A.” was created and which regenerated the city.
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Montgomery also used heroic couplets for The World before the Flood (1812), a piece of historical reconstruction in ten cantos. Thereafter he turned to attacking the lottery in Thoughts on Wheels (1817) and took up the cause of the chimney sweeps' apprentices in The Climbing Boys' Soliloquies. His next major poem was Greenland (1819), in five cantos of heroic couplets. This was prefaced by a description of the ancient Moravian church, its 18th-century revival and its mission to Greenland in 1733.
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Bharavi (IAST: Bhāravi, ) ( 6th century CE) was a Sanskrit poet known for his Mahakavya (epic), the Kirātārjunīya (Arjuna and the hunter - kirata in Sanskrit) in 18 cantos based on an episode from the Mahabharata.
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The original poem comprised twelve cantos, of which only the first four survived (1848 lines).Haller, H. W. (1999). The Other Italy: The Literary Canon in Dialect (Toronto Italian Studies). University of Toronto Press.
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Dorothy L. Sayers, Paradise, notes on Canto XX. The souls forming the imperial eagle speak with one voice, and tell of God's justiceDorothy L. Sayers, Paradise, notes on Canto XIX. (Cantos XIX and XX).
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The play was staged after Tobin's death in 1816. “The Rape of the Faro-Bank: an Heroi-comical poem in Eight Cantos.” Anonymous, published following the reportedly stolen Faro Bank at Lady Buckinghamshire's residence.Donald, Diana.
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Cantos XXV and XXVI draw on the Book of the Council Major in Venice and Pound's personal memories of the city. Anecdotes on Titian and Mozart deal with the relationship between artist and patron. Canto XXVII returns to the Russian Revolution, which is seen as being destructive, not constructive, and echoes the ruin of Eblis from Canto VI. XXVIII returns to the contemporary scene, with a passage on transatlantic flight. The last two cantos in the series return to the world of "clear song".
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The first is the Dedication which introduces some of the most important philosophical and religious premises of the poem. The second part consists of two cantos which describe the cosmic flight of poet’s soul and its search for answers about origins and destiny of humankind on Earth. The third part comprises the remaining four cantos which describe Satan’s mutiny against God and fall of Adam and his legion from Heaven.Petar II Petrović-Njegoš, The Ray of the Microcosm, translated by Anica Savić Rebac, Svet Knjige, Belgrade 2013.
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It was a satire of the Prussian gentry, and never got beyond those two cantos. Its protagonist, Hans, showed how a young man could break through the superficial culture which surrounded him to successfully pursue his ideals. The two cantos were published anonymously in 1845 and 1846 in the Deutsches Taschenbuch aus der Schweiz and were much praised. Solger later explained much of the epic was rooted in the contrast between the stifling social atmosphere of Potsdam and the freer atmosphere he found in England.
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He also published a Latin translation of the Iliad, at Bologna in 1776 and, after revisions, at Rome in 1788. He translated the first three cantos of Nicolas Boileau's L'Art poétique into Spanish. He left quite a number of shorter works, mostly translations of classics. Among them are the "Alexandriadas" (1773, Italy), the "Iliad" in Latin (Rome, 1788), "Homeri Batrachiomachia" in Latin (Mexico, 1789), together with fragments of Horace and a good translation into Spanish of the first three cantos of the "Art Poétique" of Boileau.
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The title Saltair na Rann ("Psalter of Quatrains") refers to a series of 150 early Middle Irish religious cantos, written in the tenth century -- for the most part apparently around 988.Gearóid S. Mac Eoin, 'The Date and Authorship of Saltair na Rann', Zeitschrift Für Celtische Philologie, 28 (1961), 51-67; . The number of the cantos imitates the number of psalms in the Bible.Brian Murdoch, 'An Early Irish Adam and Eve: Saltair na Rann and the Traditions of the Fall', Mediaeval Studies, 35 (1973), 146–177 (p.
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The summary of Buddhist doctrine in it, particularly in Cantos 27, 29 and 30, present a Tamil literary writer's perspective of Buddhism before it likely died out in Tamil Nadu, in or about the 11th century.
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Raghunatha Ramayana is a Telugu translation of the Hindu epic Ramayana made by the Thanjavur Nayak ruler Raghunatha Nayak. Of the whole work, only the first three cantos and a part of the fourth is extant.
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Viriato Trágico is a long poem, consisting of twenty cantos. It was published posthumously in 1699. It is one of the most important epic poems written in Portuguese. The main hero of the poem is Viriatus.
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This work has been seen by some critics, including Jeffrey Twitchell-Waas, as H.D.'s response to Pound's Cantos, a work she greatly admired. Other poems from this period include Sagesse, Winter Love and Hermetic Definition.
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Twitchell-Waas, Jeffrey. "Seaward: H.D.'s 'Helen in Egypt' as a response to Pound's 'Cantos'". Twentieth Century Literature, Winter, 1998. Retrieved on October 7, 2007. Bryher’s friendship with H.D. lasted to the end of their lives.
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Canción fúnebre, (s.a.,1819?), RL 30 Los cantos del trovador, (s.a., 1809?), RL 31 Delio a la ausencia de su amada Nise (s.a., 1810?), RL 32 O sí o no (s.a., 1810?), RL 33 El pescador (s.a.
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The initial work was followed by two additional oratorios which were equally popular: The Death of Minnehaha (Op. 30, No. 2), based on canto 20, and Hiawatha's Departure (Op. 30, No. 4), based on cantos 21–2.
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A prose edition was published in Rome in 1524, and the first verse edition was published at Venice in 1551. The play was translated by George Gascoigne and acted at Gray's Inn in London in 1566 and published in 1573, which was later used by Shakespeare as a source for The Taming of the Shrew. In 1516 the first version of the Orlando Furioso in 40 cantos, was published at Ferrara. The third and final version of the Orlando Furioso, in 46 cantos, appeared on 8 September 1532.
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Toward this end, in 2010, Ridker obtained parallel funding from the National Heart Lung and Blood Institute and from the pharmaceutical industry to design and conduct two multi-national cardiovascular inflammation reduction trials known as CANTOS and CIRT. The CANTOS (Canakinumab Anti-inflammatory Thrombosis Outcomes Study) reported in late 2017 that inflammation inhibition with Canakinumab, a monoclonal antibody targeting interleukin-1-beta, can significantly reduce future risks of heart attack, need for expensive coronary revascularization procedures, and cardiovascular deaths among high-risk heart disease patients with residual inflammatory risk.
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In February 2019, the first volume of the singer's third live album was released entitled Todos os Cantos whose singles are the songs "Ciumeira", "Bem Pior Que Eu", "Todo Mundo Vai Sofrer" and "Supera". In March, it was announced by the streaming service Spotify, that Mendonça occupies the first place in the TOP 10 of the most heard women in Brazil on the platform. In May, the second volume of the album Todos os Cantos was released. The third volume of the live album was released in August.
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He earned a great reputation in writing Chautisa and other lyrical poems about Radha and Krushna. The most recurrent themes of his writings are the glorification and the portrayal of the divine drama of deities he worshipped, viz, Jagannath, Radha and Krishna. Rasakallola has a distinct place in Odia literature for its sheer poetic excellence and mellifluousness. It deals with the amours of Krushna with the maidens of Vraja and consists of 34 melodious cantos and each line of the cantos beings with the initial sound ‘ Ka’, the first consonant in sanscrit and Odia language.
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From what is known of the "wind" from the last two cantos, it became clear that the wind is something that plays the role of a Creator. Whether the wind creates real things or illusions does not seem to be that important. Baiae's bay (at the northern end of the Gulf of Naples) actually contains visible Roman ruins underwater (that have been shifted due to earthquakes.) Obviously the moss and flowers are seaweed. It appears as if the third canto shows—in comparison with the previous cantos—a turning-point.
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Mayne wrote poetry in Dumfries, and after 1777 he contributed poems to Ruddiman's Weekly Magazine, Edinburgh. Between 1807 and 1817 several of his lyrics appeared in the Gentleman's Magazine. Mayne's Siller Gun was based on a Dumfries wapinschaw: the competitors were members of the corporations, and the prize a silver cannon-shaped tube presented by James VI. It consisted of twelve stanzas when it appeared in 1777. Enlarged to two cantos in 1779, and to three and four in 1780 and 1808 respectively, it took final shape in five cantos with notes in 1836.
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They remained friends and corresponded with each other until her death in 1990. Their time together in 1940 is described in Watney's book He Also Served (Hamish Hamilton, 1971, SBN 241 02011 5). Senoret wrote cantos with verses of three long lines each. Her most important work is Anagogias (Ediciones Documentas, Guayaquil, 1988), an anthology of three separate works, each consisting of a dozen or more cantos: El Infinito y su Reflejo (The Infinite and its Reflex), El Sortilegio de la Imaginacion (The Sortilege of Imagination), and Presencia en el Tiempo (Presence of Time).
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Galáctico Pegaso was a Spanish football team based in Tres Cantos, in the autonomous Community of Madrid. Founded in 1962 and dissolved in 2010, it held home games at Estadio La Foresta, with a capacity of 2,000 seats.
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Le Banquet de l'amitié, a poem in four cantos (1771), Au roi de Sardaigne (1775), Discours de réception à l'académie française (1779), Épîtres à l'amitíé (1786), and a Recueil de poésies (1809), complete the list of Ducis's publications.
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Ezra Pound also references him in the Cantos. Numerous references occur in Roberto Bolaño's 2000 novella By Night in Chile and he is a principal character in Robert Shea's two-volume historical novel The Saracen, published in 1989.
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The sequence of the Inferno drawings for cantos XVII to canto XXX for Paradiso is without gaps. The page for the drawing of canto XXXI appears blank, and the sequence ends with the unfinished drawing for canto XXXII.
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Prominent women socialists included Matilde Huici, Matilde Cantos and Matilde de la Torre. Women's caucus were often very weak inside the broader socialist party governance structure. As a consequence, they were often ineffective in advocating for women's rights.
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She settled in Hampstead in 1919. Hynes contributed to the Omega Workshops. She portrayed her friend Ezra Pound in her painting Escalator; she also produced the illustrations for Pound's The Cantos. Hynes exhibited with the Royal Academy of Arts.
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Cantos eighteen and nineteen describe the 21 Kings that succeeded Atithi. Kushavati was a city in Kosala Kingdom as related in the epic Ramayana. The king of Kosala, Rama, installed his son Lava at Sravasti and Kusha at Kushavati.
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Available at Hathi Trust It was followed by further Georgiques francaises in twelve cantos by the agronomist :fr:Jean- Baptiste Rougier de La Bergerie (1804), recommending agriculture to the troops returning from the wars.Available at Google Books, vol.1, vol.
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Pg 340. The term “canto” literally means corner. The cantos were called "corners" because of the places they gathered in the city to attend their customers. Each canto bore the name of the locale where its ganhadores (earners) gathered.
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The Cantos can appear on first reading to be chaotic or structureless because it lacks plot or a definite ending. R. P. Blackmur, an early critic, wrote, > The Cantos are not complex, they are complicated; they are not arrayed by > logic or driven by pursuing emotion, they are connected because they follow > one another, are set side by side, and because an anecdote, an allusion or a > sentence begun in one Canto may be continued in another and may never be > completed at all; and as for a theme to be realized, they seem to have only, > like Mauberley, the general sense of continuity — not unity — which may > arise in the mind when read seriatim. The Cantos are what Mr Pound himself > called them in a passage now excised from the canon, a rag-bag.Blackmur, > Richard P. The Double Agent: Essays in Craft and Elucidation.
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Alfred, Lord Tennyson was born. Nikolai Gogol was born. In 1811 Jane Austen published (anonymously) Sense and Sensibility In 1812, George Crabbe published Tales in Verse. Byron published Childe Harold's Pilgrimage Cantos I and II. Samuel Taylor Coleridge published Remorse.
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Besides, he translated Abhijnana Shakuntalam, Tulsi Ramayana, Tirukkuṛaḷ, the poems of Subramania Bharati under the title, Bharatiyude Kavithakal. and two cantos of The Light of Asia of Edwin Arnold into Malayalam. He also published his autobiography under the title, Athmarekha.
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John Penrose Angold (c. 1909 – 31 December 1943) was a British poet and translator who died while serving with the RAF during World War II. A Collected Poems appeared in 1952. His death is lamented in Ezra Pound's Pisan Cantos.
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O Segundo cerco de Diu (The Second Siege of Diu), an epic in 21 cantos, deals with the historic siege of that Indian island-fortress of the Portuguese. First printed in 1574, it had a second edition in 1783, while a Spanish version appeared at Alcalà in 1597. Austriada, an epic in 15 cantos celebrating the victory of John of Austria (Don Juan de Austria) over the Turks at Lepanto, was written in Spanish and published in 1578. King Philip II accepted the dedication in flattering terms and visited the poet when he came to Portugal.
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Canakinumab had no effects on either cholesterol or blood pressure, and thus these data provided the fundamental first proof-of-concept for the inflammation hypothesis of Atherosclerosis. CANTOS also demonstrated that the magnitude of inflammation reduction, as measured by on-treatment hsCRP, drives the cardiovascular benefit with 30% decreases in cardiovascular death and all-cause mortality among robust Canakinumab responders. By reducing inflammation in the tumor microenvironment, CANTOS also demonstrated highly significant reductions in lung cancer and lung cancer fatality. The federally funded CIRT (Cardiovascular Inflammation Reduction Trial) is still ongoing and expected to report out in late 2018.
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This was followed by the tragedy of Thirsci (1784); Ferdinand and Constantia (1785), another Werther novel; and The Patriots (1784), a tragedy. Bilderdijk and other writers attacked his morbid melancholy, and Johannes Kinker (1764–1845) parodied his novels, but his vogue continued. In 1791 he published a tragedy of Lady Jane Grey; in 1792 a didactic poem, The Grave (), in four cantos; in 1793 Inez de Castro; in 1796 to 1814 five volumes of Odes and Miscellaneous Poems; and in 1802 Old Age (), in six cantos. He wrote Letters to Sophia on Kant's Philosophy, a poetical work, in 1805.
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A TV Dante is a 1990 mini-series directed by Tom Phillips and Peter Greenaway. It covers eight of the 34 cantos in Dante Alighieri's Inferno, part of his 14th century epic poem Divine Comedy. Peter Greenaway and Tom Phillips won the Prix Italia for A TV Dante, their ambitious project to produce a video version of Dante's Inferno. Greenaway was first inspired by artist Tom Phillips’ illustrated translation of the work and they collaborated on this, the first eight Cantos of the work, using all the state-of-the-art technological resources available to the electronic media at the time.
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Una historia romántica de pasiones, de mares y de fantasma was an adventure story in a historical setting. Far less popular was Casariego's poetry:there is a single approximation to Casariego's poetic opus, Jose María M. Cachero, J. E. Casariego y su obra poética, [in:] Jesús Evaristo Casariego: Biografía, antología y critica de su obra, Gijón 1983, , pp. 134-136 Romances modernos de toros, guerra y caza (1945), Romancillos de la fregata y de la diligencia (1951), Mares y veleros de España (1953), La historia triste de Fernando y Belisa (1960), Los cantos del bosque (1973) and Cantos de las soledades (1976).
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Vallabhacharya composed many philosophical and devotional books during his lifetime such as: # Anubhashya or Brahmsutranubhashya – 4 cantos of commentaries on the Brahm Sutra of Ved Vyas # Tattvaarth Dip Nibandh – Essays on the fundamental principles of spirituality (3 chapters) ## Chapter 1: Shaastrarth Prakaran ## Chapter 2: Bhagavatarth Prakaran ## Chapter 3: Sarvanirnay Prakaran # Subodhini – Commentary on Shrimad Bhagavat Mahapuran (only cantos 1, 2, 3 and 10 are available) # Shodash Granth – Sixteen short verse-type compositions to teach his followers about devotional life Other than the above main literature, he also composed additional works such as Patravalamban, Madhurashtakam, Gayatribhashya, Purushottam Sahastranaam, Girirajdharyashtakam, Nandkumarashtakam, etc.
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The most common are that it symbolises either the love of John and Ursula, or alternatively the idealised relationship between Sir John and Queen Elizabeth.John Klause, "The Phoenix and the Turtle in its Time", in Gwynne Blakemore Evans (ed), In the Company of Shakespeare: Essays on English Renaissance Literature, Fairleigh Dickinson Univ Press, 2002, pp. 206-227. Chester's poem contains a series of "Cantos" at the end of the allegory. William Empson argues that the "Cantos" are by Salusbury, as they are similar in style to those appended to Robert Parry's book, displaying Salusbury's "very recognisable facility and ingenuity".
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Gopana's only literary work of merit is the Sindhumativilasamu, a poem in Telugu. It relates the love affair between Jaya and Sindhumathi in Madurai. The poem consists of a total of two cantos and has a lot of Sanskrit shlokas interspersed in between.
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Zoltán Kodály set this to music in 1925–1926 as the operetta Háry János. His last and most famous work was an historical poem in twelve cantos, with the title Szent László (Saint Ladislaus) (Eger, 1852, 2nd ed., Pest, 1853, 3rd ed. 1863).
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Both deal with a similar theme, that of "a pattern, at once historical and atemporal, of cultural beginnings and rebeginnings". Both The Spirit of Romance and The Cantos depend heavily on quotation and references to other works, a technique Pound later named excernment.
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The third and final version of Orlando Furioso, containing 46 cantos, appeared in 1532. Ariosto had sought stylistic advice from the humanist Pietro Bembo to give his verse the last degree of polish and this is the version known to posterity.Reynolds, vol.1, pp.
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Ján Kollár's collection of 150 poems, Slávy Dcera, glorifies pan-Slavic ideals in three cantos named after the Saale, Elbe and Danube. Jan Holly's epic poem Svätopluk, published in 1833, serves as the most significant text of the period.Petro, Peter. A History of Slovak Literature.
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It has assonance instead of rhyme and its lines vary in length, the most common length being fourteen syllables. This type of verse is known as mester de juglaria (verse form of the minstrels). The epic is divided into three parts, also known as cantos.
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First edition title page The Lay of the Last Minstrel (1805) is a narrative poem in six cantos with copious antiquarian notes by Walter Scott. Set in the Scottish Borders in the mid-16th century, it is sung by a minstrel late in the 1600s.
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Quatro Cantos (Four Songs) is the daily music countdown of Love Radio featuring four songs voted by listeners by SMS. Every Sunday, Love Radio plays oldies. Aside from music, the station gives jokes from Kadyot Pinong and Kukurukuku (Kuru-kuro ni Kukurukuku / Kukurukuku's Thoughts).
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Marmion: A Tale of Flodden Field is a historical romance in verse of 16th- century Britain by Sir Walter Scott, published in 1808. Consisting of six cantos, each with an introductory epistle, and copious antiquarian notes, it concludes with the Battle of Flodden in 1513.
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Shelley also changes his use of metaphors in this canto. In the first cantos the wind was a metaphor explained at full length. Now the metaphors are only weakly presented—"the thorns of life" (54). Shelley also leaves out the fourth element: the fire.
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In 2013 he received a Lifetime Achievement Award from the Before Columbus Foundation. He has been writing and getting books published with an almost annual regularity since 2010. Among these titles are: FIAT LUX, 2014; Orphic cantos, 2016; and Fragments from a gone world, 2017.
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It has assonance instead of rhyme and its lines vary in length, the most common length being fourteen syllables. This type of verse is known as mester de juglaria (verse form of the minstrels). The epic is divided into three parts, also known as cantos.
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109 Such a judgment might certainly be applied to a performance like "The Fortune Hunter", in which La Fontaine's fable of The Man who Runs after Fortune (VII.12) is expanded into five cantos that ramble over sixty pages.Modern Language Notes, vol.31, 1916, p.
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The summaries of the 21 cantos are given below.Dinkar 2008, pp. 116–127. # Śrībhārgavāvatāropakramaḥ (Sanskrit: श्रीभार्गवावतारोपक्रमः). The poet invokes the blessings of the goddess of learning Sarasvatī, Gaṇeśa, Śiva's consort Pārvatī, Śiva, Sītā and Rāma, and finally the two Rāmas, the subject of the narrative.
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Puerta de los Doce Cantos The Puerta de los Doce Cantos is a city gate located in the city of Toledo, in Castile-La Mancha, Spain. This is the most modest of all the gates in this city. Of Arab origin, it is located at the southeastern end of the fortress of Al-Hieén and had to serve to give way to the troops of foot, towards the Plaza de armas de Alcántara square. It was walled up for centuries, but with the civic renovations in the 1920s it was restored and declared of bien de interés cultural, although part of its Arabic structure had been removed.
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Canarian timple An important musician from Tenerife is Teobaldo Power y Lugo Viña, a native of Santa Cruz and a pianist and composer, and author of the Cantos Canarios. The Hymn of the Canary Islands takes its melody from the Arrorró, or Lullaby, from Power y Lugo Viña's Cantos Canarios. Folkloric music has also flourished on the island, and, as in the rest of the islands, is characterized by the use of the Canarian Timple, the guitar, bandurria, laúd, and various percussion instruments. Local folkloric groups such as Los Sabandeños work to save Tenerife's musical forms in the face of increasing cultural pressure from the mainland.
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Canto LXXIV immediately introduces the reader to the method used in the Pisan Cantos, which is one of interweaving themes somewhat in the manner of a fugue. These themes pick up on many of the concerns of the earlier cantos and frequently run across sections of the Pisan sequence. This canto begins with Pound looking out of the DTC at peasants working in the fields nearby and reflecting on the news of the death of Mussolini, "hung by the heels". In the first thread, the figure of Pound/Odysseus reappears in the guise of "OY TIS", or No Man, the name the hero uses in the Cyclops episode of the Odyssey.
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1962 The issue of incoherence of the work is reflected by the equivocal note sounded in the final two more-or-less completed cantos; according to William Cookson, the final two cantos show that Pound has been unable to make his materials cohere, while they insist that the world itself still does cohere.Cookson p. 264 Pound and T. S. Eliot had previously approached the subject of fragmentation of human experience: while Eliot was writing, and Pound editing, The Waste Land, Pound had said that he looked upon experience as similar to a series of iron filings on a mirror.Schneidau, Herbert N. "Vorticism and the Career of Ezra Pound".
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220px Eugene Paul Nassar (20 June 1935 - 7 April 2017), was Professor of English Emeritus of Utica College, Utica, New York, the author of several books of literary criticism in the close analysis tradition of his teachers, John Crowe Ransom at Kenyon College, Christopher Ricks at Oxford University, Arthur Mizener of Cornell University, and his critical model and mentor, Cleanth Brooks. He wrote long studies of the figural images in Wallace Stevens,Lentricchia, F.: "Wallace Stevens : An Anatomy of Figuration", p.201. Poetry Magazine, December, 1966. the lyric passages in The Cantos of Ezra Pound,Ellmann, R.: "The Cantos of Ezra Pound", p. 25.
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For ease of reference, synopses of cantos cite a legal online copy of the complete 18-volume A.C. Bhaktivedanta Swami Prabhupada / Bhaktivedanta Book Trust (BBT) translation of the Srimad Bhagavatam, available at the Bhaktivedanta Vedabase. It also provides original Sanskrit verses, transliterations, synonyms, and purports. With the exception of canto 10 (parts 2-4) onwards - translated by the disciples of Swami Prabhupada after his death in 1977 - unless otherwise stated, quoted verses and purports given are identical to the original (incomplete and unaltered) 30-volume translation of cantos 1-10 published by Krishna Books. Other translations of quoted verses have also been provided for comparison.
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In English literature, Don Juan (1819–24), by Lord Byron, is a satirical, epic poem that portrays Don Juan not as a womaniser, but as a man easily seduced by women.English 151-03 Byron's 'Don Juan' notes , Gregg A. Hecimovich As genre literature, Don Juan is an epic poem, written in ottava rima and presented in sixteen cantos. Lord Byron derived the character, but not the story, from the Spanish legend of Don Juan.(Don Juan, canto xiv, stanza 99) Upon initial publication in 1819, cantos I and II were criticised as immoral, because the author Byron too freely ridiculed the social subjects, the persons, and the personages of his time.
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Rambhadracharya 2002, p. tha. The poet says that he composed the work as he intended to sing of both the Rāmas – Paraśurāma and Rāma, with the former being the Avatāra, the follower and the Brāhmaṇa and the latter being the Avatārin (source of the Avatār), the leader and the Kṣatriya.Rambhadracharya 2002, pp. kha-gha. Although there is no formal division in the epic, the poet indicates that the epic consists of a first part of nine cantos describing the nine qualities of Paraśurāma, and a second part of 12 cantos in which the brave and noble (Dhīrodātta) protagonist of the epic Rāma is presented with Sītā being the lead female character.
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Lorraine Adams graduated magna cum laude with an A.B. in English from Princeton University in 1981 after completing a 76-page-long senior thesis titled "The Hero in Ezra Pound's Cantos." She then attended Columbia University, graduating with an M.A. in English and American Literature in 1982.
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As a critic he has been involved in the annotated edition of Cantos Caucanos by Antón Avilés de Taramancos, and in the edition and publication of Raiceiras e vento. A obra poética de Antón Avilés de Taramancos. He also wrote the biography of Antón Avilés de Taramancos.
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Hyperion is a Hugo Award-winning 1989 science fiction novel by American writer Dan Simmons. It is the first book of his Hyperion Cantos. The plot of the novel features multiple time-lines and characters. It follows a similar structure to The Canterbury Tales by Geoffrey Chaucer.
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The Library of Congress fellows, who in that year included T. S. Eliot, W. H. Auden and Conrad Aiken, gave the 1949 prize to Ezra Pound for his 1948 Pisan Cantos."The Bollingen Prize for Poetry at Yale," webpage maintained by Yale University. Retrieved Nov. 9, 2007.
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Olga Rudge, 1920 Pound was 36 when he met the 26-year-old American violinist Olga Rudge in Paris in the summer of 1922.Cohassey (2014), 31 They were introduced at a salon hosted by the American heiress Natalie Barney at her 300-year-old house at 20 Rue Jacob, near the Boulevard Saint-Germain.Cohassey (2014), 30 The two moved in different social circles: Rudge was the daughter of a wealthy Youngstown, Ohio, steel family, living in her mother's Parisian apartment on the Right Bank, socializing with aristocrats, while Pound's friends were mostly impoverished writers of the Left Bank.Tytell (1987), 180; Wilhelm (2008), 251 In 1922 Pound abandoned most of his earlier drafts of The Cantos and began again.Terrell (1980), vii; Albright (2001), 75 The first three cantos had been published in Poetry magazine in June, July, and August 1917.Bush (1976), 184; Pound (June 1917), 113–121]; Pound (July 1917), 180–188; Pound (August 1917), 248–254 Belonging to the so-called "Ur-Cantos", these became "Canto I" of the new work.
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In 2004 the residential population of Tres Cantos was 38,882 according to National Institute of Statistics (Instituto Nacional de Estadística, or INE) figures; however later estimates put the figure at around 45,000. Population growth has been in decline since the peak of the initial influx of residents in the early 1990s, however future plans for expansion are designed to cater for an eventual population of around 60,000. A feature of Tres Cantos' demographic profile is the large proportion of young professionals (aged 45 and under) with children, compared to Madrid and the national average. This population structure reflects the nucleus of those who left the crowded confines of Madrid to settle in the new community of Tres Cantos in the 1980s and 1990s, resulting in a predominance of young, double- income and home-owning families of 2 to 3 children. Some 40% of the town's population are under 20 (almost double the national average), and less than 6% are over the age of 65 (considerably less than half the national average).
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The Canto Collection is one painting presented in 124 Cantos. It was created within a time span of 11 years. The painter follows the can throughout time in his studio, which makes it partly autobiographical. The project investigates, in its own way, what reality is or can be.
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In 1919, Rodríguez de Tió returned to Puerto Rico where she was honored with a great banquet at the Ateneo Puertorriqueño after she recited her "Cantos a Puerto Rico". Lola Rodríguez de Tió died on November 10, 1924, and is buried at the Colón Cemetery in Havana, Cuba.
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In 2019, she released the album Todos os Cantos, a project scripted with shows recorded by the singer in all capitals in the country. The album earned her a triple platinum certification for the 240,000 copies sold and the Latin Grammy award in the Best Sertaneja Music Album.
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Yunmen's Japanese name, Ummon, was the namesake for a character which was featured prominently in Dan Simmons' acclaimed Hyperion Cantos science fiction series; Simmon's Ummon was a vastly advanced, intelligent AI from the "TechnoCore", who reveals key plot elements to the main characters, through koans and mondo (dialogue).
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15 The city, as other planned cities, has a distinctive structure. It consists of three phases and a newer development "Nuevo Tres Cantos". The two first phases are subdivided in sectors. Most sectors, especially in the first phase (North), include internally pedestrian public spaces, being surrounded by streets.
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Bate 1963 pp. 581–583 Scholars have noted a number of literary influences on "To Autumn", from Virgil's Georgics,O'Rourke 1998 p. 173 to Edmund Spenser's "Mutability Cantos",Helen Vendler, discussed in O'Rourke 1998 p. 165 to the language of Thomas Chatterton,Hartman 1975 p. 100, Bewell 1999 pp.
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His Tulsi Vivah narrates the wedding of Krishna and Tulsi in 26 lyrics. It resemble the Kadva (cantos) style of medieval Gujarati poetry. He also wrote lyrics on Gopi and Krishna relations and wrote Ashwamedha and Rajsuyayajna. He based a large number of his poems on Dasamskandha of Bhagavata.
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The cantos were guilds or associations managed by Nagos (Yoruba slaves) in Bahia, Brazil, in which members pulled resources to buy freedom, with the first to secure it contributing to the pool until the last canto member was free.Kent, R.K. (1970). Journal of Social History. "African Revolt In Bahia".
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112) Hutton's novel and Charles Emile Yriarte's Un condottiere au XV Siècle (1882) were among the main sources of American poet Ezra Pound's Malatesta Cantos (The Cantos 8–11), first published in 1923. These are an admiring albeit fragmentary account of Malatesta's career as warrior, lover and patron. Largely influenced by Pound, as well as by C. G. Jung, the critic Adrian Stokes devoted a study, The Stones of Rimini (1934), to the art created at Sigismondo's court. Early in his writing career, E. M. Forster attempted a historical novel about Malatesta and Gemistus Pletho , but was not satisfied with the result and never published it - though he kept the manuscript and later showed it to Naomi Mitchison.
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Cantos nacionales ("national songs" or "Nationalist songs" were three songs of the Spanish Civil War recognized by Francoist Spain as honoring their fallen. The Decree 226/1937 of the Burgos Junta declared the Marcha Granadera as the Spanish anthem. It also recognizes as cantos nacionales the anthems of Falange Española (Cara al Sol), Carlism (Oriamendi) and the Spanish Legion (Novio de la muerte) ordering that they should be listened to standing in homage to the Fatherland and the fallen. A decree from 1942 reinstates the songs and orders that, in official events, the playing of the anthem and the songs must be saluted with a "national salute" (Roman salute), or a military salute if the event is exclusively military.
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It is, in fact, some rescued lines from the earlier version of Canto CXV, and has Pound asking forgiveness for his actions from both the gods and those he loves. The final fragment returns to beginnings with the name of François Bernonad, the French printer of A Draft of XVI Cantos. After quoting two phrases from Bernart de Ventadorn's Can vei la lauzeta mover, a poem in which the speaker contemplates a lark's flight as a token of the coming of spring, the fragment closes with the line "To be men not destroyers." This stood as the close of The Cantos until later editions appended a brief dedicatory fragment addressed to Olga Rudge.
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When the first three cantos appeared, it took the public a year to get accustomed to the novelty of the form and content, after which the poem's success was unprecedented; its readers awaited with impatience the next cantos. The poem became regarded in some circles as equal to the epics of Dante and Milton, especially by women and religious people. In using hexameters for his verse, Klopstock had abandoned the traditional Alexandrines. This loosed a storm of criticism on his head from the school of Johann Christoph Gottsched, who ridiculed what he called Klopstock's "seraphic spirit of fanaticism", his strictures on Gottsched's dogmatism, his effeminate and morbid tenderness, and his religious sentimentality.
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Boileau himself, a great, though, by no means infallible critic in verse, cannot be considered a great poet. He rendered the utmost service in destroying the exaggerated reputations of the mediocrities of his time, but his judgment was sometimes at fault. The Lutrin, a mock heroic poem, of which four cantos appeared in 1674, is sometimes said to have furnished Alexander Pope with a model for the Rape of the Lock, but the English poem is superior in richness of imagination and subtlety of invention. The fifth and sixth cantos, afterwards added by Boileau, rather detract from the beauty of the poem; the last canto in particular is quite unworthy of his genius.
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SparkNotes - Ulysses Ezra Pound mentions Jewish attitudes towards money in his poem The Cantos, which focuses on the themes of economics and governance. In the poem, Jews are implicated in sinister manipulations of the money supply.Levine, Gary Martin, The merchant of modernism: the economic Jew in Anglo-American literature, Psychology Press, 2003, p 154-156 Abraham Foxman asserts that The Cantos include a "vicious diatribe against interest-paying finance" and that those sections include antisemitic passages.Foxman, p 62 In Canto 52, Pound wrote "Stinkschuld's [Rothschilds] sin drawing vengeance, poor yitts paying for / Stinkschuld [Rothschilds] / paying for a few big jews' vendetta on goyim", but the name Rothschilds was replaced by "Stinkschulds" at the insistence of Pound's publisher.
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Madhura Vijayam (lit. The conquest of Madhura (Madurai) or Vira Kamparaya Charitham (lit. The history of the brave king Kampa) is a mahākāvya (epic poem) in nine cantos (chapters), though possibly there was an extra canto (now lost) between the eighth and final canto. The available text contains 500-odd verses.
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Cantos 19–25: Ilmarinen is assigned dangerous unreasonable tasks in order to win the hand of the maiden. He accomplishes these tasks with some help from the maiden herself. In preparation for the wedding, beer is brewed, a giant steer is slaughtered, and invitations are sent out. Lemminkäinen is uninvited.
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Ross, Book III, Cantos iv–vi, pps 535–548. Atlante then takes Ruggiero hostage and holds him in an enchanted castle with lords and ladies to keep him company. Bradamante rescues Ruggiero, but he is soon tricked into climbing on the back of a hippogriff.Reynolds, Part 1, Canto iv, p. 189.
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For example, Furio Brugnolo of the University of Padua claims that these cantos are "the only notable example of epic poetry in 20th-century Italian literature".Brugnolo, Furio. La lingua di cui si vanta Amore: Scrittori stranieri in lingua italiana dal Medioevo al Novecento. Rome: Carocci editore, 2009. 95-111. .
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Hempfield Singers is a high level choir which is open by audition. Bel Cantos is an all female-choir, also selected through audition. Concert Choir is a larger group that is open to any student. The Hempfield Chamber Singers is an elite group which includes a small number of singers.
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90.7 Love Radio Laoag started its operations on January 4, 1982. It played mainstream pop, later gravitating to easy listening music. Since 2005, Love Radio plays pop music Monday to Saturday. Quatro Cantos (Four Songs) is the daily music countdown of Love Radio featuring four songs voted by listeners via SMS.
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The Arauco domado is a poem of 20 cantos that contain dramatic episodes, which include the Battle of Bío-Bío, the rebellion in Quito against the royal tax collectors, and the naval victory of the pirate Richarte Aquines (i.e. Richard Hawkins) over Don Beltrán de Castro y de la Cueva.
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She wrote: # The Wanderer of Scandinavia, or Sweden delivered, in five cantos, 1826, 2 vols. # Moments of Loneliness, or Prose and Poetic Efforts, 1829. # Fruits of Solitude, 1831. This was dedicated to Sir R. T. Wilson, and a letter from him to her is printed in his Essay on Canning's Administration.
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The sphere of Saturn is that of the contemplatives, who embody temperance.Dorothy L. Sayers, Paradise, notes on Canto XXI. Dante here meets Peter Damian, and discusses with him monasticism, the doctrine of predestination, and the sad state of the ChurchDorothy L. Sayers, Paradise, notes on Canto XXII. (Cantos XXI and XXII).
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Martin Silenus trained as a poet, but his training was interrupted when a black hole destroyed Earth. Silenus is forced to work as a laborer. During this time, he starts work on his Hyperion Cantos, his magnum opus. His Dying Earth series becomes an enormous hit, making him a multi-millionaire.
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Vikramaditya VI is widely considered the most notable ruler of the dynasty.Vijnyaneshavara, the Sanskrit scholar in his court, eulogised him as "a king like none other" (Kamath 2001, p. 106)The writing Vikramankadevacharita by Bilhana is a eulogy of the achievements of the king in 18 cantos (Sastri, 1955 p.
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The Rise of Endymion is a 1997 science fiction novel by American writer Dan Simmons. It is the fourth and final novel in his Hyperion Cantos fictional universe. It won the Locus Award for Best Science Fiction Novel, and was nominated for the Hugo Award for Best Novel in 1998.
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He was a member of the People's Party. He served as president of Red Eléctrica de España from 2012 to 2018; as Deputy of Congress in 2000VII Legislatura. Folgado Blanco, José and from 2004 to 2008VIII Legislatura. Folgado Blanco, José, representing Zamora; as mayor of Tres Cantos from 2007 to 2012.
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Manimanjari and Shubodaya are his other kavyas. Manimanjari gives account of the history of Vaishnava Acharyas before the advent of Sri Madhvacharya. It has eight cantos or sargas written in simple Sanskrit poetry. It is, in fact, one of the first Sanskrit poems taught in the traditional Madhva learning circles.
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São Caetano is a civil parish in the municipality of Cantanhede, Portugal. The population in 2011 was 801,Instituto Nacional de Estatística in an area of 19.04 km².Eurostat It contains 10 settlements: Perboi de Cima, Perboi de Baixo, Rilhóses, Sardão, Olho de S. Caetano, S. Caetano, Corgo Côvo, Criação, Pisão and Cantos.
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The section he wrote at the end of World War II, begun while he was interned in American-occupied Italy, has become known as The Pisan Cantos. It was awarded the first Bollingen Prize in 1948. There were many repercussions, since this in effect honoured a poet who was under indictment for treason.
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He read cantos of his Amadigi to the duchess and her ladies, or discussed the merits of Homer and Virgil, Trissino and Ariosto, with the duke's librarians and secretaries. He also traveled to Venice to superintend the printing of the Amadigi. Bernardo Tasso died in Ostiglia, then part of the Duchy of Mantua.
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A little poem of his in seven cantos treats of the war between the Florentines and the Pisans from 1362 to 1365. Other poems drawn from a legendary source celebrate the Reina d'Oriente, Apollonio di Tiro, the Bel Gherardino, etc. These poems, meant to be recited, are the ancestors of the romantic epic.
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This mahakavya depicts the life story of the poet’s grandfather Harnamdutt Shastri. It is not a glorification of his family but strives to enlighten readers about the humble and calm qualities of scholars. The poet also wishes to encourage the writing of new Sanskrit poetry. The mahakavya is divided into sixteen cantos.
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Love Radio plays pop music Monday to Saturday. Quatro Cantos (Four Songs) is the daily music countdown of Love Radio featuring four songs voted by listeners via SMS. Every Sunday, Love Radio plays oldies. Aside from music, the station gives jokes from Kadyot Pinong and Kukurukuku (Kuru-kuro ni Kukurukuku / Kukurukuku's Thoughts).
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Finding life at that university not to his liking, he transferred in the spring of 1746 to Leipzig, where he joined a circle of young men of letters who contributed to the Bremer Beiträge. In this periodical the first three cantos of Der Messias were published anonymously in hexameter verse in 1748.
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415, . which is also the source of prayers for the fifth and seventh terraces (Cantos XXII through XXIV). Here Dante also meets his friend Forese Donati and his poetic predecessor Bonagiunta Orbicciani. Bonagiunta has kind words for Dante's earlier poem, La Vita Nuova, describing it as the dolce stil novo ("sweet new style").
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He has translated William Moreton Condry's Thoreau, a biography of Henry David Thoreau, as Mahamanav Thoreau in Gujarati. He has also translated Thoreau's Walden in Gujarati. He has also translated last four cantos of Mahabharata and verse rendering of Bhagvad Gita as Romharshini. Sahityamadhuri, Sahityodyan and Sahityasushma are his edited educational works.
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Madhura Vijayam was discovered in 1916Shankar Rajaraman and Venetia Kotamraju, 2013, page iv in a private traditional library at Thiruvananthapuram by Pandit N Ramasvami Sastriar. It was found in the form of a single manuscript of sixty-one palm leaves, bound between two other unrelated works. The available poem is made up of nine cantos (chapters) containing 500-odd verses, with some verses incomplete and others missing and presumed lost, including possibly an entire canto between the eighth and final canto. Though the printed editions have been based on this single manuscript discovered in Trivandrum, the New Catalogus Catalogorum lists three other manuscripts discovered later: two of them are also in Trivandrum, and the third, in Lahore, has even less text (contains only seven cantos).
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The first two cantos of the poem were launched under the title Childe Harold’s Pilgrimage: A Romaunt, and other poems.Google Books There were twenty of those "other poems", for the most part arising out of Byron's tour. These supplemented the three lyrics already mentioned that were incorporated into Cantos I and II. Five of the supplementary songs were set by composers, mostly during the course of the 19th century and sometimes in translated versions. "On Parting" (The kiss, dear maid, thy lip has left), for example, was set by Ludwig van Beethoven and some 25 other composers;Lieder Net the song "Maid of Athens, ere we part" had a setting by Charles Gounod as well as others in German and Italian.
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José Lino Grünewald (1931–2000) was a Brazilian intellectual who was born and died in Rio de Janeiro, Brazil. A multi-disciplinary intellectual, his writings included poetry, translation (especially Ezra Pound's The Cantos), and essays (major works compiled in O grau zero do escreviver). He also acted in the movie O gigante da America.
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Keith, Arthur Berriedale (1993). A History of Sanskrit Literature, Delhi: Motilal Banarsidass, , p.124 His epic poem (mahākāvya) Shishupala Vadha, in 20 sargas (cantos), is based on the Mahabharata episode where the defiant king Shishupala is beheaded by Krishna's chakra (disc).Bhattacharji Sukumari, History of Classical Sanskrit Literature, Sangam Books, London, 1993, , p.148.
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The well-known female Republican activist Leiva is executed by the Nationalists. Major Heli Rolando de Tella y Cantos defeats a Republican counterattack on the city. ;August 14: Nationalist forces under Colonel Juan Yagüe attack and conquer Badajoz, uniting the two parts of the Nationalist territory. The Republican commander, Colonel Ildefonso Puigdendolas, flees to Portugal.
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In the 1970s in New York City, he met poets like Barbara Guest, Ron Padgett, and Nick Piombino. He also pursued advanced studies at Columbia University in New York, writing a Ph.D. thesis about the post-war Cantos of Ezra Pound.Cf. “BACIGALUPO, MASSIMO ANDREA”, in: Who’s Who in the World, 10th ed., 1991-1992, ibidem.
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He acquires traits > and then throws them away. One characteristic is that he has no > characteristics. He is a new roamer of the beautiful, a new fetcher of wild > shapes, in each new handful of writings offered us.Sandburg (1916) In June, July, and August 1917 Pound had the first three cantos published in Poetry.
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In 1846, Lincoln completed the composition of one of his most serious poems, which dealt with his emotions upon visiting his childhood home. It is divided into two cantos. The first section was mailed to Lincoln's friend and fellow politician, Andrew Johnston, on April 18, 1846. The second was mailed on September 6, 1846.
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The Los Angeles Times quotes Misrach regarding the Cantos: > The desert ... may serve better as the backdrop for the problematic > relationship between man and the environment. The human struggle, the > successes ... both noble and foolish, are readily apparent in the desert. > Symbols and relationships seem to arise that stand for the human condition > itself.Nunn, Kem.
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Continuation of the previous book; contains transcriptions of percussion in notation and lyrics of toques and cantos a los santos variously in Lucumi and Spanish.Carpentier, Alejo 2001 [1946]. Music in Cuba, edited and with an introduction by Timothy Brennan, translated by Alan West-Durán. Cultural Studies of the Americas 5 (Minneapolis: University of Minnesota Press).
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He achieves this by using the same pictures of the previous cantos in this one. Whereas these pictures, such as "leaf", "cloud", and "wave" have existed only together with the wind, they are now existing with the author. The author thinks about being one of them and says "If I were a . . ." (43 ff.).
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Alejandro Fernando Amenábar Cantos (born March 31, 1972) is a Spanish-Chilean film director, screenwriter and composer. Among other honors, he has won nine Goyas and two European Film Awards and one Academy Award. He has written (or co-written) the screenplays to all six of his films and composed almost all of their soundtracks.
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Fang was widely learned, and specialized in comparative literature, particularly in the studies of Chinese and German literature. His correspondence with Ezra Pound significantly influenced Pound's understanding of Chinese subjects, and his doctoral dissertation on Pound, an attempt to compile all the classical allusions in The Cantos, remains an important source for Pound scholars.
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They would return, in the same order, to the > point of departure. The recently elected captain was then congratulated by > members of other cantos, and on that occasion, he performed a sort of > exorcism with the liquor bottle, sprinkling a few drops of its contents out. > This confirmed the election.Reis, João José Brakel, Arthur (2006).
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Michael Madhusudan Dutt, or Michael Madhusudan Dutta (); 25 January 1824 – 29 June 1873) was a Bengali poet, writer and dramatist. He was a pioneer of Bengali drama. His famous work Meghnad Badh Kavya, is a tragic epic. It consists of nine cantos and is exceptional in Bengali literature both in terms of style and content.
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There he wrote his most remembered poem, "Canção do exílio". He graduated in 1845 and returned to Brazil in the same year. He went to Rio de Janeiro, living there until 1854. There he wrote for newspapers, and began to write the drama Leonor de Mendonça in 1846 and his first poetry book, Primeiros Cantos, in 1847.
