We need a similar bugle call to the American people on this.
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Her nephew played Taps, says Marie, a bugle call sounded at military funerals.
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His speech sounded ominously like an early bugle-call in a new cold war.
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In solemn silence, broken only by that forlorn bugle call, Wembley did just that.
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Users will also be able to play "Taps," the bugle call performed at Armed Forces memorials and funerals.
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The Times's stylebook says this: taps, the name of the bugle call, is lowercase and takes no quotation marks.
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What should have been played was taps -- the bugle call played at military funerals and on military bases at the end of the day.
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"I am excited about this because, as I have traveled the country, I hear people waiting for the bugle call from the White House," Inslee continued.
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He greets everyone he knows (and he knows everyone) in a voice that booms like a bugle call at sunrise or a ram's horn on the Jewish High Holy Days.
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But where his group surveyed in Alberta and British Columbia, male elk are more heavily hunted, for a few reasons: They are prized more as trophies, some jurisdictions place limits on hunting females, and it's easier to trick a bull, by mimicking the bugle call of a competitor.
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Original 1922 release under the title "Bugle Call Blues"."Bugle Call Rag", also known as "Bugle Call Blues", is a jazz standard written by Jack Pettis, Billy Meyers and Elmer Schoebel. It was first recorded by the New Orleans Rhythm Kings in 1922 as "Bugle Call Blues", although later renditions as well as the published sheet music and the song's copyright all used the title "Bugle Call Rag".Bugle Call Rag at jazzstandards.
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Holdt – Halt This bugle call orders the unit to halt. Innrykkning – Charge This bugle call orders the unit to charge a position and take it. Alarm – This bugle call indicates that the unit is to stand-to. Flyalarm – Air-raid alarm This bugle call signals that an air raid is imminent.
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Panseralarm – Tank/panzer alarm This bugle call alerts an attack by armored units. Ild – Commence firing This bugle call orders units to open fire.
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"Scott Tattoo" is a bugle call entitled "The Tattoo" first published in 1835, and thought to be the source of the bugle call known as "Taps".
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"First Call" is a bugle call with three distinct meanings.
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The Norwegian Army maintains these bugle calls as represented below with their respective meanings, i.e., “orders”: Revelje - Revellie This bugle call is used to awaken the troops and prepare for morning inspection or roll call. Spisesignal - Mess call This bugle call gives notice that a meal is ready to be served. Oppstilling - Formation – First call This bugle call orders the troops to assemble in formations.
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His son, Daniel Adams Butterfield (1831 – 1901), was a Union General in the American Civil War, and Assistant U.S. Treasurer. Daniel is credited with creating the bugle call "Taps", a variation of a bugle call known as the "Scott Tattoo", in 1862.
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It may be accompanied by the "Sunset" bugle call. Ships at sea fly the White Ensign continuously.
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Warren penned her last editorial, "The Bugle-call," on Thursday, January 5, 1893, two days before she died.
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Rosignal – Tattoo Literally "call for quiet", this bugle call orders all non-essential lights out. Appell – Flourishes This bugle call is to announce the entrance of high-ranking officers from the rank of brigadier up to full general. A flourish is repeated according to the rank number of stars: (1- Brigadier, 2 - Major General, 3 -Lieutenant General, 4 – General).
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Tex Beneke is listed in the personnel of the 1941 Metronome All-Star Band led by Benny Goodman.The songs Beneke and the ensemble played were "Bugle Call Rag" and "One O'Clock Jump". Beneke has a small solo on "Bugle Call Rag". Both songs from recording session at RCA Studio 2, New York City, January 16, 1941.
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The New Orleans Rhythm Kings recorded "Bugle Call Rag" on August 29, 1922 in Richmond, Indiana for Gennett Records. The recording was released as a 78 single as Gennett 4967-B with "Discontented Blues" as the A side and as Starr 9304B as "Bugle Call Blues" as by the Friar's Society Orchestra with "Discontented Blues" as the A side.
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"La Sonnerie aux Morts" is a bugle call of the French Armed Forces used at funerals and the commemoration of battles and wars.
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See bugle call for scores to standard bugle calls, all consisting of only five notes. These notes are known as the bugle scale. Bugle scale.
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It will be a bugle call to a fresh era of social Darwinianism from whose ill effects of the past, we have not fully recovered.
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With this bugle call, many of the men turned and began to return the Confederate fire. At this time, Carson's cousin, Private William B. McCall, was killed.
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Flaggappell – To the colors This bugle call gives notice to all personnel that the national flag (Flag of Norway) is being hoisted/lowered, and that they are therefore to stand at attention and render honours. Tropp – Company This bugle call orders troop formations to take up positions, or that the battalion/regimental colours / Flag of Norway is to be brought to the fore of the troop formation for parade. Vaktombytte – Changing of the guard This bugle call is sounded during a changing-of-the-guard ceremony to signal that the new guard has taken up its post and the old guard has been dismissed. Tappenstrek – Taps This bugle call orders all activity to cease for the night. Historically it is linked to the Dutch words tap den doe that is translated as “plug the keg”; meaning that the soldiers were to be served no further alcohol, and were to return to base.
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Parademarsj – Parade march This bugle call gives notice either to the entrance/attendance of His Majesty the King or to alert soldiers to give their attention and honour the colours as they are presented formally in slow march at the head of a formation. Bønn – Church call – Remembrance This bugle call orders the stay of all services for prayer or religious services, or is used to mark an act of remembrance in the same way as “taps” in the USA or “Last post” in the UK and Commonwealth. It can be played bugle(s)-only or in combination with drum(s). Fremad Marsj – Forward March This bugle call orders the unit to advance at normal pace.
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Fire Call (US Army) "Fire Call" is a bugle call which signals that there is a fire on the post or in the vicinity. The call is also used for fire drill.
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Gen. Daniel Butterfield "Taps" was composed by General Daniel Butterfield during the American Civil War. In July 1862, the Army of the Potomac was encamped at Harrisons Landing on the James River in Virginia following the Seven Days Battle. "Taps" began as general bugle call to replace a previous French bugle call "To Extinguish Lights" which was sounded for lights out to close the soldier's day in the mid 1800s. General Butterfield felt it too formal to signal the day's end.
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It is followed by the Corps of Drums playing a bugle call as the parade is ordered for a double march off the Zócalo proper, preceded by a pre-parade exhortation by the parade commander.
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Il Silenzio (The Silence) is an instrumental piece, with a small spoken Italian lyric, notable for its trumpet theme. It was written in 1965 (see "Origin" below) by trumpet player Nini Rosso,Joseph Murrells The Book of Golden Discs, Barrie & Jenkins, 1978. . p 196 its thematic melody being an extension of the same Italian Cavalry bugle call used by the Russian composer Tchaikovsky to open his Capriccio Italien (often mistaken for the U.S. military bugle call "Taps"). It has become a worldwide instrumental standard that has sold around 10 million copies.
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When You Hear the Bugle Call by Peter Griffin, Trafford, 2006 Taylor was awarded a Silver Star, two Bronze Stars for valor and the Purple Heart, the latter involving a wound that ended his command of B Company.
