In the snap, Adele shows off her bobbed hair, wearing a pink lip and her signature bold eyeliner.
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It was the landlord, Sherrena Tarver, a short black woman with bobbed hair and freshly done nails, loaded down with groceries.
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Towering above them in stiletto heels and snugly fitting snow-white lace that matched her bobbed hair was Maye Musk, escorted by Marina Arsenijevic, a Serbian concert pianist.
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On Thursday, Phillips's evening contemporary sale will include a painting by Mr. Nara from the same date, titled "Little Thinker," showing the same girl with dark bobbed hair, wearing the same white-collared dress.
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During the 1920s, when Wedgwood was trying to cultivate a more contemporary image in the U.S., the patterns became beloved among young women with bobbed hair who dreamed of being as unencumbered as the designer's gossamer nymphs.
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The rising hemlines and bobbed hair of women's fashion were radical, something which the Mob Museum is exhibiting on-site in the Ready to Roar: Women's Eveningwear in the Prohibition Era project, curated by University of Nevada, Las Vegas students.
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Photographs sent by the driver showed the five wearily huddled in a van: the sister, her heart-shaped face creased by a slight frown under bobbed hair, and her nephew, 28, with a perplexed expression on his face, in a brown jacket.
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Along with his manicured nails, bobbed hair and high-heeled shoes, the makeup made Mr. Sasaki, 23, appear more typically feminine than male, a striking choice in a society where men and women tend to hew strictly to conventional gender dress codes.
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" Wearing a thigh-length black leather jacket, thigh-high black suede boots, sassy bobbed hair and red lips that could be seen all the way to the back of the big room, Lambert, 32, kicked off the acoustic show with her hit "Heart Like Mine.
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As Esther Blodgett, the small-town every girl who blossoms into movie star Vicki Lester, Janet Gaynor was a stand-in for every bobbed-hair girl dreaming of making it big in the arms of a matinee idol — in this case, Norman Maine, played by Fredric March.
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The canton of Uri in Switzerland instituted a tax on women's bobbed hair in 1928, and by the following year the government was reporting widespread resistance (and ridicule) of the law.
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More honestly, he asks: "Death, where is thy sting? Where is thy victory, Hell?" Scene 3 A Soldier and a Maiden (the Bobbed-Hair Girl) confront one another as enemies. Unable to kill each other, their thoughts turn to love.
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Actress Louise Brooks in 1926, wearing bobbed hair under a cloche hat Paris set the fashion trends for Europe and North America.Mary Louise Roberts, "Samson and Delilah revisited: the politics of women's fashion in 1920s France". American Historical Review 98.3 (1993): 657-684. The fashion for women was all about letting loose.
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Bobbed Hair is a 1925 American silent comedy film directed by Alan Crosland and starring Marie Prevost, Kenneth Harlan, Louise Fazenda, and Dolores Costello.Bobbed Hair at SilentEra It was based on a 1925 novel of the same name written by twenty different authors. The film was produced and distributed by Warner Bros.
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By contrast, short bobbed hair was often a Bohemian trait, having originated in Paris c.1909 and been adopted by students at the SladeGilbert Cannan (1916) Mendel several years before American film actresses such as Colleen Moore and Louise Brooks ("the girl in the black helmet") became associated with it in the mid-1920s. This style was plainly discernible on a woodblock self-portrait of 1916 by Dora Carrington, who had entered the Slade in 1910,Gretchen Gerzine (1989) Carrington and, indeed, the journalist and historian Sir Max Hastings has referred to "poling punts occupied by reclining girls with bobbed hair" as an enduring, if misleading, popular image of the "idyll before the storm" of the First World War.Max Hastings (2013) Catastrophe: Europe Goes to War 1914.
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The President of the American Tobacco Company, Percival Hill, was one of the first tobacco executives to seek out the women's market. Noting the 1920s penchant for bobbed hair cuts, short skirts and slender figures, Mr. Hill saw the potential in selling cigarettes as an appetite suppressant so that women could achieve the decade's enviably small waistlines.
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Retrieved June 22, 2020. Having been born after the abolition of the monarchy, she had no official royal title; however, she was still known by many in the Hawaiian community as Princess Liliuokalani. She attended a convent school in San Francisco. During her youth, she was known as the "flapper" princess and sported the then- fashionable bobbed hair.
