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17 Sentences With "bring culture to"

How to use bring culture to in a sentence? Find typical usage patterns (collocations)/phrases/context for "bring culture to" and check conjugation/comparative form for "bring culture to". Mastering all the usages of "bring culture to" from sentence examples published by news publications.

A venture capital firm started by Alexis Ohanian, a cofounder of Reddit, has hired away the website's head of human resources to bring culture to the cap table.
After the racial paroxysms of the 1967 riots, Joseph Papp's mobile theater project sought to bring culture to the people, even if the people were not always ready for it.
Organized nationally to bring culture to rural communities, Merom's 10-day religious and educational Chautauqua event featured concerts, debates, plays, and lectures. Carrie Nation, William Jennings Bryan, William Howard Taft, Warren G. Harding, and Billy Sunday were among the speakers here. In 1968 Sullivan County Park and Lake was founded. It contains a reservoir in 1968 for swimming, boating and fishing.
Francis was also renowned as a man of letters. When Francis comes up in a conversation among characters in Baldassare Castiglione's Book of the Courtier, it is as the great hope to bring culture to the war-obsessed French nation. Not only did Francis support a number of major writers of the period, he was a poet himself, if not one of particular abilities. Francis worked diligently at improving the royal library.
Guided by butterflies, he makes it to land. Kimba lands far from his ancestral home and is found and cared for by some people. He learns the advantages of human culture, and decides that when he returns to his wild home he will bring culture to the jungle and stand for peace like his father. The show follows Kimba's life after he returns to the wild, still a young cub, and how he learns and grows in the next year.
Solum and Asbjørnsen, 2008: p. 21 A distribution bureau, Kommunenes Filmcentral, was created in 1919. The next step was to support the establishment of a production company, and Norsk Film opened in 1935.Solum and Asbjørnsen, 2008: p. 17 In 1948 followed for production of educational and documentary films. In the same year, the company Norwegian Mobile Cinema () was founded. Its purpose was to bring culture to rural districts without a cinema, similar to the mobile theatre Riksteatret, which was established in 1947.
The idea was to bring culture to the child to change the parents.Smith, Peter (1986,Sept.) The Ecology of Picture Study, Art Education[48-54]. Picture study was made possible by the improved technologies of reproduction of images, growing public interest in art, the Progressive Movement in education, and growing numbers of immigrant children who were more visually literate than they were in English. The type of art included in the curriculum was from the Renaissance onward, but nothing considered “modern art” was taught.
Dzundza was born in Rosenheim, Germany, to a Ukrainian Unterlander father and Polish Galitzianer mother who were forced into factory labour by the Nazis. He spent the first few years of his life in displaced persons camps with his parents and one brother.DATELINE NEW YORK: New Yorkers bring culture to Catskills (09/13/98) Before emigrating to the United States in 1956, the family lived in Amsterdam for some years. His family then moved to the US, settling in New York City, where George attended Xavier High School.
In the 1930s, Woodward was hired by the Works Progress Administration to paint murals in public buildings to bring culture to the public. They also commissioned her to paint miniatures of historic antiques. Two of her Florida bird studies, Flamingoes and Great Blue Herons, were chosen by Eleanor Roosevelt to hang in the Sub-Treasury Building in Washington D.C. Woodward’s Golden Warblers painting was hung in the Coral Gables Biltmore Hotel when it opened in 1926, and the Miami Woman’s Club also housed her Morning Song of the Pines artwork.
History and Members Grapus is a collective of French designers and they were founded after the student movements of Paris in May 1968. Grapus sought to 'change life' by the twine dynamics of graphic arts and political action. The collective scorned the commercial advertising, and adhering to its founders idealistic principles, tried to bring culture to politics, and politics to culture. The meaning behind Grapus's name was described by Bernard that it was functional-sounding, had vulgar overtones, and also had a "whiff of history to it," referring to French revolutionary Gracchus Babuef.
APAM had been set up in 1936 by people on the political left wing to bring culture to wider audiences. The special edition of the journal was on the occasion of the centenary of the abolition of slavery in the French colonies and aimed to present an overview of issues in contemporary African culture and society. Diop contributed an article to the journal: "Quand pourra-t-on parler d'une renaissance africaine" (When we will be able to speak of an African Renaissance?). He examined various fields of artistic creation, with a discussion of African languages, which, he said, would be the sources of regeneration in African culture.
