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77 Sentences With "boxlike"

How to use boxlike in a sentence? Find typical usage patterns (collocations)/phrases/context for "boxlike" and check conjugation/comparative form for "boxlike". Mastering all the usages of "boxlike" from sentence examples published by news publications.

Meanwhile, the boxlike frame with sagging fiberglass adds another element.
The United States Consulate there is housed in a secure, boxlike building that was opened in 2013.
He hammered painted panels into boxlike containers – he called them "Bólides" ("Fireballs") — that could be picked up and handled.
Cora was taken with the deep boxlike black couch where Tolstoy and most of his 26 children had been born.
Initially presented in a theater on a monochrome boxlike stage, it has the projecting intensity of a modernist, almost abstract film.
Advertise on Hyperallergic with Nectar Ads VANCOUVER — A mass-produced, boxlike house seems like a curious namesake for a museum triennial.
One is a boxlike frame made of eight steel pipes welded together, four legs held together at the top by four horizontal crossbeams.
It's boxlike—walled or fenced on three sides, perpetually shady though with a calm slant of light in the early mornings and evenings.
" The most captivating design of all, though, was by Mr. Johns himself: the cluster of inflatable, semi-transparent boxlike units for "Walkaround Time.
Technicians spend most of their working hours in a series of windowless, prefabricated trailers or in portable boxlike edifices that look like storage containers.
In lieu of a check, Koegel received a boxlike sculpture that resembled a work by surreal assemblage artist Joseph Cornell, which he still has.
Built in an ornate early 20th-century Catalan vernacular, it's one of three boxlike homes on a narrow street near the edge of a steep hill.
I have stood in such boxlike spaces before, alone with myself, and these moments seem connected to one another in a way I can't quite specify.
Ever one for spatial precision, Murnane pointed to the spot on the ground where Catherine's ashes had been interred, forming a small, boxlike shape with his hands.
Joined by the pipes, the two pedestal pieces are like parents, while the boxlike frame is the child, both in the larger unit's orbit and separate from them.
Smith has rented the smallish boxlike space since he moved to New York in 2014 from Kansas City, Missouri, where he studied ceramics at the Kansas City Art Institute.
One of the largest collections outside Marfa of Judd's boxlike floor and wall sculptures, some made from plywood that seems almost too perfect and geometrically formed to be real.
BIG's King Street West development in Toronto is one such miniature city, a compound that combines heritage buildings and new retail and office space with a canopy of boxlike apartments.
The proliferation of cheap, boxlike concrete-slab high-rises that spread like bacteria throughout Germany's bombed-out cities after World War II is a Bauhaus legacy, for better or worse.
He was the outer-borough boy whose father's "boxlike office" was on Avenue Z in Brooklyn; he always dreamed of making it to Manhattan and breaking into the big league.
Of more paramount importance, though, is the boxlike area indicated by a trapezoidal drawing of a room, which is periodically projected both by itself and as a frame for other images.
Everyone's favorite bar for bluegrass and roots music, the genre-bending, boxlike Station Inn sits genially amid the shiny high-rises of the Gulch, a little like an architectural Luddite — but that's part of its charm.
The blue steel and wood forms — boxlike work rooms without a ceiling — allow carpenters and ironworkers to construct the successive concrete segments of each tower, one huge block of steel rebar encased in concrete piled atop another.
The stage in the video is eerily empty and completely bare save for a couple of plastic chairs off to one side, a boxlike plinth draped in black fabric, and an upright piano at which sits a female figure.
In the Olivetti showroom in Venice, the marble-slab central staircase seems to float; in the Museo Canova in Possagno, dedicated to the work of the neo-Classical sculptor, sunlight illuminates the plaster casts through boxlike corner-windows-cum-skylights.
The facilities are stacked with servers — boxlike computers that crunch the data for everything from hospitals, law enforcement agencies and banks to news websites, email and weather reports — that cannot be without electricity and cooling for even a fraction of a second.
His residential work, especially 262's perverse House NA, a single-family home comprising a series of stacked boxlike structures, plays — as few buildings since the era of High Modernism have — with the nature of open and closed spaces, and with what is public and what is private.
The board said that lobster fishing in Maine is "one of the most sustainable" industries in the world, that lobsters are not harmed when they're caught in those boxlike traps, and that fishermen always throw back any young, pregnant, or large "breeding" lobsters to ensure that the population is healthy and thriving.
