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"cabinetmaker" Definitions
  1. a person who makes fine wooden furniture, especially as a job

557 Sentences With "cabinetmaker"

How to use cabinetmaker in a sentence? Find typical usage patterns (collocations)/phrases/context for "cabinetmaker" and check conjugation/comparative form for "cabinetmaker". Mastering all the usages of "cabinetmaker" from sentence examples published by news publications.

Mr. Colby, a skilled carpenter and cabinetmaker, renovated both places.
Chippendale is most known as an English, 2298th century cabinetmaker.
Construction wisdom My great-grandfather, a cabinetmaker, used this folding ruler.
And the previous owner was a cabinetmaker, so there were thousands of dollars of cabinets.
His father, Aniello, was a cabinetmaker, and his mother, Carmela (Iovino) Pintauro, was a homemaker.
Glenn White was a cabinetmaker who also headed the Atlantic County (NJ) S.P.C.A. for many years.
FT. $36,000 approximate annual rent 173 Hausman Street (between Nassau and Norman Avenues) Greenpoint, Brooklyn A woodworker/cabinetmaker has signed a five-year lease for 2,100 square feet, formerly occupied by another cabinetmaker, in this 70,000-square-foot single-story building in the industrial section of Greenpoint.
Other defendants include cabinetmaker Jacques Poisson and his wife Colette, Michel Rocaboy, and dealer Roland de l'Espée.
Do your research and consult an experienced cabinetmaker, electrician or media professional to make the job more manageable.
The adjacent kitchen has been updated with stainless-steel KitchenAid appliances and cherry cabinets made by a local cabinetmaker.
Majors, who was living in Washington, D.C., shared his dream with a local cabinetmaker who ran a small music shop.
In February, a maple chest from the 1780s signed by Obadiah Smith, a cabinetmaker in Glocester, sold for $4,600 at Skinner.
The furniture, which is included in the asking price, was handmade by a local cabinetmaker in keeping with the home's design.
The Monroe administration commissioned Parisian cabinetmaker Pierre-Antoine Bellangé to create the furniture in 1817, three years after the White House fire.
Mr. Gable's upper-floor study has an early-20th-century office suite by Carlo Zen, a Milanese cabinetmaker, and a Chinese Art Deco rug.
"A year ago, there didn't seem to be any rivals," said Louis Garcia, a cabinetmaker in Orange County who plans to vote for Mrs. Clinton.
Hirschl & Adler, also of New York, have a serpentine sofa from around 1820, possibly made by the cabinetmaker Duncan Phyfe and upholstered in a racy red.
Critic's Notebook A perfect table, a cabinetmaker once told me, isn't one that draws attention to itself: It just makes the rest of the room feel right.
The details are complicated, but essentially, the dispensary had a deal to lease space from the owner of the cabinetmaking company, with the cabinetmaker acting as the landlord.
"It was a great idea," said Carmelo García, a cabinetmaker in Abra San Francisco, a cluster of houses set on steep hills outside the coastal city of Arecibo.
Universal Images Group/Getty Images The inventor of the 1886 Ouija board remains disputed — some credit a cabinetmaker named E. C. Reiche, while others say it was Charles Kennard.
The British cabinetmaker Thomas Sheraton is credited with publishing the first drawings (a group of four spindly-legged tables labeled Quartetto) in his book "The Cabinet Dictionary," published in 1803.
Eric Broadley, a onetime cabinetmaker from Britain who became an acclaimed designer of racecars whose speedy creations won the Indianapolis 21963 and numerous other events, died May 224 in Cambridge, England.
The most precious room, according to Mr. Rainer, is the "Green Salon," which was built by Ludwig's son, also named Bernhard, who went on to become the cabinetmaker to the Romanian Court.
"I always had a furniture culture in my life," he said by phone from Stockholm, rattling off family members in the business: cabinetmaker grandfather, architect sister, structural engineer brother, and so forth.
Richmond was a freeman before he was employed by the Duke of Northumberland and taken to England with his new master to work, on his own, as a cabinetmaker and a boxer.
Gamper, who grew up in the Italian Alps, started out apprenticing with a cabinetmaker when he was 14 before enrolling in two art schools in Vienna where he studied both sculpture and design.
His father was a sculptor and cabinetmaker whose motto was "measure everything three times and cut once"; Mr. Kagan liked to joke that he measured nothing and cut things over and over again.
He trained as a cabinetmaker, but in 1804, he entered the ring and although he, too, would lose to Cribb, he won his next eleven fights and went on to become a boxing instructor.
My father was a cabinetmaker until the recession in Australia—his business went under, so he worked as a maintenance guy at a high school from when I was ten years old until he retired.
Bernhard Ludwig, cabinetmaker to the Hapsburg court, had the six-story house built in 1891 adjacent to his furniture factory to serve as both living quarters for his family and elaborate showrooms for his thriving business.
The house teamed with the cabinetmaker Rose Saneuil, who spent about 25 hours on each dial, inlaying 224 pieces of sycamore, parchment, speckled maple, hornbeam, tulip wood, beech and other woods as well as mother-of-pearl.
After the Peace Corps, Mr. Puryear spent two years at the Royal Swedish Academy of Arts in Stockholm and assisted the cabinetmaker James Krenov, experiences that allowed him to investigate local craft traditions and modern Scandinavian design.
Harrison's grandfather came from humbler stock — his mother ran a boardinghouse after her fishmonger husband died of consumption, and he was apprenticed to a cabinetmaker at 14 — but he was as happily afflicted with wanderlust as her grandmother.
In the case in Detroit, a custom cabinetmaker filed for Chapter 11 days after a state court in Detroit ordered the company to act in accordance with a real estate contract it had signed with a state-licensed marijuana dispensary.
An undisclosed American museum felt confident enough to reserve, on the basis of digital photographs, a sumptuously veneered late 17th-century bureau by Pierre Gole, cabinetmaker of Louis XIV, priced at €300,000 in Mr. de Quenetain's maximalist presentation, the dealer said.
One of the pieces on view, "Basket Chair With Brown Pillow," resembles a head-on collision between the 2620th-century German cabinetmaker Michael Thonet's classic bentwood Chair No. 2860 and the sort of metal butterfly one finds in college dorms.
She was born in Florence, where her father was a cabinetmaker and part of the anti-fascist resistance during World War II. As a young girl she became a courier for the resistance, smuggling hand grenades inside heads of lettuce.
It was created in the early 28s by the heretofore little-known cabinetmaker and interior decorator George A. Schastey (21821-1894) for the home of Arabella Worsham, who later married the railroad tycoon Collis P. Huntington (and who became Arabella Worsham Huntington).
According to the U.S. trustee, the cabinetmaker has plenty of expected revenue under its deal with the dispensary and went into bankruptcy only because its owner wanted to get out of the original real estate agreement and renegotiate a more favorable deal.
"You don't want to pay to build my home, and I don't want to pay to build your plant," John Gooding, a cabinetmaker from Bay St. Louis, who lost his home in Hurricane Katrina, said during a public hearing about the rate hikes.
For example, the tortoiseshell, engraved brass and pewter marquetry were hallmarks of André-Charles Boulle, the king's cabinetmaker and sculptor, and the eight-day, spring-wound brass and steel movement most likely was the work of Isaac II Thuret, the royal clockmaker.
The 33-year-old machinist and cabinetmaker said that he tends to do creative things in his free time—typically under the name Laprise Simon Designs—and when he got his hands on a giant pile in front of his place, he got to work.
Built by the celebrated French cabinetmaker Jacques Dubois, it was delivered to the marquise in 1755 at the Château de Choisy, a royal residence just south of Paris, where De Pompadour kept a bedroom next to the king's apartment until her death in 1764.
The new union, which was approved by a vote of 57-20, will represent about 140 employees at the museum, including full time engineers and maintenance mechanics who operate the Guggenheim's heating and air conditioning systems, as well as full-time and temporary employees with titles like art handler, cabinetmaker and fabricator, who install and take down exhibits.
The five exquisitely composed sections of this novel follow the protagonist, Paul, through the great loves of his life: a youthful infatuation with a cabinetmaker on a small Italian island, a disintegrating relationship with a woman he meets while playing tennis, an obsession with a man encountered at the same tennis courts, a passionate affair with a woman from university whom he sees every few years, and extramarital overtures to a much younger woman (he quit smoking the year she was born).
John Cobb (c.1710-1778) was an English cabinetmaker and upholsterer.
It was made by the cabinetmaker James Halyburton in Providence, Rhode Island.
Bruckmann was trained as a cabinetmaker and master carpenter in his native Germany.
Lena Larsson at NK in 1950. Larsson was born Lena Rabenius in 1919 in Tranås. She trained as a cabinetmaker at the Carl Malmstens school of craftsmanship. After that she worked for cabinetmaker Elias Svedberg, with whom she designed furniture.
Emily Miller was born in Govan. Her parents were Ann Gallagher, and John Miller, a cabinetmaker.
John Shaw (1745–1829) was the Annapolis cabinetmaker who built most of the furniture first used in both legislative chambers of the Maryland State House. He was considered the foremost cabinetmaker in Annapolis during the late 18th century and was the designer of two early American flags.
Patrick Gay was a cabinetmaker and businessmen of Adelaide, South Australia, for whom Gay's Arcade was named.
Amzi Chapin (1768–19 February 1835) was an American cabinetmaker, singing- school teacher, shapenote proponent and composer.
Governor's Council Chamber, Independence Hall, Philadelphia, Pennsylvania. Four of these Queen Anne chairs are originals and attributed to Savery; four are modern reproductions. William Savery (cabinetmaker) (1721 or 1722 – 1787 in Philadelphia, Pennsylvania) was an 18th-century American cabinetmaker noted for his furniture in the Queen Anne and Philadelphia Chippendale styles.
Jean-Joseph Chapuis (June 6, 1765 - February 10, 1864) was a French cabinetmaker of the 18th and 19th centuries.
Maxime Old has been born in Maisons-Alfort (Val-de-Marne) in 1910. He is coming from a long line of master cabinetmakers. His father, Louis Old is the son of Jean Léonard (Johann Leonhard) Old, Germany originated, master cabinetmaker. Louis marries Maximillienne, daughter of Joseph (Giuseppe) Carosi, master cabinetmaker, originated from Italy.
The elder Roussel's father was a simple compagnon, a journeyman cabinetmaker working for a master ébéniste. Four of Roussel's brothers were menuisiers, working on carved seat furniture and room paneling.Watson 1966:557. He married Marie-Antoinette Fontaine in 1743 and was received as a master cabinetmaker in the Paris guild, 21 August 1745.
After American Flyer disbanded, Yule retired from doing music full-time, and became a cabinetmaker and a luthier of violins.
His father, the accomplished cabinetmaker, proceeded to build a camera for the lens and thus began Frederick Gutekunst's amateur career.
George Debney was an early settler of South Australia, a cabinetmaker whose shop became Gay's Arcade and part of Adelaide Arcade.
Next to that in the construction industry are a tiler, a metal roofer, a carpenter-cabinetmaker, an art Glazier, a locksmith, etc.
Francis Murray was a cabinetmaker, upholsterer, undertaker, and money lender, owned shares in mining companies, and had a store in Queen Street.
It was made in 1746 by the cabinetmaker Job Townsend, Sr, who worked with his brother Christopher Townsend in Newport, Rhode Island.
By 1851, Tipton had blacksmiths, a cabinetmaker, a bakery, a saddlery, and a gunsmith. The Young Furniture Company was founded in 1850.
John Frederick France was the son of William Beckwith France (Deputy Lieutenant) of Cadogan Place, Chelsea and grandson of William France Jnr (cabinetmaker).
Son of cabinetmaker Otto Larsen, he was born in Copenhagen on 30 March 1917. After training as a cabinetmaker, he learnt furniture design at the Design School in Copenhagen, qualifying in 1940. Thereafter he worked with furniture designers Mogens Koch, Peter Koch and Palle Suenson. From 1942, he designed his own models which he exhibited at the annual Cabinetmakers Guild's exhibitions in Copenhagen.
Members of the Williams family worked as a blacksmith, cabinetmaker, leather tanner, and general store proprietor. Jacob Williams opened a woolen mill in 1839.
Peder Furubotn (29 August 1890 - 28 November 1975) was a Norwegian cabinetmaker, politician for the Communist Party and resistance member during World War II.
Library table by William Vile, Cuban mahogany, veneered on oak, ca. 1760, Metropolitan Museum of Art William Vile ( 1700 – September 1767) was an English cabinetmaker.
Nichols was born in Dayton, Ohio, the son of Joseph Wiseman Nichols, a cabinetmaker, and Sarah Rebecca Heidelbaugh. He was the youngest of six children.
Jacob Kjær (1896-1957) was a Danish furniture designer and cabinetmaker. Kjær received training as a cabinetmaker in the workshop of his father who was also a furniture maker. After completing his training in Berlin and Paris, he exhibited works at the Barcelona World Exhibition in 1929. Characterized by simplicity, his designs drew on the finest materials which, unusually for his day, he crafted himself.
Schrader was born in Magdeburg, Germany on March 17, 1875. He joined the Arbeiter Turnverein gymnastics club and took up a job as an apprentice cabinetmaker, but later traveled to Chicago with financial backing from relatives who already lived in the United States. There he soon joined the Turnverein Vorwärts club and resumed his participation in gymnastics, working as a cabinetmaker to repay his passage debts.
Pont-Saint-Esprit is famous as the town of origin of Michel Bouvier, a cabinetmaker, who was the ancestor of John Vernou Bouvier III, father of Jacqueline Kennedy.
After the establishment of the first Czechoslovak Republic, he served for two years in the Czechoslovak Army. From 1920 to 1921 he worked in Rousinov as a cabinetmaker.
Abraham Roentgen. Table Bureau, ca. 1760. Rijksmuseum Abraham Roentgen (30 January 1711 – 1 March 1793) was a German Ébéniste (cabinetmaker). Roentgen was born in Mülheim am Rhein, Germany.
By combining a close-stool and set of stairs the cabinetmaker of the example illustrated here produced a piece of furniture with two purposes, and practical even today.
Joseph Christian Lillie was born in Copenhagen to the master cabinetmaker Georg Friederich Lillie and his wife, Maria Eva Schils. He is presumed to have trained as a cabinetmaker. He was educated at the Royal Danish Academy of Art ca. 1774-1780, and was a student of Caspar Frederik Harsdorff, then director of the academy and Denmark's leading architect in the late 18th century and now referred to as “The Father of Danish Classicism”.
Affleck may have made the chairs in Congress Hall for the U.S. House of Representatives and U.S. Senate. Affleck died in 1795. His eldest son, Lewis, continued as a cabinetmaker.
Children of the Cabinetmaker, Franz Zlamal (1840) Erasmus Engert (24 February 1796, Vienna - 14 April 1871, Vienna) was an Austrian painter and art restorer. Later, he became Erasmus Ritter von Engert.
Winterthur Portfolio, Vol. 25, No. 4 (Winter, 1990), p.293. John Singleton Copley painted portraits of Barrell, and his wives Anna and Hannah. Barrell also commissioned furniture from cabinetmaker John Cogswell.
Another major commission was for furnishing the Second Street city house of John and Elizabeth Cadwalader. For this Affleck was joined by fellow cabinetmaker Benjamin Randolph, and carvers Hercules Courtenay, John Pollard, Nicholas Bernard, and Martin Jugiez. Cadwalader's receipts for the work survive at the Historical Society of Pennsylvania, although determining which cabinetmaker made which piece (and which carver carved which) sometimes must be based on attribution.General John Cadwalader's Parlor Sofas from Museum of Missing History.
Peder Moos (27 January 1906, Sønderborg – 1 April 1991, Tønder) was a Danish furniture designer and cabinetmaker who crafted nearly all his pieces himself. The son of a farmer, he attended Askov Højskole, a folk High School, before training as a cabinetmaker in Jutland and later in Copenhagen. From 1926 to 1929, he worked in Paris, Geneva and Lausanne. In 1935, he moved into Bredgade in Copenhagen where he started his own workshop which he maintained for 20 years.
A c. 1810 guéridon by French-born American cabinetmaker Charles-Honoré Lannuier. Mahogany, satinwood, rosewood, and possibly sycamore veneers, gilded brass, and marble. Located in the Red Room of the White House.
Fittings in the Presbyterian Church and Baptist Meeting House (Milton Church) are attributed to noted African-American cabinetmaker Thomas Day. It was added to the National Register of Historic Places in 1973.
Petroski, p. 98 Until the war with England cut off imports, pencils used in America came from overseas. William Monroe, a cabinetmaker in Concord, Massachusetts, made the first American wood pencils in 1812.
He became ill and stayed at Fort Stanwix until he recovered. He graduated from King's College (later Columbia University) and received his A.B. in 1776. Between the wars he also worked as a cabinetmaker.
He apprenticed as a carpenter and cabinetmaker and served was justice of the peace for Solebury Township in Bucks County of Pennsylvania for several years as well as coroner of Bucks County four years.
William M. Plummer (1873–1943) was an African American cabinetmaker and inventor from Smyth County, Virginia. His decorative work is part of both the tradition of American decorative arts and of African American folk art.
Library stairs, from Badminton House, Gloucester (1782), Art Institute of Chicago William France Jr. was a cabinetmaker and upholsterer in 18th century London and a member of the well known France family who held the Royal Warrant for over half a century. He was the nephew of William France Sr. and younger brother of Edward France, the former being cabinetmaker to the Royal Household. He was born in 1759 and died in 1838 in Boulogne, France. He was made a Freeman of Lancaster in 1785–86.
Born in Christchurch on 6 March 1906, Johnson was the son of Harry Melton Johnson, a cabinetmaker, and Maggie Smart Johnson (née Mauchlin). On 31 March 1934, he married Doreen Annie Greene at Highfield Presbyterian Church, Timaru.
Congress Voting Independence (ca. 1784-88) by Robert Edge Pine. Francis Trumble was an 18th-century chair and cabinetmaker in Philadelphia, Pennsylvania. Trumble produced a variety of "fine furniture" in the Queen Anne, Chippendale and Federal styles.
The cabinet is unsigned. Pabst's shop employed dozens of woodworkers, and presumably produced thousands of pieces over half a century.David A. Hanks and Page Talbott, "Daniel Pabst—Philadelphia Cabinetmaker," Philadelphia Museum of Art Bulletin, vol. 73, no.
Rowley was born in Pittsburgh, Pennsylvania. He served as a captain of volunteers in the Mexican–American War, mustered in on October 8, 1847, and mustered out on July 18, 1848. Otherwise, he worked as a cabinetmaker.
Jean Lee Latham was born in Buckhannon, West Virginia. Her father was a cabinetmaker and her mother was a teacher. She attended West Virginia Wesleyan College and received an A.B. in 1925. She also attended Ithaca Conservatory.
Sideboard (c. 1855) by Roux, Brooklyn Museum. Alexander Roux (1813–1886) was a French-trained ébéniste, or cabinetmaker, who emigrated to the United States in the 1830s. He opened a shop in New York City in 1837.
Cliveden House, Germantown, Philadelphia. Jonathan Gostelowe (1744 or 1745, Philadelphia, Pennsylvania - 1795, Philadelphia, Pennsylvania) was an 18th- century American cabinetmaker, best remembered for his Philadelphia Chippendale-style furniture.Modern replica of Gostelowe chest of drawers from Kindel Furniture.
" With this informal background Zuckermann succeeded in building his first harpsichord, which was rather similar in form to the kit instrument he started selling a number of years later.Zuckermann (1968). In 1958 the New York Times printed a picture of Zuckermann working in his shop at 55 Clarkson Street with cabinetmaker Jules Antonsen; the instrument they are working on has the characteristic "straight bentside" of the later kit instrument. See Edith Evans-Asbury, "Ex-psychologist and cabinetmaker spur harpsichord revival in the 'village', New York Times, 10 Sept.
Small oval table volante by Macret and Charles Topino (Versailles) Pierre Macret (1727–1796) was a well-known Parisian cabinetmaker (ébéniste). At the death of the widow of Jean-Pierre Latz in December 1756, he received Latz' court warrant as marchand-ébéniste privilégié du Roi suivant la Cour, ("royally privileged merchant-cabinetmaker following the court"), a brevet that exempted him from the stringent regulations of the Paris guild. In 1758 he was belatedly admitted maître-ébéniste by the guild, which henceforth required him to stamp his production. Numerous pieces bearing Macret's poinçon survive.
Jean-François Oeben, or Johann Franz Oeben (9 October 1721 Heinsberg near Aachen – Paris 21 January 1763) was a German ébéniste (cabinetmaker) whose career was spent in Paris. He was the maternal grandfather of the painter Eugène Delacroix.
Most likely its name is due to its inventor, a cabinetmaker in Berlin, Otto Vertikow, who built cabinets beginning around 1860 called "Vertikow". Vertikos have been very common in the Louis Philippe and especially in the Gründerzeit style.
Dingwall's Coat of Arms. Calder was born in Dingwall, county of Ross and Cromarty, in the Scottish Highlands. He received in his name the maternal surname Bain. His family enjoyed prosperity, as his father was a prestigious cabinetmaker.
The 1850 census records that the retired couple's neighbors in Litchfield included a shoemaker, cabinetmaker, carpenter, labourer, and a blacksmith. Both Dickinson and his wife died in 1852, and are buried in the Blue Swamp Cemetery of the town.
John Kerney was a son of Helen (ca.1813-1888) and John Kerney (died ca.1885), cabinetmaker of Hindmarsh Square, Adelaide, and lay preacher of the Christian Israelite Church. They arrived in Adelaide when John was 10 months old.
A rural baker provides a mobile service in the surrounding hamlets. There is also a bar and a street pizzeria. Trades in Ambleville are a carpenter-cabinetmaker, a bricklayer, a plasterer, and a garage for cars and agricultural machinery.
Graciela Rivera was born in Ponce, Puerto Rico. She was the seventh of eight children born to evangelical minister-cabinetmaker Gonzalo Salvador Rivera and Enriqueta Padilla.Graciela Rivera (1921-): Puerto Rican Opera Singer. Notable Caribbeans and Caribbean Americans: A Biographical Dictionary.
Ketter was born in Brunswick, Maine. He received a degree in art from the State University of New York, Purchase in 1985. Ketter worked initially as a carpenter and cabinetmaker, a skill which would become part of his artistic practice.
This short-lived business was decades ahead of what are usually taken to the starting points of commercial RTA furniture, which include efforts by Australian designer Frederick Charles Ward (late 1940s), American cabinetmaker Erie J. Sauder (1953), and IKEA (1956).
This vault with frescoes of Pompeian style was by Juan de Mata Duque and offers allegories of the Liberal Arts. An olive desk decorated with bronze and marble. The Empire style furniture is made by Jacob Desmalter the Napoleon Bonaparte's cabinetmaker.
Norma Bessouet was born in Buenos Aires, Argentina. Her mother, Luisa Enero, was an illustrator and painter, who inspired Bessouet's interest as an artist. Her father, Ivan Bessouet, was a cabinetmaker. He and Enero supported Bessouet's interest in the visual arts.
René-Jean Caillette (1919–2005) was a French decorative artist and designer, son of a cabinetmaker. His elegant and modernistic furniture designs were mass-produced after World War II (1939–45). His molded plywood Diamond chair is considered a classic.
Mary P. Evans was born in Oberlin, Ohio, in 1866. She was the eighth of nine children of Henry Evans, an undertaker and cabinetmaker, and Henrietta Leary Evans. She graduated from Oberlin College. Evans came from a family of activists.
Poppe was born in Bremen into a family with a heritage as architects;E. Gildemeister, "Das Wohnhaus", in Architekten- und Ingenieurverein, Bremen, Bremen und seine Bauten, Bremen: Schünemann, 1900, , pp. 408-74, p. 433. his father was also a cabinetmaker.
In the Kennedy administration the room was used by the newly created Curator of the White House as an office, used to catalog donations of furniture and objects. Under the leadership of First Lady Pat Nixon, working with Curator Clement Conger, the room underwent a major redecoration in 1970, transforming it from an office to the parlor which remains today. The room was redecorated again in 1994. The Map Room is furnished in the style of English cabinetmaker Thomas Chippendale and includes two stuffed-back armchairs that may have been built by Philadelphia cabinetmaker Thomas Affleck.
Andreas Jeppe Iversen, usually known as A.J. Iversen, (13 December 1888 - 17 December 1979) was a Danish cabinetmaker and furniture designer. From the 1920s, his collaboration with architects and designers paved the way for the style which later became known as Danish modern.
Butler, p.7. Then in 1819 fire "destroyed 120 houses".Butler, 13. There was a further major fire in 1846, which started at the shop of a cabinetmaker named Hamlin, located on George Street off Queen Street, when a glue pot boiled over.
Thomas Day was also a native; he was well known later at Milton, North Carolina, as a free black cabinetmaker. Another native son was Dr. Thomas Stewart, perhaps America's first free black 18th-century rural physician.Virginia Gazette Nov. 1778 as found in Freeafricanamericans.
August Emanuel Vigeland was born in Halse og Harkmark in Mandal, Vest-Agder county. Vigeland was born to a family of craftsmen. His parents were Elesæus Thorsen (1835–1886), a cabinetmaker and Anne Aanensdatter (1835–1907). His elder brother was sculptor, Gustav Vigeland.
Frank Cass was born on 11 July 1930 in London. His father was a cabinetmaker, and his mother was of Polish descent. During the Second World War he was evacuated to Merthyr Tydfil, Wales. Cass was educated at the Hackney Downs School.
Born in Newburyport, Massachusetts, he attended the common schools and then was apprenticed to a cabinetmaker. In his youth he worked as a printer in Philadelphia and then, in 1847, moved to Washington, D.C., where he was a secretary to a Congressman.
James was born in Scotland in 1873, and after arriving with his parents in South Australia in 1879 attended Lefevre Peninsula, Port Adelaide and Woodville Public Schools. He served an apprenticeship as a cabinetmaker and joined SA branch of the Furniture Trade Society of Australasia.
Nancy Hiller is a cabinetmaker, period furniture maker, and author based in Bloomington, Indiana. Hiller owns and operates NR Hiller Design: Custom Furniture and Cabinetry, teaches woodworking classes, and is the author of several books including Making Things Work: Tales from a Cabinetmaker's Life.
Most of the housing in this area was built for mainly Swedish and Finnish immigrants working in Worcester's northern steel and wire factories. Charles Magnuson, the first owner, was a foreman in a metal goods plant. Early tenants included a machinist, cabinetmaker and bookkeeper.
Reiche was born in Potsdam. After his Abitur in 1979, he studied Theology in Berlin. He took a break from studying in 1982/1983 to do an apprenticeship as cabinetmaker. In 1986 he completed his study and was from 1988 to 1990 pastor in Christinendorf.
The interior features original cornices, doors, and other woodwork. The house was built c. 1813–15 by Daniel and Isaac Pinkham, in the wake of Portland's devastating 1813 fire. The latter was a noted local cabinetmaker, whose work is presumed to decorate the interior.
Eliza Ann McIntosh was born in Montreal, Quebec, the daughter of Nicholas C. McIntosh and Margaret Brown McIntosh. Her parents were from Montrose, Angus in Scotland;John W. Leonard, ed., Woman's Who's Who of America (American Commonwealth Company 1914): 679. her father was a cabinetmaker.
Brian Mansfield & Stephen Thomas Erlewine [ Kitty Wells biography], Allmusic.com; retrieved June 12, 2008. At the age of 18 Wells married Johnnie Wright, a cabinetmaker who aspired to country music stardom (which he would eventually achieve as half of the duo Johnnie & Jack).Wolff, Kurt (2000).
This building is called the Ludlam Building after James Ludlam, who built it in 1849. This date does not mark the beginning of Ludlam's business in Oyster Bay, however; he had been the proprietor of a dry goods store since 1836 in a building on the corner of Spring Street and West Main (or Broadway as it was then called). To the east was a building occupied by a cabinetmaker, a tailor, and the Sons of Temperance. After closing time on November 6, 1848, a fire started in the cabinetmaker shop which burned it to the ground and spread to Ludlam's store completely destroying it.