14 A prolific author, Bărbat penned articles and studies in sociology, pedagogy and politics in a number of magazines, both domestic and foreign, as well as books. Among his volumes of sociology are „Naționalism” sau „Democrație” ("'Nationalism' or 'Democracy'", 1911), a response to Aurel Popovici's Naționalism sau Democrație;Dungaciu, p.34 Extensiunea Universitară ("The University Extension", 1926); Premisele umane ale culturii moderne ("The Human Premises of Modern Culture", 1927); Dinamism cultural ("Cultural Dynamism", 1928) and Exproprierea culturii ("The Expropriation of Culture", 1928). In 1924, he founded an institution he called the university extension, meant to bring culture to the masses and through which he intended to apply his plan for cultural politics.
The Tikotin Museum of Japanese Art is the only museum in the Middle East dedicated solely to Japanese art. Other museums in Haifa include the Museum of Prehistory, the National Maritime Museum and Haifa City Museum, the Hecht Museum, the Dagon Archaeological Museum of Grain Handling, the Railway Museum, the Clandestine Immigration and Naval Museum, the Israeli Oil Industry Museum, and Chagall Artists' House. As part of his campaign to bring culture to Haifa, Mayor Abba Hushi provided the artist Mane-Katz with a building on Mount Carmel to house his collection of Judaica, which is now a museum. The former home and studio of artist Hermann Struck is now the Hermann Struck Museum.
One of the goals of MP2013 was to integrate art into public spaces and to involve people who weren't traditionally attending cultural events. One of the main projects to bring culture to disadvantaged neighbourhoods was Quartiers creatifs, but this programme faced strong criticism among many residents who felt the cultural development was part of a gentrification plan. The Marseille rapper Keny Arkana wrote a song Capitale de la rupture that denounced the European Capital of Culture for pushing traditional residents to the side and trying to make Marseille just another "nice city on the Côte d’Azur". The sociologist Sylvia Girel also published a report noting that many people weren't involved in MP2013, notably those in the poorer northern neighbourhoods of Marseille or the rural regions of Provence.
The Village Improvement Society, a club founded by Idaho Falls women in 1898 to beautify and bring culture to the growing frontier town, secured a $15,000 grant from the Carnegie Foundation in 1913 to build a public library at Eastern Avenue and Elm Street. The Carnegie library was built between 1914 and 1916 and served the town until 1977, when the library moved into a new building. Meanwhile, the Bonneville County Historical Society (BCHS), formed in 1975, began displaying artifacts in a small room in the basement of the Bonneville County Courthouse in 1979. The BCHS lobbied to save the then-vacant library building from demolition, and raised money to transform it into the Bonneville Museum, which opened in 1985.
The last mine in Lens closed in 1986, which caused the unemployment rate to rise well above the French national average. "France abandoned us when the coal stopped, and we became a ghost town", said Pas-de-Calais president Daniel Percheron. Officials took inspiration from the economic transformation of the Spanish industrial city of Bilbao, which was caused, in part, by the construction of the Guggenheim Museum Bilbao satellite (dubbed the "Bilbao effect", though some cautioned that the comparison is limited due to the much smaller population of Lens, and its lack of other tourist attractions.) Some Lens locals were critical of the project; they felt that the project to bring culture to their city was "patronizing". Other critics pointed out that the museum makes no attempt to address Lens's turbulent history or its current economic difficulties.
On Earth, audiences are entranced by the musical entertainments staged by an alien troupe, the Ninth Company of the planet Rlaru. Dame Isabel Grayce (one of a long line of formidable society matrons in Vance's works) has sponsored the entertainments; when the Ninth Company disappears without a trace, she proposes to recoup her losses and bring culture to the wastes of space by forming an opera company which Adolph Gondar (the discoverer of Rlaru) will pilot on a tour of suitable planets, with Rlaru as ultimate destination. Singers, orchestra, a British conductor (Sir Henry Rixon) are engaged; an argumentative critic, Bernard Bickel, who thinks the Ninth Company were fakes, is hired as musical consultant. Dame Isabel's indolent and aptly named nephew Roger Wool (one of a long line of Vancian put-upon nephews) tags along also, smuggling his new girlfriend Madoc Roswyn, who claims to be a simple girl from Merioneth in Wales, aboard the ship as a stowaway.

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