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Chrome Entertainment released a picture of Bob Girls on May 21. All four members had bobbed hair, and the agency stated, "Usually when girls cut their long hair, it means they are going through some mental changes. Likewise, Bob Girls aims to represent a shift of womanhood of our times." Bob Girls' debut showcase was held on June 10 in Gangnam, Seoul.
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The Roaring Twenties highlighted novel and highly visible social and cultural trends and innovations. These trends, made possible by sustained economic prosperity, were most visible in major cities like New York, Chicago, Paris, Berlin, and London. The Jazz Age began and Art Deco peaked. For women, knee-length skirts and dresses became socially acceptable, as did bobbed hair with a Marcel wave.
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The story was selected by Jo Eng Sek. Several changes were introduced to the story. For instance, in the novel Lie A Tjip was a poor farmer, whereas in the film he was wealthy. Lie Gouw Nio, meanwhile, was not depicted as a poor Chinese woman, but the "a modern girl, dressed in a skirt, shoes, socks, and bobbed hair".
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In his book Footloose in the Himalaya, William McKay Aitken describes the label with an advertisement that states "Berenag Tea Revives You." At the top is the claim "Fresh From Garden" and below, the garden itself is depicted. Beneath tree snow peaks runs the long factory building mat Chaukori complete with a red tin roof. Picking the tea bushes are three ladies, all with black bobbed hair.
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Among his clients were world-famous female personalities like Coco Chanel, Queen Marie of Romania, Sarah Bernhardt, Greta Garbo, U.S. First Lady Eleanor Roosevelt and Brigitte Bardot. English society beauty Lady Diana Cooper, who had bobbed hair as a child,see Portrait of Lady Diana Manners c. 1900 kept the style through her teenage yearsSee portrait, 1906 Manners - Diana Cooper, Viscountess Norwich and continued in 1914 as an adult.
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Hairdressers, whose training was mainly in arranging and curling long hair, were slow to realise that short styles for women had arrived to stay, and so barbers in many cities found lines of women outside their shops, waiting to be shorn of hair that had taken many years to grow. Original illustration to FITZGERALD, F. S.:'Bernice Bobs Her Hair', The Saturday Evening Post 1 May 1920In 1921 The New York Times reported women hairdressers in Connecticut wishing to bob hair would have to obtain a barber's licence: The New York Times, August 23, 1921 Lady Diana Cooper, Time (15 February 1926) Although as early as 1922 the fashion correspondent of The Times was suggesting that bobbed hair was passé,"Bobbed hair has been immensely popular during the last few years; it is now rapidly falling out of favour because it has become common."—The Times, Thursday, May 04, 1922; pg. 11; Issue 43622; col E : The Woman's View.
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The Roaring Twenties brought about several novel and highly visible social and cultural trends. These trends, made possible by sustained economic prosperity, were most visible in major cities like New York, Chicago, Paris, Berlin and London. "Normalcy" returned to politics in the wake of hyper-emotional patriotism during World War I, jazz blossomed, and Art Deco peaked. For women, knee-length skirts and dresses became socially acceptable, as did bobbed hair with a marcel wave.
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This led to the Parliamentary faction being nicknamed Roundheads. Recent isotopic analysis of hair is helping to shed further light on sociocultural interaction, giving information on food procurement and consumption in the 19th century. Having bobbed hair was popular among the flappers in the 1920s as a sign of rebellion against traditional roles for women. Female art students known as the "cropheads" also adopted the style, notably at the Slade School in London, England.
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Davis was an early proponent of many of the fashion styles for which the 1960s are remembered: bobbed hair, long boots of the kind popularised by Honor Blackman in early episodes of The Avengers and leather mini-skirts. She was said to have beaten the latter for 'percussive effect' when recording.Simon Goddard, January 2005 (notes for The Decca Years, 2005) The biographer of the "supergroup" Cream has described her as "astonishingly photogenic".
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English manufacturers Kirby, Beard & Co. Ltd. of Birmingham made hairpins similar to the bobby pin, before the bobby pin's invention. The trademarked pin, the "Kirbigrip" was just one of the pins produced by Kirby, and it closely resembled the bobby pin. The bobby pin was invented by Luis Marcus, a San Francisco–based cosmetics manufacturer, after World War I and came into wide use as the hairstyle known as the "bob cut" or "bobbed hair" took hold.