Day's proclivity for cabinetmaking and crafting stemmed from his father's career as a cabinetmaker. Day and his older brother were privately educated, a rarity for free black persons. They were sent to board with white families to whom their father was connected through his cabinet and farming businesses, and went to school with the white children; thus Day received a caliber of education similar to that of his white contemporaries. John Day, Sr., although he was a fairly successful cabinetmaker, often found himself in debt due to alcoholism and gambling, and he moved the family around often to find business in order to earn an income.
Stephen was born in Ontario, Canada in 1858 to Alexander and Mary Stephen, both Scottish immigrants. He moved to Detroit, Michigan in 1864 at age six. His father was a skilled cabinetmaker and James trained to be one too. He also learned to make pipe organs.
Sprinchorn was born in the village of Broby, near Kristianstad, Sweden, on May 13, 1887. His father was Claes Sprinchorn (1845-1907), a cabinetmaker who did carpentry and restored furniture. His mother was Johanna Rudolphsson (Andreasdotter) Sprinchorn (1844-1932). He was the youngest of seven children.
Haber makes a living as a cabinetmaker. Currently, he is working on the Megiddo Peace Project, and is involved with the revival of Students for a Democratic Society (2006 organization). He helped found the Berkeley, California Long Haul Infoshop, an anarchist resource center and community space.
Woolley and his elder brother were the sons of Joseph William Woolley (1797–1880) and Frances née Facy. Joseph was a cabinetmaker who worked in a studio next to his father's upholstery and carpet warehouse. The studio was on 42 Macquarie Street. Charles Woolley was married twice.
Dunvegan, a.k.a. Norfleet-Cochran House is a historic "English Basement" cottage in Holly Springs, Mississippi, USA. It was built in 1845 for Jesse P. Norfleet, a cabinetmaker from Virginia who married the daughter of a prosperous Mississippi planter. Norfleet eventually became a planter and local business owner.
Mohnke was born in Lübeck on 15 March 1911. His father, who shared his name with his son, was a cabinetmaker. After his father's death, he went to work for a glass and porcelain manufacturer, eventually reaching a management position. He also held a degree in economics.
The interior woodwork was supplied by Belgian-American cabinetmaker Edward Maene (1852-1931).Lita Solis-Cohen, "Winterthur’s Philadelphia Furniture Forum: What Was Learned?" Furniture News, March 5, 2014. From the visitor's perspective the Chapel, with its central location, can appear to be a part of the park.
Griffin & Howe Custom Sporter with detachable Sidemount Griffin & Howe, Inc. is an American firearms manufacturer headquartered in Andover, New Jersey. Founded in 1923 by Seymour Griffin, a New York City cabinetmaker, and James V. Howe, foreman of the machine shop at the Frankford Arsenal in Pennsylvania.
Joe Pintauro was born on November 22, 1930, in Queens, New York. His father, Aniello Pintauro, was a cabinetmaker, and his mother was Carmela (Iovino) Pintauro. He had a sister named Mildred who was fifteen years older. He grew up in the Ozone Park neighborhood of Queens.
" From "Ex-psychologist and cabinetmaker spur harpsichord revival in the 'village', New York Times, 10 Sept. 1958, p. 67. with a revived interest in Baroque music and historically informed performance. The newly- perfected long playing record made possible the widespread distribution of high-quality recordings of Baroque works.
Libert was born in Copenhagen, Denmark. He was the son of Johan Christian Libert (1790-1846) and his first wife, Andrea Margrethe Hassing (1796-1820). His father was a cabinetmaker. He was a graduate of the Royal Academy in Copenhagen where he studied under Johan Ludwig Lund (1777– 1867).
Jonathan Moulton was born in the town of North Hampton. He spent much of his childhood as an apprentice (indentured servant) to a cabinetmaker. In 1745, he won his freedom and left the cabinet making trade. He worked as a silversmith and formed the Moulton and Towle Silversmithing Company.
Cranch was the son of Richard Cranch, a cabinetmaker, and Mary Smith, the sister of Abigail Adams. Cranch married Nancy Greenleaf. They had four sons; of these, three: Christopher Pearse Cranch, Edward P. Cranch, and John Cranch, all became painters. Their daughter Abigail Adams Cranch married William Greenleaf Eliot.
Hendrikus Frederikus "Henk" Breuker (1914 – 2003) was a Dutch master turner in the pottery of Pieter Groeneveldt.Pieter Groeneveldt in beeld. Voorschoten, Stichting Historisch Museum Voorschoten, 2006 After training as a cabinetmaker, he studied drawing in Leiden. First, he worked briefly as an apprentice potter in the Zaalberg factory.
Kincaid was born on May 8, 1925, in Sault Ste. Marie, Michigan. He graduated from high school in Crandon, Wisconsin. At age 18, 1943, he enlisted in the United States Army for service in World War II. After returning from the war, Kincaid worked as a cabinetmaker and grocer.
Side chair (c. 1780) attributed to Chapin, Los Angeles County Museum of Art. Eliphalet Chapin (1741-1807) was a cabinetmaker and furniture maker in East Windsor, Connecticut in the late 18th century. His style of furniture design is regarded as one of the most elegant of its time.
In 1968, a failed exclusivity agreement with a dealer put a temporary end to the success on the US market. The 1970s and 1980s were generally difficult times for Hansen & Søn. In 1988, Holger Hansen's son, cabinetmaker Jørgen Gerner Hansen, took over the company. He invested in new machines.
He was also very musical from an early age. At the age of eleven he was sent to a seminary in Rouen. The superior of the seminary allowed him to learn carpentry, and he soon achieved the standards of a cabinetmaker. He also sketched ships in the local harbour.
William Sidell (30 May 1915 - 2 October 1994) was a carpenter and an American labor leader. He was president of the United Brotherhood of Carpenters and Joiners of America from 1973 to 1979. He was born in Chicago to Samuel and Fannie (Freeman) Sidell. His father was a cabinetmaker.
Robert Zangwill Kalfin was born in 1933 to a Jewish couple of Russian descent. Alfred Kalfin was a cabinetmaker in England until shortly after his 18th birthday, when he moved to the United States and went into real estate. Hilda Kalfin taught kindergarten. Robert has a younger sister, Mrs.
Portrait of Lambert Cadwalader (1771), by Charles Willson Peale. Cadwalader leans on a chair attributed to Randolph. Both the portrait and chair are at the Philadelphia Museum of Art. Benjamin Randolph (17211791) was an 18th- century American cabinetmaker who made furniture in the Queen Anne and Philadelphia Chippendale styles.
Anna Evans was born in Oberlin, Ohio, in 1857. She was one of eight children of Henry Evans, an African-American undertaker and cabinetmaker, and Henrietta Leary Evans, a woman of French and Croatan descent. She graduated from Oberlin College in 1876. Evans came from a family of activists.
The latter were supplied from William Williams' Lutwyche brickworks, and Williams could well have supplied the bricks for the Bryden residences at nearby Windsor. The Enoggera electoral roll dated 13 January 1875 records both John and James Bryden as resident on Bowen Bridge Road. The Bryden brothers were the sons of an Irish Protestant cabinetmaker, James Bryden, of Newry, co Down. John, also a cabinetmaker by trade, had arrived in Sydney in March 1841, aged 30 years and single. He was still resident in Sydney in September 1842 when he purchased an allotment at South Brisbane, at an early sale of Brisbane Crown land held in Sydney, but is understood to have moved to Brisbane shortly after.
Benjamin Goodison (c. 1700 – 1767), of London, was a royal cabinetmaker to George II of Great Britain, supplying furnishings to the royal palaces from 1727 to the time of his death. He served his apprenticeship with James Moore, who died accidentally in October 1726;Geoffrey Beard, "Three eighteenth- century cabinet-makers: Moore, Goodison and Vile", The Burlington Magazine, 119 No. 892 (July 1977:479-486) quotes (p. 480) the receipt from Lord Burlington of 1720, signed "for the use of my master Mr James Moore by me Benjamin Goodison" Moore was the pre-eminent London cabinetmaker during the reign of George I.Tessa Murdoch, "The King's cabinet-maker: The giltwood furniture of James Moore the Elder" The Burlington Magazine, 2003.
The Engelhards also donated a Federalist hunt board crafted in the American South. A side table, attributed to cabinetmaker John Shaw (cabinetmaker) of Annapolis, Maryland; a mahogany sideboard manufactured in New England and originally owned by Daniel Webster; a setee with caned seat; and a hunt table in the Hepplewhite style also adorned the room. Additional Federalist dining chairs were donated in 1962. Serving items in the President's Dining Room during the Kennedy administration included a silver dinner service purchased by President Andrew Jackson in 1833, a tureen purchased by President James Monroe, a French silver dessert service, two French-made wine coolers, and a vegetable serving dish purchased by President Jackson.
The "Sur-Ebro" column, commanded by the cabinetmaker Antonio Ortiz Ramírez, left Barcelona on July 24, 1936 by train. It had Fernando Salavera as a military adviser. From the beginning, the column would be made up of quite a few soldiers of the 34th Regiment. They also had three artillery batteries.
Holman was born in St Pancras, London, England in 1871, the son of William Holman, an actor. His mother was also on the stage under the name of May Burney. He was educated at an Anglican school and was apprenticed as a cabinetmaker. He attended night classes and literary societies.
Mikelson was born in 1922 in the small river town of Rauna, Latvia. He was the son of a cabinetmaker. At the age of four, a visiting aunt noticed him carving a piece of wood on his father’s workbench. From then until the age of 16, he studied various artistic crafts.
Andrew Sinclair (1861 - 28 June 1938) was a Scottish-born Australian politician. He was born in Dunfermline to cabinetmaker Richard Sinclair and Anne Dewar. He migrated to Australia around 1893 and managed a joinery department. On 30 March 1899 he married Sarah Jane Clark, with whom he had three sons.
Bapipe by Leif Eriksson Leif Eriksson (born 1946) is a Swedish cabinetmaker who, along with fiddler Per Gudmundson, developed the modern revival of the Swedish bagpipe in the 1980s. Eriksson initially only made pipes to order, but his reputation increased when he was asked to produce pipes for the Dalarnas museum .
He was born in Wallingford, Connecticut. His father was a plain farmer, and gave him an ordinary education. He early showed a mechanical aptitude, and at 14 was apprenticed to a cabinetmaker. Before his term was up, he purchased his freedom and established a cabinet making business in Northampton, Massachusetts.
Demaine was born at Bradford, Yorkshire, to parents Joseph Demaine, cabinetmaker,Demaine, William Halliwell (1859–1939) – Australian Dictionary of Biography. Retrieved 7 April 2015. and Elizabeth (née Halliwell). At around age 15, he went with his family to Uruguay and Argentina where he worked as a printer, returning to England in 1879.
It played an important part in the development of Willistown and contains an inn, general store, blacksmith and wheelwright, cabinetmaker, saddler, shoemaker and a doctor. The Sugartown Historic District is a national historic district that encompasses 14 contributing buildings. It includes the Sign of the Spread Eagle tavern (c. 1790), Sugartown Store (c.
Andrew Mercer (1829–1902) was Mayor of Dunedin 1873–1874.Andrew MercerMercer was born in Fifeshire in 1829. After an apprenticeship as a cabinetmaker, he arrived in Port Chalmers aboard the Philip Laing in 1848. According to an 1848 letter home, Mercer intended for his father and other family to join him.
The structure was built in 1820 by William First, later having his name altered to Forst, an immigrant from England believed to be a cabinetmaker. He built the home to show his expertise in millwork and mantels.Cronan Sec.8, pp.6, 7 In November 1861, the Confederate Sovereignty Committee met at the house.
Drake was the son of the Rev. Samuel Drake, rector of St Mary's, Nottingham. He was apprenticed to his uncle, a cabinetmaker in York, where he appears to have settled in 1752 and spent much of the rest of his life. It is not known where he studied to be an artist.
Huw Edwards-Jones (born 1956, Rustington, West Sussex) is a cabinetmaker who has been awarded five Guild Marks (Bespoke Guild Mark Nos. 191, 194, 221, 272, 290) and has exhibited at the Guild Mark exhibition at Philips in London, Cheltenham and other places. He is a Liveryman and Freeman of the City of London.
He constructed a grist mill on Sixteenmile Creek in 1815, followed by the district's first sawmill. Arriving in 1810 was John M. Hanly, the district's first blacksmith. John Amos, a cabinetmaker, came to the area about this time. The first schoolhouse in the district was a log cabin built for the purpose in 1805.
Iversen was an exceptionally fine cabinetmaker, devoted to his profession. He was alderman of the Copenhagen Cabinetmakers Guild from 1951 to 1961. In 1950, his son Gunnar Iversen became co-owner of his furniture factory. For his achievements, he was awarded both the Danish Order of the Dannebrog and the Swedish Order of Vasa.
The Scotsman: Obituary of A.F. Dimmock In 1925, Dimmock enrolled at the Northern Counties School for the Deaf and Dumb in Newcastle. After he was offered a place to study fine arts at Durham University, he couldn't obtain funding and so, he became an apprentice cabinetmaker, specialising in the restoration of antique furniture, instead.
Designated a recorded Texas Historic Landmark in 1979, marker number 10023, the house at 312 W. Schubert is a Victorian-style Sunday House constructed in 1902. In 1872, German farmer and cabinetmaker Christian Crenwelge bought the property at a sheriff's sale, and temporarily operated a molasses factory here before building the home on the property.
Tatsch became a master cabinetmaker in Fredericksburg, and his work is highly prized by collectors of Texas primitive furniture. He built the house himself, and the house was recorded by the Historic American Buildings Survey of the United States Department of Interior. The home's detailed plans were placed in the Library of Congress in 1936.
Numbers was born on 6 March 1897 in Edinburgh to Maggie and Alexander Numbers. Her father was a joiner and cabinetmaker. She had one sister, Isabella, who was born about 1899. She attended Mrs Steele's Private School in Upper Gray Street in Edinburgh, then joined James Gillespie's High School in 1904, spending three years there.
Little is known about Théato's early life. For many years it was believed he was a baker's delivery boy in Paris. He also worked for some time as a cabinetmaker. In the 20th century, Alain Bouillé discovered that Théato was born in Luxembourg and had moved to Belgium before settling down in the Paris suburbs.
Portrait of John and Elizabeth Cadwalader and their daughter Anne (1772), by Charles Willson Peale. The child is seated on a hairy-paw-foot card table by Affleck. The portrait and table are both at the Philadelphia Museum of Art. Thomas Affleck (1740–1795) was an 18th-century American cabinetmaker, who specialized in furniture in the Philadelphia Chippendale style.
Charles Hancock was the eight son of James Hancock, a cabinetmaker from Marlborough. Little is known about his early life. In 1819 the Royal Academy of Arts accepted a picture of him for exhibition and shows that at that time Hancock was residing at 55, St. James's Street in London. The picture was a portrait of his father.
Her maternal grandfather, Rev. John Chapel, was a soldier of the Revolutionary war. He was born in New England of English ancestry, and died in Chenango County, New York, about 1830. Bullock's father was a cabinetmaker and wood carver by trade, and took an active part in local politics, serving as sheriff of Chenango County, New York.
TV Personalities: Biographical Sketch Book Volume 3 (1957), p. 148 Her grandfather, Edwin Earl Norris (1876–1957) was a cabinetmaker and musician, playing the French horn and the viola in the Newark Symphony Orchestra. Her mother's family were Presbyterians.Andrew Devore Boyd, Joseph Boyd, Sr. (died 1799) of Prince George's County, Maryland, and his family through six generations' (2010), p.
34: '221. Lena A. Loyd''Edwin Earl Norris, 80, widely known cabinetmaker and musician', obituary in Newark Advocate dated February 27, 1957 After a divorce in the 1960s, her mother remarried.Andrew Morton, Mick Seamark, Andrew, the Playboy Prince (1983), p. 137 Koo Stark attended the Hewitt School in New York and the Glendower Preparatory School in Kensington, London.
Born on January 28, 1822, in England, White's parents died,Smith 1898 : 197–198 and White was brought to Springfield, Ohio in 1831 by an uncle. At age 12 he was apprenticed to a cabinetmaker for nine years. He purchased his contract after six years. After graduating from high school, he taught school, and read law in 1846.
The dome is decorated with tempera frescoes by Zacarías González Velázquez with allegories of Science, Virtue, Art, Law and Monarchy. The centerpiece is the Isabel II style bed a gift of the city of Barcelona to Queen Isabel II during her marriage to Francis of Asissi of Bourbon. The consoles are works by French cabinetmaker Daumier's workshop.
Gustave was born illegitimate in 1830, to Johanna Christiana Maria Barbara Hagenlocher and an unnamed father, in Stuttgart, Württemberg, Germany.Gustave Herter, from American National Biography via Oxford University Press. Five years later, Johanna Hagenlocher married Christian Herter (1807–1874), a skilled cabinetmaker. Gustave took his stepfather's surname, and later added the "e" to the end of his given name.
Theodore married Esther Mahoney on 20 December 1909. She worked as a photographic tinter and was the daughter of a cabinetmaker from Toowoomba. The couple had two sons and two daughters. After Ted's death his son John assumed charge of the family's joint business interests with Frank Packer and he became the first managing director of Channel 9.
The main building work was completed by spring 1896, after which work began on the interiors, which involved artists N. Blinov, N. Budakov, A. Boravsky; sculptors Amandus Adamson, and cabinetmaker S. Volkovisky. The committee made a final examination of the work on 28 February 1898, and pronounced themselves entirely satisfied. The museum officially opened on 7 March 1898.
The State Dining Room in 1904. Davenport & Co. made the twin dining tables, 50 side chairs, 6 armchairs and 3 serving tables for the room. Many of the side chairs, now upholstered in ivory, are still in use. A. H. Davenport and Company was a late 19th-century, early 20th-century American furniture manufacturer, cabinetmaker, and interior decoration firm.
Stucco bas-reliefs were created by sculptor Paul Jean-Bapiste Gascq. Reinach commissioned exact copies of ancient Grecian chairs, tabourets and klismos furniture kept in the National Archaeological Museum in Naples from the cabinetmaker Bettenfeld. Other were to original designs by Pontremoli. The building incorporated all the latest modern early 20th century features including plumbing and underfloor heating.
St Christopher in St. Nicholas' Church, Tallinn Pulpit in Harju-Risti church Pulpit in Jõelähtme church Tobias Heinze (c. 1593-1653) (also Heintze) was an Estonian cabinetmaker and woodcarver based in Tallinn. He is best known for his carving of St Christopher which stands in the church of St Nicholas’ in Tallinn. It was carved to support the pulpit.
Marschall was born in Trnava, Hungary. He later worked as a cabinetmaker at various piano factories in Germany. He came to Copenhagen in 1810 where he initially worked for around a year for instrument maker Peter Uldall before starting his own piano workshop in 1812. It developed into the leading manufacturer in Denmark of its time.
When he proved disinterested in the classics, he was allowed to apprentice to a cabinetmaker. Tomlinson spent seven years as an apprentice, and soon his work surpassed even that of his teachers. During this time, he also enrolled at the Mechanics' Institute in Newark, Nottinghamshire. He studied draughtsmanship and mathematics and was considered an outstanding student.
The Buckhorn Saloon & Museum began as a private collection of Albert Friedrich (1864–1928) in 1881. He was the youngest son of Wenzel and Agnes Urbaneck Friedrich. The elder Friedrich was an award-winning cabinetmaker who expanded into horn furniture and included Queen Victoria, Otto von Bismarck and Kaiser Wilhelm I among those who owned his creations.
Savina was born in Douarnenez. Both his father and brother were cabinetmakers, and Savina was apprenticed in the trade at Tréguier, learning carpentry and carving. He soon progressed to become foreman of the workshop. In 1927, having graduated as a fully trained cabinetmaker, he won the national Meilleur Ouvrier de France (Best Craftsman of France) competition.
Benjamin was born in Christiansted on the island of St. Croix, then part of the Danish West Indies, and later within the United States Virgin Islands. As his family did not have sufficient funds to allow him to train as a minister, he trained as a tailor and cabinetmaker before moving to New York City in 1927.
Furubotn was born in Brekke, Sogn og Fjordane, the son of Jørgen Furubotn and Valgjerd Miljeteig. He married Gina Dorthea Sandal in 1912. He started working as a cabinetmaker in Bergen when he was 14 years old. He joined the local union in 1909, and was a board member of the Bergen chapter for several years.
Gammelgaard was trained as a cabinetmaker at the Copenhagen School of Arts and Crafts and served an apprenticeship (1957) at C. B. Hansen's workshop in Copenhagen. He then studied under Grete Jalk. He was a visiting student of furniture design at the Royal Academy (1962–1964) working under Poul Kjærholm and Ole Wanscher."Jørgen Gammelgaard", Den Store Danske.
The same year, they presented works made by cabinetmaker Willy Beck at the Copenhagen Cabinetmakers Guild's exhibition where they continued to participate year after year, working with Beck for a total of 25 years. Aksel Bender Madsen received the Cabinetmakers Guild annual prize (Snedkerprisen) in 1956 and 1961."Larsen & Bender Madsen" , Rud. Rasmussen. Retrieved 13 November 2011.
The "Great Fire" of 9 June 1846 in St. Johns started at the shop of a cabinetmaker named Hamlin, located on George Street off Queen Street, when a glue pot boiled over. The fire killed one artilleryman and two civilians, and burned large portions of the town, including burning all but one mercantile warehouse in the River area.
William Henry Wehrung (March 22, 1861 - September 30, 1934) was an American businessman and politician in the state of Oregon. A native Oregonian, he was a cabinetmaker, banker, and merchant in Hillsboro, Oregon. A member of the Democratic Party, he served in the Oregon State Senate and was a longtime member of the Hillsboro city council.
Georges Barrère was the son of a cabinetmaker, Gabriel Barrère, and Marie Périne Courtet, an illiterate farmer's daughter from Guilligomarc'h. They married in 1874. They had previously had a son Étienne, out of wedlock, in 1872. George did not regard his parents as musical although his father wished he had been a tenor instead of a carpenter.
Lyme Regis, Dorset Mary Anning was born in Lyme Regis in Dorset, England. Her father, Richard Anning (c.1766–1810), was a cabinetmaker and carpenter who supplemented his income by mining the coastal cliff-side fossil beds near the town, and selling his finds to tourists; her mother was Mary Moore (c.1764–1842) known as Molly.
The salient fact is that we only have André-Charles Boulle's word that he was born in Paris in 1642. Cabinet - Oak veneered with Macassar and Gabon ebony, ebonized fruitwood, burl wood, and marquetry of tortoiseshell and brass; gilt bronze André-Charles Boulle's Protestant family environment was a rich and artistic milieu totally consistent with the genius of the Art he was to produce in later years. His father, Jean Boulle (ca 1616-?),Alain Garric, "Essai de Genealogie sur André-Charles Boulle par Alain Garric" was cabinetmaker to the King, had been naturalised French in 1676 and lived in the Louvre, by Royal Decree. His grandfather, Pierre Boulle (ca 1595-1649), was naturalised French in 1675, had been cabinetmaker to Louis XIII and had also lived in the Louvre.
Main parts of the equipment of the castle were created by purveyors to the French court. Other parts came from older castles of the dukes of Zweibrücken. Most of the elaborate carved and gilded furnitures and plankings were created by the French court cabinetmaker Georges Jacob gefertigt. Sculptures were produced by the French sculptors Francois-Joseph Duret and Martin-Claude Monot.
He was the son of Robert Wilson, cabinetmaker in Edinburgh. He married Catherine Peddie, daughter of the founding secretary of the Standard Life Assurance company, Edinburgh. She was a cousin of the architect John Dick Peddie. Their son Robert Wilson followed in his father’s footsteps and also became an architect. Patrick’s wife died in 1843 when their son was only eight.
Bill was born on 2 January 1928 in Glasgow. He studied at Lenzie Academy, Glasgow, and Glasgow Veterinary College.His father, though a joiner and cabinetmaker, came from a farming background and moved his family shortly afterwards to an agricultural smallholding near Cumbernauld. Their early life there no doubt influenced Bill, his elder brother Tom and younger brother Oswald to study veterinary medicine.
It is located between the offices of the President and the Vice President of the First Legislature. It houses some of the original furniture and personal objects such as a desk, chair, lamp, folders, ink and letter rack. Its walls are paneled in wood. There are also two Louis XIV cabinets by cabinetmaker Tarris, the municipal arms engraved on the doors.
The property includes, in addition to the main building, recreations of typical outbuildings of the 19th century, including slave quarters. It remained in the hands of Jarrett's descendants until 1955, when it was acquired by the state. Today, visitors can tour the house and see many original artifacts and furnishings, some of which were crafted by Caleb Shaw, a renowned cabinetmaker from Massachusetts.
Limbert was born in Linesville, Pennsylvania in either 1854 or 1856, the son of cabinetmaker and furniture dealer Levi H. Limbert. After moving with his family in 1866 to Akron, Ohio, he later learned the furniture business in the 1870s at his father's store. As a young man in Akron, the first business he tried on his own was in the carriage trade.
By trade, Potter was a cabinetmaker and designer, a minimalist decades before the term became fashionable. He was a Christian anarchist and was imprisoned several times for his political actions. In 1949, he set up a workshop at Corsham in Wiltshire that produced modern furniture. In the late 1950s, Potter attained a full-time position teaching design at the Royal College of Art.
Hartzenbusch was born and died in Madrid (1806–1880). Son of a German cabinetmaker and an Analucian mother, he dedicated himself at first to his father's profession, but later consecrated himself to the theatre, where he obtained rotund success with his most famous work, Los amantes de Teruel ("The lovers of Teruel") (1837). He continued to publish stories, poems and custombrist articles.
Designated a Recorded Texas Historic Landmark in 1971, Marker number 10072. 508 W. Main Street Log cabin built in 1846–47 by Gerhard Rorig. Noted cabinetmaker Johann Martin Loeffler added typical rock and half-timber rooms and cooking fireplace, 1867; his son-in-law, J. Charles Weber, in 1905 restored the southeast lean-to. Restored 1964 by Mr. and Mrs.
Molière's play, Les Précieuses ridicules, received its first performance here in 1659. Madame de Sévigné relates in her memoirs that when King Louis XIV of France visited there in 1671, François Vatel, the maître d'hôtel to the Grand Condé, committed suicide when he feared the fish would be served late. The collection includes important works of the cabinetmaker André-Charles Boulle.
Carter, Nanette. “Blueprint to Patterncraft: DIY Furniture Patterns and Packs in Postwar Australia”. Design History Foundation, n.d. In 1953, the Ohio cabinetmaker Erie J. Sauder received the first U.S. patent for RTA furniture for a table that could be assembled without either hardware or glue; he called it "snap-together" furniture.Combs, Heath E. “Sauder to Offer Replica of First RTA Table”Forster, Matt.
His brother Jean-Baptiste Marot (born 1632) was a painter. In 1659 Jean Marot married Charlotte Garbran, whose sister Anne was married to Pierre Gole, a cabinetmaker to Louis XIV. This relationship was to prove advantageous for Marot's further career. The marriage documents include an inventory of his belongings with important information on the engraved copper plates in his possession at that time.
Muriel Matters was born in the inner city suburb of Bowden in Adelaide, South Australia, to a large Methodist family. Her mother, Emma Alma Matters (née Warburton), gave birth to five daughters and five sons, with Muriel being the third oldest child. Her father was John Leonard Matters, a cabinetmaker and later stockbroker. Matters spent the majority of her youth in South Australia.
The book sold over 35,000 copies, which is rare for photograph collections. She soon after published another book, this time focusing on working women: Butcher, Baker, Cabinetmaker (1978).Paul Vitello, "Abigail Heyman, Feminist Photojournalist, Dies at 70" (obituary), The New York Times, June 9, 2013. Later on, in 1987, Heyman published another book titled, Dreams and Schemes: Love and Marriage in Modern Times.
1748), fell in love with Jemima Barrows (b. 1759), 11 years his junior and the daughter of a local cabinetmaker. The families reportedly frowned on their romance because of age and social class differences. Elisha and two of his brothers enlisted in the Continental Army and were captured in the Battle of Long Island and held for months on squalorous British prison ships.