Lightness infuses this surpassingly tranquil 22017 structure, situated between the districts of wealthy Azabu‑Juban and neon-sodden Roppongi: the main building's heavy, boxlike concrete frame perforated by balconies, fronting rooms shielded by shoji screens; its lobby walled in part with soft Oya stone; its tea lounge poised over a Japanese garden, to which floor-to-ceiling windows offer a view.
Kneeling Norman nobles carved in white marble upbear the simple, boxlike mass of porphyry upon their armored shoulders.
Cotter, Holland. "Abe Ajay, 78, Artist of Relief; Known for Boxlike Constructions." The New York Times. 14 Mar. 1998 Abraham Ajay was born in Altoona, Pennsylvania in 1919 to Syrian immigrant parents.
By the end of 1975, The New York Times was reporting that Koubek's firm had designed roughly half the office buildings built in the District of Columbia since the 1950s.Goldberger, Paul. "Washington Buildings: Low Profile and Boxlike Design." The New York Times.
The facade was designed by Nevio Maggiora, consisting of a boxlike "beehive" pattern with the windows recessed within, made of aluminum-clad wall elements resembling a type of thermally activated elevator button popular at the time of construction. There is a retail concourse on the lower level.
Structurally, the endocranium consists of a boxlike shape, open at the top. The posterior margin exhibit the foramen magnum, an opening for the spinal cord. The floor of the endocranium has several paired openings for the cranial nerves, and the anterior margin holds a spongy construction, allowing for the external nasal nerves to pass through.Romer, A.S. & T.S. Parsons. 1977.
A lyre is a musical instrument that is stringed and has a role projecting from the body. There are two types of lyres: box and bowl. Like their names suggest the box lyres have a boxlike body and the bowl lyres have a round body with a curved back. The Lyres of Ur are box lyres.
The kempli and kajar are small kettles set over cords strung on a boxlike stand. They are mainly used as tempo keeping instruments. They are usually played with a cord wrapped stick like those of the reyong and trompong. The kettle is struck on the boss while dampened with the other hand to produce a sharper, dryer sound.
A lighthouse was erected around 1908 at Nakalele Point. It originally consisted of a 40 foot high wooden mast on top of which a temporary light was placed. By 1910, an actual dwelling was built with boxlike platform on its roof for a fixed white light. In 1922, the light was automated so that it would flash.
Since the space station of Star Trek: Deep Space Nine rarely moved, some sort of auxiliary craft was necessary. The first episode introduced the runabouts. Equipped with warp drive and transporter for long missions, the runabout was described as a small starship. With its boxlike shape, chisel nose and ski- like nacelles the runabout looked like a descendant of previous shuttles.
In the Gulf of Mexico, trotline use drastically declined after invention of the crab pot in 1938. Crab pots are rigid boxlike traps made of hexagonal or square wire mesh. They possess between two and four funnels that extend into the trap, with the smaller end of the funnel inside of the trap. A central compartment made of smaller wire mesh holds bait.
PROBA (Project for On-Board Autonomy), renamed PROBA-1, is a Belgian satellite launched atop an Indian Polar Satellite Launch Vehicle by ISRO on . The satellite was funded through the ESA's MicroSat program. This small (60×60×80 cm; 95 kg) boxlike system, with solar panel collectors on its surface, has remarkable image-making qualities. It hosts two Earth Observation instruments dubbed CHRIS and HRC.
In 2008, Epstein's estate on Little Saint James had 70 staff. According to a former staffer, Epstein insisted on secrecy from his employees. In 1997, the island had a main house, three guest cottages, a caretaker's cottage, a private desalination system, a helipad and a dock. In addition, there is also a blue-striped boxlike building that initially was topped by a golden dome.
Several houses in Bath, Somerset, England still have the link extinguishers on the exteriors, shaped like outsized candle snuffers (photo). In the 1970s, entrepreneur and Bathwick resident, John Cuningham, revived the sedan chair service business for a brief amount of time. A passenger conveyance, usually for one person, consisting of a covered or boxlike litter carried by means of poles resting on the shoulders of several men.
E. Gilbertson "Japanese Archery and Archers" Other types of ebira are more substantial and more boxlike, much like quivers from other countries. The ebira was used traditionally by samurai in combat or hunting, and also is used for ceremonial archery in modern-day Japan, such as in yabusame. It could be quite decorative. It is completely different from the cylindrical yazutsu, which is used only for carrying Kyūdō arrows.