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Paradis is a 1981 novel by French novelist Philippe Sollers. Sollers conceived the book as a literary homage to Dante's Paradiso. Noted by critics for its lack of punctuation, Paradis has been compared to The Cantos of Ezra Pound and Joyce's Finnegans Wake. Paradis was published in three volumes: Paradis, followed later by Paradis II and Paradis III.
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The Pilgrims of the Sun is a narrative poem by James Hogg, first published in December 1814, dated 1815. It consists of four cantos, totalling somewhat less than 2000 lines. In similar vein to 'Kilmeny' in The Queen's Wake (1813), it tells of a young woman's journey to an ideal world and her return to earth.
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These cantos were written over an extensive period of time, from 1919 to 1931,Altazor review bookslut.com, Laura Felch, January 2004, Retrieved June 15, 2015 and for that reason the topics seem unrelated. The first canto is the longest with almost seven hundred verses, and its content feels metaphysical. In this first canto, the poet introduces himself as "Altazor".
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At Kahlo's last exhibit in 1953, Michel was by her side. In addition to her own song- writing, Concha wrote ten plays. As Michel traveled the country with Cardenas, she gathered indigenous songs and collected some 5,000 works, though she struggled to find interest in publishing them. In 1951, part of her collection Cantos indígenas de México was published.
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In anger Kusha threatens to shoot an arrow into the river, whereupon the river parted revealing Kumudvatī. Cantos seventeen describes the final years of Kusha. Kusha and Kumudvati have a son named Atithi, who becomes heir to the kingdom. Kusha engages in a battle with a demon and gives his life in the process of slaying his adversary.
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Satyanidhi Tirtha has been eulogised by Sarkara Srinivasa in his contemporaneous kavya Satyanidhivilasa, a kavya in honor of Satyanidhi in 8 cantos. His disciple Satyanatha Tirtha sets forth the Purvapaksa and Siddhanta views under each adhikarana, and offers criticisms on the former in accordance with the views of his teacher Satyanidhi Tirtha, in his work Abhinava Chandrika.
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Teeuw was born in Gorinchem, Netherlands, on 12 August 1921. Teeuw conducted a field study of Indonesian literature in Yogyakarta between 1945 and 1947. While in Yogyakarta, he worked on translating the Bhomakhawya, described as one of the most difficult kakawins. Teeuw was unable to complete the translation, noting that some parts were guesswork and other cantos were indecipherable.
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Vidyapati in Mithila (14th century) and Chandidas (late 14th century) in Birbhum. Chandidas was among the earliest poets in the nascent Bengali language, and many of his poems deal with the Radha-Krishna theme. In 1474, Maladhar Basu translated the 10th and 11th cantos of the Sanskrit Srimad Bhagavatam (composed c. 9th century), into the Bengali poem SriKrsnaVijay.
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Twice the length of Milton's Paradise Lost and 50 times longer than T. S. Eliot's The Waste Land, The Cantos (1917–1968) is Pound's 116-section, 800-page, c. 23,000-line epic poem, his life's work. It ends with Canto CXVI, the final complete section. Pound said he had composed it in the form of a fugue.
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Ocellus is hence the imagined amalgamation of Eastern Confucianism and Western Neo- Platonism.Christopher Wang, "Clarity from Chaos in the Rock-Drill Cantos Paradise." Accessed 13.08.2013. Canto LXXXVII opens on usury and moves through a number of references to "good" and "bad" leaders and lawgivers interwoven with Neoplatonic philosophers and images of the power of natural process.
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Jacob Uziel (died 1630 in Zante) was a physician and poet of the 17th century. He was of Spanish extraction, but emigrated to Italy at an early age, and settled in Venice, where he became famous for his medical skill. He was the author of Dawid (Venice, 1624), an epic poem in twelve cantos, written in Italian.
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Listening to el Tío Tenazas ["Uncle Tongs"] "hurl into the air his song", Antonio Chacón exclaimed, "¡Válgame Dios, lo que oigo!" ["Lord help me, what I hear!"].Jose Luis Cano, García Lorca (Barcelona: Salvat Editores 1985) at 55 (quote). Falla later carried a copy of his recordings (Cantos de Diego Bermúdez) with him into exile in Argentina.
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Born in Vicovaro, his surname was originally Cocci; he took his Latinised name as a pupil of Pomponius Laetus.Donald Cheney, Brenda Hosington, David K. Money, Elizabeth Johanna Weston, Collected Writings (2000), p. 299; Google Books. He studied also with Porcelio Pandone (1405–1485)A Companion to the Cantos of Ezra Pound, Volume 1, Carroll Franklin Terrell and Gaspar Veronese.
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Durfee's interment was in the family burying ground at Quaker Neck, near Tiverton. Durfee was the author of What Cheer, a poem in nine cantos; of an oration, The Influences of Scientific Discovery and Invention on Social and Political Progress, or Roger Williams in Exile (1843), under the pseudonym "Theaptes;" and of a philosophical work, entitled The Panidea (1846).
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Lightbown, 280; some are drawn on both sides of the sheet. Once again, the project was never completed, even at the drawing stage, but some of the early cantos appear to have been at least drawn but are now missing. The pages that survive have always been greatly admired, and much discussed, as the project raises many questions.
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Kacchiyappar wrote the epic in six cantos, comprising 10,346 stanzas. It is believed that the first line of the first stanza was written by Kacchiyappar's patron deity, Murugan himself. The god is also believed to have corrected the 100 stanzas written by the priest during the day. The poet took his composition to the god and rehearsed it.
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He performs concerts and records with his own group. He works with drummer Richie Garcia, bassist Guillermo Guzman, George Krischke guitarist and keyboardist Billy Cantos. After working with Mongo Santamaria, Almario accompanied Jon Lucien, Frank Foster, Freddie Hubbard and Willie Bobo. He also played in the group Koinonia with guests including Machito, Tito Puente, Cal Tjader and Poncho Sánchez.
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Ricciardo e Zoraide (Ricciardo and Zoraide) is an opera in two acts by Gioachino Rossini to an Italian libretto by Francesco Berio di Salsa. The text is based on cantos XIV and XV of Il Ricciardetto, an epic poem by Niccolò Forteguerri.Richard Osborne, "Ricciardo e Zoraide," Grove Music Online (article revised 2002), accessed 13 May 2019.
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Indian scholars also developed a hybrid class of Sanskrit metres, which combined features of the syllable-based metres and morae-based metres. These were called Matra- chandas. Examples of this group of metres include Vaitaliya, Matrasamaka and Gityarya. The Hindu texts Kirātārjunīya and Naishadha Charita, for instance, feature complete cantos that are entirely crafted in the Vaitaliya metre.
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Kacchiyappar wrote the epic in six cantos, comprising 10,346 stanzas. It is believed that the first line of the first stanza was written by Kacchiyappar's patron deity, Murugan himself. The god is also believed to have corrected the 100 stanzas written by the priest during the day. The poet took his composition to the god and rehearsed it.
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Title page of the limited first edition printed by Shelley himself, 1813. Shelley's copy of Queen Mab, 1813, in the Ashley Library. Queen Mab; A Philosophical Poem; With Notes, published in 1813 in nine cantos with seventeen notes, is the first large poetic work written by Percy Bysshe Shelley (1792–1822), the English Romantic poet.Mark Sandy, University of Durham.
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It was also in Essex that he met his wife, Sattie. In 1984, the couple returned to Gibraltar, where Searle began working for the Gibraltar Chronicle. In 1996, he became editor of the newspaper, replacing Francis Cantos. In 2004, during the Tercentenary year of British Gibraltar, Searle received an MBE for his work at the Chronicle.
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Although he eulogises Dharmathakur in his poem, Chakrabarty was a devotee of Rama. In his version of Dharmamangalkavya, many incidents from the Ramayana and the Bhagavata are also described. Two major tales of Dharmamangalkavya i.e. the tales of Harishchandra and Lausen are told in 24 palas (Cantos) which are further subdivided into 9147 shlokas in his poem.
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Stricken with grief, he gave up painting and entered the Convento do Beato, where he remained until his death. While there, he composed a long poem in lyrical cantos called O insigne pintor e leal esposo, história verdadeira... (Illustrious painter and loyal husband, a true story). It was printed in 1780.Publisher information and image of cover @ Archive.
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Father Hoyt's body is resurrected into Father Paul Duré. Silenus goes to the Poets' City to complete his Cantos, but is surprised by the Shrike and impaled on the Tree of Pain. Lamia is also attacked by the Shrike and loses consciousness. She awakens in one of the TechnoCore's computerized realities, in the company of Johnny.
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Harrison graduated from School of Art, Bournville in 1982. He started work at 2000 AD in 1994 working on the Durham Red-related titlesDurham Red - the Scarlet Cantos Saga Paul Stewart, Sunday, 25 May, 2000adreview.co.uk as well as Glimmer Rats and The Ten-Seconders. Harrison has illustrated cards for the Magic: The Gathering collectible card game.
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Vadiraja gave impetus and contributed to Dasa Sahitya, writing several poems under the nom de plume Hayavadana. Yuktimalika is widely considered to be his magnum opus. Sharma notes "The work is brimming with freshness and originality of approach and ideas". He also composed several poems, notable of which is an epic poem of 90 cantos titled Rukminisha Vijaya.
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263-89 which also received flattering reviews.British Critic: And Quarterly Theological Review, Vol.18 (1801), pp.345-9 Delille's work inspired various other poetical responses too. :fr:Joseph Berchoux published the four cantos of his light-hearted and popular Gastronomie ou l’homme des champs à table (The Country Gentleman at Table) as a sort of didactic pendant in 1801.
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6 La sirena ("the mermaid") :Con los cantos de sirena, no te vayas a marear. :Don't be swayed by the songs of the siren. (In Spanish, sirens and mermaids and their song is synonymous.) 7 La escalera ("the ladder") :Súbeme paso a pasito, no quieras pegar brinquitos. :Ascend me step by step, don't try and skip.
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A posthumous comedy of his, The Prophet, was acted for a few nights in 1788. Among Bentley's other writings were Patriotism, a Mock Heroic in five cantos, London, 1763; and A Letter to the Right Hon. C. F. Fox, 1793. He also translated the travels of Paul Hentzner; and verse for tomb inscription by Elizabeth Russell, Lady Russell.
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Today it is commemorated as a Day of Military Honour in Russia. The siege is dramatized in cantos 7 and 8 of Lord Byron's verse-novel Don Juan (1823). His principal source, he states in the preface, was Gabriel de Castelnau's account of the siege in Essai sur l’histoire ancienne et moderne de la Nouvelle Russie (1820).
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She sang cantos and folk songs on stage at the music-performance coffee houses in Galata quarter. Her music career changed after her marriage to Sadi (later Işılay), a notable violinist. She performed together with her husband. Between 1923 and 1926, she recorded her songs for Pathé Records in Paris, France, where she lived with her husband.
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H. J. C. Grierson (London, 1932), 157 (Scott to Lady Abercorn). Thereafter composition proceeded briskly, though at one stage Scott contemplated reducing the length to five cantos to enable publication for the Christmas market.Edgar Johnson, Sir Walter Scott: The Great Unknown (London, 1970), 403. He paid Rokeby a visit in late September and early October to gather local colour.Ibid.
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Blue Room spent nearly six months on the national jazz charts and received positive reviews. Over the years, Guerrero has also recorded duo albums (with Bill Cantos and Frank Giebels) and band projects featuring his side groups, The Hi-Fi Quintet and West Coast Sound. In 2018, Guerrero released a new album of Latin-inspired ballads entitled "Abrazo".
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Eagles left in manuscript translations of the first two books of the Odyssey and of five cantos of Orlando Furioso. He also edited The Journal of Llewellin Penrose, a Seaman, 4 vols. 8vo, London, 1815, one edition of which he sold to Murray for two hundred guineas. Another edition was published by Taylor & Hessey, 8vo, London, 1825.
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The Anti-Leveller of 1793 is considered an “elder relative” to the Anti-Jacobin. Alexander Watson's The Anti-Jacobin, a Hudibrastic Poem in Twenty-one Cantos (1794) had a similar motif and also contained stanzas filled with heavy sarcasm and rhymed couplets. Historians consider both of these works less interesting than the Anti-Jacobin.Stone, p. lvii.
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Disputa del clérigo y el caballero. Poesía leonesa inédita del siglo XIII, 1914. ISSN 0210-9174 and the Libro de Alexandre),The Leonese features in the Madrid manuscript of the Libro de Alexandre in the Leonese court, judiciary (with the translation of the Liber Iudicum o Liber Iudiciorum Visigoth into Leonese), administration, and organization.Carrasco Cantos, Pilar.
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Cantos 14 through to the end at canto 22 are each written in a particular tense or mood. Given that this is a rather broad restriction it is surprising that does not indulge in more ornamentation in these verses. He does include many obscurer roots here but in other respects his language is simple and uncluttered.
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His feast day is 20 August. Bernard's "Prayer to the Shoulder Wound of Jesus" is often published in Catholic prayer books. Bernard is Dante Alighieri's last guide, in Divine Comedy, as he travels through the Empyrean.Paradiso, cantos XXXI–XXXIII Dante's choice appears to be based on Bernard's contemplative mysticism, his devotion to Mary, and his reputation for eloquence.
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' was composed by Acharya Jinasena in 783 AD. It is divided into 66 cantos and contains 12,000 slokas. The book aims to narrate the life of Neminatha, the twenty-second Tirthankara in Jainism. According to the Jain sources, Krishna is the first cousin of Tirthankara Neminatha. Therefore, Krishna's adventures too occupy a significant portion of the book.
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During World War II and the Holocaust in Italy, he made hundreds of antisemitic, paid radio broadcasts for the Italian government, including in German-occupied Italy, attacking the United States, Franklin D. Roosevelt and, above all, Jews, as a result of which he was arrested in 1945 by American forces in Italy on charges of treason. He spent months in a U.S. military camp in Pisa, including three weeks in a outdoor steel cage. Deemed unfit to stand trial, he was incarcerated in St. Elizabeths psychiatric hospital in Washington, D.C., for over 12 years. While in custody in Italy, Pound began work on sections of The Cantos that were published as The Pisan Cantos (1948), for which he was awarded the Bollingen Prize for Poetry in 1949 by the Library of Congress, causing enormous controversy.
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Despite all the controversy surrounding both poem and poet, The Cantos has been influential in the development of English- language long poems since the appearance of the early sections in the 1920s. Amongst poets of Pound's own generation, both H.D. and William Carlos Williams wrote long poems that show this influence. Almost all of H.D.'s poetry from 1940 onwards takes the form of long sequences, and her Helen in Egypt, written during the 1950s, covers much of the same Homeric ground as The Cantos (but from a feminist perspective), and the three sequences that make up Hermetic Definition (1972) include direct quotations from Pound's poem. In the case of Williams, his Paterson (1963) follows Pound in using incidents and documents from the early history of the United States as part of its material.
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Misrach's Border Cantos series comprises photographs of the border between the U.S. and Mexico taken since 2004, and most extensively since 2009. In 2012 he began a collaboration with composer Guillermo Galindo, who manufactures playable instruments from objects found along the border. Misrach and Galindo have recovered artifacts from the border zone including water bottles, clothing, back-packs, Border Patrol “drag” tires, spent shotgun shells, ladders, and sections of the border wall itself, all of which have been transformed by Galindo into instrumental sculptures. The pair have produced the book Border Cantos (Aperture, 2016) and a museum exhibition that traveled to the San Jose Museum of Art, the Amon Carter Museum of Art, Crystal Bridges Museum of American Art, and Pace/PaceMacGill Gallery in New York (2016-2017).
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Kusha sets forth with his whole army to restore the city to its former splendor. Cantos sixteen describes Kushas marriage with the Naga Queen Kumudvatī. While residing in Ayodhya in the summer, Kusha goes to the Sarayu to bathe with the ladies of the court. While sporting in the river, he loses a great gem bestowed to him by his father.
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This 33-part structure mimics Dante's Divine Comedy. Weiss's cantos depict the 'progress' of the victims from the ramp upon arrival at Auschwitz to the gas chambers and the ovens, revealing ever more horrendous moments in the perpetration of the Nazi genocide. Weiss refrains from all dramatic embellishments. The focus is entirely on the spoken word, often taken verbatim from the trial.
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The Levant () is a 1990 epic poem by the Romanian writer Mircea Cărtărescu. Consisting of twelve cantos in verse, the narrative begins in the early 19th century, and follows a band of Wallachian adventurers and pirates, who return to their native land in an attempt to overthrow an oppressor. Cărtărescu uses the poem to highlight oriental influences in Romanian culture.
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In September 1950, the comic-book publisher, Gilberton Company, Inc., of New York City, issued Classics Illustrated number 75, "The Lady of the Lake". It was illustrated by Henry C. Kiefer, one of Gilberton's best graphic artists for the comic-book genre. The editor was Helene Lecar, who transformed the cantos into a concise narrative that would be interesting to school-age children.
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In 1811 appeared The Institute, a heroic poem in four cantos, written by Story and Thomas Pringle. In 1829 Story published, under the title of Peace in Believing, a memoir of a devout girl named Isabella Campbell, sister of the Mary Campbell who later professed speaking in tongues. Story also wrote on his parish for the Statistical Account of Scotland of 1841.
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Cantos 45–49: Enraged at the loss of the Sampo, Louhi sends the people of Kalevala diseases and a great bear to kill their cattle. She hides the sun and the moon and steals fire from Kalevala. Väinämöinen heals all of the ailments and, with Ilmarinen, restores the fire. Väinämöinen forces Louhi to return the Sun and the Moon to the skies.
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As part of the deception Scott took up an offer by William Erskine to be involved in writing the preface. The first two cantos were almost complete by 10 September.Ibid., 398. On 1 November Scott was hoping that Rokeby would appear in time for Christmas and The Bridal as soon as possible thereafter,The Letters of Sir Walter Scott: 1811‒1814, ed.
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48, Silent Interviews, Wesleyan University Press: Hanover and London: 1994 Delany wanted something that was coherent but supple and self- critical. In the same interview he says that the story series is, in many ways, closer to the continuous modernist “longpoem,” such as Ezra Pound’s Cantos or Robert Duncan’s “Structure of Ryme” or “Passages,” Anne Waldman’s Jovis, or Rachel Blau Du Plessis’s Drafts.
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On screen, Bernart was portrayed by actor Paul Blake in the BBC TV drama series The Devil's Crown (1978). In the final fragment (Canto CXX) of his epic poem The Cantos, American expatriate poet Ezra Pound, who had a lifelong fascination with the trouveres and troubadours of Provence and southern France, quotes from Bernart's Can vei la lauzeta mover twice.
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Nava-sahasanka-charita is divided into 18 cantos, and centers around Sindhuraja's marriage to princess Shashiprabha. The title of the poem literally means the biography (charita) of the new (nava) Sahasanka. Vikramaditya, a famous legendary king, was also known as Sahasanka ("having the mark of boldness"). His capital Ujjain happened to be located in what had become the Paramara kingdom by Padmgaupta's time.
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Originally, it bore the title Il Goffredo. It was completed in April, 1575 and that summer the poet read his work to Duke Alfonso of Ferrara and Lucrezia, Duchess of Urbino. A pirate edition of 14 cantos from the poem appeared in Venice in 1580. The first complete editions of Gerusalemme liberata were published in Parma and Ferrara in 1581.
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La Habana. p269 The band recorded six numbers for Columbia Records in 1918, and was regarded as one of the three most important charangas in the history of the danzón, and the first to incorporate melodies from the cantos de claves y guaguancóchoral groups from barrios in Havana and Matanzas; see Orovio, Helio 1981. Diccionario de la música cubana. La Habana.
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The Fall of Hyperion is the second novel in the Hyperion Cantos, a science fiction series by American author Dan Simmons. The novel, written in 1990, won both the 1991 British Science Fiction and Locus Awards. It was also nominated for the Hugo Award and the Nebula Award. Set in the 29th century, the novel documents a pilgrimage to the planet Hyperion.
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Meghnad Badh Kavya (; English: The Slaying of Meghnada) is a Bengali epic poem by Michael Madhusudan Dutta. Regarded as a central work in Bengali literature and Dutta's greatest literary work, Meghnad Badh Kavya is based on the demise of Meghnad (a.k.a. Indrajit), son of Ravana, the king of Lanka in the classic Sanskrit epic Ramayana. The poem is divided into 9 cantos.
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Martin Silenus is the satyr-like and alcohol-appreciating poet-pilgrim in American writer Dan Simmons' Hyperion Cantos (1989–99). In the Darkness Rising trilogy (2011–13) by Kelley Armstrong it is believed that Corey Carling is a resurgent member of this supernatural race, as it was expected to be confirmed in The Rising, the closing novel of the series.
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The cantos are again musically conditioned according to the Ragas and Raginis (tunes) prevalent in Odisha. Dinakrushna has shown great skill in painting the natural cycle of seasons and seasonal amours and romantic adventures associated with the seasons. Centering round the drama of Radha and Krushna, Dinakrushna has written many songs overflowing with a sort of mystically human and divine love.
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London: William Pickering Her beauty as a child prompted Lord Byron to dedicate the first two cantos of Childe Harold's Pilgrimage to her, under the name "Ianthe".Gunn, John Alexander Wilson; Wiebe, Melvin George. eds. (2008). Benjamin Disraeli letters, Volume 7. University of Toronto Press, Lord Byron had been one of the many lovers of her mother, Jane Elizabeth Scott.
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Endymion is the third science fiction novel by American writer Dan Simmons, part of his Hyperion Cantos fictional universe. Centered on the new characters Aenea and Raul Endymion, it has been well received like Hyperion and The Fall of Hyperion - within a year of its release, the paperback edition had gone through five reprints. The novel was shortlisted for the 1997 Locus Award.
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Eliot became a British citizen in 1927 but was born and educated in America. His most famous works are: "Prufrock" (1915), The Wasteland (1921) and Four Quartets (1935–42). Ezra Pound was not only a major poet, first publishing part of The Cantos in 1917, but an important mentor for other poets, most significantly in his editorial advice for Eliot's poem The Wasteland.
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Among major structural elements used in poetry are the line, the stanza or verse paragraph, and larger combinations of stanzas or lines such as cantos. Also sometimes used are broader visual presentations of words and calligraphy. These basic units of poetic form are often combined into larger structures, called poetic forms or poetic modes (see the following section), as in the sonnet.
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The poem ends with one or more than one Falashruti, the material benefits of hearing Akhyana. It is added for the purpose of attracting audience. The audience were promised with benefits like eradication of all sins, moksha, end of bodily ailments, child births, wealth. For giving authority to the story, sometimes the original source of story and even cantos were declared.
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Alcine (English: Alcina) is an opera by the French composer André Campra. It takes the form of a tragédie en musique in a prologue and five acts. The libretto, by Antoine Danchet, is based on Cantos IV, VI and VII of Ariosto's epic poem Orlando furioso and tells of the love of the enchantress Alcine (Alcina) for the paladin Astolphe (Astolfo).
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They released eight albums as members of El Consorcio. In 2013, Sergio left El Consorcio due to a "serious illness".Sergio, obligado a dejar El Consorcio por una seria enfermedad El Consorcio began a farewell tour in 2014.El Consorcio se baja de los escenarios Sergio Blanco died on 15 February 2015 in Tres Cantos, Community of Madrid, at the age of 66.
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220px Jagadguru Rambhadracharya composed the epic in 2002 at Chitrakuta during his sixth six-month Payovrata (milk-only diet).Dinkar 2008, p. 127. The poet chose 21 as the number of cantos due to several reasons. He composed the epic at the beginning of the 21st century, and it was the first Sanskrit epic to be composed in the 21st century.
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Lorca, the town where the 87th Mixed Brigade was established in 1937. The 87th Mixed Brigade (), was a mixed brigade of the Spanish Republican Army in the Spanish Civil War. It was formed in March 1937 with battalions of the Carabineros corps. Its first commander was Infantry Colonel Carlos Amores Cantos, who was succeeded by Militia Major Andrés Nieto Carmona.
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Hesperia: A Poem is a lengthy verse volume by Richard Henry Wilde (1789–1847), an Irish-American lawyer, and first edited and published by his son in 1867. The title work is described as "a nationalistic poem in four cantos", named as "Florida", "Virginia", "Acadia", and "Louisiana"; and as "one of the few full- length poems by early southern writers".
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This story is the earliest and first story set in what would become the Hyperion Cantos universe, preceding even "Remembering Siri". Many elements and similarities survived into the later stories (from the name of the centaur Raul, to the concepts of farcasters and the WorldWeb, to the Shrike or the levitation barge or the Sea of Grass). Although the stories did evolve and differ from "The Death of the Centaur" over time there are a number of dissimilarities: in the Cantos, the centaurs of Garden have been exterminated in a genocide by the Hegemony, and the world The Story is set on is not cut off from the farcaster network. There are shared elements with other stories in this volume: the neo-cat Gernisavien shows up as regular cat in "Eyes I Dare Not Meet in Dreams".
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Beginning with "The Terrain," in which images of apparently untouched wilderness are punctuated by human elements such as a lone telephone pole or a train, the Cantos include spectacles like the space shuttle landing ("The Event") and car racing ("The Salt Flats"), man-made fires and floods like the Salton Sea ("The Flood") and desert seas created by the damming of rivers, as well as color-field studies of empty skies ("The Skies").Gefter, Philip. "Beauty as a Firebomb in the War on Nature," the New York Times, February 19, 2006. Images of military training and testing sites feature extensively in the Cantos and the series' corresponding publications: "The War" resulted in the 1991 book Bravo 20: The Bombing of the American West, co-authored by Myriam Weisang Misrach, and nuclear testing was addressed in Violent Legacies, published in 1992.
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Carter was also present at the 2009 Aldeburgh Festival to hear the world premiere of his song cycle On Conversing with Paradise, based on Ezra Pound's Canto 81 and one of Pound's 'Notes' intended for later Cantos, and usually published at the end of the Cantos. The premiere was given on June 20, 2009, by the baritone Leigh Melrose and the Birmingham Contemporary Music Group conducted by Oliver Knussen. Figment V for marimba was premiered in New York on May 2, 2009, by Simon Boyar, and Poems of Louis Zukofsky for soprano and clarinet had its first performance by Lucy Shelton and Thomas Martin at the Tanglewood Festival on August 9, 2009. The US premiere of the Flute Concerto took place on February 4, 2010, with the flutist Elizabeth Rowe and the Boston Symphony Orchestra conducted by Levine.
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By moving to Italy in 1925, Pound in a way exiled himself like Mauberley, while becoming increasingly involved in the conflicts of his age. Thus in Mauberley Pound portrayed and criticised certain aspects of himself, as Eliot had done in The Love Song of J. Alfred Prufrock. Yet while Prufrock is ironic, Mauberley is largely a work of satire, reminiscence and invective, like The Cantos.
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This is a list of persons, places, events, etc. that feature in Ezra Pound's The Cantos, a long, incomplete poem in 120 sections, each of which is a canto. It is a book-length work, widely considered to present formidable difficulties to the reader. Strong claims have been made for it as one of the most significant works of modernist poetry of the twentieth century.
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The Shishupala Vadha (, IAST: Śiśupāla-vadha, lit. "the slaying of Shishupala") is a work of classical Sanskrit poetry (kāvya) composed by Māgha in the 7th or 8th century. It is an epic poem in 20 sargas (cantos) of about 1800 highly ornate stanzas, and is considered one of the six Sanskrit mahakavyas, or "great epics". It is also known as the Māgha-kāvya after its author.
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Queen Hynde (1825) is an epic poem in six cantos (nearly 9000 lines) by James Hogg. Set in western Scotland in the sixth century, it tells the story of the defeat of an invading Norwegian army by forces loyal to Queen Hynde, advised by Columba, and of the winning of her hand by the legitimate claimant of the throne Eiden. It is mostly in octosyllabic couplets.
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These are particularly characterized by bewitching images of nature combined with social critics. Werneburg recognized Pe-lo-thien as a kindred spirit and discovered comparable existential experiences (in: "Die Reise nach Südost", Journey to South-East). The lyric-epic poems of Werneburg written since 1980 belong to a Great Cycle, a world-poem. The Cantos of Ezra Pound served the paragon for such an approach.
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Cantos 26–30: Lemminkäinen is resentful for not having been invited to the wedding and sets out immediately for Pohjola. On his arrival he is challenged to and wins a duel with Sariola, the Master of the North. Louhi is enranged and an army is conjured to enact revenge upon Lemminkäinen. He flees to his mother, who advises him to head to Saari, the Island of Refuge.
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Uxía (born November 19, 1962 in Sanguiñeda, Mos) is one of the most respected and influential musicians from Galicia, Spain, and regarded as the grande dame of Galician music. Her songs have always the presence of traditional music but with a renewed and personal treatment. Among other projects, she is the artistic director and alma mater of the International Lusophone Festival, Cantos na Maré.
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Maṇimēkalai (, lit. "jewelled belt, girdle of gems"), also spelled Manimekhalai or Manimekalai, is a Tamil epic composed by Kulavāṇikaṉ Seethalai Sataṉar probably around the 6th century. It is an "anti-love story", a sequel to the "love story" in the earliest Tamil epic Silappadikaram, with some characters from it and their next generation. The epic consists of 4,861 lines in akaval meter, arranged in 30 cantos.
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Title page of the third edition of John Harington's translation of Orlando Furioso, 1634. The first edition was 1591 Ariosto began working on the poem around 1506, when he was 32. The first edition of the poem, in 40 cantos, was published in Ferrara in April 1516 and dedicated to the poet's patron Ippolito d'Este. A second edition appeared in 1521 with minor revisions.
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The sun as Zeus/Helios also features. These vision fragments are cross-cut with an invocation of the Taoist Kuan Tzu (Book of Master Kuan). This work argues that the mind should rule the body as the basis of good living and good governance. Another such figure, the English jurist and champion of civil liberties Sir Edward Coke, dominates the final three cantos of this section.
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The poem consists of 19,458 dactylic hexameters, as compared with the 15,693 of Homer's Iliad. At Schulpforta, the classical school Klopstock attended 1739–1745, the plan for the poem was formulated. The project reflected the influence of Johann Jakob Bodmer's translation of John Milton's Paradise Lost, which Klopstock had read at the school. After developing his plan, Klopstock wrote a prose version of the first three cantos.
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Whitfield, p. 117. He had been imprisoned alongside American poet Ezra Pound, who had been imprisoned for collaborating with the Nazis and Italian Fascists; he is mentioned in lines 171–173 of Canto 74 of Pound's Pisan Cantos: :"Till was hung yesterday :for murder and rape with trimmings" Till was buried in Row 4, Grave 73 of Plot E in Oise-Aisne American Cemetery.
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After a bit of technical service, it was put into action in the underground music scene in New York, making recordings including live performances of Patti Smith, the Ramones, and nearly 30 other bands at the Continental for the Best of NYC Hardcore album. The unit is currently owned by the National Music Centre in Calgary, Alberta, Canada (Cantos Music Collection acquired it in November 2001).
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Educational accreditation among Tres Cantos inhabitants is also above the national average, with some 60% of prime income earners holding a tertiary qualification or higher. Average income levels reflect these education levels and professional employment opportunities, with over 55% having salaries in the upper-middle or higher income range. Many households have dual-incomes. Approximately 15% of households are classified as lower-middle and low-income households.
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Detail of a 14th-century manuscript of TI AMO KAROL (Inferno, Purgatorio, Paradiso) that was divided into 100 cantos. The canto () is a principal form of division in medieval and modern long poetry. The word canto is derived from the Italian word for "song" or "singing", which comes from the Latin cantus, "song", from the infinitive verb canere, "to sing"."Canto", The Merriam- Webster Dictionary.
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The following year, he received his Doctor of Theology and entered the rural deanery at Hagunda in the Diocese of Uppsala. In 1825, he published Noacks Ark, a successful satire on the literary and social life of his time, followed in 1826 by a second part. In 1835 Fahlcrantz brought out the first part of his epic of Ansgarius, which was completed in 1846, in 14 cantos.
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On returning to Venice, he wrote the fourth canto of Childe Harold. About the same time, he sold Newstead and published Manfred, Cain, and The Deformed Transformed. The first five cantos of Don Juan were written between 1818 and 1820. During this period he met the 18-year-old Countess Guiccioli, who found her first love in Byron, and asked her to elope with him.
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In The Rise of Endymion, Dan Simmons's conclusion to his famous Hyperion Cantos sci-fi series, it is revealed by the character of Aenea that the TechnoCore originated from a human experiment in which computer programs were allowed to compete for resources (e.g. memory) and evolve accordingly. It is specified that the one responsible for it was Tom Ray, which possibly refers to the biologist's Tierra project.
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In recent years there have been several partial or full new translations: Stephen Kessler in 2001 for a photo/journey book on the ancient ruins (Machu Picchu edited by Barry Brukoff) and Mark Eisner's re-translation of seven of the twelve poems (Cantos I, IV, VI, VIII, X, XI, and XII) for an anthology celebrating the centennial of Neruda's birth in 2004, The Essential Neruda.
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Percy Bysshe Shelley's fair draft of lines 1–42, 1819, Bodleian LibraryThe poem "Ode to the West Wind" consists of five sections (cantos) written in terza rima. Each section consists of four tercets (ABA, BCB, CDC, DED) and a rhyming couplet (EE). The Ode is written in iambic pentameter. The poem begins with three sections describing the wind's effects upon earth, air, and ocean.
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Abelardo Quinteros (born 10 December 1923, Valparaiso) is a Chilean composer who is particularly known for his contributions to twelve-note composition and serialism. His most well known works include his award-winning Horizon carré, Cantos al espejo, 3 arabescos concertantes, and Piano Studies. His music is known for its lyricism and expressiveness. From 1936-1941 Quinteros studied industrial design at Federico Santa María Technical University.
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Amenábar was born in Santiago, Chile, to a Chilean father, Hugo Ricardo Amenábar and a Spanish mother, Josefina Cantos. He has a dual Chilean-Spanish citizenship. His father worked as a technician at General Electric, while his mother decided to stay at home and take care of the children. Alejandro is the younger of two brothers; his older brother, Ricardo, was born in 1969.
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In 1970 he traveled again to Africa to shoot the documentary, Appunti per un'Orestiade africana. Pasolini was a member of the jury at the 16th Berlin International Film Festival in 1966. In 1967, in Venice, he met and interviewed the American poet Ezra Pound.. Retrieved 22 May 2014. They discussed the Italian movement neoavanguardia and Pasolini read some verses from the Italian version of Pound's Pisan Cantos.
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The song has been covered several times by Christian artists. Sheila Walsh recorded it in 1988 for her album Say So, and performed it on her very first The 700 Club appearance as co-hostess. Bill Cantos and Justo Almario covered it in 1995 for the album Who Are You. Cindy Morgan covered it in 2000 for her greatest hits album, Best So Far.
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It consists of 16 cantos with 794 verses. He mentioned his pilgrimages at the end of the poem so it must have been written after 1221 CE, the year of his first major pilgrimage. Parts of the poem were quoted by others, such as Kavya-kalpalata of Amarachandra, who drew one verse, and Jalhana who included the sixth verse from the first canto in his Sukti-muktavali.
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The purpose of Samuel Brejar's life has always been writing poetry and theatre. In Peru and Mexico, Samuel Brejar had the opportunity to publish his first poems (e.g., "Todas las mordazas", 1965, "Hallazgos del comportamiento raro", 1967, "Legajos del archivista", 1969, "Los cantos destruidos", 1970, "Cuentero del duende", 1971, "Palabras matadas", 1972). However, it is France that Samuel Brejar wrote most of his poetic and theatrical works.
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These examples also include episodes from the lives of Julius Caesar and Aeneas. This activity also replaces a verbal prayer for this terrace. Since the formerly slothful are now too busy to converse at length, this section of the poem is a short one. Allegorically, spiritual laziness and lack of caring lead to sadness,Dorothy L. Sayers, Purgatory, notes on Cantos XVIII and XIX.
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Reis, João José Brakel, Arthur (2006). "Slave Rebellion in Brazil: The Muslim Uprising of 1835 in Bahia". Pg. 164 The cantos were well organized and had a system for electing their own captains. Brazilian historian Manuel Querino described the inauguration ceremony for the new captain: > The members of the canto would borrow a keg from one of the warehouses on > Julião or Pilar Street.
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Ricardo Zohn-Muldoon (born 1962, in Guadalajara, México) is a Mexican-American composer and chair of the composition department at Eastman School of Music. He received the Helen L. Weiss Music Prize in 1991. His Comala (2010, Bridge Records 9325"Cantos: Music of Ricardo Zohn-Muldoon", BridgeRecords.com.) was a finalist for the 2011 Pulitzer Prize for Music"The 2011 Pulitzer Prize Winners Music", Pulitzer.org.
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Same-sex marriage was legalized in Spain in 2005, by law 13/2005. The first same-sex marriage under that law took place on 11 July of that year, in Tres Cantos, Madrid, between Emilio Menendez and Carlos Baturin, who had lived as a couple for more than thirty years. The first marriage of two women under the law was 11 days later, in Barcelona.
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The Investigation (1965) is a play by German playwright Peter Weiss that depicts the Frankfurt Auschwitz Trials of 1963–1965. It premiered on October 19, 1965 on stages in fourteen West and East German cities and at the Royal Shakespeare Company in London. It carries the subtitle "Oratorio in 11 Cantos". Weiss was an observer at the trials and developed the play partially from the reports of Bernd Naumann.
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The manuscripts of the epic include a prologue called patikam. This is likely a later addition to the older epic. It, nevertheless, shows the literary value of the epic to later Tamil generations: Twenty five cantos of the Silappatikaram are set in the akaval meter, a meter found in the more ancient Tamil Sangam literature. It has verses in other meters and contains five songs also in a different meter.
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Divided into two cantos, and further into more than a dozen stanzas each, The Bride of Abydos has a straightforward plot. After an initial description of the Turkish setting, the story opens with the ruler Giaffir rebuking his supposed son, Selim. Selim professes his love for his half-sister, Zuleika, Giaffir's daughter. Angered, the Pasha refuses Selim a key to the royal harem and upbraids him with insults.
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Quatro Cantos (Four Songs) is the daily music countdown of Love Radio featuring four songs voted by listeners via SMS. Every Sunday, Love Radio plays oldies. Aside from music, the station gives jokes from Kadyot Pinong and Kukurukuku (Kuru- kuro ni Kukurukuku / Kukurukuku's Thoughts). However, in late 2008, lack of resources and financial challenges led to Love Radio's closure of air-time operations in Zamboanga after 18 years of operation.
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Cantos 16–18: Väinämöinen builds a boat to travel to Pohjola once again in search of a bride. He visits Tuonela and is held prisoner, but he manages to escape and sets out to gain knowledge of the necessary spells from the giant Antero Vipunen. Väinämöinen is swallowed and has to torture Antero Vipunen for the spells and his escape. With his boat completed, Väinämöinen sets sail for Pohjola.
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In 1938 he published Poesie, followed by the translations of Lirici Greci ("Greek Poets") published by Corrente di Vita in 1939. Though an outspoken anti-Fascist, during World War II Quasimodo did not take part in the Italian resistance against the German occupation. In that period he devoted himself to the translation of the Gospel of John, of some of Catullus's cantos, and several episodes of the Odyssey.
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As they are consumed, the Phoenix laments the death of the Turtledove. A watching pelican observes the Phoenix's own death and describes a new and even more beautiful Phoenix emerging in glory from the flames. The narrative is followed by a series of acrostic love poems entitled "Cantos to the fair Phoenix made by Paphian Dove". Each line of the verses begins with each letter of the alphabet in sequence.
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Oso Kuka over the decades became a major rallying figure of the Albanian national awakening. One of the most important representations of Oso Kuka in literature is that in Gjergj Fishta's epic Lahuta e Malcis. Oso Kuka's involvement in the war and his death comprise the first five cantos also known as the "cycle of Oso Kuka". Ndre Zadeja also wrote a melodrama titled Oso Kuka, based on his life.
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His poems, writings and translations in English have appeared in a wide range of journals including "The American Reader", "Five Points", "Denver Quarterly", "Guernica", "Critical Flame","Garip": A Manifesto (1941), The Critical Flame "Turkish Poetry Today", "Poet Lore", "Asymptote", "Jacket",A Word's Autobiography on Seyhan Erözçelik in "Jacket", and "Two Lines", and exhibitions including the 13th Istanbul Biennial. He is currently working on the complete Turkish translations of Ezra Pound’s "Cantos".
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The Jazz Band hosts a variety of shows during the year, and the Jazz Lab Band performs with the Jazz Band during the spring jazz concert. All of the bands at Hempfield are supervised by the department chair of music, Matt Ceresini. Hempfield is also the home to several choral groups: Hempfield Singers, Bel Cantos, Concert Choir, and Chamber Singers. All are under the direction of Alejandro Ramos.
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Would "renacieron en toda su pureza esos cantos de maravilla, que constituyen uno de los más legítimos orgullos de música natural europea". Manuel de Falla, "La proposición del cante jondo" (Granada 1922), reprinted in Molina Fajardo (1962, 1998) pp. 169-175, at 174-175 (quote). Yet this "rescue-fantasy" view has been further challenged by another recent critic as advancing a fiction: the false notion of a "purity" in flamenco origins.
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Formal structure refers to the forms of a text. In the first place, a text is either a novel, a drama, a poem, or some other "form" of literature. However, this term can also refer to the length of lines, stanzas, or cantos in poems, as well as sentences, paragraphs, or chapters in prose. Furthermore, such visible structures as dialogue versus narration are also considered part of formal structure.
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Sumadhva Vijaya is a Sanskrit work and is composed of 16 sargas or cantos. It starts with a description of the first two Avatars of Vayu, namely Hanuman and Bhima. It then proceeds to describe the life of Sri Madhva, who is considered the third avatar. Sumadhva Vijaya contains detailed descriptions of various incidents of Sri Madhva's life and is the only authentic source of information about Madhvacharya that exists.
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Their family is stigmatized, and the father slowly breaks down and his classes become less and less popular until he takes a sabbatical to write his long-planned work on the Cantos. He spends most of it drunk. Simon, the protagonist's brother, eventually commits suicide. A few years later, while the protagonist is at university (sponsored by the Resurrectionists, whom he has joined) the father commits suicide as well.
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Sometimes Nationalist soldiers would stay in homes of poor families with no man present. They would take advantage of the situation to rape women in the household. In Peguerinos, two female nurses and other local women were raped by Falangists. Pregnant and non-pregnant women were raped and then executed in Spanish cities like Fuente de Cantos, Zafra, Almendralejo, Aguacho, Fuente del Maestre, Boecillo, Valdedios, Pallars Sobirá and Zufre.
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It is an epic poem consisting of 20 sargas (cantos) of about 1800 highly ornate stanzas and is considered one of the six Sanskrit mahakavyas, or "great epics". It is also known as the Māgha-kāvya after its author. Like other kavyas, it is admired more for its exquisite descriptions and lyrical quality than for any dramatic development of plot.. His sons were killed in the Kurukshetra War.
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Asaga was a 9th-century Digambara Jain poet who wrote in Sanskrit and Kannada language. He is most known for his extant work in Sanskrit, the Vardhaman Charitra (Life of Vardhamana). This epic poem which runs into eighteen cantos was written in 853 CE. It is the earliest available Sanskrit biography of the last tirthankara of Jainism, Mahavira. In all, he authored at least eight works in Sanskrit.
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The cantate Irván "Puco" Pérez was one of the most famous décima singers of the community and one of the last. Fiesta de los Isleños (Los Isleños Fiesta). The rich musical tradition of the Isleños is exhibited in just how many types of songs have been recorded. Romances, ballads, and pan-Hispanic cantos, some of which originated in medieval times, have been recorded along with versions of the Mexican corrido.
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Dan Simmons (born April 4, 1948) is an American science fiction and horror writer. He is the author of the Hyperion Cantos and the Ilium/Olympos cycles, among other works which span the science fiction, horror, and fantasy genres, sometimes within a single novel. Simmons's genre-intermingling Song of Kali (1985) won the World Fantasy Award. He also writes mysteries and thrillers, some of which feature the continuing character Joe Kurtz.
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Kumārasambhava literally means "The Birth of Kumāra". This epic of seventeen cantos entails Sringara rasa, the rasa of love, romance, and eroticism, more than Vira rasa (the rasa of heroism). Tārakāsura, a rakshasa (demon) was blessed that he could be killed by none other than Shiva's son, however, Shiva had won over Kama, the god of love. Parvati performed great tapas (or spiritual penance) to win the love of Shiva.
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131 It has 25 cantos composed in akaval meter, used in most poems in Sangam literature. The alternative for this meter is called aicirucappu (verse of teachers) associated with verse composed in learned circles. Akaval is a derived form of verb which means "to call" or "beckon". Cilappatikāram is an example of the claim that folk songs institutionalised literary culture with the best- maintained cultures root back to folk origin.
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It was described as the best convent among the Franciscan Province of St. Gregory the Great.Fr. Joaquin Martinez de Zúñiga, OSA and Wenceslao E. Retana, Estadismo de la Islas Filipinas o mis viajes por este pais, 1893, p. 352 In 1784, the wooden portions of the church were replaced with hewn-stones by Fray Jose Cantos. In 1800, the bell tower was constructed by order of Fr. Francisco Gascueña, OFM.
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The first six cantos deal with the exploits of Rama. He established a council of ministers, and his favourite minister was Mahanavika ("great sailor"), a member of the trading class (Shreshti) of Mahishmati. Rama also established the fortified city of Kolam, and the Mushika rulers came to be known as Kolabhupas. Once, he visited the hermitage of Parashurama, who gave him an invincible bow called Ajita and several divine missiles.
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These poems were unpublished in her lifetime and the manuscript, which is not in her hand, has no dedication. Hutchinson's other works included Order and Disorder, arguably the first epic poem written by a woman in the English language. The work is a verse paraphrase of the Book of Genesis, offering parallels to John Milton's Paradise Lost. Only five cantos of the work were published during her lifetime, in 1679.