Portrait of Jean-Henri Riesener seated at one of his writing tables, 1786, by Antoine Vestier (Musée de Versailles) Jean-Henri Riesener (; 4 July 1734 – 6 January 1806)Geoffrey de Bellaigue, The James A. de Rothschild Collection at Waddesdon Manor, II (1974), p. 879. was a famous German ébéniste (cabinetmaker), working in Paris, whose work exemplified the early neoclassical "Louis XVI style".
Farces et attrapes [January 1989] The gags included in this volume are: Gardening, Sharpshooter, Heat, A Breakdown, Quick the Mechanic, Quick the Cabinetmaker, Well-Endorsed, House Chores, Simple Loan, Ball, Flytrap, Trapeze, Flupke the Model Maker, Constructions, A Masterstroke, Barely Believable, You Can’t Judge a Book by Its Cover, The Rocket, The Scrupulous Artist, The Prey, For Christmas, Temptation, and Beekeeping.
Originally from Minnesota, Matthew Mitchell spent a year studying biology/premedical illustration at Iowa State University in Ames. Mitchell then attended the Pratt Institute in Brooklyn and graduated with a Bachelor of Fine Arts. Mitchell collaborated with artist Perre DiCarlo and local community gardeners to build a stone amphitheater in Manhattan's Lower East Side, and then worked as a cabinetmaker and a welder.
The Perkins family then moved to California and lived there during the 1980s, where Elli worked at the Celebrity Centre. In the late 1980s, the family moved back to Buffalo. Elli and Don had a daughter, and a son named Jeremy, who lived at home and worked for Don's contracting company. In addition to contracting work, Don Perkins is a cabinetmaker and carpenter.
Congress Voting Independence (ca. 1784-88) by Robert Edge Pine. Harding carved the ionic capitals atop the pilasters in the Assembly Room of Independence Hall, and may have carved the shell frieze. Samuel Harding (died 1758) was an 18th-century American cabinetmaker, remembered for his Queen Anne style furniture and for the interior architectural ornament of Independence Hall, in Philadelphia, Pennsylvania, United States.
Patternmaker's vise The patternmaker's vise is sometimes used as a front vise. This style was originally designed for patternmakers, the folks who make the forms used in metal casting. Pattern making is exacting work using shapes not normally encountered by a cabinetmaker. The patternmaker's vise can hold odd shapes at various angles, and it can certainly hold simple shapes at regular angles.
Haupt learnt his trade during a period when the French rococo had established itself in Swedish furniture design, but came to Paris in 1764, when the neoclassical style later known under the name of Louis XVI had started to gain ground. Details of his life in Paris are scarce but he was probably employed in the workshop of Simon Oeben, the brother of the better- known Jean-François Oeben. He had come to London at some point before early February 1768, and may have been independently active as a cabinetmaker—a possibility thanks to the more liberal trade regulations in England—and remained there until July 1769, when his appointment as cabinetmaker to the King prompted him to return to Stockholm. His first royal commission was to be a desk intended as a gift for the Queen.
Scalamandré produced a copy of the Kennedy-era moss green silk to be rehung on the walls. Conger also added several major pieces by Scottish-born New York cabinetmaker Duncan Phyfe. They include a pair of work tables, side chairs with scroll arms, two card tables, and a pair of window benches. These replaced the more delicate Federal-era furniture approved by du Pont and Mrs. Kennedy.
The set includes six armchairs and 28 side chairs. The new chairs were designed to be multifunctional, and fit with both the heavy, main dining table as well as smaller dining rounds. The look of the Obama armchairs is based on chairs designed by Georgetown cabinetmaker William King, Jr. in 1818 for President James Monroe. The side chairs are an adaptation of this design.
When the Senate moved to its current chamber in 1859, it took the original furniture with it. Many of the original desks remain in use today, including the Daniel Webster and Jefferson Davis desks. The desks and chairs that are in the chamber today are replicas reproduced from a circa 1819 design by the New York City cabinetmaker Thomas Constantine. Like the originals, the furniture is mahogany.
Other pieces were given by the descendants of the two families who had owned the plantation. This laborious process continues and more pieces are expected to be returned in the future. Millford and its furnishings are remarkable in that the entire house was decorated with furniture commissioned from a single cabinetmaker (something uncommon those days). It was one of the largest orders ever from D. Phyfe.
A stair carpet in a shade of red has been used since the administration of Theodore Roosevelt. During the Kennedy restoration, the carpet was made deeper, more crimson. A mahogany pier table with gilded caryatid supports attributed to New York cabinetmaker Charles-Honoré Lannuier is located at the bottom of the stair. Portraits of 20th century presidents and first ladies hang on the walls.
Egide Linnig was born in Antwerp as the son of Pieter-Josef Linnig (born in Aschbach, Rhineland-Palatinate in Germany) and Catharina Josephina Leys. His father was a cabinetmaker. He had two older brothers (Jan Theodoor) Jozef Linnig and Willem Linnig the Elder who both became painters and engravers. River scene at dusk From 1834 Linnig studied at the Antwerp Academy of Fine Arts.
John Henry Belter (1804-1863) was a famous American cabinetmaker of the Rococo Revival era. His name was commonly used as a generic term for all Rococo Revival furniture. Rosewood from Brazil and East India were favored by mid 19th-century patrons of formal furniture. Rosewood is very dense and brittle, and so rosewood furniture is very fragile and known to break under pressure.
Brown was born in St. Charles County, Missouri, on January 10, 1816, one of the four sons and two daughters of Thomas Brown (a cabinetmaker and farmer) and Mary Elizabeth (Ribolt) Brown. In 1820, the family moved to Illinois, where the father died. His mother afterward married again, and died in 1830. Brown received a rudimentary education in his youth while working on the family farm.
Bernt Petersen (1937 – 6 March 2017), often known simply as Bernt, was a Danish furniture designer. Trained as a cabinetmaker (1957), he attended Denmark's Design School, graduating in 1960. He then worked for Molibia and Hans J. Wegner before opening his own studio in 1963. He taught at Denmark's Design School (1973–78) and was lector at the Royal Danish Academy's Furniture School (1978–85).
Arrangement in White and Black, James McNeill Whistler, 1876. Freer Gallery of Art, Washington, D.C.. Maud Franklin (9 January 1857 - ca. 1941) was an English artist and the mistress of and model for artist James McNeill Whistler.Spencer, 24Spencer, 88 Franklin was born in Bicester, Oxfordshire, England, one of six children of Charles Franklin, an upholsterer and cabinetmaker, and Mary Clifton, after whom she was christened 'Mary'.
Guggisberg was born in Galt, Ontario, Canada. He was the grandson of Samuel Guggisberg, a cabinetmaker and farmer who had emigrated from Uetendorf in Canton Bern, Switzerland in 1832. He was the eldest son born to merchant Frederick Guggisberg and his wife Dora Louisa Willson. After moving to England in 1879, Guggisberg was educated at Burney's School, Portsmouth and the Royal Military Academy, Woolwich.
James Malone House is a historic home located near Leasburg, Caswell County, North Carolina. It was built in 1861, and is a two-story, three bays wide, Italianate style frame house on a brick foundation. It has a hipped roof and features a two-story pedimented entrance porch and brick end chimneys. The interior and exterior features woodwork attributed to noted African-American cabinetmaker Thomas Day.
Almost all of Wegner's creations are made of wood. Having worked with wood from an early age and being trained as a cabinetmaker, the designer was very attached to this material. In addition to wood, Wegner also utilized other traditional construction materials like upholstery, caning, and paper cord. He's style is known for taking traditional elements and pushing them to extreme tolerances and distillations.
During the 1860s, Banda was noted as having a wagon shop, shoemaker, blacksmith, carpenter, cabinetmaker, and stores. Christ Church Banda was established north of the settlement in 1865. The extant church and cemetery are today called Banda Anglican Christ Church. Banda Methodist Church (also called Baker's Church) was established west of the settlement in 1867, and in 1869, John Clemenger donated land for a cemetery there.
After studying in Kalvarija and graduating from high school in Kaunas, Jonynas started art studies at the Kaunas Art School. Jonynas attended Adomas Varnas (painting) and Adomas Galdikas (graphics) studios. In 1931 he moved to Paris, where he earned a degree in xylography and book illustrating. Later he studied wood sculpture and cabinetmaker crafts in Ècole Boulle. In 1935 he held his first personal exhibition.
Pierre Roussel (1723 - 7 June 1782) was a successful but somewhat pedestrianSee André Boutemy's assessment at the article on Adrien Delorme. cabinetmaker (ébéniste) of Paris. He was joined in his extensive business by his two sons, Pierre-Michel (master in 1766) and Pierre le jeune (master in 1771).Francis J.B. Watson, The Wrightsman Collection: Furniture, Gilt Bronzes and Mounted Porcelain, 1966:557f (brief biographical notice).
The John Williams House is a historic house located on Pond Road (Maine State Route 41) in Mount Vernon, Maine. Built in 1827, this modest Cape is regarded for its high quality interior woodwork (executed by John Williams, a noted local cabinetmaker), and well-preserved stencilwork attributed to folk artist Moses Eaton. The house was listed on the National Register of Historic Places on December 6, 1984.
Kjell Erik Larsen's parents were cabinetmaker Asle Larsen and Åse Hafnor Kristiansen. He was married twice, first to Mona Kari Svendsrud and later to Britt Undis Knudsen. He changed his last name to Vindtorn, and signed his first books Kjell Erik Vindtorn. In 1999 he changed his first name to Triztán, after the name of a favorite pub at Ibiza, where he lived periodically.
His father was a cabinetmaker for the Royal Court. He left school in 1886, after the loss of both of his parents left him with a nervous ailment, and became a student of the painter, . Although he also studied silviculture and law, he eventually decided to focus on art as a career. He was married in 1893 to the daughter of a local catechist.
Throughout the first half of the nineteenth century he made Neoclassical furniture for the social and mercantile elite of New York, Philadelphia, and the American South where he was particularly popular. Known during his lifetime as the "United States Rage", to this day remains America's best-known cabinetmaker.Peter M. Kenny, Michael K. Brown, Frances F. Bretter and Matthew A. Thurlow. Duncan Phyfe: Master Cabinetmaker in New York.
The parlor where the marriage took place is named the Ramseur Parlor, and the portraits of General and Mrs. Ramseur are highlighted in two recessed alcoves in remembrance of their story.The Woodside House Milton is the northernmost point of the Colonial Heritage Byway. Founded in 1796, Milton is also notable for being the home of Thomas Day, a free black man who was a renowned cabinetmaker.
This evidence is not readily available from military records, or from state or national listings, where names are categorised alphabetically or by military unit. Linville is one such memorial. Tom Cross designed the Linville War Memorial, which was built by his brothers Frank, a cabinetmaker, and Jim. Frank managed the project in which all of the materials, labour and construction were donated by local people.
Sir James Anderson Murdoch (10 March 1867 - 30 January 1939) was a Scottish- born Australian politician. He was born in Edinburgh to cabinetmaker Thomas Murdoch and Margaret Anderson. He worked at a wool warehouse before migrating to Melbourne in 1884; after a period in Brisbane, he established a business in Sydney in 1893. In 1892 he married Isabella Binning, with whom he had three daughters.
Adolf Gustav Thorsen was born to a family of craftsmen, just outside Halse og Harkmark, a former municipality in Mandal. His parents were Elesæus Thorsen (1835–1886), a cabinetmaker and Anne Aanensdatter (1835–1907). He had three brothers, of whom Emanuel Vigeland (originally Thorsen) became a noted artist. As a youth, he was sent to Oslo where he learned wood carving at a local school.
August Weizenberg, 1916 August Weizenberg (6 April 1837 – 22 November 1921) was an Estonian sculptor. His father was a shoemaker and he learnt how to carve wood in Erastvere from 1858 to 1862. During the 1860s, he worked as a cabinetmaker in Frankfurt and Berlin. Thanks to a sponsorship from Friedrich Reinhold Kreutzwald, he travelled to Saint Petersburg where he was trained by Alexander Bock.
Hugh and Wright Carpenter, attributed to Joseph Goodhue Chandler, c. 1861 Joseph Goodhue Chandler (October 8, 1813 – October 27, 1884) was an American portrait painter, active in New England. Chandler was born in South Hadley, Massachusetts. He trained first as a cabinetmaker; later, at some time between the ages of 14 and 19, he traveled to Albany, New York, where he studied painting with William Collins.
Foersom trained to become a cabinetmaker with Gustav Berthelsen in Copenhagen, completing his apprenticeship in 1969. He then attended the Arts and Crafts School from where he graduated in 1972. Hiort-Lorenzen became a ship carpenter at Helsingør Shipyard in 1962. He then attended the Arts and Crafts School, from where he graduated in 1965, and the Royal Danish Academy of Fine Arts graduating in 1968.
Mark Bridge pinpointed this in his review of the book in Antiques Trade Gazette when he wrote: "[James Austin] has managed to capture the elusive qualities of balance, texture and patina which make the finest tools a pleasure to handle, frequently lifting them into the realm of folk art".Mark Bridge, "The young apprentice cabinetmaker who became a connoisseur", Antiques Trade Gazette, 22 October 2011, p. 19.
Bill Richmond (August 5, 1763 - December 28, 1829) was a British boxer, born a slave in Richmondtown, Staten Island, New York. Although born in British America, he lived for the majority of his life in England, where all his boxing contests took place. Richmond went to England in 1777, where he had his education paid for. He then apprenticed as a cabinetmaker in York.
William Savery Jr. was the son of Philadelphia cabinetmaker William Savery and his wife Mary Peters, both devout Quakers. He received a Quaker education, and was apprenticed as a tanner. Following the completion of his apprenticeship his faith lapsed. Then, in 1778, following a meeting for burial at the Merion Friends Meeting House, Merion, Pennsylvania, he experienced a deep religious transformation that changed his life.
A plumbing products firm and then a lighting fixture company ran short- lived manufacturing operations here; the facilities were vacant in the late 1960s. Joseph J. Vinci bought the property in 1971. Several small businesses currently operate here, including a cabinetmaker, garment shop and welding outfit. The Starr Mill is an archetypical nineteenth century mill: a tall, many-windowed brick building beside a mill pond.
He later described the lap desk made for him by Randolph: > "It was made from a drawing of my own, by Ben. Randall [sic] a cabinetmaker > in whose house I took my first lodgings on my arrival in Philadelphia in May > 1776. And I have used it ever since."Jefferson to Ellen Wayles Randolph > Coolidge, November 14, 1825, in Edwin M. Betts and James Bear, Jr., eds.
He served a 7-year apprenticeship under the Philadelphia cabinetmaker Solomon Fussell, beginning in 1735. In 1742, at about age 21, he opened his own shop on Second Street, just south of High (now Market) Street in Philadelphia. Benjamin Franklin was an early patron (and a parton of Fussell),Franklin chair by Fussell from Franklin 300. and two Savery- attributed pieces descended in Franklin's family.
Fabricius was trained as a cabinetmaker by Niels Vodder before attending the School for Interior Design where he studied under Finn Juhl. It was there that he met the blacksmith Jørgen Kastholm. They had a common approach to furniture design, never wanting to compromise on aesthetics. In 1961, the pair set up a design studio in a Gentofte cellar without any firm arrangements with manufacturers.
The son of a Parisian cabinetmaker, Bailly attended the École des Beaux-Arts before being drafted into the Army during the Revolution of 1848. He assaulted an officer, deserted, and fled to England where he studied briefly under the sculptor Edward Hodges Baily (a relation?). After traveling to the United States and Argentina, he settled in Philadelphia in 1850. Academy of Music, Philadelphia, Pennsylvania (1855-57).
The house has a basically Georgian or Federal form, but its decorative elements are clearly Italianate. Alden Batchelder was a local cabinetmaker, a common trade in the town at the time. His business was successful, employing 25 workers in 1864. It was destroyed by fire in 1876, after which he moved the business to Charlestown, where he employed prisoners from the Charlestown State Prison.
On the west wall of the room is a gilded beech French Empire pier table (c. 1812) by cabinetmaker Pierre-Antoine Bellange purchased for the Blue Room by President James Monroe. On the pier table is an ormolu French Empire mantel clock featuring a sculpture of Minerva. This clock was manufactured by the bronzier Pierre-Philippe Thomire and also bought by Monroe, it was previously located in the Blue Room.
His father was a cabinetmaker who taught that craft to Borrell. It was by this means that he was able to support his studies at the School of Fine Arts. He also painted portraits, which made up the bulk of his work, and created religious murals in the Nazarene style in Barcelona, Girona and Castellar del Vallès. These, however, were all destroyed during the Spanish Civil War in the 1930s.
Born in Orléans on 20 January 1946, Piouffre joined the French Air Force, where he was a certified air traffic controller. Following his service, he was a traffic officer for British European Airways, then a steward for Air France. Piouffre studied naval archaeology at the Séminaire de Jean Boudriot, in association with the Musée national de la Marine. He also studied arsenal modeling with a friend who was a cabinetmaker.
Betsy was the daughter of Frank and Katherine Jochum, German-speaking Hungarians who immigrated to United States, landed at Ellis Island, and eventually arrived to Cincinnati, just before the World War began in 1917. Her father worked as a carpenter and cabinetmaker. She had an older brother, Nicholas, and her younger sister Frances. The siblings grew up together in a close household that held the value of family over anything else.
William France Jr. was the second son of John France, cabinetmaker, and nephew of William France Sr.Contrary to the major 'recognised' works on 18th century Cabinetmakers (e.g. The Dictionary of English Furniture Makers 1660 to 1840 et al), William Jr. was not William Sr.'s son but his nephew. see reference 2 for Geoffrey Castle. He was christened at St Martin-in-the-Fields on 14 January 1759.
Theodor Larsson Larsson was born June 8, 1880 in Gylle parish near the town of Trelleborg in Skåne. He died June 30, 1937 in Mjölby. A Swedish bondkomiker (rustic comic) and lyricist, his professional name was Skånska Lasse (Skåning Lasse). He worked as a cabinetmaker in Malmö, then for a short time in Stockholm before moving to Östergötland, where he found employment at a furniture factory in Mjölby.
Lance was born in Liverpool, New South Wales, a son of Edwin Arthur Vaiben Solomon (20 September 1877 – ), a cabinetmaker, and his wife Jessie Elizabeth Solomon, née Black (1874 – 13 May 1951). Vaiben Solomon (1802–1860) an emancipist transported in 1818 was a grandfather. He studied at the East Sydney Technical College and the Royal Academy School in London. He married and moved to Narrabeen, New South Wales.
Grande Bibliothèque by Francois Linke Rococo-style twin beds by Linke Rococo vitrines by Linke, circa 1880 Linke subsequently travelled to Prague, Budapest and Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led somePayne, op. cit., p.71. to suggest that Emmanuel Zwiener was the most likely candidate.
In days of yore, the then farming village of Gries knew only the occupations that any place thus characterized needed, namely the crafts: blacksmith, cabinetmaker, tailor, shoemaker. There was also an inn. Then the Lebecksmühle (mill) became part of Gries; this was named the “Wolfsmühle” in 1712 after it was inherited by a Mr. Wolf. It is likely that the mill is much older, although an exact age cannot be determined.
The White House Red Room as designed by Stéphane Boudin during the administration of John F. Kennedy. Boudin furnished the room primarily in the American Empire style with many pieces by the cabinetmaker Charles-Honoré Lannuier. Decorative tapes for the Napoleonic campaign style drapes were woven by the firm Tassinari et Chatel. Maison Jansen (; ) is a Paris-based interior decoration office founded in 1880 by Dutch-born Jean-Henri Jansen.
Portrait of Roentgen Mahogany bureau with a figure of Apollo, Hermitage Museum Table by David Roentgen, circa 1780-1790. David RoentgenIn the eighteenth century sometimes called David De Lunéville (1743 in HerrnhaagFebruary 12, 1807), was a famous German cabinetmaker of the eighteenth century, famed throughout Europe for his marquetry and his secret drawers and poes and mechanical fittings. His work embraces the late Rococo and the Neoclassical styles.
He completed his apprenticeship as cabinetmaker in 1942. From 1944-45 he was visiting student under professor Kaare Klint at the Department of Furniture at the Royal Academy of Fine Arts in Copenhagen. In 1946, he graduated from the Furniture Design Department of the School of Arts, Crafts and Design in Copenhagen, where he also lectured 1953-56. He served as chairman of Danish Furniture Designers 1947-49.
He born on May 22, 1907, in Angers and died on October 24, 1989, in Paris. The son of a railway worker, he attended primary school in his hometown and then became an apprentice and made his tour of France as a journeyman. He worked for a cabinetmaker in Paris and then joined the Rambault Furniture Company in Angers. He took courses in the hopes of becoming an art teacher.
Norfleet was a cabinetmaker from Suffolk, Virginia who married Jane H. Carlock, the daughter of Moses Carlock, a Southern planter. His daughter Ada married Henry Oscar Rand; Norfleet's grandson, Frank C. Rand, was the Chairman of the International Shoe Company. Norfleet traded houses with James Jarrell House on September 28, 1861. T. F. Sigman bought the house in 1886 and owned the house for over 30 years, until 1920.
Elfe's Will of 7 July 1775 Elfe died on 28 November 1775. His will designated his son Thomas, the only cabinetmaker, to receive his business equipment and associated property. Three Negro cabinet- makers are listed in Elfe's will that he owned as property. Elfe would send his Negro cabinet-makers to various jobs to take down old furniture and set up new furniture or to make minor furniture repairs.
René-Jean Caillette was born in 1919, the son of a cabinetmaker. He followed his father's trade, creating furniture designs that were functional and visually simple. In the period after World War II (1939–45) there was increased interest in using new methods and materials for mass production of furniture. Manufacturers of materials such as formica, plywood, aluminum, and steel sponsored the salons of the Société des artistes décorateurs.
Petel was born in Weilheim, Bavaria, about forty kilometres south-west of Munich, the son of Clement Petle (or Betle -alternative spellings), a cabinetmaker. He grew up an orphan as both his parents died when he was a small child. Bartholomäus Steinle, a local carver, became his guardian and was his first master. Petel learned ivory carving in the court cabinet-making studio of Christoph Angermair in Munich.
Cabinetmaker, William Abbot, built the theater in what is now called the El Pueblo de Los Ángeles Historical Monument in 1870. He named it after his wife, Merced Garcia. Merced Theater offered live theatre from January 30, 1871 to 1876, then moved to minstrel and burlesque shows. When the Wood's Opera House opened nearby in 1876, and there was an outbreak of smallpox, the Merced ceased being the city's leading theatre.
Walter Colton was born in Rutland County, Vermont, on May 9, 1797. He was the third of 12 children born to Walter and Thankful (Cobb) Colton; his nephew John Jay Colton later became known as a pioneer of anesthesia. Walter went to Hartford, Connecticut, at the age of 17 to learn to be a cabinetmaker. He attended Hartford Grammar School and entered Yale in the fall of 1818.
Simultaneously, huge carnival celebrations at the electoral court happened, where the roles at the court were rearranged at random. In 1664 the prince elector drew the role of the electoral cabinetmaker, in 1668 he was cup-bearer and had to serve all guests. This habit was called „Mainzer Königreich“ (Mainz kingdom). This roleplaying tradition continued until the last elector, Friedrich Karl Joseph von Erthal, terminated it in 1775.
Myer Galpern, Baron Galpern, DL (1 January 1903 – 23 September 1993) was a Scottish Labour Party politician. Galpern was born Meyer Galpern in the Gorbals, the son of Morris Galpern, a cabinetmaker, and Anna Talisman.Birth certificate of Meyer Galpern, 1 January 1903, Hutchesontown Registration District, Glasgow 644/11 76 – National Records of Scotland His parents were Jewish immigrants from Russia. Galpern was educated at Glasgow University and was a house furnisher.
Born in Paris, Lachaise was the son of a cabinetmaker. At age 13 he entered a craft school, the École Municipale Bernard Palissy, where he was trained in the decorative arts, and from 1898 to 1904 he studied sculpture at the École des Beaux-Arts under Gabriel-Jules Thomas. He began his artistic career as a designer of Art Nouveau decorative objects for the French jeweler René Lalique.
Gammelgaard worked as a cabinetmaker with A. J. Iversen (1957–1959) and, after studying at the Academy, in Arne Jacobsen's studio (1968–1969). While working with Mogens Koch, Steen Eiler Rasmussen and Jørgen Bo, he undertook consultancy work for the UN in Somoa, where he designed his famous Tip-Top lampshade, followed later by work in Ceylon and the Sudan."Jørgen Gammelgaard" , The Schiang Collection. Retrieved 9 November 2011.
Despite the fact that Jalk won first prize with two different laminated armchairs, the He Chair and the She Chair, they never really came into production. Her associate, cabinetmaker and furniture manufacturer Poul Jeppesen, had made some prototypes but they were burnt in a fire, bringing the project to an end. In 2008, however, Lange Production began industrial production of the She Chair.Signe Brogaard, "Grete Jalk", Bo Bedre.
Henry Copeland, aka Henry Copland, (c. 1710 – 1754) was an 18th-century English cabinetmaker and furniture designer. In partnership with Mathias Locke during the mid-18th century in London, they produced many furniture designs in the Rococo Furniture Style. However both men worked for Thomas Chippendale the elder and many of their designs appear, without acknowledgement, in his book of designs, The Gentleman and Cabinet Makers Director, published two years later.
Born in Ringe on the Danish island of Funen, Madsen was the son of farmer Niels Martin Madsen and his wife Karen Marie f. Andersen. After training as a cabinetmaker, he attended the Furniture School at the Royal Danish Academy of Fine Arts, graduating in 1940. Thereafter he worked with architects Kaare Klint and Arne Jacobsen until 1943.A Bender "Madsen A Bender", Kraks Blå Bog 1957. Retrieved 13 November 2011.
George Seddon (1727–1801) was an English cabinetmaker. At one time his furniture making business was the largest and most successful in London, employing over four hundred craftsmen. He was Master of the Joiners Company of London in 1795.Beginner's Guide To Antique Collecting by KoolAppz (Platform: Android) ASIN B0076PF7UK His two sons, George and Thomas, and his son in law, Thomas Shackleton joined him in his business.
He was born at 1 Teviot Row in Edinburgh's South Side,Edinburgh and Leith Post Office Directory 1860-61 the fourth son of George Watson, cabinetmaker, and his wife, Agnes Shaw. He was educated at George Watson's College. In 1876 he was articled as an apprentice architect to Robert Rowand Anderson working on the McEwan Hall and National Portrait Gallery projects in Edinburgh. He was promoted to Chief Assistant in 1884.
August Semmendinger was born on April 9, 1820. Records indicate he emigrated to the United States from Bad Urach, Germany, arriving in the United States on July 6, 1849 aboard a ship named Columbia which had embarked from Bremen. Arriving with Semmendinger was his wife Magdalene, and his one-year-old daughter, Alwine. After arriving in the United States, August lived in Lower Manhattan at 9 Elizabeth Street as a cabinetmaker.
On 5 October 1852, Langstroth received a patent on the first movable frame beehive in America. A Philadelphia cabinetmaker, Henry Bourquin, a fellow bee enthusiast, made Langstroth's first hives for him and by 1852 Langstroth had more than a hundred of these hives and began selling them where he could. Langstroth spent many years attempting to defend his patent without success. He never earned any royalties because the patent was easily and widely infringed.
His paternal grandfather, Jesse P. Norfleet, was a cabinetmaker from Suffolk, Virginia who lived at the historic Dunvegan cottage in Holly Springs, Mississippi until 1861. Rand had two brothers, Jesse H. and Edgar Eugene, and two sisters, Eva Cornelia and Helen Octavia. He grew up on a cotton plantation in Red Banks. At the age of nine, he moved to Holly Springs, Mississippi, where his father was the co-founder of Rand, Johnson & Company.
Carpentry is one of the traditional trades but is not always clearly distinguished from the work of the joiner and cabinetmaker, in general a carpenter historically did the heavier, rougher work of framing a building including installing the sheathing and sub-flooring and installing pre-made doors and windows. Joiners did the finer work of installing trim and paneling. Plank and board are not consistently defined in history. Sometimes these terms are used synonymously.