Externally the new ships were quite typical ferries of the early 1980s, with large boxlike superstructures. An unusual feature on the ships was a two-deck high panorama window on the front of the superstructure, offering views over the ship's bow. On 21 October 1980, the second of Silja's new ships was launched at Wärtsilä's Perno shipyard. Subsequently, she was towed to Wärtsilä's Turku shipyard where the construction was finished.
The resultant design, the Gavilán, is a simple high-winged monoplane of all-metal construction. It has a boxlike, square-section fuselage that accommodates a pilot and up to seven passengers, with access through two doors on either side of the cockpit and a large cargo door on the left side of the fuselage. The passenger seats can be removed to allow carriage of cargo, including a full-sized coffin.
700px The interior has the longest nave of any cathedral in Spain. The central nave rises to a height of . In the main body of the cathedral, the most noticeable features are the great boxlike choir loft, which fills the central portion of the nave, and the vast Gothic retablo of carved scenes from the life of Christ. This altarpiece was the lifetime work of a single craftsman, Pierre Dancart.
Fiat-Abarth 850TC Berlina The Fiat-Abarth 850TC Berlina (Turismo Competizione, or "touring competition") was introduced towards the end of 1960. It uses the Fiat 600 bodywork with some modifications, most notably a boxlike structure ahead of the front bumper which held the engine's oil cooler. The rear fenders were usually blistered, so as to accommodate larger wheels. The engine is a four-cylinder model based on a Fiat unit, with 847 cc capacity and CUNA rating.
Its framework is composed of a dozen heavy so-called H-bents, visible on the interior of the house, that resemble goal posts with diagonal braces. This is an ancient northern European method of construction that contrasts with the boxlike house frames that evolved in England. The house had a high- pitched roof that created a large loft for storage. The roof was covered with shingles, and the exterior walls were clad with horizontal wood clapboard siding.
In the 1970s, the street acquired Brezhnev-era boxlike buildings of 22-story Hotel Intourist (1970, demolished in 2002Russian: illustrated contractor's report on demolition www.krealist.ru) and smaller Minsk Hotel (1964, demolished in 2005) and New Izvestia building; less controversial pseudo-stalinist infill buildings followed in the 1980s and late 1990s. However, outside Tverskaya, historical buildings and neighborhoods were being demolished throughout the 1990s and 2000s. Many blocks in the Novoslobodskaya station area are already rebuilt as post-2000 highrises.
The chain began as an idea by the former CEO of Marcus Corporation, Steven Marcus to create a limited-service, discount-priced motel chain. The first property, located in Oshkosh, Wisconsin, opened in 1973 and was named Budgetel (the property later became a La Quinta Inn). A prototype hotel was designed in 1984 in the form of a long, linear three or four story boxlike building covered by precast concrete slabs. This design gave the Budgetel hotels a distinctive appearance.
Vitrinite is shiny, glass-like material that is considered to be composed of cellular plant material such as roots, bark, plant stems and tree trunks. Vitrinite macerals when observed under the microscope show a boxlike, cellular structure, often with oblong voids and cavities which are likely the remains of plant stems. This has a high calorific value (24 - 28 MJ/kg) and a large proportion of volatile matter (24 - 30%). It often occurs interbanded or interlaminated with inertinite and can be recognised as bright bands.
A Dame Blanche omnibus (1828) At the beginning of the Restoration, Paris had no public transport system. Wealthy Parisians had their own carriages, kept within the courtyards of the town houses. Wealthy visitors could hire a carriage by the hour or by the day. For those with a more modest income, taxi service was provided by fiacres, small boxlike four-wheeled coaches which could carry up to four passengers, hired at designated stations around the city, where passengers paid by the time of the journey.
The bundle tube design was not only highly efficient in economic terms, but it was also "innovative in its potential for versatile formulation of architectural space. Efficient towers no longer had to be box-like; the tube-units could take on various shapes and could be bundled together in different sorts of groupings." The bundled tube structure meant that "buildings no longer need be boxlike in appearance: they could become sculpture." Cities have experienced a huge surge in skyscraper construction, thanks to Khan's innovations allowing economic skyscrapers.
Commode decoration attributed to Charles Cressent (1745-49) The furniture of the Louis XV period (1715-1774) is characterized by curved forms, lightness, comfort and asymmetry; it replaced the more formal, boxlike and massive furniture of the Style Louis XIV. It employed marquetry, using inlays of exotic woods of different colors, as well as ivory and mother of pearl. The style had three distinct periods. During the early years (1715-1730), called the Regency, when the King was too young to rule, furniture followed the massive, geometric Style Louis XIV style.