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Lord Petre wears a white ruff over a lace collar, embroidered doublet, the full breeches, bobbed hair, moustache and slight beard and, in the fashion of the time, the minute patch of hair below the bottom lip. His wife is equally in fashion; the cartwheel-topped skirt, the full upper sleeves and a variation of ruff open in front to show the neck, a delicate silver tiara and the splendid necklace of pearls, 1466 in all.
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During the 1920s she lived in Berlin, and published two volumes of poetry in 1920 and 1927. She was famously portrayed in Otto Dix's painting entitled "Bildnis der Journalistin Sylvia von Harden" (Portrait of the Journalist Sylvia von Harden, 1926). An ambivalent image of the New Woman, it depicts von Harden with bobbed hair and monocle, seated at a cafe table with a cigarette in her hand and a cocktail in front of her.Ankum 1997, p. 191.
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Wildroot Cream-Oil is a men's hair tonic sold in the United States from the 1940s to the 1960s by the Wildroot Hair Tonic Company, based in Buffalo, New York. The company first started selling Wildroot Hair Tonic in 1911. In the 1920s, the tonic was primarily marketed to women, with advertisements warning that bobbed hair and tight hats would cause baldness, unless they used the Wildroot product. Wildroot started marketing the product to men in the 1930s.
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She ran on a prohibitionist platform because of her experience treating patients suffering from abuse of bootleg alcohol. Although she was opposed to drinking and dance halls, she defended the bobbed hair, short skirts, dancing and jazz music of the Roaring Twenties; she was also opposed to corsets. During her time in office, Kaukonen and her council used licensing to control the pool rooms and soft drink establishments which had previously been selling bootleg whisky. Some operators were fined or put in jail.
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In August 1942, British police of Special Branch made "discreet inquiries" around Galton's home in Hampstead, which they noted was an area "which is well populated with persons of communist type and sympathies". Reports stated that she was 5 ft 8ins or 9ins tall, and "well built and athletic, fresh complexion, dark bobbed hair, oval face, sharp features, wears spectacles, wears no hat". The MI6 double agent Kim Philby, who was also working for the Russians, enquired what the British Security Services knew about Galton.
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At the age of twenty-three, Viña Delmar was thrust into the public spotlight due to the tremendous, unexpected success of her first novel, Bad Girl. With her bobbed hair, pixie smile, and slender, petite frame, she epitomized the image of the quintessential flapper. When several of her short stories and novels were later adapted to film, Delmar's name and face were often featured prominently on promotional posters and in newspaper advertising. Movie advertising sometimes even displayed her image and name above the actors starring in the films.
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Fashions In Hairdressing. by the mid-1920s the style (in various versions, often worn with a side-parting, curled or waved, and with the hair at the nape of the neck "shingled" short), was the dominant female hairstyle in the Western world. The style was spreading even beyond the West, as women who rejected traditional roles adopted the bob cut as a sign of modernity.In 1928 when an unsuccessful Communist coup in Canton was put down, women with short hair were targeted for reprisals: 'Many women with bobbed hair were shot.
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The short skirt and bobbed hair were likely to be used as a symbol of emancipation. Signs of the moral revolution consisted of premarital sex, birth control, drinking, and contempt for older values. Before the War, a lady did not set foot in a saloon; after the War a woman, though no more "a lady", entered a speakeasy as casually as she would go into a railroad station. Women had started swearing and smoking publicly, using contraceptives, raising their skirts above the knee and rolling their hose below it.
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There is a cut to an androgynous young woman, with bobbed hair and dressed in rather masculine attire, in the street below the apartment. She pokes at a severed human hand with her cane while surrounded by a large crowd held back by policemen. The crowd clears when the policeman places the hand in the box previously carried by the young man and gives it to the young woman. The androgynous young woman contemplates something happily while standing in the middle of the now busy street clutching the box.
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In Souter's painting, a negro jazz musician is in full white tie evening dress with a top hat; he sits on a cast down and shattered classical statue of Minerva, the goddess of virginity and traditional values. Nearby, an androgynous female dancer — a flapper with short bobbed hair — has her eyes are closed, as if she is in a trance. Her hastily discarded lingerie and green leather shoes are scattered on the ground, with just one green earring visible. A flesh-colored stocking lies draped over the statue's broken arm.