Otto Stark was born on January 29, 1859, in Indianapolis, Indiana, to Gustavus Godfrey, a cabinetmaker, and Leone Joas Stark. Otto Stark's paternal grandparents, Christian and Christian Schmidt Stark, had immigrated to Indiana in 1842. Stark, the oldest of the family's seven children, was described as a "sober and intense child." Although Stark aspired to be an organ builder, he began training for a career in lithography in 1875 while still a teen.
Edward France was a cabinetmaker and upholsterer in 18th century London and a member of the well known France family who held the Royal Warrant for over half a century. He was the nephew of William France Snr and older brother of William France Jnr, both of whom were cabinetmakers to the Royal Household. He was born in 1748 and died in 1777. He was made a Freeman of Lancaster in 1773–74.
Linke was born on 17 June 1855 in the small Bohemian village of Deutsch Pankraz, now known as Jítrava in the Czech Republic. Records show that Linke served an apprenticeship with a master cabinetmaker, named Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873.Payne, op. cit.
John Pollard Seddon FRIBA (19 September 1827 – 1 February 1906) was an English architect, working largely on churches. His father was a cabinetmaker, and his brother Thomas Seddon (1821–1856) a landscape painter. He was educated at Bedford School. Church at Ayot St Peter St Catherine's Church, Hoarwithy J. P. Seddon was a pupil of Thomas Leverton Donaldson, though Donaldson was a classical architect and Seddon preferred the Gothic Revivalism of John Ruskin.
There were also a number of illegal grog shops and several brothels. There were bakeries, a brewery and a soft drinks factory, dressmakers and milliners, a brickworks, a cabinetmaker, and two newspapers. The port of Cooktown served the nearby goldfields and, during the goldrush of the 1870s, a Chinese community many thousands strong grew up in the goldfields and in the town itself. The Chinese played an important role in the early days of Cooktown.
The Dvorska house was given the okay to build Kursalón on April 18, 1837. Preparation to build the saloon started in 1837, and construction began in spring 1838. Some problems arose during construction; there was a wide orbiculate roof from which streams of water fell down when the weather was rainy. Inconveniently used wood was placed in such a way that planks stuck out and the saloon often needed repair by carpenter and cabinetmaker.
Albert Palmer moved to Owosso from Jackson, Michigan in 1875. He founded a construction firm with his brother Harmon, and the two men built many of Owosso's residential and commercial buildings. One of the first buildings constructed was this home for Albert, built in 1875. The home was later split into a duplex residence for Albert Palmer's two sons, and later was the residence of Rudolph J. Beehler, Jr., a local cabinetmaker.
Pierre Yves Kéralum was born in the Brittany region of France on March 2, 1817, the youngest of ten children of Marc Yves Kéralum, a carpenter, and Jeanne Colcanap. As an apprentice carpenter and cabinetmaker, he was making his traditional Tour de France when he was called to the priesthood. He studied at the Pont-Croix minor seminary, then entered the Quimper major seminary in 1847. He was ordained a deacon in 1850.
Robert Saul Shube (born Solomon Shube; 15 October 1904England & Wales, Civil Registration Death Index, 1916-2007 - 20 October 1978) was a British trade unionist and cabinetmaker. Shube was born in Manchester to Russian Jewish immigrants.1911 England Census He worked in the East End of London. He joined the National Amalgamated Furnishing Trades Association (NAFTA), soon winning election to its executive committee, and in 1929 also joined the Communist Party of Great Britain.
Born in Newark, New Jersey, Woodruff was employed as a cabinetmaker and later engaged in the furniture business in New York City. He was elected as a candidate of the American Party to the Twenty-ninth Congress (March 4, 1845 - March 3, 1847). He died in New York City on March 28, 1855, and was interred in the First Presbyterian Church Cemetery in Newark, New Jersey.Thomas M. Woodruff, Biographical Directory of the United States Congress.
White House Chief Florist Nancy Clarke completes an arrangement of white lilies, white roses, hydrangeas, and limes before a dinner in the State Dining Room. Red Room of the White House. The cranberry topiary is now a 20-year plus tradition and is placed on the room's guéridon designed by cabinetmaker Charles-Honoré Lannuier c. 1810. Conservatories covered the West Colonnade and site of the current West Wing in the 19th century.
Lucius B. Packard (died 1914) was an American wheelwright, cabinetmaker and automobile pioneer early in the Brass car era. He built his first Velocipede in Peabody, Massachusetts) in 1860, followed by a "real" bicycle in 1879 that was built in Salem, Massachusetts. In 1895 followed a prototype automobile that featured a 2 bhp (ca. 1,5 kW) gasoline engine by American that gave its power via a chain to the left rear wheel.
Wienholt was the recipient of the New South Wales Travelling Art Scholarship in 1944, which she used to travel to New York City, first studying at the Art Students League of New York with Yasuo Kuniyoshi, then at Atelier 17. In 1948, 1949, and 1950 she participated in the Brooklyn Museum’s National Print Annual Exhibition. In 1948 she married Masato Takashige, a Japanese born cabinetmaker. The couple lived in Marin County, California.
These cabinets had tinplate inserts in the doors and sometimes in the sides, punched out by the homeowner, cabinetmaker or a tinsmith in varying designs to allow for air circulation while excluding flies. Modern reproductions of these articles remain popular in North America. Window glass is most often made by floating molten glass on molten tin (float glass), resulting in a flat and flawless surface. This is also called the "Pilkington process".
Meyer was born near Hamelin, Germany, on November 6, 1872 into a family whose occupations were dominated by furniture craftsmen and weavers. He apprenticed as a cabinetmaker before he immigrated in 1888 to Fresno, California, where he worked in a large commercial nursery.Berkeley Daily Gazette, 5 November 1952, p. 27. In about 1890, he enrolled at the Cincinnati Technical School and two years later transferred to the Pennsylvania Museum and School of Industrial Art.
In 2001, the school added a French immersion program. Dr. Charles Best Secondary School offers a joinery program that partners with the post-secondary institution British Columbia Institute of Technology (BCIT). Grade 12 students are eligible to join the program if they are interested in becoming a Red Seal qualified joiner (cabinetmaker). The school offers an electrical studies program that is partnered with BCIT for grade 12 students interested in becoming electricians.
Durbin was born on October 10, 1800 in Paris, Bourbon County, Kentucky, to Elizabeth "Betsy" Nunn and Hozier (or Hosier) Durbin;The Life of John Price Durbin, by John Alexander Roche, Randolph Sinks Foster, p. 4 he was the oldest of their five sons. While he was still young, his father died and he went to work for a cabinetmaker. He continued in this trade until his religious conversion at age 18.
The house was occupied for many years by S. H. Dinsmore, a cabinetmaker who originally worked from a shop in the rear of the property and later moved to a larger space (since demolished) a short way down Salem Street. The house is typical of small industry that developed along Salem Street in the second half of the 19th century. The house was listed on the National Register of Historic Places in 1984.
Theo A. Johnsen (1857–1911) was a pioneer U.S. manufacturer of ski equipment and related gear. Johnsen is especially notable for writing the first book on skiing published in America. He was posthumously inducted into the Maine Ski Hall of Fame, a division of the Ski Museum of Maine. Born in Manchester, England, Johnsen emigrated to Portland, Maine, as a 21-year-old apprentice cabinetmaker and was employed in his father’s woodworking business.
Paul C. Barth (1858 – August 21, 1907) was Mayor of Louisville, Kentucky from 1905 to 1907. The son of a cabinetmaker who died when Barth was 11, he took financial responsibility for the family at an early age. He became sales manager for the Utica Lime Company and founded the Ohio River Sand Company in 1892. Barth entered politics in 1890 when a retiring member of the Louisville Board of Aldermen chose him as his successor.
He was born in Aberdeen, Scotland to a devout Quaker family. There is no documentation of where he learned his trade, but, based on stylistic similarities to his later work, it is conjectured that he apprenticed under Edinburgh cabinetmaker Alexander Peter. He moved to London in 1760, and immigrated to Philadelphia, Pennsylvania in 1763. That same year, John Penn, a grandson of Pennsylvania's founder William Penn, arrived in Philadelphia and was sworn in as governor of the Colony.
Brett was the son of a cabinetmaker, William Brett of Bristol, and was born in that city in 1805. Brett is known as the founder of submarine telegraphy. He formed the Submarine Telegraph Company in conjunction with his younger brother, Jacob Brett. After some years spent in perfecting his plans he sought and obtained permission from Louis-Philippe in 1847 to establish telegraphic communication between France and England, but the project was deemed too hazardous for general support.
Bellegambe was born and died in Douai, then in the county of Flanders (today in French Flanders). He was a child of the first marriage of Georges Bellegambe, a cabinetmaker and musician who was living in rue Fosset-Maugart (renamed, in 1862, rue Haute-des ferronniers).A. Preux (see bibliography) Nothing is known of Jehan de Bellegambe's artistic training. The first known mention of him is a document of 1504 which names him as a master painter.
The Clarence Darrow Octagon House is a historic octagon house in the community of Kinsman, Ohio, United States. Home to lawyer Clarence Darrow in his childhood, it has been named a historic site. Born in the nearby community of Farmdale, Clarence Darrow was the son of a cabinetmaker. Together with his family, he moved to the octagon house in 1864 at the age of seven and lived in it until the family moved out of state circa 1873.
Wood designed the house, and was likely influenced by popular pattern books circulated by Alexander Jackson Davis and Andrew Jackson Downing. Living for a part of the year in Boston, Massachusetts, Wood built Athenwood as a summer home and workplace. The house was faced in shiplap siding, and the windows, eaves, and porches trimmed in cut wooden patterns like upended petals, running grape leaves, and ivy. with Trained as a cabinetmaker, Wood may have carved the wood trim himself.
The house's ornamentation is unusual for Federal style homes in general, not just in the Hudson Valley. That quality is balanced by the overall form, very much in keeping with regional building traditions. These reflect the aspirations and tastes of its builders at that time in history. Wakefield Worcester, who visited the house for the Historic American Buildings Survey in 1937, wondered if the builder might have been a cabinetmaker due to the high level of exterior detail.
Born in Newark, Ohio, Norris was the daughter of Edwin Oliver (or Earl) Norris (1876–1957) by his marriage to Lena Adelaide Loyd (1877–1945).Kathleen Norris Stark Caruso at findagrave.com, accessed 18 November 2017 Her father was a woodworker and cabinetmaker, and also a musician, playing the French horn and the viola in the Newark Symphony Orchestra. She had an older sister, Helen, who became a schoolteacher, and three older brothers, Carl, Donald, and Lowell Norris.
During the early days of telephones, in the UK, a variety of instruments were produced, in low volume, often combining new and emerging technologies with the traditional skills of the wood joiner and cabinetmaker. They were simply known as Type 1, 2, 3 etc. These were often used on simple, internal links, sometimes taking the place of the 'speaking tube' in large houses. These instrument had no dials, and signalling consisted of a hand-cranked magneto generator.
Arveuf designed the neo-Flamboyant organ case of the Châlons Cathedral. The case was created by the cabinetmaker Etienne Gabriel Ventadour, and housed the instrument made by John Abbey, who delivered the instrument in 1849. In 1851 Arveuf built the churches of Eurville and Fayl-Billot in Haute-Marne. Viollet-le-Duc wrote of him in 1853 that he was known to be an excellent architect, and the works done under his leadership were well-planned and well- managed.
Schrader worked as a cabinetmaker for Sears from 1906 until his 1940 retirement. He turned 100 in March 1975 and was still riding a bicycle at the age of 103. He died in Berwyn, Illinois on January 18, 1981, at the age of 105 years, 307 days, making him the longest lived Olympian. He held that title for over 32 years, until he was surpassed in age by Olympic shooter Walter Walsh of the United States in March 2013.
Carl Thomas Anderson was born in Madison, Wisconsin, the son of Norwegian immigrants. Anderson initially worked in his father's planing mill in Des Moines, Iowa, where he developed carpentry skills, became a cabinetmaker, and invented a patented folding desk, which is still being manufactured today. Near the end of the 19th century, he traveled the United States, drifting to Omaha, San Francisco, and Seattle, where he worked until the city's 1889 fire."Henry and Philbert," Time, February 11, 1935.
Eton Terrace, Edinburgh The grave of Sir William Turner, Dean Cemetery Turner was born in Lancaster the son of William Turner a relatively rich cabinetmaker, and his wife, Margaret Aldren. He was educated at various private schools, and then apprenticed to a local physician, Dr Christopher Johnston. He afterwards studied medicine at St. Bartholomew's hospital, and graduated M.B. from the University of London in 1857. In 1854 he became senior demonstrator in anatomy at the University of Edinburgh.
Dasson ceased production in 1894, and at this time held a sale of his models, listed in 'Catalogues of drawings for art bronzes, style furniture and important decoration with rights of reproduction by Henry Dasson et Cie, manufacturer of art bronzes and cabinetmaker as a result of cessation of production..' The records from this sale show that Paul Sormani, as well as Joseph Emmanuel Zweiner, Maison Millet and Beurdeley acquired certain drawings and models by Dasson.
CLXXV, No. 5, May 2009, 88-95. Campeche chairs were originally upholstered in embossed leather or cane, though also came to be padded with fabric. Thomas Jefferson, who received a pair of such chairs in August 1819 from Louisiana representative Thomas Bolling Robertson, referred to them in his correspondence as “Campeachy” or “Siesta” chairs, signifying his understanding of their Mexican origin and their informal use. At least one replica was made by the enslaved Monticello cabinetmaker John Hemings.
Anne Truitt: Works From The Estate, 10 October - 19 November 2011 Stephen Friedman Gallery, London. Truitt produces in scale drawings of her structures that are then produced by a cabinetmaker. The structures are weighed to the ground and are often hollow, allowing the wood to breathe in changing temperatures. She applies gesso to prime the wood and then up to 40 coats of acrylic paint, alternating brushstrokes between horizontal and vertical directions and sanding between layers.
Himes was born in Wickford, Rhode Island. His parents intended for him to become an Episcopal priest, but when a business deal went sour he was unable to complete his education and was apprenticed to a cabinetmaker in New Bedford, Massachusetts. At 18 he joined the Christian Connexion church in New Bedford where he was licensed as an exhorter. In November 1825 he married Mary Thompson Handy, and the following year was ordained to the ministry.
The workshop of the copper smith Geert de Winter Willem Linnig was born in Antwerp as the son of Pieter-Josef Linnig (born in Aschbach, Rhineland-Palatinate in Germany) and Catharina Josephina Leys. His father was a cabinetmaker. He had two older brothers (Jan Theodoor) Jozef Linnig and Egide Linnig who both became artists. Linnig studied at the Antwerp Academy of Fine Arts, where the prominent history and genre painter Jan August Hendrik Leys was one of his teachers.
During this period the church documented that Minard Lafever had designed the 19th-century building. A letter was found, written by a young cabinetmaker working on the building in 1843, who named Lafever as the architect. This confirmation aided in gaining financial support for the church's restoration, based on its architectural significance. Given documentation of the architect, and with other restoration money for structural repairs, church administrators believed they would be able to raise funds to restore the steeple.
Interior features include high-quality woodwork in the fireplace surround, which has pilasters and a pineapple motif, and stencilwork on many of its walls. with The house was built in 1827 by John Williams, a local cabinetmaker and builder. He was well known in the region, building several surviving houses, and was also known as a carriage maker. Examples of his furniture, built in a shop located adjacent to the house, has been displayed in the Maine State Museum.
Ivan Yemelyanov was born into an impoverished family of an acolyte in Bessarabia about the year 1860. In 1870, at the age of 9, Yemelyanov was taken to be raised by his uncle who served at the Russian embassy in Constantinople. After a few years he returned to Russia, and after graduating from a trade school in 1879, he became qualified as a cabinetmaker. He went on to study abroad on a grant from Baron Günzburg.
Playmobil was invented by German inventor Hans Beck (1929–2009), considered the "Father of Playmobil". Beck received training as a cabinetmaker and was also an avid hobbyist of model airplanes, a product he pitched to the company Geobra Brandstätter. Horst Brandstätter, the owner of the company, asked Beck to develop toy figures for children instead. (The company had originally been a producer of casket ornaments and handles.) Beck spent three years from 1971 to 1974 developing what became Playmobil.
His company also supplied building material and furniture to the Mackay community. The first town hall was moved to the rear of the block, to make way for the new building. Tenders were accepted from Thomas Cherry, a cabinetmaker in Mackay, and Victor Leon Thomas Warry for the supply of furniture and Porter's supplied gas fittings. Furnishings included "cork carpet" in the hallway, linoleum in the downstairs rooms, fibre matting on the stairs and the Council room left bare.
Other things named for Greene include the Green River in Kentucky, Fort Greene Park in Brooklyn, and several schools. Several ships have been named for Greene, including the , the , the USS Nathanael Greene, and the USAV MGen Nathanael Greene. The Nathanael Greene Homestead in Coventry, Rhode Island, features Spell Hall, which was General Greene's home, built in 1774. Greene commissioned cabinetmaker Thomas Spencer to build a desk and bookcase, likely to be put in this new home.
Born Amabel Ethelreid Normand in New Brighton, Richmond County, New York (before it was incorporated into New York City), she grew up in a working-class family. Her mother, Mary "Minne" Drury, of Providence, Rhode Island,Rhode Island State Census, 1875 was of Irish heritage, while her father was French Canadian. Her father, Clodman "Claude" Normand, was employed as a cabinetmaker and stage carpenter at Sailors' Snug Harbor home for elderly seamen. She had 5 siblings.
Carl Bersch was born in Zweibrücken, Germany on May 3, 1834. His father was the cabinetmaker Jakob Bernhard Bersch and mother was Carolina Friederike née Heintz. Already during his school days at the grammar school in Zweibrücken his drawing talent was recognizable. His desire to study at the Munich Academy of Fine Arts, however, was not fulfilled for the time being, instead he began at the urging of his father, a mining study at the local Polytechnic.
Chinese Chippendale railings on Monticello's wings In architecture, Chinese Chippendale refers to a specific kind of railing or balustrade that was inspired by the "Chinese Chippendale" designs of cabinetmaker Thomas Chippendale. The infill between the top and bottom rails and the vertical supports is a series of interlocking diagonals, although rectilinear designs exist as well. The term may also be applied to latticework. The design was popular in the United States in the late 18th and early 19th centuries.
Construction completed in 1906. The palace hotel's interior was done in the Art Nouveau style, designed by artists including the painters Henri Martin and Ernest Laurent and the sculptor Edgar-Henri Boutry. Cabinetmaker Louis Majorelle designed the canopies at the north and south entrances of the hotel and did the paneling in the lounges. Several sound-proofing techniques were used in the construction, including using cork and double layers of bricks in the rooms and hallways.
Leslie was born the son of Robert Leslie, a joiner and cabinetmaker, and his wife Anne Carstairs, in Largo in Fife. He received his early education there and at Leven. In his thirteenth year, encouraged by friends who had even then remarked his aptitude for mathematical and physical science, he entered the University of St Andrews. On the completion of his course in 1784, he nominally studied divinity at Edinburgh University but gained no further degrees.
The dead man or woman was driven to the graveyard on the Kuhlich by way of the Wischberg on a hay cart pulled by a horse. The grave was quickly dug beforehand. The dead were laid in a death shirt – already sewn while the dead were still alive – in a simple, unplaned coffin made without nails or screws by the local cabinetmaker, like a chest, from four boards. A little bag with coins went with the dead.
Frances Matilda "Fanny" Whitaker was born in Bath, the daughter of William Whitaker and Sarah Hawkins. Her father was a cabinetmaker, and her mother worked as an upholsterer after she was widowed. The exact date of her birth is not known, but she was about sixteen years old when she eloped with actor and painter R. R. McIan in 1831.Belinda Morse, A Woman of Design, a Man of Passion: The Pioneering McIans (Book Guild 2001): p. 12.
Portrait of Roubo from Portraits and History of Useful Men (1836) André Jacob Roubo (1739–1791) was a French carpenter, cabinetmaker and author. Roubo was born and died in Paris, and was the son and grandson of master cabinetmakers. Roubo wrote several highly influential books on woodworking, an achievement which was especially notable given his relatively poor background and self- taught methods. His career peaked in 1774 when he published his masterwork treatise on woodworking, titled L'Art du Menuisier.
Griffin was employed as the in-house carpenter and cabinetmaker at the Hotel Bretton Hall in Manhattan at 2346 Broadway. In 1910 Griffin, having read of the African safari of Theodore Roosevelt and his use of a sporterized Springfield 30-06, decided to turn his own Springfield rifle into a sporter. He purchased a French walnut blank from Von Lengerke & Detmold. In his spare time at the woodwork shop of Bretton Hall, Griffin continued to produce restocked Springfield rifles.
Herman Bottcher was born in Landsberg, Prussia, Germany. He was orphaned at an early age: his mother died while he was a toddler and his father was killed during World War I. He was raised by his father's brother, George Bottcher. He trained as a cabinetmaker and carpenter and studied architecture in Germany before immigrating to Australia following his uncle. In 1931, Herman Bottcher emigrated to the United States via Australia and lived in San Francisco.
The interior features details attributed to Thomas Day, a well-known African-American cabinetmaker from Milton, North Carolina. The farmhouse underwent an extensive remodeling and modernization in the early 1960s but preserves a significant degree of architectural integrity. Also on the property are a contributing frame kitchen / slave quarter outbuilding, an early stone-lined well, and the sites of early agricultural outbuildings. and Accompanying photo It was listed on the National Register of Historic Places in 1996.
The Luther Elliott House is a historic house in Reading, Massachusetts. The modestly sized 1.5-story wood-frame house was built in 1850 by Luther Elliott, a local cabinetmaker who developed an innovative method of sawing wood veneers. The house has numerous well preserved Greek Revival features, including corner pilasters, and a front door surrounded with sidelight windows and pilasters supporting a tall entablature. The house was listed on the National Register of Historic Places in 1984.
This small room, fully sheeted oak woodwork, is in the tradition of Italian Studiolo. Originally, the workroom was connected to the Gallery through a small door sacrificed in the seventeenth century at the time of the establishment of the portrait collection. Jean Thier commanded the paneling of his study to the cabinetmaker Francisque Scibec Carpi. The Italian artist worked for Francis I at Fontainebleau, to the Louvre Henri II and Diane de Poitiers the Chateau d'Anet.
Krichell was born in Paris, France, the son of a German cabinetmaker and youngest of nine children. He grew up in The Bronx, near the site of the future Yankee Stadium. Krichell made his professional baseball debut in 1903 as a catcher with the Ossining, New York club in the Hudson River League's inaugural season. He moved to the Hartford Senators of the Connecticut League in 1906 and spent most of the following three years with the Newark Indians of the Eastern League.
Webster Baptist Church, is an historic Southern Baptist church located at the intersection of NC 116 and SR 1340, near Webster, Jackson County, North Carolina. It was built in 1900, and is a one-story, three bay, rectangular Vernacular Victorian style church. It has a steep gable roof, engaged three stage bell tower, and tall round-headed windows. The church retains its original furniture built and donated by local master cabinetmaker Joseph Warrenton Cowan (1834-1917) and his son, Lawrence Cowan.
The son of Joseph- Jacques Moineau, a cabinetmaker in Tours, Jules Moinaux began with learning the trade from his father. But soon, he preferred to live by his pen, and became a journalist and a writer-reporter at Palais de Justice, Paris. By the late 1840s, he began writing, very often in collaboration, comic pieces that found success. In 1853, he wrote Pépito, an opéra comique for Jacques Offenbach, and in 1855, again for Offenbach, Les Deux Aveugles, a musical buffoonery.
The South Ebro Column was directed by the cabinetmaker Antonio Ortiz Ramírez, with Fernando Salavera as military adviser. They left Barcelona on July 24, 1936 by train and highway, growing from 800 men at the beginning to over 2,000, quite a few of whom were soldiers. The column participated in the taking of Caspe, dominated by a company of the Civil Guard and some 200 Aragonese Falangists, under the command of Captain Negrete. Various units were incorporated into the column.
The Vermeil Room as decorated during the administration of Bill Clinton. In 2006 the White House curator Bill Allman, First Lady Laura Bush, Bush family decorator Ken Blasingame and the Committee for the Preservation of the White House refurbished the room. Walls were painted in an enamel gloss finish in an ivory color with a tint of green described as Deauville. An 1829 center table in the late neoclassical style by Philadelphia cabinetmaker Anthony Gabriel Quervelle was placed in the room.
First trained as a cabinetmaker, Volther studied furniture design at the Arts and Crafts School in Copenhagen. A believer in Functionalism, he avoided short-lived aesthetic trends, concentrating on the simple crafting of quality materials. As a teacher at Denmark's Design School, he encouraged hundreds of students to aim for high quality craftsmanship. With the support of designer Hans Wegner, he was employed from 1949 by the cooperative FDB, working in their design studio under the leadship of Børge Mogensen.
Penniless, Joseph was forced to become an apprentice to a cabinetmaker, while Chaine rocketed to fabulous wealth.The Story of Antrim (1984), by Alastair Smyth Lord O'Neill of Shane's Castle took pity on his friend's family and took in two of Joseph's two daughters, while their mother moved her remaining three children to Belfast, where Robert was educated at the Royal Belfast Academical Institution.Antrim Town & County (1999), by Paul Holmes In 1845, Mrs Reford took her remaining three children, including Robert, to Toronto.
Joseph Cosey was born Martin Coneely on February 18, 1887, in Syracuse, New York. He was the son of Irish Catholic immigrant Robert Coneely, a "cabinetmaker by trade", and Sarah Bease of Virginia. He did very well in elementary and high school, but left home at the age of 17 after quarreling with his father. Cosey worked as a printer's apprentice (he had helped his older brother Robert in his printing shop), wandering from place to place and job to job.
When the shipyard job and conditions in Norfolk did not work out, Sam joined them in Philadelphia, a major industrial city. They settled in South Philadelphia in 1915 in the Jewish section. Ethnic Irish occupied territory to the north, and Italians to the west. After some other jobs, Sam found work as a cabinetmaker at the Victor Talking Machine Company in Camden, New Jersey, across the Delaware River. In 1917, Gold’s mother had another son, named Yussel (Joseph) after a grandfather.
In 1908 the Feininger family moved to Berlin, and in 1919 to Weimar, where Lyonel Feininger took up the post of Master of the Printing Workshop at the newly formed Bauhaus art school.Bauhaus100. Lyonel Feininger . Retrieved 3 February 2017 Andreas left school at 16, in 1922, to study at the Bauhaus; he graduated as a cabinetmaker in April 1925. After that he studied architecture, initially at the Staatliche Bauschule Weimar (State Architectural College, Weimar) and later at the Staatliche Bauschule Zerbst.
Commode by André-Charles Boulle, son of Jean Boulle: ( 1710–20). Walnut veneered with ebony, marquetry of engraved brass and tortoiseshell, gilt- bronze mounts, verd antique marble André-Charles Boulle (11 November 164229 February 1732), le joailler du meuble (the "furniture jeweller"), became the most famous French cabinetmaker and the preeminent artist in the field of marquetry, also known as "inlay". Boulle was "the most remarkable of all French cabinetmakers".Theodore Dell, The Frick Collection, V: Furniture in the Frick Collection (1992:187).
George Hepplewhite (1727? – 21 June 1786) was a cabinetmaker. He is regarded as having been one of the "big three" English furniture makers of the 18th century, along with Thomas Sheraton and Thomas Chippendale. There are no pieces of furniture made by Hepplewhite or his firm known to exist but he gave his name to a distinctive style of light, elegant furniture that was fashionable between about 1775 and 1800 and reproductions of his designs continued through the following centuries.
In 1934, when J.E. Rulhman dies, his company is close as he ordered it. His customers in contact with Maxime ask him to continue to work for them. Maxime goes back to its family cabinetmaker workshop and turn it round to satisfy this demanding private customer base. Maxime Old quickly develops an elegant, modern style that fits with the demanding requests of his clientele: Industries, politicians, lawyers, doctor etc.... He designs and produces art furniture embedded in interior architecture innovative master plans.