Caresse Crosby (born Mary Phelps Jacob) Invented Bra Mary wore a dress she had worn on her debut a few weeks previously, a sheer evening gown with a plunging neckline that displayed her ample cleavage. But the corset cover, a "boxlike armour of whalebone and pink cordage," poked out from under the gown, and this time she called Marie, her personal maid. She told her, "Bring me two of my pocket handkerchiefs and some pink ribbon ... And bring the needle and thread and some pins." She fashioned the handkerchiefs and ribbon into a simple bra.
A 'scale 2' Mandelbox A 'scale 3' Mandelbox In mathematics, the mandelbox is a fractal with a boxlike shape found by Tom Lowe in 2010. It is defined in a similar way to the famous Mandelbrot set as the values of a parameter such that the origin does not escape to infinity under iteration of certain geometrical transformations. The mandelbox is defined as a map of continuous Julia sets, but, unlike the Mandelbrot set, can be defined in any number of dimensions. It is typically drawn in three dimensions for illustrative purposes.
The rolls are usually placed with their roll directions oriented up-and-down slope, rather than along (or parallel to) them. There are two reasons for this: First, the machine direction has the greatest strength and flow rate; second, such orientation eliminates seams along the flow direction. If triplanar or boxlike channel geonets are being used for their high flow in the machine direction, the proper orientation is critical during placement. For very long slopes or along the base of a facility, flow must continue unimpeded from one geonet to the next.
A Worthington feedwater heater was installed, with a boxlike mixing chamber behind the stack. Twin cross-compound air compressors were hung next to each other on the left side, instead of the single compressor of the M1. The M1a locomotives had larger tenders than the previous locomotives. The M1a locomotives were intended for passenger as well as freight service, and some bore decorative gold-leaf lining on tender and cab sides, but they proved better suited to freight work, and extensive electrification saw a surplus of K4s locomotives available for passenger trains.
3, Ceremonial Banquets, p.61-; 66- the remnant of which is the exchanged between the groom in the bride in traditional Japanese weddings. A typical pattern is , which may refer to three trays bearing with 7, 5, and 3 dishes, though there seems to be different interpretations, and others have suggested this indicates the triple round of drinks, followed by 5 rounds, then by 7 trays. The meals for guests are served on , where the tray (technically called ) is supported underneath by a boxlike frame with three of the sides hollowed by large holes.
The roof is covered with slate tiles and has a small boxlike louvred projection, topped with a pyramid-style cap, in the middle. There are four pairs of sash windows in the north and south walls, which are faced with mathematical tiles and slates respectively. Inside, wood predominates: the barrel-vaulted timber roof is supported on wooden columns attached to the gallery which runs around all four sides of the interior. The galleries are in turn held up with five timber columns on the north and south sides.
In 1898, Franz Burger of Fort Wayne, Ind. patented (#614,832 (Nov. 29, 1898) a "machine for cleaning fabrics", consisting of dual steam-powered "vacuum-chambers" (the first known use of the term "vacuum" for a cleaning device), a boxlike rectangular "extractor" with a perforated face and rollers to be pressed to the fabric, and a flexible connecting tube with a rigid tubular handle with a hand valve to turn off the suction when not needed; the whole unit could be mounted on a stationary base in a building or on a wheeled truck.
However the Eighth Air Force had been experimenting with different tactical formations since its first bombing mission on 17 August 1942, several of which were also known as "boxes." LeMay's group did create the "Javelin Down" combat box in December 1942, and that formation became the basis for the numerous variations of combat boxes that followed. The practice of referring to a concentrated formation as a "box" was the result of diagramming formations in plan, profile and front elevation views, positioning each individual bomber in an invisible boxlike area.
Mentioned in passing in the stories are Edobase (old Tokyo), Greenland Base, Antioch (as an underground way station in 1099 CE), London Station etc. In the novel In The Garden of Iden, Joseph, Mendoza and the rest of the team ride a Company-built subway system which "connects all parts of England" during the Tudor period. The ride is safe but uncomfortable, the carriages being small and boxlike. The maximum speed is about that of a fast stagecoach, but without the risk of being robbed, or in the case of cyborgs pretending to be Spaniards, attacked by enraged mobs.