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Guard mount may refer to two things: The first is the actual forming (mounting) of a military security group called the Guard; the second is the bugle call which was used to signal the formation of the group.
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She has spacious promenade decks. Large rooms; a surpassingly comfortable ship. The officers' library is well selected; a ship's library is not usually that . . . . For meals, the bugle call, man-of-war fashion; a pleasant change from the terrible gong.
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But due to Norwegian history and historical trade routes with the United Kingdom and The Netherlands some bugle calls have been borrowed and incorporated into the Norwegian Armed Forces, e.g. the bugle call "Parade" is identical to the same bugle call in Sweden, and identical "to the colours" in the United States. With the rise of Norwegian nationalism from 1814 to 1905 composers like Johannes Hanssen wrote new bugle calls based on old Norwegian folk tunes. One such example is the Unit call for the Valdres Battalion, which is also the baseline tune for the more known Valdres March.
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Memorial Stained Glass window, Class of 1934, Royal Military College of Canada features an Officer Cadet bugler playing "Last Post" or "The Rouse" "The Rouse" is a bugle call most often associated with the military in Commonwealth countries. It is commonly played following "Last Post" at military services, and is often mistakenly referred to as "Reveille". Despite often being referred to by the name "Reveille", "The Rouse" is actually a separate piece of music from the traditional "Reveille". "The Rouse" was traditionally played following "Reveille", which was a bugle call played in the morning to wake soldiers up.
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"He was a consistent member of First Baptist Church of Fincastle, Virginia. He was a soldier par excellence and next to his religion prided in this fact. It was very appropriate that he answered his last bugle call on Memorial Day."Fincastle Herald.
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A defining feature of a bugle call is that it consists only of notes from a single overtone series. This is in fact a requirement if it is to be playable on a bugle or equivalently on a trumpet without moving the valves. (If a bandsman plays calls on a trumpet, for example, one particular key may be favored or even prescribed, such as: all calls to be played with the first valve down.) Bugle calls typically indicated the change in daily routines of camp. Every duty around camp had its own bugle call, and since cavalry had horses to look after, they heard twice as many signals as regular infantry.
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Steinberg, Michael. "The Symphony: a listener's guide". p. 232–236. Oxford University Press, 1995. The movement concludes with an extended coda featuring a bugle call for solo trumpet, a timpani roll, which was a revolutionary adaptation of the instrument, and a loud outburst in A major.
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Alaska is lovely in the spring: the plants start to come back, the snow begins to melt, the bears start to come of hibernation... it's all a bugle call to poachers across the world hoping to sack the biggest game they can find. And the Predators are no different.
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"Assembly" is a bugle call that signals troops to assemble at a designated place.Assembly, U.S. Army Music Program (accessed December 20, 2015). "Assembly" and "Adjutant's Call" are the two bugle calls that make up the "formation" category of bugle call.Robert S. Rush, NCO Guide (Stackpole Books: 9th ed.
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In 1998 the resident of Slupsk, Jacek Stańczyk, composed town's bugle-call. Every day at midday, the recording of the call, performed by musicians of Polish Philharmonic Sinfonia Baltica, Jerzy Lis, Jan Buczko and Mieczysław Gach (trumpet and 2 French horns) rings out from the town hall's tower.
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"Boots and Saddles" is a bugle call sounded for mounted troops to mount and take their place in line. In the British Army it is used as a parade call.Byron Farwell, The Encyclopedia of Nineteenth-century Land Warfare: An Illustrated World View (W. W. Norton & Company, 2001), , p. 118.
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By the time Toyoshima had arrived at the Cowra POW camp, he had adopted the alias . Toyoshima signaled the 1:45 am start of the mass escape of Japanese prisoners of war from the Cowra POW camp with a bugle call. He died at some time later in the breakout.
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In the U.S. military, Reveille is played at 7 A.M. as the morning bugle call. It was originally conducted in 1811 as"Troop", and was designed to muster the unit or for roll call, but later came to mark when the flag was raised in the morning and honors paid to it.
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The Namysłów Town Hall is the seat of the municipal government in Namysłów and various institutions and authorities: ZUS branch, the Kluczbork Resident Prosecutor's Office, notaries, and Pod Aniołami Restaurant. Every day at 12.00 from the town hall there is a Namysłów bugle call played with three trumpets composed by Eugeniusz Odoj.
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Max Steiner's theme song for The Last Command, "Jim Bowie," is sung by musical star Gordon MacRae, who that year was starring in the smash hit film Oklahoma!, adapted from the famous Rodgers and Hammerstein musical. Steiner's score also re-imagines El Degüello, the Mexican song of no quarter as a bugle call.
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The Italian tune "Santa Lucia" is also quoted. In the movie soundtrack version, from which the record was edited, there is a quote of Army bugle call "Assembly", but this verse was omitted from the record which instead repeated the first three verses. The Muppets' version includes part of "Lullaby of Birdland" by George Shearing.
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It is depicted as a bugle call in Disney's Davy Crockett, King of the Wild Frontier (1955), in The Last Command (1955), in Viva Max! (1969), and in the made-for-television movie The Alamo: Thirteen Days to Glory (1987). Degüello is the title of an episode of Endeavour, in Series 6, Episode 4 (2019).
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Today's buglers carry out duties ranging from repatriation services (sounding Last Post bugle call), mess beatings (drum displays), beating retreat (marching displays) and concerts on behalf of the Royal Marines and the entire Royal Navy. The Corps of Drums from the Band of HM Royal Marines Collingwood performing a drum display during the 2019 London summit.
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Brigadier General Daniel Butterfield The tune is a variation of an earlier bugle call known as the "Scott Tattoo", which was used in the U.S. from 1835 until 1860, and was arranged in its present form by the Union Army Brigadier General Daniel Butterfield, an American Civil War general and Medal of Honor recipient who commanded the 3rd Brigade of the 1st Division in the V Army Corps of the Army of the Potomac while at Harrison's Landing, Virginia, in July 1862 to replace a previous French bugle call used to signal "lights out". Butterfield's bugler, Oliver Wilcox Norton, of East Springfield, Pennsylvania,'The 83rd Pennsylvania Volunteers in the Civil War' p. 8 was the first to sound the new call. Within months "Taps" was used by both Union and Confederate forces.
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The Capriccio is scored for: 3 flutes (3rd doubling on piccolo), 2 oboes, English horn, 2 clarinets in A, 2 bassoons, 4 horns in F, 2 cornets in A, 2 trumpets in E, 3 trombones (2 tenor, 1 bass), tuba, 3 timpani, triangle, tambourine, cymbals, bass drum, glockenspiel, harp and strings. After a brief bugle call, inspired by a bugle call Tchaikovsky heard daily in his rooms at the Hotel Constanzi, next door to the barracks of the Royal Italian Cuirasseurs, a stoic, heroic, unsmiling melody is played by the strings. Eventually, this gives way to music sounding as if it could be played by an Italian street band, beginning in the winds and ending with the whole orchestra. Next, a lively march ensues, followed by a lively tarantella, a Cicuzza.