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Jean-Pierre Barracelli (1982), p. 158. The tempo quickens and the music reaches a climax; the second subject is recapitulated with little alteration from the exposition. Presumably the recapitulation represents the Eighth and Ninth Circles of Hell.Jean-Pierre Barracelli (1982), p. 152, identifies this section as representative of the sneering devils in the Eighth Circle (Cantos 21 and 22) and the sight of Lucifer in the Ninth Circle (Canto 34).
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His work has been published in Ventana Abierta-Revista Latina, Drum Voices Review, and Voz de Zapatistas. Two collections of poetry, Palabras de Elena and What Makes Bones Talk have been published in book form, and other collections, such as Chiapas en el Corazón and Cantos de Chihuahua, were published in periodicals and journals. One of Goldvarg's poems was used in the cantata "The Skies are Weeping" by Philip Munger.
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Aṣṭāvakra (2010) is a Hindi epic poem (Mahakavya) composed by Jagadguru Rambhadracharya (1950–) in the year 2009. It consists of 864 verses in 8 cantos (sargas) of 108 verses each. The poem presents the narrative of the Ṛṣi Aṣṭāvakra which is found in the Hindu scriptures of the Rāmāyaṇa and the Mahābhārata. A copy of the epic was published by the Jagadguru Rambhadracharya Handicapped University, Chitrakuta, Uttar Pradesh.
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Agustín Rueda Sierra (1952–1978) was an anarchist and anti-Francoist activist, member of Confederación Nacional del Trabajo (CNT) and Coordinadora de Presos En Lucha — Prisoners in Struggle Coordinating Body (COPEL). He died in 1978, at the age of 25 in Carabanchel Prison as a result of the torture he received from prison officials. His death led to dismissal and prosecution of the prison director, Eduardo José Cantos Rueda.
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Francis Willoughby Tancred (21 February 1874 – 25 November 1925) was an English poet associated with the Poets' Club, a group of writers, established by T. E. Hulme, who were the forerunners of the Imagist movement. They carried out practical studies on Chinese poetry and haiku. Tancred's own influence on the genre has been relatively minor. He is one of the poets referred to in Ezra Pound's Cantos, LXXXII.
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Translated from the Italian of Alessandro Tassoni, with notes; published by J M Richardson, Cornhill 1825. Printed by Botson and Palmer, Savoy Street, Strand. Tom Raw, the Griffin: a Burlesque Poem in Twelve Cantos Illustrated by Twenty-Five Engravings Descriptive of the Adventures of a Cadet in the East India Company's Service, from the Period of His Quitting England to His Obtaining a Staff Situation; printed for R Ackermann, 1828, London.
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They represent by far the bulk of surviving drawings by Botticelli. Of the small number of other sheets surviving, none relate directly to surviving paintings.Lightbown, 296 Botticelli is thought to have started the drawings at least roughly following the text sequence. The drawing for Canto I of Inferno has the figures at a larger scale than that used in later cantos, up to the end of the Purgatorio.
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A number of plant species are named after Rock, including the Hawaiian endemic species Brighamia rockii of Molokai and Peperomia rockii; at Palmyra Atoll the Pandanus Rockii Martelli, the spectacular Rock's Tree Peony, Paeonia rockii, from the Gansu mountains, and the yellow-berried mountain ash Sorbus 'Joseph Rock'. In March 2009, the University of Hawaii at Manoa named its herbarium, which he had founded and developed, in his honor."Botanist, famed explorer honored" (2009) Rock's former residence at Nguluko (Yuhu) village has been made into a museum in his memory. The American poet Ezra Pound (1885-1972) discovered Rock's work on the Nakhi in the 1950s and incorporated various details into the late sections of his enormous long poem, The Cantos, as well as mentioning Rock himself: “And over Li Chiang, the snow range is turquoise / Rock’s world that he saved us for memory / a thin trace in high air.”Pound, Ezra (1972), The Cantos.
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The next five cantos (III–VII), again drawing heavily on Pound's Imagist past for their technique, are essentially based in the Mediterranean, drawing on classical mythology, Renaissance history, the world of the troubadours, Sappho's poetry, a scene from the legend of El Cid that introduces the theme of banking and credit, and Pound's own visits to Venice to create a textual collage saturated with Neoplatonic images of clarity and light. Cantos VIII–XI draw on the story of Sigismondo Pandolfo Malatesta, 15th-century poet, condottiere, lord of Rimini and patron of the arts. Quoting extensively from primary sources, including Malatesta's letters, Pound especially focuses on the building of the church of San Francesco, also known as the Tempio Malatestiano. Designed by Leon Battista Alberti and decorated by artists including Piero della Francesca and Agostino di Duccio, this was a landmark Renaissance building, being the first church to use the Roman triumphal arch as part of its structure.
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The poem consists of 103 cantos, each relating the tragedy of a large passenger spacecraft originally bound for Mars with a cargo of colonists from the ravaged Earth. After an accident, the ship is ejected from the Solar System and into an existential struggle. The style is symbolic, sweeping and innovative for its time, with creative use of neologisms to suggest the science fictional setting. The first 29 cantos of Aniara had previously been published in Martinson's collection Cikada (1953), under the title Sången om Doris och Mima (The Song of Doris and Mima), relating the departure from Earth, the accidental near-collision with an asteroid (incidentally named Hondo, another name for the main Japanese isle where Hiroshima is situated) and ejection from the solar system, the first few years of increasing despair and distractions of the passengers, until news is received of the destruction of their home port, and perhaps of Earth itself.
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Pound and Noel Stock put Wand in touch with William Carlos Williams after Williams expressed admiration for Wand's English translations of Chinese poetry in Edge, writing that his poems "are worth the trip half way round the world to have encountered.” Wand visited Williams's house in Rutherford, New Jersey in March 1957 and the two began collaborating on a poetry collection, "The Cassia Tree" (published in New Directions in 1966, after Williams's death), in which Wand provided word-by-word translations of 37 Tang and Song- era poems and Williams turned them into English poems. Williams encouraged Wand to work on The Grandfather Cycle, a sequence of 101 cantos (mirroring Pound's Cantos) that Wand had begun in 1956. The unfinished work was meant to feature Wand's "fabulous ancestors," including his grandfather Wang Fenggao, one of the last mandarin civil servants and founder of Guanghua University in Shanghai, with "comments on sex, marriage, and prostitution, and references to Eugenics.
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Buddha's First Sermon', India, 11th century Buddhacharita ("Acts of the Buddha"; ', Devanagari बुद्धचरितम्) is an epic poem in the Sanskrit mahakavya style on the life of Gautama Buddha by , composed in the early second century CE.Willemen, Charles, transl. (2009), Buddhacarita: In Praise of Buddha's Acts, Berkeley, Numata Center for Buddhist Translation and Research, p. XIII. Of the poem's 28 cantos, the first 14 are extant in Sanskrit complete (cantos 15 to 28 are in incomplete form). In 420 AD, DharmakṣemaUniversity of Oslo, Thesaurus Literaturae Buddhicae: Buddhacarita Taisho Tripitaka T.192 made a Chinese translation, and in the 7th or 8th century, a Tibetan version was made which "appears to be much closer to the original Sanskrit than the Chinese".Sa dbaṇ bzaṇ po and Blo gros rgyal po, "Saṅs rgyas kyi spyod pa źes bya ba´i sñan dṅags chen po" (Tibetan translation of Buddhacarita), in Tg - bsTan ’gyur (Tibetan Buddhist canon of secondary literature), Derge edition, skyes rabs ge, 1b1-103b2.
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As in other European literatures, Polish poets often looked to Greek and Roman literature as a model. Jan Kochanowski, the most prominent of a family of poets, wrote lyrical poems, often in imitation of Horace. The classic Polish Sapphic stanza was thus 11(5+6) / 11(5+6) / 11(5+6) / 5, typically rhymed a a b b. Jan Kochanowski used this Sapphic stanza several times in his Cantos, Laments, and Psalms.
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The name "altazor" is a combination of the noun "altura" ("altitude") and the adjective "azorado" ("bewildered" or "taken aback"). "Azorado"Azorado wordreference 2015 WordReference.com retrieved on February 26, 2015 has more than one meaning in Spanish and can be interpreted in different ways.ALTAZOR, la intemperie de Huidobro Ministerio de Educacion y Cultura de Uruguay, Hebert Benítez Pezzolano Retrieved January 19, 2015 The poem is divided in seven "cantos", ("songs"), preceded by a preface.
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Antonio Pucci (c. 1310 – 1388) was a Florentine bellfounder, town crier, self- taught as a versifier, who wrote his collection, Libro di varie storie ("Book of Various Tales"), using a popular dialect for a popular audience. In his Centiloquio he set out in ninety-one cantos' worth of chronicle from Giovanni Villani's Cronaca. In Le proprietà di Mercato Vecchio he praised, again in terzinas, the incomparable street life of Florence's crowded market piazza.
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Founded in 1997, Rayo Majdahonda's reserve team started playing in the Regional Preferente (fifth tier) from 2000 to 2010. It was dissolved in 2011, after a third position in the Primera Regional. On 4 July 2018, the club reached an agreement with CDF Tres Cantos to become its reserve team. The deal ended in April 2020, when the club announced a link with Alcobendas Sport; the club was renamed CD Paracuellos Antamira.
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Divided into four cantos, Shade's poem describes his life, his obsession with the senses, and his boyhood-to-maturity preoccupation with death. The work is notable for its description of a near-death experience (Shade treats it with a mixture of skepticism and reverence), and for the "faint hope" of an afterlife which it provides. Shade's poetry is referenced in the last chapter of Nabokov's 1969 novel Ada or Ardor: A Family Chronicle.
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Length is not an essential matter in the definition of an apologue. Those of La Fontaine are often very short, as, for example, "Le Coq et la Perle" ("The Cock and the Pearl"). On the other hand, in the romances of Reynard the Fox we have medieval apologues arranged in cycles, and attaining epical dimensions. An Italian fabulist, Corti, is said to have developed an apologue of "The Talking Animals" reaching twenty-six cantos.
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Pound, "Canto LXXIV", Pisan Cantos. On 3 May armed partisans arrived at Rudge's home to find Pound alone. He stuffed a copy of Confucius and a Chinese dictionary in his pocket before being taken to their headquarters, then to the U.S. Counter Intelligence Corps headquarters in Genoa, where he was interrogated by FBI agent Frank L. Amprin.Tytell (1987), 276 Pound asked to send a cable to President Truman to help negotiate peace with Japan.
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The 21-year-old Saint-Just thereby added his own touch to the social tumult of the times with Organt, poem in twenty cantos. The poem, a medieval epic fantasy relaying the quest of young Antoine Organt, extols the virtues of primitive man, praising his libertinism and independence while blaming all present-day troubles on modern inequalities of wealth and power.Hampson, pp. 16–17. Written in a style mimicking Ariosto,Ten Brink, p. 105.
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The Kirātārjunīya, an epic poem in eighteen cantos, is his only known work. It "is regarded to be the most powerful poem in the Sanskrit language". A. K. Warder considers it the "most perfect epic available to us", over Aśvaghoṣa's Buddhacarita, noting his greater force of expression, with more concentration and polish in every detail. Despite using extremely difficult language and rejoicing in the finer points of Sanskrit grammar, he achieves conciseness and directness.
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The section ends with Canto LXXI, which summarises many of the themes of the foregoing cantos and adds material on Adams' relationship with Native Americans and their treatment by the British during the Indian Wars. The canto closes with the opening lines of Epictetus' Hymn of Cleanthus, which Pound tells us formed part of Adams' paideuma. These lines invoke Zeus as one "who rules by law", a clear parallel to the Adams presented by Pound.
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Canto LXXII indicts Italians for not supporting Mussolini and predicts victory for Italian Fascism over the Allies. In Canto LXXIII he enshrines an otherwise ridiculous Fascist propaganda story of a fascist maiden, raped by Allied troops, (suicidally) revenging herself by guiding hapless Canadian troops to their death in a minefield. Her act is portrayed as the selfless act of a true patriot. The inclusion of the Italian Cantos in the cycle caused significant controversy.
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There is also a deepening of the ecological concerns of the poem. The awarding of the Bollingen Prize to the book caused considerable controversy, with many people objecting to the honoring of someone they saw as a madman and/or traitor. However, The Pisan Cantos is generally the most admired and read section of the work. It is also among the most influential, having affected poets as different as H.D. and Gary Snyder.
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First edition title page The Bridal of Triermain is a narrative poem in three cantos by Walter Scott, published anonymously in 1813. It is written in a flexible metre of four and three stress lines. Set in Cumberland, it recounts the exploits of a knight as he seeks to rescue a beautiful maiden, Gyneth, the illegitimate daughter of King Arthur, doomed by Merlin 500 years previously to an enchanted sleep inside a magic castle.
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An author of diverse works, Tasso wrote psalms, eclogues, sonnets and odes. The latter were the first Italian poems written in the manner of Horace. His lyric poems were published with the title Amori in Venice (1555). His main work, L'Amadigi, is an epic poem divided in 100 cantos and inspired by the Spanish chivalric romance Amadis de Gaula (known in fragmentary form since the 14th century; first printed in its entirety in 1508).
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The Encinos The main part of the municipality is used for crops and as soon as remain terrains with autochthonous vegetation. In the no ploughed zones grow oaks and holm oaks. Besides in the last years are recovering elms that in the old days were abundant in the town. In 1995 the city council transferred terrains in the hills San Lázaro, Tone and Cuatro Cantos to ICONA, for repopulate them with pines.
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" In 1966, Pound said that The Cantos, the 803-page poem which he had begun writing down on toilet paper while imprisoned at Pisa, "doesn't make sense." Pound called the whole poem, "stupidity and ignorance." Pound also called his entire body of work, "a botch," and added, "I picked out this and that thing that interested me, and then jumbled them into a bag. But that's not the way to make a work of art.
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The poem is divided into thirteen cantos, most of which are preceded by large plates of Hollar and others. Prefixed to the first canto, which is entitled the Prelibation to the Sacrifice, is an engraving of a full-length figure (presumably the author) seated at a writing-table. The volume is greatly valued for the engravings. Later writers, including Samuel Butler, Alexander Pope and William Warburton, were exceedingly severe on Benlowes's poetry.
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One of the few fully coloured pages of the Divine Comedy Illustrated by Botticelli, illustrating canto XVIII in the eighth circle of Hell. Dante and Virgil descending through the ten chasms of the circle via a ridge. The Divine Comedy consists of 100 cantos, and the printed text left space for one engraving for each canto. However, only 19 illustrations were engraved, and most copies of the book have only the first two or three.
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São Paulo, Editora Globo, 2005, pp. 57-62. In 1962 she won the Prêmio PEN Clube of São Paulo, for Sete Cantos do Poeta para o Anjo (Massao Ohno Editor, 1962). In 1969, the play O Verdugo took the Prêmio Anchieta, one of the most important in the country at the time. The Associação Brasileira de Críticos de Arte (APCA Prize) deemed Ficções (Edições Quíron, 1977) the best book of the year.
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In 2007, she and Alpert put a band together consisting of pianist/composer Bill Cantos, bassist Hussain Jiffry and drummer/percussionist Michael Shapiro, developing new arrangements for jazz standards and Brazilian songs. From then until the present, they have continued to tour, and have released three CDs, Anything Goes in 2009, I Feel You in 2011 and Steppin' Out in 2013, which won a Grammy Award for both Alpert (artist) and Hall (producer).
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The first settlers were headed by the Cantos family. They dredged the mud from the river to get good drinking water and named the river Talmakan, meaning very muddy. As the mud was cleared the name of the river was shortened to Tamak and this became the name of the village and the later Barangay. A resolution was made by the few residents requesting they be registered as an independent barrio in 1947.
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In The Revolt of Islam, A Poem, in Twelve Cantos (1818), consisting of 4,818 lines, Shelley returned to the social and political themes of Queen Mab: A Philosophical Poem (1813). The poem is in Spenserian stanzas with each stanza containing nine lines in total: eight lines in iambic pentameter followed by a single Alexandrine line in iambic hexameter. The rhyme pattern is "ababbcbcc". It was written in the spring and summer of 1817.
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As with many of Tennyson's works, The Princess has an outer setting to the main narrative, consisting of a Prologue and a Conclusion that take place at a Victorian-era summer fête. The characters in the Prologue agree to participate in a storytelling game about a heroic princess in days of old, based on an ancient family chronicle. The main narrative follows, given in seven lengthy "Cantos", with the prince as narrator.
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Kevin Barlow (Roy Dupuis) will die on schedule and according to regulations. Harry Parlington (Serge Houde), director of the Cantos execution facility, intends to make sure of it. However Barlow chooses to go, be it calmly or fighting to the end, Parlington feels confident that he and his team can deal with the situation. When Barlow makes an unusual final request, a strange duel ensues between the condemned man and the prison director.
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John Stanyan Bigg (1828–1865) was an English poet of the Spasmodic School. His major works are The Sea-King; A metrical romance, in six cantos (1848), Night and the soul. A dramatic poem (1854), Shifting Scenes and Other Poems (1862). In 1858 Stanyan Bigg submitted an entry to the 'Burns Centenary Poetry Competition', organised by the directors of the Crystal Palace Company in London to mark the centenary of the birth of Robert Burns.
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Teresa, Contessa Guiccioli (1800-1873) was the married lover of Lord Byron while he was living in Ravenna and writing the first five cantos of Don Juan. She wrote the biographical account Lord Byron's Life in Italy. On 19 January 1818, Teresa married an elderly diplomat, Count Alessandro Guiccioli, who was 50 years older than her. It was three days later, on 22 January, that she met Lord Byron at the home of Countess Albrizzi.
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376 The Bharatadesa Vaibhava is written in eighty cantos and includes 10,000 verses. His other important writings include the 2,000 spiritual songs called Annagalapada ("Songs of the Brothers") and the three shatakas: the Ratnakara sataka, the Aparajitesvara shataka (a discourse on Jain morals, renunciation and philosophy) and the Trilokya shataka, an account of the universe as seen by Jains, consisting of heaven, hell and the intermediate worlds.Shiva Prakash (1997), p. 210Mukherjee (1999), p.
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The epic is organized into 13 cantos and contains 3,145 quatrains in viruttam poetic meter. It narrates a supernatural fantasy story of a prince who is the perfect master of all arts, perfect warrior and perfect lover with numerous wives. The epic begins with the story of a treacherous coup, where the king helps his pregnant queen escape in a peacock-shaped air machine but is himself killed. The queen gives birth to a boy.
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69 Such stanzas are defined as and in Tamil. In Mayilainathar's commentary (14th century CE) on the grammar Nannūl, there is the first mention of , the five great epics of Tamil literature. Each one of these epics have long cantos, like in Cilappatikāram, which has 30 referred as monologues sung by any character in the story or by an outsider as his own monologue related to the dialogues he has known or witnessed.Zvelebil 1974, p.
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Francisco Javier García Fernández (born 9 August 1974) is a Spanish martial artist who represented his native country Spain in sport jujitsu. He is the most decorated Spanish jutsuka, a two time World and European champion in discipline fighting systems, -62 kg weight category. He was practising jujitsu mostly at Tres Cantos near Madrid in the Club Katán. He retired from topsport in 2015 after winning second European in Almere title at age of 41.
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Interview from the EsoTerra #5, 1995 In 1995, Moynihan released the first full-length studio LP, The Gospel of Inhumanity with the help of Robert Ferbrache.the album notes read "The Gospel of inhumanity was [...] entirely performed, recorded and engineered [...] by Michael Jenkins Moynihan and Robert Ferbrache". The album wedded the music of Johann Sebastian Bach and Sergei Prokofiev with modern electronics. Moynihan implemented a recording of Ezra Pound reading from his The Cantos.
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Chandi stands for the embodiment of ferocious "shakti" or the female form of cosmic energy. Bilas comes from vilaas which can also be described as chronicles/descriptive/heroics, Ukati means on, and Charitar means characteristics and function. So, Chandi Charitar Ukti Bilas means "Discussion on characteristics and functions of Chandi". Ukat(i) bilas is divided into eight cantos, comprises 233 couplets and quatrains, employing seven different metres, with Savaiyya and Dohara predominating.
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His epic work Madhwavijaya consists of 16 sargas or cantos, and gives extensive insights into the life and philosophy of Madhvacharya. It is the only authentic work available on Sri Madhva, as Narayana Panditacharya was a contemporary of Sri Madhva. He has also written his own commentary on Sumadhvavijaya, in which he explains the real names of the Sanskritised Kannada and Tulu names of persons and places in Sumadhvavijaya. This is called "Bhavaprakashika".
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The Cantos 7-10 describe the "amorous exploits" of Nandana: the poet describes him as a mighty and glorious monarch, but does not describe his achievements as a king. Nandana was succeeded by Ugra; Canto 11 lists the names of the next 51 rulers (all patrilineal descendants). Ugrasena, the sixth successor of Nandana, repulsed an invasion from the Kerala Kingdom. His successor Chitrasena was killed by a lion during a hunting expedition.
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Canakinumab was being developed by Novartis for the treatment of rheumatoid arthritis, but this trial was completed in October 2009. Canakinumab is also in phase I clinical trials as a possible treatment for chronic obstructive pulmonary disease, gout, and coronary artery disease (the CANTOS trial). It is also in trials for schizophrenia. In gout, it may result in better outcomes than a low dose of a steroid, but costs five thousand times more.
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1633 portrait of Francisco Zumel Zurbarán was born in 1598 in Fuente de Cantos, Extremadura; he was baptized on 7 November of that year. His parents were Luis de Zurbarán, a haberdasher, and his wife, Isabel Márquez. In childhood he set about imitating objects with charcoal. In 1614 his father sent him to Seville to apprentice for three years with Pedro Díaz de Villanueva, an artist of whom very little is known.
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The 87th Mixed Brigade was established in the spring 1937 in Lorca. During the instruction period the unit was under the command of Colonel Carlos Amores Cantos. At the onset of the Civil War Amores was Commander at the Nr 10 Mobilization and Reserve Center (Centro de Movilización y Reserva n° 10) at Calatayud and happened to be in Madrid. Later Colonel Amores handed over the command of the unit to Major Andrés Nieto Carmona.
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Jessie Crosland. The Old French Epic. New York: Haskell House, 1951, 261-2. La Spagna, which has been described by critics as "a darkly dramatic and often electrifyingly effective treatment of Ganelon's final treachery and Orlando's noble death", was an important source for the Italian romantic epics Morgante by Luigi Pulci (the last five cantos of Pulci's work are based on La Spagna), Orlando innamorato by Matteo Maria Boiardo and Orlando furioso by Ludovico Ariosto.
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The Gefion Fountain (1908) by Anders Bundgaard Gefjon appears prominently as the allegorical mother of Norway, Sweden, and Denmark in the forty-page Swedish Romantic poem Gefion, a Poem in Four Cantos by Eleonora Charlotta d'Albedyhll (1770–1835).Benson (1914:87). A fountain depicting Gefjun driving her oxen sons to pull her plough (The Gefion Fountain, 1908) by Anders Bundgaard stands in Copenhagen, Denmark, on the island of Zealand, as in the myth.Mouritsen. Spooner (2004:74).
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This work, which won the Sahitya Akademi Award for Sanskrit in 1974, is an epic poem in 68 cantos on the life and work of Shivaji. Dr. Warnekar won a number of literary awards including Presidents Award, Kalidasa Puraskar, Birla foundation Saraswati Sammana, etc. and was invited by the State University of New York at New Paltz, USA to address their Sanskrit Seminar. The title of Pradnya Bharati (प्रज्ञाभारती) was conferred on him by Jagdguru Shri Shankarachrya.
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Krishna declares war (Canto XVII), and the armies fight (Canto XVIII), with the various complex formations of the armies being matched by the complex forms Māgha adopts for his verses in Canto XIX. Finally, Krishna enters the fight (Canto XX), and after a long battle, strikes off Shishupala's head with Sudarshana Chakra, his discus. Despite what may appear to be little subject matter, the cantos of this work are in fact longer than those of other epics.
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Lava and Kusha became rulers after their father Rama founded the cities of Lavapuri (currently identified as modern day "Lahore") and Kasur respectively. Cantos sixteen to nineteen of the Ānanda Rāmāyaṇa describes the exploits of Rama's progeny. The manifestation of a Goddess appears before Kusha, declaring to be the Tutelary deity of the ancient capital of Ayodhya. She described the condition of the deserted city, which had been abandoned and ruined since the departure of King Ram.
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However, Williams dismissed Crane's reaction to The Waste Land, his long poem The Bridge, as "a direct step backward to the bad poetry of any age but especially to that triumphant regression [French symbolism] which followed Whitman and imitates...the Frenchman [Mallarmé] and came to a head in T.S. Eliot excellently."As quoted in Mariani, p. 328, comments in brackets Mariani. Williams also studied The Cantos by Ezra Pound, the first 30 parts of which appeared in 1931.
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A ZBC of Ezra Pound is a book by Christine Brooke-Rose published by Faber and Faber in 1971. It is a study of the work of Ezra Pound, focusing in particular on The Cantos. In Chapter Six, Brooke-Rose gives an explanation of the prosody of Anglo-Saxon alliterative verse as Pound would have understood it, based on Sievers' Theory of Anglo-Saxon Meter. The book is out of print but can be read online.
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He is connected by marriage to Ezra Pound, having married Pound's daughter with Olga Rudge, Mary, in 1946. Pound retreated to a property at Brunnenburg in the Italian Tyrol, in the de Rachewiltz family from 1927, and owned by Boris and Mary, after his 1958 release from hospital. He wrote some later parts of The Cantos there. Mary has translated English poetry into Italian: her father's, but also Robinson Jeffers and E. E. Cummings, Ronald Duncan and Denise Levertov.
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And in the end a few of them refrain from knifing him at the > first opportunity.Hemingway (1925) Against this, Richard Aldington told Amy Lowell that year that Pound had been almost forgotten in England: "as the rest of us go up, he goes down", he wrote.Nadel (2007), 14 Pound published Cantos XVII–XIX in the winter editions of This Quarter. In March 1927 he launched his own literary magazine, The Exile, but only four issues were published.
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Moody (2015), 247 Tytell writes that Pound was in his element in Chestnut Ward.Tytell (1987), 302 At last provided for, he was allowed to read, write, and receive visitor, including Dorothy for several hours a day. (In October 1946 Dorothy had been placed in charge of his "person and property".)Moody (2015), 234 His room had a typewriter, floor-to-ceiling book shelves, and bits of paper hanging on string from the ceiling with ideas for The Cantos.
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Pound in 1963 After the Bollingen Prize in 1949, Pound's friends made every effort to rehabiliate him.Barnhisel (1998), 273–274; Erkkila (2011), xlvii James Laughlin's New Directions published his Selected Poems, with an introduction by Eliot, and a censored selection of The Cantos. Ralph Fletcher Seymour published Patria Mia (written around 1912) to show that Pound was an American patriot. In advertisements, magazine articles, and critical introductions, Pound's friends and publishers attributed his antisemitism and fascism to mental illness.
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Cantos 11–15: Lemminkäinen sets out in search of a bride. He and the maid Kyllikki make vows but the happiness doesn't last long and Lemminkäinen sets off to woo a maiden of the north. His mother tries to stop him, but he disregards her warnings and instead gives her his hairbrush, telling her that if it starts to bleed he has met his doom. At Pohjola Louhi assigns dangerous tasks to him in exchange for her daughter's hand.
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Cantos 37–38: Grieving for his lost love, Ilmarinen forges himself a wife out of gold and silver, but finds her to be cold and discards her. He heads for Pohjola and kidnaps the youngest daughter of Louhi. The daughter insults him so badly that he instead sings a spell to turn her into a bird and returns to Kalevala without her. He tells Väinämöinen about the prosperity and wealth that has met Pohjola's people thanks to the Sampo.
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L'asino (also called L'asino d'oro; English: The Golden Ass) is an unfinished satirical poem of eight cantos written by the Italian political scientist and writer Niccolò Machiavelli in 1517. A modernized version of Apuleius' The Golden Ass (rather than a translation of it), it is written in terza rima. It also concerns the theme of metamorphosis, and contains grotesque and allegorical episodes. In the poem, the author meets a beautiful herdswoman surrounded by Circe's herd of beasts (Canto 2).
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Maldoror is a modular work primarily divided into six parts, or cantos; these parts are further subdivided into a total of sixty chapters, or verses. Parts one through six consist of fourteen, sixteen, five, eight, seven and ten chapters, respectively. With some exceptions, most chapters consist of a single, lengthy paragraph. The text often employs very long, unconventional and confusing sentences which, together with the dearth of paragraph breaks, may suggest a stream of consciousness, or automatic writing.
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He died on March 17, 1821 in Paris, leaving eight cantos of an unfinished epic poem entitled La Grèce sauvée. The verse of Fontanes is polished and musical in the style of the 18th century. It was not collected until 1839, when Sainte-Beuve edited the Œuvres (2 vols.) of Fontanes, with a sympathetic critical study of the author and his career. But by that time the Romantic movement was in the ascendant and Fontanes met with small appreciation.
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Lemierre revived Guillaume Tell in 1786 with enormous success. After the French Revolution he professed great remorse for the production of a play inculcating revolutionary principles, and there is no doubt that the horror of the excesses he witnessed hastened his death. Lemierre published La Peinture (1769), based on a Latin poem by the abbé de Marsy, and a poem in six cantos. Les Fastes, ou les usages de lannie (1779), an unsatisfactory imitation of Ovid's Fasti.
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Brihad-bhagavatamrita is a sacred text for followers of Hindu tradition of Gaudiya Vaishnavism. Along with Hari-bhakti-vilasa, it is one of the most important works of Vaishnava theologian Sanatana Goswami. While Hari-Bhakti- Vilasa sets out guidance for Vaishnava behavior and ritual, Brihad- bhagavatamrita contains an analysis of the teachings of Chaitanya from an ontological and metaphysical perspective. Sri Brhad-bhagavatämåta is divided in two cantos: Pürva-khaëòa, or first, and Uttar-khaëòa, or last.
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Dante Alighieri, Convivio, > Book II, Chapter 14 , Richard Lansing translation. Dante meets his ancestor Cacciaguida, who served in the Second Crusade.Dorothy L. Sayers, Paradise, notes on Canto XV. Cacciaguida praises the twelfth- century Republic of Florence, and bemoans the way in which the city has declined since those days (Cantos XV and XVI). The setting of the Divine Comedy in the year 1300, before Dante's exile, has allowed characters in the poem to "foretell" bad things for Dante.
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According to Socrates of Constantinople (Hist. Eccl., II, xlvi; III, xvi), the elder Apollinaris translated the Pentateuch into Greek hexameters, converted the first two books of Kings into an epic poem of twenty-four cantos, wrote tragedies modelled on Euripides, comedies after the manner of Menander, and odes imitated from Pindar. Sozomen (Hist. Eccl., V, xviii; VI, xxv) says nothing of the poetical works of the elder Apollinaris, but lays stress on those of his son.
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Hudibras was written in an iambic tetrameter in closed couplets, with surprising feminine rhymes. The dramatic meter portends tales of dramatic deeds, but the subject matter and the unusual rhymes undercut its importance. This verse form is now referred to as Hudibrastic. On in no the following from the opening of the poem, where the English Civil War is described thus: The work was published in three parts, each divided into three cantos with some additional heroic epistles.
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Svetambara iconography of Rishabhanatha, in which he is identified by the bull stamped or carved below his feet. On the center of his chest is a shrivatsa. The Ādi purāṇa, a 9th- century Sanskrit poem, and a 10th-century Kannada language commentary on it by the poet Adikavi Pampa (fl. 941 CE), written in Champu style, a mix of prose and verse and spread over sixteen cantos, deals with the ten lives of Rishabhanatha and his two sons.
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The nārāyaṇīyam (pronunciation IPA: [nɑːrɑːjəɳiːjəm]) condenses the Bhagavata Purana into 1034 verses, divided into one hundred dasakam, or cantos. The work occupies a very high place in Sanskrit literature, both because of the intense devotional fervour of the verses, and because of their extraordinary literary merit. The nārāyanīyam is one of the most popular religious texts in Kerala and Tamil Nadu, and devout Hindus often recite it together in festivals and groups. Nārāyanīyam is the story of Lord Narayana.
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At 14, Walcott published his first poem, a Miltonic, religious poem, in the newspaper The Voice of St Lucia. An English Catholic priest condemned the Methodist-inspired poem as blasphemous in a response printed in the newspaper. By 19, Walcott had self-published his first two collections with the aid of his mother, who paid for the printing: 25 Poems (1948) and Epitaph for the Young: XII Cantos (1949). He sold copies to his friends and covered the costs.
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It was through Ernest Hemingway that Bird contacted Pound. In the period to 1925 the Press published works including Pound's A Draft of XVI Cantos, Hemingway's in our time, William Carlos Williams's The Great American Novel, and Distinguished Air by Robert McAlmon. On the business side there was a close involvement with McAlmon's Contact Editions. Bird's interest then dropped, and he sold the printing press, Caslon type and goodwill to Nancy Cunard, supervising the move to her Normandy farmhouse.
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They go to the Himalayas, bring a stone, carve her image, call her goddess Pattini, dedicate a temple, order daily prayers, and perform a royal sacrifice. Manimekalai , also spelled Manimekhalai or Manimekalai, is a Tamil epic composed by Kulavāṇikaṉ Cittalaic Cātaṉār probably around the 6th century. It is a Buddhist "anti-love" sequel to the Silappadikaram, with some characters from it and their next generation. The epic consists of 4,861 lines in akaval meter, arranged in 30 cantos.
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Manimekalai converts the prison into a hospice to help the needy, teaches the king the dharma of the Buddha. In the final five cantos of the epic, Buddhist teachers recite main doctrines of Buddhism. She goes to goddess Kannaki temple in Vanci (Chera kingdom), prays, listens to different religious scholars, and practices severe self-denial to attain Nirvana (release from rebirths). Cīvaka Cintāmaṇi, an epic of the 10th century CE was written by Thiruthakka Thevar, a Jain monk.
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These cantos 10 to 15 tell > the story of the Ramayana, but the parts from Valmiki well known to Indian > readers are abridged. ; Canto 10 – The gods pray to Vishnu, who is > incarnated as Rama The gods, tormented by Ravana, pray to Vishnu. Dasharatha > performs a yajña and is blessed with four children: Rama, Lakshmana, Bharata > and Shatrughna. ; Canto 11 – Sita's swayamvara, and the defeat of Parashuma > Rama and Lakshmana accompany the sage Vishvamitra and kill the demon Tataka.
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The single most important religious text is the Bhagavata, especially the Book X (Daxama). This work was transcreated from the original Sanskrit Bhagavata Purana to Assamese in the 15th and 16th centuries by ten different individuals, but chiefly by Srimanta Sankardev who rendered as many as ten Cantos (complete and partial) of this holy text. Three other works find a special place in this religion: Kirtan Ghoxa, composed by Sankardev; and Naam Ghoxa and Ratnavali, composed by Madhavdev.
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The girl child has been historically discriminated against in the Indian society, due to several cultural and economic factors. The preference for sons and discrimination against the female child continues to date, reflected in statistics like child sex ratio (skewed by female infanticide and sex-selective abortions), and lower literacy rates for women. The poet raises the issue of gender inequality in the first (1.12, 1.57–1.59) and the fifth (5.17) cantos of the epic.Rambhadracharya 2010, pp.
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However, Dante admits that the vision of heaven he receives is merely the one his human eyes permit him to see, and thus the vision of heaven found in the Cantos is Dante's personal vision. The Divine Comedy finishes with Dante seeing the Triune God. In a flash of understanding that he cannot express, Dante finally understands the mystery of Christ's divinity and humanity, and his soul becomes aligned with God's love:Dorothy L. Sayers, Paradise, notes on Canto XXXIII.
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Otegui fathered also stories and other short pieces in Basque Two Carlist poets somewhat popular at the time were Enrique de Olea and Florentino Soria López;who published under the pen-name "Pedro Sánchez Egusquiza" especially the latter was rather unambiguous in his political sympathies, on display in the Cantos a la Tradición volume (1911).Dios. Patria. Rey. Cantos a la Tradición (1911), a collection of 16 poems dedicated to Don Jaime, del Burgo 1978, p. 897 Joan Bardina during his Carlist phase in the 1890s fathered militant and exalted poemsone of the poems, A mi novio, was styled as a letter from a girl to her fiancé; she explained why she would never marry a Liberal; in another one, A Carlos VII, en lo dia del seu sant, Bardina was offering his life to the claimant, Carlos VII and satires.they remain unknown even in the Catalan literature, published mostly in a satirical weekly El Voluntario, Jordi Canal, El carlismo catalanista a la fi del segle XIX: Joan Bardina i Lo Mestre Titas (1897-1900), [in:] Recerques 34 (1996), p.
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The style is late romantic. An anonymous reviewer of My Souvenir referred to the original verses as distinguished by "elegance, sweetness, and tenderness rather than power or passion", adding that the translations "are selected with taste and feeling; and those from German are not the least attractive portion of the volume".Anonymous: Tait’s Edinburgh Magazine, July 1844, vol II (127) p.469 Two further volumes of translations and original poems appeared in quick succession: The Enchanted Rose: A Romant In Three Cantos, a translation from Ernst Schulze: The Enchanted Rose: A Romant In Three Cantos: Translated from the German of Ernst Schulze (1844),A Romant or Romaunt is a poetic term attributed to romantic verse often in epic form and A Vision of Great Men (1848) which concentrated on translating the poems of German poetessesA .Vision Of Great Men With Other Poems as Translated from the Poetesses of Germany’ (1848) Whilst De Crespigny's own work remained hidden, her translations of poets such as Maciej Kazimierz Sarbiewski, Annette von Droste-Hülshoff and Justinus Kerner introduced these literary figures to a wider English-speaking audience.
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Pearce, Roy Harvey. The Continuity of American Poetry. Princeton: Princeton University Press, 1961 This mythology of an ambitious and protean epic project--- grand in creation and design--- beginning (arguably) with Walt Whitman's Leaves of Grass was continued into the 20th century by Ezra Pound's The Cantos, Louis Zukofsky's "A", William Carlos Williams' Paterson, Charles Olson's The Maximus Poems, Robert Duncan's Passages, Gertrude Stein's Stanzas in Meditation, and H.D.'s Helen in Egypt. Like these works, Johnson wrote ARK over long stretches of time.
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The scholars of his time paid him glowing tributes for his military leadership, interest in fine arts and religious tolerance.Vijnyaneshavara, his court scholar in Sanskrit, wrote of him as a king like none other (Kamath 2001, p106)Cousens (1926), p12 Literature proliferated and scholars in Kannada and Sanskrit adorned his court. Poet Bilhana, who immigrated from far away Kashmir, eulogised the king in his well-known work Vikramankadeva Charita.Bilhana called the reign "Rama Rajya" in his writing that consisted of 18 cantos.
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Rushlight (The Belfast Magazine) is a journal of Belfast history and folklore founded by Joe Graham. The name Rushlite was used during and for a while after World War II as a trademark of J.V.Rushton of Wolverhampton. "During the war Mr Rushton started to sell his own Rushlite Batteries through Halfords shop." Ezra Pound references rushlights at the end of Canto CXV, the last of The Cantos which he completed: :Charity I have had sometimes, ::::I cannot make it flow thru.
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His first volume of poems was Fire Diary, published in late 2010. That was followed by The Lyrebird, a chapbook, in 2011 and Bluewren Cantos in 2013. Mark Tredinnick Tredinnick's emergence as a poet was marked by a string of major Australian prizes, in particular the Newcastle Poetry Prize in 2007 and the Blake Poetry Prize in 2009. His work became better known outside Australia when he won the inaugural Montreal International Poetry Prize in 2011 and the Cardiff Prize the next year.
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Joukahainen loses and pledges his sister's hand in return for his life; the sister Aino soon drowns herself in the sea. Cantos 6–10: Väinämöinen heads to Pohjola to propose to a maiden of the north, a daughter of the mistress of the north Louhi. Joukahainen attacks Väinämöinen again, and Väinämöinen floats for days on the sea until he is carried by an eagle to Pohjola. He makes a deal with Louhi to get Ilmarinen the smith to create the Sampo.
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Cantos 39–44: Väinämöinen, Ilmarinen and Lemminkäinen sail to Pohjola to recover the Sampo. While on their journey they kill a monstrous pike and from its jaw bone the first kantele is made, with which Väinämöinen sings so beautifully even deities gather to listen. The heroes arrive in Pohjola and demand a share of the Sampo's wealth or they will take the whole Sampo by force. Louhi musters her army however Väinämöinen lulls everyone in Pohjola to sleep with his music.
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Bibliografía de la literatura colombiana del siglo XIX: MZ. Stockcero, Inc. In 1872, Colombia established the Colombian Academy of Language, the first Spanish language academy in the Americas. Candelario Obeso wrote the groundbreaking Cantos Populares de mi Tierra (1877), the first book of poetry by an Afro-Colombian author. Between 1939 and 1940 seven books of poetry were published under the name Stone and Sky in the city of Bogotá that significantly impacted the country; they were edited by the poet Jorge Rojas.
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Bust of Lola Rodríguez de Tió Rodríguez de Tió moved to Mayagüez, with her family. There she met Bonocio Tió Segarra, whom she married in 1863. Rodríguez de Tió became a writer and book importer who often wrote articles in the local press and was as much of an activist against the Spanish regime as was allowed by the government. After marrying Tió, she published her first book of poetry, "Mis Cantos", which sold the then amazing amount of 2,500 copies.
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It was the youngest municipality in the Community of Madrid and one of the company's projects planned on paper. Residential occupation began from 1982, and in 1991 it was incorporated as a separate municipality, the newest in all of Spain. Infrastructure development has continued apace, with a current (2005) 5-year development plan by local government authorities allowing for expansion of up to 60,000 inhabitants. The first mayor of Tres Cantos was Antonio Osuna with an 80% level of support from the population.
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This poem comprises eight cantos. The story begins in 1822—and follows an expedition of Major Andrew Henry during a series of arduous journeys over the Trans-Missouri region: following the Grand, Missouri and Yellowstone Rivers. The poem examines the exploits of three trappers—Will Carpenter, Mike Fink, and Frank Talbeau—who through shared experiences have developed a close friendship. But the bonds of friendship uniting the trio explode after Will succeeds in wooing the Indian girl who had stolen Mike's heart.
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Portrait by Richard Westall Byron became a celebrity with the publication of the first two cantos of Childe Harold's Pilgrimage (1812). "He rapidly became the most brilliant star in the dazzling world of Regency London. He was sought after at every society venue, elected to several exclusive clubs, and frequented the most fashionable London drawing-rooms." During this period in England he produced many works, including The Giaour, The Bride of Abydos (1813), Parisina, and The Siege of Corinth (1815).
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"Inferno" was commissioned by the James Madison University Band, and was completely published in 1995. The movement follows the events of the epic poem, using musical references to the events in select cantos of Inferno. An oboe solo in B-flat minor begins the symphony, then, enormous crescendos, violent percussion, and towering blocks of sound quickly lead the audience into Dante’s vision of hell. A furious ostinato is used three times in this piece, first by flutes, then clarinets, and finally by saxophones.
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His poem Odiljenje sigetsko ("The Sziget Farewell"), first published in 1684, reminisces about the event without rancour or crying for revenge. The last of the four cantos is titled "Tombstones" and consists of epitaphs for the Croatian and Turkish warriors who died during the siege, paying equal respect to both. Karl Theodor Körner, 1791–1813, a German poet, wrote in 1812 a drama, Zriny, about the battle. Ivan Zajc's 1876 opera Nikola Šubić Zrinski is his most famous and popular work in Croatia.
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The poem is written in the form of a fairy tale that presents a future vision of a utopia on earth, consisting of nine cantos and seventeen notes. Queen Mab, a fairy, descends in a chariot to a dwelling where Ianthe is sleeping on a couch. Queen Mab detaches Ianthe's spirit or soul from her sleeping body and transports it on a celestial tour to Queen Mab's palace at the edge of the universe. Queen Mab interprets, analyses, and explains Ianthe's dreams.
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Her works were also highly patriotic and nationalistic. Due to her sympathy for the Jewish people she was described as a philosemite. One of her best known works is the long epic in six cantos, Mister Balcer in Brazil (Pan Balcer w Brazylii, 1910), on the Polish emigrants in Brazil. Another one was Rota (Oath, 1908) which set to the music by Feliks Nowowiejski two years later became an unofficial anthem of Poland, particularly in the territories of the Prussian Partition.
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It is one of the principal distributors and producers in the Spanish territory, with special importance in the last years. Sogecable's facilities are in Tres Cantos, in Madrid, producing every day 23 television channels, including nine versions of Canal+ and other 14 channels that are specialised in, sports, cinema, documentaries, children and music. These are watched and distributed across Digital+ (via satellite), cable and ADSL. In 2005, the group offered a new free television channel, the fifth one in Spain.
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Davidson died at Plattsburgh on August 27, 1825, at the age of 16 years and 11 months of tuberculosis, then known as consumption, although it has been speculated that her condition may have been linked to anorexia nervosa.Vincent, Patrick H. Lucretia Davidson in Europe: Female Elegy, Literary Transmission and the Figure of the Romantic Poetess. Section 6. Davidson wrote prolifically in her short life, and her surviving poems, of various lengths, number 278, among these being five pieces of several cantos each.
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Among the generals tried and sent to Spanish colonies were four men who would go on to distinguish themselves fighting against the Republic in the civil war: Francisco de Borbón y de la Torre, Duke of Seville, Martin Alonso,See also: :es:Pablo Martín Alonso Ricardo Serrador Santés, and Heli Rolando de Tella y Cantos. Azaña's government continued to ostracized the church. The Jesuits who were in charge of the best schools throughout the country were banned and had all their property confiscated.
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Long poem authors sometimes find great difficulty in making the entire poem coherent and/or deciding on a way to end it or wrap it up. Fear of failure is also a common concern, that perhaps the poem will not have as great an impact as intended. Since many long poems take the author's lifetime to complete, this concern is especially troubling to anyone who attempts the long poem. Ezra Pound is an example of this dilemma, with his poem The Cantos.