Furniture attributed to Day, North Carolina Museum of History.Thomas Day (1801-1861) was a free black furniture craftsman and cabinetmaker in Milton, Caswell County, North Carolina. Born a free black man in Dinwiddie County, Virginia, Day moved to Milton in 1817 and became a highly successful businessman, boasting the largest and most productive workshop in the state during the 1850s. Day catered to high-class white clientele and was respected among his white peers for his craftsmanship and work ethic.
Armsby was born in Northbridge, Massachusetts, on September 21, 1853, the only child of cabinetmaker Lewis Armsby and Mary A. Prentiss. Armsby earned his Bachelor of Science degree from Worcester County Free Institute of Industrial Science in 1871 and taught chemistry there for a year. He studied for two years at Yale University's Sheffield Scientific School, graduating in 1874 with his Bachelor of Philosophy degree. Following his studies at Yale, Armsby taught natural sciences at Fitchburg High School for one year.
The building was the original office and headquarters for the Wisconsin Land & Lumber Company, a company founded by German-born cabinetmaker Charles J. L. Meyer.Theodore J. Karamanski, Deep woods frontier: a history of logging in northern Michigan, Wayne State University Press, 1989, , pp. 147-150. In the mid 19th century, Meyer had established a factory in Fond du Lac, Wisconsin making wooden sashes, doors, and blinds. In 1878, to acquire pine for his factory, Meyer began buying land in Menominee County, Michigan.
Walls was born and educated in Dunedin in 1884. He was educated locally at High Street and Union Street Schools before proceeding to serve a carpentry apprenticeship. He then entered trade as a cabinetmaker, after which in partnership with John McCracken, purchased ownership of Laidlaw and Sons, a piano repairing and tuning business, renaming the business as McCracken and Walls, Ltd. The business evolved to be an electronics retailer and was at the forefront of modern communication technology in the 1920s and 1930s.
Like several of his peers in the French capital, he was of German origin.Latz was born near Cologne, Bellaigue 1974:876. Other ébénistes of German origin included the royal cabinetmaker Jean Henri Riesener; Adam Weisweiler, Maurice-Bernard Evald, Martin Carlin, the Swede P.-H. Mewesen and Joseph Gegenbach, called Canabas, are also noted in this context by Sven Eriksen, Early Neo-Classicism in France, 1974:132; Jean-François Oeben, Guillaume Kemp, Guillaume Beneman, Mathieu-Guillaume Cramer and Joseph Baumhauer might be added.
Their father, Charles Clark moved to the Darling Downs in 1861 where he and a partner established the first flourmill in Warwick. In 1868 Charles and his brother George bought Old Talgai which became well known for high-grade merino wool. Warwick General Cemetery includes monuments for immigrants such as that of Frederich Reimers. He was born in Schleswich- Holstein in 1839, settled in the municipality of Warwick during the 1860s becoming a local cabinetmaker and undertaker. He died in 1915.
According to Jesaulenko, the family name should have been spelt Esaulenko, but immigration officials actually listed "Esaulenko" with a "J" in front, thinking that they had heard a "J" in his name. From there, the family moved to Canberra where Vasil set up shop as a carpenter-cabinetmaker. The young Jesaulenko was enrolled at St Edmund's College, then Telopea Park High where he played soccer and rugby union. He did not start playing Australian rules football until he was fourteen years old.
Benjamin Smith was also the uncle of North Carolina governor Benjamin Smith.Alan D. Watson, General Benjamin Smith: A Biography of the North Carolina Governor, p. 5, McFarland, 2014, Benjamin Smith House (49 Broad Street) He was one of the most prominent merchant bankers in the colony in his lifetime.The Nine Lives of Robert Deans: A Cabinetmaker and Master Builder in Edinburgh, Charleston, and London, 1740–1780 He inherited a two-thousand-acre plantation located in the St James Goose Creek parish.
The company was founded by master cabinetmaker Carl Hansen when he opened his first workshop in Odense on 28 October 1908. His first real factory opened in 1915, specializing in bed room furniture for the bourgeoisie and landed gentry on the island of Funen. The global economic crisis which arrived with the 1930s also affected furniture sales in Denmark. It hit Carl Hansen hard and in 1934 his second-oldest son, Holger Hansen, took over the business after his father.
Aboubacar Demba Camara was born in 1944 in Conakry, French Guinea to a family from Saraya, a station of Kouroussa. He attended the Coléa primary school until 1952, when he transferred to a school in Kankan. In 1957 he returned to Conakry to finish his primary studies before going back to Kankan where he enrolled in a vocational school and earned his certification as a cabinetmaker. In 1963 he moved to the town of Beyla in southern Guinea to work.
The same year, they presented works made by cabinetmaker Willy Beck at the Cabinetmakers Guild's exhibition in Copenhagen where they continued to participate year after year. In addition to sculptural chair designs, they also designed living rooms, bedrooms, shelving, dining tables, and office furniture. Their most notable work is the Metropolitan Chair, in bent plywood, which was exhibited in 1949 and manufactured by Fritz Hansen from 1952. All their works have a clear, timeless, simple style which continues to please today.
Andrey was born May 13, 1990 in Vitebsk. Later he moved to Moscow, where he graduated school in 2005 and entered College of arts and crafts No. 59 as a cabinetmaker-carpenter, then he switched his specialization to become an artist of decorative and applied arts. In 2010 he entered the Circus college but left it in a year. In 2011 he entered All-Russian State Institute of Cinematography named after S. Gerasimov and graduated in 2015 as an actor.
Frank Ham, Tool Chest (Journal of the Hand Tool Preservation Association of Australia), no. 108, May, 2013. Focusing on the illustrations, Mark Bridge commented in Antiques Trade Gazette on how James Austin, the book's photographer, had "managed to capture the elusive qualities of balance, texture and patina which make the finest tools a pleasure to handle, frequently lifting them into the realm of folk art".Mark Bridge, "The young apprentice cabinetmaker who became a connoisseur", Antiques Trade Gazette, October 22, 2011.
Her father-in-law was the chairmaker William Savery, formerly an apprentice of Solomon Fussell; her husband was the cabinetmaker Thomas Savery. Together the couple raised five children. The Saverys were active in the Philadelphia Yearly Meeting of the Society of Friends, and it is assumed that Rebecca conformed to the traditional roles and practices ascribed to Quaker women of her era. Three of the quilts ascribed to her are made in the Sunburst pattern; the other three are Friendship quilts, which were made in a group.
In 1925 Baumann was sent to the United States to help with his skills as a cabinetmaker and wood carver. It was there that he made his final profession at St. Bonaventure Friary in Paterson, New Jersey on 16 July 1926. He served that community for the next ten years. He then went on to earn a bachelor's degree from St. Bonaventure University in 1941 and a Master of Science from Columbia University, where he later served on the Board of Governors of the School of Architecture.
Industrial expansion and westward movement had largely severed American culture from early Colonial American and Native American craft roots. Against this backdrop, Louis Comfort Tiffany was a pioneer of the American craft movement, arguing for the placement of well- designed and crafted objects in the American home. Tiffany's elegant stained glass creations were influenced by the values of William Morris and became America's leading embodiment of art nouveau. Gustav Stickley, the cabinetmaker was an early leader in the development of Studio Furniture and the American craft movement.
The early inhabitants earned their living, as everywhere else, through farming. They led lives full of hardship and deprivation. Eventually, though, some found work as lime burners at brickworks around the Remigiusberg, as miners in the surrounding coal and mercury mines or as textile workers in the new mills in Kusel. Others by then might already have worked at traditional occupations such as smith, cabinetmaker, cobbler, mason and carpenter. Agriculture in Haschbach now, however, only plays a subordinate role in the village’s economic life.
Beyond this, the local employment picture included 2 cobblers, 1 cabinetmaker, 1 tailor, 2 blacksmiths, 1 stonemason, 1 midwife, 1 baker, 1 barber-surgeon, 3 innkeepers, 1 butcher, 1 meat inspector, 2 grocers and 1 confectioner. After the Second World War and the downsizing of the workforce at the stone quarries, many sought work in the Saarland’s coalmines, service positions with the United States Armed Forces, jobs in administration and positions in retail shops and the industrial works in the surrounding area, both nearby and farther afield.
Until the 1960s, Cronenberg was a community characterized purely by agriculture. There are still three fulltime agricultural operations even now, one of which successfully practises direct marketing. The greater part of the population, though, are employed outside the municipality and commute daily – some up to 100 km – to their jobs. A master cabinetmaker with company offices in Medard and one metalworker have gone into business for themselves. As early as the 18th century, a mine was in operation for a while within Cronenberg’s limits.
Engelbert Krauskopf (August 21, 1820 – July 11, 1881) was a German-American settler, gunsmith, and naturalist. Born in Bendorf, Germany, he emigrated to the United States in 1846, and became a settler of Fredericksburg, Texas. He was trained as a cabinetmaker and gunsmith, and during the American Civil War once made a gun barrel especially for Robert E. Lee. He was also an inventor: when ammunition became scarce during the Civil War he and silversmith Adolph Lungkwitz developed a process for the manufacture of gun-caps.
Gallagher was born in South Boston to parents who were members of the city's mercantile class; his father was a cabinetmaker and stove merchant and his mother was a descendant of Massachusetts Bay Colony pilgrims. He seems to have had a natural talent for drawing, remarked on by family and friends in his early years.Chambers, 2006, p. 2. During the time he was a student at the English High School of Boston he also studied with artist George H. Bartlett (1839–1923) in a private night school.
He was born in Edinburgh the tenth child of Janet Mitchell and Francis James Braidwood, a cabinetmaker. He was educated at the Royal High School. He learned about the construction of buildings after joining his father's building firm as an apprentice, knowledge he was later to put to good use. fire engines from 1824 Appointed Master of Fire Engines at the age of 24, two months prior to the Great Fire of Edinburgh, Braidwood established principles of fire-fighting that are still applied today.
Steele was educated in Salisbury, and at age 14 was apprenticed as a cabinetmaker and chair maker. At age 22 Steele settled in Fayetteville, where he worked at his trade for Nathaniel Morrison, a native of Peterborough, New Hampshire. Morrison was impressed with Steele's mechanical aptitude, and asked Steele to accompany him to New Hampshire to establish a textile manufacturing business. Steele designed and constructed the spinning mules and looms for Morrison's mills, one of which was the first to weave cotton cloth by waterpower.
Pfeffelbach passed to the newly founded Verbandsgemeinde of Kusel-Altenglan and to the Kusel district, in which it remains today. It also found itself in the new Regierungsbezirk of Rheinhessen-Pfalz, although this has since been dissolved.Recent timesPfeffelbach’s history part 3 According to an 1816 report, Pfeffelbach had 63 bungalows, 20 two-storey houses and 10 "wooden houses" (this likely meant timber-frame houses) with 474 inhabitants. Among the village's craftsmen were three millers, one shoemaker, two tailors, one bricklayer, one cabinetmaker, one smith and one knacker.
The book chronicles Popper's life from the beginning, including wider implications he drew from his experiences. In chapter 1, "Omniscience and Fallibility," for example, he describes his apprenticeship to a cabinetmaker while he was a university student. His master invited him to ask anything he liked, because, with due modesty, the master claimed to know everything. From his omniscient master, Popper writes that he became a disciple of Socrates and learned more about the theory of knowledge, including how little he knew, than from his university teachers.
Denlinger's original caboose interiors were particularly memorable. Each caboose was equipped with a non-functioning potbelly stove that had a black & white television inside and a lamp hanging from the articulated stovepipe overhead. The cabooses each have a central bathroom but are otherwise unique with different wall finishes. Small furniture that would fit into the cars had to be found or custom made, with some pieces made by a Pennsylvania Dutch cabinetmaker including a combination desk / storage bench with hand-painted American eagle on the top.
An enclosed single-story porch extends across the left (east) side, and there is a single-story ell to the rear. The interior of the building has retained some of its original features, despite repeated alteration of the rooms for different uses. Thomas Day was born in Virginia in 1801, a free person of color. By 1818 he had begun to work as a cabinetmaker, and in 1823 he moved to Milton, where he purchased and adapted this building as his studio and workshop.
MacDonald was born on 12 May 1873 in Durham, England, to an English mother, Margaret (Usher), and a Canadian father, William MacDonald, who was a cabinetmaker. In 1887 at the age of 14, he immigrated with his family to Hamilton, Ontario. That year he began his first training as an artist at the Hamilton Art School, where he studied under John Ireland and Arthur Heming. In 1889, they moved again to Toronto, where he studied commercial art and became active in the Toronto Art Student League.
The son of a cabinetmaker,1891-1901 Scotland Census Records William Holden Maxwell was born on the twentieth of August, 1884 at Glasgow, Scotland.United States Passport Applications (William Holden Maxwell) 1918, 1920, 1921, 1924U.S. Naturalization Records (William Holden Maxwell) September 20, 1915.World War One Draft Registration (William Holden Maxwell) Maxwell had an early interest in magic and while still in his teens placed a classified ad as Max Holden in the publication Magic: The Magicians Monthly Magazine, asking for information on magic tricks and juggling.
The entry is sheltered by a hip-roof portico with square posts and a simple wooden balustrade. The interior retains many original features, including Federal-style fireplace mantel surrounds. The house was probably built in the 1830s, based on the similarity of construction styles to the 1824 courthouse, and to its combination of late Federal and early Greek Revival features. It was built for Joel Nettleton, a local hotel and stage coach owner, either by Nettleton himself, or by Samuel George, a local cabinetmaker and painter.
After a stint in the army of occupation in Germany, he participated in the campaign against the forces of Kemal Atatürk in Cilicia. He ended his service in July 1921 as a sub-lieutenant (second lieutenant). He worked as a cabinetmaker and later founded his own transportation company in Nice. Between the wars, Darnand joined a number of far-right political, paramilitary organizations: l'Action Française in 1925, the Croix-de-Feu in 1928, La Cagoule and Jacques Doriot's French Popular Party (PPF) in 1936.
Jalk was born in Copenhagen. After graduating from high school in modern languages and philosophy, she studied at the Design School for Women (1940–43) under cabinetmaker Karen Margrethe Conradsen. She completed her studies at the Danish Design School in 1946, while receiving additional instruction from Kaare Klint at the Royal Academy's Furniture School. While consolidating contacts with numerous furniture designers, she took part in the annual competitions of the Design Museum and the Design School's furniture department where she also taught from 1950 to 1960.
Birchall was born in Bath, Somerset, in 1769. His father was a cabinetmaker and upholsterer. Very little is known about his early life but his examination for lieutenant in 1790 and eventual promotion on 18 June 1793, were recorded in the Bath Chronicle, which added that he had served 13 years as a midshipman. Birchall served on at the time of his promotion, continuing in her to the West Indies and was probably still on board when she fought at the Glorious First of June (1794).
Elfriede Brüning was born in Berlin, the daughter of a cabinetmaker and a seamstress who were involved in the workers' movement.Carsten Wurm, "Brüning, Elfriede", Wer war wer in der DDR?, online edition, Bundesstiftung zur Aufarbeitung der SED-Diktatur Deutsche Presse- Agentur, "DDR- und Nachwende-Autorin: Schriftstellerin Elfriede Brüning ist tot", Frankfurter Allgemeine Zeitung, 5 August 2014 . Forced to leave school after the tenth year to help support the family, she worked in offices; beginning in 1929, she was a secretary at a Berlin film company.
He had a number of prominent clients, including John Dickinson, Captain John Macpherson (owner of the mansion "Mount Pleasant"), Michael Gratz, and Samuel Rowland Fisher. He joined fellow cabinetmaker Thomas Affleck in the major commission to make furniture for John Cadwalader's Philadelphia city house. Among those who rented lodgings from him were George and Martha Washington, and Peyton Randolph (no relation). Jefferson rented lodgings in 1775 when a delegate to the First Continental Congress, and again in May 1776 at the beginning of the Second Continental Congress.
It is believed that John Cobb was apprenticed in 1729 to Timothy Money (fl 1724–59), a Norwich upholsterer.>Artfact (see link below) In 1755 he married Sukey, a daughter of the cabinetmaker Giles Grendey, and is said to have acquired a ‘singularly haughty character’, strutting ‘in full dress of the most superb and costly kind...through his workshops giving orders to his men’, and on one occasion earning a rebuke from George III.J T Smith in his Nollekens recounts anecdotes of his pompous behaviour and comments on his tendency to elaborate costume. He worked with William Vile from 1750 until 1765 in premises at No, 72, the corner house of St Martin's Lane & Long Acre.The London Furniture Makers 1660–1840 by Sir Ambrose Heal, p 38 – Dover Publications () In the early 1750s, William Hallett, another cabinetmaker of the time, formed a working syndicate with Vile & Cobb.The Independent 1992 (see link below) Vile and Cobb supplied furniture to the leading patrons of the day including George III and Queen Charlotte, the 1st Earl of Leicester at Holkham Hall, the 4th Duke of Devonshire at Chatsworth and the 4th Duke of Bedford at Woburn Abbey.
Anton Seuffert (1815 – 6 August 1887) was born in Bohemia. He was a cabinetmaker with a particular expertise in the art of marquetry. Anton Seuffert, also known as Anton Seufert, learned his craft from his father, Anton Seufert senior, who was also a cabinetmaker. Seuffert worked in Vienna for the Austrian furniture manufacturing company Leistler, rising to the position of foreman. He was sent by his firm to England in order to assemble furniture for the royal places and also to set up the firm's large display of luxury wooden furniture for the Great Exhibition of 1851 in London. He stayed in England for several years and married Anna Piltz in 1855 or 1856. He emigrated to New Zealand from London on the ship Caduceus with his wife and two children, Josefieni, and William, and arrived in Auckland on 19 May 1859 (surname was spelt Senfick/Senfert). The family settled in Auckland and increased by a further five children. Juliena was born in September 1860, Augusta Amelia in August 1862, Albert in October 1864, Charles Antonis in March 1867 and the youngest Adolf Herman in October 1869.
He designed the Fiske Portal (1922–23), a new doorway for St. Mark's Episcopal Church, Philadelphia. Sculptor and cabinetmaker Edward Maene, metalworker Samuel Yellin, and stained glass designer Nicola D'Ascenzo collaborated on the doors and the polychromed "Christ in Majesty" tableau above them. His firm designed the Fidelity Mutual Life Insurance Company Building (1926–28) in Philadelphia (now an annex of the Philadelphia Museum of Art), and the Bok Singing Tower (1927–29), in Lake Wales, Florida. Medary was a design consultant to several universities, the Theodore Roosevelt Memorial Association, and Mount Vernon.
Jemison was born on October 9, 1901, in Silver Creek, New York, near the Cattaraugus Reservation. Her mother, Elnora E. Seneca, was from a prominent Seneca family, and her father, Daniel A. Lee, was "a cabinetmaker of Cherokee descent." Her goal was to become an attorney and she worked in the office of Robert Codd, Jr., but could not afford law school. In 1919, she graduated from Silver Lake High School and was married to Le Verne Leonard Jamison; they were separated nine years later because of his chronic alcoholism.
Barrier was the son of a cabinetmaker, and had his first job working in his father's workshop. While in Rennes at age 28, he met several resident actors at the Théâtre National de Bretagne and made his stage debut in Caligula, written by Albert Camus. His first major role on television was in the film The Taking of Power by Louis XIV. His other major films included The Tall Blond Man with One Black Shoe, Two Men in Town, Black and White in Color, Coup de tête, and Flic Story.
Soon he returned to the caretaker position, only to leave it in 1852 upon his appointment as Second Elder under Robert Fowle. Three months later he became a member of the Ministry as second to Elder Abraham Perkins. He became First Elder of the Church Family in November 1865, and took charge of the public meeting in 1865, remaining in that role until public meeting at Canterbury ceased in 1889. During his life Blinn occupied various roles including printer, typesetter, publisher, writer, teacher, beekeeper, dentist, tailor, tinware maker and repairer, and cabinetmaker.
Krenov is revered by many craftsmen for his inspiration to bring into one's work simplicity, harmony and above all, a love of wood. As a professor at the College of the Redwoods, Krenov influenced many up-and-coming craftsmen including Yeung Chan, a now master craftsman. Krenov's books A Cabinetmaker's Notebook and The Impractical Cabinetmaker shun ostentatious and overly sculpted pieces, stains, sanded surfaces, and unbalanced or unproportional constructions. Krenov felt that details such as uniformly rounded edges, perfectly flat surfaces, and sharp corners remove the personal touch from a piece of furniture.
A self-described "cabinetmaker who fashioned large pedestals for small statues", Sonnenberg represented many clients. While his company, Publicity Consultants Inc., was nominally located in offices on Park Avenue, his real business was done in his five-story townhouse in the Gramercy Park neighborhood of Manhattan, where he was renowned for his lavish entertaining for his clients and his contacts in the press. As his son would later describe in his memoir Lost Property: Memoirs and Confessions of a Bad Boy, "our home, my home, was a stage for his work".
Three gable-roof dormers pierce the front of the roof, while another dormer is worked between the two chimneys on the right side, with round-arch decorative brickwork. The building is not of particular architectural significance; its designer and builder are not known. The house in 2018 Charles Norton was born in Plainville to a cabinetmaker in 1851, and apprenticed at the Seth Thomas Clock Company at age 15. He worked there until he was 35, rising to manager, and mastering the principles of the manufacture of interchangeable parts.
The Howard Wright House in Everett Howard S. Wright was a cabinetmaker who founded Howard S. Wright Construction Co., in Port Townsend, Washington in 1885. The company moved to Everett in 1893 and to Seattle in 1929. During the family’s second generation, Howard H. Wright and his brother-in-law, George Schuchart, took over the firm, which built such landmarks as the Grand Coulee Dam. In the 1940s, the third generation expanded the company’s operations and operated what was then the largest group of construction and real estate companies in the Northwest.
Gabriel James Rains was born in June 1803 in New Bern, North Carolina, to cabinetmaker Gabriel Manigault Rains and Ester Ambrose. His younger brother, George Washington Rains, was also a brigadier general in the Georgia Militia, and the two were known as "the Bomb Brothers" for their creation and use of land mines, torpedoes, booby traps, and other explosives. Rains graduated from the United States Military Academy at West Point, New York, in 1827, 13th in his class. Among his classmates were Leonidas Polk, Napoleon Bonaparte Buford, and Philip St. George Cooke.
The Samuel Crowthers Mitton House is a historic house in Wellsville, Utah. It was built in 1865, before Utah became a state, by Samuel Crowthers Mitton, a convert to The Church of Jesus Christ of Latter-day Saints who immigrated to the United States with his parents from Halifax, West Yorkshire, England. With His family first settled in Illinois, and Mitton later lived in Farmington, Utah before moving to Wellsville, where he worked as a carpenter and cabinetmaker. The house has been listed on the National Register of Historic Places since November 19, 1982.
Daniel Pabst (June 11, 1826 – July 15, 1910) was a German-born American cabinetmaker of the Victorian Era. He is credited with some of the most extraordinary custom interiors and hand-crafted furniture in the United States. Sometimes working in collaboration with architect Frank Furness (1839–1912), he made pieces in the Renaissance Revival, Neo-Grec, Modern Gothic, and Colonial Revival styles. Examples of his work are in the collections of the Metropolitan Museum of Art, the Philadelphia Museum of Art, the Art Institute of Chicago, and the Victoria and Albert Museum in London.
Ben Hargreaves, builder of the 1937 AIM hospital at Birdsville, came out of retirement to undertake construction of the 1952 building. A skilled cabinetmaker with outback experience, he constructed the building and made most of the original furniture and fittings, such as cupboards and tables on site, using North Queensland silky oak. Other furniture was of tubular steel, regarded as ideal for bush conditions, while canvas deck chairs lined the front verandah. These were used by outpatients and also for open-air movie shows, church services and other gatherings.
Her interest in botany led to the South African flower, the Bird of Paradise, being named Strelitzia reginae in her honour.Missouri Botanical Garden: Missouri Botanical Garden bulletin, Volume 10, 1922, p. 27. Among the royal couple's favoured craftsmen and artists were the cabinetmaker William Vile, silversmith Thomas Heming, the landscape designer Capability Brown, and the German painter Johann Zoffany, who frequently painted the king and queen and their children in charmingly informal scenes, such as a portrait of Queen Charlotte and her children as she sat at her dressing table.Levey, p. 4.
When the word cellarette is broken apart as "cellar-ette" it denotes a small piece of furniture used to store bottles of alcoholic beverages. It is associated with a food serving sideboard used in a formal dining room area of a home. Some sources say that the word "cellarette" came into use during the eighteenth century at the time of cabinetmaker George Hepplewhite. In Hepplewhite's 1794 The Cabinet-Maker and Upholsterer's Guide he demonstrates cellarettes as being octagonal and elliptical shaped with internal compartments for bottles of wine and liquor.
The interior has equally well-preserved wide pine floors and original door and window hardware. The house is known to have been standing in 1820, when it was purchased by James Starr, a lawyer and surveyor who was one of the first white settlers to arrive in the Jay Hill area in 1802. Starr also operated a tavern nearby, served as the town's first postmaster, and represented it in the state legislature. The property was purchased in 1833 by Aruna Holmes, Starr's son- in-law, who was a cabinetmaker.
Børge Mogensen was born in Aalborg, Denmark. He started as a cabinetmaker in 1934, and studied furniture design at the Danish School of Arts and Crafts in Copenhagen from 1936–38, and then trained as an architect (from 1938–42) at the Royal Danish Academy of Fine Arts' School of Architecture graduating in 1942. From 1938-43 he worked at various design studios in Copenhagen, including with Kaare Klint.1942-50 he was manager of FDB’s furniture design studio, Copenhagen and in 1945 was awarded the Bissen Scholarship, Denmark.
In 1938, he bought a one-way ticket to London and scraped a living from doing a variety of menial jobs, which includes selling coal, before he found skilled work as a cabinetmaker. He was then sent to a dock in Greenock to do essential war work. In 1942, Dimmock returned to London to pass his London Matriculation. After the war ended, Dimmock became involved with deaf clubs in the London area by writing for The Review, a London-based deaf magazine, and sports as he was secretary to the Croydon Deaf Club.
Gradually that area became developed and grew into the downtown Chappaqua that exists today. Allen built a couple of small houses across the road from the meeting house, and cabinetmaker Henry Dodge built a large house at what is today 386 Quaker, moving the older Thorn house in the process. That was the last development in the district related to the original Quaker settlers and their families. As the railroad spurred the suburbanization of northern Westchester in the later 19th and early 20th centuries, the meeting house and associated farm buildings remained in use.
When her father died in 1957, she was living in Bronxville, New York.'Edwin Earl Norris, 80, widely known cabinetmaker and musician', obituary in Newark Advocate dated February 27, 1957 Norris also was host of the DuMont game show Spin the Picture (4 June 1949 - 4 February 1950), and was host of the syndicated TV series True Story (1957–1961) produced by her husband Wilbur Stark (1912–1995). Norris also appeared in the TV series Modern Romances (NBC, 1954) and did occasional women's segments for The Today Show with Dave Garroway.
John Bengough (1819–1899), father of John Wilson Bengough, in 1899 Bengough's grandparents John (d. 5 April 1867), a ship's carpenter, and Johanna ( Jackson, d. 18 March 1859) were born in St Andrews in Scotland in the 1790s and immigrated with their children to Canada at an unknown date; they are known to have been in Whitby on Lake Ontario in the Province of Canada by the 1850s. They brought with them at least three children, including Bengough's father John (23 May 1819 in Scotland – 1899) who became a cabinetmaker.
Established in 1849, Williams Omnibus Bus Line was the first mass transit system in the city, operating four horse-drawn stagecoaches from St. Lawrence Market to the Yorkville. Williams Omnibus Bus Line was the first mass transportation system in the old City of Toronto, Ontario, Canada with four six-passenger buses. Established in 1849 by local cabinetmaker Burt Williams, it consisted of horse-drawn stagecoaches operating from the St. Lawrence Market to the Red Lion Hotel in Yorkville. The bus line was a great success, and four larger vehicles were added in 1850.
The son of a successful cabinetmaker, Harer had worked for his father as a youth and inherited his tools upon his father's death. He studied at the Pennsylvania Museum School of Industrial Arts and the Pennsylvania Academy of the Fine Arts (1900–1903 and 1908–1910), where his teachers included Thomas Anschutz and William Merritt Chase. Harer also traveled extensively, and his work and design was heavily influenced by Spain and the West Indies. He exhibited at the National Academy of Design and the Pennsylvania Academy of Fine Arts.