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The building was listed in the National Register of Historic Places as a fine example of Romanesque Revival architecture, and a rare example of local buildings devoted to a women's organization. The building was designed by the architectural firm of Coffman, Salsbury & Stafford in the Romanesque Revival style. An architect's drawing of the building includes five people in front of the building, all women. The women in the sketch were dressed in contemporary 1920s fashions, with bobbed hair and knee-length skirts, and one behind the wheel of an automobile.
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The airy music room is highlighted by a wall mural with bobbed-hair flappers in Grecian garb that illustrates four musical tempos: scherzo, andante, rondo and allegro. In the wing to the right of the main block of the house was a sunroom and to the left was the service wing that included the kitchen and servants quarters. On the second floor was the Phillip's private quarters containing four family bedrooms, each with a bathroom, dressing room and sleeping porch, and two guest rooms. A staircase located between the receiving hall and dining room accessed the lower floor leading to the Southwestern rooms and to the porte- cochère.
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Modigliani, c. 1916 Tree's parents were actors Sir Herbert Beerbohm Tree and Helen Maud Tree, and her sisters were actresses Felicity and Viola Tree. An aunt was author Constance Beerbohm, and her uncles were explorer and author Julius Beerbohm and caricaturist and parodist Max Beerbohm. Iris Tree was sought after, as a young woman, as an artists' model, being painted by Augustus John, simultaneously by Duncan Grant, Vanessa Bell and Roger Fry, and sculpted by Jacob Epstein, showing her bobbed hair (she was said to have cut off the rest and left it on a train) that, along with other behavior, caused much scandal.
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She gets the job by slicking down her bobbed hair and putting on goggles. Later, after Mr. Dunn Sr. (James Heenan) fires Jr., Mary Jane goes into business with Jr. and get betrothed in the last act.Mantle, Burns, Editor, "The Best Plays of 1923–1924", Dodd, Mead & Company, pp. 374-375. Opening night of Mary Jane McKane was also the inaugural performance for the new Imperial Theater at 45th Street, west of Broadway. The New York Times reported that Miss Hay “emerged, let it be recorded, as a sweet, comely, tuneful and most appealing heroine.” “Mary Hays Scores”, New York Times, Wednesday, December 26, 1923, page 13.
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She lived with the marquis until 1655, when she returned to Paris. When she would not return to him, the marquis fell into a fever; to console him, Ninon cut her hair and sent the shorn locks to him, starting a vogue for bobbed hair à la Ninon.Prioleau, Elizabeth. Seductress: Women Who Ravished the World and Their Lost Art of Love (2004) This life (less acceptable then as it would become in later years) and her opinions on organized religion caused her some trouble, and she was imprisoned in the Madelonnettes Convent in 1656 at the behest of Anne of Austria, Queen of France and regent for her son Louis XIV.
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Blonde, blue-eyed Potts was described as a shy, quiet and responsible child, fascinated by the performing arts, who was due to enter the fifth grade in fall 1951. At the time she was living on Linnet Avenue with her parents Robert and Elizabeth Potts and her 22-year-old sister Anita. The last known image of Potts from August 19, 1951, five days before her disappearance, showing her newly bobbed hair. On August 24, she and her friend and neighbor Patsy Swing were given permission to see the Showagon, an annual summer children's performance event being held that evening in Halloran Park, less than a quarter of a mile from the girls' homes.
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The "new woman" was in fashion throughout the twenties; this meant a woman who rejected the pieties (and often the politics) of the older generation, smoked and drank in public, had casual sex, and embraced consumer culture. Also called "flappers", these women wore short skirts (at first just to the ankles, eventually up to the knees) and bobbed hair in a short cut – like a boy's, but longer. Just as the flapper rejected the long hair popular in earlier years, she also discarded Victorian fashions, especially the corset, which accentuated women's curves. Flappers preferred to be slender, although it sometimes meant dieting or binding their breasts and wearing restrictive undergarments to appear thin, flat-chested, and long- limbed.