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The two became friends and many years later, Grattan wrote a play for him. After leaving the army, Grattan decided to take part in the South American wars of independence. He embarked for Bordeaux in 1818, with the intention of taking a ship from there to Venezuela, but on his passage met Miss Eliza O'Donnel, and having married her settled near Bordeaux. It was here that he started as a writer, beginning with ‘Philibert,’ an octo-syllabic poem in six cantos.
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These later paintings are executed in acrylic paint rather than the oil paint of earlier pieces. Of his sculptures, Broken Obelisk (1963) is the most monumental and best-known, depicting an inverted obelisk whose point balances on the apex of a pyramid. Broken Obelisk in the University of Washington's Red Square Newman also made a series of lithographs, the 18 Cantos (1963–64) which, according to Newman, are meant to be evocative of music. He also made a small number of etchings.
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Ercolano, dialogo nel qual si ragiona generalmente delle lingue e in particolare della fiorentina e della toscana, Giunti, Firenze 1570. He wrote a comedy La Suocera ("The Mother-in-Law"). Towards the end of his life he had a spiritual crisis and took holy orders. In Ezra Pound's CANTOS, Varchi is mentioned with approbation (Canto V) for his honesty as an historian who did not try to fill in gaps in an historical record just to make that record neat.
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Olivia in the left, the father William Michael Rossetti and daughters Olivia and Helen Olivia Rossetti Agresti (30 September 1875 - 6 November 1960) was a British activist, author, editor, and interpreter. A member of one of England's most prominent artistic and literary families, her unconventional political trajectory began with anarchism, continued with the League of Nations, and ended with Italian fascism. Her involvement with the latter led to an important correspondence and friendship with Ezra Pound, who mentions her twice in his Cantos.
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This is a summary of the cantos of the Kalevala. The Kalevala is considered the national epic of Finland. It was compiled and edited from the songs of numerous folk singers by Elias Lönnrot while he was a district health officer in eastern Finland, at that time under the governance of Russia as Grand Duchy of Finland. The Kalevala has been translated into about 48 languages and has been an important cultural inspiration for the Finnish people for many years.
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Toronto: Toronto UP, 1988. p. 164 The total number of syllables in each tercet is thus 33, the same as the number of cantos in each cantica. Written in the first person, the poem tells of Dante's journey through the three realms of the dead, lasting from the night before Good Friday to the Wednesday after Easter in the spring of 1300. The Roman poet Virgil guides him through Hell and Purgatory; Beatrice, Dante's ideal woman, guides him through Heaven.
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A particular feature of this work is the non-heroic portrayal of Rama, Sita, and other characters, as explicitly stated by Madhav Kandali himself, which rendered the work unsuitable for religious purposes. This feature disturbed a later poet, Ananta Kandali, who was moved enough to comment on it. The first (Adikanda) and last (Uttarakanda) cantos of Madhava Kandali's work were lost, and were later inserted by Madhavdeva and Sankardeva respectively in the 16th century. The poem has been translated into English.
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Pyrker wrote dramatic, epic, and lyric poetry. His first dramatic work, "Historische Schauspiele", appeared in 1810, and contained three five-act tragedies: "Die Corvinen", "Karl der Kleine, König von Ungarn", and "Zrinis Tod". It was not considered worthy of discussion or criticism, and the various editions of his collected works do not contain the dramas. The "Tunisias", an epic in twelve cantos, describing the conquest of Tunis by Emperor Charles V, appeared in 1820, and there have been frequent later editions.
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It also illustrates the full story of Inferno canto XXXIV and shows Lucifer's geographical position in Hell. Botticelli renders vertically the ground planes of the illustrations of the second and third rounds of Inferno. Although the illustrations for the first three rounds depict different imagery, the vertical perspective links them into a single unit. The third round consists of the illustrations for cantos XV, XVI and XVII, which depict the punishment of those who sinned by violence against God, nature and art.
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Prominent women socialists included Matilde Huici, Matilde Cantos and Matilde de la Torre. Women's caucuses were often very weak inside the broader socialist party governance structure. As a consequence, they were often ineffective in advocating for women's rights. In general, men inside PSOE began espousing a more militant approach to combating right wing actors inside Spain, continuing this thinking as the history of the Second Republic chugged along in the face of increasing numbers of labor conflicts and male leadership quarrels.
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The Decree 226/1937 of the Burgos Junta recognizes as cantos nacionales Oriamendi and the anthems of Falange Española (Cara al Sol) and the Spanish Legion (Novio de la muerte) ordering that they should be listened to standing in homage to the Fatherland and the fallen. A decree from 1942 reinstates the songs and orders that, in official events, the playing of the anthem and the songs must be saluted with a "national salute" (Roman salute), or a military salute if the event is exclusively military.
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Mador of the Moor is a narrative poem by James Hogg, first published in 1816. Consisting of an Introduction, five cantos, and a Conclusion, it runs to more than two thousand lines, mostly in the Spenserian stanza. Set in late medieval Scotland, it tells of the seduction of a young maiden by a charismatic minstrel and her journey to Stirling in search of him, leading to the revelation that he is the king and finally to their marriage and the christening of their son.
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Vennikkulam Gopala Kurup (1902–1980) was an Indian poet, playwright, translator, lexicographer and story writer of Malayalam. He was the author of a number of poetry anthologies, besides other works, and he translated Abhijnana Shakuntalam, Tulsi Ramayana, Tirukkuṛaḷ, the poems of Subramania Bharati and two cantos of The Light of Asia of Edwin Arnold into Malayalam. He also contributed in the preparation of a dictionary, Kairali Kosham. A recipient of the Odakkuzhal Award and Thirukural Award, Kurup received the Kerala Sahitya Akademi Award for Poetry in 1966.
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Inasmuch as the meter is varied and experimental, the characters in The Bride of Abydos are of a simple stock. There are four characters, Giaffir and Zuleika, the former an embodiment for death and destruction, the other for love, and Selim and Haroun, both balanced in death and love, the former party to both while Haroun is to neither.Marshall, William H. The Structure of Byron's Major Poems. Philadelphia: University of Pennsylvania Press, 1962. p45. Selim’s revelation of his true identity separates the two cantos down these lines.
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Il Filostrato is a poem by the Italian writer Giovanni Boccaccio, and the inspiration for Geoffrey Chaucer's Troilus and Criseyde and, through Chaucer, the Shakespeare play Troilus and Cressida. It is itself loosely based on Le Roman de Troie, by 12th-century poet Benoît de Sainte-Maure. Il Filostrato is a narrative poem on a classical topic written in "royal octaves" (ottava rima) and divided into eight cantos. The title, a combination of Greek and Latin words, can be translated approximately as "laid prostrate by love".
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It was composed between 1473 and 1480. The long poem is a translation of the 10th and 11th cantos of the Bhagavata Purana; a part of Vishnu Purana and the story of Ramayana is also incorporated here. In the poem written in an early Bangla, Maladhar focuses on Krishna's divine life, with the 10th canto relating the legends of Krishna as a child, and his divine play with the gopis in Vrindavana. He was honoured by Rukunuddin Barbak Shah with the title 'Gunaraj Khan'.
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3934 In a noteworthy piece of elegiac poetry, the poet describes the lamentation of a mother in his own inimitable style. Upon hearing the news of her son's death by trampling under the hooves of Prince Rajashekara's horse, the mother rushes to the scene, and mourns, holding the body of her son in her lap.Sahitya Akademi (1988), p.1149-1150 Vrishabhendra Vijaya (1671), a poem of epic proportions, written in forty-two cantos and 4,000 stanzas, is an account of the 12th century reformer Basavanna.
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In 1829-1831 he brought out, in conjunction with August Wilhelm von Schlegel, a critical annotated edition of the Hitopadeśa. The appearance of this edition marks the starting-point of the critical study of Sanskrit literature. At the same time Lassen assisted von Schlegel in editing and translating the first two cantos of the epic Rāmāyana (1829-1838). In 1832 he brought out the text of the first act of Bhavabhuti's drama, Mālatīmādhava, and a complete edition, with a Latin translation, of the Sānkhya-kārikā.
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In a preface, Mickiewicz briefly outlines the history of the region, describing the interactions among the Lithuanians, Prussians, Poles, and Russians. The following six cantos tell the story of Wallenrod, a fictional Lithuanian pagan captured and reared as a Christian by his people's long-standing enemies, the Order of Teutonic Knights. He rises to the position of Grand Master, but is awakened to his heritage by a mysterious minstrel singing at an entertainment. He then seeks vengeance by deliberately leading the Knights into a major military defeat.
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Ginevra di Scozia is an opera in two acts by Simon Mayr set to an Italian libretto by Gaetano Rossi based on Antonio Salvi's Ginevra, principessa di Scozia, which in turn was adapted from cantos 5 and 6 of Ludovico Ariosto's Orlando Furioso. Ginevra di Scozia premiered on 21 April 1801 at the Regio Teatro Nuovo in Trieste to celebrate the inauguration of the new theatre. The story is virtually identical to that of Handel's Ariodante which shares the same source for the libretto.
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The last five cantos of Pulci's work are based on La Spagna a 14th-century Italian epic attributed to the Florentine Sostegno di Zanobi.Peter Brand and Lino Pertile, eds. The Cambridge History of Italian Literature Cambridge: 1996; revised edition: 1999, p.169. Lord Byron translated the first canto of Morgante in 1822, but in 1983 the Italian-American poet Joseph Tusiani translated in English, on a literary magazine, all 30,080 verses of this work, subsequently published as a book in 2000 by Indiana Universy Press.
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These cantos, CVII, CVIII, CIX, consist mainly of "luminous details" lifted from Coke's Institutes, a comprehensive study of English law up to his own time. In Canto CVII, Coke is placed in a river of light tradition that also includes Confucius, Ocellus and Agassiz. This canto also refers to Dante's vision of philosophers that reveal themselves as light in the Paradiso. In Canto CVIII, Pound highlights Coke's view that minting coin "Pertain(s) to the King onely" and has passages on sources of state revenue.
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As with Pound, Williams includes Alexander Hamilton as the villain of the piece. Pound was a major influence on the Objectivist poets, and the effect of The Cantos on Zukofsky's "A" has already been noted. The other major long work by an Objectivist, Charles Reznikoff's Testimony (1934–1978), follows Pound in the direct use of primary source documents as its raw material. In the next generation of American poets, Charles Olson also drew on Pound's example in writing his own unfinished Modernist epic, The Maximus Poems.
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The remainder of the canto is concerned with the classic Chinese text known as the Li Ki or Classic of Rites, especially those parts that deal with agriculture and natural increase. The diction is the same as that used in earlier cantos on similar subjects. Canto LIII covers the period from the founding of the Hia dynasty to the life of Confucius and up to circa 225 BCE. Special mention is made of emperors that Confucius approved of and the sage's interest in cultural matters is stressed.
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Given the fragmentary nature of the citations used, these cantos can be quite difficult to follow for the reader with no knowledge of the history of the United States in the late 18th and early 19th centuries. Canto LXII opens with a brief history of the Adams family in America from 1628. The rest of the canto is concerned with events leading up to the revolution, Adams' time in France, and the formation of Washington's administration. Alexander Hamilton reappears, again cast as the villain of the piece.
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"You laugh and are surprised that any one should turn round and travestie himself". This is shown especially in the early parts of Don Juan, where, "after the lightning and the hurricane, we are introduced to the interior of the cabin and the contents of wash-hand basins." After noting several such provoking incongruities, Hazlitt characterises Don Juan overall as "a poem written about itself" (he reserves judgement about the later cantos of that poem). The range of Byron's characters, Hazlitt contends, is too narrow.
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During the early 1950s, Valdés recorded more Santería tunes with the so-called Coro Yoruba y Tambores Batá, an ensemble directed by batá drummer Jesús Pérez and featuring other drummers such as Virgilio Ramírez, Trinidad Torregrosa and Carlos Aldama, as well as other singers: Celia Cruz, Caridad Suárez and Eugenio de la Rosa. They recorded several songs for Panart, appearing in the 1954 LP Santero. She also recorded two EPs for SMC (New York City's Spanish Music Center): Cantos oriundos lucumí (Vols. 1 & 2).
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V En tu carroza alígera que tiran diez corceles, de cantos y laureles guirnaldas mil se ven. Allí del arte el símbolo del sabio la corona, de Temis y Pomona la espada y el lairén. La enseña del trabajo y el lábaro del bien. VI Jamás, jamás, los déspotas o la invasión taimada, la oliva por la espada te obliguen a trocar; y sigas a la cúspide; triunfante como eres, rumores de talleres oyendo sin cesar en vez de los clarines y el parche militar.
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Memorial of Louis Bouilhet at the Musée des Beaux-Arts in Rouen Louis Hyacinthe Bouilhet (27 May 1821 – 18 July 1869) was a French poet and dramatist. Bouilhet was born at Cany, Seine Inférieure. He was a schoolfellow of Gustave Flaubert, to whom he dedicated his first work, Miloenis (1851), a narrative poem in five cantos, dealing with Roman manners under the emperor Commodus. His volume of poems entitled Fossiles attracted considerable attention, on account of the attempt therein to use science as a subject for poetry.
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Perhaps his most political work is Cantos Sagrados (1990), a setting of Latin American poetry by Ariel Dorfman and Ana Maria Mendoza, combining elements of liberation theology with more conventional religious texts. MacMillan has explicitly stated that his aim in writing this work was to emphasise 'a deeper solidarity with the poor of that subcontinent' in the context of political repression.Sam Laughton, notes to Signum Records CD SIGCD507 (2004). Scottish traditional music has also had a profound musical influence, and is frequently discernible in his works.
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The poem is composed of 1245 octaves, collected in 12 cantos. In the last verse or Canto there is an account of the religious fanaticism of the time such as in the following: on a weak pretext, the people besiege the Jewish ghetto, accusing the Jewish people of having helped the Turks. Particularly important for modern scholars, are the descriptions of places, customs, habits and in general the way of life of the Roman people of the time. The poem was first published in 1695.
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His work is in meter and often rhyme. He is known for his sonnets and for such poems as "Theme and Variations" (on his war experiences) and the light "Letter to Robert Frost". American composer Ned Rorem's most famous art song is a setting of Hillyer's "Early in the Morning". Hillyer is remembered as a kind of villain by Ezra Pound scholars, who associate him with his 1949 attacks on The Pisan Cantos in the Saturday Review of Literature which sparked the Bollingen Controversy.
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Não-Me-Toque is located in the region of the Planalto Médio, in the micro- region of the Alto Jacuí, Rio Grande do Sul. It is 471 km (292 mi) away from the coast (or the nearest coastal city). It is neighbored by the city of Carazinho on the north (the largest city nearby), Lagoa dos Três Cantos on the south, Santo Antônio do Planalto on the east and Colorado on the west. It is 280 km (173 mi) away from the state's capital, Porto Alegre.
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Ives wrote The Phobia Clinic, a full-length narrative verse-novel published in 2010. It is described as a philosophical horror novel written in verse. It is, according to the author, "grotesque, satirical, personal, sometimes funny, but mostly reflecting the mood of the title." Inspired by Dante, The Phobia Clinic employs the verse form of the Divine Comedy, known as terza rima, with the lines grouped in threes, and each group, or tercet, following the rhyme scheme ″aba, bcb, cdc, ded, ... ″ throughout Ives’ 55 cantos.
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In 1993, she came to the attention of writer Úrsula Mena, who read some of Martínez's poetry, while preparing a presentation on Afro-Colombian writers. The two women struck up an acquaintance and Mena became determined to write a biography to preserve Martínez's legacy. Before she could write the book, she and Martínez's daughters, sorted and cataloged the unpublished works. They released Cantos de amor y soledad (Songs of Love and Loneliness), the most complete collection of her works, before Mena returned to writing the biography.
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Rafael Obligado's poem is romanticist, because it emphasizes nature, twilight, nationalism, and the four elements. It is divided in four cantos: The Minstrel's Soul, The Minstrel's Wife, The Minstrel's Hymn and The Minstrel's Death. They don't follow a chronological order since the first two feature the "ghost" that inhabits the pampas, the fourth tells his last duel with the Devil; and the third one was a later addition in which Santos Vega (alive) interrupts a match of Pato and calls the gauchos to join the May Revolution.
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Stephen published a play with his son Henry Kemble (1789–1836) Henry Stephen Kemble of Winchester and Trinity College, Cambridge; after playing in the country appeared at the Haymarket, 1814; acted at Bath and Bristol and played Romeo and other leading parts at Drury Lane, 1818-19; afterwards appeared at minor theatres. entitled Flodden Field (1819) based on the Battle of Flodden (1513), which was performed by Thomas S. Hamblin. The text is based on Sir Walter Scott's Marmion: a tale of Flodden field. In six cantos.
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Os Lusíadas (), usually translated as The Lusiads, is a Portuguese epic poem written by Luís Vaz de Camõessometimes anglicized as Camoëns ( – 1580) and first published in 1572. It is widely regarded as the most important work of Portuguese language literature and is frequently compared to Virgil's Aeneid (1st c. BC). The work celebrates the discovery of a sea route to India by the Portuguese explorer Vasco da Gama (1469–1524). The ten cantos of the poem are in ottava rima and total 1,102 stanzas.
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Kurt was invited to be the first artist in residence at The National Music Centre in Calgary in 2012. He wrote a body of work that he recorded on 35 vintage electronic instruments from the CANTOS Collection including Ondes Martenot, Novachord, and a Raymond Scott Clavivox. Michael Phillip Wojewoda engineered and mixed the "Another Another" project which was released in 2017. Ron Sexsmith and Kurt wrote an album of new material for Lori Cullen to sing, and the result was released in 2016 as "Sexsmith Swinghammer Songs".
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For Williams, Zukofsky served as a reminder of the importance of form. As Mark Scroggins writes, "from Zukofsky, Williams learned to shape his often amorphous verse into more sharply chiselled measures." Pound, too, was influenced by the Objectivist sense of form, their focus on everyday vocabulary, and their interests in politics, economics and specifically American subject matter. The critic Hugh Kenner has argued that these influences helped shape the sections of The Cantos published during the 1930s, writing "Pound was reading them, and they him".
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In 1843 he completed his first important literary production, Abdul, the Mohammedan Faust legend, in five cantos (2nd ed. Berlin, 1852). His Wien's Poetische Schwingen und Federn (Vienna, 1847) manifested critical acumen, but also a tinge of political acerbity in its attack on the censor system of the Austrian chancellor Prince Metternich. His friends advised Landesmann to leave Vienna, and he went to Berlin, where he assumed the pseudonym Hieronymus Lorm in order to secure his family from possible trouble with the Viennese police.
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Some of Crémer's best known works include Tiempo de Soledad (Time of Solitude), Nuevos Cantos de Vida y Esperanza (New Songs of Life and Hope), and Libro de Cain (The Book of Cain). Crémer won a Jaime Gil de Biedma Poetry Prize in 2008 for his writing, El Ultimo Jinete (The Last Horseman). Crémer was admitted to a hospital in León in June 2009. He died in León, Spain, on 27 June 2009, due to complications of old age at the age of 102.
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During his collegiate career, Northup also played as an amateur with the Salinas Valley Samba of the fourth division National Premier Soccer League. Following his graduation from college in 2004, he moved to Europe where he had trials with Tres Cantos Pegaso and Hammarby IF. In 2006, he returned to the U.S. and signed with the Boulder Rapids Reserve of the PDL.2006 Boulder Rapids Reserve A year later, he moved to the Wilmington Hammerheads of the USL Second Division. The Hammerheads released him in 2008.
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Indologist A. K. Warder notes that the story of Shiva's boon (of living as long as they wished) to Sharmadatta and his 20 successors solves the chronological inconsistencies arising from dating the dynasty's origin to Parashurama's time, by allowing as much as hundred years for the kings' lifespans. All of these kings appear to be imaginary. Canto 12 onwards, the text describes rulers who can be identified as historical figures. However, not all of the events described in this and subsequent cantos are historical.
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His most popular work, England's Reformation, is a poem in four cantos in the metre of Hudibras. It first appeared posthumously in 1710, and since then in several editions. His Errata to the Protestant Bible, based on Gregory Martin's work on the same subject, has been frequently republished since its appearance in 1688, once with a preface by Lingard (1810). Bishop John Milner wrote a pamphlet to defend it from one of the Protestant attacks which its republication early in the nineteenth century provoked.
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The film features intimate and personal stories from British literary and film figures, including Stephen Fry, Irvine Welsh, Bonnie Wright and John Cooper Clarke. Bellamacina wrote and directed a short film featuring Ezra Pound's 90-year-old daughter Mary de Rachewiltz entitled 'Ezra Pound: The Last Cantos’, which aired on National Poetry at the Soho Revue Gallery in London. Bellamacina named the opening night "National Poetry Day Who Gives a Fuck?", celebrating the importance of National Poetry Day with a series of live poetry performances.
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In Western Europe and in the Americas the shaft bow is practically unknown. According to the ethnologist and historian Kustaa Vilkuna, the main factor connecting the Finnish horse driving culture is the shaft bow, and the first records of shaft bow usage are from Finland and Estonia. In the ancient cantos and the Kalevala the shaft bow is very commonplace, and the first literary record of the shaft bow is from the 1430s, in the death-lay of Bishop Henry. The first Estonian record is from 1494.
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"Orphans of the Helix" is a 46-page science fiction short story by American writer Dan Simmons, set in his Hyperion Cantos fictional universe (one of three, the others being "Remembering Siri", a story which is also a chapter of Hyperion, and "The Death of a Centaur", which deals with an early and allegorical version of either The Fall of Hyperion or Endymion). It was first published in the anthology Far Horizons in 1999. "Orphans of the Helix" won the 2000 Locus Award for best novella.
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The political position of CasaPound is based on the fascist Third Position, defined as "extreme-upper-centre" by the movement itself. The name, inspired by the poet Ezra Pound, refers to his Cantos against usury, criticisms of the economic positions of both capitalism and Marxism, and his membership of the Italian Social Republic. It also gives particular attention to the Manifesto of Verona, the Labour Charter of 1927 and social legislation of fascism. There has been collaboration with the identitarian movement which propagates a white, Christian Europe.
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The Autonomous University of Madrid (; UAM), commonly known as simply la Autónoma, is a Spanish public university located in Madrid, Spain. The university was founded in 1968 alongside the Autonomous University of Barcelona (UAB) and the University of the Basque Country (UPV), in Barcelona and Bilbao, respectively. The campus of the university spans a rural tract of 650 acres, mostly around metropolitan Madrid. Founded in 1968, its main campus, Cantoblanco, is located near the cities of Alcobendas, San Sebastián de los Reyes and Tres Cantos.
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A Morning and Evening Service, twenty Original Melodies, and two Anthems, dedicated to the Hon. George Pelham, bishop of Lincoln, was published in 1820. For the use of his pupils in 1822 he printed an Introduction to the Pianoforte, comprising Elementary Instruction, with a series of Practical Lessons. Illustration for The Commercial Tourist, or Gentleman Traveller by Hempel, engraver Isaac Robert Cruikshank Hempel also became known as a poet in 1822 by his work entitled The Commercial Tourist, or Gentleman Traveller, a satirical poem in four cantos.
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The poem is divided into twelve cantos - one for each of the twelve months of the year - which gives the poem a certain, almost "pastoral" feel. The number of stanzas in each canto equals the number of days in that month: so the first canto March has 31 stanzas, the second canto April has 30 stanzas, and so on. Each stanza is a septet (i.e. comprises exactly seven lines) which follow the same end-rhyming schema of a-b-a-b-c-c-b.
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The is the "Illustration of Particular Topics" in which the verses exemplify in sequence long series of rules from the “Eight Books”. Here again poetry is subjugated to the pedagogic purpose of exemplification: the metre is the humble ' or śloka and there are few figures of speech to decorate the tale. This change of metre from the longer 44 syllable upajāti for the first three cantos to the shorter and simpler 32 syllable ' for the next six may also be indicative of a gradually evolving intention.
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The first version of the story is the Tale of Tinúviel, which was written in 1917 and published in The Book of Lost Tales. During the 1920s Tolkien started to reshape the tale and to transform it into an epic poem which he called The Lay of Leithian. He never finished it, leaving three of seventeen planned cantos unwritten. After his death The Lay of Leithian was published in The Lays of Beleriand, together with The Lay of the Children of Húrin and several other unfinished poems.
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After performing at the Todos un Cantos del Mundo in May 2000, Ulali was featured on the "Jô Soares Show", a nationally televised talk show in Brazil. The group has been on several compilations that have been nominated for Juno Awards. Ulali participated in the Aboriginal Women's Voices Project and helped to develop songs for the Project recording "Hearts of the Nations". They were also featured on the Smithsonian Folkways compilation recording "Heartbeat," and can be heard on dozens of albums, documentaries and movies.
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A member of the Académie française and the French Academy of Sciences, Fontenelle introduced her to fellow academician Marivaux, as well as to the abbé Trublet and other learned members such as Algarotti and Clairaut. In February 1748, she published a translation in six cantos of Milton's Paradise Lost, which she dedicated to the Rouen Academy. Voltaire and Fontenelle sang her praises and the abbé de Bernis wrote some verse in her honour. Through this poem, she gained the public's interest and sudden fame.
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Poet and literary critic Hilary Anne Clark has commented on the formal difficulties that Paradis presents to readers: > Philippe Sollers' Paradis contains a ... major block to comprehension in > that it lacks any form of visual punctuation to guide the reader in making > sense, in reconstituting its units of meaning. Each page of Paradis is a > solid, unbroken mass of words, whose visual density is further emphasized by > the use of a very black, italicized typescript. Lacking the visual landmarks > provided by conventional punctuation practice, the reader can neither > encompass the entire work, nor often decide where one unit of sense takes up > from a preceding unit or gives way to a succeeding one. Clark goes on to cite Paradis as an example of an encyclopedic tendency in literature, comparing it to Joyce's Finnegans Wake and Pound's Cantos: > The dominance of the encyclopaedic gesture in Finnegans Wake, Paradis and > the Cantos allows us to account for the characteristic length, obscurity and > "bookishness" of these works; they absorb the traits and tensions of essay, > Menippean satire and epic while yet exceeding these traits in their > fictional translation of the encyclopaedic paradoxes noted above.
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When the character of Dr. Hilbert tells Harold that he has devised a series of 23 questions in order to investigate the narrator, it is a playful reference to Hilbert's 23 problems. The film's title derives from a quote by Lord Byron: "Tis strange—but true; for truth is always strange, Stranger than fiction".1823, Don Juan: Cantos XIII, XIII, and XIV, George Gordon Byron (Lord Byron), Canto 14, Stanza 101, Quote Page 165, Printed for John Hunt, London. According to Helm, one of the film's major themes is of interconnectivity.
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This list serves as a collection of links to information on a wide range of these references with clear indications of the cantos in which they appear. It also gives relevant citations to Pound's other writings, especially his prose, and translations of non-English words and phrases where appropriate. Where authors are quoted or referred to, but not named, the reference is listed under their names and the quoted words or phrases are given after the relevant canto number. Individual canto numbers are given in bold for ease of reference.
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Who else would have dared? Sometimes his quirky cantos got > rewritten, but it was impossible to subvert their essentially subversive > character. His zany script for Corman's Puerto Rican lark CREATURE FROM THE > HAUNTED SEA is the reason why it's the closest thing to a Thomas Pynchon > novel ever to appear on the screen... and Griffith pulled it off years > before the first edition of V. hit bookstore shelves. Roger Corman later praised him as: > A good friend and the funniest, fastest and most inventive writer I ever > worked with.
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She also published several collections of her poems, the first of which–Cantos da mocidade (Songs of Youth)–was printed in 1856. Unfortunately, the majority of Brandão's work is either lost because it was published in such limited volumes that none survive today or remains unknown because it has been left unpublished. This includes about 500 pages of unpublished poetry. Her native city, Ouro Preto, established a biennial prize in her honor in 2005 to recognize women who have made a significant contribution in the area in education and the arts.
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On the way, he sees Mount Raivataka (Canto IV), decides to camp there (Canto V), and all seasons simultaneously manifest themselves for his pleasure (Canto VI). His followers' enjoyment (Canto VII) and water sports (Canto VIII) are then described, as are nightfall (Canto IX), drinking and a general festival of love (Canto X) and dawn (Canto XI). These cantos, containing exquisite and detailed descriptions that are unrelated to the action, are usually the most popular with Sanskrit critics. The army resumes its march in Canto XII, and Krishna finally enters the city (Canto XIII).
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The play takes place in a courtroom during the Frankfurt Auschwitz trials (1963–1965). Weiss did not intend a literal reconstruction of the courtroom nor representation of the camp itself.Weiss, P., "Marat/Sade; The Investigation; The Shadow Of The Body Of The Coachman; edited by Robert Cohen" (The Continuum Publishing Company, 1998) p 118 Auschwitz is present only in the words of the perpetrators, the victims, and the personnel of the court. The Investigation is divided into eleven Dantean "cantos," each of which is subdivided into three parts.
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Information about Satyanatha Tirtha is derived from hagiographies: ' by (a disciple of Satyabhinava Tirtha); Konkanabyudaya of Sagara Ramacharya and Sri Satyanatha Tirtharu (a biography in Kannada) by S.K. Badrinath. Indologist B.N.K.Sharma wrote, "His victorious career formed the subject of a eulogy by Chalāri Saṁkarṣaṇacārya, in his Satyanatha-mahatmyaratnakara". ' consists of eleven cantos and two manuscripts of this work are noticed by German Indologist Theodor Aufrecht which he quoted in his book Catalogus Catalogorum. B.N.K. Sharma opined the Satyanāthabhyudaya is same as Satyanatha Mahatmya Ratnakara that was quoted in the Konkanabyudaya of Sagara Ramacharya.
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She published an autobiography Discretions in 1971. The following year, her father died in Venice."Ezra Pound dies in Venice at Age 87", New York Times, 2 November 1972 In the 1980s de Rachewiltz published the first dual-language edition of her father's epic poem The Cantos, which he began work on in the years before 1915 and continued throughout his life until his death. She is curator of the Ezra Pound Archive, Center for the Study of Ezra Pound and His Contemporaries, Beinecke Rare Book and Manuscript Library at Yale University.
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Cookson also edited a volume of Pound's Selected Prose (1973) and published A Guide to The Cantos of Ezra Pound (1985, 2001). On Cookson's death a "Celebratory Issue" of Agenda (Vol. 39, No. 4 (2003)) was published in which his successor as editor of the journal, Patricia McCarthy, described him as "a man who sacrificed his life for poetry and was perhaps the best, most single- minded editor of our day". In addition to a final redaction of "Vestiges and Versions", the issue contains biographical sketches by Edmund Gray and Martin Dodsworth.
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Anderson, Teresa, "In the Castle of My Skin", Colonial & Postcolonial Literary Dialogues, Western Michigan University. The book's title comes from a couplet in Derek Walcott's early work Epitaph for the Young: XII Cantos (1949): "You in the castle of your skin / I the swineherd."Joyce E. Jonas, "Carnival Strategies in Lamming's In the Castle of My Skin", Callaloo, No. 35 (Spring, 1988), pp. 346–360.Sandra Pouchet Paquet, "Part 2: The Estranging Sea", in Caribbean Autobiography: Cultural Identity and Self- Representation, University of Wisconsin Press, 2002, p. 158.
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James Laughlin of New Directions had The Pisan Cantos ready for publication in 1946 and gave Pound an advance copy,Tytell (1987), 293 but Laughlin held back, waiting for an appropriate time to publish. A group of Pound's friends—T. S. Eliot, E. E. Cummings, W. H. Auden, Allen Tate, and Joseph Cornell—met Laughlin in June 1948 to discuss how to get Pound released. They planned to have him awarded the first Bollingen Prize, a new national poetry award with $1,000 prize money donated by the Mellon family.
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Erkkila (2011), xlviii Kenner's The Pound Era (1971) effectively equated Pound with modernism. Pound scholar Leon Surette regards the Kennerian approach to Pound as hagiographic.Surette and Tryphonopoulos (2005) He includes in this approach Caroll F. Terrell's Paideuma: A Journal Devoted to Ezra Pound Scholarship, founded in 1972 and edited by Kenner and Eva Hesse, and Terrell's two-volume A Companion to the Cantos of Ezra Pound (1980–1984). In 1971 Terrell founded the National Poetry Foundation to focus on Pound and organized conferences on Pound in 1975, 1980, 1985, and 1990.
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Manimekalai converts the prison into a hospice to help the needy, teaches the king the dharma of the Buddha. In the final five cantos of the epic, Buddhist teachers recite Four Noble Truths, Twelve Nidanas and other ideas to her. She then goes to goddess Kannaki temple in Vanci (Chera kingdom), prays, listens to different religious scholars, and practices severe self-denial to attain Nirvana (release from rebirths). The Manimekalai is one of the Five Great Epics of Tamil Literature, and one of three that have survived into the modern age.
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There are a number of references to vegetation cults and sacrifices, and the canto closes by returning to the world of Byzantium and the decline of the Western Empire. Cantos CIII and CIV range over a number of examples of the relationships between war, money and government drawn from American and European history, mostly familiar from earlier sections of the work. The latter canto is notable for Pound's suggestion that both Honoré Mirabeau in his imprisonment and Ovid in his exile "had it worse" than Pound in his incarceration.Kenner, Hugh.
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C. The 'magic moment' or moment of metamorphosis, bust through from quotidian into 'divine or permanent world.' Gods, etc. [The letter columns ACB/ABC may indicate the sequences in which the concepts could be presented.] In the light of cantos written later than this letter, it would be possible to add other recurring motifs to this list, such as: periploi ('voyages around'); vegetation rituals such as the Eleusinian Mysteries; usura, banking and credit; and the drive towards clarity in art, such as the 'clear line' of Renaissance painting and the 'clear song' of the troubadours.
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Modern Philology, Volume 65, No. 3, February 1968. 214-227. Each filing is disconnected, but they are drawn into the shape of a rose by the presence of a magnet. The Cantos takes a position between the mythic unity of Eliot's poem and Joyce's flow of consciousness and attempting to work out how history (as fragment) and personality (as shattered by modern existence) can cohere in the "field" of poetry. Nevertheless, there are indications in Pound's other writings that there may have been some formal plan underlying the work.
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While still in college, Guia starred in several films, include Cuatro Cantos (1960), Rancho Grande (1960) and Isang Paa sa Hukay (1958). It was in the film Asiong Salonga, however, that she found romance, eventually falling for her leading man, former President Joseph Estrada. She halted a promising film career in order to finish her college degree and pursue a career in business. She would later prove instrumental in helping Erap, as the former president is more popularly known, in his political career - as he later ran for mayor of San Juan City in 1967.
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Allen Tate, who would name her one of the inaugural Fellows in American Letters of the Library of Congress, was a friend of Chapin's, as was Alexis Léger, a poet who wrote as Saint-John Perse. She was a correspondent of philosopher Alain LeRoy Locke, with whom she developed the concept for And They Lynched Him on a Tree (1940). As a Fellow in American Letters, Chapin was on the jury for the first Bollingen Prize in 1948. That year, the prize went to Cantos by Ezra Pound.
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These microchips were used in tone ringers, data processing, voltage regulators, video distribution, and in the industrial, computer, communication and instrumental markets. In addition to Reading, other Lucent Microelectronics integrated circuit sites included Allentown, Pennsylvania; Orlando, Florida; Bangkok, Thailand; Tres Cantos, Spain; and Singapore. In 1996 the Reading Works' work force stood at 2,450 including AT&T; Microelectronics and Bell Labs as it made the transition from AT&T; into Lucent Technologies.The Reading Eagle, 2/6/96, Reading Works to be Lucent Technologies; Reading (PA), US; Reading Eagle Press.
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In 1956 Frampton began correspondence with Ezra Pound after becoming interested in the literary generation of the 1880s. In the fall of 1957, he moved to Washington D.C. where he visited Ezra Pound almost daily at St. Elizabeth’s hospital where Pound was finishing part of his Cantos. There, Frampton writes that he was “privy to a most meaningful exposition of the poetic process by an authentic member of the ‘generation of the ‘80’s.’At the same time, I came to understand that I was not a poet.” Artist’s resumé, c.
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This royal sponsorship, states Varadpande, encouraged many poets and dance-drama troupes to adopt Radha- Krishna themes into the then prevailing versions of classical Kuchipudi. These were regionally called Vaishnava Bhagavatulu. The modern version of Kuchipudi is attributed to Tirtha Narayanayati, a 17th-century Telugu sanyasin of Advaita Vedanta persuasion and particularly his disciple, a Telugu Brahmin orphan named Sidhyendra Yogi. Tirtha Narayanayati authored Sri Krishna Leela Tarangini and introduced sequences of rhythmic dance syllables at the end of the cantos, he wrote this work as a libretto for a dance-drama.
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One day, King Naranarayan held some debates in his court between the Pandits and Sankardev. King Naranarayan once asked the court poets to give him, in one day, a condensed version of the entire ten cantos of the Bhagawat Purana. When all Pundits said it was not possible to do so in such a short time, Sankardev took up the challenge and accomplished the feat in one night. After he had condensed the substance of the ten chapters of the Bhagawat Purana into a small booklet, he put it into a small wooden box.
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In a Spectator column of 20 March 1976, he wrote: "Ezra Pound, as I remember, wrote some disgusting lines about storm clouds over Westminster in his Cantos. I haven't looked at them for twenty-one years and certainly don't intend to look them up again now. Ever since I was fifteen when I first read Pound's boring filth, the thought of storm clouds over Westminster has filled me with nausea and gloom."Quoted in Questioning Minds: The Letters of Guy Davenport and Hugh Kenner, ed. Edward Burns (Berkeley: Counterpoint Press, 2018), vol.
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They were released a decade later by a Japanese record company as 1989. Some of the songs were later re-mixed and together with some new songs their first album was finally released in 1994 in Sweden, Japan and Germany. The King of Hearts lineup was Funderburk and Gaitsch together with David Miner on bass, Bill Cantos on keyboards and Billy Ward on drums. As a follow-up to the first King of Hearts Funderburk and Gaitsch recorded Joy Will Come, that was released during late 1996 in Sweden, Germany and Japan.
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The poem has four cantos written in Spenserian stanzas, which consist of eight iambic pentameter lines followed by one alexandrine (a twelve syllable iambic line), and has rhyme pattern ABABBCBCC. Frontispiece to a 1825 edition of Childe Harold's Pilgrimage Lyrics in a different form occasionally punctuate these stanzas: the farewell to England following Canto I's stanza 13 and later the address "To Inez" following stanza 84; and in Canto II the war song that follows stanza 72. Then in Canto III there is the greeting from Drachenfels following stanza 55.
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Therefore, when an opening at the court of Urbino was offered in 1557, Bernardo Tasso gladly accepted it. The young Torquato, a handsome and brilliant lad, became the companion in sports and studies of Francesco Maria della Rovere, heir to the duke of Urbino. At Urbino a society of cultivated men pursued the aesthetic and literary studies which were then in vogue. Bernardo Tasso read cantos of his poem L'Amadigi to the duchess and her ladies, or discussed the merits of Homer and Virgil, Trissino and Ariosto, with the duke's librarians and secretaries.
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You are too earnest and eager about [Don Juan] a work never intended to be serious. Do you suppose that I could have any intention but to giggle and make giggle? — a playful satire, with as little poetry as could be helped, was what I meant.” After the completion, but before the publication of cantos III, IV, and V, in a letter (16 February 1821) to Murray, Byron said: “The Fifth [canto] is so far from being the last of Don Juan, that it is hardly the beginning.
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What did it turn out to be but a Pearl that by some chance had been lost in the yard? “You may be a treasure,” quoth Master Cock, “to men that prize you, but for me I would rather have a single barley-corn than a peck of pearls.” On the other hand, in the romances of Reynard the Fox we have medieval apologues arranged in cycles, and attaining epical dimensions. An Italian fabulist, Corti, is said to have developed an apologue of "The Talking Animals" reaching twenty-six cantos.
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Unmuzzled OX was a quarterly of poetry, art and politics founded in 1971 by poet Michael Andre, edited in New York City and Kingston, Ontario. Aided by artist Erika Rothenberg, the best-known issue was The Poets' Encyclopedia, the world's basic knowledge transformed by 225 poets, artists, musicians and novelists. The circulation of Unmuzzled OX peaked at 25,000 in the 80s with The Cantos (121-150) Ezra Pound. Regular contributors to Unmuzzled OX included Allen Ginsberg, Andy Warhol, John Cage, Daniel Berrigan, Eugene McCarthy, Margaret Atwood, Denise Levertov, Robert Peters, Robert Creeley and Gregory Corso.
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Francisco López Merino (June 6, 1904 - May 22, 1928) was an Argentine poet born in La Plata, Buenos Aires, who committed suicide at the age of 23. In 1920 he published Horas de amor (Love Hours), a group of nine poems that later fell victims of auto-censorship. In 1921 he wrote another collection of poems entitled Fragmentos de un libro inconcluso (Fragments of an Unfinished Book), divided in three sections: "El espejo de mi interior" ("Mi Inner Mirror"), "Del eterno femenino" ("Of the Eternal Feminine") and "Cantos" ("Chants"). These compositions were never published.
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I see sounds, Hear sights, Taste smells, I touch things thinner than air, Those things, Whose existence the world denies, Whose shapes the world does not know. Devkota had the ability to compose long epics and poems with literary complexity and philosophical density in very short periods of time. He wrote Shakuntala, his first epic poem and also the first Mahakavya () written in the Nepali language, in a mere three months. Published in 1945, Shakuntala is a voluminous work in 24 cantos based on Kālidāsa's famous Sanskrit play Abhijñānaśākuntalam.
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Kannada epic poetry mainly consists of Jain religious literature and Lingayat literature. Asaga wrote Vardhaman Charitra, an epic which runs in 18 cantos, in 853 CE, the first Sanskrit biography of the 24th and last tirthankara of Jainism, Mahavira, though his Kannada-language version of Kalidasa's epic poem, Kumārasambhava, Karnataka Kumarasambhava Kavya is lost. The most famous poet from this period is Pampa (902-975 CE), one of the most famous writers in the Kannada language. His Vikramarjuna Vijaya (also called the Pampabharatha) is hailed as a classic even to this day.
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He is revered as Ādi Kavi, the first poet, author of Ramayana, the first epic poem. The Ramayana, originally written by Valmiki, consists of 24,000 shlokas and seven cantos (kaṇḍas). The is composed of about 480,002 words, being a quarter of the length of the full text of the Mahabharata or about four times the length of the Iliad. The Ramayana tells the story of a prince, Rama of the city of Ayodhya in the Kingdom of Kosala, whose wife Sita is abducted by Ravana, the demon-king (Asura) of Lanka.
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A long poem often functions to tell a "tale of the tribe," or a story that encompasses a whole culture's values and history. Ezra Pound coined the phrase, referring to his own long poem The Cantos. The long poem's length and scope can contain concerns of a magnitude that a shorter poem cannot address. The poet may see himself or herself as the "bearer of the light," to use Langston Hughes' term, who leads the journey through a culture's story, or as the one who makes known the light already within the tribe.
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Ambroggio writes several poems and in various genres at the same time: poetry, essays, stories that he keeps in notebooks. In some of his poems he reflects different stages of his life: agnostic, socially committed, loving, a period of exile. In If Dawn Comes: War Songs (Por si amanece: cantos de Guerra) he interprets the theme of violence in war while at the same time emphasizing the culture of peace. In Poems of Loving and Living (Poemas de amor y vida) he incorporates what he calls "a multifaceted love" of son, father, husband.
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He was born in Fuente de Cantos, and received his first art instruction at the "Escuela Especial de Pintura, Escultura y Grabado", a branch of the Real Academia de Bellas Artes de San Fernando, where he studied from 1866 to 1870 with Domingo Valdivieso and Federico de Madrazo.Brief biography @ the Museo del Prado. After graduating, he received a stipend from the , which enabled him to study abroad. "Laboremus" (Student Playing the Guitar) From 1872 to 1878, he studied in Rome with Marià Fortuny and at the Accademia Chigi, where he was influenced by the Macchiaioli.
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The outline of the primary narrative is as follows: the first canto begins with a 'creation myth' and ends with the birth of Muddugonda and Muddavva, the forefathers of the shepherd community. The next seven cantos narrate the story of Beerappa, the patron-god of the community. Since Beerappa's parents did not have children for long, they undertook severe penance addressed to Shiva; pleased him with their devotion; and got a son called Beerappa. But, owing to the machinations of Beerappa's maternal uncle (mother's brother), the child is abandoned in a forest.
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Il Cicerone, the work for which he is best known, was published in six volumes in Milan between 1755 and 1774. He began composing it before 1743, and had already recited parts of it to literary audiences during his time in Rome. Consisting of 101 octave cantos and divided into three parts, it purports to be a biography of Cicero, a Roman orator, but contains lengthy satirical and ironic digressions in which he rails at fortune and the society of his own century. The language is unaffected and the tone bantering.
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The first production by Nikolais, after the creation of the Henry Street Playhouse, now Abrons Arts Center, was called KALEIDOSCOPE and premiered at the American Dance Festival. It aired in the spring of 1956 and showcased his company of seven dancers, intensively trained by him, for the past 7 years. The next production to follow PRISM, BEWITCHED, AND CANTOS was an improvisational performance by the dancers that utilized mirrors and the specific use of score and lighting. The act was performed on four separate occasions and was different each time.
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Early in his writing career, E. M. Forster attempted a historical novel about Plethon and Sigismondo Pandolfo Malatesta, but was not satisfied with the result and never published it — though he kept the manuscript and later showed it to Naomi Mitchison.Mentioned in a 1925 letter to Mitchison, quoted in her autobiography You May Well Ask: A Memoir 1920–1940 Ezra Pound included Plethon in his poem The Cantos. References to Plethon and Sigismondo Malatesta can be found in canto 8. Plethon is also mentioned in canto 23 and 26.