Lantéri was born in Auxerre, France but later took British nationality. He studied art in the studios of François-Joseph Duret and Aimé Millet and at the school of fine arts under Jean-Baptiste Claude Eugène Guillaume and Pierre-Jules Cavelier. A period of poverty led him to becoming a cabinetmaker, but in 1872, at the age of 24, on the recommendation of fellow sculptor Jules Dalou, he moved to London to work as a studio assistant to Joseph Edgar Boehm. He stayed at the studio until 1890 and influenced Boehm's pupil Alfred Gilbert.
Pons Prades was born in the Raval neighborhood of Barcelona. His father, a cabinetmaker, was a Valencian immigrant and a member of the Federal Party of Spain, and founder of a woodworkers' union. His mother, Glòria Prades Núñez, also an immigrant from València, was a member of the Syndicalist Party, and became a member of the Generalitat de Catalunya through the friendship of Martí Barrera, a member of the government. As a young child, Pons enrolled in the Rationalist School, based on the philosophy of Francesc Ferrer i Guàrdia.
He provided high-style Baroque furniture for the court of William III and Mary II, specializing in carved, gessoed and gilded furniture of the highest quality. He was also employed in providing carved and gilded picture and looking-glass frames and in gilding the work of other carvers.Murdoch 1997. After John Pelletier's death in 1704, his sons René and Thomas continued the workshop until they split in 1711, René pursuing a second career as a mounter of drawings, and Thomas, who was appointed cabinetmaker in ordinary to Queen Anne in 1704, as an auctioneer.
8–9 After two abortive apprenticeships as a cabinetmaker, Douglas entered Canandaigua Academy in Ontario County, New York. At Canandaigua Academy, Douglas frequently gave speeches supporting Andrew Jackson and Jackson's Democratic Party. A prominent local attorney, Levi Hubbell, allowed Douglas to study under him and while a student in Hubbell's office, Douglas became friendly with Henry B. Payne, who was studying law at the nearby office of John C. Spencer. Admission to the New York state bar association required seven years of classical education coupled with legal study.
Perspective view of the street facade of Salomon de Brosse's Palais du Luxembourg in 1649, as engraved by Marot in collaboration with Israël Silvestre and Stefano della Bella Born in Paris, he was the son of Girard Marot, a cabinetmaker of Netherlandish origin. Early in his career Jean Marot worked for the print publisher Israël Henriet, for whom he engraved architectural views in collaboration with Israël Silvestre, who may have provided sketches and engraved landscapes, and Stefano della Bella, who engraved figures and other embellishments.Faucheux 1857, pp. 101, etc; Mauban 1944, pp.
Born Antanus Casimere Zemaitis, of Lithuanian descent, Tony Zemaitis (as he is known to his friends), began a five-year apprenticeship as a cabinetmaker in 1951. He repaired his first guitar in 1952 and built his first instrument –a classical nylon-string guitar in 1955.Tony Z and the Cult of the Zemaitis Guitar by Adrian Ingram on Vintage Guitar magazine, August 1997 Zemaitis started to build guitars for his friends, selling them the instruments at lower prices. After doing the military service, Zemaitis improved his methods to manufacture guitars.
Inspired by cubism as well as surrealism, he earned a reputation with works such as Bûcheron (Woodcutter), a poster created for a cabinetmaker that won first prize at the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes. Cassandre became successful enough that with the help of partners he was able to set up his own advertising agency called Alliance Graphique, serving a wide variety of clients during the 1930s. He is perhaps best known for his posters advertising travel, for clients such as the Compagnie Internationale des Wagons-Lits.See images at Moma.
Indiana was a "free" (non-slaveholding) territory, and they settled in an "unbroken forest" in Hurricane Township, Perry County, Indiana. In 1860, Lincoln noted that the family's move to Indiana was "partly on account of slavery", but mainly due to land title difficulties. The farm site where Lincoln grew up in Spencer County, Indiana In Kentucky and Indiana, Thomas worked as a farmer, cabinetmaker, and carpenter. At various times, he owned farms, livestock and town lots, paid taxes, sat on juries, appraised estates, and served on county patrols.
Mark Bridge in his review in Antiques Trade Gazette was more specific about the numerous photographs by the Courtauld Institute-trained photographer James Austin : "This is a truly huge work . . . and is quite unrivalled in the size and quality of its illustrations. [James Austin] has managed to capture the elusive qualities of balance, texture and patina which make the finest tools a pleasure to handle, frequently lifting them into the realm of folk art".Mark Bridge, "The young apprentice cabinetmaker who became a connoisseur", Antiques Trade Gazette, 22 October 2011, p. 19.
The 1890s saw two of the district's churches, among them one of its most distinctive, built through the generosity of local benefactors. All used Medina sandstone, reflecting the prosperity of the region at the time. Pullman Memorial Universalist Church The next year George Pullman, the railroad-car entrepreneur who had lived in Albion as a young cabinetmaker during the late 1840s and into the 1850s, agreed to build a Universalist church in the village (named Pullman Memorial Universalist Church). He commissioned Solon Spencer Beman, who had designed his company town outside Chicago.
DeFrance was born in Alliance, Nebraska in 1940. His father was a cabinetmaker and this influence led him to study architecture before deciding to be a fine artist. In 1961 at the age of 21, DeFrance attended the Yale University Summer School of Music and Art in Norfolk, Connecticut before moving to Colorado, where he earned his Bachelor of Fine Art at the University of Colorado Boulder. He kept moving west and finished his Master of Arts at the University of California, Los Angeles in 1965 where he met classmates Vija Celmins and Allan McCollum.
Taylor was born in Milnthorpe, Westmorland (now part of Cumbria), England, the son of James and Agnes Taylor. He had formal schooling up to age fourteen, and then he served an initial apprenticeship to a cooper and later received training as a woodturner and cabinetmaker. He claimed that as a young man, he had a vision of "an angel in the heavens, holding a trumpet to his mouth, sounding a message to the nations" - the angel Moroni. He was christened in the Church of England, but joined the Methodist church at sixteen.
The Chiavarina was created in 1807 by a cabinetmaker from Chiavari on the northwestern Italian coast, Giuseppe Gaetano Descalzi, who at the invitation of the president of the Economic Society of Chiavari, the Marquis Stefano Rivarola, reworked some chairs in the French Empire style, simplifying the decorative elements and lightening the structural elements. The chair was a success and soon many factories opened in Chiavari and surrounding towns. When Gaetano Descalzi died in 1855, about 600 workers were making Chiavari chairs.A. Montagni, L. Pessa, L'arte della Sedia a Chiavari, Sagep, Genova 1985, p. 14.
There are craftsmen's workshops for period trades, including a printing shop, a shoemaker's, blacksmith's, a cooperage, a cabinetmaker, a gunsmith's, a wigmaker's, and a silversmith's. There are merchants selling tourist souvenirs, books, reproduction toys, pewterware, pottery, scented soap, and tchotchkes. Some houses, including the Peyton Randolph House, the Geddy House, the Wythe House and the Everard House are open to tourists, as are such public buildings as the Courthouse, the Capitol, the Magazine, the Public Hospital, and the Gaol. The Public Gaol served as a jail for the colonists.
Upper Canada Village endeavours to depict life in a rural English Canadian setting during the year 1866. Featured at the site are over 40 historical buildings, including several working mills (woollen mill, grist-mill and sawmill) and trades buildings (blacksmith, tinsmith, cabinetmaker, cooper, bakery, cheese-maker). Farming is demonstrated through the growing, harvesting or processing of heritage vegetables and livestock. Aspects of late 19th-century domestic arts, social life, music, religion, and politics are also discussed, interpreted and demonstrated at by staff dressed in clothing of the period.
Its facade is reminiscent of earlier Federal-style homes, but the interior, especially the formal double parlors, represent New York's finest example of Greek revival architecture. The interior also contains the Tredwell family's original furnishings, including pieces from prominent New York cabinetmaker Duncan Phyfe. Considered one of the finest surviving Greek Revival rowhouses in America, the house is a miraculous survivor of old New York. The house is important for its outstanding collection of original furnishings, decorative objects, magnificently preserved 19th century clothing and other personal effects of the Tredwell family.
Born in Münster, he initially worked on a farm before becoming a cabinetmaker. His carving was so clever and graceful that it attracted attention, and procured him the good will of some art patrons, who sent him to Berlin in 1831. There he studied under the direction of Christian Daniel Rauch, Tieck, and Johann Gottfried Schadow, then the foremost sculptors of Germany. Achtermann, however, being of a profoundly religious character, was drawn irresistibly to Rome, where he arrived in 1839 and remained until the end of his life.
As a young man, he received a classical music education and worked as a cabinetmaker before becoming a professional football player. It was from football, playing defense for the Port-au-Prince club Aigles Noirs, that he acquired his nickname, "Coupé Cloué" or "cut and nailed". He began performing on guitar in 1951, and in 1957 he formed the band Trio Crystal, which he later renamed Trio Select, along with another guitar player and a maraca player. Their first album, one of the dozens Henry released during his career, was released in the late 1960s.
Donald was born at Redbank, Queensland, to parents Andrew Donald and his wife Jessie (née Simpson) and was educated at Redbank State School and Ipswich State School. He then began an apprenticeship as a cabinetmaker, attending Ipswich Technical College before entering the mining industry as a winding engine driver. It was this job that led to a long association with Queensland Colliery Employees Union where he started out as a union organizer and was Vice President several times in the 1940s.Jim Donald - a short biography -- Ipswich Historical Society.
Ing. arch. Dr. Jaroslav Otruba (11 November 1916 – 5 February 2007) was a Czech architect, urban planner, designer and artist. Jaroslav Otruba was born in Olomouc, Morava, then part of the Austro-Hungarian Empire. He was the son of a cabinetmaker. His life spanned several turbulent periods of Czech Republic's history: World War I before the dissolution of the Austro-Hungarian Empire in 1918; under Nazi occupation from 1939 until the end of World War II in 1945; and under the rule of the communist Soviet Republic from 1948 to 1989.
40 The church was rebuilt in 1777 by Robert Smith, and the interior was altered in 1883 by Thomas Ustick Walter. Interior in 2012 The baptismal font in which William Penn was baptized is still in use at Christ Church; it was sent to Philadelphia in 1697 from All Hallows-by-the-Tower in London. Another baptismal font and the communion table were crafted by Philadelphia cabinetmaker Jonathan Gostelowe, who served on the vestry in the 1790s. Christ Church's congregation included 15 signers of the Declaration of Independence.
Jorgensen and his now smaller 'team' turned their creative abilities to these new projects, building the barns and sheds. Materials were scarce, but they managed to scrounge odd bits and pieces – from discarded broken bricks and rusty galvanized iron to timber poles cut from the bush. Additional to the market garden was the dairy and poultry farm with the produce being sold through the local markets. The Department of the Army took an interest and allowed a skilled joiner and cabinetmaker, Phil Taffe to help with the project.
The design was entirely in the Mission style with interior carvings by Mansbendel. But Fehr was pulling away from Mission and Rustic architecture towards modernism. In particular he admired Walter Gropius and the Bauhaus. The emphasis on craft, economy of construction, the use of readily available materials and strictly functional design echoed both the austerity of his upbringing and his experience in the early Depression as well as his recent work at Bastrop and his associations with Mansbendel, the ironworker Fortunat Weigl, the cabinetmaker Emil Schroeder and other local craftsmen.
Chardin was born in Paris, the son of a cabinetmaker, and rarely left the city. Chardin entered into a marriage contract with Marguerite Saintard in 1723, whom he did not marry until 1731. According to one nineteenth-century writer, at a time when it was hard for unknown painters to come to the attention of the Royal Academy, he first found notice by displaying a painting at the "small Corpus Christi" on the Place Dauphine. Van Loo, passing by in 1720, bought it and later assisted the young painter.
A series of redecorations through the 19th century caused most of the original pieces to be sold or lost. Today much of the furniture is original to the room. Eight pieces of gilded European beech furniture purchased during the administration of James Monroe furnish the room, including a bergère (an armchair with enclosed sides) and several fauteuils (an open wood-frame armchair). The suite of furniture was produced in Paris around 1812 by the cabinetmaker Pierre-Antoine Bellangé, and reproduction side chairs and armchairs were made by Maison Jansen in 1961 during the Kennedy restoration.
John Fairfax Conigrave (1843 – 20 June 1920), generally referred to as J. F. Conigrave or J. Fairfax Conigrave, was a businessman in South Australia. Conigrave was born in Rundle Street, Adelaide, the son of a Benjamin Conigrave, a cabinetmaker and his wife Matilda, née Reeve. He was educated at John L. Young's Adelaide Educational Institution from 1853 to 1858, when he left school to join the reporting staff of the South Australian Register. Around 1880 he left to join with C. N. Collison (another AEI student) in the real-estate business as Conigrave & Collison.
When geologist Henry De la Beche painted Duria Antiquior, the first widely circulated pictorial representation of a scene from prehistoric life derived from fossil reconstructions, he based it largely on fossils Anning had found, and sold prints of it for her benefit. As a Dissenter and a woman, Anning was not able to fully participate in the scientific community of 19th-century Britain, who were mostly Anglican gentlemen. Anning struggled financially for much of her life. Her family was poor, and her father, a cabinetmaker, died when she was eleven.
Bouvier was born on August 12, 1866 in Torresdale, Philadelphia, Pennsylvania. He was the son of Captain John Vernou Bouvier and Caroline Maslin (née Ewing) Bouvier. His father was a U.S. Civil War veteran who served as aide-de-camp on the staff of General Marsena R. Patrick and was one of the earliest members of the New York Stock Exchange. Bouvier's grandparents were Louise Clifford (née Vernou) Bouvier, of Philadelphia, the second wife of Michel Bouvier, a French cabinetmaker from Pont-Saint-Esprit in southern France who immigrated to Philadelphia in 1815 after having served in the Napoleonic Wars.
She is the granddaughter of Banner Blevins (1892-1972), who is known in outsider art circles for his sculpture garden in McCall's Gap, Virginia, and the daughter of Virginia Intermont College art professor and painter Tedd Blevins (1937-2007). Her stepmother, Carole Blevins, is also a Virginia painter, and her stepfather, Jake Cress, is a Virginia cabinetmaker. She graduated with a BA from Virginia Intermont College, a MA in Fiction from Hollins University, and a MFA in Poetry from Warren Wilson College in 2002. She taught at Roanoke College, Hollins University, Sweet Briar College, and at Lynchburg College as the Thornton Wilder Fellow.
Bellange Furniture at the Williamsburg Art & Historical Center Bellangé sidechair at the Williamsburg Art & Historical Center A gilded Bellangé swan motif Swan motif in a Bellangé sidechair Fauteuil also with a swan motif Pierre-Antoine Bellangé (1757–1827) was a French ébéniste (cabinetmaker) working in Paris. Bellangé held an eminent position among the representatives of the decorative arts at the beginning of the nineteenth century. He gained his master craftsman title on October 24, 1788. Among his work from this time were four chairs in mahogany described as being "of the Gothic type" that he created for Count Esterhazy.
A unique court ensembles are the silverware of the Prince-Bishop of Hildesheim and the service and figurative centrepieces of Nymphenburg and Meissen porcelain manufacturers. Rare furnitures testify to the high rank of the most famous German cabinetmaker manufactories of the 18th Century. The collection of Neo-classical art of the 19th Century is also strongly influenced by works that once belonged to the Wittelsbach family. Thus, from the estate of Maximilian's father King Ludwig I are magnificent presents of Napoleon Bonaparte which arrived at the Museum, a result of the strong connection between France and Bavaria.
From around 1890 maintenance of the Albert Hall was neglected and at a special general meeting held by the German Freehold Company, Ltd., owners on behalf of the Club, accepted the offer of £4,000 by the Salvation Army for the property. From January 1899 the Club met in a house owned by Patrick Gay (the cabinetmaker of Gay's Arcade fame) in Grenfell Street. The Club wound up in 1909, but the German Association (founded 1886) continued to grow taling over some of the members and activities of the old Club, although ignored by such old German Club stalwarts as Friedrich Basedow.
She was born in the 12th arrondissement of Paris on December 25, 1881 or 1885, the daughter of Osval Heuvelmans, a designer and cabinetmaker from Ath, and Donatilde Sandra, a milliner from Leuze-en-Hainaut. These two cities in Hainaut, Belgium, still preserve works of the artist: a bronze Christ in the museum of history and archeology of Ath and a Pax Armata on the monument to the dead of Leuze. After attending evening classes in sculpture, Heuvelmans was admitted to the École des Beaux-Arts in 1904. She studied under the sculptors Laurent Marqueste, Emmanuel Hannaux (fr), and Denys Puech.
The temple of Yverdon-les-Bains The Geneva architect Billon erected this Protestant church in 1757, on the site of Notre-Dame chapel of the 14th century. Its spire had been rebuilt in 1608, on the base of the original one, for which huge, sculpted blocks from the ruins of the Roman "Castrum" had been used. 14 stalls, figuring apostles and prophets, originate from the ancient chapel and are ascribed to Claude de Peney, who had worked at Fribourg and Hauterive. Peney died in 1499, and Bon Bottolier, cabinetmaker in Lausanne, was charged with crafting the stalls (1501–1502).
Finn Juhl furniture at Design Museum Denmark In 1945 he left Vilhelm Lauritzen Architects and set up his own design practice, in Nyhavn in Copenhagen, specializing in interior and furniture design. However, his work in furniture design began earlier than that. Juhl made his debut in 1937 when he commenced a collaboration with cabinetmaker Niels Vodder which would continue until 1959 and exhibited at the Cabinetmakers' Guild Exhibitions, the 11th of its kind. Therefore, his early chairs were originally produced in small numbers, eighty at most, because the Guild shows emphasized the work of the artisan over the burgeoning industry of mass production.
Secondary entrances added later are located on the street-facing eastern facade. The house was constructed about 1785 by William Norcross, a cabinetmaker and joiner who had purchased the property in 1776. Norcross operated a tavern on the premises, which was a major social center in the early days of the town, and was influential in the development of the area as Monson's economic center. The Norcrosses had by the early 19th century ended its use as a tavern, and in 1835 sold it to the owners of a textile mill which had begun operations across the street in 1815.
Clinton, who had worked under Richard Upjohn earlier in his career, produced a building described even at the time as "not strictly confined to any one style." For the interior finishes he hired some of the accomplished craftsmen of the age, particularly Philadelphia cabinetmaker Daniel Pabst, whose work Trevor or Clinton may have seen at the 1876 Centennial Exposition in Philadelphia, where he won an award for a sideboard. Local builders, some of whom had also attended the exposition, where the newest construction techniques and materials had been exhibited and demonstrated,Vookles, 149. handled the framing, plumbing and painting.
The khachkar tombstone of Khachadour Garabedian Khachadour Garabedian was rediscovered in a flea market by Armenian American Gary Koltookian, when stumbling upon an advertisement on a newspaper from 1855 regarding an Armenian cabinetmaker named Menas Garabed. The discovery of Menas Garabed, who is believed to be Khachadour Garabedian's brother, eventually led to the discovery of Khachadour Garabedian himself. Koltookian eventually gathered more information regarding Khachadour Garabedian through local newspapers, directories, National Archives, and records from Union Navy Officers. It was later discovered that Garabedian's gravestone at the Fernwood Cemetery outside Philadelphia had deteriorated and was removed, leaving the grave unmarked.
Engraving of the Apollo Room as it appeared in the 1850s during the visit by Benson Lossing From 1699 to 1779, Williamsburg served as the capital of the colony of Virginia. As such, there were numerous taverns to host legislators and other visitors having business with the government while the House of Burgesses was in session. The original tavern is believed to have been built some point prior 1735. It changed ownership and keepers numerous times, continuing in use as a tavern, eventually being acquired by local cabinetmaker Anthony Hay (father of jurist George Hay) in 1767.
Rudolf Schrader (also spelled Rudolph) (March 17, 1875 - January 18, 1981) was an American gymnast who competed at the 1904 Summer Olympics in St. Louis. As a member of the Turnverein Vorwärts club he placed seventh in the team all- around and participated in three individual events, his best finish being 68th in the gymnastic triathlon. Born in Germany, Schrader moved to the United States at the age of 15 and worked as a cabinetmaker while training as a gymnast. After the Olympics he joined Sears and remained with them until his retirement at the age of 65.
Born in the number 13 of Barcelona's Trafalgar street, Lluïsa Vidal was the second of 12 siblings (nine girls and two boys): one of her sisters became Pablo Casals's first spouse, and another one became the wife of the philologist and writer Manuel de Montoliu. Her father, Francesc Vidal i Jevellí, was a cabinetmaker, set designer, and a foundry worker interested in art and business. Lluïsa grew up in an encouraging environment for artistic creations. She received her first lessons from her father, and also from Joan González (Julio González's brother), Arcadi Mas i Fondevila and Simó Gómez.
In 1801, Day was born into a free black family in Dinwiddie County, Virginia. According to John Day, Jr., Thomas Day's older brother, Day's father was the grandson of a white plantation mistress from South Carolina. Day's maternal grandparents, the Stewarts, were also free blacks of wealth and status in Virginia; they owned a slave-worked plantation and Day's grandfather was a doctor. Day's father John Day, Sr., was a cabinetmaker of relatively high status as well - he could vote, and was possibly Quaker educated in a time when private education was difficult to attain as a free black.
He managed to return to Italy in 1919. His works show a return to subjects linked to his country and to his traditions as well as to nature; paintings by Buratti of this period include Il presepe (the crèche), Il babbo stipettaio (the father cabinetmaker) and La cuoca (the lady cook), all executed between 1920 and 1923. In 1928 he took over, with his brother Tino, a small publishing company, the Fratelli Ribet later called "Fratelli Buratti" (the Buratti Brothers) which operated until 1932 publishing works by young writers which were unknown at the time, such as Montale, Alvaro, Stuparich, Slataper.
Celbridge Main Street No. 22 Main Street, the original home of Conolly's second agent George Finey was occupied by Richard Guinness for a time and his sons Arthur, founder of the Guinness brewery, and Samuel. Richard married Elizabeth Clare,Deputy Keeper of Public Records in Ireland : twenty-sixth report with appendix, HMSO, London, 1894, p163 proprietor of the White Hart Inn, a public house at the site of the current Londis supermarket. Finey's successor as Conolly's agent, Dublin cabinetmaker Charles Davis, built Jessamine Lodge, an impressive fivebay house with a weather vane on the junction of Main Street and the Maynooth Road (1750).
Born in Venarey-les-Laumes as the son of a cabinetmaker, Dampt studied at the École des Beaux-Arts in Dijon, then in 1874 under the leadership of François Jouffroy and Paul Dubois at the École nationale supérieure des Beaux-Arts in Paris . He exhibited for the first time at the Salon of the Société des Artistes Français in 1876. In 1877 he took the deuxième Prix de Rome for sculpture at the Ecole. He completed his military service, then organized an Exhibition of the Society of Friends of the Gold Coast to promote art in its region.
He opened his own business in 1794 and was listed as a cabinetmaker in the New York Directory and Register. From his first shop on 2 Broad Street, he later moved to Partition Street (later renamed Fulton Street in 1817 in honor of Robert Fulton), where he stayed for the rest of his life. A poor immigrant when he arrived in America from his native Scotland, Phyfe acquired wealth and fame through hard work, exceptional talent and the support of patrons. He would come to count among his clients some of the nation's wealthiest and most storied families.
The Great Fire of 1846 occurred in St. John's, Newfoundland, a colony of the United Kingdom on 9 June 1846. The fire started at the shop of a cabinetmaker named Hamlin, located on George Street off Queen Street, when a glue pot boiled over. The fire spread along Water and Duckworth Streets destroying all of the buildings in its path aided by the large quantities of seal oil that were stored in the merchants' premises. The fire was also aided by an attempt to blow up a house on Water Street which scattered burning embers across the city.
In the night of the 8 to 9 January 1958 there was a fire in the altar stone, and its extinction resulted in the crucifix being destroyed. A new one was donated by Antonio Hoyos Mejía. The cross was prepared in Yarumal by the cabinetmaker Alfonso Areiza Medina for 20 pesos, and on said cross artist David Pérez of Medellín created a sculpture of Christ for 300 pesos. The work was delivered on Holy Thursday of 3 April of the same year, and unveiled on Good Friday for public veneration during the liturgical celebration that afternoon.
James Young was born in Shuttle Street in the Drygate area of Glasgow,Glasgow Post Office Directory 1811: John Young the son of John Young, a cabinetmaker and joiner, and his wife Jean Wilson. He became his father's apprentice at an early age , but educated himself at night school, attending evening classes in Chemistry at the nearby Anderson's College (now Strathclyde University) from the age of 19. At Anderson's College he met Thomas Graham, who had just been appointed as a lecturer on chemistry. In 1831 Young was appointed as Graham's assistant and occasionally took some of his lectures.
Louis Phélypeaux, comte de Pontchartrain (1643–1727) Paul Phélypeaux was the king's counselor in 1610 and the founder of the Pontchartrain branch of the Phélypeaux family, which kept the chateau until 1802 under a supervised sale of the French Revolution. His son Louis I Phélypeaux had the main building built between 1633 and 1662, whose attribution to François Mansart is unfounded. Jean Phélypeaux (1646-1711), intendent of Paris from 1690 to 1709, councilor of state, was a client of the cabinetmaker André-Charles Boulle. Louis II Phélypeaux de Pontchartrain, Jean's brother, was Controller of Finance in 1689 and Chancellor in 1699.
Cabinetmaker Robert Towell was engaged to craft most of the furniture on the spot, using local cedar and stained pine. McConnel and his wife Mary moved to Toogoolawah in December 1849, living in the detached service wing until the main house was completed. By 1852 they were using the Aboriginal name from the Whites Hill area which was already the official name for the whole parish—Bulimba, meaning place of the magpie lark or peewee. Situated on a rise in the centre of the property, Bulimba House overlooked the entire estate and boasted sweeping panoramic views from every window.
Apple was born in the Palatinate Region in the Kingdom of Bavaria (modern day Germany). He was the eldest of five sons born to Adam and Barbara Beecher Apple. He was raised and worked on his father's farm and was educated in German common schools until age 17, when he set out on his own to emigrate to the United States. He traveled to Rotterdam, in what was then part of the United Kingdom of the Netherlands, and sailed from there to New York City, finally settling in Philadelphia, where he worked as an apprentice cabinetmaker.
However a study of the original drawings suggests that they may have actively collaborated with Chippendale on his book. Copeland appears to have been the first manufacturing cabinetmaker who published designs for furniture. A New Book of Ornaments appeared in 1746, but it is not clear whether the engravings with this title formed part of a book, or were issued only in separate plates; a few of the latter are all that are known to exist. Between 1752 and 1769 several collections of designs were produced by Copeland in conjunction with Matthias Lock; in one of them Copeland is described as of Cheapside.
William Joseph O'Brien (7 September 1882 - 15 June 1953) was an Australian politician. He was born in Parkes to carrier William O'Brien and Bridget, née O'Sullivan. He worked as a cabinetmaker and in the railways, and was an official in the Furniture Trades' Union, being a delegate to and later president of the Trades and Labor Council. In 1916 he was a foundation member of the Industrial Vigilance Council and a delegate to the Anti-Conscription League, and from 1913 to 1917 he served on the central executive of the Australian Labor Party (vice-president 1916-17).
An inheritance of his wife's enabled them to buy property, and an investment in a French and Indian War privateer may have provided the capital for him to set up his own cabinetry shop in 1764.Philadelphia: Three Centuries. His business of supplying lumber and making windows and architectural carvings expanded in 1767, when he bought a shop on Chestnut Street and advertised himself as a "cabinetmaker." The London-trained carvers Hercules Courtenay and John Pollard were part of this shop; as were joiners or apprentices Benjamin Kendall, Joseph Alston, Peter Lasley, John Hanlin and John Maggs.
