I'd characterize the Studio 3 sound as bottom-heavy and quite bloated.
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Bottom heavy, his body tapered to an elegant head with a Greek nose.
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Some are narrow, some are conical, some are bottom-heavy, the list goes on.
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"Skrt" lurches along to a minimalist, bottom-heavy beat, and Octave is sparse and repetitive with his phrasing.
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The paper explains that these vehicles are durable, and since they're bottom-heavy, they're self-righting like a Weeble.
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Duck boats have a bottom-heavy design, making them particularly susceptible to added water weight, according to the source.
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Starting with the death of Ned Stark and certainly since the Red Wedding, this story has been bottom-heavy with villainy.
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Nocturnal, burrowing, bottom-heavy and just about a foot tall, they waddled with a hunched determination, flapping their expressive little wings.
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If de la Rocha's voice was too guttural, too bellowing, too dude-ish, the band would have been unsustainably bottom-heavy.
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No photos of me doing a handstand on a sandy white beach (mostly because I'm too bottom heavy to make it happen).
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"We tend to look for things that are bottom-heavy, like Christmas-tree-type evergreens, where the tip is very narrow," she continued.
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The research begins with "bottom heavy" and "top heavy" geometric patterns—three dots arranged in either a triangle or an upside-down triangle.
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And at home, relatives innocently told me that I might not end up being "top- and bottom-heavy" like the other women in my family.
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With effort, he covered the roller with paint and stepped up to a canvas whose bottom-heavy angularity resembled an origami swan, banded with green tape.
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There's nary a wasted breath before the closer "Lament" barrels in with its bottom-heavy groove and chugging guitars lending hefty closure to its discordant predecessors.
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MegaBots' Eagle Prime is a bottom heavy tank of a robot, weighing 12 tonnes and sporting a double barreled cannon, 600 pound fist and oh, a four-foot chainsword.
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Short track, which prizes agility and quick bursts, along with speed, tends to attract smaller athletes, bottom-heavy ones, their centers of gravity pulled low by thick, powerful thighs.
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A native of Winnipeg, Rafter is tall and powerful, and as exuberant as a bottle of champagne; she speaks with the slightest hint of that bottom-heavy, classically Canadian accent ("Manitobah").
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America's income distribution is like a bottom-heavy hourglass tipped on its side - fat on the low-income end, growing on the high-income end and getting thinner and thinner in the middle.
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Culled hurl out bottom-heavy, noisy, hardcore-saturated sludge that serves as a perfect vehicle for their spitting-mad screeds against society's ills, explicitly calling out nationalism and identitarianism for the scourges they are.
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The overall impression of a gang of scifi-obsessed ZZ Top superfans who've gone rogue, strapped on their own weapons, and slid down into a weird, uncanny valley of slide guitars and bottom-heavy distortion pedals.
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It's a beautiful piece of hardware, with a bottom-heavy rubber half surrounded by an LED ring, and a metallic upper half that houses the rubbery percolator receptacle and protruding ceramic bowl where you place your concentrate.
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He used a combination of his high fastball, changeup and slider, and occasionally dropped in a bottom-heavy curveball for big swings and misses, like the first pitch he threw to Ryan Zimmerman in the fifth inning.
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Bottom line: It's quick to achieve speed, and it hugs the road like it's glued to the thing (the bottom-heavy design thanks to the battery pack helps), so you can really take the corners in stride.
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Their take on hardcore is incredibly abrasive; gang chants crash into powerviolence, grinding noise usurps bottom-heavy grooves, dirty punk beats careen past peppy bursts of crust, and vocalist Sami's manic shriek oversees the violence, spitting brutal poetry like snake venom.
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Those two paintings — the all-alizarin "Red Shift" (1990) and the grisaille "Barometer" (1992) — to my eye, tip the balance too much in the direction of representation (in their case, bottom-heavy Turner-esque seascapes), so that the "abstract projection" that characterizes Frankenthaler's work at its best is diminished, losing a good deal of its metaphorical ambiguity and modernist bite.