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The school day began with bugle call, breakfast, and chapel. Facilities ranged from a dormitory, an infirmary, library, classroom buildings, rifle range, tennis courts, a parade ground, and the notorious "bull ring" where detention students were made to march. Porter Military Academy boasted a naval program, including several surplus Navy vessels. The "Porter Navy" was discontinued, however, after a fire destroyed the ships.
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Bugle calls have in history been used to relay orders over distances or to large formation of troops. Some of the traditions of the Norwegian Armed Forces have their roots from either the personal union with Denmark or Sweden. This is also true when it comes to bugle calls, E.g. the bugle call for "Troop" is in Norway and Sweden identical.
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Since 2014 the historic interior of the session hall of the Cieszyn town hall has been made available for wedding ceremonies. At noon from the tower of the town hall a bugle call is played composed to commemorate 1150th anniversary of the legendary foundation of Cieszyn. It is based on a popular folk song: "Helo...Helo...Helenko...jakus Ci sie pasie?".
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The orchestra recorded "Moonglow", which became a number one hit and was followed by the Top Ten hits "Take My Word" and "Bugle Call Rag". NBC hired Goodman for the radio program Let's Dance. John Hammond asked Fletcher Henderson if he wanted to write arrangements for Goodman, and Henderson agreed. During the Depression, Henderson disbanded his orchestra because he was in debt.
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Throughout its whole history, Bytów was known to be a multicultural town inhabited by Kashubians, Poles, Slovincians, Germans and Jews. Since 2000 a bugle call is played during important events which taking place in the area. Bytów is a popular tourist destination in the region of Pomerania and is famous for its medieval Teutonic Castle built in the late 14th century.
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The mayor pardoned Pietrek, and the watchmaker was ordered to make a mechanism that would activate the clock goats every day. Since then, every day the trumpeter plays the bugle call and two buzzing goats show up. The real goats did not reach the tables of city councilors and townsmen but were returned to the poor widow, their true owner.
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They pushed off for the attack the next morning meeting only scattered resistance. By 29, 7 December Cavalry units reached the west coast, north of the village of Tibur, and drove north, capturing the town of Villaba, and killing 35 Japanese there. On 31 December, the Japanese launched four counterattacks on the 7th Cavalry, each starting with a bugle call.
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Schoebel wrote a number of standards, including "Bugle Call Rag", "Stomp Off, Let's Go","Nobody's Sweetheart Now", "Farewell Blues", and "Prince of Wails". "Prince of Wails" was the only composition Schoebel recorded as a leader, in 1929 as Brunswick 4652. He also wrote "I Never Knew What A Girl Could Do", "Oriental", and "Discontented Blues" while a member of the New Orleans Rhythm Kings.
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Howard, John Tasker, cited in Ewen, pg. 19 (no specific source given) In addition to, and in conjunction with, popular songs with patriotic fervor, the Civil War era also produced a great body of brass band pieces, from both the North and the South,Library of Congress: Band Music from the Civil War Era as well as other military musical traditions like the bugle call "Taps".
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Shine America began as Reveille Productions, an independently owned television and motion picture studio and production company based in Los Angeles. The studio was founded by Ben Silverman in March 2002. The name Reveille is based on the bugle call used to wake up military personnel; the company logo features a bugler in action. In 2007, Silverman accepted the job as the new entertainment head at NBC.
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His borrowings include snippets of the French hunting signal Le Réveil, the military bugle call Retreat, and Offenbach's can-can Le rondeau du brésilien, which he incongruously managed to turn into a polka.Whiting, "Satie the Bohemian", p. 464. "The scoring and the continual oom-pah capture the ambiance of a circus processional, with pratfalls along the way", Steven Moore Whiting noted.Whiting, "Satie the Bohemian", p. 464.
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In modern times, the U.S. military plays (or sounds) "Reveille" in the morning, generally near sunrise, though its exact time varies from base to base. On U.S. Army posts and Air Force bases, "Reveille" is played by itself or followed by the bugle call "To the Colors" at which time the national flag is raised and all U.S. military personnel outdoors are required to come to attention and present a salute in uniform, either to the flag or in the direction of the music if the flag is not visible. While in formation, soldiers are brought to the position of parade rest while "Reveille" plays then called to attention and present arms as the national flag is raised. On board U.S. Navy, Marine Corps, and Coast Guard facilities, the flag is generally raised at 0800 (8 am) while "The Star Spangled Banner" or the bugle call "To the Colors" is played.
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The Last Post was a bugle call played in the British Army (and in the armies of many other lands) to mark the end of the day's labours and the onset of the night's rest. In the context of the Last Post ceremony (and in the broader context of remembrance), it has come to represent a final farewell to the fallen at the end of their earthly labours and at the onset of their eternal rest. Similarly, the Reveille was a bugle call played at the beginning of the day, to rouse the troops from slumber and to call them to their duties. In the context of the Last Post ceremony (and in the broader context of remembrance), the Reveille symbolises not only a return to daily life at the end of the act of homage, but also the ultimate resurrection of the fallen on the Day of Judgement.
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"Sunset", also known as the "Retreat Call", is a bugle call played in United Kingdom and British Commonwealth countries to signal the end of the official military day.Royal Marines Band - "beating retreat" royalmarinesbands.co.uk, Retrieved 18 July 2010 In common with all bugle calls, it consists only of notes from a single overtone series. This allows it to be playable on a bugle or equivalently on a trumpet without moving the valves.
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" In fact, the song was a march as opposed to a rag and barely contained "a hint of syncopation." Its sole notability "comprised quotes from a bugle call and Swanee River." Due to such criticisms, many were unimpressed by the tune. Undaunted by the indifferent response, Berlin submitted the song to Broadway theater producer Jesse L. Lasky who was preparing to debut an extravagant nightclub theater called "the Follies Bergère.
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In Camp Kanombe, the bugle call immediately after the crash was taken by soldiers to mean that the Rwandan Patriotic Front had attacked the camp. The soldiers rushed to their units' armories to equip themselves. Soldiers of the paracommando brigade Commandos de recherche et d'action en profondeur assembled on the parade ground at around 9:00 pm while members of other units gathered elsewhere in the camp.Melvern, pp.
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The insurgents stayed in the area for about ten more minutes, firing intermittently at anything that moved. A bugle call then sounded, and the insurgents pulled back. When the firing eased, Lady Gurney crawled out of the Rolls Royce, only to discover her husband's body lying in a roadside ditch. Twenty minutes later, the officer in charge of the armored scout car arrived at the scene with reinforcements from the police station.
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The Bugle Rock garden is behind the Dodda Ganesha temple and adjacent to the Bull temple. The garden gets its name from a bugle call made on top of a very large rock formation to alert the nearby dwellers. It is densely covered with trees and one can usually see and hear a number of bats perched on the trees. There is a water tank with motifs of famous people from Karnataka.
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Reveille played on the bugle by a member of the United States Army Band Musical notation of "Le Réveil" from french military rules book published Jully, 29 1884 "Reveille" ( , ) , called in french "Le Réveil" is a bugle call, trumpet call, drum, fife-and-drum or pipes call most often associated with the military; it is chiefly used to wake military personnel at sunrise. The name comes from (or ), the French word for "wake up".
