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79 Sentences With "bell sound"

How to use bell sound in a sentence? Find typical usage patterns (collocations)/phrases/context for "bell sound" and check conjugation/comparative form for "bell sound". Mastering all the usages of "bell sound" from sentence examples published by news publications.

You can say, "Okay Google, broadcast dinner is ready," for example, to make a "dinner bell" sound through your Google Home.
Maybe it's because it utilises that pleasing jingle bell sound that immediately makes the festive transmitters in your brain light up.
In an unexpected but clever twist, the company — led by Sonos Sound Experience Lead Giles Martin and Academy Award-winning sound engineer Chris Jenkins — redesigned the opening bell sound for Nasdaq.
MTV - Elliott Smith Exclusive Photos By Autumn de Wilde Cryptovision Records' debut release for their restart of the record label in 2009 is Dennis DikenLate Music, The Debut Album From Dennis Diken With Bell Sound, Brings Classic Pop Echoes with Bell Sound - "Late Music".
The drum machine software Hydrogen (software) contains Djembe, dunun and bell sound files that can be used to study as described above.
The small island of Geddes lies off the northwestern point. To the east, Wilczek Land is separated from Graham Bell Sound by the Morgan Straight.
Also performers create a ringing bell sound by instantly releasing pedaled notes. Finally, the cathedral is gone from sight, and only the bells are heard, at a distant pianissimo.
And may the Peperbus bell sound > out through the centuries the purest sounds and predict, like the healthy > beat of a man's heart, a long future of fertile prospects for Fraserburg.
Bellsund lies on Spitsbergen's west coast. Midnight sun, Bell Sound, Norway, between ca. 1890 and ca. 1900 Bellsund is a long sound on the west coast of Spitsbergen, part of the Svalbard archipelago of Norway.
The musicians on these recordings included Andy Newmark, on drums, and T.J. Tindall, lead guitarist with the Edison Electric Band and another Trenton musician. Four songs from the Bell Sound sessions were used on the album, replacing three of the tracks recorded in London.
Drum Sum is the second album by American jazz percussionist Buck Clarke. The album was released in 1961. Recorded November 8, 1960 at Bell Sound Studios, New York on Argo Records. The album features Fred Williams, Don McKenzie, Clement Wells, Charles Hampton and Roscoe Hunter.
Present Kothamangalam region was historically known as Malakhachira. According to church history, Saint Baselios Yeldo reached the church in the year 1685. He reached the church on 11th of Kanni month of Malayalam calendar. The church bell sound louded and people gathered to know the reason.
Scylla and five destroyers of the 3rd Destroyer Flotilla from the FDE departed the convoy for Bellsundet (Bell Sound) on the south-west coast on the Svalbard and arrived at on 12 September, to fuel from the two oilers in Axelfjord; the destroyers departed at on 13 September.
Here Where There Is Love is Dionne Warwick's sixth studio album for Scepter Records, and was released in December 1966. The LP was catalog number 555 on the label. The album was recorded at Bell Sound Studios in New York City and was produced in full by Burt Bacharach and Hal David.
For instance, a vocalist could activate a bell sound. This could be recorded as an identical pattern and then the voice was erased. In 1987 these tracks were reissued with a different name, Live in Reykjavik, an album that was released by Temple Records, the record label owned by Genesis P-Orridge.
Here I Am, the fifth album by Dionne Warwick, was recorded during the summer and fall of 1965 and released in December 1965 by Scepter Records. The LP was produced by Burt Bacharach and Hal David. This album, as was usually the case until 1968, was recorded at Bell Sound Studios in New York City.
The track features backwards guitar and flute parts, the sounds of seagulls produced by manipulating microphone feedback, and a flexatone that makes a ringing bell sound. By this time, Chas Chandler had stepped down as Hendrix's producer. Instead, production was led by Hendrix, while the engineering was handled by Eddie Kramer and studio owner Gary Kellgren.
During each swing, the clapper travels faster than the bell, eventually striking the soundbow and making the bell sound. The bell speaks roughly when horizontal as it rises, thus projecting the sound outwards. The clapper rebounds very slightly, allowing the bell to ring. At the balance point, the clapper passes over the top and rests against the soundbow.
Dionne Warwick in Valley of the Dolls is the title of Dionne Warwick's ninth album for the Scepter label. It was recorded during the summer and fall of 1967 and was released early the next year. It was recorded at A&R; and Bell Sound Studios in New York City and was produced by Burt Bacharach and Hal David.
Gondwana (1980) is a defining musical composition of spectral musicStaines, Joes (2010). The Rough Guide to Classical Music, p.372. . "The locus classicus of early spectral music". for large orchestra composed by Tristan Murail using simulated synthesis to create a harmonic interpolation between an orchestrally synthesized chord derived from a simulated bell sound (inharmonic) and a chord derived from a trombone sound (harmonic).