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Take, for example, the noise-riddled "IV," which possesses such a creepy, funhouse mirror vibe that (if it wasn't the album's fourth track) would seem to have been titled after an intravenous drip of some questionable pharmaceutical or five rather than a Roman numeral, the amorphous two-part suite "Gold Candier," or the off-kilter, dysrhythmic balladry of "Ginger V." While there are plenty of hooky riffs, thunderous drumming, and 90s-styled familiarities throughout Dane On (such as the Jesus Lizard-invoking, bottom-heavy ooze of "Tampered With"), many of the album's best moments are arguably its oddest.
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Leslie Hall has performed the song on most of her tours since the song's release in 2008. She performed the NSL Bottom Heavy Remix until 2012, when she started performing the Titus Jones Remix instead.
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Just over 20 percent of women were bottom-heavy "spoons", or pear shapes, with hips two inches larger than busts or more, while almost 14 percent were "inverted triangles" - women whose busts were three or more inches bigger than their hips.
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Finally, in terms of concrete organizational structure the PFDJ introduces a highly decentralized structure with presence in the majority of rural communities as well as within major urban centers. To do this party charter states that it has adopted a bottom-heavy, grassroots organizational structure instead of top-heavy one.
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The forelimbs are smaller and more gracile than the hindlimbs, suggesting that the center of mass for Tanystropheus was closer towards the pelvic girdle. Attachment sites for the m. caudofemoralis muscle complex, coupled with soft- tissue preservation of relative muscle size, further support the proposition that Tanystropheus was a fairly bottom-heavy animal.
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In few minutes the clipper hit the rocky bottom. Heavy waves rocked the helpless clipper from side to side. The hull was opened to the incoming tide. After seven feet of cold Pacific water rushed into the ship, the captain and the crew had just a few moments to escape with their lives.
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The song was originally released by Montrose on their 1974 Paper Money album. The guitar solo was the result of a fortunate accident. As AllMusic noted, it was the result of "a studio screwup which resulted in the bottom-heavy reverberating noise in its intro." The song was one of the last the band recorded with original vocalist Sammy Hagar before he left Montrose to start a solo career.
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Rolling Stone described the music as "loud and hard-edged, as purely physical as any metal band, but tempered with ... swaggering rowdiness". Ram magazine noted the band's writing had a newfound maturity, "verbalising adult fears and lingering adolescent yearnings". AllMusic's later review said many of the album tracks were hardly memorable and that the band's best strengths lay both in Amphlett's unique vocal delivery, and McEntee's bottom-heavy, grungy, guitar work.
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Splashed white is found in paints, Welsh ponies, Icelandics, and Morgans. It is theorized that splash is incomplete dominant and that heterozygous splash horses often have minimal markings that resemble those of sabinos or generic white markings. The most minimal splashes may have only a bottom-heavy, off-center snip and low hind socks. Splash-sabino blends will have characteristics of both patterns, such as jagged patches and roaning, blue eyes and blocky white markings.
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She often uses non- gun weaponry such as energy whips or throwing cards. While the more feminine of the two, she is known to become very violent when crossed. She is the more bottom-heavy of the team and is also a coy flirt who prefers cultured, refined men. Her most recognized weapon is the Bloody Card, a technologically enhanced throwing card that can be used to take down several people at once.
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Rob Sheffield of Rolling Stone hailed the song as "The triumphant return of the Tribe", and interpreted that the lyrics were "about the end of the world." Writing for Pitchfork, Kris Ex called the song "quintessential Tribe", also praising its "sooty bottom heavy warmness, the uncluttered arrangements and bright instrumentation." At the end of 2016, Rolling Stone ranked it the 30th best song of the year, and in The Village Voice annual Pazz & Jop critics poll, it was tied for 66th best song of the year.
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Splashed white mare and foal with mask-like white faces, blue eyes, and dark-colored spots on their lips. As sabino-type markings also originate on the underside, some splashed whites can be mistaken for cleanly marked sabinos. Both patterns can be present on the same horse, but splashed white markings are crisp and blocky, and horizontally distributed. In particular, the face markings of splashed whites are straight-edged and bottom heavy, whereas those of sabinos are often tapering or feathered, and often vertical in orientation.