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In 1933, the Market Square was reconstructed, this included the deconstruction of nearby townhouses, the tower, which was not secured, collapsed on the morning of June 15, 1934. In 1936, a similar 65 metre high tower was built. The town hall was not bombarded during World War II, and continues to be the seat of the Opole City Council. Each day a bugle call (Hejnał Opola) is performed from the town hall's tower.
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Only a bugle call is sounded when the B flat version is played. Being the national anthem, and played in honor of the King and the Queen of Spain, it is common for all to stand once it is played. Even though it is also played in church events, respect for the royal family is required by everyone in attendance; civilians stand at attention, and those in uniform salute when not in formation.
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"Taps" is a bugle call played at 2100 hrs, during flag ceremonies, and at military funerals by the United States Armed Forces. The official military version is played by a single bugle or trumpet, although other versions of the tune may be played in other contexts (e.g., the U.S. Marine Corps Ceremonial Music site has recordings of two bugle and one band version). It is also performed often at Girl Guide, Girl Scout, and Boy Scout meetings and camps.
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Upon being released, Gu and his 46 surviving men are sent to defend a coal mine on the bank of the Wen River, which is near Tai'an, Shandong. They are ordered not to retreat until they hear a bugle call for assembly. With Liu's permission, Wang, being the most educated man in the company, becomes the 9th Company's new political commissar. Almost immediately after fortifying their position, the 9th Company comes under heavy attack by NRA forces.
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During the 1850s the bugle became the main means of signalling and Bugle Majors were appointed to assist the Drum Major. Initially the Royal Marine Artillery had a Trumpet Major but this appointment was replaced by Bugle Major when the artillery trumpet was superseded by the bugle. However, RMA Buglers continued to wear the crossed trumpets badge on their sleeve. During this period the RMA was unique in having a Divisional bugle-call and a Divisional trumpet-call.
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Like other bugle calls, "recall" is a short tune that originated as a military signal announcing scheduled and certain non-scheduled events on a military installation, battlefield, or ship. Historically bugle calls indicated the change in daily routines of camp. A defining feature of a bugle call is that it consists only of notes from a single overtone series. This is in fact a requirement if it is to be playable on a bugle or equivalently on a trumpet without moving the valves.
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While the Union Army recuperated at Harrison's Landing, Virginia, from its grueling withdrawal during the Seven Days Battles, Butterfield experimented with bugle calls and is credited with the composition of "Taps". He wrote "Taps" to replace the customary firing of three rifle volleys at the end of burials during battle. "Taps" also replaced Tattoo, the French bugle call to signal "lights out". Butterfield's bugler, Oliver W. Norton of the 83rd Pennsylvania Volunteers, was the first to sound the new call.
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Flowerdew reached high ground at the northeast corner of the wood just in time to encounter a 300-strong German force from the 101st Grenadiers, who were withdrawing. Flowerdew ordered, "It's a charge boys, it's a charge!" however, the bugle call was silenced by German fire before it was even sounded. During the charge, both sides were decimated, with only 51 of his unit still alive. Flowerdew died of his wounds the next day at No. 41 Casualty Clearing Station.
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Having fended off a wave of enemy infantry and supporting armour and subsequently destroying two enemy tanks, only a handful of PLA soldiers are still alive. At this point, some of the soldiers claim to hear the supposed bugle call in the distance. Gu, who was temporarily deafened by an explosion, is reluctant to believe them and commands that they fight to the death. The entire 9th Company is killed except Gu, who is knocked unconscious by an NRA tank shell.
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William (Bill, Will) Henry Strahan (21 September 1869 – 25 April 1915) was a member of the Toodyay Road Board who served with the 16th Battalion of AIF. He was killed in action on 25 April 1915 (the first day of the Gallipoli Campaign). Prior to enlisting with AIF Strahan was a volunteer member of the Australian Light Horse and Guildford Rifles where he held the rank of sergeant major. Strahan wrote The Bugle Call, which was published several times after his death.
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They sound a bugle call followed by a quick drum beat to signal a quick march, which is a break of tradition for regular bands that use a regular drum beat. These types of bands never performs slow marches except during occasions that require it (i.e. Trooping of the Colour, Presentation of Colours, Changing of the Queen's Guard). Today, the Band and Bugles of The Rifles is the only one of its kind and with that specific naming custom in the British Army.
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After the smugglers leave, José arrives. Carmen treats him to a private exotic dance ("Je vais danser en votre honneur ... La la la"), but her song is joined by a distant bugle call from the barracks. When José says he must return to duty, she mocks him, and he answers by showing her the flower that she threw to him in the square ("La fleur que tu m'avais jetée"). Unconvinced, Carmen demands he show his love by leaving with her.
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That accuracy was attested to by the recognition received by the program. "Death Valley Days won awards from the Governors of California, Nevada, and Utah and historical societies including the Native Daughters of the Golden West, and from the University of Washington." Each episode began with a bugle call, followed by an announcer's introduction of The Old Ranger ("a composite character who had known the bushwhackers, desperados, and lawmen of the old days by first name"). For nearly six years,White, John Irwin (1989).
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Coat of arms of Iława On the coat of arms of Iława there is the figure of the Mother of God with the Child in her arms, who sits on the throne at the city gate. The coat of arms of Iława was amended by the resolution of the City Council of May 28, 1998. Iława's city bugle-call was approved by the resolution of the City Council of August 29, 1996. It is played every day at 12.00 on the trumpet from the town hall tower.
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Sheet music The "Royal Air Force March Past" is the official march of the Royal Air Force (RAF) and is used in some other Commonwealth air forces. The original score was completed by Walford Davies in 1918 for the new RAF; it combined the rhythm of the bugle call of the Royal Flying Corps with that of the Royal Naval Air Service. The call appears in both the introduction and the coda. It was originally known as the Adastral I (in reference to the RAF's motto).
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War memorials are the focal point for the local community during the solemn annual ceremonies of 25 April, Anzac Day, the Australian national day of commemoration and remembrance for all those who have fallen in war. The Anzac Day dawn ceremony, the one minute of silence, the Ode and the bugle call of the Last Post are especially poignant and moving experiences for Australians, young and old alike. The Oxley War Memorial encapsulates this aesthetic for the local community, and for the wider Australian community.
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French Marine plays the bugle during the Gulf War, in March 1991. A bugle call is a short tune, originating as a military signal announcing scheduled and certain non-scheduled events on a military installation, battlefield, or ship. Historically, bugles, drums, and other loud musical instruments were used for clear communication in the noise and confusion of a battlefield. Naval bugle calls were also used to command the crew of many warships (signaling between ships being by flaghoist, semaphore, signal lamp or other means).
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Malcomson, A Very Brilliant Affair, p. 142 The redan had very few troops guarding it, the light company of the 49th having been ordered from the heights into the town by Brock to join the fighting in the village in support of the grenadier company.Hitsman, p. 95. Cruikshank states Dennis had ordered the light company down by bugle call, before Brock's arrival Wool's troops attacked just after Brock arrived, forcing his small party and the artillerymen to flee into the village, after quickly spiking the guns.