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At the beginning of the Second World War and for some time afterwards, men's haircuts grew shorter, mimicking the military crewcut. During the 1920s and 1930s, Japanese women began wearing their hair in a style called mimi-kakushi (literally, "ear hiding"), in which hair was pulled back to cover the ears and tied into a bun at the nape of the neck. Waved or curled hair became increasingly popular for Japanese women throughout this period, and permanent waves, though controversial, were extremely popular. Bobbed hair also became more popular for Japanese women, mainly among actresses and moga, or "cut-hair girls," young Japanese women who followed Westernized fashions and lifestyles in the 1920s.
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On the surface, the novel is a love story between the protagonist Jake Barnes—a man whose war wound has made him unable to have sex—and the promiscuous divorcée usually identified as Lady Brett Ashley. Jake is an expatriate American journalist living in Paris, while Brett is a twice-divorced Englishwoman with bobbed hair and numerous love affairs, and embodies the new sexual freedom of the 1920s. Brett's affair with Jake's college friend Robert Cohn causes Jake to be upset and break off his friendship with Robert; her seduction of the 19-year-old matador Romero causes Jake to lose his good reputation among the Spaniards in Pamplona. Book One is set in the café society of young American expatriates in Paris.
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According to UFO author David Clarke in 2014, the "spaceman" is most likely Templeton's wife, Annie, who was present at the time and was seen on other photographs taken that day. "I think for some reason his wife walked into the shot and he didn't see her because with that particular make of camera you could only see 70% of what was in the shot through the viewfinder", said Clarke. Annie Templeton was wearing a pale blue dress on the day in question, which was overexposed as white in the other photos; she also had dark bobbed hair. It has been argued that, when using photo software to darken the image and straighten the horizon, the figure increasingly appears to be a regular person viewed from behind.
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The Times, Tuesday, Nov 21, 1916; pg. 15; Issue 41330; col G An Englishwoman driving ambulances in Romania wrote: "We have discarded skirts and live in riding breeches, blouse, tunic, boots, and putties [sic]; no hat and short hair is so comfortable."The Times, Monday, Aug 05, 1918; pg. 10; Issue 41860; col E Article headed 'The Girl On The Farm':"The "bobbed" hair of many of the land girls and their smocks answer this description.". In 1909, Antoni Cierplikowski, called Antoine de Paris, Polish hairdresser who became the world's first celebrity hairdresser, started a fashion for a short bob cut, which was inspired by Joan of Arc. In the 1920s, he introduced the shingle cut which became popular with daring young women — the Bloomsbury set and flappers.
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Hellenistic-style helmet, from the Parthian royal residence and necropolis of Nisa, Turkmenistan, 2nd century BC The typical Parthian riding outfit is exemplified by the famous bronze statue of a Parthian nobleman found at Shami, Elymais. Standing 1.9 m (6 ft), the figure wears a V-shaped jacket, a V-shaped tunic fastened in place with a belt, loose-fitting and many-folded trousers held by garters, and a diadem or band over his coiffed, bobbed hair. His outfit is commonly seen in relief images of Parthian coins by the mid-1st century BC. Examples of clothing in Parthian inspired sculptures have been found in excavations at Hatra, in northwestern Iraq. Statues erected there feature the typical Parthian shirt (qamis), combined with trousers and made with fine, ornamented materials.
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Bobbed hair revival: Barbara Feldon with Don Adams in Get Smart (1965) In 1960, when the Beatles (then an obscure Liverpudlian combo with five members, as opposed to their eventual "fab" four) were working in Hamburg, West Germany, they were influenced by a Bohemian "art school" set known as Exis (for "existentialists"). The Exis were roughly equivalent to what in France became known as les beats and included photographer Astrid Kirchherr (for whom the "fifth Beatle" Stuart Sutcliffe left the group) and artist and musician Klaus Voormann (who designed the cover for the Beatles' album Revolver in 1966). John Lennon's wife Cynthia recalled that Kirchherr was fascinated by the Beatles' "teddy-boy style", but that they, in turn, were "bowled over by her hip black clothes, her avant garde way of life, her photography and her sense of style".Cynthia Lennon (2005) John As a result the group acquired black leather jackets, as well as fringed hairstyles that were the prototype of the "mop-top" cuts associated with "Beatlemania" in 1963-4.
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