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It makes the pieces bottom-heavy and keeps them from toppling easily (a well-weighted piece should come upright even if tilted 60 degrees off vertical axis). This helps in blitz games as the speed of movement doesn't offer enough time or precision in dropping the pieces onto the intended squares. The length of each side of the squares on the chessboard should be about 1.25–1.3 times the diameter of the base of the king, or . Squares of about are normally well suited for pieces with the kings in the preferred size range.
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Rex Garvin at Black Cat Rockabilly Members of The Hearts later performed as The Jaynetts. At the same time, Garvin became Sanders' main assistant at J&S; Records, which she set up in 1956, and he was responsible for the label's typical full, bottom-heavy piano-laden arrangements. The label's greatest successes came with the duo Johnnie and Joe, whose biggest hit "Over the Mountain, Across the Sea" (#8 Pop and No. 3 R&B; in 1957) was written by Garvin, who sang harmony vocals on the song and was credited as bandleader.
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TRUSTcompany's guitar driven rock evokes memories of the Smashing Pumpkins with Deftones-like vocal stylings and bottom heavy riffing reminiscent of Led Zeppelin. TRUSTcompany enjoyed both critical and commercial success as their debut album "The Lonely Position of Neutral" went on to be certified Gold. TRUSTcompany’s sophomore record "True Parallels" was released by DCide/Geffen in March 2005. In 2009, DCide/Templar Label Group released the debut EP's from Shabazz Palaces, the new project from Ishmael Butler, the creator, rapper and producer for the Grammy award winning rap group Digable Planets.
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Some of the most popular contemporary silhouettes include: A-line, ballgown, empire, mermaid, tea-length, and trumpet. ;A-line A-line Wedding Dresses :A dress or skirt silhouette that is narrower at the top, flaring gently wider toward the bottom thereby resembling the letter A. Works well on most figure types; good for disguising bottom-heavy figures. ;Ballgown :Characterized by a very full skirt that begins at the waist and continues to floor length. It has a full bodice and a cinched waistline that falls into a full skirt.
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The class 82 was designed with a streamlined sloped head with two high beam lamps concentrated at the center top with two standard headlights at either sides. Route direction is indicated on the front of the train within a confined fluorescent lighted box using a lightly transparent plastic. The class 82 have two double- leaf pressure plug doors per side each coach. The cab head is designed to be bottom heavy with the bulk of the power transformers and motors located beneath the coach, allowing saloon space to be maximised.
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As a result of the adjustment, the Raggamuffins were given a bottom-heavy and ominous sound. In addition, the group began dressing noire, while sporting dyed-black hair, and the trademark single leather glove that presented an eye-catching and unified band image, which would later become influential with certain 1970s punk acts. Auditions were held in early 1966 to expand the group, resulting in the recruitment of Mark Landon (lead guitar) and Doug Rhodes (organ), previously a session musician for the Association. To reflect on the revamped line-up, Bonniwell changed the band's name to the Music Machine.
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This led to a more aggressive, bottom-heavy sound that was a novelty at the time. The sound lent itself well to plenas but did not catch on in salsa circles until Eddie Palmieri experimented with a similar lineup almost simultaneously (Santiago produced both artists). By the end of the decade, the all-trombone brass section was part of the standard salsa vocabulary, popularized particularly by Willie Colón, who adopted it most successfully than any other bandleader. Rivera could make a living with his orchestra but migrating to New York disconnected him from his fan base in Puerto Rico.
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Magazine as "some of the rootsiest bottom-heavy music ever to come out of the Great White North". He performed at Jamaica's 1998 Reggae Sunsplash Festival and as a percussionist, has backed musicians Brinsley Forde, Gregory Isaacs, Glen Washington, Vybz Kartel and Sean Paul. Studio One's original Soul Vendors bassist Brian "Bassie" Atkinson joined Andru Branch & Halfway Tree in 2002 and the band is currently making new reggae music. Andru developed a profound love for reggae music while growing up in multicultural Toronto, Ontario, where he was mentored by Tony "Raffa" White and Bernie Pitters before moving to Halifax, Nova Scotia, in 2000.