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The melody of "Taps" is composed entirely from the written notes of the C major triad (i.e., C, E, and G, with the G used in the lower and higher octaves). This is because the bugle, for which it is written, can play only the notes in the harmonic series of the instrument's fundamental tone; a B-flat bugle thus plays the notes B-flat, D, and F. "Taps" uses the third, fourth, fifth, and sixth partials. Taps in C "Taps" is a bugle call – a signal, not a song.
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Goss would later trace the lineage of this calling to her grandfather, who had once been responsible for playing a bugle call to wake workers on a plantation in Alabama. She calls it "waking up the people," in honor of and in conversation with this legacy. Goss's storytelling is influenced by folk tales, poetry, history, and musical forms including jazz, gospel, and country. She sees storytelling as a "tool for social change": a responsive and flexible art form that can be adapted and transformed to fit the immediate context of the teller and the audience.
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"19" is a song by British musician Paul Hardcastle released as the first single from his self-titled third studio album Paul Hardcastle (1985). The song has a strong anti-war message, focusing on America's involvement in the Vietnam War and the effect it had on the soldiers who served. The track was notable for early use of sampled and processed speech, in particular a synthesized stutter effect used on the words 'nineteen' and 'destruction'. It also includes various non-speech, re-dubbed sampling, such as crowd noise and a military bugle call.
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As time passes, Zhao manages to discover the location of the tomb of Colonel Liu Zeshui, the 139th Regiment's commander. Gu visits the tomb and finds that the curator is Liu's assistant and bodyguard, who survived the war but lost one of his arms. The curator confirms that the bugle call was never sounded because the 9th Company was deliberately sacrificed to buy time for the rest of the regiment before fighting the NRA forces. Gu flies into a rage and fights with the curator but later manages to calm down.
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An American propaganda poster during the Second World War depicting a bugler from the Ethiopian National Defence Force Band The bugle is used mainly in the military and Boy Scouts, where the bugle call is used to indicate the daily routines of camp. Historically the bugle was used in the cavalry to relay instructions from officers to soldiers during battle. They were used to assemble the leaders and to give marching orders to the camps. The bugle is also used in Boy Scout troops and in the Boys' Brigade.
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Taps, a bugle call sounded over the grave dating from the era of the American Civil War is performed by one lone bugler from the United States Marine Band, thirty to fifty yards away. Immediately thereafter, the United States Marine Band will perform William Whiting's Eternal Father, Strong to Save as the "Final Salute" is given. During interment, fighter aircraft provided by the United States Air Force will perform a second and final aerial flyover in missing man formation, as would be previously observed during a ceremonial procession on Constitution Avenue in Washington, D.C.
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Members of the United States Marine Band participated in Ronald Reagan's funeral procession to the Capitol on June 9, 2004. The premier military bands from the five branches of the Armed Forces have an approved musical repertoire that they perform while marching on Pennsylvania or Constitution Avenue. The use of muffled drums and bagpipes are common as well. Military musical honors such as the presidential fanfare Hail to the Chief, the bugle call Taps, and Ruffles and flourishes, are performed by military bands as a mark of respect.
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Not long after, Briggs and Porkchops became part of a tetrad with Junie Miller and Paul White. They performed for 5 or 6 years as Porkchops, Navy, Rice, and Beans, entertaining audiences in dance halls between halves of each show. They were known for dancing to cutesy, upbeat songs such as "Bugle Call Blues". While performing with the tetrad, Briggs was discovered in 1930 by Luckey Roberts, who invited him to perform for high society with the Social Entertainers: a black band that played for the Vanderbilt Set.
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Ernani's Castle Elvira and Ernani have just been married, when, in consternation, Ernani hears a bugle call. Silva arrives and silently hands Ernani a dagger. Ernani asks for time to "sip from the cup of love" (Ascolta, ascolta un detto ancor/ "Listen, just one word...") but, cursed by Silva as a coward, Ernani keeps his oath and stabs himself in the heart (Trio with Silva: È vano, o donna, il piangere, è vano / "Your weeping is in vain, woman"). He dies in Elvira's arms, telling her to live.
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The JGSDF adopted a more western style military band, which originated in Japan during the Meiji Restoration, which saw the reform of the armed forces to the standards of Western armed services. The JGSDF's bands also carry on the practice of bugle call playing, with bugle platoons present in every unit in the JGSDF using G major bugles. As a JSDF military band, the JGSDF Central Band frequently renders honors in national and local performances, including events for honoured imperial guests and official dignitaries. It is the main sponsor for the JSDF Marching Festival.
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Dugenne, who was leading the column's main body, ordered a bugler to sound for a ceasefire, but the bugle call had no effect. The Chinese were sounding their own trumpets to bring more of their own men into action, and as it became clear that the battle could not be stopped Dugenne planned his defence. He formed his men into a square, enclosing his vulnerable baggage train, and ordered them to dig trenches. During the late afternoon of 23 March the French successfully repelled repeated Chinese attacks, and were even able to counterattack with some effect.
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Wilfred Owen The poem takes its title from the bugle call used at British ceremonies remembering those killed in war, the "Last Post". It begins with two lines from the poem Dulce et Decorum Est by the First World War poet and soldier Wilfred Owen: In all my dreams, before my helpless sight He plunges at me, guttering, choking, drowning. The title of Owen's poem is part of a line from the Roman poet Horace - ' ("It is sweet and fitting to die for one's country"). The phrase was inscribed over the chapel door at Sandhurst, the British military academy, in 1913.
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Anzac Day ceremony at Canungra's honour board memorial, Australia, 1937 Ceremonies came to surround many memorials; many memorials were formally opened or unveiled in public ceremonies, while others were used for recurring ceremonies on commemorative days. Memorials in Britain and France were typically opened in civic ceremonies involving local dignitaries, veterans and the next-of-kin of fallen servicemen.Winter, pp.96–97. Some memorials acquired daily ceremonies; in 1928 it became customary to play the Last Post bugle call at the Menin Gate memorial each evening, for example, and this practice spread to many other similar memorials in France.
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At the widow's mansion, Laurel and Hardy encounter a deranged butler (Jack Barty) who pantomimes card tricks with imaginary cards, and serves an imaginary meal. The same butler tips off Stan and Ollie that the widow is a serial murderess, who had previously slit the throats of seven prior fiancés, all named Oliver. Laurel and Hardy are sent upstairs, as the widow tells her butler to make sure all the doors and windows are locked. She tells Ollie, "I hope you have a nice, long sleep", as the butler plays "Taps" (a bugle call played at dusk) on a trumpet.
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Martha Keller's The Alamo in Brady's Bend and Other Ballads,Martha Keller Brady's Bend & Other Ballads Rutgers University Press; 1st edition, (1946) published in 1946, became popularized through Juanita Coulson's folk song, "No Quarter, No Quarter."Coulson J., Keller M. Rifles and Rhymes, Off Centaur Publications, 1984 (cassette) In it, Keller wrote, "When they sound the 'No Quarter', they'll rise to the slaughter, when they play 'The Deguello', the wail of despair." K. R. Wood's 1997 compilation album Fathers of TexasFathers of Texas from the Summit Artists website explains the bugle call and what it meant at the Alamo through song and narration.