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The initiative is governed by a not-for-profit society (the Canadian Country Music Heritage Society). In 2009, Cantos Music Foundation (now the National Music Centre) in Calgary, Alberta, became the owner of the Canadian Country Music Hall of Fame's artifact collection after a transfer of ownership from Deb Buck, wife of deceased Hall of Fame member Gary Buck. The plaques of the inductees reside in the Hall of Honour at the Hall of Fame (in Merritt). For several years the Hall of Fame was based in a log building on the Calgary Stampede grounds.
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Boyce was originally an engraver, and subsequently worked in the South Sea House. He published one play, entitled The Rover, or Happiness at Last, a dramatic pastoral (1752), which was never performed. In its preface, he claimed that this was due to its length, and not to its lack of merit. In 1757, he published Poems on Several Occasions, which included an ode entitled Glory, addressed to the Duke of Cumberland, and a heroic poem in two cantos, dedicated to David Garrick, called Paris, or the Force of Beauty.
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Lloviznando Cantos is a Venezuela-based artists collective founded in 2001. The collective is a contemporary heir to the historical traditions of the Nueva Canción movement of the 1960s and 1970s. Their stated reason for being is to consolidate and bring to the masses political and social message of solidarity as conceived in the "socialist revolution" promoted by former Venezuelan president Hugo Rafael Chávez Frías. The collective has played in places such as Chile, Argentina, Uruguay, Bolivia, Ecuador, Panama, Nicaragua, Guatemala, El Salvador, as well as in Europe.
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It describes Lord Rama sending a message via a swan to his wife Sita, who was abducted by the demon king Ravana. Yadavabhyudaya: is an epic poem of 24 cantos describing the destiny of the Yadava Kings, the dynasty in which Lord Krishna appeared. It is on par with the Kalidasa's work called Raghuvamsa, which describes the dynasty of the Raghu kings, in which Lord Rama appeared. Paduka Sahasram: composed of a thousand and eight verses spread over 32 divisions called paddhatis, on the holy sandals of the Lord Ranganatha.
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Hermann and Dorothea is an epic poem, an idyll, written by German writer Johann Wolfgang von Goethe between 1796 and 1797, and was to some extent suggested by Johann Heinrich Voss's Luise, an idyll in hexameters, which was first published in 1782-84. Goethe's work is set around 1792 at the beginning of the French Revolutionary Wars, when French forces under General Custine invaded and briefly occupied parts of the Palatinate. The hexameters of the nine cantos are at times irregular. Robert Schumann wrote an overture to Hermann and Dorothea in 1851, his Opus 136.
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Klopstock now relapsed into melancholy; new ideas failed him, and his poetry became more introspective. He continued to live and work in Copenhagen, however, and next, following Heinrich Wilhelm von Gerstenberg, turned his attention to northern mythology, which in his view should replace classical subjects in a new school of German poetry. In 1770, when King Christian VII dismissed Count Bernstorff from office, he retired with the latter to Hamburg but retained his pension, together with the rank of councillor of legation. In 1773 were published the last five cantos of the Messias.
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The poem was written after Byron had become famous overnight after the publication of the first two cantos of Childe Harold's Pilgrimage and reflects his disenchantment with fame. It also reflects the gloom, remorse and lust of two illicit love affairs, one with his half-sister Augusta Leigh and the other with Lady Frances Webster. The earliest version of the poem was written between September 1812 and March 1813, and a version of 700 lines published in June 1813. Several more editions were published before the end of 1813, each longer than the last.
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During the 1950s, H.D. wrote a considerable amount of poetry, most notably Helen in Egypt (written between 1952 and 1954), an examination of a male-centred epic poetry from a feminist point of view. She used Euripides's play Helen as a starting point for a reinterpretation of the basis of the Trojan War and, by extension, of war itself.Twitchell-Waas, Jeffrey. "Seaward: H.D.'s 'Helen in Egypt' as a response to Pound's 'Cantos' ". Twentieth Century Literature Volume 44, Number 4, Winter 1998, pp. 464–483. Retrieved on October 7, 2007.
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The ceremony was also attended by a number of prominent women in the public sphere such as Concha Espina, Magda Donato, Matilde Muñoz, Pilar Millán Astray or among others. José María Poyán (President of the Lar Gallego), Clara Campoamor (on behalf of the organizing committee for the erection of the monument) and Vicente Cantos (as representative of the Government) intervened as speakers. The monument endured damage during the 1936–1939 Civil War. Following the end of the war, the monument underwent a restoration, directed by José María Palma himself with help from architect Pedro Muguruza.
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Wand left New York for San Francisco in 1958, where he began as a reporter for The Chinese World, a bilingual newspaper based on Chinatown. In 1959, he enrolled in a creative writing program at San Francisco State College, where he continued to work on cantos for The Grandfather Cycle. While spending time at local bookstores, he met Gary Snyder, Philip Whalen, Clarence Major, and Cid Corman. After receiving his M.A. in 1961, Wand moved to Honolulu, where he taught at both the University of Hawaii and Iolani Preparatory School until 1964.
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The poet Atula was primarily focused on eulogizing the dynasty's rulers, rather than on describing their reign based on the historical facts. The first six cantos, which are about the dynasty's founder Rama, describe an ideal ruler rather than a historical figure. There is no evidence that a ruler from present-day Kerala conquered Magadha or other regions of northern India. Although the text's description of the dynasty's origin is purely legendary, some historians, such as M. G. S. Narayanan, believe that it indicates northern origins of the dynasty.
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Also characteristic of Mármol are his unique descriptive sensibility and his treatment of love. In Uruguay in 1847 he published six of what would eventually be twelve cantos of El Peregrino ("The Pilgrim"), a long autobiographical poem set to the rhythm of his changing fortunes, which drew heavily from Byron's Childe Harold's Pilgrimage. His lyric poems were collected into Armonías (Montevideo, 1851). In 1844 he published the first part of his semi-autobiographical Costumbrist novel Amalia, whose second part would not appear until his return to Buenos Aires years later.
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In 2018, Ayuso was cast in the Spanish web television series Elite as Omar Shanaa, a closeted gay Muslim who develops a relationship with Ander Muñoz who is played by Arón Piper. In preparation for the role, Ayuso worked for two months with director Ramón Salazar to absorb his character's role. In 2019, Ayuso starred in three short films including Maras’ de Salvador Calvo and Ráfagas de vida salvaje by Jorge Cantos and Disseminare by Jools Beardon. In January 2020, Ayuso was featured in the music video of "Juro Que" by singer songwriter Rosalía.
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The poem first appeared as a work of 44 verses in Rizospastis on 12 May 1936, with a dedication to the workers of Thessaloniki. Soon after, a fuller version of 224 verses appeared in first edition. The final text was published in a second edition in 1956 and runs to 324 verses divided into 20 parts or cantos, each with 16 verses in eight couplets, except for the last two, which run to 15 verses in nine couplets.The Irish Times, An anthem confined to home (18 June 1996), Dublin.
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That poem was also only the period's third georgic poem on an English subject, having been preceded by Cyder (1708) by John Philips and Rural Sports (1713) by John Gay. It consists of four cantos, the first of which introduces the subject and covers the management of hounds. The second canto deals with hare hunting and the third with fox hunting, while the fourth covers otter hunting and the breeding and care of hounds. The poem passed through many editions, some of the later including the two poems on country pursuits that followed it.
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In his Divine Comedy, Dante Alighieri represents the heresiarchs as being immured in tombs of fire in the Sixth Circle of Hell. In Cantos IX and X of the Inferno, Virgil describes the suffering these souls experience, saying "Here are the Arch-Heretics, surrounded by every sect their followers... / Like with like is buried, and the monuments are different in degrees of heat."Dante's Inferno, Canto IX, 125–129 Among the historical figures that Dante specifically lists as arch- heretics are Epicurus, Farinata Degli Uberti, Frederick of Sicily, and Pope Anastasius II.
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The book was released on 14 January 2010, on the sixtieth birthday (Ṣaṣṭipūrti) of the poet.Rambhadracharya 2010 The protagonist of the epic, Aṣṭāvakra, is physically disabled with eight deformities in his body. The epic presents his journey from adversity to success to final redemption. According to the poet, who is also disabled having lost his eyesight at the age of two months, the notions of aphoristic solutions for universal difficulties of the disabled are presented the epic, and the eight cantos are the analyses of the eight dispositions in the mind of the disabled.
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Kristubhagavatam: A Mahakavya in Sanskrit based on the life of Jesus Christ (; ' or Kristu-Bhāgavatam) is a Sanskrit epic poem on the life of Jesus Christ composed by P. C. Devassia (1906–2006), a Sanskrit scholar and poet from Kerala, India. For composing the Kristubhagavatam, Devassia won several awards, including the Sahitya Akademi Award for Sanskrit (1980). Composed in 1976 and first published in 1977, the poem consists of 33 cantos and over 1600 verses. Understood as a mahakavya, it represents the most prestigious genre of Sanskrit epic poetry, characterized by ornate and elaborate descriptions.
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The number 21 is also associated with the narrative of the epic. Reṇukā, the mother of Paraśurāma, beats her chest 21 times after the Haihaya kings murder her husband Jamadagni. Subsequently, Paraśurāma annihilates the Kṣatriyas 21 times from the earth. One more reason cited by the poet is that the previous Sanskrit epics which are included in the Laghutrayī and Bṛhattrayī – Meghadūtam, Kumārasambhavam, Kirātārjunīyam, Raghuvaṃśam, Śiśupālavadham and Naiṣadhīyacaritam – were composed in 2, 8, 18, 19, 20 and 22 cantos respectively; and the number 21 was missing from this sequence.
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In the prologue, Apollo descends from the clouds and laments Venere's desertion of her husband, the god Vulcan, for the young Adone. In the opera proper (drawn from Cantos XII and XIII of Marino's poem), Adone has to flee from Venere's former lover, the god Marte, and takes refuge in the land of the enchantress Falsirena, who falls in love with him. Falsirena keeps him captive in her realm by means of a magic, invisible chain. She asks Plutone to find out who Adone's love is, then pretends to be Venere.
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Cantos 11 and 12 are held to display respectively the quality of “sweetness” mādhurya and the sentiment rasa of “intensity of expression” bhāvikatva. The texts describing these qualities post-date so again we cannot be sure that he intended to illustrate what happens to be described by later authors. Assuming that did intend to show these, their precise characteristics described in his source text would be best discovered from careful analysis of the language of his own work rather than from the pronouncements of later writers on poetics.
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Sharma was educated at Nakodar. In 2006, he published The Lake Fewa and a Horse and later in 2008, Annapurna Poems, Selected and New. He also met German Photographer, Andreas Stimm in 2004 and his collaboration with Stimm resulted in three books of picture/poetry: Nepal Trilogy:Photographs and Poetry on Annapurna, Everest, Helambu & Langtang. He has published nine poetry collections including, Quaking Cantos: Nepal Earthquake, A Blizzard in my Bones :New York Poems', Milarepa's Bones, Helambu:33 New Poems,, Space Cake, Amsterdam, & Other Poems from Europe and America,, Annapurna Poems, and Everest Failures.
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The Vatican Library has the drawing of the Map Of Hell, and the illustrations for cantos I, IX, X, XII, XIII, XV and XVI of the Inferno. The Map of Hell and the drawing for canto I are drawn on each side of the same goat-skin parchment. The drawings that were in the Berlin museum were separated post-war after the division of Germany, but the collection was re- integrated following reunification. The Berlin Museum houses the rest of the extant illustrations, including the drawing for canto VIII.
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The Ādi purāṇa, written in the champu style, a mixed form of prose and verse, is a Kannada version of the Sanskrit work by Jinasena and details in sixteen cantos the life of the first Tirthankara of Jainism, Rishabha. The work focuses in his own unique style the pilgrimage of a soul to perfection and attainment of moksha. In the work, Pampa describes the struggle for power and control over the entire world of two brothers Bharata and Bahubali, sons of Rishabha. While Bahubali wins, he renounces the worldly pursuits in favour of his brother.
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Carew belonged to a prominent gentry family, and was the eldest son of Thomas Carew: he was born on 17 July 1555 at East Antony, Cornwall. He was educated at Christ Church, Oxford, where he was a contemporary of Sir Philip Sidney and William Camden, and then at the Middle Temple. He made a translation of the first five cantos of Tasso's Jerusalem Delivered (1594), which was more correct than that of Edward Fairfax. He also translated Juan de la Huarte's Examen de Ingenios, basing his translation on Camillo Camilli's Italian version.
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Prominent women socialists in this period included Matilde Huici, Matilde Cantos and Matilde de la Torre. Largely participating in women's caucuses, their advocacy was often ineffective in pressing for women's rights as their position inside the broader socialist party governance structure was very weak. Despite barriers for political participation, some anarchist women were politically engaged in this period despite gender tensions which served to limit their participation. One example of such tension occurred during the 1918 Confederación Nacional del Trabajo (CNT) Congress, where gender-based tensions among anarchists in Spain were visibly present.
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In Cantos XXI and XXII from Dante's Inferno there is a devil by the name of Alichino. The similarities between the devil in Dante's Inferno and the Arlecchino are more than cosmetic and that the prank like antics of the devils in the aforementioned antics reflect some carnivalesque aspects. The first known appearance on stage of Hellequin is dated to 1262, the character of a masked and hooded devil in Jeu da la Feuillière by Adam de la Halle, and it became a stock character in French passion plays.Lea 1934, p. 75.
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The poet seems to have been inspired by the Kirātārjunīya of Bharavi, and intended to emulate and even surpass it. Like the Kirātārjunīya, the poem displays rhetorical and metrical skill more than the growth of the plot and is noted for its intricate wordplay, textual complexity and verbal ingenuity. It has a rich vocabulary, so much so that the (untrue) claim has been made that it contains every word in the Sanskrit language. The narrative also wanders from the main action solely to dwell on elegant descriptions, with almost half the cantos having little to do with the proper story e.g.
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And at this time the seeds were planted for his polyphonic epic poem, "A Gathering of Smoke", first published by P. Lal in Calcutta, and later by Three Continents Press in Washington, D.C. in 1986. Returning to Penn in 1968, he majored in English literature and took his B.A. in 1970. During those final two years, Keys was influenced by reading English-language poets particularly Shakespeare, Donne, Keats, Dylan Thomas, Yeats, Wallace Stevens, and especially Pound's Cantos. Other major influences at this formative time were Joyce, Jung, Pablo Neruda, Whitehead, Nagarjuna, Thoreau, Chuang-Tzu, and Bachelard and Husserl.
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The poems teach the valuelessness of riches, rituals and book learning and the spiritual privileges of worshipping Shiva, (B.L. Rice in Sastri 1955, p361) In Sanskrit, a well-known poem (Mahakavya) in 18 cantos called Vikramankadeva Charita by Kashmiri poet Bilhana recounts in epic style the life and achievements of his patron king Vikramaditya VI. The work narrates the episode of Vikramaditya VI's accession to the Chalukya throne after overthrowing his elder brother Someshvara II.Thapar (2003), p394 The great Indian mathematician Bhāskara II (born c.1114) flourished during this time. From his own account in his famous work Siddhanta Siromani (c.
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Born in Madrid, Relu represented Real Madrid, Rayo Vallecano and Atlético Madrid as a youth. In July 2017, he agreed to a move to Internazionale, but the deal was later called off and he joined Deportivo Alavés instead, being loaned to Tercera División side CF Trival Valderas on 24 August. Relu made his senior debut on 3 September 2017, playing the last 11 minutes in a 1–1 away draw against CF Pozuelo de Alarcón. He scored his first goal on 3 December, netting the opener in a 2–2 home draw against CDF Tres Cantos.
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Gras was born into a farming family and went to secondary school at the college of Sainte Garde, in Saint Didier. He studied law as a clerk to the notary Jules Giéia in Avignon, later becoming a notary himself, but also enthusiastically attended poetry meetings where he read his first poems. Soon abandoning his law training, Gras published Li Carbounié (The Charcoal-burners), a rustic epic poem in twelve cantos, in 1876, noted for its "elemental passion" and scenic descriptions, for which he gained immediate recognition. In 1879, he married the niece of Joseph Roumanille, the husband of his sister Rose Anaïs.
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Just as his wife Anthonie Wirix had a fascination with Dante's oeuvre. Inspired by the illustrations in Jacob van Maerlant's 'Rhyme Bible' (1271), Anthonie made as many as 670 coloured miniatures for the 34 cantos of 'The Inferno' section of Dante's epic poem The divine Comedy (La divina Commedia). These pen drawings, which he probably meant to publish, are part of the archives of the family of the mentioned great-grandfather Hoek. The 28 pen drawings illustrating Dante's Vita Nuova in the Wirix-van Mansvelt collection at the National Library of the Netherlands are most probably by the hand of Wirix too.
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Benito Mussolini in 1930 In December 1932 Pound requested a meeting with Benito Mussolini after being hired to work on a film script about Italian fascism. He had asked to see him before—Olga Rudge had played privately for Mussolini on 19 February 1927—but this time he was given an audience.Moody (2014), 129–130 They met on 30 January 1933 at the Palazzo Venezia in Rome, the day Hitler was appointed Chancellor of Germany.Moody (2014), 136–137 When Pound handed Mussolini a copy of A Draft of XXX Cantos, Mussolini reportedly said of a passage Pound highlighted that it was not English.
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A mock-heroic poem in five cantos, where the lyric meter and the heroic themes are lowered to the level of the protagonists: a group of vaiasse, common Neapolitan women who express themselves in dialect. Its writing is comic and transgressive, where much importance is given to the participation of the plebeian choir in the mechanics of the action. The reader is literally catapulted into the day-to-day life of the vaiasse where the main element is the investigation of the world through which Cortese makes into a world which is not his own and which he describes with irony and tragedy.
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This influence can be traced back to the appearance, in 1861, of Dante Gabriel Rossetti's The Early Italian Poets, which featured translations of works by both Cavalcanti and Dante. The young Ezra Pound admired Rossetti and knew his Italian translations well, quoting extensively from them in his 1910 book The Spirit of Romance. In 1912, Pound published his own translations under the title The Sonnets and Ballate of Guido Cavalcanti and in 1932, he published the Italian poet's works as Rime. A reworked translation of Donna me prega formed the bulk of Canto XXXVI in Pound's long poem The Cantos.
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Mukherjee 1999, p. 277 Along with its twin-epic Silappadikaram, the Manimekalai is widely considered as an important text that provides insights into the life, culture and society of the Tamil regions (India and Sri Lanka) in the early centuries of the common era. The last cantos of the epic – particularly Canto 27 – are also a window into then extant ideas of Mahayana Buddhism, Jainism, Ajivika, and Hinduism, as well as the history of interreligious rivalries and cooperation as practiced and understood by the Tamil population in a period of Dravidian-Aryan synthesis and as the Indian religions were evolving.
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With her he had a son, Emiliano, who died with 3 months old; extremely depressed, Fagundes wrote in the memory of his dead son his most well-known poem, "Cântico do Calvário" (that can be found on the book Cantos e Fantasias). His woman died in 1865 or 1866, while Varela was travelling to Recife. Returning to São Paulo, he matriculated himself once more in the Faculdade de Direito da Universidade de São Paulo in 1867, but would later abandon it once more. He then returns to his house in Rio Claro, living in there until 1870.
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O Uraguai is a 1769 epic poem by Portuguese writer Basílio da Gama set in what is today the Brazilian state of Rio Grande do Sul. It is an unusually short poem by epic standards, consisting of 1,377 unrhymed hendecasyllabic lines in five cantos. O Uraguai is set at the end of the Guaraní War and focuses on the slavery of the Guarani people imposed by the Society of Jesus (represented by the priest Balda), which contradicted the Catholic Church's own order. The poem is a noted example of Arcadianism and Indianism in eighteenth-century Brazilian Literature.
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Ishtar and Izdubar expanded the original roughly 3,000 lines of the Epic of Gilgamesh to roughly 6,000 lines of rhyming couplets grouped into forty-eight cantos. Hamilton significantly altered most of the characters and introduced entirely new episodes not found in the original epic. Significantly influenced by Edward FitzGerald's Rubaiyat of Omar Khayyam and Edwin Arnold's The Light of Asia, Hamilton's characters dress more like nineteenth-century Turks than ancient Babylonians. Hamilton also changed the tone of the epic from the "grim realism" and "ironic tragedy" of the original to a "cheery optimism" filled with "the sweet strains of love and harmony".
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The central images are the invented figure Ra- Set, a composite sun/moon deity whose boat floats on a river of crystal. The crystal image, which is to remain important until the end of The Cantos, is a composite of frozen light, the emphasis on inorganic form found in the writings of the mystic Heydon, the air in Dante's Paradiso, and the mirror of crystal in the Chou King amongst other sources. Apollonius of Tyana appears, as do Helen of Tyre, partner of Simon Magus and the emperor Justinian and his consort Theodora. These couples can be seen as variants on Ra-Set.
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Dolores Cabrera y Heredia Carolina Coronado wrote a series entitled Cantos de Safo where she tried to reimagine the memory of the ancient Greek poet Sappho and put in play her desire for freedom and female culture. Two main themes were love and friendship, which materialize in poems of recognition in a cross between feelings and poetic rules. They borrowed the vocabulary and formulas of erotic poetry from their male colleagues, which helped them to express in their poems a spiritual sisterhood of mutual aid. Coronado was the center of this sisterhood, and she was the one who received the most literay dedications.
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A 10th- century Kannada text written in Champu style, a mix of prose and verse, dealing with the ten lives of the first tirthankara, Adinatha in sixteen cantos. This work is known to be the first work of Kannada poet Adikavi Pampa (941 CE). It is based on the original Sanskrit version by Jinasena acharya. A court poet of Chalukya king Arikesari II, a Rashtrakuta feudatory, he is most known for his epics, Vikramarjuna Vijaya (Pampa Bharata) and Adipurana, both written in Champu style, which he created and served as the model for all future works in the Kannada.
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When performing, he often accompanied himself on guitar, with a harmonica added, and succeeded in telling stories by singing, which added to the entertainment of his audiences at ordinary cafés and joints. In 1889, Villoldo published a compilation of cantos criollos (creole folk songs), including original lyrics that were meant to be sung with guitar. In 1916, he published other songs of deep national content, titled Argentine Popular Songs commemorating the centennial of the Argentine Declaration of Independence. He wrote a modern method to learn guitar with symbols, called Método América, because it was published by the old Casa América in 1917.
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In 1861, she published her book Ecos de la Selva with a prologue by Carlos Manuel de Céspedes in which he wrote, "Therefore, in spite of the defects they suffer from, her verses grab and seduce one; she paints what she feels; but she does it with such trueness to color, that her feelings are transmitted like magnetic fluid to the heart to those who hear her inspired word." Her spouse posthumously published Cantos Postreros in a small private edition. In 1948, the Dirección de Cultura of the Ministry of Education published a selection of her works.
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The whole is dedicated to William Wordsworth. Phantasmagoria is also the title of a poem in seven cantos by Lewis Carroll that was published by Macmillan & Sons in London in 1869, about which Carroll had much to say. He preferred that the title of the volume be found at the back, saying in a correspondence with Macmillan, "it is picturesque and fantastic—but that is about the only thing I like…" He also wished that the volume would cost less, thinking that the 6 shillings was about 1 shilling too much to charge.Cohen, Morton N. "Lewis Carroll and the House of Macmillan".
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The first two cantos of Childe Harold’s Pilgrimage had scarcely been published before its world-weary hero was satirised in the popular Rejected Addresses of 1812. Cui Bono? enquires "Lord B". in the Spenserian stanza employed by the original: Byron was so amused by the book that he wrote to his publisher, "Tell the author I forgive him, were he twenty times our satirist". He was not as forgiving of the next tribute to his work, Modern Greece: A Poem (1817) by Felicia Hemans, which was dependent for its subject on the second canto of the Pilgrimage.
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Lightbown, 302 Botticelli later began a luxury manuscript illustrated Dante on parchment, most of which was taken only as far as the underdrawings, and only a few pages are fully illuminated. This manuscript has 93 surviving pages (32 x 47 cm), now divided between the Vatican Library (8 sheets) and Berlin (83), and represents the bulk of Botticelli's surviving drawings.Lightbown, 280; some are drawn on both sides of the sheet. Once again, the project was never completed, even at the drawing stage, but some of the early cantos appear to have been at least drawn but are now missing.
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Hans Christian Andersen made his "Ahasuerus" the Angel of Doubt, and was imitated by Heller in a poem on "The Wandering of Ahasuerus", which he afterward developed into three cantos. Martin Andersen Nexø wrote a short story named "The Eternal Jew", in which he also refers to Ahasuerus as the spreading of the Jewish gene pool in Europe. The story of the Wandering Jew is the basis of the essay, "The Unhappiest One" in Søren Kierkegaard's Either/Or (published 1843 in Copenhagen). It is also discussed in an early portion of the book that focuses on Mozart's opera Don Giovanni.
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In Britain a ballad with the title The Wandering Jew was included in Thomas Percy's Reliques published in 1765.Third edition: Reliques of ancient English poetry: consisting of old heroic ballads, songs and other pieces of our earlier poets, (chiefly of the lyric kind.) Together with some few of later date (Volume 3)—p.295-301, 128 lines of verse, with prose introduction In 1797 the operetta The Wandering Jew, or Love's Masquerade by Andrew Franklin was performed in London. In 1810 Percy Bysshe Shelley wrote a poem in four cantos with the title The Wandering Jew but it remained unpublished until 1877.
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The Wandering Jew, A Poem in Four Cantos by Percy Bysshe Shelley. Written in 1810, published posthumously for the Shelley Society by Reeves and Turner, London 1877. In two other works of Shelley, Ahasuerus appears, as a phantom in his first major poem Queen Mab: A Philosophical Poem (1813) and later as a hermit healer in his last major work, the verse drama Hellas.The Impiety of Ahasuerus: Percy Shelley's Wandering Jew Tamara Tinker, revised edition 2010 Thomas Carlyle, in his Sartor Resartus (1834), compares its hero Diogenes Teufelsdroeckh on several occasions to the Wandering Jew, (also using the German wording ').
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She published several fiction and non-fiction works. Her debut in literature was in 2001, with the book Vasto Mundo. She won the 2009 Jabuti Prize in the category of children's literature with No risco do caracol, in 2013, juvenile category, with Ouro dentro da cabeça and in 2015 in the categories romance and Book of the Year of Fiction, with Quarenta dias. In January 2017, she received the Casa de las Américas Prize for the book Outros Cantos, and for the same novel she won the São Paulo Prize for Literature and the third place at the Jabuti Prize in November 2017.
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In 1879, he was hired to teach at Saint Sava. Named "principal preceptor" to Prince Ferdinand, heir to the Romanian throne, Păun spent a number of years with the prince in Germany, where he took the occasion to further his own studies. From 1890, he was a professor at Gheorghe Lazăr High School, where he served as director from 1892 to 1903. He made his literary debut in 1868 with Umbra lui Mihai, a poem in three cantos that appeared in Grigore H. Grandea's Albina Pindului, to which he continued to contribute, sometimes under the pen names Basiliu Dimitrescu and Vasile Demetrescu.
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Horrocks was born in the Auckland suburb of Mount Albert on 4 June 1941, the son of Jack Horrocks and Edith Barbara Horrocks (née Rhodes). Majoring in English, he completed a BA (1962), MA First Class Honours (1963), and PhD (1976) from the University of Auckland. His doctoral thesis, supervised by C. K. Stead, was titled Mosaic: a study of juxtaposition in literature, as an approach to Pound's Cantos and similar modern poems. He also studied for two years with Allen Tate at the University of Minnesota (1964–65) and one year with Thom Gunn at the University of California, Berkeley (1966).
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D'Alton's first publication was a metrical poem, Dermid, or the Days of Brian Boru, in twelve cantos. In 1827 the Royal Irish Academy offered a prize of £80 and the Cunningham gold medal for an essay on the Irish people to the twelfth century; D'Alton obtained the top prize and medal, and his essay, which was read 24 November 1828, occupied the first part of vol. xvi. of the Transactions of the Royal Irish Academy. In 1831 he also gained the prize offered by the Royal Irish Academy for an account of the reign of Henry II of England in Ireland.
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A Treatise on Poetry tells the history of Poland, particularly Polish poetry, during the first half of the 20th century. It is divided into four cantos, with a short introductory poem:—also anothologised in # "Piękne czasy" ("Beautiful Times") - literary life in Kraków 1900–1914 # "Stolica" ("Capital") - politics and poetry in Warsaw 1918–31 August 1939, ending the night before the German Invasion of Poland # "Duch dziejów" ("The Spirit of History") - Warsaw 1939–1945, and the poets killed in the Warsaw Uprising # "Natura" ("Nature") - Pennsylvania 1948–1949, with a poet reflecting on the history described in the first three sections.
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Dante Alighieri's description of Heaven in his Paradiso incorporates Pythagorean numerology. Dante Alighieri was fascinated by Pythagorean numerology and based his descriptions of Hell, Purgatory, and Heaven on Pythagorean numbers. Dante wrote that Pythagoras saw Unity as Good and Plurality as Evil and, in Paradiso XV, 56–57, he declares: "five and six, if understood, ray forth from unity." The number eleven and its multiples are found throughout the Divine Comedy, each book of which has thirty-three cantos, except for the Inferno, which has thirty-four, the first of which serves as a general introduction.
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The Spirit of Romance is a 1910 book of literary criticism by the poet Ezra Pound. It is based on lectures he delivered at the Regent Street Polytechnic in London between 1908 and 1909 and deals with a variety of European literatures. As with Pound's later, unfinished poem The Cantos, the book follows "a pattern, at once historical and atemporal, of cultural beginnings and rebeginnings". Written as a contradiction to the nationalistic and normative literary studies of the time, in The Spirit of Romance Pound advocates a synchronous scholarship of literature in which one can weigh "Theocritus and Yeats with one balance".
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Starting with the epigraph and table of contents, Pale Fire looks like the publication of a 999-line poem in four cantos ("Pale Fire") by the fictional John Shade with a foreword, extensive commentary, and index by his self-appointed editor, Charles Kinbote. Kinbote's commentary takes the form of notes to various numbered lines of the poem. Here and in the rest of his critical apparatus, Kinbote explicates the poem very little. Focusing instead on his own concerns, he divulges what proves to be the plot piece by piece, some of which can be connected by following the many cross- references.
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However, only the first two cantos of the 14th section of Vanière's work (Apes, published separately in London in 1729) were drawn upon for that work.Dwight Leonard Durling, Georgic Tradition in English Poetry, Kennikat Press, 1964, p.66 And Dinsdale's own opening lines are addressed to Virgil, who dealt with the subject of bee culture in the fourth book of his Georgica, thus placing Dinsdale's poem too in the 18th century tradition of English classical imitations. Following this literary debut, he began contributing poems, reviews and translations to both The London Magazine and The Scots Magazine.
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Harold the Dauntless is a narrative poem in six short cantos by Walter Scott, published in 1817. It employs a variety of metres. Set in the Durham area, the poem tells of Harold's rejection of his father Witikind's acceptance of Christianity in return for church lands; of his disinheritance by the Church on his father's death and the loss of his intended bride; of his rescue by his father's spirit from pagan powers in an enchanted castle; and of his conversion and marriage to a Danish maiden who had long followed him disguised as a page.
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Granados wrote piano music, chamber music (a piano quintet, a piano trio, music for violin and piano), songs, zarzuelas, and an orchestral tone poem based on Dante's Divine Comedy. Many of his piano compositions have been transcribed for the classical guitar: examples include Dedicatoria, Danza No. 5, Goyescas. His music can be divided into basically three styles or periods: #A romantic style including such pieces as Escenas Románticas and Escenas Poeticas. #A more typically nationalist, Spanish style including such pieces as Danzas Españolas (Spanish Dances), 6 Piezas sobre cantos populares españoles (Six Pieces based on popular Spanish songs).
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Yongbi eocheonga (hangul: 용비어천가, hanja: 龍飛御天歌) literally means "Songs of the Dragons Flying to Heaven". It was compiled during the reign of Sejong the Great as an official recognition of the Joseon dynasty and its ancestral heritage as the forerunners of Joseon, the Golden Age of Korea. The Songs were composed through the efforts of a committee of Confucian philologists and literati in the form of 125 cantos. This compilation was the first piece of Korean text to depart from a long history reliant on Chinese characters and be recorded in Hangul, the first and official alphabet of Korea.
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Kirātārjunīya (, Of Arjuna and the Kirāta) is a Sanskrit kavya by Bhāravi, written in the 6th century or earlier. It is an epic poem consisting of eighteen cantos describing the combat between Arjuna and Lord Shiva (in the guise of a kirāta, or "mountain-dwelling hunter") at Indrakeeladri Hills in present-day Vijayawada. Along with the Naiṣadhacarita and the Shishupala Vadha, it is one of the larger three of the six Sanskrit mahakavyas, or great epics. It is noted among Sanskrit critics both for its gravity or depth of meaning, and for its forceful and sometimes playful expression.
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The work was popular among critics, with more than 42 commentaries written on it. The style of his work, with cantos 4 to 9 having no relation to the plot but instead being merely an excuse for beautiful descriptive poetry, was influential on all later Sanskrit epic poetry, in which the action was often ignored entirely. Over a tenth of the verses from this work are quoted in various anthologies and works on poetics. The most popular verse is the 37th from the eighth canto, which describes nymphs bathing in a river, and is noted for its beauty.
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Whereas the cantos one to three began with "O wild West Wind" and "Thou" (15, 29) and were clearly directed to the wind, there is a change in the fourth canto. The focus is no more on the "wind", but on the speaker who says "If I ..." (43–44). Until this part, the poem has appeared very anonymous and was only concentrated on the wind and its forces so that the author of the poem was more or less forgotten. Pirie calls this "the suppression of personality" which finally vanishes at that part of the poem.
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The next two cantos narrate the story of Maalingaraya, the great devotee of Beerappa and the cultural hero of the shepherd community. (This part is sung independently also.) There are two brothers, disciples of Guru Gorakhnath, who, with Shiva's blessings, get two sons: Jakkappa and Maalappa (who later becomes famous as Maalingaraya). Once, during a war with a community of hunters, the younger brother dies and the elder brother vows to avenge his death. He goes to his Guru (Gorakhnath), learns not only military skills but also black magic, and on his return routs the enemy community of hunters.
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Cuno thought of introducing him to his card-playing friends, but the Swede's strict bedtime and inability to converse in Dutch, made the idea unworkable.Emanuel Swedenborg: His Life & Writings - William White Cuno finally retired to Weingarten near Durlach. Amongst his writings that deserve mention were the poem "Versuch eines moralischen Briefes an seinen Enkel und Pflegesohn", as well as his 1762 "Messiah" in twelve cantos. Although not a great poet his works were read with pleasure, as is shown by the numerous editions published, and by his being elected a fellow of the Deutschen Gesellschaft in Göttingen.
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Dante and Virgil meet the Minotaur, illustration by Gustave Doré William Blake's image of the Minotaur to illustrate Inferno XII The Minotaur (infamia di Creti, Italian for "infamy of Crete"), appears briefly in Dante's Inferno, in Canto 12 (l. 12–13, 16–21), where Dante and his guide Virgil find themselves picking their way among boulders dislodged on the slope and preparing to enter into the seventh circle of hell.The traverse of this circle is a long one, filling Cantos 12 to 17. Dante and Virgil encounter the beast first among the "men of blood": those damned for their violent natures.
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The principal character, the young Icelandic poet Steinn Elliði, who shares many essential experiences with his author, engages the reader in a whirl of often paradoxical and conflicting ideas.'Peter Hallberg, 'Halldór Laxness and the Icelandic Sagas', Leeds Studies in English, n. s. 13 (1982), 1-22 (p. 4). The novel is divided into eight books and one hundred chapters; the number of the chapters echoes the number of cantos in Dante's Divine Comedy, and it too 'records its young protagonist's own heaven, hell, and purgatory'.Hallberg Hallmundsson, 'Halldór Laxness and the Sagas of Modern Iceland', The Georgia Review, 49.1 (Spring 1995), pp.
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The matter being one of principle, neither party would yield what he considered his rights, and it led to a lawsuit, dividing the town into two sections, which eagerly debated the arguments on both sides and enjoyed the ridiculous incidents which accompanied the dispute. Ultimately the dean died, and was succeeded by his nephew, who appealed to the crown with success and the bishop lost his pretension. The Hyssope arose out of and deals with this affair. It was dictated in seventeen days, in the years 1770 to 1772, and, in its final redaction, consists of eight cantos of blank verse.
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Gardner's compendium is predicated on the poet's preoccupation with Time: I accept time absolutely.Whitman's "Song of Myself"; Canto 23 The 52 Cantos of Song of Myself and the 365 Clustered poems mirror each other—the singular Walt Whitman reflected in the multiples of the poet's year. The remaining 24 "Canticles" suggest Whitman's day: I see something of God each hour of the 24Whitman's "Song of Myself", Canto 48 and Duly the 24 hours appear in public each day Whitman's "Song of the Rolling Earth"; Canto 1, line 55—each hour reflective of God and appearing in public each day.
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He contributed articles of a non-political character to the Edinburgh Review. Helga, a poem in seven cantos, came out in 1815, with a second edition in the following year; then Hedin, or the Spectre of the Tomb, a tale in verse from Danish history. London, 1820; Pia della Pietra, 1820; Iris, a Latin ode, York, 1820; and the Wizard Wanderer of Jutland in 1820–1. The epic poem entitled Attila, or the Triumph of Christianity, in twelve books, with a historical preface, was published in 1838; and a final volume of poems, The Christian, in 1846.
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In 1861 Capuana released the legendary drama Garibaldi in three cantos, published in Catania by Galatola. In 1864 he settled in Florence to begin his "literary adventure": he met, and kept in touch with, the most notable Italian authors of the era (including Aleardo Aleardi); he published his first critical essays in the "Italian Review" in 1865; he became the theatre critic for "Nation" in 1866; he published, serially in a Florentine daily in 1867, his first novella, entitled Dr. Cymbalus which took Dumas fils' La boîte d'argent as a model. He would stay in Florence until 1868.
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As before, the transition to the next circle of Hell is prefaced by a return of the Lasciate ogni speranza theme. A short cadenza for harp, continuing the Black Wind motif, leads to a passage which Liszt marks with the following note: This entire passage is intended to be a blasphemous mocking laughter.... In the Inferno Dante meets the blasphemous Capaneus in the Seventh Circle of Hell (Canto 14).Jean-Pierre Barracelli (1982), p. 158, identifies this passage with the band of sneering and obscene devils who provide an escort for Dante and Virgil in the Eighth Circle (Cantos 21 and 22).
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In 1697 he delivered the Harveian Oration, in which he advocated a scheme dating from some ten years back for providing dispensaries for the relief of the sick poor, as a protection against the greed of the apothecaries. In 1699 he published a mock-heroic poem, The Dispensary, in six cantos, which had an instant success, passing through three editions within a year. In this he ridiculed the apothecaries and their allies among the physicians. Garth’s work is a satirical take on the traditional epic poem, and is perhaps one of the better examples of the “medical poetry” genre.
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Dante speaks with the souls of the envious Elevation of Mount Purgatory. As with Paradise, the structure is of the form 10, with one of the ten regions different in nature from the other nine Purgatorio (; Italian for "Purgatory") is the second part of Dante's Divine Comedy, following the Inferno and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide.
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Born in Ribeirão Preto, São Paulo, William joined São Paulo FC's youth setup in 2013, after impressing for clubs in his hometown. In April 2017, he moved to La Liga side CD Leganés, after his contract with Tricolor expired. Initially assigned to the youth setup, William made his senior debut with the reserves on 25 February 2018, coming on as a late substitute in a 5–0 Tercera División away routing of CDF Tres Cantos. His first goal came on 29 April, as he scored his team's first in a 2–2 home draw against CD Móstoles URJC.
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P. Janton, Esperanto: Language, Literature, and Community, ed., H. Tonkin (SUNY Press, 1993), , p. 102. Inspired in part by the Cantos of American poet Ezra Pound, Auld would publish La infana raso in 1956, widely regarded as one of the most important literary works in the language,Willem A. Verloren van Themaat, "Esperanto literature and its reception outside the Esperanto movement", Babel 35 (1), (1989), pp. 21–39. for which he was nominated for the Nobel Prize for Literature on three occasions, the first esperantist to be nominated.L. Goldman, Oxford Dictionary of National Biography 2005–2008 (Oxford: Oxford University Press), , p. 36.
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A picture of the poem's author, Antônio Gonçalves Dias "Canção do exílio" (, Exile song) is a poem written by the Brazilian Romantic author Gonçalves Dias in 1843, when he was in Portugal studying Law at the University of Coimbra. The poem is a famous example of the first phase of Brazilian Romanticism, which was characterized by heavy nationalism and patriotism. The poem first appeared in Dias' book Primeiros Cantos (First Chants), published in 1846. It was influenced by and loosely based on Johann Wolfgang von Goethe's ballad Mignon, and some verses of the ballad are used as the poem's epigraph.
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Pío was born in San Sebastián, Gipuzkoa, the son of Serafin Baroja, also a noted writer and opera librettist.Pío Baroja The city of the discreet – Page 1 1917 Introduction: "He composed the libretto of the first Basque opera ever produced, the music of which was by Santesteban. He is said to have been responsible for the libretto of one other opera — a Spanish one.Samuel Edward Hill Initiation, satiation, resignation: the development of Baroja's... – Page 10 1964 "His father was a mining engineer and, by avocation, a writer of popular cantos in the Basque language as well as Spanish.
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Epic poetry included Nabibangsha by Syed Sultan, Janganama by Abdul Hakim and Rasul Bijoy by Shah Barid. Chandidas was the celebrated Hindu lyrical poet of this period, famed for translating Jayadeva's work from Sanskrit to Bengali and for producing thousands of poems dedicated to the love between Radha and Krishna such as the Shreekrishna Kirtana. Majority of Hindu writers in this period drew inspiration from a popular Maithili language Vaishnavite poet known as Vidyapati. Maladhar Basu's Sri Krishna Vijaya, which is chiefly a translation of the 10th and 11th cantos of the Bhagavata Purana, is the earliest Bengali narrative poem that can be assigned to a definite date.
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In 1824 he produced Fiesque, a clever adaptation of Schiller's Fiesco. In 1828 appeared Olga, ou l'orpheline russe, the plot of which had been inspired by a voyage he made to Russia in 1826. About the same period he produced in succession Marie de Brabant (1825), a poem in six cantos; L'Homme du monde (1827), a novel in four volumes, afterwards dramatized with success; and in 1829 a play, Elisabeth d'Angleterre. By the Revolution of July 1830 he lost at once his royal pension and his office as librarian at Meudon; and he was chiefly employed during the next ten years in writing vaudevilles and light dramas and comedies.
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Weiss's seemingly minimalist intervention in the protocols shows the dramatist (and former painter and filmmaker) who only a year earlier had created the sensational and wildly theatrical play Marat/Sade at the height of his art. The Investigation succeeds in transforming the actual protocols into a work of literature and art – to the extent that art may be best suited to convey a sense of the experience and preserve the memory of the Holocaust. In the cantos, the dramatist sets the statements of the anonymous witnesses against the named defendants and former SS concentration camp guards. Unlike at the historical trial, only eighteen defendants stand before the court.
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The Parishishtaparvan () also known as the Sthaviravalicharitra () is a 12th- century Sanskrit mahakavya by Hemachandra which details the histories of the earliest Jain teachers. The poem comprises 3,460 verse couplets divided into 13 cantos of unequal length and is also notable for providing information on the political history of ancient India. The Trishashtishalakapurushacharitra (; The Lives of the Sixty-three Illustrious People), an epic Sanskrit poem on the key figures in Jainism, was composed by Hemachandra at the request of the Chaulukya king, Kumarapala. The Sthaviravalicharitra (The Lives of the Jain Elders) is considered a self-contained sequel to this work and is consequently referred to as the Parishishtaparvan or The Appendix.
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He joined Byron for episodes of pistol shooting and riding and dined within Byron's inner circle with other friends that included Shelley, Edward E Williams, Leigh Hunt and the recently arrived Edward John Trelawny. The last would feature as friend and rival throughout Medwin's life, as both sought to be arbiters of Byron's reputation. Medwin provided a translation of part of Petrarch's "Africa" for Byron,Byron's letters and Journals VI, 7: Thomas Medwin "Conversations" while Byron finished Cantos 6–12 of Don Juan. When Medwin decided to continue his tour of Italy in April 1822, Byron insisted on holding a splendid leaving party for him.
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He was condemned, but owing to his justifications and conduct, the supreme tribunal of the Casa da Suplicação da Corte declared Francisco's exemplary service as vassal, which was also confirmed by royal decree. Francisco Ornelas da Câmara, who was devotee of the Cult of the Holy Spirit, and to commemorate his exoneration, he promised to annually contribute barefoot, a large bodo do Espírito Santo, and build in Angra a hermitage in honour of the Holy Spirit. He eventually constructed, along Rua dos Quatro Cantos, a chapel, a precursor of the today's impérios. He also incorporated into his coat-of-arms the white dove of the Holy Spirit.
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Even before Kambar wrote the Ramavataram in Tamil in the 12th century AD, there are many ancient references to the story of Ramayana, implying that the story was familiar in the Tamil lands even before the Common Era. References to the story can be found in the Sangam literature of Akanaṉūṟu,(dated 400BC) and Purananuru (dated 300 BC), the twin epics of Silappatikaram (dated 2nd Century CE) and Manimekalai (cantos 5, 17 and 18), and the Alvar literature of Kulasekhara Alvar, Thirumangai Alvar, Andal and Nammalvar (dated between 5th and 10th Centuries CE). Even the songs of the Nayanmars have references to Ravana and his devotion to Lord Siva.
