He writes: Corporations bring to the fore questions of size, power and accountability.
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They repeatedly bring to the fore questions about how their personal identities — in terms of gender, age, race, profession, sexuality, etc.
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The furor led others on Twitter to bring to the fore more criticisms of Bloomberg, like that he has supported Republicans in the past.
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But his work burst with generous humanity and possessed a sure grasp on the power of intimacy — something these productions skillfully bring to the fore.
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Almotasim sees this election as a chance to bring to the fore issues related to women, such as compensation for those who have suffered from conflict.
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Given how imaginative and distinct each of these first phase finalists ended up, it will be interesting to see what the second and third runs of the competition bring to the fore.
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In this respect, these de-skinned boats bring to the fore a concern with the fine grain of migration and bodily experience, where hybridity and the crossing of permeable boundaries loom large.
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This would promote uncertainty regarding reforms, as it would once again bring to the fore the risk of destabilizing scenarios such as elections and/or a change in the makeup of the Greek government.
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"We had been cautious on the growth profile in International, and believe the issues faced in India and Morocco bring to the fore certain risks that have been underestimated," Credit Suisse said in a note.
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"These findings bring to the fore critical and troubling trends that would otherwise be hidden from view," said Sabeel Rahman, a professor at Brooklyn Law School who specializes in the intersection between money and democracy.
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Given the critical role the Supreme Court plays in setting rules on everything from free speech and abortion to gun rights, that will bring to the fore the rancorous divisions between coastal Democrats and inland Republicans.
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When we start to peel back the layers and think about slavery and the Civil War in the context of today, Juneteenth is a moment where we bring to the fore these divided histories on remembering this era.
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For him, even though trash talk has been a veritable pillar of Smash since its very inception, there's a definite tension between a scene that saw rapid growth as a result of heated rivalries (complete with diss tracks) and the more progressive, inclusive attitude that organizers are trying to bring to the fore.
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He liked to invoke the psychologists' duck-rabbit sketch, in which the seeing of the duck precluded the alternative seeing of the rabbit, and vice versa; to bring to the fore "aspects" of a work, as Wittgenstein said, that had previously been invisible, so that audiences would perceive it in a completely different way.
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However, Q2 and FY19 revenue guidance imply a steep deceleration, and while not completely unexpected, could bring to the fore concerns regarding how much growth remains in the US ridehailing market under the current operating model ... we remain Underweight given the slowing growth profile and our view that Lyft has insufficient scale to ultimately deliver attractive returns.
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The documentary novel often has a political objective, which in Buried Alive was to bring to the fore an abused woman's exposed situation.Möller, Valdemar. Det brutna kontraktet: Om den missförstådda genren dokumentärroman och vad som sker när kontraktet mellan författare och läsare upphävs. Examensarbete, Karlstads Universitet, 2009.
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Doug and Pam reunited and were forced to confront his condition. Donovan praised the plot, saying it was "a great opportunity to bring to the fore some issues that affect older people." The actor was also asked to be an ambassador for Alzheimer's Australia as a result of the storyline. Doug returned to visit his family again in November 2014.
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Colin is furious when Guido reports Junior Roberts (Aaron Carrington) to the police for stealing some of his CDs. He feels that police involvement will only worsen any anti-social behaviour, whilst Guido feels that punishment is the only way to curtail the problem. Meanwhile, Guido is becoming annoyed with Colin's tendency to worry more for others than himself, namely Donna Ludlow (Matilda Ziegler), the unappreciative heroin addict who Colin is trying to reform. Their opposing opinions bring to the fore how little they share in common.
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In a few works, Hermaphroditus is strong enough to ward off his would-be attacker, but in others he shows his willingness to engage in sex, even if the satyr seems no longer inclined:Clarke, pp. 50–55. > Artistic representations of Hermaphroditus bring to the fore the ambiguities > in sexual differences between women and men as well as the ambiguities in > all sexual acts. ... Hermaphroditus gives an eternally ambiguous answer to a > man's curiosity about a woman's sexual experience—and vice versa. ... > (A)rtists always treat Hermaphroditus in terms of the viewer finding out > his/her actual sexual identity.
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Loewen clearly favors conceptions of society that are critical, interpretive, and bring to the fore our shared human ability to not merely be curious about the social world, but to hone the ability to 'unexpect the expected' from ourselves and those around us, that is, to be suspicious of the routine relations that we observe in society as a whole, as well as between or amongst individuals. Loewen has developed several other phenomenological concepts that are then used in the analysis of political and social relations, including 'antigonality', which is encapsulated as "the politics of doubt, the doubting of politics".
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A rivalry in which competitors remain at odds over specific issues or outcomes, but otherwise maintain civil relations, can be called a friendly rivalry. Institutions such as universities often maintain friendly rivalries, with the idea that "[a] friendly rivalry encourages an institution to bring to the fore the very best it has to offer, knowing that if it is deficient, others will supersede it". In some instances, institutions such as corporations, sports leagues, or military units, may encourage friendly rivalries between subsets within that institution.Charlotte Brewer, Treasure-house of the Language: The Living OED (2007), p.