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Several times while marching they received dispatches from General Washington requiring official action. The bugler would sound halt; they would wheel their horses into a hollow square; there put through legislation in approved parliamentary style, and announce adjournment by the bugle call, when they would break into fours and proceed on their way. It was at White Plains on the 9th of July, the Provincial Congress received the Declaration of Independence. After the Convention agreed on April 20, 1777 to the form the new state government would take, they determined that the governmental organization should become effective in July.
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Wonderbug's alter ego "Schlepcar" (so named due to its personalized California license plate "SCHLEP") was an old, beat up, conglomeration of several junked cars that looked like a rusty dune buggy. Like Herbie of Disney film fame, Schlepcar was alive and could drive itself, and could also talk in a mumbling voice. It was found in a junk yard by teenagers Barry Buntrock (David Levy), C.C. McNamara (John Anthony Bailey) and Susan Talbot (Carol Anne Seflinger). Schlepcar transformed into the shiny metal-flake orange Wonderbug whenever a magic horn (which played the bugle call for "cavalry charge") was sounded.
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Zarchy was with the Joe Haymes orchestra in 1935, and the following year played with Haymes, then Benny Goodman, and then Artie Shaw. He was then with Bob Crosby and Red Norvo (1937–39), Tommy Dorsey (1939–40), and Glenn Miller (1940). Between 1942 and 1945 he played in US Army bands: he was part of what became Miller's Army Air Force Band (officially, the 418th Army Band), playing lead trumpet as Master (First) Sergeant. Zarchy's trumpet can be heard on recordings as Benny Goodman's "Bugle Call Rag", Glenn Miller's "Moonlight Cocktail", and Bob Crosby's "South Rampart Street Parade".
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Offstage music performed in the theater as an effect in a play is often less problematic than performing offstage music with an orchestra. In a theater context, the offstage sound effects are less likely to have to be synchronized exactly with other rhythms or pitches. For example, in some Shakespeare plays, the script calls for an offstage bugle call to indicate that enemy soldiers are in the distance. This cue does not have to be aligned with any other pitches or rhythms; it only needs to occur within the correct part of a scene, so a leeway of several seconds is acceptable.
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Originally, the Last Post was a bugle call used in the British Army (and others) to signal the end of the day. In the context of the Last Post ceremony, it represents a final farewell to the fallen. In similar manner, the Reveille was traditionally played at the break of day, to waken the soldiers and call them to their duty. In the context of the Last Post ceremony, it not only symbolises the return to daily life at the end of the act of remembrance, but also expresses the resurrection to 'eternal life' of the fallen.
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Commands were typically issued via voice, (rarely) drum (infantry only), or bugle call. Soldiers were drilled in infantry tactics, usually based upon a manual written before the war by West Point professor William J. Hardee (Rifle and Light Infantry Tactics: for the Instruction, Exercise and Maneuver of Riflemen and Light Infantry, published in 1855). Another treatise commonly used was from Winfield Scott, entitled Infantry Tactics, or Rules for Manoeuvers of the United States Infantry. Originally published in 1835, it was the standard drill manual for the U. S. Army. Other popular instruction manuals were issued early in the Civil War, including McClellan's Bayonet Drill (1862) and Casey's Infantry Tactics (1862).
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There is a stormy confrontation with many passionate, hateful words on Toni's part between her, Lili and Matt; and Matt has to tell her that he was the second man in the love triangle. Toni curses both of them and runs out, just before a bugle call summons the show to Dress Rehearsal. The rehearsal opens to empty seats with Grand Parade, with the performers marching in behind the flags of the nations whose citizens are in the show: the United States, Great Britain, France, Imperial Germany, Switzerland, Iceland, Sweden, Italy, and many more. Partway through Grand Parade, a fire breaks out in Wardrobe and spreads to the Big Top.
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The central ritual at cenotaphs throughout the Commonwealth is a stylised night vigil. The Last Post was the common bugle call at the close of the military day, and The Rouse was the first call of the morning. For military purposes, the traditional night vigil over the slain was not just to ensure they were indeed dead and not unconscious or in a coma, but also to guard them from being mutilated or despoiled by the enemy, or dragged off by scavengers. This makes the ritual more than just an act of remembrance but also a pledge to guard the honour of war dead.
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Passengers could dine up to 8:15 at the latest, but only on request in advance to a steward. A bugle call to the tune of "The Roast Beef of Old England" was sounded half an hour in advance of lunch or dinner by the ship's bugler, Peter W. Fletcher, so that passengers could dress, before a second call signalling the start of the meal. On Sundays, beginning at 11:00 am, the dining saloon was also used for the Anglican Church service, which was conducted by the captain or, in his absence, by a minister travelling in first class. The service was accompanied by a quintet, which included a piano.
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He called upon brigade bugler Pvt. Oliver Wilcox Norton, to help him adjust the pitch and timing of notes for a new bugle call, now known simply as "Taps", and may have based it on memory of the earlier call. It was not until some time later, when generals of other commands had heard it, that permission was given to substitute it throughout the Army of the Potomac."Origin of 'Taps'", Arlington National Cemetery Later in the war, Taps would be played at burials in lieu of the three volleys of rifle fire since it was thought the sound of the gunshots might be mistaken for enemy fire.
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300px Beyond the Deepening Shadow: The Tower Remembers was an artistic installation at the Tower of London in November 2018, to commemorate the centenary of the end of the First World War. Each evening in the week before Remembrance Day, 10,000 torches were lit in the moat of the tower, after an opening ceremony of a bugle call, minute of silence and reveille. The torches remained lit for several hours while loudspeakers broadcast a soundscape composed by Mira Calix, based on a sonnet written by nurse Mary Borden to a British officer at the Somme. The event was conceived by Tom Piper and directed by Anna Morrissey.
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William Collier (nicknamed "Buster") was born in New York City. When his parents divorced, his mother, the actress Paula Marr, remarried the actor William Collier Sr. who adopted Charles (the two did share a resemblance) and gave the boy the new name William Collier Jr. Collier's acting experience in childhood, having first appeared on stage at age seven, helped him get his first movie role at age 14 in The Bugle Call (1916). He later became a popular leading man in the 1920s and successfully made the transition from silent into sound film. Nevertheless, he retired from acting in 1935, and in 1937 traveled to England to work as a movie producer.
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It is the famous hymn written by Henry Francis Lyte, Abide With Me set to music by William Henry Monk and one of Mahatma Gandhi's personal favorite hymns, and has remained part of the ceremony over the years when many other foreign tunes were phased out to make way for Indian tunes, especially during the 2011 ceremony. The chimes made by the tubular bells, placed quite at a distance, creates a mesmerising ambiance. This is followed by the bugle call for sunset by the buglers, and all the flags are slowly brought down. The band master then marches to the President and requests permission to take the bands away, and informs that the closing ceremony is now complete.