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Tytell (1987), 302 The awards committee consisted of 15 fellows of the Library of Congress, including several of Pound's supporters, such as Eliot, Tate, Conrad Aiken, Katherine Anne Porter, and Theodore Spencer. The idea was that the Justice Department would be in an untenable position if Pound won a major award and was not released. Laughlin published The Pisan Cantos on 20 July 1948,Carpenter (1988), 787 and the following February the prize went to Pound.Carpenter (1988), 791 There were two dissenting voices, Katherine Garrison Chapin and Karl Shapiro; the latter said he could not vote for an antisemite because he was Jewish himself.
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Kullervo Speaks to His Sword by Carl Eneas Sjöstrand, 1868 (cast into bronze in 1932) Cantos 31–36: Untamo kills his brother Kalervo's people, but spares his wife who later begets Kullervo. Untamo sees the boy as a threat, and after trying to have him killed several times without success, sells Kullervo as a slave to Ilmarinen. Ilmarinen's wife torments and bullies Kullervo, so he tricks her into being torn apart by a pack of wolves and bears. Kullervo escapes from Ilmarinen's homestead and learns from an old lady in the forest that his family is still alive, and is soon reunited with them.
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A sandwich panel is a composite of three or more materials bonded together to form a structural panel. It takes advantage of the shear strength of a low density core material and the high compressive and tensile strengths of the GFRC facing to obtain high strength-to-weight ratios. Public Library Lope de Vega in Tres Cantos, Madrid The theory of sandwich panels and functions of the individual components may be described by making an analogy to an I-beam. The core in a sandwich panel is comparable to the web of an I-beam, which supports the flanges and allows them to act as a unit.
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Ishtar and Izdubar expanded the original roughly 3,000 lines of the Epic of Gilgamesh to roughly 6,000 lines of rhyming couplets grouped into forty-eight cantos. Hamilton significantly altered most of the characters and introduced entirely new episodes not found in the original epic. Significantly influenced by Edward FitzGerald's Rubaiyat of Omar Khayyam and Edwin Arnold's The Light of Asia, Hamilton's characters dress more like nineteenth-century Turks than ancient Babylonians. In the poem, Izdubar (the earlier misreading for the name "Gilgamesh") falls in love with Ishtar, but, then, "with hot and balmy breath, and trembling form aglow," she attempts to seduce him, leading Izdubar to reject her advances.
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Subtitled Raccolta di poesie repubblicane de' più celebri autori viventi ("A collection of republican poetry by the most celebrated living authors"), the anthology was published in Bologna in 1801 and contained poetry by Gasparinetti, Giuseppe Giulio Ceroni, Vincenzo Monti, Ugo Foscolo, and a dozen other Italian poets. In 1809, Gasparinetti published Apoteosi di Napoleone Primo Imperadore e Re ("Apotheosis of Napoleon First Emperor and King"). Consisting of four cantos containing sixty tercets each, the Apoteosi was one of the few Italian poetic works that attempted to chronicle Napoleon's exploits in detail. Its closing lines repeated those spoken by Gasparinetti five years earlier during a mime depicting Napoleon in the Elysian Fields.
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The only other thing he brought with him was a eucalyptus pip. Throughout the Pisan sequence, Pound repeatedly likens the camp to Francesco del Cossa's March fresco depicting men working at a grape arbour. Sheet of toilet paper showing start of Canto LXXXIV, c. May 1945, part of The Pisan Cantos, suggesting Pound may have begun it while in the steel cage With his political certainties collapsing around him and his library inaccessible, Pound turned inward for his materials and much of the Pisan sequence is concerned with memory, especially of his years in London and Paris and of the writers and artists he knew in those cities.
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At the centre of the canto there is a passage on monopolies that draws on the lives and writings of Thales of Miletus, the emperor Antoninus Pius and St. Ambrose, amongst others. Canto LXXXIX continues with Benton and also draws on Alexander del Mar's A History of Money Systems. The same examples of good rule are drawn on, with the addition of the Emperor Aurelian. Possibly in defence of his focus on so much "unpoetical" material, Pound quotes Rodolphus Agricola to the effect that one writes "to move, to teach or to delight" (ut moveat, ut doceat, ut delectet), with the implication that the present cantos are designed to teach.
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In 1809 Scott included in an article 'The Inferno of Altisidora' for The Edinburgh Annual Review three short imitations, of Crabbe, Moore, and himself. The last of these was entitled 'The Vision of Triermain' and consisted of an early version of the first eight stanzas of what was to become The Bridal of Triermain. While he was composing Rokeby in the autumn of 1812 Scott took some time to extend the fragment to three cantos, planning to publish it anonymously to test the critics, especially Francis Jeffrey, though in the event Jeffrey did not review it.Edgar Johnson, Sir Walter Scott: The Great Unknown (London, 1970), 401, 410.
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His early poems, Night (1788) and Socrates (1790), were tame and sentimental, but after 1805 he determined, in company with his brother-in-law, Cornelis Loots (1765–1834), to rouse national feeling by a burst of patriotic poetry. His Poems (2 vols, 1809–1810), but especially his great work The Dutch Nation, a poem in six cantos (1812), created great enthusiasm and enjoyed immense success. Even the published censored version was contentious enough that only his premature death prevented an arrest by the French occupation.G.J. van Bork en P.J. Verkruijsse Helmers, Jan Frederik, in De Nederlandse en Vlaamse auteurs van middeleeuwen tot heden met inbegrip van de Friese auteurs.
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Landau, 35, 38 The Divine Comedy consists of 100 cantos, and the printed text left space for one engraving for each canto. However, only 19 illustrations were engraved, and most copies of the book have only the first two or three. The first two, and sometimes three, are usually printed on the book page, while the later ones are printed on separate sheets that are pasted into place. This suggests that the production of the engravings lagged behind the printing, and the later illustrations were pasted into the stock of printed and bound books, and perhaps sold to those who had already bought the book.
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He is known as the precursor of the Poesía Negra y oscura (black and dark poetry) in Colombia, a literary style that focused on describing the daily activities performed by the Colombian black communities. He wrote his narrative in the first person and using the language the Afrocolombian communities spoke. An example of this is his first book of poems, Cantos Populares de mi Tierra, published by Imprenta de Borda in 1887. He also wrote La familia Pygmalion (1871), Lectura para ti (1878), Secundino el Zapatero (1880) and Lucha de la vida (1882). He translated into Spanish Shakespeare’s Othello, and works from Víctor Hugo, Byron, Musset, Longfellow, Goethe and Jonathan Lawrence.
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The second edition of Inspiração Nordestina was published in 1967 with additions as Cantos do Patativa. In 1970 he publishes a new collection of poems: Patativa do Assaré: novos poemas comentados; and in 1978 comes one of his most popular books: Cante lá que eu canto cá. His first LP was recorded in 1979, the same year he received honours from SBPC (Sociedade Brasileira para o Progresso da Ciência) and also campaigned for the amnesty of those who were convicted of political crimes during the dictatorship. Another popular singer, Fagner, records his poem Vaca Estrela e Boi Fubá, spreading his name to an even wider audience.
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Born in Almendralejo, Badajoz, Extremadura, Cordero made his senior debut with UD Fuente de Cantos during the 2015–16 season, in Tercera División. On 30 June 2016, he signed a three-year deal with Sporting de Gijón and was assigned to the B-team also in the fourth division. Cordero made his first team debut on 23 November 2018, starting in a 2–1 Segunda División away win against Granada CF. Ahead of the 2019–20 campaign, he was definitely promoted to the main squad. On 14 September 2020, Cordero agreed to a two-year contract with Segunda División B side Marbella FC, after terminating his contract with Sporting.
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This poem comprises five cantos. The story begins in 1823—just after the Leavenworth campaign against the Arikara Indians—and follows an expedition of Major Andrew Henry during a series of arduous journeys over the Trans-Missouri region. The poem describes the friendship that springs up between two trappers—an older man named Hugh Glass, and a younger named Jamie—who fight, scout and hunt together in the wilds. The story is set when Jamie and a companion betray Hugh: Hugh is abandoned—alive, and badly wounded—to die by the Missouri; to allow Jamie and his companion to safely flee the enmity of hostile Indians in the vicinity.
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He was largely ignored by the critics, who were more interested in modernism, the popular trend of the time. The 1930 to 1950 period was marked by political activism, exemplified by "Canto de trinchera" (Trench song, 1929–1933), "Imprecación a la bestia fascista" (Curse the fascist beast, 1937), "Cinco cantos rojos" (Five red songs, 1938), "Morfología del espanto" (Morphology of terror, 1942), "Arenga sobre el arte" (Rant about art, 1949) and "Carta magna de América" (Magna Carta of America, 1948). In 1939, de Rokha founded his own magazine, "Multitud: revista del pueblo y la alta cultura" (Multitud: magazine of the people and high culture), which would later become a publishing house.
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His early works include verse in the Italian language and a poem in Arberesh dedicated to Saint Lazarus. Dara's best-known work is Kënka e sprasme e Balës (The last song of Bala) originally written in Arbëresh language and later translated into Italian. Kënka e sprasme e Balës is a four-part epic romantic ballad containing nine cantos and recounts the adventures of Nik Peta and Pal Golemi, two Albanian heroes that lived in the era of the League of Lezhë. It was first published in 1887 after his death in installments in the periodical Arbri i ri (Young Albania), published by Giuseppe Schirò.
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The first attempt to translate Gerusalemme liberata into English was made by Richard Carew, who published his version of the first five cantos as Godfrey of Bulloigne or the recoverie of Hierusalem in 1594. More significant was the complete rendering by Edward Fairfax which appeared in 1600 and has been acclaimed as one of the finest English verse translations. (There is also an eighteenth-century translation by John Hoole, and modern versions by Anthony Esolen and Max Wickert.) Tasso's poem remained popular among educated English readers and was, at least until the end of the 19th century, considered one of the supreme achievements of Western literature.
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The second part contains the narrative of a wandering shepherd boy, who received a mantra from a resident of Vrindavan, travelling from one planetary system to another, exploring the different levels of consciousness of living beings. His spiritual odyssey covers Vaikuntha, Brahmaloka, Shivaloka and the heavenly planets. Second Canto contains four chapters: (1) Vairägya – Renunciation (2) Jïäna – Knowledge (3) Bhajana – Devotional Service (4) Vaikuëöha – The Spiritual World Each of the two cantos of this scripture is a separate history. Our worshipful author has not merely written two histories. Rather, for facilitating the worship of the divine couple, Çré Çré Rädhä-Kåñëa, he has thoroughly analyzed Their Lordships’ fundamental reality and nature.
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Tolkien worked on The Lay of Leithian from the summer of 1925 until September 1931, when he abandoned it with only thirteen of the seventeen planned cantos completed. During the composition he made many amendments of the already existing parts of the poem, partially based on the criticism of his friend C. S. Lewis who had read the poem in 1929. In the 1950s, after the publishing of The Lord of the Rings, he resumed working on the poem, of which he rewrote many passages, particularly of the second canto which was expanded and split into two. Nevertheless, the poem never reached a complete or definite form.
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The poem consists of 4488 rhyming pentameters and is divided into ten different sections: one 'Prelude' and nine 'Cantos'. It is usually preceded, as in Tristram of Lyonesse and Other Poems by a dedicatory sonnet to Swinburne's friend Theodore Watts- Dunton. Below is a brief summary of the content of the poem's different parts: Prelude The 'Prelude' starts with a hymn to love and then places Iseult among the twelve beautiful women of myth and story, each of whom represents a different month of the year. It ends with Swinburne's apology for adding yet another retelling to the already lengthy literature written on the subject of Tristan and Iseult.
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The city's cosmopolitan intellectual circle had a positive effect on her, she became acquaintance with writers Victoria Ocampo, Jorge Borges, and feminist-fashionista "Pele" Pelegrina Pastorino. The following year, she published Inquietudes Sentimentales, which was followed by Los Tres Cantos, where she explored eroticism and spirituality. After an admirer, Horacio Ramos Mejía, committed suicide in Wilms Montt's home, she left for New York City during World War I, but, after being accused of being a German spy, she was deported to Spain. Here, she became the muse of Julio Romero de Torres, who introduced her to the writers Gómez de la Serna, Gómez Carrillo, and Ramón Valle-Inclán.
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' After its publication, Byron and Murray became good friends and their relationship is the reason why the Archive contains more than just Byron's works – his personal papers were collected by the Murray family over the years. This series contains the manuscripts of Childe Harold's Pilgrimage itself as well as manuscripts and drafts of most of Byron's other work, many of which have been put on display at various exhibitions like the National Library of Scotland's 'Such Seductive Poetry' exhibition (18 April 2019-27 July 2019) which featured letters written and received by Byron, as well as the manuscript of Don Juan (cantos I, II and V) with his annotations and additions.
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Greenaway's most familiar musical collaborator during this period is composer Michael Nyman, who has scored several films. In 1989, he collaborated with artist Tom Phillips on a television serial A TV Dante, dramatising the first few cantos of Dante's Inferno. In the 1990s, he presented Prospero's Books (1991), the controversial The Baby of Mâcon (1993), The Pillow Book (1996), and 8½ Women (1999). In the early 1990s, Greenaway wrote ten opera libretti known as the Death of a Composer series, dealing with the commonalities of the deaths of ten composers from Anton Webern to John Lennon, however, the other composers are fictitious, and one is a character from The Falls.
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Helios also instructed her to adopt a specific diet, and to write an epic poem in eight cantos, about Rameses II. She wrote a short book of poems, which she claimed to have received "through auditory control" from the spirit realm, Mystic Songs of Fire and Flame (1921). She used the masculine pseudonyms John Prendregeist and John Prendergast, interpreting the surname as meaning "to grasp the spirit." In 1921, Behenna lectured in Washington, D.C. on "Color: Its Effect on Human Health and the Preservation of Youth in the Body", and read her poetry at the Arts Club of Washington. In 1922, she visited Montreal to lecture on "The Coming Race".
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These early sections show the influence of The Cantos, though Zukofsky was to further develop his own style and voice as A progressed. The 1930s also saw him continue his involvement in Marxist politics, an interest that went back to his college friendship with Whittaker Chambers. Although he would continue to write short poems and prose works, notably the 1963 Bottom: On Shakespeare, the completion of A was to be the major concern of the remainder of Zukofsky's writing life. As the poem progressed, formal considerations tended to be foregrounded more and more, with Zukofsky applying a wide range of devices and approaches, from the sonnet to aleatory or random composition.
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Vanni Fucci di Pistoia is a minor character in Inferno, the first part of Dante Alighieri's epic poem the Divine Comedy, appearing in Cantos XXIV & XXV. He was a thief who lived in Pistoia, as his name ("di Pistoia" meaning "of Pistoia") indicates; when he died, he was sent to the seventh bolgia (round; in Italian, "ditch" or "pouch") of the eighth circle of Hell, where thieves are punished. In that bolgia his punishment was to be stung by a serpent, reduced to ashes, and then restored to his former shape for more torturing. Dante and Virgil meet him and ask him why he was there.
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Poetry Foundation Podcast According to James Atlas, Allen Tate responded to the book by stating that "[Schwartz's] poetic style marked 'the first real innovation we've had since Eliot and Pound.'" For the next couple of decades, he continued to publish stories, poems, plays, and essays, and edited the Partisan Review from 1943 to 1955, as well as The New Republic. Schwartz was deeply upset when his epic poem, Genesis, which he published in 1943 and hoped would stand alongside other Modernist epics like The Waste Land and The Cantos as a masterpiece, received a negative critical response. Later, in 1948, he married the novelist, Elizabeth Pollet.
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He dedicated the final stanza of his epic The Cantos to her, in homage and gratitude for her courageous and loyal support of Pound during his 13-year incarceration in a mental hospital after having been indicted for treasonous activities against the United States and in support of Benito Mussolini's Fascist regime. She also defended Pound against the accusation that he was anti-Semitic. During the last 11 years of Pound's life, Rudge was his devoted companion, secretary, and nurse, as he sank into eccentricity and prolonged silences. Rudge survived Pound by twenty-four years, remaining in the small house in Venice she had shared with him.
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As Pratchett had done, she used a mountain metaphor, alluding to Basil Bunting's poem about Ezra Pound's Cantos, with the words "Tolkien's books have become Alps and we will wait in vain for them to crumble." Kaveney called Tolkien's works "Thick Texts", books that are best read with some knowledge of his Middle-earth framework rather than as "single artworks". She accepted that he was a complicated figure, a scholar, a war survivor, a skilful writer of "light verse", a literary theorist, and a member of "a coterie of other influential thinkers". Further, she stated that he had much in common with accepted modernist writers like T. S. Eliot.
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In 1950, inspired by the example of Pound's Cantos (though Olson denied any direct relation between the two epics), Olson began writing The Maximus Poems. An exploration of American history in the broadest sense, Maximus is also an epic of place, situated in Massachusetts and specifically the city of Gloucester where Olson had settled. Dogtown, the wild, rock-strewn centre of Cape Ann, next to Gloucester, is an important place in The Maximus Poems. (Olson used to write outside on a tree stump in Dogtown.) The whole work is also mediated through the voice of Maximus, based partly on Maximus of Tyre, an itinerant Greek philosopher, and partly on Olson himself.
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Four conversations are described in the seventh and eighth cantos of the epic. These include the first conversation between Aṣṭāvakra and Janaka, followed by the three debates of Aṣṭāvakra – the first one to convince the gatekeeper to let him into the assembly; then his answers to the cryptic questions of Janaka; and finally the Śāstrārtha between Bandī and Aṣṭāvakra, in which the seemingly simple enumerations of the numbers one to thirteen belie enigmas and latent meanings which lie beneath. These conversations in the epic are the same as in the Mahābhārata, and the comparison between the poetry in the Saṃskṛta of Mahābhārata and the Hindi of Aṣṭāvakra is noteworthy.
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Two well-known examples of non-humorous macaronic verse are Byron's Maid of Athens, ere we part (1810, in English with a Greek refrain); and Pearsall's translation of the carol In Dulci Jubilo (1837, in mixed English and Latin verse). An example of modern humorous macaronic verse is the anonymous English/Latin poem Carmen Possum ("The Opossum's Song"), which is sometimes used as a teaching and motivational aid in elementary Latin language classes. Other similar examples are The Motor Bus by A. D. Godley, and the anonymous Up I arose in verno tempore. Ezra Pound's The Cantos makes use of Chinese, Greek, Latin, and Italian, among other languages.
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In the same year, he became part-owner of the Edinburgh Review, although with the help of George Canning he launched in opposition the Quarterly Review in 1809, with William Gifford as its editor, and Scott, Canning, Robert Southey, John Hookham Frere and John Wilson Croker among its earliest contributors. Murray was closely cooperated with Constable, but ended the association in 1813 due to Constable's business methods that did not work properly. In 1811, the first two cantos of Lord Byron's Childe Harold were brought to Murray by Robert Charles Dallas, to whom Byron had presented them. Murray paid Dallas 500 guineas for the copyright.
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The Russell Collection, St. Cecilia's Hall (University of Edinburgh) There is a photograph of a copy built by Michael Cole in 1960 now in the Cantos Collection at Michael Cole's website The instrument shows no evidence of alteration (it was quite common for piano buyers to have their instruments altered, for example to extend their compass with extra notes) The mahogany case with boxwood cross-banding encloses a wooden frame and soundboard with paper rose. Trichord throughout (there are three strings to each note) Compass is five octaves (FF-f3). Two pedals – una corda and damper lift. There is a three-legged trestle stand with pedal mechanism for lifting the dampers.
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More recently, popular Indian lyricist, music director and singer, Ravindra Jain wrote the Hindi version of Ramayan named, Ravindra Ramayan () which was published after his death. RJ Group, which was formed by Ravindra Jain and his family, has uploaded all the kands (cantos) of Ravindra Ramayan on YouTube. The latest in the retelling of the epic is from Ravi Venugopal, a US-based NRI narrating the story from the eyes of Rama. The first volume of the I, Rama trilogy is Age of Seers and is narrated by an age old Rama who introspects his life and the events happening with a pragmatic view.
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The case of Agustín Rueda's death was opened immediately after his death, but the prison officials accused of the crime were released on parole by intervention of the Justice Minister Landelino Lavilla Alsina. In 1988, the Provincial Court of Madrid ruled that the beating Agustin Rueda was a crime of reckless imprudence resulting in death, and not murder, despite medical expert disagreement on the cause of death. Eduardo José Cantos Rueda, director of the Carabanchel prison when the events took place, deputy director Antonio Rubio and five other officials were sentenced to 10 years in prison. Three other defendants were sentenced to eight, seven and six years, respectively.
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Literature for children and young people continued to be written in the first half of the 20th century. To this period belong Dulce María Borrero and her Cantos escolares, Emilio Bacardí Moreu with Cuentos de todas las noches (published posthumously in 1950), René Potts with Romancero de la maestrilla (1936) and Emma Pérez Téllez with Niña y el viento de mañana (1938) and Isla con sol (1945). However, the most prominence was achieved by Hilda Perera Soto with Cuentos de Apolo (1947), a central work within children's literature in Cuba. The 1940s also saw Raúl Ferrer and his Romancillo de las cosas negras y otras poemas.
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"When Lilacs Last in the Dooryard Bloom'd" is a first-person monologue written in free verse. It is a long poem, 206 lines in length (207 according to some sources), that is cited as a prominent example of the elegy form and of narrative poetry. In its final form, published in 1881 and republished to the present, the poem is divided into sixteen sections referred to as cantos or strophes that range in length from 5 or 6 lines to as many as 53 lines. The poem does not possess a consistent metrical pattern, and the length of each line varies from seven syllables to as many as twenty syllables.
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In 2017, results of the CANTOS trial demonstrated that anti-inflammatory therapies reduce risk for heart attack, stroke, other cardiovascular events and cancer by up to 50%. The method ties results of this testing to considerations of lifestyle, diet, sleep disorders, stress levels, genetic factors, and dental care, and personalized treatment targets are set to reduce patients' cardiovascular risk. In some cases, these goals exceed those set by standard care. A common protocol for blood pressure indicates that an adult male with a reading of 130/85 is not at risk for a heart attack if the patient is being treated for high blood pressure.
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The album was recorded at with Christoph Eschenbach and the Houston Symphony in 1993. In addition, he was featured on Cantos, a CD of works by American composer Samuel Adler and a recording of the chamber version of Bruckner 7th symphony performing with Gruppo Montibello. In addition to the dozens of recording made as Principal Horn in an orchestra he has recorded the Brahms Trio opus 40, Mozart Quintet K. 407, Schoenberg Wind Quintet, Beethoven Septet opus 20, Spohr Nonet opus 31, and the Six Bagatelles for wind quintet by Ligeti for Music@Menlo. In addition, he is featured as first horn on a live recording of Bach Brandenbug Concerto no.
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Marino wrote other works in verse such as: I panegirici ("The Panegyrics"); La galleria ("The Gallery", descriptions of paintings and sculptures); the sacred poem in four cantos, La strage degli innocenti ("The Massacre of the Innocents"); the epic fragments Gerusalemme distrutta and Anversa liberata (still of uncertain attribution) inspired by Tasso; interesting and ingenious burlesque compositions such as La Murtoleide (81 satirical sonnets against Gaspare Murtola), the "capitolo" Lo stivale; Il Pupulo alla Pupula (burlesque letters) etc. Many works were announced but never written, including the long poem Le trasformazioni, inspired by Ovid's Metamorphoses, which was abandoned after Marino turned his attention to Adone.
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The Autonoma is widely recognised for its research strengths in theoretical physics. Known simply as la Autónoma in Madrid, its main site is the Cantoblanco Campus, situated 15 kilometers to the north of the capital (M-607) and close to the municipal areas of Madrid, namely Alcobendas, San Sebastián de los Reyes, Tres Cantos and Colmenar Viejo. Located on the main site are the Rectorate building and the Faculties of Science, Philosophy and Fine Arts, Law, Economic Science and Business Studies, Psychology, Higher School of Computing Science and Engineering, and the Faculty of Teacher Training and Education. The Medical School is located outside the main site and beside the Hospital Universitario La Paz.
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The second canto, by contrast, is an ode to women, while in cantos III to VII the author plays with and dismantles the language and its expressive limits. Picasso's portrait of Huidobro on a sign indicating his resting place on the coast of Chile ;A fragment of Altazor: :The waterfall tresses over the night :While the night beds to rest :With its moon that pillows the sky :I iris the sleepy land :That roads towards the horizon :In the shade of a shipwrecking tree The book includes a Picasso portrait of Huidobro. In honour of Huidobro's work, the poem has been used to name the Chilean Award of the National Arts, known as the Altazor Award.
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There has been considerable debate about the nature and function of the encyclopedic novel since Mendelson's exposition of the concept. Hillary A. Clark attributes to this type of discourse the importance of ordering the information which the writer discovers and retrieves.Clark, 99; For Mendelson see note 1, 108 Moreover, Clark points out that encyclopedic texts have a long history, from the Renaissance Divine Comedy of Dante to Ezra Pound's modernist The Cantos. She explains that the urge to order the sum of all knowledge grew exponentially during the Renaissance and that by the 20th century we see writers such as Pound and James Joyce (whose Finnegans Wake is an example of an encyclopedic novel) simply recycling narratives.
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Title page to the eighth edition, 1810 The Lady of the Lake is a narrative poem by Sir Walter Scott, first published in 1810. Set in the Trossachs region of Scotland, it is composed of six cantos, each of which concerns the action of a single day. There are voluminous antiquarian notes. The poem has three main plots: the contest among three men, Roderick Dhu, James Fitz-James, and Malcolm Graeme, to win the love of Ellen Douglas; the feud and reconciliation of King James V of Scotland and James Douglas; and a war between the Lowland Scots (led by James V) and the Highland clans (led by Roderick Dhu of Clan Alpine).
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With other writers, he helped to set up a scholarship for beginning writers on Salt Spring and also organized a new reading series on the island.2017 Islands Short Fiction Contest Winners Announced He served on the executive of the League of Canadian Poets for five years and in 1996 was sent by the League of Canadian Poets and the Department of Foreign Affairs to represent Canada at an International Poetry Festival in Japan. Hilles won the 1994 Governor General's Award for Poetry for Cantos From A Small Room (1993). In the same year, his first novel, Raising of Voices (1993), won the Writers' Guild of Alberta's George Bugnet Award for Novel.
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Along with his volumes of poetry— Bluewren Cantos (2013), Fire Diary (2010), The Lyrebird (2011), and The Road South (spoken word CD, 2008)— Tredinnick's thirteen books include the landscape memoir, The Blue Plateau (2009), four books on the writing craft, including, The Little Red Writing Book (2006), and Australian Love Poems, which he edited in 2013. A bilingual (Chinese/English) selection of his poems (The Lyrebird) is due out late in 2014, along with his third collection of poems, Body Copy. He is working on a memoir of a reading life, Reading Slowly at the End of Time (2015). Mark Tredinnick Tredinnick no longer lives with his family along the Wingecarribee River, southwest of Sydney.
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He studied philosophy and Catholic theology in Bosnia (seminaries in Kraljeva Sutjeska, Franciscan monastery in Livno, Franciscan monastery in Kreševo), among Bosnian Croats.Pater Gjergj Fishta (1871–1940) In 1902, he became the head of the Franciscan college in Shkodër. Fishta was under influence of Croatian Franciscan friars as a student in monasteries in Austria-Hungary, when he wrote his main work Lahuta e Malcís, influenced by the national epics of the Croatian and Serbian literature according to Robert Elsie. Dedicated to the commander Ali Pasha of Gusinje the work was an epic poem that consisted of 30 cantos focusing on the events of the League of Prizren, which had become a symbol of the Albanian national awakening.
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Renaud is an opera by Antonio Sacchini, first performed on 28 February 1783 by the Académie Royale de Musique at the Théâtre de la Porte Saint-Martin in Paris. It takes the form of a tragédie lyrique in three acts. The French libretto, by Jean-Joseph Lebœuf, is based on Cantos XVII and XX of Torquato Tasso's epic poem Gerusalemme liberata and, more directly, on the five-act tragedy by Simon-Joseph Pellegrin, Renaud, ou La suite d'Armide, which had been set to music by Henri Desmarets in 1722 and was intended as a sequel to Lully's famous opera Armide. According to Théodore Lajarte, Lebœuf was helped by Nicolas-Étienne Framery, the regular translator of Sacchini's libretti.
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An image of the distribution of seeds from the sacred mountain opens Canto XCII, continuing the concern with the relationship between natural process and the divine. The kernel of this canto is the idea that the Roman Empire's preference for Christianity over Apollonius and its lack respect for its currency resulted in the almost total loss of the "true" religious tradition for a thousand years. A number of Neoplatonic philosophers, familiar from earlier cantos but with the addition of Avicenna, are listed as representing a fine thread of light in these Dark Ages. Canto XCIII opens with a quote, "A man's paradise is his good nature", taken from The Maxims of King Kati to His Son Merikara.
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Canto L, which again contains antisemitic statements, moves from John Adams to the failure of the Medici bank and more general images of European decay since the time of Napoleon I. The final canto in this sequence returns to the usura litany of Canto XLV, followed by detailed instructions on making flies for fishing (man in harmony with nature) and ends with a reference to the anti-Venetian League of Cambrai and the first Chinese written characters to appear in the poem, representing the Rectification of Names from the Analects of Confucius (the ideogram representing honesty at the end of Canto XLI was added when The Cantos was published as a single volume).
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This heralds perhaps the most widely quoted passages in The Cantos, in which Pound expresses his realisation that "What thou lovest well remains, / the rest is dross" and an acceptance of the need for human humility in the face of the natural world that prefigures some of the ideas associated with the deep ecology movement. The opening of Canto LXXXII marks a return to the camp and its inmates. This is followed by a passage that draws on Pound's London memories and his reading of the Pocket Book of Verse. Pound laments his failure to recognise the Greek qualities of Swinburne's work and celebrates Wilfred Scawen Blunt, Rudyard Kipling, Ford Madox Ford, Walt Whitman, Yeats and others.
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Close observation of a wasp building a mud nest returns the canto to earth and to the figure of Tiresias, last encountered in Cantos I and XLVII. The canto moves on through a long passage remembering Pound's time as Yeats' secretary in 1914 and a shorter meditation on the decline in standards in public life deriving from a remembered visit to the senate in the company of Pound's mother while that house was in session. The closing lines, "Down derry-down / Oh let an old man rest", return the poem from the world of memory to the poet's present plight. Canto LXXXIV opens with the delivery of Dorothy Pound's first letter to the DTC on October 8.
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In his 1918 essay A Retrospect, Pound wrote "I think there is a 'fluid' as well as a 'solid' content, that some poems may have form as a tree has form, some as water poured into a vase. That most symmetrical forms have certain uses. That a vast number of subjects cannot be precisely, and therefore not properly rendered in symmetrical forms". Critics like Hugh Kenner who take a more positive view of The Cantos have tended to follow this hint, seeing the poem as a poetic record of Pound's life and reading that sends out new branches as new needs arise with the final poem, like a tree, displaying a kind of unpredictable inevitability.
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The Tun, circa 1900. The Tun is referenced in Rudolf Erich Raspe's The Surprising Adventures of Baron Munchausen, Jules Verne's novel Five Weeks in a Balloon, Victor Hugo's Les Miserables, Washington Irving's The Specter Bridegroom, Mary Hazelton Wade's Bertha, Mark Twain's A Tramp Abroad and Wilhelm Busch's Die fromme Helena. It can also be found in Herman Melville's Moby-Dick as well as in Lyrisches Intermezzo by Heinrich Heine, later used in the song cycle Dichterliebe by Robert Schumann for the final song "Die alten, bösen Lieder (The old evil songs)". Ezra Pound made reference to the Heidelberg Tun and to the legendary Perkeo in Canto LXXX of The Pisan Cantos (published 1948).
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As part of the shift in market strategy for VAM's Hornet-based compacts for 1975 that included advancements in the American base model and American Rally was the introduction of the new American ECD or Edición Cantos Dorados (Golden Edges Edition). It represented for the first time a VAM four-door compact was not an economy base model. The American ECD was VAM's first regular production luxury compact, before it was only the two-door hardtop 1963 and 1965 Rambler American Hardtop (Rambler American 440H in the US and Canada) limited editions. The ECD was restricted to the four-door sedan while the 1975 American Rally took the role of the high trim two-door sedan.
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The Hours Press became known for its beautiful book designs and high-quality production.Shari Benstock, Women of the Left Bank: Paris, 1900–1940 (1986; Austin: U of Texas P, 1987) 389–90. . It brought out the first separately published work of Samuel Beckett, a poem called Whoroscope (1930); Bob Brown's Words; and Pound's A Draft of XXX Cantos. Cunard published old friends like George Moore, Norman Douglas, Richard Aldington and Arthur Symons, and brought out Henry-Music, a book of poems from various authors with music by Henry Crowder, but also two books by Laura Riding, the Collected Poems of John Rodker, poems by Roy Campbell, Harold Acton, Brian Howard and Walter Lowenfels.
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The Autonomous University of Madrid (Universidad Autónoma de Madrid; UAM) was instituted under the leadership of the physicist, Nicolás Cabrera. The Autonomous University is widely recognised for its research strengths in theoretical physics. Known simply as La Autónoma by locals, its main site is the Cantoblanco Campus, located at the North of the municipality, close to its boundaries with the neighbouring municipalities of Alcobendas, San Sebastián de los Reyes and Tres Cantos. Located on the main site are the Rectorate building and the Faculties of Science, Philosophy and Fine Arts, Law, Economic Science and Business Studies, Psychology, Higher School of Computing Science and Engineering, and the Faculty of Teacher Training and Education.
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The After was first announced in August 2013, breaking creator Chris Carter's 11-year absence from television after the conclusion of The X-Files. The pilot was originally made available on Amazon on February 6, 2014 and viewers were able to assess the final product and offer feedback before the studio made a final decision about a series pick-up. The After subsequently received an eight episode order for the first season, which would have premiered in February 2015. Carter stated that he hoped the series would run for a total of 99 episodes, and that he used Dante Alighieri's epic poem The Divine Comedy (which features exactly 99 cantos) as his model for the show.
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No fewer than 15 tropane alkaloids have been isolated from Atropa baetica, of which the most abundant are atropine and scopolamine – alkaloids of frequent occurrence in toxic Solanaceous plants (notably in tribes Hyoscyameae and Datureae)) with a history of employment as analgesics, anaesthetics and hallucinogens in traditional medicine.Zarate, Rafael; Hermosin, Bernardo; Cantos, Manuel and Troncoso, Antonio: Tropane Alkaloid Distribution in Atropa baetica Plants: Journal of Chemical Ecology August 1997, Volume 23, Issue 8, pp. 2059–2066Maqbool, Farhana; Singh, Seema; Kaloo, Zahoor A.; and Jan, Mahroofa, of University of Kashmir, Hazratbal, Srinagar, Jammu and Kashmir, India: Medicinal Importance of Genus Atropa Royle -A review: International Journal of Advanced Research (2014), Volume 2, Issue 2, 48-54.
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His first plan was to go to America via England, but he only made it as far as Liverpool, having given his last funds in exchange for a forged ticket which wasn't accepted for passage to America. Fortunately, he found a position as a tutor for a country gentleman in whose family he remained for almost four years. In these carefree and luxurious circumstances, he had time not only to master the English, but also to resume his historical and philosophical studies and devote himself to writing poetry more than his previous circumstances had permitted. Among other works, the first two cantos of his comic epic Hans von Katzenfingen date from this time.
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Eventually the enchantments are broken by Rinaldo, and the siege engines built (Canto 18).Erminia discovers the wounded Tancred, by Guercino (1619). Another maiden of the region, the Princess Erminia (or "Hermine") of Antioch, also falls in love with Tancredi and betrays her people to help him, but she grows jealous when she learns that Tancredi loves Clorinda. One night she steals Clorinda's armor and leaves the city, in an attempt to find Tancredi, but she is attacked by Christian soldiers (who mistake her for Clorinda) and she flees into the forest, where she is cared for by a family of shepherds, with an old man who weaves baskets (Cantos 6-7).
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Roberto González Echevarría, Enrique Pupo-Walker, The Cambridge History of Latin American Literature (Cambridge University Press, 1996), 139. Other cantos refer to dreams and prophecies, while some contain pastoral and erotic elements, such as the passage concerning Caupolicán and Fresia bathing in a fountain in a glade. In the poem, De Oña characterizes the Mapuches as savage and terrifying. Nevertheless, he provides information on their rites and customs, and those of other indigenous peoples. When his patron Hurtado de Mendoza departed from Peru, the viceroy’s enemies decided to harm Pedro de Oña’s career by banning Arauco domado and denouncing the writer for various writings that the archbishop of Lima, Pedro Muñiz, considered defamatory.
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Ilium/Olympos is a series of two science fiction novels by Dan Simmons. The events are set in motion by beings who appear to be ancient Greek gods. Like Simmons' earlier series, the Hyperion Cantos, it is a form of "literary science fiction"; it relies heavily on intertextuality, in this case with Homer and Shakespeare as well as references to Marcel Proust's À la recherche du temps perdu (or In Search of Lost Time) and Vladimir Nabokov's novel Ada or Ardor: A Family Chronicle. As with most of his science fiction and in particular with Hyperion, Ilium demonstrates that Simmons writes in the soft science fiction tradition of Ray Bradbury and Ursula K. Le Guin.
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The prize was established in 1948 by Paul Mellon, and was funded by a US$10,000 grant from the Bollingen Foundation to the Library of Congress. Both the prize and the foundation are named after the village of Bollingen, Switzerland, where Carl Jung had a country retreat, the Bollingen Tower. The inaugural prize, chosen by a jury of Fellows in American Letters of the Library of Congress, was awarded to Ezra Pound for his collection of poems The Pisan Cantos. The choice of a work by a man who had been a committed fascist sympathizer and who was then under indictment for treason in World War II for his antisemitic broadcasts infuriated many.
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659–889 Typical of this influence is a reference in Um Mitternacht (1815), subsequently set to music by Schubert:Observations on Schulze and Schubert's setting of Um Mitternacht, Classical Archives website Whilst the vast majority of his writings are Romantic in style and mainly in allegorical form, other poems, such as Lebensmut ('Courage'), were written as a result of his time as a volunteer in the fight for liberation against Napoleon's French Empire. His last epic romantic work Die Bezauberte Rose (1818) is a poem of classic beauty of style. It is in three cantos, comprising 107 stanzas of ottava rima. The 'enchanted rose' is a princess named Klothilde who has been placed under a spell.
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1982) incorporated Ojibwe flute music for her setting of The death of Minnehaha (2013) for two voices with piano and flute accompaniment.Composer's programme note; a performance of the work is also available The most celebrated setting of Longfellow's story was the cantata trilogy, The Song of Hiawatha (1898–1900), by the Sierra Leone-English composer Samuel Coleridge-Taylor. The first part, "Hiawatha's Wedding Feast" (Op. 30, No. 1), based on cantos 11–12 of the poem, was particularly famous for well over 50 years, receiving thousands of performances in the UK, the USA, Canada, New Zealand and South Africa. Though it slipped from popularity in the late 20th century, revival performances continue.
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Finally, Dante comes face-to-face with God Himself (Cantos XXXII and XXXIII). God appears as three equally large circles occupying the same space, representing the Father, the Son, and the Holy Spirit:Dorothy L. Sayers, Paradise, notes on Canto XXXIII. > but through my sight, which as I gazed grew stronger, that sole appearance, > even as I altered, seemed to be changing. In the deep and bright essence of > that exalted Light, three circles appeared to me; they had three different > colors, but all of them were of the same dimension; one circle seemed > reflected by the second, as rainbow is by rainbow, and the third seemed fire > breathed equally by those two circles.
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The eight pilgrims intend to travel to the Valley of the Time Tombs, where the Shrike, a metallic creature alleged to grant one wish to the members of a pilgrimage, dwells. Powerful entities such as the Hegemony of Man and the AI TechnoCore seek to influence the pilgrims' journey. The Hyperion Cantos is influenced strongly by various works, including the teachings of the environmentalist John Muir and the poetry of John Keats; a reincarnation of Keats narrates The Fall of Hyperion. The novel also contains explicit references to classical literature and modern writings, including the scientific works of the Jesuit and paleontologist Pierre Teilhard de Chardin, the physicist Stephen Hawking, and some of the fiction of author Jack Vance.
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In March 1936, labourers in the Badajoz region attempted to accelerate implementation of the law by invading and occupying the farmlands in question.Hoy: «Los campesinos extremeños dieron ritmo a la Reforma Agraria» In the aftermath of the Nationalist military rebellion, several bloody events in the region were perpetrated by Republicans; these acts were described as the "Republican repression" or the Spanish Red Terror. Queipo de Llano and Juan Yagüe would later justify the massacre at Badajoz as punishment for the Republican massacre of Nationalist supporters. After the outbreak of war, on the night of July 1819 in Fuente de Cantos, 56 people were forced into a church, which was then set ablaze from outside.
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In 1965, Valery Tarsis published in the West his book Ward 7: An Autobiographical Novel based upon his own experiences in 1963–1964 when he was detained in the Moscow Kashchenko psychiatric hospital for political reasons. The book was the first literary work to deal with the Soviet authorities' abuse of psychiatry. In 1968, the Russian poet Joseph Brodsky wrote Gorbunov and Gorchakov, a forty-page long poem in thirteen cantos consisting of lengthy conversations between two patients in a Soviet psychiatric prison as well as between each of them separately and the interrogating psychiatrists. The topics vary from the taste of the cabbage served for supper to the meaning of life and Russia's destiny.
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The credit of introducing the law of the dramatic unities into French literature has been claimed for many writers, and especially for the Abbé d'Aubignac, whose Pratique du théâtre appeared in 1657. Aristotle's theory had of course been enunciated in the Art poétique of Julius Caesar Scaliger in 1561, and subsequently by other writers, but undoubtedly it was the action of Chapelain that transferred it from the region of theory to that of actual practice. In 1656 he published, in a magnificent format, the first twelve cantos of his celebrated epic on Joan of Arc, La Pucelle, on which he had been working for twenty years. Six editions of the poem were disposed of in eighteen months.
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As the years go by, the viewer watches the neighborhood gradually change. Similarly, Phillips has done a series of paintings called Terminal Greys, consisting of simple cross-hatched bars of murky, grayish paint composed from the leftovers on his palette at the end of each work day. Since there are no aesthetic judgments on the artist's part in the creation of these works, they are virtually mechanical; the "art" could be said to lie in the conception of the work and not in the accidental "grey rainbow" appearance of the result. He collaborated with film director Peter Greenaway on A TV Dante, a television miniseries adaptation of the first eight cantos of the Inferno.
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In 1610 three of his works came out: Jani Anglorum Facies Altera (The Back Face [or Two Faces] of the English Janus) and England's Epinomis,The Epinomis (Greek ) is the name of one of Plato's dialogues, which was an appendix to his Laws (Greek , Nomoi). Thus, the title England's Epinomis indicates that the work is an appendix to Selden's Jani Anglorum Facies Altera. which dealt with the progress of English law down to Henry II; and The Duello, or Single Combat, in which he traced the history of trial by battle in England from the Norman Conquest. In 1613 he supplied a series of notes, including quotations and references, to the first eighteen cantos of Michael Drayton's Poly-Olbion.
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Brooks married Alison Summers in 1975 and together they moved to Canada to pursue postgraduate work at the University of Toronto. While in Canada, writing his PhD on the poetics of Pound's early cantos, he served as overseas editor for New Poetry and as a scout for the Literature Board of the Australia Council, helping to arrange Australian residencies for Michael Ondaatje, Galway Kinnell, Mark Strand and others. He was also the hand-press printer and demonstrator for Massey College at the University of Toronto. In 1978, in Toronto, he experienced a period of paralysis from the waist down, which he believed for many years to have been a manifestation of Guillain-Barré syndrome.
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Different Places featured musicians Brian Bromberg, Richard Smith, Norman Brown, Bill Cantos, Brandon Fields and many other contemporary jazz notables. The album also led to Guerrero's first national touring dates as a headliner, performing mostly in clubs and at the Milwaukee Summerfest. The album also featured the song "The Buckethead Shuffle" which was arranged in 1990 for big band and released by Hal Leonard Publications. It became one of their top-selling releases that year and has remained a staple in high school, college and even professional big bands around the world. Another Day, Another Dream was released in 1991 and was a bigger hit on the radio, landing on several national radio charts.
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During the same time, Guerrero also performed on extended European tours with Dutch guitarist Emiel van Egdom. After signing to Fahrenheit Records for one album (1995's Now & Then which was a collection of new tracks and previous releases), Guerrero signed to NuGroove Records and released Mysterie in 1996, produced by keyboardist Rob Mullins. The songs "Mysterie" and "For Your Love" were both hits on jazz radio. More albums would follow in the coming years: Apasionado (2008), a collection of original Latin/Brazilian-themed music featuring Grant Geissman, Bill Cantos, Brian Bromberg, and Eric Marienthal; Blue Room (2010) released on Charleston Square Records, which was Guerrero's first release featuring a more traditional, acoustic jazz setting.
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The bill was returned to the lower house, which holds the power to override the Senate, and final approval was given to the bill on 30 June 2005 with 187 "yes" votes, 147 "no" votes, and 4 abstentions. With the final approval, and enactment of the bill on 2 July 2005, Spain became the third country in the world to formally legalize same-sex marriages nationwide, after the Netherlands and Belgium. The first same-sex wedding took place eight days after the bill became law, and was celebrated in the council chamber in the Madrid suburb of Tres Cantos by Carlos Baturín and Emilio Menéndez. The first same-sex marriage between women took place in Barcelona eleven days later.
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In the dedication Boyd states that the terrors of the Irish rebellion, had driven him from the post of danger at Lord Charleville's side to seek a safe asylum in a 'remote angle of the province.' In 1805 Boyd was seeking a publisher for his translation, of the 'Araucana' of Ercilla, a long poem, which 'was too great an undertaking for Edinburgh publishers,' and for which he vainly sought a purchaser in London (ibid. 120, 149). In 1805 he published the 'Penance of Hugo, a Vision,' translated from the Italian of Vincenzo Monti, with two additional cantos; and the 'Woodman's Tale,' a poem after the manner and metre of Spenser's 'Faery Queen.