The museum gathered a collection of mainly modern art in subsequent decades, and in particular works by local realist painter and muralist Juan Carlos Castagnino.Welcome Argentina: Museo Castagnino The donation of the villa by the Ortíz Basualdo family resulted in the museum's relocation, and the institution was re-inaugurated therein on July 9, 1980. The family's donation included a large selection of furniture acquired between 1909 and the villa's remodel in 1918. The collection, designed by Belgian architect and cabinetmaker Gustave Serrurier-Bovy, is widely considered among the world's finest of its type, and was incorporated into the museum's exhibits.
De Greiff's mother was of German descent, the daughter of Heinrich Häusler (a German mechanic and cabinetmaker who emigrated to Colombia in 1839). De Greiff was also the great-grandson of Francisco Antonio Obregón Muñoz, who had been Governor of Antioquia between 1836 and 1841. Greiff was baptized on August 11, 1895 at the Church Parish of Veracruz by Fr. Pedro Alejandrino Zuluaga with the names Francisco de Asís, in honour of Saint Francis of Assisi, and León, in honour of Leo Tolstoy. His godparents were his paternal aunt Rosa Emma de Greiff Obregón and her husband Luis Vásquez Barrientos.
"Große bunte utopische Bauten" ("Big colorful utopian constructions"), 1922 Hablik was born in Brüx, Bohemia (now the city of Most in the Czech Republic). In later life he recalled that at the age of six, he found a specimen of crystal, and saw in it "magical castles and mountains" that would later appear in his art.Dario Gamboni, Potential Images: Ambiguity and Indeterminacy in Modern Art, London, Reaktion Books, 2002; p. 151. More pragmatically, he trained as a master cabinetmaker in Teplitz, Vienna, and Prague. He settled in Itzehoe in 1907, where he pursued architectural and interior design projects.
20, April 1, 1921. p. 7. the oldest of three children born to Reuben Wilder Twitchell (1810–1895) and Hanna Prentice Wight (1815–1842). Her father was a cabinetmaker and musician who volunteered for service in the regimental band of the First Regiment Massachusetts Volunteer Infantry in the American Civil War from 1861 to 1862, and again from 1863 to 1865 as a musician in the 2nd Regiment Massachusetts Volunteer Infantry of the XII Corps then the regimental bandleader of the XX Corps of the Union Army. Reuben Wilder Twitchell was the bandleader for General William Tecumseh Sherman and his March to the Sea in 1864.
This material, which was blue, green, yellow, and white and with a scattering of gold stars and gilt borders, was used in most of the rooms on the State Floor. Some time during 1833 and 1834, Veron supplied mirrors as well, and carpeting from Belgium and new mahogany dining room chairs from Alexandria, Virginia, cabinetmaker James Green also helped refurbish the room. An 1829, 18-light chandelier (fueled by whale oil and of unknown make) was moved from the East Room into the State Dining Room in 1834 to provide light. Heavy crowds in the White House during the Jackson administration left the mansion in shabby condition.
38 Garscube Terrace, Edinburgh He was born at 122 Rose St Edinburgh on 30 April 1843, the son of Mary Ann (née Smith) (1819-1890) and John Aitken (1814-1886) a cabinetmaker, the 3rd child of 12. He studied at both the University of Edinburgh and the University of Heidelberg in Germany, graduating MA in 1867 and BSc in 1871. He received a doctorate in Chemistry (DSc) in 1873.Minutes of the Botanical Society of Edinburgh: December 1904 His career began as assistant to Prof Alexander Crum Brown at the University of Edinburgh in 1875 he then moved to William Dick's Veterinary College as Professor of Chemistry and Toxicology.
In describing his father's occupation, Richardson stated that "he was a good draughtsman and understood architecture", and it was suggested by Samuel Richardson's son-in-law that the senior Richardson was a cabinetmaker and an exporter of mahogany while working at Aldersgate-street. The abilities and position of his father brought him to the attention of James Scott, 1st Duke of Monmouth. However this, as Richardson claims, was to Richardson senior's "great detriment" because of the failure of the Monmouth Rebellion, which ended in the death of Scott in 1685. After Scott's death, the elder Richardson was forced to abandon his business in London and live a modest life in Derbyshire.
The Blower family are recorded in Shrewsbury, Shropshire over several centuries, elevating themselves to burgher status by the time of the great economic expansion of the Victorian period. Sons of the family have been hereditary Freemen of the City since at least the Great Reform Act of 1832. Michael's grandfather John had built up a successful business as a master cabinetmaker and house furnisher in the City, later run by his brother Benjamin after his untimely and early death. Benjamin was a sometime Mayor of Shrewbsury and their former business premises now house the City Museum, the name 'Blowers Repository' remains emblazoned across the stone facade.
Inside there is fine Eastlake cabinetry by the prominent Philadelphia cabinetmaker Daniel Pabst and other decorations and finishes; it is considered one of the finest interiors in that style in an American building open to the public. Financier John Bond Trevor built the house as a small country estate that was nevertheless close enough to New York City to allow him to commute to his job in the city by rail. At the time he and his family moved in, it was surrounded by similar houses. By the time Trevor's second wife died in the early 1920s, Glenview had become the center of a suburban neighborhood.
Over the years, this convent welcomed a series of occupants. In 1791, during the French Revolution, it became a national asset and was transformed into a jail for anti-revolutionaries, including important local figures such as Chérubin Beyle, father of the writer Stendhal, the lawyer and politician Antoine Barnave, the cabinetmaker Jean- François Hache, the Chartreux Fathers and refractory priests. In 1804, nuns of the Order of the Holy Heart led by Philippine Duchesne settled in the convent and devoted their time to educating young girls until their departure in 1832. The following year, the sisters of the Providence of Corenc established a primary school in the building.
Tortoiseshell has been used since ancient times, and the ancient Greek chelys or lyre often used a whole shell to form its body. Inlaid veneers of tortoiseshell were popular with wealthy ancient Romans for furniture, especially couches for dining, and for small items.Transactions, 344 The Periplus of the Erythraean Sea, probably a work of the 1st century AD, distinguishes between shell from different species, with that regarded as the best probably the hawksbill.Casson, 205 André Charles Boulle (1642-1732), cabinetmaker to Louis XIV of France introduced or perfected marquetry combining thin inlays of tortoiseshell backed with metal, with woods and metal, a style still called after him.
Lambiek: Carl Anderson For Hearst, Anderson created Raffles and Bunny, and for the McClure Syndicate in 1903 he drew Herr Spiegelberger, the Amateur Cracksman. Since these strips received only a mild reaction from readers, Anderson began freelancing for Judge, Life, and Puck. With the Great Depression looming and his markets diminishing, Anderson was 65 years old when he left New York in 1930, returning to Madison to care for his dying father. Anderson lived in Madison with his three sisters in the house his father built at 834 Prospect Place near Lake Mendota, and he resumed his earlier trade as a cabinetmaker while teaching night classes.
Annie White was born the second of three children of cabinetmaker John B. and Jennie Black White in Pittsburgh, Pennsylvania, and was of English and German descent. When she was two, she moved with her family to Newark, Ohio; she moved with them again to Carthage, Missouri in 1876 when her father began operation of a furniture factory in the town. She also lived in Joplin for a time. She graduated from Carthage High School, where she was said to be the most outspoken pupil in her class, in 1882, and took a job assisting Jasper County Clerk George Blakeney; she was subsequently appointed deputy clerk to John N. Wilson.
Oppen's childhood was one of considerable affluence; the family was well-tended to by servants and maids and Oppen enjoyed all the benefits of a wealthy upbringing: horse riding, expensive automobiles, frequent trips to Europe. But his mother committed suicide when he was four, his father remarried three years later and the boy and his stepmother, Seville Shainwald, apparently could not get along. Oppen developed a skill for sailing at a young age and the seascapes around his childhood home left a mark on his later poetry. He was taught carpentry by the family butler; Oppen, as an adult, found work as a carpenter and cabinetmaker.
Narváez was the son of a cabinetmaker and restorer. While he was still very young, the family moved to Caracas and he began his studies at the Academy of Fine Arts. In 1928, he left for Paris where he attended the Académie Julian and established connections with the artistic community in Montparnasse.Venezuela Tuya: Francisco Narváez He returned to Venezuela in 1931 and, a few years later, began to work with the architect Carlos Raúl Villanueva, who commissioned him to supply sculptures for his projects, including the Plaza of Carabobo Park, the facade for the Museum of Fine Arts, the Museum of Natural Sciences and the Plaza O'Leary.
On 15 October 1922, the Metropolitan Museum of Art opened to the public "Furniture from the Workshop of Duncan Phyfe", the first exhibition ever held in an art museum on the work of a single cabinetmaker.Peter M. Kenny, Changing Perspectives on an Iconic American Craftsman, Duncan Phyfe at the Metropolitan Museum. Antiques & Fine Art magazine winter 2012 anniversary issue: p. 115 Ninety years later and only for the second time in history, a major retrospective on this iconic American craftsman and his furniture was again on view from 20 December 2011 – 6 May 2012, under the title "Duncan Phyfe: Master Cabinetmaker in New York".
Brongniart's drawings of the ground-level and superior floor plans and elevations at Gallica bibliothèque numérique (Bibliothèque nationale de France). By 1782 the menuisier (chair-maker) Georges Jacob had delivered seat furnishings to the amount of 13,958 livres and Jean-François Leleu, a prominent ébéniste (cabinetmaker), had rendered a bill for veneered case- pieces,Parker (1967), p 232. but no detailed contemporary description of the interiors survives: Horace Walpole mentioned this "Hôtel de Condé" in passing as an exemplar of the latest French neoclassical taste, after he had his first view of the Prince of Wales's Carlton House, London, in September 1785.Cunningham (1906), vol. 9, p. 14.
Washington Memorial Chapel, Valley Forge, PA Edward Maene (21 April 1852, Bruges, Belgium - 4 December 1931, Philadelphia, Pennsylvania) was a Belgian- American architectural sculptor, woodcarver and cabinetmaker. Based in Philadelphia, Pennsylvania, he was a master carver in wood and stone, and executed designs by architects such as Wilson Eyre, Willis G. Hale, Cope and Stewardson, Will Price, Horace Wells Sellers, and Milton B. Medary. Maene's choir stalls and reredos for the Washington Memorial Chapel at Valley Forge, Pennsylvania, have been described as "the finest examples of hand carved wood in this country."Ellen Fulton, "Work of Local Sculptor Adorns Famous Buildings," St. Petersburg Times, June 30, 1946.
221x221px The icebox was invented by an American farmer and cabinetmaker named Thomas Moore in 1802. Moore used the icebox to transport butter from his home to the Georgetown markets, which allowed him to sell firm, brick butter instead of soft, melted tubs like his fellow vendors at the time. His first design consisted of an oval cedar tub with a tin container fitted inside with ice between them, all wrapped in rabbit fur to insulate the device. Later versions would include hollow walls that were lined with tin or zinc and packed with various insulating materials such as cork, sawdust, straw or seaweed.
Koehnken was born on a farm in Altenbuhlstedt in the Lower Saxony area of Germany (not far from Bremen) and was apprenticed to a cabinetmaker. He worked as a cabinet maker for two years in Germany and two more in Wheeling before coming to Cincinnati in 1839. He "found his way to the door of Matthias Schwab", who had trained as an organ builder in Germany and operated a "highly regarded organ works in the fast-growing river town of Cincinnati." When Schwab retired in 1860, Koehnken and Grimm, a German- trained organ builder, continued the tradition and the firm became Koehnken and Company.
Taunton Press, 1997: p. 21. Cabriole legs were influenced by the designs of the French cabinetmaker André-Charles Boulle and the Rococo style from the French court of Louis XV.French Royal Furniture (c.1640-1792) But the intricate ornamentation of post-Restoration furniture was abandoned in favor more conservative designs, possibly under the influence of the simple and elegant lines of imported Chinese furniture. When decorative motifs or other ornamentation are used in Queen Anne-style furniture, it is often limited to carved scallop or shell or scroll-shaped motifs (sometimes in relief form and often found on the crest and knees), broken and C-curves, and acanthus leaves.
With 'improvements' being made to Edinburgh, the mansion was demolished around 1835 and is now covered by Victoria Terrace (at a later date, Brodie's workshops and woodyard, which were situated at the lower extremity of the close, made way for the foundations of the Free Library Central Library on George IV Bridge). By day, Brodie was a respectable tradesman and deacon (president) of the Incorporation of Wrights, which locally controlled the craft of cabinetmaking; this made him a member of the town council. Part of his work as a cabinetmaker was to install and repair locks and other security mechanisms. He socialised with the gentry of Edinburgh and met the poet Robert Burns and the painter Henry Raeburn.
Boudin was encouraged to use the American manufacture Scalamandré to recreate several of the historic fabric documents from the library of Maison Jansen, and the recreation of a complex silk lampas with an eagle design for the upholstery of a suite of French Empire furniture by cabinetmaker Pierre-Antoine Bellangé originally acquired by James Madison for the Blue Room. This, and the Green Room's complex hand woven watered silk moiré proved most challenging. Samples for the Blue Room's upholstery disappointed First Lady Jacqueline Kennedy and Stéphane Boudin. White House Chief Usher J. B. West recorded that the Curator of the White House William Voss Elder, III described the sample as looking like a plucked chicken.
By the late 1760s the partnership between France and Bradburn had been dissolved and William France had moved to premises at 101 St Martins Lane, very close to the premises of Thomas Chippendale at nos 60/61, where the France family continued to trade until 1804. Both the original partners continued working for the Royal Family with William France trading as both an upholsterer and a cabinetmaker. One of William France's ledgers has survived and is in the National Archives at Kew. It covers his work for the Great Wardrobe and is inscribed 'Great Wardrobe Fair Leidger 1771 Mr France's'. The ledger commences in April 1771 and ends after William France's death.
William France Sr. was born in the small agricultural village of Whittington, six miles north of Lancaster, where he was christened on 7 January 1727 the second son of Edward, a yeoman farmer, and Agnes France. His elder brother, John, was christened on 27 March 1725 and was apprenticed to a cabinetmaker in Lancaster where he married Elizabeth Townson the daughter of John Townson, a joiner, in 1747.Geoffrey Castle – 'The France Family of Upholsterers and Cabinet-Makers' – Furniture History Society Journal Vol.XLI pp 25–43, Published 2005Whittington Parish Records, Lancashire Parish Register SocietyIt is suggested in 'The Dictionary of English Furniture Makers 1660–1840 by Beard & Gilbert' that William France was born in London in 1734.
After the street battle in the Hörlgasse on 15 June 1919, when police shot eight of his unarmed party comrades, he became disillusioned by what he saw as the philosopher Karl Marx's "pseudo-scientific" historical materialism, abandoned the ideology, and remained a supporter of social liberalism throughout his life. He worked in street construction for a short amount of time, but was unable to cope with the heavy labour. Continuing to attend university as a guest student, he started an apprenticeship as a cabinetmaker, which he completed as a journeyman. He was dreaming at that time of starting a daycare facility for children, for which he assumed the ability to make furniture might be useful.
The École Boulle was founded in 1886 and is named after the cabinetmaker André-Charles Boulle, who is generally considered to be the preeminent artist in the field of marquetry or inlay during the reign of Louis XIV (1643-1715), the Sun King. André-Charles Boulle's art is today known as "Boulle Work". The school trains students from the Applied Arts Baccalauréat (French national secondary-school diploma required to pursue university studies for 18-year-old students) to the DSAA (4-year degree in applied arts after the Baccalauréat, equivalent to a master's degree). There are three different DSAA (Diplôme Supérieur d'Arts Appliqués), relating to three different departments: Spatial Design, Communication Design and Product Design.
A number of covered railway carriages "resembling the most luxurious of road coaches", with cushioned seating and cloth linings and each capable of carrying between 12 and 24 passengers, were provided for the more important persons among those attending. More basic open carriages, described by an observer as "plain homely unadorned butter-and-egg sort of market carts", each carried 60 passengers. Cabinetmaker James Edmondson was commissioned to design a special carriage for the Duke of Wellington and his companions, described by Egerton Smith as: This special train was divided into four carriages. Behind the locomotive was a wagon carrying a band, and behind it were three passenger carriages, with the Duke's special carriage in the centre.
The development of modern Danish furniture owes much to the collaboration between architects and cabinetmakers. Cabinetmaker A. J. Iversen, who had successfully exhibited furniture from designs by architect Kay Gottlob at the International Exposition of Modern Industrial and Decorative Arts in 1925 in Paris, was instrumental in fostering further partnerships. In 1927, with a view to encouraging innovation and stimulating public interest, the Danish Cabinetmakers Guild organized a furniture exhibition in Copenhagen which was to be held every year until 1967. It fostered collaboration between cabinetmakers and designers, creating a number of lasting partnerships including those between Rudolph Rasmussen and Kaare Klint, A. J. Iversen and Ole Wanscher, and Erhard Rasmussen and Børge Mogensen.
One of his most significant works were the vessels of the "Bar Camparino", at the entrance site of the Galleria Vittorio Emanuele in Milan. however not disdain also committed less important such as the furniture for Villa Mariani to Bordighera residence of the painter Pompeo Mariani. To its activities before cabinetmaker, decorator and then also join a teaching and become Director of applied art workshop for timber, the Company Umanitaria. He was, without doubt, one of the great Italian cabinetmakers of the twentieth century, and some of his furniture is exhibited in various museums around the world, including the Museum of Decorative Arts of Castello Sforzesco in Milan, the Orsay Museum of Parigi, the Wolfsonian Museum Miami, etc.
Born in Venice, Italy as the son of a cabinetmaker,Wild Ride in a red wagon; How an Italian immigrant created an icon of the American childhood November 2012 Inc Pasin moved to America in 1913 at age 16 to begin a new life in New York City. At first he had no money and did not know anyone, but invested his savings, bought used woodworking tools, and rented a one-room workshop, creating his first wagon there in 1917, naming it the Liberty Coaster after being inspired by the Statue of Liberty. He then opened a small factory west of Chicago. After marrying fellow Italian immigrant Anna, they had three children, two girls and one son.
Influenced by the book A Pattern Language, Waters collaborated with co-author Christopher Alexander on a redesign (principally by the great cabinetmaker, designer and builder Kip Mesirow) that removed the partially burned wall previously separating the kitchen from the dining room. Today, the former is clearly viewable from the latter and diners interested in the kitchen and its cooking are often invited in. Famous diners include the Dalai Lama and President Bill Clinton. With the help of Alice Waters, filmmaker Werner Herzog cooked his shoe at Chez Panisse, eating it at the nearby UC Theater before the premiere of the film Gates of Heaven, an event recorded in the documentary Werner Herzog Eats His Shoe.
In 2001, a festival was held in Day's honor in North Carolina, hosted by the Minority Entrepreneur Training Institute of North Carolina. At the festival, important figures including a state Supreme Court justice spoke, and black dance groups performed, and pieces of Day's furniture were displayed as well; the festival aimed to encouraged black and other minority entrepreneurship in the state. Later, in 2009, an event titled “Uncovering the Hidden History of Thomas Day” was held by the Apprend Foundation to encourage public education about Day. In 2010, a new exhibit on Day titled “Behind the Veneer: Thomas Day, Master Cabinetmaker” and curated by Patricia Phillips Marshall, premiered at the NC Museum of History.
Carvers and gilders worked directly for them. Ébénistes, who drew their name from the ebony that they worked into cabinets that were carved in shallow relief and incorporated veneers of tortoiseshell and ivory, a specialty of Paris furniture in the mid-seventeenth century, retained their control over all carcase furniture that was intended to be veneered, often with elaborate marquetry. The bronze mounts that decorated these high-style case-pieces, from the 1660s to the abolition of guilds in the French Revolution, was furnished, and even carried to the ébéniste's workshop by separate guilds of foundrymen. An encoignure by royal cabinetmaker Jean-Pierre Latz circa 1750 is richly ornamented with marquetry and ormolu.
In 2018, a trucking warehouse in Whitehorse, Yukon, was converted into a mosque chiefly by cabinetmaker Fathallah Farajat, from the southern city of Hamilton, Ontario. The opening of the mosque, which was constructed with a financial contribution from the ZTF, marked the first time that there was a Muslim prayer hall in every Canadian province and territory. Hussein Guisti, who had overseen the ZTF's construction of the two earlier northern mosques, dubbed the silver-clad mosque "the Star Trek mosque", in reference to Canadian Muslims' efforts to bring Islam to the frontiers. In 2019, the property was demolished to provide the space for building a new, larger mosque that will contain a library and an Islamic school.
By 1869, the neighborhood around Channing Street was developed into house lots on land belonging to Phineas A Johnson, a cabinetmaker. Local Newton resident, developer, and businessman Joseph N. Bacon and Watertown resident Luke Forbes both bought and subdivided Johnson's land creating the neighborhood located on and around Channing Street. Until 1878, when it was incorporated as a city street, Channing Street was known as Linden Street and the neighborhood was built to serve bustling Newton Corner with its convenient rail transportation to Boston. With the exception of 34 Channing Street, an early 20th-century Colonial Revival building, the historic homes along Channing Street were all built within roughly a ten-year period between 1860 and 1870.
It is said that William Munroe, a cabinetmaker in Concord, Massachusetts, made the first American wood pencils in 1812. This was not the only pencil-making occurring in Concord. According to Henry Petroski, transcendentalist philosopher Henry David Thoreau discovered how to make a good pencil out of inferior graphite using clay as the binder; this invention was prompted by his father's pencil factory in Concord, which employed graphite found in New Hampshire in 1821 by Charles Dunbar. Munroe's method of making pencils was painstakingly slow, and in the neighbouring town of Acton, a pencil mill owner named Ebenezer Wood set out to automate the process at his own pencil mill located at Nashoba Brook.
Born Duncan Fife near Loch Fannich, Scotland, he immigrated with his family to Albany, New York, in 1784 and served as a cabinetmaker’s apprentice. In 1791 he moved to New York City and one year later is documented the earliest mention of him in the city, when he was elected to the General Society of Mechanics and Tradesmen, sponsored by Isaac Nichols and Seabury Champlin, either of whom may have trained him. Shop and warehouse on 168-172 Fulton Street, New York city. By the time of his marriage in 1793, he appears in the New York directories as a "joiner," but by 1794 he called himself "cabinetmaker" and had changed the spelling of his name to Phyfe.
After gaining his Abitur (school-leaving certificate) in 1975, Michael Eissenhauer completed two years of training as a cabinetmaker before going on to study art history, classical archaeology and German literature in Tübingen and Hamburg. He received both a master's degree (1983) and a PhD (1985) from the University of Hamburg. After working as a research trainee at the Germanisches Nationalmuseum in Nuremberg (1987–1989), he became a researcher at the Deutsches Historisches Museum in Berlin (1989–1990), returning to the Germanisches Nationalmuseum as a curator from 1991 to 1995.cf. Lebenslauf (Kulturstiftung des Bundes) From 1995 to 2001 he was director of the Kunstsammlungen der Veste Coburg, and then, until 2008, director of the Museumslandschaft Hessen Kassel,cf.
Flying machines, trapdoors, rope-and-pulley systems, and special effects such as a dragon that spit fire, light shining from the manger in the Nativity and torrential rain for the creation of the world were popular. Machinery or hidden sections such as Heaven would often be concealed with drapery or painted clouds, as was done in the Mons production. A great number of people were employed in the production of these mansions, from Jehan de Dours, cabinetmaker, paid 48 sols for “making castles and turrets”, to Pierart Viscave, tinker, for installing sheets of metal to be used to create thunder effects, to Jehan du Fayt and seventeen assistants for working as stage hands for the nine-day performance.Simonson, Lee.
John Samuel Harris (August 17, 1826 – March 24, 1901) was an early American horticulturist, the first person to successfully plant and propagate apple trees in Minnesota, a climate in which it was previously thought that the fruit could not survive the harsh northern U.S winters. Harris was born on a farm in Seville, Ohio. Annual Report of the Minnesota State Horticultural Society, published by the Minnesota State Horticultural Society, volume v. 20, 1892, at 394 His father died in 1844, and 18-year-old John was apprenticed to a cabinetmaker. At age 21 Harris enlisted in the Army infantry, and participated in the war with Mexico.Donna Christoph Huegel, Stealing the Mississippi River, Joel Lovstad Publishing, 2013, pp. 23-28.
Several signs representing peacocks were made by Armand Ségaud, whereas the mahogany counter is attributed to cabinetmaker Louis Majorelle. Louis Trézel depicted four women on several sintered-glass panels inspired by Alfons Muchas's iconography. The tiled floor, which depicts a wild aquilegia and daisy meadow, was crafted in Hippolyte Boulenger's pottery works in Choisy-le-Roi, whose headquarters where located in the neighborhood of the restaurant.. At Julien Barbarin's request, Georges Guenne's company installed large window panes which let the natural light pour into the room; the drawings of the windows were made by Charles Buffer, the father of painter Bernard Buffet. In 1938, the restaurant was renamed Julien (or Chez Julien).
Lillie worked as a substitute teacher in the academy's building class 1781-1782, and in 1783 took on a full-time position there as teacher, but never as professor, which meant that he could not become a member of the academy. In early 1784 the cabinetmaking guild tried to prevent his getting a license to run the family cabinetmaking workshop, which his recently deceased mother had run as a widow after the death of his father. The guild did not recognize him as having guild rights, because he had not received guild recognition for a work submitted for approval. The academy, under Johannes Wiedewelt’s leadership, supported Lillie's request for a trade license as a cabinetmaker in Copenhagen.
He was the eldest of the four children of George Gostelow (1701-1758), a Swedish-American farmer, and his English-born wife Lydia, who lived in the Passyunk section of what is now South Philadelphia.George Gostelowe from Ancestry.com There is no documentation of where the son learned his trade, although, based on stylistic similarities, it is conjectured that he apprenticed under cabinetmaker George Claypoole, Sr.Andrew Brunk, "The Claypoole Family Joiners of Philadelphia: Their Legacy and the Context of Their Work," American Furniture (Hanover, NH: University Press of New England for the Chipstone Foundation, 2002), pp. 166-69. For much of his career, Gostelowe operated a shop on Church Alley between Second and Third Streets in Philadelphia, Pennsylvania.
The interior of this section has the basic form of a Greek cross built around a central chimney, with the angled sections filled with triangular closets and vestibules. The rear of the house, which is its older section, is rectangular, but architectural investigation of the structure has uncovered evidence that it was also at one time octagonal in shape, and was probably made rectangular at the time the front section was built. The older rear portion of the house was built about 1830, and was until 1852 home to Alfred Iverson, Sr., a United States Senator. In 1863 the house was purchased by Leander May, a cabinetmaker who is credited with construction of the main octagonal structure.
After the end of the war, Europeans were keen to find novel approaches such as the light wood furniture from Denmark. Last but not least, support in Denmark for freedom of individual expression assisted the cause.. The newly established Furniture School at the Royal Danish Academy of Art played a considerable part in the development of furniture design. Kaare Klint taught functionalism based on the size and proportions of objects, wielding considerable influence. Hans J. Wegner, who had been trained as a cabinetmaker, contributed with a unique sense of form, especially in designing chairs.. As head of the cooperative FDB furniture design studio, Børge Mogensen designed simple and robust objects of furniture for the average Danish family.
St. George and the Dragon in the St. Quentin Cathedral in Hasselt Van Vlierden was more than a skilled woodworker although he lacked the virtuosity of his contemporary Flemish Baroque sculptors. He received a major commission for sculptures in the St. Peter in Chains Church in Beringen, Belgium pursuant to a contract signed in 1686. The Baroque paneling, altars and at least three of the confessionals in the church in Beringen were produced by van Vlierden in collaboration with cabinetmaker Tillman Janssens from Hasselt. Three of the four confessionals can be attributed with certainty to van Vlierden on the basis of stylistic similarities with the confessionals that he made for the Dominican church in Maastricht (now in the Basilica of Saint Servatius).
John Wise was born on February 24, 1808, in Lancaster, Pennsylvania, United States, to William and Mary Trey Weiss who anglicized his surname to Wise. He was the fourth of eight children. He worked as an apprentice cabinetmaker from the time he was 16; after the age of 21 he briefly became a piano maker. A short column and plaque were erected near the corner of East Marion Street and North Lime Street in Lancaster (), by the Lancaster County Historical Society in 1955 stating that Wise "lived most of his life near this spot." He had been interested in ballooning since reading an article in the newspaper when he was 14, and in 1835, at the age of 27, he decided to construct his own balloon.