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" Berlin with film stars Alice Faye, Tyrone Power and Don Ameche singing chorus from Alexander's Ragtime Band (1938) Richard Corliss, in a Time profile of Berlin, described "Alexander's Ragtime Band" as a march, not a rag, "its savviest musicality comprised quotes from a bugle call and "Swanee River." The tune revived the ragtime fervor that Scott Joplin had begun a decade earlier, and made Berlin a songwriting star. From its first and subsequent releases, the song was near the top of the charts as others sang it: Bessie Smith, in 1927, and Louis Armstrong, in 1937; no. 1 by Bing Crosby and Connee Boswell; Johnny Mercer in 1945; Al Jolson, in 1947 and Nellie Lutcher in 1948.
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The ceremony starts with all units presenting arms at the sound of a bugle call and performing a royal salute, with the playing of the guest anthem and the Marcha Real taking place. Once the regiment is orders arms, 3 senior officers from the guard (a senior commander, a bugler and a guidon bearer) approach the central grandstand to report to the guest and His Majesty the king on the readiness of the regiment for inspection. They then begin their inspection, reviewing the infantry as well as the mounted units. Once the review is complete, a large military parade in the forecourt of the palace is held with the massed bands playing military music as the units march past.
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During the night of 26 July, sometime after 10:00 pm, a messenger arrived with word that the enemy had reached the village of Khar, three miles from Malakand. A bugle call was immediately sounded within the camp. Lieutenant-Colonel McRae, commanding the 45th Sikhs, two units from the 31st Punjab Infantry, two Guns from No. 8 Mountain Battery and one Squadron from the 11th Bengal Lancers, was to have been sent to Amandara Pass – a distance of four miles – with orders to hold the position; however, the Pashtun column had already arrived at the South Malakand camp, surprising the British defenders,Elliott–lockhart p. 30 and began to open fire on the garrison with muskets.
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Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat- major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A major version is optional. The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played.
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It is said that at sunset a sentry would blow the bugle and hold a torch (Kannada:panju) which was visible from the other three watch towers (one on the southern bank of the Kempambudi tank on the west, the second near Ulsoor Lake in the east and the third tower adjoining Ramana Maharshi Ashram on Bellary Road, namely Mekhri Circle in the north). This was done to inform people that everything was safe at that location and to give a warning bugle call to alert the citizens of any intruders into the city. Most of the rocks on the Bugle Rock, next to the Bull Temple, have hollows, which were once used to light lamps. This landmark spreads over an area of .
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The musicians in the band then were Paris on saxophone, Paul Tesluk on a Hammond Chord organ, Dave Yorko on guitar, Lionel "Butch" Mattice on bass, and Bill "Little Bo" Savich on drums. They specialised in versions of old tunes with a rock and roll beat. They chose these songs because they were well recognized and easier to accept with the beat. Tunes were credited to 'King, Mack' and usually one other name: King and Mack were in fact pseudonyms for Harry Balk and Irving Micahnik, the band's managers. In 1960, they recorded the United States Army bugle call, "Reveille", as "Reveille Rock", and turned "Blue Tail Fly" into "Beatnik Fly". Both tunes made the Top 40 achieving number 25 and 15 respectively.
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A percussionist member of the Japan Maritime Self-Defence Force Band during the JSDF Marching Festival in 2013. The Western military band tradition arrived in Japan during the Meiji Restoration, which saw the armed forces reformed to the standards of Western armed services. Today, the Japan Self-Defense Force sports a moderate number of military bands within all its service branches (The Ground, Maritime and Air Self-Defense Forces) which carry on a long heritage of Japanese military music beginning in the 1880s. The JSDF also carries on the Imperial practice of bugle call playing, which dedicated bugle platoons present in almost every unit using G major bugles similar to those used by the United States Army in the past.
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Hilton named his team the Chargers, but denied that he did it to create synergy with his new credit card business. A fan had nominated the name in a contest, and Hilton selected it because of the bugle call and "Charge!" cheer that was often sounded during USC football games at the Los Angeles Memorial Coliseum. The Chargers began playing at the Coliseum in 1960, but in spite of winning the Western Division, the club found it difficult to compete for fans with the Rams of the National Football League (NFL) in their own stadium. Hilton moved the team to San Diego in time for the 1961 season and played in tiny Balboa Stadium, which the city had expanded to 30,000 seats.
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Daniel Adams Butterfield (October 31, 1831 - July 17, 1901) was a New York businessman, a Union General in the American Civil War, and Assistant U.S. Treasurer. After working for American Express, co-founded by his father, Butterfield served in the Civil War, where he was soon promoted brigadier general, and wounded at Gaines' Mill. While recuperating, he either wrote or re-wrote a popular bugle-call for burials, called Taps. He commanded a division at Fredericksburg, and then became Hooker's chief of staff, sharing both the credit for improved morale and responsibility for the licentious behaviour that Hooker tolerated in camp. He also became embroiled in Hooker’s political feuds with Burnside and Meade. Wounded at Gettysburg, he served in Sherman’s Atlanta campaign, before retiring from front-line service through illness.
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The Royal Engineers placed explosives on a howitzer artillery piece and a Long Tom, taking the breechblock from the Long Tom and removing a Maxim gun back to Ladysmith. Being on the other side of a hill the Natal Police did not hear the bugle call "retire" and were late returning to Ladysmith. The NP saw further action during the evening of 5 January 1900 when a picket near Caesar's Camp (named after Caesar's Camp, an ancient feature near Aldershot which it resembled) were fired on during a major assault by the Boers on the British at Wagon Hill. Early next morning the Boers shot the horses of the NP forcing them to make their own way back by foot at the same time enduring withering rifle fire.
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The Royal Engineers placed explosives on a howitzer artillery piece and a Long Tom, taking the breechblock from the Long Tom and removing a Maxim gun back to Ladysmith. Being on the other side of a hill the Natal Police did not hear the bugle call "retire" and were late returning to Ladysmith. Dartnell and the NP saw further action during the evening of 5 January 1900 when a picket near Caesar's Camp (named after Caesar's Camp, an ancient feature near Aldershot which it resembled) were fired on during a major assault by the Boers on the British at Wagon Hill. Early next morning the Boers shot the horses of the NP forcing them to make their own way back by foot at the same time enduring withering rifle fire.
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The regulations stipulate that when seeing the flag being hoisted or lowered, or hearing the bugle call, all activity should if possible be stopped, and personnel should execute the foot drill manoeuvre of "Halt and front face" (stopping up and turning one's body to face the flagpole). If a person is not in formation and is wearing a uniform hat, cap or beret, he or she must render a salute. A person in formation or not wearing a prescribed uniform hat, should stand at attention for the duration of the bugle signal, or if in sight of the hoisting or lowering, until the flag is either at the top of the pole, at half mast, or until two thirds of the flag is in the hands of the flag party.
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The theme of temptation is one of the most significant in the epic. Apart from the armed conflicts, the defenders have also to undergo a spiritual struggle against these that threaten to weaken their will to resistance. It is not only their physical condition of starvation and destitution, but also the far more subtle and insidious effect on them of the spell cast by nature itself: the work is set in the last days of the siege, just before the Easter of 1826, during springtime, and two of its sections are dedicated to the beauty of spring.Mackridge, 1996: 16 Thus, at one time the poet describes pastoral scenes of peace which are suddenly disrupted by a bugle call, faintly blown by one of the defending soldiers, to waken and rescue their souls from 'enchantment'.