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Charles Collé reported that there was a full house, as if at a performance of a play by Voltaire or Crébillon in the depths of winter - although he did attribute the play to du Resnel or to Linant. Others, such as the abbé Raynal, or Baculard d'Arnaud, also blamed her for daring to tread on ground commonly occupied by male playwrights. Les Amazones was nevertheless performed eleven times, which was a success at a time when plays often fell by the wayside after a single performance. Anne-Marie du Boccage then tried her hand at an epic poem with La Colombiade, poem in ten cantos, which caused a stir in literary circles.
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Tradition has it that Ratnakaravarni converted to Veerashaivism when his magnum opus was initially scorned at (after a poet called Ravikirthi objected to a few verses in it) only to return to the Jain fold and pen other important writings.Nagaraj in Pollock (2003), p. 376 Written in epic proportions, the Bharatesha Vaibhava is in eighty cantos and runs into 10,000 verses. His other important writings are the 2,000 spiritual songs called Annagalapada ("Songs of the Brothers") and three shatakas: the Ratnakara sataka, the Aparajitesvara shataka, a discourse on Jain morals, renunciation and philosophy and the Trilokya shataka, an account of the universe as seen by Jains, consisting of heaven, hell and the intermediate worlds .
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Influenced by several alternative poetry journals of the period, such as George Hitchcock's Kayak, Clayton Eshleman's Caterpillar, and Robert Bly's The Seventies with its emphases on "wild association", political poetry, and critical book reviews, Robbins co-founded the literary Journal, Third Rail (Los Angeles, CA 1975), with fellow poet Uri Hertz. He co-edited until 1980, remaining as a contributing editor until 1982. The avant-garde of the period had at least two specific modernist traditions. One, was the ongoing longer-poem development of a personal-historical, disjunctive, elliptical, interior monologue and collage form like that of Ezra Pound's Cantos, William Carlos Williams's Paterson, Louis Zukofsky's "A", and Charles Olsen's The Maximus Poems.
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Into this flimsy framework Marino inserts the most famous stories from mythology, including the Judgement of Paris, Cupid and Psyche, Echo and Narcissus, Hero and Leander, Polyphemus and numerous others. Thus the poem, which was originally intended to be only three cantos in length, was so enriched that it became one of the longest epics in Italian literature, made up of 5123 eight-line stanzas (40,984 verses), an immense story with digressions from the main theme and descriptive pauses. All this tends to characterise "L’Adone" as a labyrinth of entangled situations without any real structure. The lengthy Canto XX, which takes place after the protagonist's death, serves to undermine any pretence to narrative unity.
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Ilium is a science fiction novel by American writer Dan Simmons, the first part of the Ilium/Olympos cycle, concerning the re-creation of the events in the Iliad on an alternate Earth and Mars. These events are set in motion by beings who have taken on the roles of the Greek gods. Like Simmons' earlier series, the Hyperion Cantos, the novel is a form of "literary science fiction" which relies heavily on intertextuality, in this case with Homer and Shakespeare, as well as periodic references to Marcel Proust's À la recherche du temps perdu (or In Search of Lost Time) and Vladimir Nabokov's novel Ada or Ardor: A Family Chronicle. In July 2004, Ilium received a Locus Award for Best Science Fiction Novel of 2004.
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On Sérgio Mendes' 2008 album Encanto, Alpert performed trumpet solos backing lead vocals by his second wife Lani Hall, a singer for Mendes in the 1960s, on the song "Dreamer". It marked the first time Alpert, Mendes, and Hall had performed together on the same song. In 2007, Alpert and Lani Hall began performing and recording with a new band made up of Bill Cantos on keyboards, Hussain Jiffry on bass, and Michael Shapiro on drums. Eventually they signed with Concord Records and released a live album in the summer of 2009, Anything Goes, Alpert's first release of new material since 1999's Herb Alpert and Colors. They followed it up with a studio album, I Feel You, released in February 2011.
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His Christophe Colomb (1809), advertised on the play-bill as a comédie shakespérienne [sic], represented the interior of a ship, and showed no respect for the classical unities. Its numerous innovations provoked such violent disturbances in the audience that one person was killed and future representations had to be guarded by the police. Lemercier wrote four long and ambitious epic poems: Homère, Alexandre (1801), L'Atlantiade ou la théogonie newtonienne (1812) and Moïse (1823), as well as an extraordinary Panhypocrisiade (1819-1832), a distinctly romantic production in sixteen cantos, which has the sub-title Spectacle infernal du XVIe siècle. In it 16th century history, with Charles V and Francis I as principal personages, is played out on an imaginary stage by demons in the intervals of their sufferings.
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There is a sculpture of Saint Christopher, Patron Saint of Havana, which dates from 1632 and was made by Martín de Andújar Cantos in Seville, Spain. Above the altar are three fading frescoes by Italian artist Giuseppe Perovani, a neoclassical artist who was commissioned by Bishop Juan José Díaz de Espada y Fernánez de Landa of the Roman Catholic Archdiocese of San Cristóbal de la Habana to paint three scenes: The Delivery of the Keys, The Last Supper and The Ascension. There is also the canvas of the Virgin of the Immaculate Conception, Patroness of the Cathedral. Perovani was also the author of the canvas of the orange chapel (color of the ceiling) of the Virgin of Loreto, blessed by Bishop Morell de Santa Cruz in 1755.
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In his Divine Comedy, Dante placed Ripheus in Heaven, in the sixth sphere of Jupiter,Paradiso, Canto XX:1–72 the realm of those who personified justice.Paradiso, Cantos 18 through 20 Here, he provides an interesting foil to Virgil himself—whom Dante places in the first circle of Hell, with the pagans and the unbaptized—even though Virgil is a major character in the Commedia and for much of it remains Dante's guide through Hell and Purgatory. Although Ripheus would historically have been a pagan, in Dante's work he is portrayed as having been given a vision of Jesus over a thousand years before Christ's first coming, and was thus converted to Christianity in the midst of the Trojan War.
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The original Greek is quoted extensively and an aside claiming the right to write for a specialist audience is included. The close attention paid to the actual words prefigures the closer focus on philology in this section of the poem. This focus on words ties in closely with what Pound referred to as the method of "luminous detail", in which fragments of language intended to form the most compressed expression of an image or idea act as tesserae in the making of these late cantos. Canto XCVII draws heavily on Alexander del Mar's History of Monetary Systems in a survey ranging from Abd al Melik, the first Caliph to strike distinctly Islamic coinage, through Athelstan, who helped introduce the guild system into England, to the American Revolution.
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Comparison is drawn between this Chinese text and the Book of the Prefect, and the canto closes with images of light as divine creation drawn from Dante's Paradiso. K'ang Hsi's son, Iong Cheng, published commentaries on his father's maxims and these form the basis for Canto XCIX. The main theme of this canto is one of harmony between human society and the natural order, and a number of passing references are made to related items from earlier cantos: Confucius, Kati, Dante on citizenship, the Book of the Prefect and Plotinus amongst them. Canto C covers a range of examples of European and American statesman who Pound sees as exemplifying the maxims of the Sacred Edict to a greater or lesser extent.
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Pound was also an important figure for the poets of the Beat generation, especially Gary Snyder and Allen Ginsberg. Snyder's interest in things Chinese and Japanese stemmed from his early reading of Pound's writings. and his long poem Mountains and Rivers Without End (1965–1996) reflects his reading of The Cantos in many of the formal devices used. In Ginsberg's development, reading Pound was influential in his move away from the long, Whitmanesque lines of his early poetry, and towards the more varied metric and inclusive approach to a variety of subjects in the single poem that is to be found especially in his book-length sequences Planet News (1968) and The Fall of America: Poems of These States (1973).
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Pound came to believe that this narrative voice compromised the intent of his poetic vision, and these first three ur-cantos were soon abandoned and a new starting point sought. The answer was a Latin version of Homer's Odyssey by the Renaissance scholar Andreas Divus that Pound had bought in Paris sometime between 1906 and 1910. Using the metre and syntax of his 1911 version of the Anglo-Saxon poem The Seafarer, Pound made an English version of Divus' rendering of the nekuia episode in which Odysseus and his companions sail to Hades in order to find out what their future holds. In using this passage to open the poem, Pound introduces a major theme: the excavating of the "dead" past to illuminate the present and future.
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He also echoes Dante's opening to The Divine Comedy in which the poet also descends into hell to interrogate the dead. The canto concludes with some fragments from the Second Homeric Hymn to Aphrodite, in a Latin version by Georgius Dartona which Pound found in the Divus volume, followed by "So that:"—an invitation to read on. Canto II opens with some lines rescued from the ur-cantos in which Pound reflects on the indeterminacy of identity by setting side by side four different versions of the troubadour poet Sordello:Liebregts, 97. Browning's poem of that name, the actual Sordello of flesh and blood, Pound's own version of the poet, and the Sordello of the brief life appended to manuscripts of his poems.
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Kitab-ı Usul is divided into 10 "stations" (maqām-s),: each one of them attempts to inculcate moral qualities to the reader and is illustrated by anecdotes, to demonstrate the advantages of following certain right moral paths. The anecdotes are full of descriptions, historic and fictitious, and are derived from all kind of sources. The following couplets are used as a refrain at the end of introductory cantos in most of the "stations", and elsewhere throughout the work: His Gül-i Şadberk (Rose of a Thousand Petals) is a poem which describes Prophet Muhammed's miracles, and was written probably at an old age and has a pure religious tone. Gülşen-i Envar is divided into 40 short sections called "discourses".
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Gundulić's Dream by Vlaho Bukovac Osman was printed for the first time in Dubrovnik in 1826, with the two missing cantos being replaced by poems written by the poet Petar Ignjat Sorkočević-Crijević (1749–1826), a direct descendant of Ivan Gundulić (his maternal grandmother Nikoleta Gundulić was Šišmundo Gundulić's daughter). Another descendant, Baron Vlaho Getaldić (grandson of Katarina Gundulić) introduced a hexameter treaty into Osman in 1865. Osman was not published in the integral edition until 1844, when the Illyrian movement chose Gundulić's oeuvre as a role model of the Croatian language. One of the leading Illyrists' men of letters, politician, linguist and poet Ivan Mažuranić, successfully completed Gundulić's Osman by composing the last two chapters, which were left unfinished upon the poet's death.
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Tres Cantos was built on former rural lands, about halfway from the northern outskirts of suburban Madrid to the Guadarrama mountain range, which are frequently snow-capped in winter. It lies in a slight valley formed with two eastwards-flowing creeks, bounded to the south by a higher plateau leading to Madrid, and to the west and north by more hilly terrain, which separates the area from the watershed of the Manzanares River. General elevation of the township is around 680 m, with a highest elevation within the municipality's borders of 730 m. The terrain rises towards the foothills of the Guadarrama range to the north and northwest, reaching elevations in excess of 800 m across the border in Colmenar Viejo.
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In 1999, Severin released Maldoror. The origins for this instrumental album were as far back as 1993, when Severin wrote some tracks for Brazilian Theatre Company "Os Satyros" production of Lautréamont's Chants of Maldoror. After losing and regaining contact with the group, Severin composed further pieces for the 1998 production Os Cantos des Maldoror. These pieces were collected together and released on CD. That same year, Severin had been invited to be musical director for the Canadian dance company "Holy Body Tattoo" on CIRCA – described as a 70-minute multimedia "celebration of the sensual forces of submission and control" – a postmodern deconstruction of the tango that interwove film footage by William Morrison and original music by Severin, Warren Ellis and cult cabaret trio The Tiger Lillies.
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Rinaldo and Armida in her garden, by François BoucherThe poem is composed of 1,917 stanzas in ottava rima (15,336 hendecasyllabic lines), grouped into twenty cantos of varying length. The work belongs to the Italian Renaissance tradition of the romantic epic poem, and Tasso frequently borrows plot elements and character types directly from Ariosto's Orlando furioso. Tasso's poem also has elements inspired by the classical epics of Homer and Virgil (especially in those sections of their works that tell of sieges and warfare). One of the most characteristic literary devices in Tasso's poem is the emotional conundrum endured by characters torn between their heart and their duty; the depiction of love at odds with martial valour or honor is a central source of lyrical passion in the poem.
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Psyche, taking him eleven months to write, was published early in 1648. The allegorical poem represents the soul led by divine grace and her guardian angel through the various temptations and assaults of life into her eternal felicity; it is written in a six-line heroic stanza, and contains, in its abridged form, 30,000 lines. In 1702 Charles Beaumont, the only surviving son, brought out a new edition, entirely revised, and enlarged by the addition of four fresh cantos. A life of Joseph Beaumont was written by John Gee of Peterhouse, who affixed it to the collection of Beaumont's poems which he first edited at Cambridge in 1749; further information was published by Hugh Pigot in his History of Hadleigh in 1860.
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The statue of James Montgomery on the Sheffield Cathedral forecourt. Montgomery's only other long poem, after retiring from newspaper editorship, was The Pelican Island (1828): nine cantos of descriptive blank verse, which garnered mixed responses, ranging between the summarily dismissive and Blackwood's Magazine's "the best of all Montgomery's poems: in idea the most original, in execution the most powerful...." Montgomery himself expected that his name would live, if at all, in his hymns. Some of these, such as "Hail to the Lord's Anointed", "Prayer is the Soul's Sincere Desire", "Stand up and Bless the Lord" and the carol "Angels from the Realms of Glory", are still sung. "The Lord Is My Shepherd" is a popular hymn with many denominations, based on Psalm 23.
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He was born in London, the eldest son of John Bowden, of Fulham and Grosvenor Place. In 1812 he went to Harrow School, and in 1817 entered as a commoner at Trinity College, Oxford, simultaneously with his close friend John Henry Newman. In 1830 Bowden obtained mathematical honours, and on 24 November took his degree of B.A. In collaboration with Newman, in the following year, he wrote a polemical poem in two cantos, St. Bartholomew's Eve On 4 June 1823 Bowden took his degree of M.A. In the autumn of 1826 he was appointed a commissioner of stamps, holding the position for fourteen years, resigning it on account of ill-health in 1840. From 1833 he keenly took part in the Tractarian movement.
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Its poetry, divided into cantos (like Dante's Divine Comedy), narrates the story of the corsair or privateer Conrad, how he was in his youth rejected by society because of his acts and his later war against humanity (excepting women). In this tale the figure of the Byronic hero emerges, "that man of loneliness and mystery", who perceives himself a "villain", an anti-hero. The grand opera The Pacha's Bridal (1836) with music by Francis Romer and a libretto by Mark Lemon, the opera Il corsaro (1848) by Giuseppe Verdi, the overture Le Corsaire (1845) by Hector Berlioz, and the ballet Le Corsaire (1856) by Adolphe Adam were based on this work. Edward Elgar composed the song "Deep in My Soul" in 1908 with lines from "The Corsair".
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The evolution of Darío's poetry is marked by the publication of the books in which scholars have recognized his fundamental works: Azul... (1888), Prosas profanas y otros poemas (1896) y Cantos de vida y esperanza (1905). Before Azul... Darío wrote three books and a great number of loose poems which make up what is known as his "literary prehistory" ("prehistoria literaria".) The books are Epístolas y poemas (written in 1885, but published until 1888, under the title Primeras notas), Rimas (1887) and Abrojos (1887). In the first of these works his readings of Spanish classics is patent, as is the stamp of Victor Hugo. The metric is classicdécimas, romances, estancias, tercetos encadenados, en versos predominantemente heptasílabos, octosílabos y endecasílabos and the tone is predominantly romantic.
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The canto is no more a request or a prayer as it had been in the fourth canto—it is a demand. The poet becomes the wind's instrument, his "lyre" (57). This is a symbol of the poet's own passivity towards the wind; he becomes his musician and the wind's breath becomes his breath. The poet's attitude—towards the wind has changed: in the first canto the wind has been an "enchanter" (3), now the wind has become an "incantation" (65). And there is another contrast between the two last cantos: in the fourth canto the poet had articulated himself in singular: "a leaf" (43, 53), "a cloud" (44, 53), "A wave" (45, 53) and "One too like thee" (56).
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At the king's request, it was organized by the Duke of Saint-Aignan, who took the title from a popular episode in cantos 6–8 and 10 of the 1516 Italian epic Orlando furioso by Ludovico Ariosto, in which the knight Ruggiero (in French, Roger) becomes a prisoner of love at the sorceress Alcina's court. It was staged to celebrate the beginning of the building campaigns for the Chateau de Versailles with the intention to acquaint those involved in its construction—the King's wife, mother, lovers, mistresses, and family in general—to cotillon style ball and overall culture. In addition, there were about 600 invited guests. Molière played a large role in the organisation of festivities, which featured the premières of La Princesse d'Élide and Tartuffe.
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This dance derives, according to research by the folklorist Fradique Lizardo, several Dominican popular rhythms. One of the most widespread is the Música de palos (Music of sticks), name that designates both the pace and the membranophones used. National Rhythms with obvious African imprint are sarandunga, Música de Gagá (Ganga's music, arrived from Haiti), Baile de Palos (dance of Sticks), Música de Congos (Music of Congos), Cantos de Hacha (Songs of axe), los congos, la jaiba (the crab), el chenche matriculado (the chenche enrolled), etc. The salve, which in the words of the U.S. ethnomusicologist Martha Davis, is the most typical of the traditional Dominican genres, has two styles: one distinctly Spanish, amétrico and antiphonal, and another polyrhythmic, strongly hybridized between the Spanish and African styles.
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His Cantos del trovador (1841), a collection of national legends written in verse, made Zorilla second only to José de Espronceda in popular esteem. National legends also supply the themes of his dramas, which Zorilla often constructed by adapting older plays that had fallen out of fashion. For example, in El Zapatero y el Rey he recasts El montanés Juan Pascual by Juan de la Hoz y Mota; in La mejor Talon la espada he borrows from Agustín Moreto y Cavana's Travesuras del estudiante Pa-atoja. His famous play Don Juan Tenorio is a combination of elements from Tirso de Molina's Burlador de Sevilla and from Alexandre Dumas, père's Don Juan de Marana (which itself derives from Les Âmes du purgatoire by Prosper Mérimée).
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Here he soon became adept in Greek and Latin versification, and wrote some meritorious idylls and odes in German. His original intention of making Henry the Fowler the hero of an epic was abandoned in favor of a religious epic, under the influence of Milton's Paradise Lost, with which he became acquainted through Bodmer's translation. While still at school, he had already drafted the plan of Der Messias on which most of his fame rests. On 21 September 1745 he delivered, on quitting school, a remarkable "departing oration" on epic poetry—Abschiedsrede über die epische Poesie, kultur- und literargeschichtlich erläutert—and next proceeded to Jena as a student of theology, where he drew up in prose the first three cantos of the Messias.
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R. Bruce Elder, FRSC born , is a Canadian filmmaker and critic. Described by New York filmmaker and critic Jonas Mekas as “the most important North American avant-garde filmmaker to emerge during the 1980′s,” Elder combines images, music and text to create works that reflect his interest in philosophy, technology, science, spirituality and the human body. His first major film cycle, The Book of All the Dead, inspired by Dante Alighieri’s Commedia and Ezra Pound’s Cantos, grew out of his preoccupation with the horrors of modernity, its faith in progress and the loss of a sense of what is good and evil. His current film cycle, The Book of Praise, makes extensive use of computer-image generation, highlighting his fascination with mathematics and digital technology.
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Tomaso Cecchini, from Verona, who spent his entire working life (1603–44) as a choirmaster, organist and composer in Split and Hvar, published his madrigals Armonici concetti, libro primo (1612) as the oldest Baroque collection written for the Croatian milieu. The collection Sacrae cantiones (Venice 1620) by Ivan Lukačić from Šibenik is valuable testimony of sacral music that was performed in Split, and is generally speaking, one of the most significant monuments of old Croatian music altogether. The Franciscans and Paulists cultivated sacral chants, mostly monophonic and without organ accompaniment (the manuscript cantos of Frane Divnić, Bone Razmilović, Filip Vlahović-Kapušvarac, Franjo Vukovarac and Petar Knežević). Also, worth mentioning is Ragusino Vincenzo Comnen, the only representative of the music of the Dubrovnik nobility.
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In the 1910s, artistic experimentation became a prominent force, and various European and American writers began experimenting with the given forms. Tendencies that formed during this period later became parts of the modernist movement. The Cantos of Ezra Pound, the post-World War I work of T. S. Eliot, prose and plays by Gertrude Stein, were some of the most influential works of the time, though James Joyce's Ulysses is generally considered the most important work of the time. The novel ultimately influenced not only more experimental writers, such as Virginia Woolf, but also less experimental writers, such as Hemingway. The historical avant-garde movements also contributed to the development of experimental literature in the early and middle 20th century.
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About 1722 the debtors in the city and county prisons induced him to lay their grievances before the public, with the result that he found himself entangled in a lawsuit and cast in damages which he could not discharge. For seven years he remained under restraint, and was consequently supplied with sufficient leisure for the composition of an heroic-comic poem in six cantos, entitled Freedom, a poem written in time of recess from the rapacious claws of bailiffs and devouring fangs of gaolers, by Andrew Brice, printer. To which is annexed the author's case, (1730), the profits arising from which were sufficient to secure his release. Soon after he published a collection of stories and poems with the title of Agreeable Gallimaufry, or Matchless Medley.
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The images are mostly not taken beyond silverpoint drawings, many worked over in ink, but four pages are fully coloured. The manuscript eventually disappeared and most of it was rediscovered in the late nineteenth century, having been detected in the collection of the Duke of Hamilton by Gustav Friedrich Waagen, with a few other pages being found in the Vatican Library. Botticelli had earlier produced drawings, now lost, to be turned into engravings for a printed edition, although only the first nineteen of the hundred cantos were illustrated. In 1882 the main part of the manuscript was added to the collection of the Kupferstichkabinett Berlin (Museum of Prints and Drawings) when the director Friedrich Lippmann bought 85 of Botticelli's drawings.
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Born in Almada to a Brazilian father, Rocha represented nine different clubs during his youth career, and finished his formation with AS Monaco FC. He made his senior debut with the B-team on 26 November 2016, playing the last 11 minutes in a 2–1 loss against US Colomiers for the CFA championship. Rocha terminated his contract with Monaco on 30 January 2017, and joined Serie B side Vicenza Calcio on 1 February. He did not play for the club during his six-month spell, and subsequently moved to Spain with CD Leganés, being assigned to the reserves in Tercera División. Rocha scored his first senior goal on 1 October 2017, scoring his team's third in a 3–1 home defeat of CDF Tres Cantos.
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Arcanes, Paris, 1953 Jean Ferry suggested the notion of a hidden message and transcribed the succession of brackets of Cantos II into the alphabet invented by the painter Samuel Morse : considering each bracket as a dot and the included text as a dash. But due to the missing spaces which separate letters the ensemble of dots and dashes as well as a concealed message remained an hypothesis… until it was deciphered by Jean-Max Albert (another painter), revealing (at least partially) the rousselienne formula, which can’t be fortuitous : « RELIVE YOUR DREAMS AWAKE » ( Revis tes rêves en éveil).Digraphe N°67, Albert et Roussel, Mercure de France, Paris 1994.Richard Khaitzine, Fulcanelli et le cabinet du chat noir, Editions Ramuel, Paris 1997.
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Ten thousand troops embarked at Quebec on this service, but on the convoy reaching the English Channel, they learned that the battle of Waterloo had been fought and won seven days previously. After this MacDermott served in the United Kingdom and the Mediterranean, and found time for a tour through France, Switzerland,and Italy. At Argostoli, in the island of Cephalonia, he became acquainted with Lord Byron, who entrusted him with the three last cantos of Don Juan, to be delivered to Sir John Cam Hobhouse, a commission which MacDermott executed, having just then obtained leave of absence in order to visit England. Subsequently he was with his regiment in various parts of the United Kingdom till the year 1829, when he resolved to sell out of the army and emigrate to Australia.
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His works were also exhibited outside Mexico, and can now be found in the permanent collections of the Metropolitan Museum of Art and Museum of Modern Art in New York, the Moderna Museet in Stockholm, the National Museum in Warsaw, the National Art Gallery in Sofia, and in Mexico City. Other works may be found at the Museo Regional Michoacano, the Casa Natal de Morelos and the Museo de Arte Comtemporáneo Alfredo Zalco. In 1946 he illustrated a volume of drama and verse by Bernardo Ortiz de Montellano, making it "one of the most Mexican and most beautiful books of the year". He also contributed woodcuts to Cantos Indígenos de México, a selection of indigenous Mexican songs including those of the Nahua and a Yaqui deer dance, compiled by folklorist Concha Michel.
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To material largely quarried from the Carolingian and Arthurian cycles, Boiardo added a superstructure of his own making. As the plot is not woven around a single pivotal action, the inextricable maze of most cunningly contrived episodes are seen to be linked, first, with the quest of beautiful Angelica by love-smitten Orlando and the other enamored knights, then with the defense of Albracca by Angelica's father, the King of Cathay, against the beleaguering Tartars, and, finally, with the Moors' siege of Paris and their struggle with Charlemagne's army. The poem, written in the ottava rima stanza rhythm, consists of 68 cantos and a half. Boiardo began the poem when he was about 38 years old, but interrupted it for a time because of the Ottoman–Venetian War (1463–1479).
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In 2008 he exhibited Horizonte sin dueño (Unowned Horizon) in the National Gallery of Jordan (Amman) and an anthology of his graphic work in the Cervantes Institute of Damascus (Syria), where the poet Taher Riyad dedicated the collection of poems Cantos de Lamazares to him. In 2009 he exhibited his work at the Queen Sofía Spanish Institute in New York, as well as in Ourense (Spain), at the Cultural Centre of the Delegation. He also participated in a traveling exhibition dedicated to the poet Vicente Aleixandre and received the Laxeiro Prize honoring his life's work and its international renown. In 2010 he exhibited his work at the University Church, in Santiago de Compostela, and in Tui, where the documentary Horizonte sin dueño, was screened at its international film festival Play-Doc.
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Ezra Pound photographed in 1913 by Alvin Langdon Coburn Ezra Weston Loomis Pound (30 October 1885 – 1 November 1972) was an expatriate American poet and critic, a major figure in the early modernist poetry movement, and a fascist collaborator in Italy during World War II. His works include Ripostes (1912), Hugh Selwyn Mauberley (1920), and the c. 23,000-line, 800-page epic poem The Cantos (1917–1968). Pound's contribution to poetry began with his role in developing Imagism, a movement derived from classical Chinese and Japanese poetry, stressing precision and economy of language. Working in London in the early 20th century as foreign editor of several American literary magazines, he helped discover and shape the work of contemporaries such as T. S. Eliot, James Joyce, Robert Frost, and Ernest Hemingway.
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This is poetry like tightrope walking – a nonchalant, though thoughtful, ambling out into the world, which almost leads us into a transcendental state – only to be caught in a web of emotion and thought and connections to the daily reality of living. Tredinnick’s poems are also full of playful paradoxes and wry humour. His tone may be debonair, well-dressed and conscious of manners and historical allegiances, but for all the hypnotic oratory, his voice is both questing and self-deprecating, and the earth he walks over is emphatically today’s."Jean Kent, launch of Bluewren Cantos, 2014 Poet Anne Elvey has said that Tredinnick "Weaves the tropes of attentiveness to the other, mortality, and finitude, together with his wry humour, to tell a loving engagement with place, persons and otherkind.
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In 1940, Dunsany was appointed Byron Professor of English in Athens University, Greece. Having reached Athens by a circuitous route, he was so successful that he was offered a post as Professor of English in Istanbul. However, he had to be evacuated due to the German invasion of Greece in April 1941, returning home by an even more complex route than he had come, his travels forming a basis for a long poem published in book form (A Journey, in 5 cantos: The Battle of Britain, The Battle of Greece, The Battle of the Mediterranean, Battles Long Ago, The Battle of the Atlantic; Special edition January 1944). Olivia Manning's character, "Lord Pinkrose", in her novel sequence, the Fortunes of War, was a mocking portrait of Dunsany during this period.
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Sabarasankara Vilasa is a poem in five cantos narrating a popular tale of the battle between the god Shiva and the Pandava prince Arjuna. To test Arjuna's devotion to him, Shiva disguises himself as a hunter and fights a fierce battle with Arjuna. Toward the end, impressed with Arjuna's devotion, Shiva bestows on him a weapon called Pashuptastra.Rice E.P. (1921), p. 84 Other notable Kannada writers in the court of Kanthirava Narasaraja I (r. 1637-1659) were Shantaveera Deshika (Shivaganga Charitra in sangatya metre, 1650),Pranesh (2003), p. 16 Bhaskara (Beharaganita, on mathematics, early 17th century), Nanjakavi (Kanthirava Narasaraja Charitra, a historical, early 17th century) and Timmarasa (Markandeya Ramayana, the story of the god Rama which forms an episode in the forest section of the epic Mahabharata, c. 1650).Kamath (2001), p.
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He also disliked what he saw as the superstitious pseudo-mysticism promulgated by both Buddhists and Taoists, to the detriment of rational politics. Pound, in turn, fitted de Mailla's take on China into his own views on Christianity, the need for strong leadership to address 20th-century fiscal and cultural problems, and his support of Mussolini. In an introductory note to the section, Pound is at pains to point out that the ideograms and other fragments of foreign-language text incorporated in The Cantos should not put the reader off, as they serve to underline things that are in the English text. Canto LII opens with references to Duke Leopoldo, John Adams and Gertrude Bell, before sliding into a particularly virulent antisemitic passage, directed mainly at the Rothschild family.
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Pound/Odysseus is then saved from his sinking raft by Walt Whitman and Richard Lovelace as discovered in the anthology of poetry found in the camp toilet and the other prisoners are compared with Odysseus' crew, "men of no fortune". The canto then closes with two passages, one a pastiche of Browning, the other of Edward Fitzgerald's Rubaiyat of Omar Khayyam, lamenting the lost London of Pound's youth and an image of nature as designer. Canto LXXXI opens with a complex image that illustrates well Pound's technical approach. The opening line, "Zeus lies in Ceres' bosom", merges the conception of Demeter, passages in previous cantos on ritual copulation as a means of ensuring fertility, and the direct experience of the sun (Zeus) still hidden at dawn by two hills resembling breasts in the Pisan landscape.
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Her repertoire includes some 350 interpretations, one of the largest among Brazilian female singers. The themes of romantic love and passion (Começar de Novo, Jura Secreta, Corpo, Medo de Amar nº2, Raios de luz, and Lenha), samba (O Amanhã, To Voltando, Disputa de Poder, and Ex-amor), and religious songs (Cantos de Maculelê, Reis e rainhas do Maracatu, Então é Natal, Ave Maria, and Jesus Cristo), are the frequent in her work. During her childhood and teenage years, the main influences on this romantic repertoire were Roberto Carlos, Maysa Matarazzo, Dolores Duran, Ângela Maria, and Nora Ney—names of the samba- canção or fossa (gloom) genre. Samba-canção preceded the bossa nova music style, with which Maysa was associated, and had presented more gentle or soft melodies and interpretations.
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He has the same name as a Carolingian paladin count who is a character in Ariosto's Orlando Furioso [III, 30]; he is the son of Bertoldo and was the reputed founder of the House of Este. She intends to kill him but she falls in love with him instead and takes him away to a magical island where he becomes infatuated with her and forgets the crusade. Ascalon, Giovanni Battista Tiepolo Carlo and Ubaldo, two Christian knights and close companions of Rinaldo, seek out the hidden fortress, brave the dangers that guard it and find Rinaldo and Armida in each other's arms. By giving Rinaldo a mirror of diamond, they force him to see himself in his effeminate and amorous state and to return to the war, leaving Armida heartbroken (Cantos 14-16).
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The poetical narrative of Don Juan (1819–24) is told in sixteen thousand lines, arranged in seventeen cantos, written in ottava rima (eighth rhyme); each stanza is composed of eight iambic pentameters, with the couplet rhyme scheme of ab ab ab cc. The ottava rima uses the final rhyming couplet as a line of humour, to achieve a rhetorical anticlimax by way of an abrupt transition, from a lofty style of writing to a vulgar style of writing. In the example passage from Don Juan, canto I, stanza 1, lines 3–6, the Spanish name Juan is rhymed with the English sound for the words true one. Therefore Juan is spoken in English, as , which is the recurring pattern of enunciation used for pronouncing foreign names and words in the orthography of English.
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Pound was critical of contemporary translators, whom he viewed as "obfuscating" the poets by treating works as artifacts. He instead attempted to convey "certain forces, elements or qualities, which were potent in medieval literature in Romance and are still potent in English", avoiding literal translations in favor of "words and metaphors intended to evoke in the reader the same feelings evoked in the work's original reader". Riobó writes that this was problematic, as ultimately the works had to be filtered through Pound's sensibilities before reaching the readers, and thus "preventing the reader from fully assessing it for himself or herself". In his foreword to the 2005 edition of The Spirit of Romance, Sieburth writes that the book can be read as "a preparation of the palette" for Pound's later (unfinished) epic poem, The Cantos.
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Modernism's stage of plenitude and of the Darian poetry is marked by the book Prosas profanas y otros poemas, a collection of poems in which the presence of the erotic is more important, and which contains some esoteric themes (such as in the poem "Coloquio de los centauros"). In this book, we can also find Darío's own eclectic imagery. In 1905, he published Cantos de vida y esperanza, which announces a more intimate and reflexive trend in his works, without renouncing to the themes that have become linked to the identity of Modernism. At the same time, civic poetry appears in his work, with poems like "A Roosevelt", a trend that would be accentuated in El canto errante (1907) and in Canto a la Argentina y otros poemas (1914).
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Carlo and Ubaldo, two Christian knights and close companions of Rinaldo, seek out the hidden fortress, brave the dangers that guard it and find Rinaldo and Armida in each other's arms. By giving Rinaldo a mirror of diamond, they force him to see himself in his effeminate and amorous state and to return to the war, leaving Armida heartbroken (Cantos 14-16). Rinaldo is deposited on a shore where he finds a shield and sword, and the "Mago d'Ascalona" ("Wizard of Ascalon") shows him a vision of the future in the shield, including the glories of the House of Este (Tasso drops in several prophecies of the time between 1099 and his own at various points). Rinaldo resolves to pursue the crusade with all his might (Canto 17).
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The siege of Mantua by the French compelled him to leave the city, and he retired to Verona, where he formed an intimate friendship with the chevalier Hippolito Pindemonti. His major works are the literary criticisms and observations of culture. In 1757, he penned a series of letters addressed to Virgil in which he criticized the Divine Comedy by Dante Alighieri, and affirmed that Among the erudite books, only certain parts from the Divine Comedy should be included, and these would form no more than five cantos "Sia posto tra i libri di erudizione, e della Commedia si lascino solo taluni pezzi che, raccolti e, come meglio si può, ordinati, formino non più di cinque canti." Saverio Bettinelli - Lettere di Virgilio agli Arcadi di Rome — Lettera IX. Voltaire was to praise his idiosyncratic opinions.
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A cultured and practical businessman, Brum dedicated his life to the "development of industry, agriculture, vineyards and noble exploration of all the sources of wealth in Faial and Pico". After his first voyage abroad he created the Quinta da Silveira (Estate of Silveira) in Santo Amaro, which became "one of the richest and more beautiful properties in the Azores, rivaling the decanted gardens of São Miguel". In fact, Brum "was to the islands of Faial and Pico, what for the island of the Archangel [São Miguel] were the Cantos and the Jácomes Correias, his friends and correspondents." Powdery mildew and phylloxera spread to the Azores in 1852 and 1873, respectively, destroying vineyards and ruining the livelihoods of poor inhabitants of Pico and rich property owners of Horta alike.
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Neo-Theosophy: presents a detailed critical comparison of Blavatskyian Theosophy and Neo-Theosophy. G. R. S. Mead who was also highly critical of the clairvoyant researches of Besant and Leadbeater, remaining loyal to Blavatskyian Theosophy,by Nicholas Goodrick-Clarke, Clare Goodrick-Clarke G. R. S. Mead and the Gnostic Quest North Atlantic Books Page 22 also used the term Neo-Theosophy to refer to Besant's movement. For him "Theosophy" meant the wisdom element in the great world religions and philosophies.cited in Demetres P. Tryphonopoulos, The Celestial Tradition: A Study of Ezra Pound's the Cantos , Wilfrid Laurier University Press 1992 Page 85 Alice Bailey Later, the term Neo-Theosophical came to be used outside Theosophical circles to refer to groups formed by former Theosophists as well as groups whose central premises borrow heavily from Blavatskyian Theosophy.
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The Epic of Utnoa ( is an epic by the Catalan writer Abel Montagut, published in Vienna, Austria, in 1993 and originally written in Esperanto. It consists of seven cantos, and of 7095 verses in all, in an Alexandrine-derived Metre – a variant featuring 15 syllables rather than the usual 14.Canto 1 contains 831 verses; canto 2, 968; canto 3, 883; canto 4, 799; canto 5, 1236; canto 6, 1017; canto 7, 1361 The songs are inspired by major epics from world literature such as the Epic of Gilgamesh, the Aeneid, the Bible, the Ramayana, the Iliad, and by modern authors such as Papini, Asimov and others – especially as far as the treatment of the primaeval flood is concerned. The book is contextualized by a foreword (by William Auld) and an afterword by Probal Dasgupta.
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Sahitya Akademi (1987), p 413 They cover a wide range of themes including patriotism, love of nature, conjugal love, transcendental experiences and sympathy for the poor. The Sakhigeetha is an autobiographical poem about his married life and personal experiences.Murthy (1992), p 173 Bendre had sworn that, in his poetry, he would "rather sow stars in Kannada soil than brillian jewels".Sahitya Akademi (1987), p 792 The beauty and grandeur of the Malnad hills strongly influenced Kuvempu, one of Kannada's doyen poets, in his Kalki (1933) in which the poet describes the life of the agrarian community. He further showed his brilliance in using the blank verse in his masterpiece and magnum opus that took him nine years to write, the Sri Ramayana Darshanam (1949) which contains 22,284 lines, divided into 50 cantos.
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In 1720, he contributed two poems in Portuguese to Daniel Lopes Laguna's Espejo fiel de la vida. In 1724, he wrote a poem of 1,274 stanzas in Portuguese ottava rima, arranged in thirteen cantos, titled "Viridiadas", after Viriatus, the leader of the Lusitanian people who resisted Roman expansion into Hispania in the first century BC. After Samuda's death, Jacob de Castro Sarmento added another fifty stanzas and presented the manuscript to King João V of Portugal. David Nieto (1654–1728) was the rabbi of the Bevis Marks Synagogue (the oldest synagogue in the United Kingdom) from 1701. Some of his attributes were immortalized by Samuda wrote an epitaph for his tomb,describing him as a "sublime theologian, a man of profound wisdom, remarkable physician, famous astronomer, sweet poet, fluent rhetorician, jocund author".
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Hunt of Mammoths – music for Kazys Saja play, staged at Kaunas Drama Theatre by Jonas Jurašas (1968); Pagan Cantos for the choir; Eight Lithuanian Folk Songs for the string quartet (1969); Herkus Mantas – music for the film produced by Marijonas Giedrys; Devynbėdžiai – musical (K. Saja play, staged at Panevėžys Drama theater by Juozas Blėdis, 1972). Fire Hunt with Beaters – musical (L. Jacinevičius and S. Šaltenis play staged by Dalia Tamulevičiūtė at The Youth Theater), later the opening performances of this musical were held in the theaters of Latvia, Estonia, Russia, Ukraine, Moldavia. There, Inside – one-act opera after the Maurice Maeterlinck's play of the same title, staged in Kaunas at The Youth music studio by Stanislovas Rubinovas (1976). I Send You Best Regards – musical after Violeta Palčinskaitė play staged at Kaunas Music Theater by Gintas Žilys (1986).
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The arrival from Seville of Martín de Andújar Cantos, an architect and sculptor brought new sculpting techniques of the Seville school, which were passed down to his students, including Blas García Ravelo, a native of Garachico. He had been trained by the master sculptor Juan Martínez Montañés. Other notable sculptors from the 17th and 18th centuries include Sebastián Fernández Méndez, Lázaro González de Ocampo, José Rodríguez de la Oliva, and most importantly, Fernando Estévez, a native of La Orotava and a student of Luján Pérez. Estévez contributed an extensive collection of religious images and woodcarvings, found in numerous churches of Tenerife, such as the Principal Parish of Saint James the Great (Parroquia Matriz del Apóstol Santiago), in Los Realejos; in the Cathedral of La Laguna; the Iglesia de la Concepción in La Laguna; the basilica of Candelaria, and various churches in La Orotava.
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The most detailed account of Kabandha appears in the third book, Aranya kanda, of the epic Ramayana, Sargas (cantos) 69-73. However, Kabandha first appears in canto one of the first book Bala kanda of the Ramayana, in which the entire story is summarized. The account of Kabandha also appears in the Ramopakhyana – the retelling of Rama's story in the Aranya Parva – the third book of the Mahabharata, and its appendix Harivamsa, as well as in later adaptations of the Ramayana such as Kalidasa's Raghuvamsa (composed between 4th to 6th century CE), Bhatti's 7th century work Bhattikavya, Bhavabhuti's 8th century play Mahaviracharita, Murari Mishra's 10th century drama Anargharaghava, Kamban's 12th century book Kamba Ramayana, Adhyatma Ramayana (chapter 9 of Aranya kanda, dated between late 14th to early 15th century) from Brahmanda Purana and Tulsidas's 16th century work Ramacharitamanas.
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Trypanothione. The glutathione moieties are shown in black and the spermidine linker in red. Alan Hutchinson Fairlamb, CBE, FRSE, FLS, FMedSci, FRSB (born 30 April 1947, Newcastle upon Tyne, England) is a Wellcome Trust Principal Research Fellow and Professor of Biochemistry in the Division of Biological Chemistry and Drug Discovery at the School of Life Sciences, University of Dundee, Scotland. From 2006-2011 he was a member of the Scientific and Technical Advisory Committee of the Special Programme for Research and Training in Tropical Diseases (TDR) -- an independent global programme of scientific collaboration co-sponsored by UNICEF, UNDP, the World Bank and WHO. Currently he is a member of the governing board of the Tres Cantos Open Lab Foundation, whose aim is to accelerate the discovery and development of medicines to tackle diseases of the developing world in an open collaborative manner.
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In 1967, A. C. Bhaktivedanta Swami Prabhupada had experienced a severe heart attack and wondered whether he would live to present the world with a translated version of the "divine pastimes" of Krishna on earth. Prabhupada had translated the Second Canto of the Śrīmad Bhāgavatam, but knew that many years of work remained before he would reach the Tenth Canto, where these accounts of Krishna are contained. He therefore decided to write Krishna, the Supreme Personality of Godhead, also known as KRSNA Book, before undertaking the remaining cantos. Once Prabhupada had completed the manuscript, he requested that Shyamsundar Das, one of the founding devotees of the Radha Krishna Temple in London, ask George Harrison of the Beatles if he would finance its publication.Tillery, p. 72. The sum required was $19,000 for an initial print run of 5000 copies.
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The construction of a number of manors, convents, churches, and military fortifications in Angra, infrastructures that were usually inappropriate for a small city (or small island) indicates the important role that Angra played in trans-Atlantic shipping for the Portuguese. The Portuguese nobleman Pero Anes do Canto (1480–1556), who was born at Guimarães, was the superintendent of fortifications on Terceira. For his competency in that role, and other services to the Portuguese Crown, he was rewarded with the title moço fidalgo (knight-gentleman), and the high office of "Purveyor to the Armada of the Islands and the merchant vessels of the East India trade in all of the islands of the Azores" (a hereditary title that followed successive members of the Canto family for three hundred years). The importance and power of the Cantos can hardly be overstated.
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First edition American poetry arguably reached its peak in the early-to-mid-20th century, with such noted writers as Wallace Stevens and his Harmonium (1923) and The Auroras of Autumn (1950), T. S. Eliot and his The Waste Land (1922), Robert Frost and his North of Boston (1914) and New Hampshire (1923), Hart Crane and his White Buildings (1926) and the epic cycle, The Bridge (1930), Ezra Pound,The Cantos (1917–1969). William Carlos Williams and his epic poem about his New Jersey hometown, Paterson, Marianne Moore, E. E. Cummings, Edna St. Vincent Millay and Langston Hughes. Pound's poetryis complex and sometimes obscure, with references to other art forms and to a vast range of literature, both Western and Eastern.Noel Stock, The Life of Ezra Pound (1970) He influenced many other poets, notably T. S. Eliot (1888–1965), another expatriate.
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The book includes short lyric poems, a recurring sequence of prose poems called "The Structure of Rime," and a long poem called "Poem Beginning with a Line by Pindar". The long poem draws materials from Pindar, Francisco Goya, Walt Whitman, Ezra Pound, Charles Olson, and the myth of Cupid and Psyche into an extended visionary and ecstatic fugue in the mode of Pound's Pisan Cantos. After Bending the Bow, Duncan vowed to avoid the distraction of publication for fifteen years. His friend and fellow poet Michael Palmer writes about this time in his essay "Ground Work: On Robert Duncan": His correspondence with the British academic and poet Eric Mottram, which began in 1971 and continued through to 1986, is published in The Unruly Garden: Robert Duncan and Eric Mottram, Letters and Essays (Peter Lang), edited by Amy Evans Bauer and Shamoon Zamir.
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The family seat was the castle and estate of Liebenberg in the region of Brandenburg, north of Berlin. Art and music played a central role in family affairs. The Prince zu Eulenburg-Hertefeld himself played and composed music and wrote poetry and romances (the famous Rosenlieder and Scandinavian Cantos) and was a friend and confidant of Kaiser Wilhelm II, who regularly visited Liebenberg. He supported his gifted son and daughter Victoria, familiarly called Tora, who was a pianist, and they grew up in a musical environment at the castle of Liebenberg Sigwart showed his musical talent at a young age, Already at seven he composed songs by ear and at eight years old he began music lessons in Munich and Vienna, devoting himself to musical composition and improvising at the piano, often when the emperor visited them at Liebenberg.
