Time for a phone call to order my favorite chicken sandwich as takeout.
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But that was before a large number of citizens began protesting, and the general's call to order.
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Prince Harry's initial statement, which reads like a plea for mercy, both confirmed the relationship and put forth a call to order.
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Without that rambunctious cheer of a fanfare, that call to order in the theater, Star Wars will never feel quite the same.
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All eyes were trained on the young black protesters filling the room's center, who had commandeered the board's monthly meeting just 10 minutes after the call to order.
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When people call to order mills, however, he has learned to listen for certain buzzwords and unusual questions to try to keep them from falling into the wrong hands.
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A sign of the ECB's difficulties is that top supervisors, who made the ultimate call to order the payment moratorium, appear to have known little of the brewing trouble at ABLV before the U.S. accusation, according to several people with direct knowledge of the matter.
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Even those of us with deficient digits in our bank accounts, though, will appreciate the display of later Cubist works, with paintings by Picasso, Braque, Gris and Léger from the last years before the 1920s revival in figurative painting known as the "rappel à l'ordre," or call to order.
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Florian, pp. 170–171; Ralea, p. 170 He issued what Florian calls a "passionate call to order of the bourgeoisie, [which is] still a bearer of cultural values."Florian, p.
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Seating in the Senate is by party, with the leaders of each party choosing the exact seating assignments. Each Senator has offices in Annapolis, in the Miller or James Senate Office Buildings. A typical session of the Senate begins with a call to order by the President of the Senate. After the call to order, the previous day's journal is approved, petitions are heard, and orders involving committee and leadership appointments or changes to the rules are presented.
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An agenda is a list of meeting activities in the order in which they are to be taken up, beginning with the call to order and ending with adjournment. It usually includes one or more specific items of business to be acted upon. It may, but is not required to, include specific times for one or more activities.
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According to tradition, Vice President John Adams used a gavel as a call to order in the first U.S. Senate in New York in the spring of 1789. Since then, it has remained customary to tap the gavel against a lectern or desk to indicate the opening and closing of proceedings, and it is also used to keep the meeting itself calm and orderly.
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Zerner suggests that these two, apparently superfluous, recumbent effigies, as rigid as those from the thirteenth century, might have been a "call to order". In the context of the wars of religion, they may have represented a pulling back from the sensuality of the tomb, which "was bound to appear somewhat pagan". Zerner, 382–83. In this case, he portrays Catherine realistically, with a double chin.
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An agenda is a list of meeting activities in the order in which they are to be taken up, beginning with the call to order and ending with adjournment. It usually includes one or more specific items of business to be acted upon. It may, but is not required to, include specific times for one or more activities. An agenda may also be called a docket, schedule, or calendar.
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In Rescue 911s early seasons on CBS, ads were shown after the end credits of every episode that gave an 800 number viewers could call to order a copy of that night's episode. This ad was dropped in later seasons. On May 27, 1997, "Rescue 911: World's Greatest Rescues" was released on VHS. This video featured five stories of rescue attempts from around the world; segments were taken from both the U.S. and international versions of the show.
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Novecento Italiano was founded by Anselmo Bucci (1887–1955), Leonardo Dudreville (1885–1975), Achille Funi, Gian Emilio Malerba (1880–1926), Pietro Marussig, Ubaldo Oppi, and Mario Sironi.Roh et al. 1997, p. 296. Motivated by a post-war "call to order", they were brought together by Lino Pesaro, a gallery owner interested in modern art, and Margherita Sarfatti, a writer and art critic who worked on Italian dictator Benito Mussolini's newspaper, The People of Italy (Il Popolo d'Italia).
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Cruel and ruthless, Jean de Chambes fought at the siege of Lusignan and the capture of Fontenay-le-Comte, and was reigning terror in the region. The Reformed Church of Saumur was almost eliminated. He then went to Angers, closed the gates of the fortifications and began the gathering of Huguenot personalities, all of whom he killed with his own hands. Warned of the abuses and violence of his governor, Charles IX finally sent him a call to order on 14 September 1572.
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He did not want any cattlemen to stand trial for murder. In the end, the group voted to take no action against the rustlers. T.A. Clay wrote in her article “A Call to Order: Law, Violence and the Development of Montana’s Early Stockmen’s Organizations” featured in the Autumn 2008 Issue of Montana The Magazine of Western History: “Stuart’s opposition to a strike, however, was apparently a cover—an effort to rein in the group’s hotheads before they staked out a public position that would have ignited popular criticism.
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Parsons maintains that the Haustafeln in Ephesians and Colossians are clearly written to those within the church, not those outside. Many believe that in the 2 Corinthians passage, the apostle Paul is speaking to situations of, at a minimum, potential disorder in the churches—to include the breaking of all social order. Therefore, he believes the purpose of the New Testament Household Codes likely was a call to order in an unruly church. But Parsons says whatever the overall purpose of each particular Haustafel might have been, it is certain that the paired relationships are explained by their relationship to Christ.
