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33 Sentences With "burlesque queen"

How to use burlesque queen in a sentence? Find typical usage patterns (collocations)/phrases/context for "burlesque queen" and check conjugation/comparative form for "burlesque queen". Mastering all the usages of "burlesque queen" from sentence examples published by news publications.

World-famous burlesque queen Dita Von Teese can help you master the art of seduction.
The burlesque queen loves her some soy gingerbread latte action when she hits up Starbucks.
My reporting career has taken me to many strange places: sewers and slaughterhouses, prisons and monasteries, a burlesque-queen reunion here, an Odd Fellows convention there.
The 1961 "Burlesque Queen" offers a rare view of a burlesque act in London's Soho at that time, complete with leopard-skin wrap; the 1969 "Moment," by filmmaker Stephen Dwoskin, concentrates on a woman's face before, during, and after orgasm.
In a year when the dialogue about inclusion in clothing has also extended to intimate apparel, the book (with a foreword by burlesque queen Dita Von Teese) recognizes that lingerie lovers come in all sizes, genders, colors, and health statuses.
Here was David Hart — at this point the O.G. of indie men's wear — showing car coats surprinted with a saucy Weegee image of a burlesque queen or else cabana sets patterned all over with the dense sea of humans packed into the frame of "Coney Island Beach," a 1940 image also by Weegee, that quintessential New York street photographer.
The famous 1950s burlesque queen, Blaze Starr, purportedly retired here and, with her brother, began an internet company marketing jewelry she creates.
Most married actress Morgan Hart (daughter of burlesque queen Margaret Hart Ferraro) in 1982. They have two daughters and live near Los Angeles, California.
My Intimate Interview with Burlesque Queen Jo Boobs Weldon , BlackBook, November 4, 2011. Retrieved March 30, 2013. She is an advocate for sex-worker rights and freedom of sexual expression.
She has been called a "burlesque queen" by the Detroit Free PressHammerstein, B.J. "Wonderland at Hastings St. Ballroom", Detroit Free Press 28 December 2009. Retrieved on 2010-08-05. and "stellar act" by The Globe and Mail.Citron, Paula.
Blaze Starr Goes Nudist is a 1962 nudist film, produced and directed by Doris Wishman. The film stars legendary burlesque queen Blaze Starr and crooner Ralph Young (as "Russ Martine"). The film was also released under the bowdlerized title Blaze Starr Goes Back to Nature.
Evelyn is an ex-burlesque queen who puts a curse on single dad Al and his son Fin with her zest for life. When both Al and Fin learn they are competing for Evelyn's love, their competition brings back memories over the death of Fin's mother.
"Drama Puts Spotlight on Halls of Congress." Corpus Christi Times. (September 12, 1968): p. 6B. Thus, CBS declared the actual premiere date of the Thursday Night Movie's fourth season as September 26, when another biographical picture, the musical Gypsy, starring Natalie Wood as burlesque queen Gypsy Rose Lee, made its television bow.
Rose Sydell (born Rosa Sidles; 1865 – August 4, 1941) was an American burlesque actress. She starred in her own show, Rose Sydell and the London Belles, which toured the United States and Europe for 26 years. Sydell’s penchant for wearing great quantities of valuable jewels and ostrich plumes secured her reputation as America’s first Burlesque Queen.
Linda, Be Good is a 1947 American comedy film directed by Frank McDonald and starring Elyse Knox, John Hubbard and Marie Wilson. The film's sets were designed by the art director Lewis H. Creber.Stephens p.65 Sidney W. Pink took the film and added some additional footage and released it under the alternative title I Was a Burlesque Queen in 1953.
Wurlitzer theatre organ console Soon after it was opened, it was a popular venue for burlesque queen Sally Rand, the Marx Brothers, Will Rogers, Judy Garland (singing with her family as Frances "Baby" Gumm) and comedian Jack Benny, as well as jazz greats Lena Horne, Ella Fitzgerald and Duke Ellington.Lawson, Kristan, & Rufus, Anneli. California Babylon. New York: St. Martins Press (2000), p. 125.
Ruby Summers (Betty Grable) is a burlesque queen in a successful dance hall in 1892 Chicago. The owner of the dance hall Mike (Phil Harris) has cheated his ex-partner Andy Clark (Victor Mature) out of a half interest in the business. Andy schemes to potentially ruin Mike and also hopes to make Ruby a classy entertainer, as well as his own girl.
She tours with the band and has appeared in a number of the group's YouTube videos, two of her videos in the top five most popular videos in the group's history. She has been called the Dita Von Teese of music, fusing her original music with elements of traditional vaudeville and burlesque. She was described by Las Vegas Magazine as "the musical burlesque queen" and "the mistress of the modern Moulin Rouge".