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Shortly after the Adelaide-Crafers section opened, several incidents involving semi-trailers drew media attention to the road. While the previous Mount Barker Road was a notorious stretch, its dangers were well known; the new freeway presented the new challenge of a sustained continuous gradient with traffic lights at the bottom. Heavy vehicles with inadequate braking found it hard to slow down once they had exceeded a certain speed; this was made worse with brake failures. It took some time, and the addition of several warning signs prior to the descent, for heavy vehicles to become familiar with the freeway's characteristics.
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Wrong Kind of Stone Age was an Australian post-punk band formed in 1983 in inner-city Sydney by Gavin Williams (of Sydney punk band Identity X) and Miriam Williamson. The early Wrong Kind of Stone Age sound was a unique and wild fusion of post-punk attitude and bottom-heavy sonic distortion with strong dub and tribal influences, using Miriam's vocal range. They used occasional tape montage, didgeridoo, clarinet, or electronic noise. Following some notorious inaugural performances, and the release of their first tape, Grace and Grossness, Wrong Kind of Stone Age soon attracted an appreciative audience, and built an enduring reputation.
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Terrance Hobbs in 2017 Suffocation is one of the earliest groups to redefine the death metal style that is recognized today. The band uses "outrageously guttural vocals with a bottom-heavy guitar foundation, blistering speed, unparalleled brutality and sophisticated sense of songwriting, complex time changes and lead and rhythm guitar acrobatics"Eduardo Rivadavia, [ Effigy of the Forgotten], AllMusic. and occasional slam riffs and breakdowns.Effigy of the Forgotten, a turning point... The Omega With their debut album, Effigy of the Forgotten, Suffocation rose to prominence of death metal and created a blueprint for the genre for the 1990s,Eduardo Rivadavia, [ Breeding the Spawn], AllMusic.
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His team selection was vindicated, however, as Europe finished the day 1 point ahead, closing the gap to 2 points behind the USA. On the final day of the competition, Faldo decided to play a "bottom-heavy" tactic, where the best players would start lower down the order; thus, if it went to a close finish, Europe would have its best players in play. This tactic seemed to backfire, as the US, leading by 2 at the start of the day, gained the 5 points they required by the eighth match, rendering the last four irrelevant. This led to some severe criticism of Faldo's strategic skills.
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The difficulty in accurately identifying frames has contributed to the accidental breeding of LWS foals. Minimally marked horses heterozygous for the Ile118Lys mutation are not uncommon: one DNA-tested Thoroughbred has white markings limited to a bottom-heavy blaze and two socks below the knee. A Quarter Horse mare tested positive for the gene after she and a frame Paint stallion produced a LWS foal; the mare's markings were a thin blaze with a disconnected white spot in the right nostril, with no other white markings. One major study identified two miniature horses that were completely unmarked, but were positive for the Ile118Lys gene.
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Its characterization as a rock and roll or rhythm and blues song continues to be debated. Nigel Williamson questions whether it was really an R&B; song "with an unusually fast, bottom- heavy eight-to-the bar boogie rhythm and a great lyric about cars, booze and women". The music historian Robert Palmer wrote that Goree Carter's earlier 1949 song "Rock Awhile" is a "much more appropriate candidate" than "the more frequently cited" "Rocket 88", primarily because of the presence of loud electric guitar work on the former song. Palmer wrote that "Rocket 88" is credited for its raucous saxophone, boogie-woogie beat, fuzzy amplified guitar, and lyrics that celebrate the automobile.
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Illustration of the stability of bottom-heavy (left) and top-heavy (right) ships with respect to the positions of their centres of buoyancy (CB) and gravity (CG) A floating object is stable if it tends to restore itself to an equilibrium position after a small displacement. For example, floating objects will generally have vertical stability, as if the object is pushed down slightly, this will create a greater buoyancy force, which, unbalanced by the weight force, will push the object back up. Rotational stability is of great importance to floating vessels. Given a small angular displacement, the vessel may return to its original position (stable), move away from its original position (unstable), or remain where it is (neutral).