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Novecento Italiano was an Italian artistic movement founded in Milan in 1922 by Anselmo Bucci (1887–1955), Leonardo Dudreville, Achille Funi, Gian Emilio Malerba, Piero Marussig, Ubaldo Oppi and Mario Sironi. Motivated by a post-war “call to order”, they were brought together by Lino Pesaro, a gallery owner interested in modern art, and Margherita Sarfatti, a writer and art critic who worked on Italian dictator Benito Mussolini’s newspaper, Il Popolo d'Italia. Sarfatti was also Mussolini’s mistress. The movement was officially launched in 1923 at an exhibition in Milan, with Mussolini as one of the speakers.
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176–177 The PM was founded just days after a street demonstration organized by the Russian soviet, described by Duca as an attempted coup spurred on by the socialist Christian Rakovski, supposedly thwarted by a Romanian demonstration of strength. According to Duca, the PM intended to partake in the putsch, but "in the end got scared [...] because they sensed that if the Russian revolutionaries are to stage a coup, it would not go in their favor".Duca, p. 180 Diamandy, who was structurally a monarchist, printed a call to order, addressing it to the Romanian proletariat.
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Wards continue to have beadles, with most having just one, but the larger wards two or three.Farringdon Without has three and Bishopsgate and Cripplegate both have two.The Beadles of London The Ward Beadles This is an ancient elected office that is now largely ceremonial, in that they accompany their alderman on the eight high ceremonial occasions in the City's civic calendar and in attending to call to order the wardmote, an annual meeting in each ward of electors, representatives and officials.City of London Corporation Ward Motes These should not be confused with the beadles of the livery companies of the City, who are employees of them.
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The ceremonies began with a parade, followed by a program of activities: a call to order by Alvin P. Hovey, governor of Indiana; an invocation by Rev. Joseph S. Jenckes, of St. Paul’s Church, Indianapolis; music; a historical statement by Frederick Rand, president of the monument association; unveiling of the monument by Eliza C. Hendricks; a nine-round salute from Indianapolis Light Artillery; a dedicatory poem by James Whitcomb Riley of Indiana, read by Rev. Dr. D. W. Fisher, president of Hanover College; and address by David Turpie, U. S. Senator from Indiana; and a benediction from Reverend Francis Silas Chatard, Bishop of Vincennes.Hendricks Monument Association, pp. 18-20.
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Throughout the war, to Armistice of 11 November 1918 and the series of exhibitions at Galerie de L'Effort Moderne that followed, the rift between art and life—and the overt distillation that came with it—had become the canon of Cubist orthodoxy; and it would persist despite its antagonists through the 1920s: > Order remained the keynote as post-war reconstruction commenced. It is not > surprising, therefore, to find a continuity in the development of Cubist art > as the transition was made from war to peace, an unbroken commitment to the > Latin virtues along with an unbroken commitment to the aesthetically pure. > The new Cubism that emerged, the Cubism of Picasso, Laurens, Gris, Metzinger > and Lipchitz most obviously of all, has come to be known as "crystal > Cubism". It was indeed the end-product of a progressive closing down of > possibilities in the name of a "call to order".
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Smith has authored or edited many books on U.S. congressional politics and parliamentary politics in Russia, including a 2014 book, The Senate Syndrome. Smith's books include The Senate Syndrome: The Evolution of Procedure Warfare in the Modern U.S. Senate (Univ of Oklahoma Press), Party Influence in Congress (Cambridge), Call to Order: Floor Politics in the House and Senate (Brookings), Politics or Principle: Filibustering in the United States Senate (Brookings), with Sarah Binder, The Politics of Institutional Choice: The Formation of the Russian State Duma (Princeton), with Thomas Remington, and Politics Over Process: Partisan Conflict and Post-Passage Processes in the U.S. Congress (University of Michigan Press), with Hong Min Park and Ryan J. Vander Wielen. Smith's textbook on congressional politics, The American Congress, is in its tenth edition; the later editions were coauthored with Jason Roberts and Ryan Vander Wielen. Smith edited popular readers for undergraduates: The Principles and Practices of American Politics (CQ Press), seven editions with Samuel Kernell, and The American Congress Reader (Cambridge), with Roberts and Vander Wielen.
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Igor Stravinsky, one of the most important and influential composers of the 20th century Neoclassicism in music was a twentieth-century trend, particularly current in the interwar period, in which composers sought to return to aesthetic precepts associated with the broadly defined concept of "classicism", namely order, balance, clarity, economy, and emotional restraint. As such, neoclassicism was a reaction against the unrestrained emotionalism and perceived formlessness of late Romanticism, as well as a "call to order" after the experimental ferment of the first two decades of the twentieth century. The neoclassical impulse found its expression in such features as the use of pared-down performing forces, an emphasis on rhythm and on contrapuntal texture, an updated or expanded tonal harmony, and a concentration on absolute music as opposed to Romantic program music. In form and thematic technique, neoclassical music often drew inspiration from music of the 18th century, though the inspiring canon belonged as frequently to the Baroque and even earlier periods as to the Classical period—for this reason, music which draws inspiration specifically from the Baroque is sometimes termed neo-Baroque music.
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