A naked statue of her was erected in Central Park in November 1954. Ates had a number of scandal sheet-moments, including a running feud with Burlesque queen Rose la Rose, who claimed Ates stole her best belly dancing moves from Rose's act. Ates, despite her success and beauty, fell into poverty and twice attempted suicide. Her first suicide attempt via an overdose of tranquilizers and asprin followed an argument with her then lover, singer Bobby Colt.
Paget was born in Denver, Colorado, one of five children born to Margaret Allen (née Gibson), a former actress (one source says, "ex-burlesque queen"), and Frank Henry Griffin, a painter. The family moved from Denver to Los Angeles, California, in the 1930s to be close to the developing film industry. Paget was enrolled in the Hollywood Professional School when she was 11. Margaret was determined that Debra and her siblings would also make their careers in show business.
The album was recorded at Record Plant Los Angeles on July 30 and 31, 1975. Waits opens the album by calling the venue Raphael's Silver Cloud Lounge. Bones Howe, the album's producer, on the recording of the album: Howe was mostly responsible for organizing the band for the "live show", and creating the right atmosphere for the record. Dewana was an old- time burlesque queen whom Tom had met on one of his jaunts to the Hollywood underworld.
At the end of the 1980s, Gänzl moved to St. Paul de Vence in the south of France with Bevan to concentrate on writing full-time. In the early 2000s, Gänzl and Bevan moved to homes in Sefton, New Zealand, and later spent some time in Berlin, Germany, and Yamba, Australia, where Gänzl completed biographies of Victorian burlesque queen Lydia Thompson, Broadway author William B. Gill and Victorian singing star Emily Soldene, and in 2017 a compendium of 100 biographies titled Victorian Vocalists.
Andy Peyton comes home from college, wanting not to work for his father's failing garment business but to be involved in stage shows and entertainment. A former burlesque queen, Francine LaVerne, encourages him in this pursuit. Edna, loyal secretary to Arthur Peyton at his dress business, and Stanislaus, the janitor, suggest that to mark the company's 25th anniversary, Andy put on a show. After being tricked out of thousands of dollars by a con artist, Theodore Gateson, it looks like the end for Mr. Peyton's business.
Airline Highway takes place in the parking lot of The Hummingbird Motel, off the titular highway near New Orleans, where the residents have gathered to celebrate the life of Miss Ruby, an iconic burlesque queen who has been a mother figure to them all. Miss Ruby's life is nearing its end, and she requests that her funeral takes place while she is still alive. As the Mardi Gras-esque celebration continues into the night, the stories of the residents, their pain and disappointments unfold.
Hopper's wife, as usual, posed for him for the painting, and noted in her diary, "Ed beginning a new canvas—a burlesque queen doing a strip tease—and I posing without a stitch on in front of the stove—nothing but high heels in a lottery dance pose."Levin 2001, p. 282 Hopper's portraits and self-portraits were relatively few after his student years.Levin 2001, p. 162 Hopper did produce a commissioned "portrait" of a house, The MacArthurs' Home (1939), where he faithfully details the Victorian architecture of the home of actress Helen Hayes.
The thirteenth season premiered on July 24, 2014, featuring 18 new designers and 1 returning designer as voted by the public. Amanda Valentine from Season 11 won the public voting for the 19th spot to compete once again over Alexander Pope and Ken Laurence of Season 12. Heidi Klum, Zac Posen, Nina Garcia and Tim Gunn all returned for the thirteenth season. Some of the celebrity judges for this season are Olympian Lindsey Vonn, Mad Mens Elisabeth Moss, burlesque queen Dita Von Teese and former Project Runway winner Christian Siriano.
In 1960, the film Beat Girl cast Christopher Lee as a sleazy Soho strip club owner who gets stabbed to death by a stripper. Gypsy (1962), features Natalie Wood as the famous burlesque queen Gypsy Rose Lee in her memorable rendition of "Let Me Entertain You". It was re-made for TV in 1993 Starring Bette Midler as Mama Rose and Cynthia Gibb as Gypsy Rose Lee. The Stripper (1963) featured Gypsy Rose Lee, herself, giving a trademark performance in the title role. A documentary film, Dawn in Piccadilly, was produced in 1962 at the Windmill Theatre.
MSS 176, "The Scott Papers" Franklin J. Moses, Jr., the first governor after him, claimed Scott "fraudulently signed state bonds in the St James Hotel in New York under the joint influence of alcohol and burlesque queen Pauline Markham," known as one of "The British Blondes." He also regularly borrowed money from Scott.MSS 176 Wade Hampton III, the third governor after Scott, indicted him for "fraudulently issuing three warrants for $48,645 to non-existent payees in 1871." At the same time, he sent letters to Scott promising not to extradite him nor force him to stand trial.