The schools used standard floor plans and interior finishes but the exteriors varied greatly from school to school as Stephen used his cabinetmaker skills to design different wood detailing of the exterior elevations. Around the time his eldest son Frederick graduated as an architect from the University of Pennsylvania, Stephen traveled to the mid-west and New York to study newer trends in school construction. In 1908, the two started a partnership (Stephen and Stephen) and, probably influenced by what he had seen on the trip as well as his son's training, began to design schools with fireproof materials. They used concrete, brick, and terra cotta and included modern features such as state-of-the-art lavatories, intercoms, and clock systems.
However, it is documented that there was also a suggestion, that Maitey should become the ferryman of Peacock Island, but obviously his final assignments were a much better perspective for him. In summer 1834 two Hawaiian geese (nēnē), which were brought to Germany on the ship Princess Louise as well, arrived also on the island. The engine master Franciscus Joseph Friedrich trained Maitey as wood turner, locksmith, and cabinetmaker. After some difficulties Maitey got the royal marriage consent with help from Christian Rother, and married Dorothea Charlotte Becker on August 25, 1833, in the church of Stolpe.Wilfried M. Heidemann: Der Sandwich-Insulaner Maitey von der Pfaueninsel: Die Lebensgeschichte eines hawaiischen Einwanderers in Berlin und bei Potsdam von 1824 bis 1872.
Semple was born in Glasgow, Scotland, and emigrated to the United States in 1921 to work as a cabinetmaker in Philadelphia. He moved to Boston after running in his first Boston Marathon and began to work in sport-related fields. He was a masseur and physical therapist for the Boston Bruins and the Boston Celtics, and a trainer for Olympic athletes. Kathrine Switzer in 2011; behind her are photos of the 1967 incident with Semple Semple became known to a lay audience while working as a Boston Marathon race co-director. He had an established history dating back to at least 1957 of physically attacking Boston Marathon runners he perceived to be "non serious" competitors, whether officially entered or running the course unofficially.
Pelletier supplied over £600 worth of furnishings for the State Apartments at Hampton Court, 1699-1702.The documents are printed in Murdoch 1997, Appendix, documents III and V. Three pairs of carved and gilded side tables at Windsor castle, long attributed to the royal cabinetmaker Benjamin Goodison and dated circa 1730 have been re-attributed to Pelletier, 1699, by Tessa Murdoch, who noted their similarity to contemporary cabinet stands at Versailles engraved by Pierre Lepautre.Le Pautre, Livres de Tables qui sont dans les apartemens du Roy sur les quelles sont posée les Bijoux du Cabinet des Médailles Murdoch 1997, p 735 and note 22, one illustrated fig.5; Murdoch supports her reattribution by comparison with a Pelletier table from Montagu house now at Boughton (her fig.4).
Furniture stamped by Baumhauer that is mounted with Sèvres porcelain plaques must have been commissioned and sold by Simon-Philippe Poirier, who maintained a monopoly of the production, having originally devised the decor.James Parker in Park and Dauterman 1967:139-41: cat. no.24, a small writing desk stamped by Joseph, mounted with Sèvres plaques, ca 1770; other similar writing tables are noted. some furniture stamped by Joseph is veneered with panels of Japanese lacquer, another sure indication of the intervention of a marchand-mercier, who, rather than the cabinetmaker himself, was in a position to purchase Japanese screens and cabinets, have them disassembled and, once the wooden support of the lacquer surfaces had been planed down, applied as costly veneer panels.
A indiscretDictionary of Furniture 2014 (also known as a canapé à joue, a canapé à confidants, or a canapé à confidante)) is a type of sofa, originally characterized by a triangular seat at each end, so that people could sit at either end of the sofa and be close to the person(s) sitting in the middle. The ends were sometimes detachable, and could be removed and used on their own as Burjair chairs. The name Confidante was coined by cabinetmaker George Hepplewhite, who described it in his Cabinet-Maker and Upholsterer's Guide as being "of French origin, and is in pretty general request for large and spacious suits of apartments. An elegant drawing-room, with modern furniture, is scarce complete without a Confidante, […]".
Design of confessional in the northern transept by Artus Quellinus II The Baroque paneling, altars and at least three of the confessionals were produced by cabinetmaker Tillman Janssens and the sculptor Daniël van Vlierden from Hasselt. Three of the four confessionals can be attributed with certainty to van Vlierden on the basis of stylistic similarities with the confessionals that he made for the Dominican church in Maastricht (now in the Basilica of Saint Servatius). The facial expressions and the arrangement of the figures point in the direction of van Vlierden. One confessional in the northern transept is probably the work of the eminent Antwerp sculptor Artus Quellinus II, given the similarity with the design drawn by Artus Quellinus II himself.
Rubinstein and Jolles note that while the work of many of the leading detective story writers, such as Agatha Christie, Dorothy L. Sayers, and Freeman, featured many gratuitously negative depictions of stereotyped Jewish characters, this ended with the rise of Hitler, and they then portrayed Jews and Jewish refugees in a sympathetic light. Thus with Freeman, the later novels no longer present such gratuitously offensive racial stereotypes, put present Jews much more positively. In When Rogues Fall Out (1932) Mr. Toke describes the Jewish cabinetmaker Levy as A most excellent workman and a thoroughly honest man, high praise from Freeman's pen. The counsel for Dolby the burglar, a good-looking Jew named Lyon executes a particularly brilliant defence of his client which Thorndyke admires.
Ashley, p. 171; Barker, p. 3 His father was a cabinetmaker, supposedly to King Frederick III of Denmark.Ashley, p. 17 He travelled to Italy to study art, where he may have changed his name from Sieber to Cibo.Barker, p. 3 The Cibos were an old and noble Italian family to which Pope Innocent VIII had belonged.Ashley, p. 171 Cibber later emigrated to London, England, probably via the Netherlands. At first, he worked for the mason-sculptor John Stone, who had a workshop on Long Acre, until he set up his own studio after Stone's death in 1667. In 1668, Cibber became a Freeman, by Redemption, of the Worshipful Company of Leathersellers, and in 1679 he became a Liveryman of the same Company, remaining so until his death.
Main altar in church of saint Stephen in Salamanca San Cayetano Church, Madrid José Benito de Churriguera (21 March 1665, in Madrid – 2 March 1725, in Madrid) was a Spanish architect, sculptor and urbanist of the late-Baroque or Rococo style. He was born in Madrid to a Catalan cabinetmaker, gilder and altarpiece joiner, Josep Simó Xoriguera i Elies and to doña Maria de Ocaña, and studied under his father along with two of his brothers. His excessively decorated style, which can be described as an obsessively over-wrought horror vacui on any surface or facade, led to the adjective churrigueresque. He and his two brothers Joaquin (1674–1724) and Alberto (1676–1750) were recognized as the leading architects of their time.
Portrait of Herman Doomer is a 1640 oil on oak panel portrait of an Amsterdam businessman by Rembrandt, now in the Metropolitan Museum of Art, to which it was left in 1929 by Louisine Havemeyer. The subject, Herman Doomer, was a successful cabinetmaker and worker in ebony, which was fashionable in seventeenth-century Amsterdam. Rembrandt also painted a companion piece of his wife around the same time, the Portrait of Baertje Martens, which is in the collection of the State Hermitage Museum, St. Petersburg, Russia. The two pictures were left by Baertje Martens in her will in 1654 to their son, Lambert Doomer, an artist himself, on condition that he made copies of the two pieces for each of his brothers and sisters.
When the Great Depression coincided with the decline of the extractive economy in Greater Seattle, Cascade began to decline both economically and in terms of population, with its most stable remaining industries being shipbuilding and other marine activities. Howard Wright General Contractors were operating out of 409 Yale Avenue N, where they are still located as of 2008. There was also a business district between the 300 and 600 blocks of Eastlake, mainly on the west side of the street, including grocery stores, a pharmacy, a meat shop, automobile repair, furniture repair, a cabinetmaker, a beauty parlor, a barbershop, several drinking establishments, and a dye works. Although no buildings remain on the east side of the street, which abuts Interstate 5, many of these west-side buildings survive.
In the larger market, however, there are a significant number of lighthouse clocks without a name on the dial, and even a few clocks with the names of other makers. Most lighthouse clocks were produced between the mid-1820s and the mid-1830s, which was a time when the Empire style was still the prevailing art movement, hence that many lighthouse clocks have Empire cases. From the artistic point of view, the best timepieces of the era were a masterful collaboration of cabinetmaker, clockmaker, glass blower, decorative painter, and gilder producing as a result a high quality clock as well as an elegant decorative object. The reason why lighthouse clocks never became a mass-produced timepiece it is because in the 1830s the U. S. was deeply into the Industrial Revolution and mass production.
Timber continued to be important to the economy of Cooran. Albert Doyle was sawmilling at Cooran by 1907, and other sawmillers operating in the town prior to World War II included Renshaw and Loseby, George Renshaw, and Straker and Company. Dairy farming also grew as an industry in the Noosa Shire, and butter factories were opened at Kin Kin (1914), Cooroy (1915), Pomona (1919) and Eumundi (1920). During the 1920s the Shire boomed, and a 1926 newspaper report on a typical load of goods dispatched from Cooran by train included: bananas, beans, gooseberries, pigs, butter, case timber and log timber, cream, and opossums. Mervyn William Henry Alfredson, born in Nambour in 1912, started his apprenticeship as a cabinetmaker with Page Furnishers in Pomona, and completed it in Gympie.
The clock is still functioning today. On account of this clock, the room received the definitive name, salon de la pendule (1760 plan #2) (Kuraszewski, 1976; Verlet 1985, p. 450). By 1760, the cabinet intérieur (1760 plan #7) had become to be also known as the bureau du roi and this room came best to represent not only the personal taste of Louis XV, but it also stands as one of the finest examples of the style Louis XV. In 1755, the cabinetmaker Gilles Joubert delivered two corner cabinets, complementing those by Antoine- Robert Gaudreau, which had been delivered in 1739, to house numismatic record of Louis XV's reign (Verlet 1985, p. 452). In 1769, the mechanical roll-top desk by Jean-François Oeben was delivered (Verlet 1985, p. 454).
Goodison's classicizing case furniture owes much of its inspiration to the neo-Palladian designs of William Kent;Geoffrey Beard, "William Kent and the cabinet-makers," The Burlington Magazine (December 1975) pp 367-71. outstanding documented examples are the pair of part-gilded mahogany commodes and library writing- tables Goodison made for Sir Thomas Robinson of Rokeby Hall, Yorkshire, now in the Royal Collection; they have boldly-scaled Greek key fret in their friezes and lion masks gripping brass rings heading scrolling consoles at their corners.Illustrated in Beard 1977, figures 14 and 15 (detail); numerous chests of drawers and library tables in this idiom were made by other London cabinet- makers, including the succeeding royal cabinetmaker, William Vile. Goodison's shop was established at the "Golden Spread Eagle" in Long Acre as early as 1727.
He would go on to spend several years studying with the German cabinetmaker Ernst Zacher and would not undertake his first boxed work until he had reached the maturity of his early forties. While Cornell fed his interest in nineteenth century books, ephemera and popular engravings by fossicking the shops and markets of Lower Manhattan in the 1920s, eighty years on, Wassmann extended his search to the shops and markets of France, Germany, Belgium, the U.S., Mexico and Australia to keep a stock of similar material. The most intriguing aspect of this artistic resonance, however, can be found at a more curious intersection of their two lives, namely, the Christian Science church. Wassmann's grandmother Furber (née Fredericks) gained an interest in Christian Science after her return to New York from Beirut in the mid-1920s.
Fisher was born in San Francisco, California to a Jewish family, the eldest of three sons of Aileen Fisher (née Emanuel) and Sydney Fisher, a cabinetmaker. He spent his childhood in the then-middle-class Sea Cliff neighborhood of San Francisco, He graduated from Lowell High School in 1946, and then in 1951, graduated with a B.S. in business administration from the University of California, Berkeley. He is an alumnus of the Theta Zeta chapter of the national fraternity Delta Kappa Epsilon. After school, he served as a U.S. Naval Reserve as an officer and then worked for his father as a cabinet-maker for L. & E. Emanuel Incorporated, a mill and cabinet making firm created by his great-grandfather that his mother inherited after her father died.
Two tripod tea or coffee tables, in première and contre-partie, one in the Royal Collection, the other in the J. Paul Getty Museum,(Getty Museum) Pierre Golle: tripod tea or coffee table have been attributed to Golle by Gillian Wilson.Gillian Wilson, "Acquisitions made by the Department of Decorative Arts in 1982, J. Paul Getty Museum Journal 11 (1983:13-66) p. His son, Corneille Golle, emigrated after the Revocation of the Edict of Nantes (1685) and by 1689 was working with the London cabinetmaker Gerrit Jensen, supplying marquetry furniture in the latest Parisian taste to the court of William III and Mary II. There was some direct exchange with Jensen, for at his death Pierre Golle owed 400 livres to "Sieur Janson, ébéniste à Londres, for English glue.
Being an attractive location on Royal Deeside and within commuting distance of Aberdeen, Finzean has become a desirable area in which to live. Although this has made houses less affordable for local families, an enlightened approach by the estate regarding the sale of building plots has helped to limit this effect. Finzean is now a small but thriving community, with a primary school attended by about 50 children, a parish church that was extended and refurbished in 2005, an award-winning community hall that was rebuilt in 2003 and community woodlands that provide attractive walks for local residents. Apart from the farms and estates, local businesses include a shop and post office, a farm shop and tearoom, a furniture restorer and cabinetmaker, a shortbread manufacturer and a number of building contractors and self-employed tradespeople.
Philip William of Orange, by Johannes Wierix Johannes and Hieronymus appear to have begun training together, and although Hieronymus was the younger by four years he was able to keep pace with his brother.Keyes, 106 Even for that period they were precocious, with very fine copies of other prints dated from the age of 12 in Hieronymus's case, and 14 in Johannes' (as apprentices they were not supposed to sign work, but added their ages and a date).Hind, 122 Their copies of engravings by Albrecht Dürer from this period are still valued by collectors. Who their master was is unknown – it was unlikely to be their father, who had joined the Antwerp artists' Guild of Saint Luke in 1545/6 but is also recorded as a cabinetmaker.
Certainly the demands of the marquetry technique ensured that Sueffert became an expert in the properties of New Zealand timber and it is likely he made detailed studies of native woods to maximise the impact of his intricate designs. His reputation as a cabinetmaker of international distinction was cemented when, in 1862, Sueffert received a lot of publicity for his work when he made a writing cabinet using New Zealand woods, 'consisting of 30,000 pieces, valued at 300 guineas, which was purchased and presented by the citizens of Auckland to her Majesty the Queen Victoria. The cabinet is still in the Royal Collection at Buckingham Palace. He also produced a series of up to nine writing cabinets also known as Louis XV escritoire or bonheur du jour cabinets.
Several research initiatives into Day's furniture and architectural craftsmanship were undertaken in the 1980s and 1990s; these helped to identify Day's crafted pieces as well as his building and design techniques. Since then, historians and architectural experts have been continually taking stock of Day's existing work, both furniture and architecture, in homes in the northern North Carolina/southern Virginia areas. Bureau, c. 1860-1866 - North Carolina Museum of HistoryDay’s work has often been featured in museum exhibits, first notably at the North Carolina Museum of History. This exhibit, which debuted in 1975, was curated by Rodney Barfield was titled “Thomas Day, Cabinetmaker” and was made possible by a donation of $7,000 to the museum by the African-American sorority Delta Sigma Theta, which enabled the museum to purchase the furniture Day created for Governor Reid in 1855 and 1858.
The Art dans Tout movement was a French art group which operated from 1896 to 1901. Originally called Les Cinq, because it had five founder members, artist and lace designer Félix Aubert, sculptor and craftsman Alexandre Charpentier, sculptor and medalist Jean Dampt, sculptor and medalist Henry Nocq and architect Charles Plumet, it later changed its name to Les Six when Nocq left the group in 1897, replaced by painter Étienne Moreau-Nélaton and architect and decorator Tony Selmersheim. In 1898, the group expanded further to become Art dans Tout when Carl-Albert Angst, a sculptor and student of Dampt, Jules Desbois, a sculptor, Paul Follot, a furniture designer, Alphonse Hérold, a cabinetmaker, Antoine Jorrand, a painter and tapestry designer, Henri Sauvage, an architect, and Louis Sorrel, an architect and collaborator of Aubert's, joined. The group dissolved in 1901 due to commercial necessity.
Maggie Smith as the title character in the film adaptation of The Prime of Miss Jean Brodie Jean Brodie is a fictional character in the Muriel Spark novel The Prime of Miss Jean Brodie (1961); and in the play and 1969 film of the same name—both by Jay Presson Allen—which were based on the novel, but radically depart from it in the interest of theatre and poetic licence. Miss Brodie is a highly idealistic character with an exaggerated romantic view of the world; many of her catchphrases have become clichés in the English language. The character takes her name from the historical Jean Brodie (aka Jean Watt), common law wife or mistress of Willie Brodie, whom the fictional Miss Brodie claims as a direct descendant; thus, she is the fictional namesake of the real Jean Brodie. The real Deacon Willie Brodie was indeed a cabinetmaker and fashioner of gibbets.
The museum is housed in the Ferreyra Palace, a Beaux-Arts mansion designed by French architect Ernest Sanson and built between 1912 and 1916 for Dr. Martín Ferreyra, a prominent local physician and surgeon, as well the owner of limestone quarries and the then-biggest lime factory in Argentina (located at Malagueño, 15 miles to the west of Córdoba).wordpress.com: el palacio ferreyra Ferreyra chose the location as a result of the development of the adjacent Sarmiento Park, a 17 hectare (43 acre) space created along what was then Córdoba's eastern edge (New Córdoba) and inaugurated in 1911.welcomeargentina.com Subsequent generations added to the palace's interiors, notably the Imperial Bedroom (Dormitorio Imperio), so named because the furniture was copied by famed cabinetmaker Krieger of Paris, from those used by Napoleon Bonaparte.Mitos y Fraudes: Palacio Ferreyra The mansion was expropriated by the Córdoba Governor José Manuel de la Sota in 2005.
As a village with a central place function, three bakeries with "colonial wares" (originally, products from the "colonies", thus coffee, tea, cane sugar, tobacco, rice and so on), two butcher's shops and one Asko Europa-Stiftung branch covered basic demands after the Second World War and until about 1975. Available for further needs were two bank branches, a postal agency, a pharmacy, two textile shops, a shoe shop, an electrical shop, two retail and housewares shops, a stationery shop, a jewellery and watch shop, two shoemaker's shops, an installation and heating system builder, a locksmith and blacksmith, a cabinetmaker, a painting shop, two hairdressing salons, three tailor's shops, two dressmaker's shops, an automotive workshop with a filling station, a Pfalzwerke AG (energy supplier) works and a Raiffeisen yard. These offerings were for a while bolstered by six inns and a cinema. Business and crafts ensured many jobs at that time.
Holton apprenticed with her father, the late Luther Janna Holton (1922-2002), cabinetmaker and sole-proprietor of Holton Fine Furniture of Hamilton before going into business for herself in 1986 as a Canadian fine furniture designer in Toronto under 'MLH Productions'. Her furniture works can be found in national public and international private collections, including the Royal Ontario Museum, (curio box & display cabinets), the Canadian Film Centre, (library reception), Stanley Ho of Hong Kong (bedroom & dining room suite), David C.W. MacDonald of Toronto ('Temagami' pedestals, 'Wolf Settee Courting Bench' & 'Thee Mirror), Rosamond Ivey of Toronto (bedroom suite) and Elizabeth Hanson of Toronto (children beds). The Hanson commission of 'three children's beds designed by MLH' was published in 'Furniture: Architects & Designers Originals' by Carol Soucek King, MFA, PhD in 1994. Holton and Frank Gehry were the only Canadians honoured in this publication about international furniture designers.
Schwedler was the son of a cabinetmaker who died when he was still in school; his brother, already a construction supervisor, made it possible for him to finish his education at the City Trade School in 1842.August Hertwig, Leben und Schaffen der Reichsbahn-Brückenbauer Schwedler, Zimmermann, Labes, Schaper: Eine kurze Entwicklungsgeschichte des Brückenbaues, West Berlin: Ernst, 1950, p. 9 After a further required examination in Latin to complete the equivalent of a lower-level Gymnasium education, he spent the next ten years training as a surveyor, studying for examinations in that and in road construction, studying for a year at the Berlin Academy of Construction, and completing the examinations to be a certified building inspector and construction supervisor. One of his practical examinations was waived after he won the international competition to design a road and rail bridge across the Rhine between Cologne and Deutz.
The château and its park in the French gardening style were bought in 1784 as the last of his country houses by the financier Jean-Joseph de Laborde, one of the richest financiers of the Ancien Régime, after his neighbours gave him the chance to do so. On this marshy land he decided to rebuild the château and create a large landscape park to his own taste. To this end he commissioned major artists such as Bélanger (famous in this decade for having constructed Bagatelle in only two months for the comte d'Artois), the famous cabinetmaker Leleu, the sculptor Augustin Pajou and the painter Claude Joseph Vernet. In 1786, after the new pont des roches (a two- level bridge over the Juine) subsided, and Bélanger's plans were threatening to prove too expensive even for the marquis (he habitually spent without keeping count of spending, which as a sensible administrator the marquis could not accept).
The most famous cabinetmaker before the advent of industrial design is probably André-Charles Boulle (11 November 1642 – 29 February 1732) and his legacy is known as "Boulle Work" and the École Boulle, a college of fine arts and crafts and applied arts in Paris, today bears testimony to his Art. Tortoise-shell cabinet of Polish king John III Sobieski, looted by the Germans from the Wilanów Palace during World War II With the industrial revolution and the application of steam power to cabinet making tools, mass production techniques were gradually applied to nearly all aspects of cabinet making, and the traditional cabinet shop ceased to be the main source of furniture, domestic or commercial. In parallel to this evolution there came a growing demand by the rising middle class in most industrialised countries for finely made furniture. This eventually resulted in a growth in the total number of traditional cabinet makers.
In 1741 he was still apprenticed to Gustavus HesseliusFleischer, Roland E. (1987) GUSTAVUS HESSELLIUS AND PENN FAMILY PORTRAITS: A Conflict Between Visual and Documentary Evidence. American Art Journal, Vol. 19, No. 3 (Summer) (1682–1755), a Swedish born painter who resided in Philadelphia. It is probable that he painted the portraits of his brother, George Claypoole Sr. (1706-c1770) and sister-in-law, Hannah Claypoole (ca 1708–1745), as the portraits were in the household of George Claypoole, Sr., joiner and cabinetmaker, also shop keeper, Front Street, Philadelphia, Pa. Ca 1770 – portraits inherited by George and Hannah Claypoole's eldest son, George Claypoole Jr., (1733–1793), joiner and cabinet maker, of 65 Walnut Street, Philadelphia, Pa. Ca 1793 – portraits inherited by George Jr. and Mary (Parkhouse) Claypoole’s eldest and surviving son, Dr. Willam Claypoole, (1758–1797) of Wilmington, North Carolina. 1797 – portraits inherited by William and Mary (Wright) Claypoole’s only surviving child, Ann Grainger Claypoole, (ca 1791–1832) of Wilmington, North Carolina.
Descended from a Roman Catholic family who had emigrated from Yorkshire in the late 1700s to Castlecomer, Co. Kilkenny, Ireland, Walker attended the public schools in Dublin. One brother, John (1832–1901) was an architect and had been arrested in England for his Fenian activities in 1869. In 1870, before the death of his parents, John Walker (1797-1879) and Anne Dooley Walker (1799-1873), he emigrated to the United States and settled in New York City. He started as a carpenter - cabinetmaker and became a contractor, builder, and owner of a lumberyard; and entered politics as a Democrat. He married Ellen Ida Roon (Oct 1857 – Aug 19, 1917), daughter of an Irish American New York politician, James E. Roon (1828 – Dec 7, 1890). He was a member of the Board of Aldermen from 1887 to 1890; and a member of the New York State Assembly in 1892 (New York Co., 9th D.) and 1893 (New York Co., 8th D.).
The landlady - who may have feared that she could lose them if Jänicke, who she assumed was a working prostitute, was found to be living there - wanted Jänicke to leave but the latter refused to, so on the evening of 14 January 1930 Salm appealed to Communist friends of her late husband for help. At first the Communists were not interested in helping Salm, as she was not well-liked by them because she had given her husband a church funeral instead of allowing the KPD to give him the standard burial rite used for members of the Red Front Fighters' League, but when they realized that Horst Wessel was involved in the dispute they agreed to beat him up and get him out of Salm's flat by force. Knowing they needed a tough guy, they sent word to a nearby tavern that they needed Albrecht "Ali" Höhler, an armed pimp, perjurer and petty criminal. Höhler, a heavily tattooed cabinetmaker who had just recently been released from prison, was a Communist and a member of the Red Front Fighters' League.
Contributor Marilynn Johnson wrote: > The most successful American interpretations of the Talbert style of Modern > Gothic furniture were apparently the result of a collaboration between a > highly skilled Philadelphia cabinetmaker and carver, DANIEL PABST, and FRANK > FURNESS, a Philadelphia architect. Furniture believed to have been produced > by Pabst and Furness includes a desk that was handed down in the Furness > family, at least two suites of furniture owned by Theodore Roosevelt, and, > most impressive of all, a cabinet that has only recently come to light. Its > rooflike pediment, angular base, chamfered edges, truncated columns, > elaborate strap hinges, and decorated door panels all link this cabinet to > the Modern Gothic furniture of British architect-designers such as Burges. > The scrolling, finely carved brackets, however, specifically suggest the > form of Talbert's wall cupboard, and the cutaway pattern of stylized flowers > on the upper doors is reminiscent of the decoration on a sideboard that > relates closely to the Holland and Sons sideboard of 1867 and is illustrated > as number 20 in Gothic Forms.
Miethe was the designer of a camera for color photography, the first photographic product made by the Berlin cabinetmaker Wilhelm Bermpohl. Introduced to the public in 1903, it produced sets of three separate black-and-white images on glass plates by making a series of three photographs of the subject through red, green and blue color fliters, a method of color photography first proposed by James Clerk Maxwell.Professor Dr. Miethe's Dreifarben-Camera (retrieved 12 October 2012) features several photographs of the 9 x 24 cm model and a more detailed description of its operation, along with an abundance of related information. The Miethe-Bermpohl Dreifarbenkamera ("three-color camera") should not be confused with the much later Bermpohl Naturfarbenkamera ("natural color camera"), a very different "one-shot" type that simultaneously exposed three separate plates and was manufactured from 1929 until circa 1950. These were used to reconstitute the full original range of color by projecting transparent positives made from them through similar filters and exactly superimposing the images on the projection screen (additive color),Wagner, Jens (2006).
In 1764 the partnership between Vile and Cobb was dissolved on Vile’s retirement and although Cobb continued in business on his own account, William France and his colleague, John Bradburn cabinetmaker, took over their business, their premises in Long Acre and their customers, who included the royal family. They were granted the Royal Warrant in July 1764The National Archives, Kew NA/LC/5/57(26&27), Royal Warrants certificate dated 7 July 1764 and although much of the work had been completed to Buckingham House, renamed the Queen’s House, they completed the Saloon and over the coming years supplied furniture and furnishings to the growing royal family. During this period William's older brother John and younger brother Robert both worked for the business, although neither enjoyed the acclaim of their brother William. Among Vile and Cobb’s customers for whom they continued to work, were Princess Augusta, the King’s mother for Carlton House,London, Duchy of Cornwall Archives: Augusta Princess of Wales, household a/c Vol LIV, half yr ending 1 October 1767 total amount £1750 2s 4.75d Lord Coventry at Croome Court, Worcestershire, Sir Lawrence Dundas at 19 Arlington Street, London and Moor Park, Hertfordshire and John Chute at his London house in Charles Street, Mayfair.

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