A collection of vintage branded hat boxes of varying sizes A boy carrying an assortment of hat boxes in New York City c. 1912 A hat box (also commonly hatbox and sometimes hat bucket or hat tin)and occasionally referred to as a bandbox, is a container for storing and transporting headgear, protecting it from damage and dust. A more generic term for a box used to carry garments, including headgear, is a bandbox. Typically, a hat box is deep and round in shape, although it may also be boxlike and used as an item of luggage for transporting a variety of hats.
The valiha generally has 21-24 strings. Historically these were formed of strips of the bamboo body, prised up and raised by small bridges, but in the modern day the strings are often made of unwound bicycle brake cable, though serious players may use standard guitar or piano strings. used for churches and folk bands Historically the instrument was made of the bamboo Valiha diffusa, but in the modern day "bamboo species with longer internodes" are used. A variant instrument, the marovany, is similar in concept but boxlike rather than tubular, and made of wood or sheet metal.
The Federal Building and U.S. Courthouse is a skillful blend of the Stripped Classical and Art Deco styles of architecture, a combination that was commonly used for federal building design in the 1930s. The mixture adopted traditional classical forms of architecture while abandoning excessive ornament in favor of more subtle stylized decorative components that are typical of the Art Deco style. It is a refined building that conveys the dignity and stability of the federal government, which was particularly important during the Great Depression. The building has an E-shaped footprint with a boxlike form and is three stories tall.
A first-generation Shocker Sport The first generation Shocker was one of the first mass-produced electropneumatic paintball markers on the market, effectively making it the "grandfather" of most markers used in tournament paintball today. Its closed bolt, hammerless design operated using two solenoids, rather than a hammer and spring, to open and close the valve and to cycle the bolt independently. Due to its large boxlike shape and significant weight, it was often referred to by the nicknames "shoebox" and "brick". The first generation Shocker was manufactured by a company called PneuVentures and sold through Smart Parts.
It is possible that the drum is a direct descendant of a number of boxlike musical instruments from west and central Africa, especially Angola, and the Antilles. These instruments were adapted by slaves from the Spanish shipping crates at their disposal. In port cities like Matanzas, Cuba, codfish shipping crates and small dresser drawers became similar instruments. Peruvian musician and ethnomusicologist Susana Baca recounts her mother's story that the cajón originated as "the box of the people who carried fruit and worked in the ports," putting it down to play on whenever they had a moment.
The Panhard M3 was the result of a 1959 design study requested by the Direction des Etudes et Fabrications d'Armement (DEFA) for an amphibious APC based on the same chassis as the Panhard AML. However, the design proposal was not adopted by the French Army. In 1967, design work on a single prototype began anyway, with the objective of export sales. While the amphibious APC programme was underway, the concept was simply known as the Véhicule Transport de Troupes, or VTT. The first VTT prototype was completed in August 1969 and incorporated a very simple boxlike hull with vertical sides, a flat roofline, and a single 7.5mm AA-52 machine gun in a Creusot- Loire CAFL-38S turret.
The landmark which most Plymothians remember as the easiest way of locating the entrance to this harbour, a huge boxlike grey concrete grain silo with a substantial tower was demolished in early 2008. Millbay is currently undergoing significant change after the area was targeted as a strategic priority for regeneration in Plymouth, being seen as ‘a key opportunity within Plymouth’s overall regeneration, given its waterfront location, proximity to the city centre, and gateway status’ (PCC, 2005). The area had suffered from high crime rates (not least for having been Plymouth's busiest and notorious red light district for more than a century) and lay within the St Peter’s Ward, ranked as Plymouth’s most deprived ward and within the top 10% of deprived wards in England.
Whether by highlighting elements of abstraction or teasing out moments of human drama, Monet's images bring into relief a contemporary relevancy he finds in these classical sculptures. The idea of duality plays out even in the presentation of these Ilfochrome prints, which are two dimensional but assume the heft of stone under their boxlike lamination of thick polished Plexiglas, a nod to minimalist sculpture. In a subtle dialogue among mediums, Monet approaches his three-dimensional subjects from a painterly sensibility and returns the traces of light stolen with his camera back to the object world. In a subtle dialogue among mediums, Monet approaches his three-dimensional subjects from a painterly sensibility and returns the traces of light stolen with his camera back to the object world.
Tippet Rise Art Center includes three venues for live classical music performances and chamber music recitals: The Olivier Music Barn An informal and acoustically intimate indoor performance space with a direct view of the Beartooth Mountains. The scale and proportions of the 150-seat Olivier Music Barn are inspired by the Esterhazy Music Room, the performance space for which Franz Joseph Haydn composed his chamber music repertoire. A contemporary innovation—a high ceiling suspended above the boxlike space—is said to lend an elevated, ethereal character to the resonant acoustics, but is designed to mimic the pitched roof of a traditional wood barn. The building also houses Tippet Rise's visitor center, which includes a state-of-the-art recording room with 3D sound this summer and 4K high definition film projection capabilities.