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" David Jeffries of AllMusic said, "The album's secret weapon is DJ Mustard who offers numerous productions that are pop like Young Money and bottom-heavy with G-Funk as the blueprint. Think of 50 Cent's Get Rich or Die Tryin' delivered by an inspired rapper in a post-Nicki Minaj world and you're close to the thrill of this inspired debut." Martín Caballero of USA Today called it a solid debut album and said he had "crafted a worthy new chapter to the [Compton] legacy." Jesse Fairfax of HipHopDX stated, "The Pushaz Ink crew has pieced together a well sequenced and cohesive package with My Krazy Life, but this aspect and his street credibility aren’t enough to win over naysayers expecting an overall greater performance.
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This pin shape suggests that it may have been the origin of the modern bottom-heavy design of bowling pins and similar skittles of various sizes used in a wide variety of games. A conical king or jack, or sometimes a spherical jack or , as used in modern bowls, boules, bocce, and pétanque, has been employed in lawn-bowling games since at least as early as the 13th century in England; all these games have the same basic objective, to get as close to the jack as possible with one's own ball. Conical king pins are found in depictions and actual surviving game equipment (of carved stone) from Ancient Egypt. Later equipment was typically made of wood, sometimes also with clay, bone, or ivory pieces.
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The class 83 cab head is designed to be bottom heavy with the bulk of the power transformers located beneath the coach with full use of the top for passenger use, power traction motors are contained within the bogie itself. In terms of safety, the front outer frame is made of heavy carbonized steel, that is capable of sustaining high impact, same as KTM Class 82. Unlike the latter class 92, the class 83 like its sister classes are endowed with multi-layered tempered glass that is of a higher degree of impact resistance. The class 83 has a top speed of 140 km/h, at the time of launch this was similar to the top speed of the other classes but significantly faster than the railbuses that were in use at the time.
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On September 3, 2006, the FAA ceased negotiations with NATCA officials and unilaterally imposed terms and conditions of employment on Air Traffic Controllers nationwide. These new terms, which included 30% pay cuts for new controllers and the freezing of current air traffic controllers’ salaries, as well as a sharp change in the working conditions, had a huge impact on the air traffic controllers. Union officials point to these changes to explain the drastic drop in the numbers of veteran air traffic controllers staying past their eligible retirement age, causing an insufficient staffing issue along with a very bottom-heavy, inexperienced demographic structure of the controllers. The originally introduced Reauthorization Bill would have forced the FAA back into negotiations with the NATCA and included a 15-month limit to the bargaining, followed by arbitration if no consensus is reached.
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Its first work, Beats, Rhymes and Life, was criticized for moving away from the group's earlier, denser, and bottom heavy sound exemplified by tracks such as "Scenario" and "Oh My God." The new sound, which now leaned towards a more laid-back and polished tone, would be embraced a little more with the release of Tribe's "Find a Way" from its fifth album, The Love Movement, although the album itself received a lukewarm reception, and no second proper single or video was released. Following this and the split of A Tribe Called Quest, Q-Tip and Jay Dee continued to collaborate under the Ummah moniker, producing all of Tip's solo album Amplified, with the exception of two tracks from DJ Scratch. For several reasons, including label complications, Tip's solo career became largely inactive while Jay Dee and D'Angelo went on to form the Soulquarians with other like-minded artists.
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Mastopexic correction results in surgical scars on the lifted breasts; the periareolar mastopexy outcome often is a breast of bottom-heavy appearance, with puckered surgical scars; and the Anchor mastopexy outcome is an aesthetic breast of natural size, look, and feel, but with many scars. Whereas, advocates of the mechanical principle of the B technique mastopexy propose that the creation of a rotational pedicle (with an elevated epidermal flap that rotates around the nipple-areola complex), lifts the breasts with an incision plan with vertical and horizontal incisions that eliminate the medial incision (and its vertical scar), whilst providing good projection of the corrected bust from the chest, and a viable nipple-areola complex. Furthermore, advocates of the B technique mastopexy report that it usually does not require secondary correction, because it allows for the better transposition of excess lateral tissues of the breasts by means of curvilinear incision (inverted, upper-case, letter-B) to the skin envelope.
