It's bringing alive something that was just going to stand there and sing.
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The director, Jenna Worsham, has elicited fine work from the entire cast, bringing alive a subculture that's rarely explored with this compassionate detail.
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But Ms. Jones's talent for bringing alive voices of such piercing specificity helped me overlook the main problem that I had with the show.
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As Alice's beloved Jimmy Ray, Paul Alexander Nolan sings with his customary firm tone, bringing alive his character's angry disdain of his father's power-mongering.
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While bringing alive this redolent Gallic chapter of his boyhood (baguettes from the boulangerie; inkwells and laborious handwriting exercises at school), Mr. Carhart also resurrects the mood and mores of a particular window in time: the 1950s of Ike and Elvis's America, and postwar France.
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The chain was credited with pioneering the implementation of editorial-led catalogue recommendation in mainstream retail, bringing alive deep archive titles in entertaining hotspots such as "before they were famous", "so bad, they're good", or "the greatest car chases on film".
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Some criticised him for straying from the original meaning, which he had intentionally done, where he felt the occasion demanded. Medwin's skill lay in bringing alive Aeschylus's characters through believable dialogue that uses traditional metres and measure. Medwin's output in the middle years of the 1830s was prodigious. He contributed a series of short stories to Bentley's Miscellany.
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The vision for Airborne Assault is a unique attraction bringing alive the history and modern reality of the Parachute Regiment and Airborne Forces. Central to this is ParaData - a comprehensive database record of all who have served, and are currently serving, linked to accounts and details of relevant campaigns and engagements. Photographs, documents, letters and film and audio interviews are appended to each entry where available, and contributions of further material are invited. The database aims to be a definitive history and a continually updated resource.
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Pt. Birju Maharaj (Kathak), Guru Rajkumar Singhajit Singh-Charu Sija Mathur (Manipuri), Dr. Saroja Vaidyanathan (Bharatnatyam), Dr. Sonal Mansingh (Odissi), Bharati Shivaji (Mohiniattam) and Raja Reddy-Radha Reddy (Kuchipudi) choreographed 480 dancers bringing alive India's "Guru-Shishya Parampara" or the master-protege tradition on stage through classical dance recitals which also depicted four different seasons of India. The aerostat (the largest ever helium balloon built for such an event) formed the leaves of the Bodhi tree, while large strips elevated from the ground, made of silk and bamboo fibre form the tree trunk.
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In 2018, the Renwick Gallery of the American Art Museum at the Smithsonian in Washington D.C. brought the large-scale, participatory work from the desert gathering to the nation's capital for the first time. The exhibition took over the entire Renwick Gallery building and surrounding neighborhood, bringing alive the maker culture and creative spirit of this cultural movement. Immersive room-sized installations, costumes, jewelry, and ephemera transport visitors to the gathering's famed "Playa", while photographs and archival materials from the Nevada Museum of Art trace Burning Man's growth and its bohemian roots. Large-scale installations—the artistic hallmark of Burning Man—form the core of the exhibition.
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Kevin Thomas of Los Angeles Times gave the film a much more positive review, writing that "as impressive as the special effects are at every turn, even more crucial is Jonathan Carlson's superb, imaginative production design, which combines Thailand exteriors with vast sets that recall the barbaric grandeur of exotic old movie palaces and campy Maria Montez epics. John R. Leonetti's glorious, shadowy camera work and George S. Clinton's driving, hard-edged score complete the task of bringing alive the perilous Outworld". Gene Siskel of the Chicago Tribune gave it a "thumbs up" rating on Siskel & Ebert, calling it "the only half-way decent video game movie [he] has ever seen" and "a lot of fun," saying he was positively surprised by its various high quality production values, including the "often sensational" special effects, exotic locations and the cast of characters being "clearly drawn out of appealing types". Leonard Klady from Variety awarded the film a 3.5/5 stars stating that "But where others have sunk in the mire of imitation, director Paul Anderson and writer Kevin Droney effect a viable balance between exquisitely choreographed action and ironic visual and verbal counterpoint".
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