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Following this, the parade begins with the historical segment. As the trumpeters of the Armed Forces Massed Bands sound a bugle call, the mounted ceremonial horse guards battalion of the Revolutionary Army, wearing uniforms of the Cuban Mambisa cavalry (Caballeria Mabisa) of the Cuban War of Independence, trot past the saluting dais as the combined bands plays march music. As the mounted squadron passes by the saluting base the officers salute and the troopers present their machetes at the charge position, honoring the cavalrymen who fought during the conflict. Following them is a contingent of Jose Marti Pioneer Organization Pioneers in the 5th and 6th grades escorting a replica of the Granma, the fast yacht whose landing in 1956 sparked the outbreak of the Revolution and the birth of the modern day Revolutionary Armed Forces.
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Orchestra Wives features a treasure trove of songs by Mack Gordon and Harry Warren, the same team responsible for the hits featured in Miller's first film Sun Valley Serenade (1941). The main production number is "I've Got a Gal in Kalamazoo", an analogue of "Chattanooga Choo-Choo", from the first film that features a folksy vocal and some gutsy tenor sax work by Tex Beneke, backup singing by Marion Hutton with the Modernaires, and a gravity-defying dance sequence by the Nicholas Brothers. This was nominated as Best Music, Original Song in Academy Awards: Harry Warren (music), Mack Gordon (lyrics). Other songs include the period piece "People Like You and Me", a breakneck performance of "Bugle Call Rag" and the classic romantic ballads "At Last" (originally intended for Sun Valley Serenade) and "Serenade in Blue".
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He was a really close friend of Ludwig van Beethoven, whose symphonies show traces of his influence. For example, the coda of the finale of Eberl's E-flat symphony performed at the same concert in between Beethoven's First and newly composed Third ("Eroica," in the same key of E-flat; see below) that drew high praise from a reviewer who (reflecting typical contemporary conservative criticism) thought much less of the "Eroica" (for its radical length and otherwise advanced style) ends with a descending bugle-call theme in dotted rhythm in E-flat that is more or less identical to the closing theme of the first movement of Beethoven's monumental Ninth (stated in B-flat at the end of the exposition leading into the development, and in D minor at the end of the recapitulation leading into the coda).
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According to musicologist and Joplin biographer Edward Berlin, "Easy Winners must be judged one of Joplin's great works. It has a classical balance between its strains, its moods, and in its progression from the smooth calm of strain A to the sporadic agitation of strain D." The composition follows the structural pattern typical of many Joplin rags, although the pattern is extended to include an introduction before strain A and another before strain C, or the trio. Thus, the structure reads: :Intro A A B B A Trio-Intro C C D D In keeping with the sports theme of the composition, Joplin begins the trio with an introduction that is reminiscent of a bugle call signaling the beginning of a horse race. The intro is in A-flat major and the Trio is in the subdominant key of D-flat major.
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In 1908, Ricketts was finally given his own band. He was posted as Bandmaster to the Band of the 2nd Battalion of the Argyll and Sutherland Highlanders, joining them in the Orange River Colony (formerly the Orange Free State) in what is now the Republic of South Africa. The colonel asked him to write a new regimental march for the Argylls, and he responded with "The Thin Red Line", based on two bars of the regiment's bugle call. The title and term originated in a journalist's description (a "thin red streak tipped with a line of steel") of the appearance of the red-coated Argylls (under their alternate name of the 93rd Highland Regiment) as they stood before—and repelled- a vastly superior force of Russian cavalry at the Battle of Balaclava during the Crimean War.
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"article by Deirdre McMahon "The Politician – A Reassessment" in Studies Review, Vol 87, No 348 David C. Sheehy, Dublin diocesan archivist wrote in 2003 that "McQuaid saw the achievement of high office as the natural and appropriate outcome for someone of his background, education and talents. Like Bernard Law Montgomery taking over command of the British Eighth Army before El Alamein, in the late summer of 1942, McQuaid's accession to the See of Dublin, less than two years before, unleashed a man of ability combined with prodigious energy and in his prime. For Monty and McQuaid, prima donnas both, everything that had gone before in their very different lives had been but a preparation for the assumption of senior command and for the challenge of a lifetime. Like warriors of old, they gratefully responded to the bugle call and strode forward to claim their place in history.
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Cadet Sergeant Major Middleton at Mississippi A&M; At his young age, Middleton was required to complete a year of preparatory school before being enrolled in the four-year program at Mississippi A&M.; In essence he did a final year of high school while living in the dormitory and following the regimen of the students at the college.Price, 14–15 The students were treated like cadets at a military academy, marching to and from all meals, and beginning their day with the first bugle call at 5:30 a.m. Every week day was the same: cleanup and study time in the morning, march to breakfast, a usually short chapel call, classes from 8:30 to 4:00, broken only by lunch, athletics from 4:00 to 6:30 p.m., dinner, and then study from 7:30 to 10:00 p.m., followed by the playing of taps at 10:30, and lights out at 10:40.
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Once the urn is placed atop the carriage and is placed on the butsabok (open-sided roofed structure), a Royal Salute is rendered (and the massed military bands play Sansoen Phra Barami for the King and Queen or Maha Chai for senior members of the royal family). Two additional attendants say prayers at the south and north of the urn, while the Supreme Patriarch (or in his absence his representative) mounts the Ratcharot Noi carrying Buddhist scriptures to read while 74 military handlers pull the ropes. With a clapper sounded and the bugler playing a bugle call, the slow royal funeral march starts with the Traditional Band playing traditional songs and the massed bands playing the slow funeral march Phayasok, composed by His late Royal Highness Prince Nagor Svarga. The Royal Family proceeds at the rear of the funeral carriage, which moves along Sanam Chai Street, then forward across Ratchadamnoen Avenue and towards the Sanam Luang Royal Square and the crematorium area in either the southern or northern portion of the field (where the funeral urn is stationed).
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There were plans by the "Mountain Plains Enterprise Company" to build "Sunshine Studios" at Tim McCoy's Owl Creek Dude ranch in order to shoot a film titled, "The Dude Wrangler" written by Caroline Lockhart. The project was abandoned. He was also still listed as a scenario writer for Art-O-Graf Film company. Film Daily Year Book of Motion Pictures, 1922-1923 His work with MGM: 1927 "Frisco Sally Levy" (art director), "Tillie the Toiler" (art director), "Foreign Devils (1927 film)" (art director), "Spring Fever (1927 film)" (sets), "The Bugle Call" (sets), "The Callahans and the Murphys" (sets), "Rookies (1927 film)" (sets), "Slide, Kelly, Slide" (sets), "The Taxi Dancer" (sets), "Winners of the Wilderness" (sets) American Film Institute. "American Film Institute catalog of motion pictures produced in the United States, Part 1" University of California press, 1971, p. 1399 1933 "The Prizefighter and the Lady" (art director) Edgington, Erskine, Welsh. "Encyclopedia of Sports Films" Scarecrow Press Inc., 2011, p. 368 1934 "You Can't Buy Everything" (art director), "The Show-Off" (art director) Deschner, Donald.
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