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The Third volume, Farewell to the Sea, is a divided novel, telling the story of a married couple on a six-day vacation on the Cuban coast. The first half is a prosaic stream of consciousness narrative of the troubled wife demonstrating her love and inability to understand her husband, Hector. The last half of the novel is composed of six poetic cantos sung in silence to the sea by Hector, a poet who is no longer allowed to write and who has been compelled to enter into a sham marriage to avoid the charge of homosexuality. It is a story of a marriage of two people who, while sharing genuine affection, are so different and incompatible that they not only cannot communicate, they fail to speak in the same terms, one in prose and the other in poetry.
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86-89 Botticelli's attempt to design the illustrations for a printed book was unprecedented for a leading painter, and though it seems to have been something of a flop, this was a role for artists that had an important future.Landau, 35, 38 Vasari wrote disapprovingly of the edition: "being of a sophistical turn of mind, he there wrote a commentary on a portion of Dante and illustrated the Inferno which he printed, spending much time over it, and this abstention from work led to serious disorders in his living."Vasari, 152 Vasari, who lived when printmaking had become far more important than in Botticelli's day, never takes it seriously, perhaps because his own paintings did not sell well in reproduction. The Divine Comedy consists of 100 cantos, and the printed text left space for one engraving for each canto.
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Naufrágio de Sepulveda (The Shipwreck of Sepulveda), an epic in 17 cantos, describes the tragic shipwreck on the South African coast and the death of D. Manuel de Sepulveda with his beautiful wife and young children, a disaster which drew some feeling stanzas from Camões (Lusi ads, v. 46). The poem was published four years after the death of Corte-Real by his heirs, and had two later editions, while a Spanish version appeared in Madrid in 1624 and a French in Paris in 1844. Auto dos quatro novíssimos do homem is a short poem printed in 1768. Except the Naufragio de Sepulveda, which is highly considered in Portugal, Corte-Real's poetry has hardly stood the test of time, and critics of later generations have refused to ratify the estimate formed by contemporaries, who considered him, at least, the equal, if not the superior, of Camões.
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In subsequent verses, the subject compares himself to Narcissus and Tristan, and promises to go into exile if the woman he loves does not return his love. This song is one of three Occitan verses interpolated into the 13th century French-language romance Guillaume de Dole, and one of two similar interpolations in Gerbert de Montreuil's Le roman de la violette. Some scholars have suggested that this song inspired a tercet in Dante Alighieri's Divine Comedy, Paradiso XX:73–75, which also describes the flight of a lark; however, others have suggested that Dante might have come by this image indirectly through Bondie Dietaiuti, or that this sight would have been common enough that no connection between the two poems can be ascribed. Ezra Pound included a translation of parts of this song in Canto 6 of The Cantos, and returned to the same image in Canto 117.
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Hands' poems treat a wide variety of subjects and are frequently satirical. The Death of Amnon, a long poem in blank verse (regarded as the most serious and prestigious poetic metre by eighteenth-century literary theorists), divided into five cantos, tells the violent and sombre biblical story of how King David's son Amnon raped his sister Tamar and was killed by their half brother Absalom. Other poems, mostly in more informal iambic tetrameter, concentrate on themes that were conventional for the pastoral mode in poetry (love, friendship, loss, the seasons, the country versus the city life), as well as poetics ("On Reading Pope's Eloisa to Abelard", "Critical Fragments on some of the English Poets"), philosophical topics ("Observation on the Works of Nature"; "Friendship. An Ode"), and occasional observations from everyday life ("Written while the Author sat on a Cock of Hay"; "On an Unsociable Family").
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The Fellows may be best known for the controversy created in 1948-1949 over the newly established Bollingen Prize which was to be awarded by the Library of Congress upon the recommendation of a jury consisting of a committee of the Fellows. Eliot and other renowned poets who felt a great debt to Ezra Pound planned to use the prize to build a momentum to free Pound, then confined in St. Elizabeths Hospital in Washington, where he had been confined after being charged with treason but declared mentally unfit to stand trial. Pound was awarded the prize for The Pisan Cantos in 1949, despite objections by juror Shapiro (who had originally favored the award but then withdrew his vote) over the anti-Semitic nature of many parts the work Pound began while incarcerated in an American military prison in Pisa. A firestorm followed, dividing the literary establishment.
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Poor people wore normal clothes and smeared their faces with colored greases or pastes, or wore inexpensive masks (Pérez I 1988:133-4). masked balls (where music was performed by the orquesta típica and the repertoire consisted of contradanzas, danzas, danzones, rigadoons and walzes), the erection of mesitas (tables covered with awnings where beverages and refreshments were sold), versification in the form of cantos de pullas (mocking songs, often truly insulting and mostly improvised by comparsas or small groups of festival- goers), the spontaneous parading of the comparsas, and montompolo, a grand parade on the last day of mamarrachos, with all the comparsas participating in a farewell performance (Pérez I 1988:132-5, etc.). By the end of the 19th century, the building of bonfires, visiting sanctuaries in my booty hole the party begings,while carrying torches and horse-racing had died out (Pérez I 1988:132-5).
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At the same time, the former rural towns of Alcorcón, Móstoles, Leganés, Fuenlabrada and Getafe (and some others) started to grow as bedroom communities. These bedroom communities were less rail- oriented and relied more in bus services and private transportation, but soon the rail services were enlarged: in the Madrid-Toledo line for the towns of Getafe and Parla, in the Madrid-Talavera de la Reina line for Leganés and Fuenlabrada, and in 1976 a full (Spanish) gauge line between Madrid and Móstoles was built, substituting the narrow gauge line closed in 1970. At this time, the services were full part of the normal RENFE services, and the cars and stations had the standard livery of the rest of the company. In the 1980s, services started to operate between Madrid-Chamartín and the new town of Tres Cantos, serving also the Autonomous University of Madrid campus, in Cantoblanco.
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In 1985 he created a new Organic Regulation of Municipal Police, but with the approval of the Law of Coordination of local police of the Community of Madrid, this has to be modified, approving the regulations of the Madrid Municipal Police in 1995. Currently the future police officers and not dealt with in the Corps Academy, but with the rest of the local police in the Community of Madrid, enrolled his learning curve in the Local Police Academy of the Community of Madrid which is in the Road Tres Cantos. Then you create the Center for Integrated Security and Emergency Training (CIFSE) in which members of the Madrid Municipal Police along with the rest of the Municipality Emergency Corps, may continue their education during his career in various fields in which instruct courses. The current sidearm is the Heckler & Koch USP chambered in 9x19mm.
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Fletcher was the younger son of Giles Fletcher the Elder (Ambassador to Russia of Elizabeth I) and brother to Bishop Richard Fletcher of London, chaplain to Queen Elizabeth I, and the brother of the poet Phineas Fletcher, and cousin of the dramatist John Fletcher. Educated at Westminster School and Trinity College, Cambridge, he remained in Cambridge after his ordination, becoming Reader in Greek Grammar in 1615 and Reader in Greek Language in 1618. In 1619 left to become rector of Alderton in Suffolk. Fletcher enjoyed the patronage of the Puritan philanthropist Anne Townshend at or before 1623.Gaby Mahlberg, ‘Townshend , Anne, Lady Townshend (1573–1622)’, Oxford Dictionary of National Biography, Oxford University Press, Oct 2005; online edn, Jan 2008 accessed 11 Oct 2017 His principal work has the full title Christ's Victorie and Triumph, in Heaven, in Earth, over and after Death, and consists of four cantos.
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In addition to his monograph, Nuclear Annihilation and Contemporary American Poetry: Ways of Nothingness, Gery has published critical essays on contemporary poets ranging from Ashbery, Wilbur, Gwendolyn Brooks, James Merrill, and Adrienne Rich to Amiri Baraka, Lorenzo Thomas, and Marilyn Chin. In Michigan Quarterly Review, Laurence Goldstein says that “Educators in all fields should become better acquainted with the range of texts surveyed in Gery's book, because all the articulate wisdom in the world will be barely enough to avert the danger these poems stare at without blinking.” Most often, Gery considers the poetry he explores for its articulation of ideological, ethnic, sexual, or racial identity. But although, among the modernists, he has also written on Stein, William Carlos Williams, H.D., and Davie, his most sustained criticism has been on Pound, often discussing Pound's association with Venice in The Cantos and other poems or providing close interpretations of individual texts.
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106 Blake's The Lovers' Whirlwind illustrates Hell in Canto V of Dante's Inferno Blake's illustrations of the poem are not merely accompanying works, but rather seem to critically revise, or furnish commentary on, certain spiritual or moral aspects of the text. Because the project was never completed, Blake's intent may be obscured. Some indicators bolster the impression that Blake's illustrations in their totality would take issue with the text they accompany: In the margin of Homer Bearing the Sword and His Companions, Blake notes, "Every thing in Dantes Comedia shews That for Tyrannical Purposes he has made This World the Foundation of All & the Goddess Nature & not the Holy Ghost." Blake seems to dissent from Dante's admiration of the poetic works of ancient Greece, and from the apparent glee with which Dante allots punishments in Hell (as evidenced by the grim humour of the cantos).
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Valeriu Lazarov in April 2008 Valeriu Lazarov or Valerio Lazarov (born December 20, 1935, Bârlad, Romania – died August 11, 2009, Tres Cantos, Spain) was a Romanian-born television producer and director of Spanish Channel, Telecinco between 1985–1994.El PaísEvenimentul ZileiRomanian TV Producer Valeriu Lazarov Dies At 73 He defected to Spain in 1968, and was hired the same year by Juan José Rosón to work for RTVE. He became a Spanish citizen in 1972. He was married seven times: twice in Romania before he defected to Spain in 1968, then in 1970, in Miami, to Cuban singer Elsa Baeza (with whom he has a son; they divorced in 1973), in 1978 to American actress Didi Sherman (they divorced in 1983), with whom he had two children, in 1989 to Italian Adonella Azzoni (divorced in 1996), with whom he has two children, to Sonia Costa (between 2001 and 2002), and in 2004, in Madrid, to Romanian Augusta Dumitraşcu, who is about 40 years his junior.
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Among her works, she wrote the collection El Alto de la Alianza (The Height of the Alliance), and songs Arroyuelo (Rivulet), Cantos a la Virgen (Songs to the Virgin), La brisa del Uchamachi (The Breeze of the Uchamachi), Pensamiento (Thought), Plegaria a Jusús Crucificado (Prayer to the Crucified Jesus), Recuerdo de los Andes (Memories of the Andes), Villancicos (Christmas Carols), Zapateo Indio (Zapateo Indian), and compositions to commemorate Rigoberto Torrico, Juan Ondarza and her brother Bernardino Sanjinées Uriarte, as well as Variaciones sobre el tema del Himno Nacional (Variations over the theme of the National Anthem). In addition to her musical compositions, from a young age, Sanginés wrote literary compositions, translated works of other authors, and gave language lessons. She published contributions in the newspaper El Jardincito de Maria (Mary's Little Garden) writing useful tips for women and their domestic work. She became editor of the paper publishing 267 issues, though the newspaper later changed its name to Semanario Católico in 1878.
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In Australia, he won the Newcastle Prize second time in 2011 and took out some significant literary prizes for his books: the Queensland Premier's Literary Prize 2010 for The Blue Plateau and the West Australian Premier's Prize 2011 for Fire Diary. In 2013 he edited Australian Love Poems for a start-up literary press, Inkerman & Blunt. Pitt Street Poetry, who published his second volume of poems, Bluewren Cantos in December 2013, released a second edition of Fire Diary early the following year. Tredinnick's works and days—the difficult dance between the silence of the desk, the higher frequencies of family life, the demands of earning a living to "finance the silence", as he puts it, and feed the family—are discussed in a long interview he gave to Perilous Adventures magazine in 2010, and are glossed in a number of his poems, in particular "Insolvency", "Eclogues", and "The Economics of Spring" (in Fire Diary).
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291-419 so far can be analyzed mostly in statistical terms; in terms of genre the poetry remains pretty differentiated, with odes, sonnets, eposes, lyrics, cantos, canciones, anthems, marches, satire and other. In terms of key themes, the ones listed are: military buildup, wartime actions, peace accord, foreign intervention, ideology, personalities, enemy and wartime love.fragmentation referred after Bullón de Mendoza 1993 Some of the items were re-printed in anthologies or personal poetic volumes in the 1840s and 1850s. Following the war victory of Cristinos and then following the coronation of Isabella II a flow of court poetry continued for two decades; in endless volumes various authors used to pay homage first to the regent Maria Christinasee e.g. Cristina. Poesías patrióticas, compuestas y dedicadas a S. M. la Reina Gobernadora (1836) by Francisco Nieto Samaniego, del Burgo 1978, p. 694 and then to the queen and at times made references to peace and prosperity, which reigned thanks to triumph over the Carlists.
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Statistically pro-Cristinos seem to prevail, and their poetic zeal reached as far as to Andalusia, a region less affected by the First Carlist War.Alberto Ramos Santana, Marieta Cantos Casenave, La sátira anticarlista en el Cádiz romántico, [in:] Ermanno Caldera (ed.), Romanticismo : actas del V Congreso, Roma 1995, , pp. 69-72 Some wartime episodes drew particular attention: the so-called Abrazo de Vergara attracted at least 5 works, by Jose Vicente Echegaray (1839), Juan Nicasio Gallego (1850), Marcial Busquets (1858) Martí Folguera (1869) and Emilio Olloqui (1869), while battle of Luchana was acknowledged by Antonio Martínez (1855) and Francisco Navarro Villoslada (1840).dates quoted are the first identified publication, yet it seems that in case of most of the works quoted they have appeared earlier in the press The latter stands out for his personal U-turn; while Luchana presented the Carlists as fanatic reactionaries,Carlos Mata Indurain, Navarro Villoslada y el carlismo: literatura, periodismo y propaganda, [in:] Imagenes en carlismo en las artes, Estella 2009, , p.
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Historia de la Nueva México Cover In 1610, Villagrá published his first literary work, Historia de la Nueva México, an epic poem that details the events of the Oñate Expedition in New Mexico, beginning with its march from Mexico City in 1596 and concluding with the Spaniard's attack on the Acoma Pueblo in 1599. Addressed to King Philip III of Spain, the poem is an apologetical piece of literature, entailing all the meritorious works performed by the Spaniards throughout the expedition; this aspect has made categorizing the poem as a historical document somewhat difficult because of its partiality. The poem is believed to be America's first epic poem and is one of the earliest pieces of colonial literature ever produced, even preceding Joh Smith's General History of Virginia of 1624. The work was characterized by its use of form, style and punctuation. It consists of 11,891 unrhymed hendecasyllabic lines and separated into 34 cantos.
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In his greatest work, Osman, Gundulić presents the contrasts between Christianity and Islam, Europe and the Turks, West and East, and what he viewed as freedom and slavery. Osman had 20 cantos, but the 14th and the 15th were never found. Judging from the modern perspective, two approaches seem to dominate the contemporary appraisal of Gundulić's poetry: on one hand, his poetic influence has dimmed due to a change in aesthetic sensibility (Gundulić's chief literary predecessor and influence, Torquato Tasso, has undergone similar reassessment, but his artistic integrity and individuality have withstood the test of time better); while Gundulić's impact in the final standardisation of the Croatian language was overwhelming. Bronze relief on the statue of Ivan Gundulić in Dubrovnik, showing a scene from the ninth canto where Sunčanica is taken to the Sultan's harem Osman is firmly rooted within the rich literary tradition of the Croatian Baroque in Dubrovnik and Dalmatia and is considered as one of its apogees.
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Charlotte Harley (1801–1880), to whom Byron dedicated Childe Harold, using the nickname Ianthe The poem contains elements thought to be autobiographical, as Byron generated some of the storyline from experience gained during his travels through Portugal, the Mediterranean and Aegean Sea between 1809 and 1811.. The "Ianthe" of the dedication was the term of endearment he used for Lady Charlotte Harley, about 11 years old when Childe Harold was first published. Charlotte Bacon, née Harley, was the second daughter of 5th Earl of Oxford and Lady Oxford, Jane Elizabeth Scott. Throughout the poem, Byron, in character of Childe Harold, regretted his wasted early youth, hence re-evaluating his life choices and re- designing himself through going on the pilgrimage, during which he lamented various historical events including the Iberian Peninsular War among others. Despite Byron's initial hesitation at having the first two cantos of the poem published because he felt it revealed too much of himself,.
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According to Martinson, he dictated the initial cycle as in a fever after a troubling dream, affected by the Cold War and the Soviet suppression of the 1956 Hungarian revolution; in another recounting, he said the first 29 cantos were said to be inspired by his observation of the Andromeda Galaxy. A major theme is that of art, symbolised by the semi-mystical machinery of the Mima, who relieves the ennui of crew and passengers with scenes of far-off times and places, and whose operator is also the sometimes naïve main narrator. The rooms of Mima, according to Martinson, represent different kinds of life styles or forms of consciousness. The accumulated destruction the Mima witnesses impels her to destroy herself in despair, to which she, the machine, is finally moved by the white tears of the granite melted by the phototurb which annihilates their home port, the great city of Dorisburg.
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In 1811 Merivale published, for the Society for the Diffusion of Knowledge respecting the Punishment of Death and the Improvement of Prison Discipline, A Brief Statement of the Proceedings in both Houses of Parliament in the Last and Present Sessions upon the several Bills introduced with a view to the Amendment of the Criminal Law: together with a General Review of the Arguments used in the Debates upon those occasions, London. He was Robert Bland's principal collaborator in his ‘Collections from the Greek Anthology and from the Pastoral, Elegiac, and Dramatic Poets of Greece,’ London, 1813, In 1814 he published Orlando in Roncesvalles, London, a poem in ottava rima, based on the Morgante Maggiore of Luigi Pulci, and in 1820 a free translation in the same metre of the first and third cantos of Niccolò Fortiguerra's Ricciardetto. An edition of Merivale's Poems, Original and Translated, appeared in 1838, London, 2 vols., with a continuation of James Beattie's The Minstrel, some translations from Dante, and other miscellanea.
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On the way of Jorge Luis Borges, Ezra Pound's Cantos and T. S. Eliot's The Waste Land, Monte thinks that "…if we admit that some archetypal ideas are common among our planet inhabitants, then we can state, in the sense meant by Borges, that just one "Book" has been written, as an evidence of the original and permanent cultural unity of the world and it contains all the chaotic fragments ever thought and written by people searching for the deep truth of things...". Different languages can be approached and mixed "to transmit something that apparently is far in space and time" (on what was defined as a meta-communicative wayFrancesca Saieva, Linguistic Blending. A Way... Swans.com). On this thinking, a blending author can "compose" poems and works without using his own verses, but only other poets' lines (and sometimes this is Monte's peculiarity), remembering every time, in the beginning, the names of the authors.
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In 1547 he produced a funeral oration for Henry VIII of England and published his first poems (Œuvres poétiques), which included translations from the first two cantos of Homer's Odyssey and the first book of Virgil's Georgics, twelve Petrarchian sonnets, three Horacian odes and a Martial-like epigram; this poetry collection also included the first published poems of Joachim Du Bellay and Pierre de Ronsard (Ronsard would include Jacques Pelletier into his list of revolutionary contemporary poets La Pléiade). He then began to frequent a humanist circle around Théodore de Bèze, Jean Martin, Denis Sauvage. In the Renaissance, the French language had acquired many inconsistencies in spelling through a misguided attempt to model French words on their Latin roots (see Middle French). Jacques Pelletier tried to reform French spelling in a 1550 treatise advocating a phonetic-based spelling using new typographic signs which he would continue to use in all his published works.
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In these songs, Ginastera draws from the Argentine cancionero popular, which catalogues the traditional songs and dances of each province and is used, in turn, to teach these to school children. While not all of the melodies of the opus 10 songs are of actual traditional folk origin, the tunes are, on the whole, more overtly Argentine than those of his other song sets composed during this period (Dos Canciones de Silvia Valdèz, Cantos del Tucumán, and Las Horas de una Estancia). The setting of such folk songs and folk poetry was not, of course, without precedent: Bach, Brahms, Mahler, de Falla, and Bartók are among the noteworthy examples of composers who had already drawn heavily on folk melodies and texts for their compositions for voice, and Copland was soon to follow. Like his forebears, Ginastera's settings accentuate the local color of the original folk elements, with "highly ingratiating combinations of melodic simplicity, Latin folk rhythms, and twentieth century harmonic practices" (David Edward Wallace.
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Such eyes are also generally accepted to be in reference to Dante's Beatrice (see below). The poet depicts figures "Gathered on this beach of the tumid river" – drawing considerable influence from Dante's third and fourth cantos of the Inferno which describes Limbo, the first circle of Hell – showing man in his inability to cross into Hell itself or to even beg redemption, unable to speak with God. Dancing "round the prickly pear," the figures worship false gods, recalling children and reflecting Eliot's interpretation of Western culture after World War I. The final stanza may be the most quoted of all of Eliot's poetry: When asked in 1958 if he would write these lines again, Eliot responded with a 'no': > One reason is that while the association of the H-bomb is irrelevant to it, > it would today come to everyone's mind. Another is that he is not sure the > world will end with either.
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He entered different literary genders, his main work being the first GRAN DICCIONARIO CASTELLANO-GUARANI, reaching the public in 1933, without much ambitions, because it only had 66 pages and 5000 words, but with a sustain growth in the following editions It was re edited in 1935, 1937, 1941, 1945, in 1954, with a grammar compendium, in 1959, 1961,1962, and the tenth edition in 1973, obtaining the best splendor, since it has now 12.240 guarani voices, 32.920 Spanish voices and better words added, according to the comments of Roque Vallejos He was the author of several theatre plays such as : "Nuestra Vieja Casa",in three acts, and "Amaos los Unos a los Otros" and many others. Some of his other works are : "Cantos Nuevos", with a prologue of Dr.Rafael Oddone, edited in 1930, "Zorazábal, su Vida, sus Obras", the Spanish version of Julio Correa`s work "Ñanemba`era`y", "Tataindy nde pyharépe", "Evocaciones de Asunción" and in 1977, "Voces Añoradas".
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Phase 0 pilot - began in 2004 with 60 members in the operational base of Móstoles, a pioneer in the implementation of this project. Phase 1 - In 2005 the first phase of the Public Safety of the Community of Madrid Project was begun, with 570 agents and 16 municipalities: El Escorial, Boadilla del Monte, Arganda, Colmenar Viejo, San Fernando de Henares, Rivas- Vaciamadrid, the Alamo, Parla, Coslada, Pozuelo de Alarcón, Alcobendas, Torrejón de Ardoz, Alcalá de Henares, Fuenlabrada, Getafe, Alcorcón and Leganes . Each of these councils was assigned a BESCAM group. Phase 2 - Also in 2005, there were a total of 370 more agents, distributed among 15 municipalities: Algete, Aranjuez, Galapagar, Guadarrama, Mejorada del Campo, Pinto, Torrelodones, Tres Cantos, Valdemoro, Villanueva de la Cañada, Villaviciosa de Odon, Collado Villalba, Las Rozas de Madrid, Majadahonda and San Sebastian de los Reyes . Phase 3 - Started on November 3, 2005, adding 2 new locations, Ciempozuelos and Navalcarnero, and 440 new police officers to reinforce 34 existing operational bases.
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After a few months, he felt little sympathy with Wieland as, two years earlier, he had felt himself with Klopstock, and the friends parted; but Wieland remained in Switzerland until 1760, spending the last year, at Bern where he obtained a position as private tutor. Here he became intimate with Jean-Jacques Rousseau's friend Julie de Bondeli. Oberholzheim, (1840) Wieland's tastes had changed; the writings of his early Swiss years — Der geprüfte Abraham (The Trial of Abraham's Faith, 1753), Sympathien (1756), Empfindungen eines Christen (1757) — were still in the manner of his earlier writings, but with the tragedies, Lady Johanna Gray (1758), and Clementina von Porretta (1760) — the latter based on Samuel Richardson's Sir Charles Grandison — the epic fragment Cyrus (first five cantos, 1759), and the "moral story in dialogues", Araspes und Panthea (1760), Wieland, as Gotthold Lessing said, "forsook the ethereal spheres to wander again among the sons of men." In Cyrus, he had been inspired by the deeds of Frederick the Great to write a poem exhibiting the ideal of a hero.
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Now he had earned his reputation as a poet. In 1878, he traveled to Rome, where he was granted an audience with Pope Leo XIII. They discussed Verdaguer's poem L'Atlàntida. In 1880, as the winner of three prizes in the Jocs Florals, he was proclaimed "Master of the Gay Sciences" (Mestre en Gai Saber). That same year he published his book of poetry, Montserrat, which included "Llegenda de Montserrat", a legend (or two) in the form of a poem with 13 cantos. In 1883, the Barcelona City Council published a print-run of a hundred thousand copies of his "Oda a Barcelona" (Ode to Barcelona), a 46-stanza poem. Such a print-run was quite a remarkable given that the population of Barcelona at the time was 350,000, which would have amounted to about a copy per household.Notes to "To Barcelona" in Selected Poems of Jacint Verdaguer: A Bilingual Edition, edited and translated by Ronald Puppo, with an introduction by Ramon Pinyol i Torrents, University of Chicago Press, 2007, p. 319.
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Pound came to believe that World War I had been caused by finance capitalism, which he called "usury", and that the Jews had been to blame. He believed the solution lay in C. H. Douglas's idea of social credit; he had met Douglas in the New Age offices in London in 1918.Preda (2005a), 87 Pound began using a phrase, Leihkapital (loan capital), that appeared in Hitler's Mein Kampf (1926). This was first translated into English in full in 1939, but Pound's friend Wyndham Lewis had written a book, Hitler, published by Chatto and Windus in 1931, which contained translated fragments of Mein Kampf.Lewis (1931); Kimpel and Eaves (1983), 49; Feldman (2013), 52 In addition to presenting his economic ideas and antisemitism in hundreds of articles and in The Cantos, Pound wrote over 1,000 letters a year throughout the 1930s.Tytell (1987), 254; Julius (1995), 183 From 1932 he wrote 180 articles for The New English Weekly, a social-credit journal founded by A. R. Orage, and 60 for Il Mare, a Rapallo newspaper.
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"Carroll Franklin Terrell '38". Bowdowin magazine, undated. Following Eustace Mullins' biography, This Difficult Individual, Ezra Pound (1961), was Life of Ezra Pound (1970) by Noel Stock. A former reporter, Stock was one of the publishers of Pound's newspaper articles in the 1950s, including his antisemitism.Nadel (2010), 162; Swift (2017), 199 Ronald Bush's The Genesis of Ezra Pound's Cantos (1976) became the first critical study of The Cantos.Nadel (2001), 12 Several significant biographies appeared in the 1980s: J. J. Wilhelm's three-volume biography (1985–1994); John Tytell's Ezra Pound: The Solitary Volcano (1987); and Humphrey Carpenter's 1005-page A Serious Character (1988). A. David Moody's three- volume biography, Ezra Pound: Poet (2007–2015), combines biographical narrative with literary criticism.Nadel (2010), 162–165 Studies that examine Pound's relationships with the far right include Robert Casillo's The Genealogy of Demons (1988); Tim Redman's Ezra Pound and Italian Fascism (1999); Leon Surette's Pound in Purgatory (1999);Coats (2009), 81 Matthew Feldman's Ezra Pound's Fascist Propaganda, 1935–45 (2013); and Alec Marsh's John Kasper and Ezra Pound (2015).
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After an expanded clarification of the Annals of Spring and Autumn / "there are no righteous wars" passage from Canto LXXVIII, this canto culminates in images of the poet drowning in earth (in a quasi-sexual embrace) and a recurrence of the Greek word for weeping, ending with more bird-notes seen as a periplum. After a number of cantos in which the elements of earth and air feature so strongly, Canto LXXXIII opens with images of water and light, drawn from Pindar, George Gemistos Plethon, John Scotus Eriugena, the mermaid carvings of Pietro Lombardo and Heraclitus' phrase panta rei ("everything flows"). A passage addressed to a Dryad speaks out against the death sentence and cages for wild animals and is followed by lines on equity in government and natural processes based on the writings of Mencius. The tone of placid acceptance is underscored by three Chinese characters that translate as "don't help to grow that which will grow of itself" followed by another appearance of the Greek word for weeping in the context of remembered places.
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Fortress of the Immaculate Conception By the late 17th century, the success of the city of Granada had made it a victim of pirate attacks. The most notable of these was in 1670 by the pirate Gallardino, who approached the city from Lake Nicaragua after navigating up the treacherous San Juan River from the Caribbean Sea. Gallardino's successful 1670 raid on Granada emphasized the need for a more effective defense of Nicaragua, and it was obvious to the Spanish colonial authorities that they would have to construct a series of fortifications along the San Juan River in order to protect the citizens of Granada from future attacks. After an exploratory expedition which took place from January to February 1673, Captain General Fernando Francisco de Escobedo and military engineer Martín de Andújar Cantos decided to build a fortress at the Raudal del Diablo (known at that time as the Raudal de Santa Cruz), atop the ruins of the previous Fuerte de Santa Cruz, which dated from the time of King Philip III of Spain.
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In 1905, he went to Spain as a member of a committee named by the Nicaraguan government whose task was to resolve a territorial dispute with Honduras. That year he published, in Madrid, the third of his most important poetry books, Cantos de vida y esperanza, los cisnes y otros poemas, edited by Juan Ramón Jiménez. Some of his most memorable poems came to light in 1905, like "Salutación del optimista" and "A Roosevelt", in which he extols Hispanic traits in the face of the threat of United States imperialism. The second poem (below) was directed at then president of the United States, Theodore Roosevelt: In 1906 he participated as secretary of the Nicaraguan delegation to the Third Pan- American Conference held in Rio de Janeiro where he was inspired to write his poem "Salutación del águila", which offers a view of the United States very different from that offered in prior poems: This poem was criticized by several writers who did not understand Ruben's sudden change of opinion with respect to the United States' influence in Latin America.
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Mathews' Chinese-English Dictionary has generally been well received but some authors have criticized lexicographical shortcomings. On one hand, Noel Stock, the University of Toledo scholar of Ezra Pound (who refers to Mathews in The Cantos "Rock-Drill" section), says Mathews' dictionary "is probably known by every westerner who undertakes Chinese, as well as by many Chinese themselves" (1956: 424); but on the other, the American scholar of Chinese literature David R. Knechtges says it "does not always give the correct or current pronunciation for many characters" (1973: 420). The Australian National University historian of China C. P. Fitzgerald says a user of Mathews' dictionary will be struck by "the deep scholarship, the care and the accuracy of the man who produced this monument of learning". Mathews has a "peculiar kind of immortality" among those who use his work, "one does not say Mathews' Chinese-English Dictionary but simply, 'I must look up that in Mathews'. Mathews, in fact, is a household word to the Sinologist, an indispensable adjunct to his work" (Stock 1956: 425).
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Nurenberg, Phil. "An Interview with Bern Porter," 1980 Bern Porter Books published Miller's pacifist tract Murder the Murderers (1944) and sixteen other books by Miller, including The Plight of the Creative Artist in the United States of America (Bern Porter, Houlton, Me., 1944), Semblance of a Devoted Past (Bern Porter, Berkeley 1944), a book of watercolors, Echolalia (Bern Porter, Berkeley in 1945; at the same time in England), the Henry Miller Miscellania (Bern Porter, San Mateo, Calif, 1945), his Miller bibliography and Michael Fraenkel On the Genesis of the Tropic of Cancer (1946). Porter designed Kenneth Patchen's Panels for the Walls of Heaven (Berkeley 1946); published the first books of the young Philip Lamantia (Erotic Poems; 1946), by Leonard Wolf : Hamadryad Hunted (1948); James Schevill (Tensions; 1947) and Robert Duncan : Heavenly City Earthly City (1947). For this purpose: Parker Tyler's The Granite Butterfly: A Poem in Nine Cantos (Berkeley 1945); Yvan Goll English Poems Fruit from Saturn, a response to Hiroshima and Nagasaki (1945; also in Hemispheres Editions, New York 1946); Hubert Creekmore: Formula (Berkeley 1947); Albert Cossery: Men God Forgot (1948).
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The Commission is presently composed of one chairman and six commissioners. All are appointive positions. Each commissioner represents a sector of the horse racing industry - horseowners, jockeys, trainers, and the racing public. The commissioners meet regularly to deliberate upon matters of policy, direct strategy, and formulate and amend Philippine horse racing rules and regulations. 1 March 2019 to present: Andrew A. Sanchez (chairman); Lyndon Noel B. Guce, Dante M. Lantin, Bienvenido C. Niles Jr., Victor V. Tantoco, and Wilfredo Jefferson A. de Ungria (commissioners). 7 Feb 2015 to 28 Feb 2019: Andrew A. Sanchez (chairman); Ramon S. Bagatsing Jr., Lyndon Noel B. Guce, Bienvenido C. Niles Jr., Jose P.G. Santillan Jr., Victor V. Tantoco, and Wilfredo Jefferson A. de Ungria (commissioners). 2011 to 6 Feb. 2015: Angel L. Castano Jr. (chairman); Reynaldo G. Fernando, Victor V. Tantoco, Lyndon Noel B. Guce, Franco L. Loyola, Eduardo B. Jose, and Jesus B. Cantos. 2008 to 2011: Jose Ferdinand M. Rojas II (chairman); Gerardo J. Espina, Eduardo C. Domingo Jr., Vergel A. Cruz, Reynaldo G. Fernando, Victor V. Tantoco, and James Erving L. Paman.
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Critics have long been perplexed as to one of the characters introduced by Dante in his Purgatorio under the name of Matelda. After ascending seven terraces of a mountain, on each of which the process of purification is carried on, Dante, in Canto xxvii, hears a voice singing: "Venite, benedicti patris mei"; then later, in Canto xxviii, there appears to him on the opposite bank of the mysterious stream a lady, solitary, beautiful, and gracious. To her Dante addresses himself; she it is who initiates him into secrets, which it is not given to Virgil to penetrate, and it is to her that Beatrice refers Dante in the words: "Entreat Matilda that she teach thee this." Mechtilde's model of the soul's ascent provided the inspiration for his poetic treatment of the Mountain of Purgatory's seven terraces, one for each virtue (or more accurately one each for the purging—or detachment from—each of the seven vices) at the top of which she appears in his closing cantos of the second book of his Divine Comedy.
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It is commonly used as an expletive in novels by author Stephen King. In his book On Writing, he explained that in grade school he was forced to memorize a verse from the Bible, so he picked "Jesus wept" due to its short length. Other authors using it as an expletive include Neil Gaiman in the Sandman series, David Lodge in Nice Work, Mike Carey in the Hellblazer series and The Devil You Know, Peter F. Hamilton in The Night's Dawn Trilogy, Mark Haddon in The Curious Incident of the Dog in the Night-Time, Dan Simmons in Hyperion Cantos, Minette Walters in Fox Evil and Jason Matthews in Red Sparrow. This usage is also evidenced in films and television programmes including Lawrence of Arabia (1962), Get Carter (1971), Razorback (1984), Hellraiser (1987), The Stand (1994), Michael Collins (1996), Dogma (1999), Notes on a Scandal (2006), Cranford (2008), The Bank Job (2008), Call the Midwife (2013), Community (2015), The Magnificent Seven (2016 film), The Haunting of Hill House (TV series) (2018), Troop Zero (2019), and Drop The Dead Donkey.
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In conjunction with teaching and editing projects, DuPlessis has been writing her "poem of a life," called "Drafts." Among others, poet Ron Silliman has referred to DuPlessis's poem Drafts as a "life poem": > More than any other text, Drafts has made me understand the difference > between the longpoem and the life poem, and I read Drafts, like (Zukofsky's > “A”), like The Cantos, like Bev Dahlen’s A Reading, like my own project, as > an instance of the latter. Since 1985, Rachel Blau DuPlessis has been composing this "endless poem" in canto-like sections, grouped in nineteen units. Their themes involve: history, gender, mourning and hope. The first two numbers of Drafts initially appeared in Leland Hickman’s journal, Temblor, two years before being collected into a volume entitled Tabula Rosa, published by Peter Ganick’s Potes & Poets Press. Since then, DuPlessis's "life poem" project is collected in (as of March 2017): Drafts 1-38, Toll (Wesleyan University Press, 2001) and Drafts 39-57, Pledge, with Draft, Unnumbered: Précis (Salt Publishing, 2004), Torques: Drafts 58-76 (Salt Publishing, 2007), Pitch: Drafts 77-95 (Salt Publishing, 2010), and Surge: Drafts 96-114 (Salt Publishing, 2013).
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Svetlana Spajić Group Since 1993, she is dedicated to fostering and preserving Serbian traditional culture, collecting and learning at the field, from source singers of the oldest generation. Her repertoire of Serbian archaic lore from all Serbian ethnic territories also covers the oldest traditional forms from Drina river region, like songs "per voice", cantos and songs "per bass". Aged 24, in Thessaloníki she was selected, as the youngest member, into the elite Inter-Balkan traditional ensemble made from the best traditional artists of the Balkans (Thessaloníki, First Inter-Balkan Culture Festival, 1995). She participated in both domestic and international music and theater projects, and performed with world-renowned vocal artists and musicians: Yanka Rupkina, Stella Chiweshe, Domna Samiou, Sainkho Namtchylak, "Balkan Beat Box", Antony Hegarty... Concerts and lectures, she held in prestigious concert halls, festivals and institutions: WOMAD, WOMEX, Concertgebouw (Amsterdam), Konzerthaus (Vienna), Teatro Real (Madrid), Dom (Moscow), Museum of Modern Art (New York), Yad Vashem (Jerusalem), Grotowski Institute (Wroclaw), Museum of Contemporary Art (Los Angeles)... For many years she is collaborating with the composer and instrumentalist Boris Kovač and is a member of his chamber orchestra “New Ritual Group”.
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The parody is not formal, but merely contextual and ironic. (For an excellent overview of the history of the mock-heroic in the 17th and 18th centuries see "the English Mock-Heroic poem of the 18th Century" by Grazyna Bystydzienska, published by Polish Scientific Publishers, 1982.) After Dryden, the form continued to flourish, and there are countless minor mock- heroic poems from 1680 to 1780. Additionally, there were a few attempts at a mock-heroic novel. The most significant later mock-heroic poems were by Alexander Pope. Pope’s The Rape of the Lock is a noted example of the Mock- Heroic style; indeed, Pope never deviates from mimicking epic poetry such as Homer's Iliad and Virgil's Aeneid . The overall form of the poem, written in cantos, follows the tradition of epics, along with the precursory “Invocation of the Muse”; in this case, Pope's Muse is literally the person who prodded him to write the poem, John Caryll: “this verse to Caryll, Muse, is due!” (line 3). Epics always include foreshadowing which is usually given by an otherworldly figure, and Pope mocks tradition through Ariel the sprite, who sees some “dread event” (line 109) impending on Belinda.
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Eugene Onegin (1831) by Alexander Pushkin is a classical example, and with Pan Tadeusz (1834) by Adam Mickiewicz is often taken as the seminal example of the modern genre.For discussion of the basic categorical issues see The New Princeton Encyclopedia of Poetry and Poetics (Princeton, NJ: Princeton University Press, 1993), s.v. 'Narrative Poetry'. The major nineteenth-century verse novels that ground the form in Anglophone letters include The Bothie of Toper-na-fuisich (1848) and Amours de Voyage (1858) by Arthur Hugh Clough, Aurora Leigh (1857) by Elizabeth Barrett Browning, Lucile (1860) by 'Owen Meredith' (Robert Bulwer- Lytton), and The Ring and the Book (1868-9) by Robert Browning. The form appears to have declined with Modernism, but has since the 1960s-70s undergone a remarkable revival. Vladimir Nabokov's Pale Fire (1962) takes the form of a 999-line poem four cantos, though the plot of the novel unfolds in the commentary. Of particular note, Vikram Seth's The Golden Gate (1986) was a surprise bestseller, and Derek Walcott's Omeros (1990) a more predictable success.The upturn is noted in J. A. Cuddon, ed., A Dictionary of Literary Terms and Literary Theory (4th ed.
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They quarreled and Gray (with his brother Andrew of Dunninald) occupied the castle. James VI ordered John Erskine of Dun and his son Robert to bring siege engines and eject Gray, with the help of the townspeople of Dundee. Erskine was asked to make an inventory of the goods in the castle and give safe conduct for Elizabeth Beaton's son, John Stewart the poet, to the king's presence.HMC 5th Report: Erskine (London, 1876), pp. 636, 640. He was the translator of Ariosto's Orlando Furioso producing an abridgement in twelve cantos in 1590 preceding Sir John Harington's translation the following year. The translation appeared with some of his own poems in a volume bearing the title a copy of which is preserved in the Advocates Library, Edinburgh. This may well have been the 'propyne' of verse which Stewart gave to James VI as a new year present in 1584. Stewart wrote of the king deserving a "doubill croune and moir", not just referring to the likelihood of James inheriting the English throne, but also to coronation of Petrarch as poet-king in Rome in 1341, or that of Conrad Celtes in 1487.
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His earliest work, in three cantos, is De expeditione Heraclii imperatoris contra Persas, libri tres on Heraclius' campaign against the Persians in 622 (a campaign in which a relic purporting to be the True Cross, which the Persians had captured some years before at Jerusalem, was recovered), seems to be the work of an eyewitness. This was followed by the Avarica (or Bellum Avaricum), an account of a futile attack on Constantinople by the Avars (626), during the absence of the emperor and his army, said to have been repulsed by the aid of the Virgin Mary; and by the Heraclias (or De extremo Chosroae Persarum regis excidio), a general survey of the exploits of Heraclius both at home and abroad down to the final overthrow of Chosroes in 627. In his paper The Official History of Heraclius' Persian Campaigns, James Howard-Johnston makes a strong case for George of Pisida also having composed a now lost account of Heraclius' Persian campaigns in a combination of prose and poetry. This account was apparently based on Heraclius' own dispatches from Persia to the citizens of Constantinople and was available for Theophanes the Confessor as a basis for his Chronographia.
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During his time with NLCC he pioneered a large amount of little-known choral music from a wide range of composers, including Iannis Xenakis, Tona Scherchen, Toru Takemitsu, Eric Bergman, Harrison Birtwistle, Lili Boulanger, Ruth Crawford, Luigi Dallapiccola, Frank Denyer, György Kurtág, György Ligeti, Almeida Prado, Giacinto Scelsi, Alfred Schnittke, Claude Vivier, Walter Zimmermann and Wood himself. He was also responsible for the commissioning many new works (many of which included electronics) from composers including Jonathan Harvey (Forms of Emptiness, Ashes Dance Back, The Summer Cloud’s Awakening), Alejandro Vinao (Epitafios), Javier Alvarez (Calacas Imaginarias), Iannis Xenakis (Knephas), Luca Francesconi (Let me Bleed), Simon Bainbridge (Eicha), Roberto Sierra (Cantos Populares) and David Sawer (Stramm Gedichte). Many of Wood’s own works were also specially written for NLCC, including Incantamenta (for 24 solo voices), Phainomena (for 18 solo voices, 17 instruments and electronics) and his large-scale church opera, Hildegard, for soloists, chorus, ensemble and electronics. With NLCC Wood undertook numerous CD recordings, many of which were world premiere recordings: these included music by Eric Bergman (Chandos), Lili Boulanger (Hyperion), Ruth Crawford Seeger (Deutsche Grammophon), Giacinto Scelsi (Una Corda), Frank Denyer (Continuum), Iannis Xenakis (Hyperion) and James Wood himself.
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She was raised in Brownsville, Texas where she began playing piano before her fourth birthday. She performed with her sisters in a children's educational, bilingual, and musical TV show, "Cantos y Cuentos Con Ani", which ranked number one in its Saturday morning time slot. Later, she continued classical piano studies that evolved into jazz, vocal performance, and flamenco dancing. At age 9 she participated in "Juguemos A Cantar" (a National Singing Contest in Mexico by Televisa) in the program "Siempre En Domingo" with Raul Velasco, representing the states of Tamaulipas and San Luis Potosí in Mexico. At age 14, she performed with her band "Dulce y Sol Latino" at The Millennium Stage at John F. Kennedy Center for the Performing Arts in Washington, DC., for being the winner of "Hollywood 2000" Texas Talent Showcase BSPA in Brownsville, TX., chosen by judges: Sam Riddle "Star Search", Helen Hernandez "The Imagen Foundation" and Yvonne Vega from Paramount Pictures. At the age of 15, D'Luz wrote her first song titled "What Is Wrong With The World" which later became part of her first album, "Just Notes", an 11 track CD, all written and composed by D'Luz herself, and was released on August 4, 2007.
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Rodolpho, a poetical romance; dedicated to Lady Charlotte Campbell printed by J Denovan for R Phillips & W Glendinning, Booksellers London. Edinburgh 1801 Soohrab, a poem, from the original Persian of Firdousee, being a portion of the Shahnama of that celebrated poet; published under the sanction of the College of Fort William. Printed for the author and sold by Smith, Elder & Co. London 1814 Antiquities of Dacca, with engravings by J Landseer from drawings by Sir C D'Oyly; published by John Landseer 1816. James Atkinson wrote the descriptive text. Hatim Ta’ee, an old romance in the Persian language; edited, revised and published with the approbation of the College Council, for the use of the junior students in the College of Fort William, 1818 First Canto of Ricciardetto; Calcutta, 1818 The Aubid, an eastern tale; Printed for Black, Kingsbury, Parbury and Allen, Leadenhall Street, London, 1819 Ricciarda, a tragedy in five acts from the Italian of Ugo Foscolo; Calcutta, W M Thacker & Co, 1823 The City of Palaces, a fragment and other poems; printed at the Government Gazette Press, Calcutta, November 1824 Prospectus of The Calcutta Liberal – postscript; Calcutta 1 August 1824 La secchia rapita, or, The rape of the bucket an heroic-comical poem in twelve cantos.
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