The Journal, 1981, Collected Issues 5–16. pp. 54–59. The CANASTA system included a low-light television camera and display units for the AML's gunner and commander, along with a moving electronic reticle with sight angle corrections. This somewhat compensated for low hit probability from the first 90 mm round at long range, allowing for the automatic engagement of moving targets. One of the defining characteristics of the AML-90 Lynx was the large searchlight mounted co-axially with its 90 mm gun, a domed commander's cupola with vision blocks reminiscent of the Eland Mk7, and a boxlike laser rangefinder on the gun mantlet. Two types of French laser rangefinders were available as standard, although several foreign designs such as the Avimo LV3 could also be fitted: the TCV 107 and the TCV 29.
Original Gehry model The Lower Manhattan Development Corporation (LMDC) announced on October 12, 2004, that Gehry Partners LLP and Snøhetta, an architectural firm from Norway, would design the Performing Arts Center. Gehry's proposal, which incorporated a boxlike design, would have housed the Joyce Theater, as the Signature Theater Company had dropped out due to space constraints and cost limitations. Plans for the construction of the Performing Arts Center were reportedly stalled over financing and design, although construction was also hindered by the presence of the entrance to the PATH train's temporary World Trade Center station within its footprint. In February 2014, David Lan, Artistic Director of London's Young Vic Theatre, was announced as Consulting Artistic Director of the PACWTC, a position he will hold simultaneously with his Young Vic leadership.
Following the rationalisation of the Rock's military facilities, the British Forces came to the conclusion that, as Gibraltar's population was predominantly Roman Catholic and church services were held in English, this would already cater for the Roman Catholic servicemen's religious needs. However, considering that St. Bernard's already had a healthy community of churchgoers, mostly made up of Gibraltarian civilians but also with temporary yet active members of the forces, it was decided that the community should not be lost. Responsibility over the church was therefore taken over by the Roman Catholic Diocese of Gibraltar in the early 1990s after naval padre Vincent Docherty had arranged for the priest's house and church hall to be transferred together. However, it wasn't until the episcopacy of Bishop Charles Caruana that the diocese secured a loan from the Government of Gibraltar to convert the small boxlike church, which suffered from water ingress at the time, into an aesthetically pleasing modern church with all the amenities.
Launched at the end of 1959, the Cavalier was ahead of the opposition in many if not all respects. Certainly its outside appearance was of classic beauty combining curves, sharp angles and peaks in harmony, which combined with understated use of bright trim in a way that made it stand out from the opposition by combining style with good taste, the double curvature windscreen was not only wholly in line with the style of the body but it helped night-time coach drivers by dispelling interior reflections. The Plaxton Panorama (launched in production guise in 1959) had a basically rather boxlike shape and a very flashy grille, but it did pioneer Smiths Instruments 'jet-vent' forced ventilation system allowing fixed windows and a cleaner side outline. The Duple Britannia (1956, on its third facelift for the 1960 season) had an excessively droopy outline and tiny windows, and was very little different from Duple's gaudy Super Vega/Yeoman/Corinthian for cheap coach chassis.
Development of the plane progressed slowly and in September 1940 Spencer left the partnership to form his own company. His resulting design was the Spencer S-12 Air Car Amphibian. Construction of the S-12 began on March 1, 1941 and the small, two-seat S-12 prototype, registered NX29098, made its first flight on August 8, 1941. The S-12 was a fabric covered amphibian with a unique boxlike forward cabin; a high wing with a two-bladed propeller in pusher configuration; and a long, slender tail boom. Republic RC-3 Seabee Republic RC-3 Seabee instrument panel and cockpit Republic RC-3 Seabee with gear retracted In December 1941 Spencer put the Air Car into storage and joined the war effort as a test pilot for the Republic Aircraft Corporation. By 1943, he had flight tested 134 of the company's P-47 Thunderbolts. In April 1943 Spencer left Republic Aircraft to join the Mills Novelty Company of Chicago, Illinois who wanted to use his Air Car to promote their company. Spencer used the company's wood forming equipment to build a new egg-shaped cabin for the Air Car and began demonstrating the aircraft to his former employers, Republic Aircraft.

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