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Corruption is a global ethical and legal issue and is defined by Transparency International as the abuse of entrusted power for private gain. The aim of the Global Corruption Report is to bring the matter of corruption to the attention of the world and aid in combating it. It is also designed as a tool to help policymakers and the public to change corrupt behaviour by providing guidelines and recommendations within the report. The Global Corruption Report uses various sources of information including experts and activists, as well as up to date research, in order to bring to the fore the recent developments in corruption.
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Gottschild regards her third book, The Black Dancing Body – A Geography From Coon to Cool, as her third installment in her ongoing quest to bring to the fore the African American quotient in the American cultural equation. It is a map of American history as told through the “topography” of the black dancing body. The chapters are named for body parts or expressive attributes: feet, buttocks, skin, hair/face, and soul/spirit. An introduction preceding these sections wrestles with the question, “What is black dance?” Her book Joan Myers Brown & The Audacious Hope of the Black Ballerina: A Biohistory of American Performance is about Joan Myers Brown and her legacy.
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The Institute promotes research on the contemporary history and the social, cultural and political reality of Germany and works to foster greater familiarity and understanding of modern Germany among the academic community. It further facilitates academic exchange between Germany, Europe and Israel. The thematic and methodological variety of topics that the institute's program has encompassed over the past decade has included identity, migration, integration, multiculturalism, citizenship and liberalism, "race", visual history and the history of science in a German, Israeli and European context. The Bucerius Institute aims to involve different disciplinary backgrounds and methodologies, historical periods and immediate geographical contexts to bring to the fore aspects of modern German and Jewish history that can reveal complex aspects of the convoluted history of contemporary Germany.
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One of Billeters concerns was to bring to the fore the common ground of Chinese and Western history of thought and hence to see more clearly what they have in common and what makes them different. He wondered whether a concept of the human subject could be worked out that would not be dependent on either of these traditions and would make it possible to establish a relationship between both. He put forward such a conception, at first as a means to understand from the inside some important aspects of Chinese thought, and later for its own sake. He sketched it out in a philosophical essay titled Un Paradigme (A Paradigm), published in 2012, and elaborated it further in his Esquisses (Sketches) in 2016.
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This treatment of the space is a predominant factor in figure ground theory, which holds that in urban contexts that mostly comprise vertical structures such as apartment blocks and skyscrapers, the most often neglected feature of the design is the ground plan, which figure-ground studies bring to the fore by emphasizing a two- dimensional representation that structures space. The figure-ground theory of urban design and urban morphology is based upon the use of figure ground studies. It relates the amount of "figure" to the amount of "ground" in a figure-ground diagram, and approaches urban design as a manipulation of that relationship, as well as being a manipulation of the geometric shapes within the diagram. A figure-ground illustrates a mass-to-void relationship, and analysis of it identifies a "fabric" of urban structures.
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Sphota or the whole-meaning comprises dhvani (the word-sound) and artha (word-meaning). Haney points out that the unity of name and form, of sound and meaning, on the level of sphota in Pashyanti applies mainly to Sanskrit language, and Artaud is of the opinion that the language beyond speech is the language of nature whose grammar has not yet been discovered; Pashyanti representing the subtlest level of nature is the closest to nature itself. Even though Bhartrihari considers Pashyanti to be the highest level of language for it is the word without temporal sequence but Pashyanti contains the inherent impulse toward expression in time and space. Pashyanti borders on two dimensions – Jagrat chetna or refined ordinary waking consciousness which determines the force of expression, and Turiya chetna or the transcendental consciousness which determines the non-sequenced unity of sound and meaning intimated by the trace; these bring to the fore two kinds of infinity – that of dissemination, of unlimited extension within space, time and causality; and that of Turiya and Pashyanti, of transcending duality through unity amidst diversity.
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Silk screen canvas, Renewal, at the Ted Weiss Federal Building in Lower Manhattan, New York City As an artist, Arai has been an avid proponent of making art in spaces outside of the hierarchical gallery system and the need to redefine art and its relation to community. Instead of the historical paradigm of public art as a monumental sculpture placed in a site with no connection to the community, she advocates community-based art created through a process of dialog between artist and community members whose end goal is creating art with which the community feels ownership. She stresses that artists need to build relationships with organizations and communities. She has created community-based works such as “Swirl” a public sculpture in Philadelphia that helps bring to the fore the less visible history of Chinese Americans in the nation’s founders’ city, and a variety of other works commissioned by the Arizona Humanities Council, the Cambridge Arts Council, the Bronx Museum of the Arts, the National Endowment for the Arts and the Museum of Chinese in America.
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