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His contract with Metallica supposedly states that he has to be called by his moniker, although amongst the band themselves he is known as Full Roar. The live mixing technique he is often credited with is adding a high mid "click" to the bass drum, which evolved early on with Metallica as a means of lifting Lars Ulrich's bass drums out of the bottom heavy sound.Big Mick discusses the evolution of the drum sound A more recent crusade is to encourage engineers to start soundchecks with ambient microphones (such as vocal microphones) working through to close-miked or gated instruments such as drums. This is in direct opposition to the usual soundcheck which starts with the kick drum and ends with the vocals, but actually makes a lot of sense since the final sound of any instrument is going to be the combination of the ambient and close microphones it can be heard through.
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In the late 1970s, De Staebler turned to bronze after an injury temporarily curtailed his ability to create large-scale, ceramic figure columns. His interest in such a classical art historical medium might strike as counterintuitive, however De Staebler adapted the casting process to reflect his more deconstructed, liberated approach to art-making. In a 1995 interview, De Stabeler explained how “working with the figure on its sculptural ground is like the figure/ground problem in painting, the relationship of the figure or object to the space around it […] when I shifted from clay to bronze, I learned quickly that the reason I needed bronze was to separate the figure even further from the ground and let it stand on its own form, which isn’t possible in clay. Bronze offers this great freedom to cantilever masses.” Rather than being restricted to making bottom-heavy figures, as was often required by clay, bronze allowed De Staebler to create more gravity-defying sculptures that, with their gracefully attenuated legs, appear to exist on the cusp of collapse.
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This bottom-heavy distribution (which resembles a reversed Exponential function, exp(-x)) is used in the game to incorporate Critical hits (lucky shots that by chance hit a vulnerable spot and do an unusually large amount of damage) directly into the combined attack and damage roll. The use of d10x as a skill roll builds diminished returns on investment and promotion into the skill/task system: only a relatively small investment of skill points is needed to purchase competency in a skill, while meaningful improvements require increasing investments. To illustrate, a skill with a percentile rank of 20 rolled with d10x gives a character a 46% base chance of success at a task, while a rank of 40 only increases the base chance to 72%, and a rank of 60 to only 81%. If a character is granted "experience points" at a steady rate, one extra percent per point, a beginner in a skill will add many more successful new rolls for the same number of extra percents than one who has reached the expert levels.
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After multiple intergender tag team matches throughout mid- July, August and early September including the first intergender tag team tables match between both Molly and Stratus who started an alignment with Bubba who competed along with her, Trish received a rematch for Molly's Championship on September 22 at Unforgiven, where she dropped the title back to Stratus. The following night on Raw, Holly tried to regain her title during a triple–threat match against Victoria and Stratus in an unsuccessful attempt, to end their feud. During this feud, Jerry Lawler also began to poke fun at Greenwald's bottom-heavy figure, which Greenwald later revealed genuinely hurt her feelings in real-life, Greenwald, however, initially did not mind the storyline when Stephanie McMahon approached her with the idea. After ending her feud with Stratus, Holly started competing in various singles and tag team matches till the end of 2002 and early 2003 including a second triple–threat match for the Women's Championship on October 28, episode of Raw, ending on both winning and losing sides.
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The label and its associated producers continued to maintain their faith in "the kind of phat beats and oleaginous basslines that would harden your arteries" over the following years while the wider jungle genre came to embrace more melodic forms. Notable releases included DJ Taktix's extremely rough cut-up 1994 track "The Way" and Asend & Ultravibe's later wistful laments "What kind of World", "Guardian Angel" and "Real Love". Most significant was the track "Dred Bass", released in 1994 by Asend & Ultravibe under the name Dead Dred, which managed to be highly innovative while remaining focused on the essence of jungle; its backwards bassline and skittering snare sound "constituted a landmark in jungle's development into a rhythmic psychedelia" and established the ultra- heavy bass sound that would dominate jungle for the next two years – "as complex and intelligent as any drum 'n' bass track ever made". Later Back 2 Basics work continued this trend with sparse bottom-heavy tracks such Northern Connexion's "Spanish Guitar" and Murphy's Law's even more pared-back "20 Seconds", while a set of releases placing gangsta rap samples over "incredibly evil basslines" laid the foundations of the G-funk-based direction of jump-up.
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