As she leaves the building, Judy shares an elevator with Steve, who offers her a cab ride, but she is unaware of who he is and rejects his offer. Soon after, Bubbles, now called "Tiger Lily, the burlesque queen", offers Judy a job as her stooge in the Bailey Brothers burlesque show and, desperate, Judy accepts. One night, both Jimmy and Steve attend the performance, and Judy leaves with Jimmy and tears up the card that Steve left for her. The next night, while at a nightclub with Judy, Jimmy has a fistfight with his ex-wife's new husband, and the next day their pictures appear in the newspaper.
In 1943, Robert R. Young, a railroad magnate who also owned the American Pathé film processing laboratory,p.16 Balio, Tino United Artists: The Company That Changed the Film Industry Univ of Wisconsin Press, 1987 acquired the studio. A few then-current stars worked for PRC; Bela Lugosi, Buster Crabbe, Bob Steele, Frances Langford, and Ralph Byrd. Budget constraints forced the studio to make do with featured players (Neil Hamilton, Eddie Dean, Lyle Talbot, Gladys George, Mary Carlisle, Noel Madison, Iris Adrian, Frank Albertson, Wallace Ford, Ralph Morgan, Henry Armetta, Chick Chandler); stars who were idle (Harry Langdon, Lee Tracy, Benny Fields, Mary Brian, Freddie Bartholomew, Patsy Kelly, El Brendel, Slim Summerville); or celebrities from other fields (burlesque queen Ann Corio, animal hunter Frank Buck, radio announcer Harry Von Zell, Miss America (of 1941) Rosemary LaPlanche).
The pageant, held July 13, 2013, drew a crowd that packed the bar and spilled out into the street. The event was divided into three parts: eveningwear (a tiny penis sock), talent, and swimwear (a sheer, see-through material made more transparent by “penis kittens” wielding squirt guns). As the men stood atop the bar, their penis measurements were taken by judges Arciuolo and burlesque queen “Cherry Pitz” as the crowd looked on and media filmed. Although the actual penis measurements were not announced, members of the press later issued reports: “None of them [the contestants] were a big deal, and that was the cringe- worthy point” – Brooklyn Paper. “All the men lined up on the bar wearing only sheer loin-cloths while the judges measured their privates. Staying in the 1-3 inch range, it was truly a tiny affair” – Cosmopolitan. “All the penises were pretty small” – Jezebel.
" The critics of Time Out magazine wrote of "Fuller developing his theme of urban alienation: landscape, culture and sexual confusion are all juxtaposed, forcing the Japanese-born detective (who, along with his buddy, is on the hunt for a burlesque queen murderer) into a nightmare of isolation and jealousy. Some fine set pieces - like the disciplined Kendo fight that degenerates into sadistic anarchy - and thoughtful camera-work serve to illustrate Fuller's gift for weaving a poetic nihilism out of his journalistic vision of urban crime." More recently, Ed Gonzales of Slant Magazine liked the film and wrote, "The opening is a triumph of grungy lyricism achieved through snaky cutting and blunt compositions: Sugar Torch (Gloria Pall), a stripper, is shot to death in the middle of a Los Angeles street after witnessing a murder inside her dressing room. The tenor of the film oscillates between tight-fisted noir and chamber drama, but the theme is always the same: cultural and romantic unrest.
Even his sex films had a to message to tell. One finds spiritual undertones in the story of an oversexed girl in Nympha (Nymph), 1971; a struggle of conscience in a stripteaser who laughed on the outside but cried on the inside in Burlesk Queen (Burlesque Queen), 1977; tribal conflict in Aliw-iw, 1979; a conflict of family values in Snake Sisters, 1983; and the politics of domination in Isla (Island), 1983. Other notable Castillo films are Ang Mahiwagang Daigdig ni Pedro Penduko (The Wonderful World of Pedro Penduko), 1973; Ang Pinakamagandang Hayop sa Balat ng Lupa (The Most Beautiful Animal on the Face of the Earth), 1975; Ang Alamat ni Julian Makabayan (The Legend of Julian Makabayan), 1979; Totoy Boogie, 1980; Uhaw na Dagat (Thirsty Sea), 1981; Pedro Tunasan, 1983; Virgin People, 1983; and Payaso (Clown), 1986. It was Castillo who started a trend in Philippine movies known as the wet look which later helped establish bomba film as a definite genre.

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