The company is still recognized for their cast bells, which are used in carillons and church bells. In 2006 Eijsbouts cast the largest swinging bell in the world. Royal Eijsbouts has been involved in extensive research programs in campanology (the art of bell manufacturing) for decades. Those efforts have resulted in computer applications with which all aspects of bell sound and bell shape can be accurately calculated.
This feature is inaccurately labeled "vibrato" (which is a variation in pitch) on some models to be consistent with the labelling on Fender amplifiers. Although the Rhodes functions mechanically like a piano, its sound is very different. Vibrating tines produce a mellower timbre, and the sound changes with the tine's relative position to the pickup. Putting the two close together gives a characteristic "bell" sound.
In 1612, Edge sailed to Spitsbergen as master of the Sea Horse. From 1613 to 1619 Edge served either as commander or co-commander of the English whaling fleet. He appears to have spent several of these seasons aboard ships that anchored in Bell Sound (Bellsund), the principal area for English whaling. He often had to deal with foreign interlopers intent on whaling in Spitsbergen.
In 1626 nine ships from Hull and York destroyed the Muscovy Company's fort and station in Bell Sound, and sailed to their own in Midterhukhamna.Conway (1904), pp. 174–175. Here they were found by the heavily armed flagship of the London whaling fleet; a two-hour battle ensued, resulting in defeat for the Hull and York fleet and their expulsion from Spitsbergen.Appleby (2008), pp. 39–41.
The track was written by Anka and Johnny Harris, with the latter musician solely producing it. It was mastered by Robin C. Kruse and recorded at Bell Sound Studios in New York City during 1972. In the lyrics, the protagonist preaches and discusses religious themes: "Sinners take heed / For the life that you lead is deceiving / Nothing replaces a man / That embraces believing, no".
The island is west of Grand Turk. Bell Sound is at the western side of the island, providing an important fishing site. Together with uninhabited East Caicos and a number of smaller islands, it forms the South Caicos and East Caicos District, with a total area of . All islands in the east and south of Caicos Bank belong to this district, except French Cay, which belongs to Providenciales and West Caicos.
From this time forward, it was said that the hooligans no longer threw rocks during Jewish funerals. Years later, pupils of the Kheder (Jewish elementary school) of a teacher named Leib Paks claimed that in the cellar, when jumping on the floor boards, the muffled ring of a bell sound could be heard. This led the children to believe that that was the very same spot where the church had sunk.
Altitudes of Phu Kradueng; ground plan and cross section The name of the mountain comes stems from its silhouette looks like a large bell (; kradueng). There is also a local legend that a mysterious bell sound, believed to be the bell of Indra, can be heard in the area of the mountain. Phu Kradueng seen from above is heart-shaped. It has a relatively flat plain on its top, sloping slightly to the north.
Revere designed church bells with a large diameter which allowed the bell sound to travel greater distances. For example, the King Chapel bell had a diameter of 49 inches and a weight of nearly 2500 lbs.The Bells of Paul Revere and His Sons and Grandsons, Edward and Evelyn Stickney, p. 5. At a time when churches were the center of civic life and the only form of mass communication, sound intensity was an important factor.
The Mind Garage traveled from Morgantown, WV to Bell Sound Studio on Long Island, New York to record Asphalt Mother and made only 1000 vinyl copies. Norris Lytton uses an 8 string Hagstrom bass guitar for a sharp, crisp sound. John Vaughan's Gibson Firebird employs a gutsy fuzz tone, and Jack Bond's Hammond B-3 and Leslie hold the composition together. Syncopation with the other instruments is achieved by Ted Smith's precision drumming.
Sandoval has also recorded and toured with Rock and Roll Hall of Fame inductee Dave Davies (of The Kinks). His work with Davies is included on the collections Unfinished Business, Rock Bottom, and Kinked. Other artists that Andrew Sandoval has performed or recorded with include P.F. Sloan, Jackie DeShannon, Danny Hutton, Keith Allison, Kristian Hoffman, Dennis Diken with Bell Sound, Jigsaw Seen, The Wonderful World Of Joey, Patrick Campbell-Lyons and Abby Travis.
In English-style ringing, the bell is rung up such that the clapper is resting on the lower edge of the bell when the bell is on the stay. During each swing, the clapper travels faster than the bell, eventually striking the soundbow and making the bell sound. The bell speaks roughly when horizontal as it rises, thus projecting the sound outwards. The clapper rebounds very slightly, allowing the bell to ring.
This latter name, in honor of Jan Jacobsz. May, master of the other ship sent on discovery, de goude Cath (“The Golden Cat”) of Amsterdam, was later (1620) applied to the island as a whole, giving it the name it retains to this day. Following his 1614 expedition to Spitsbergen Carolus charted a map of the islands. The map labels various features, including Generaels hoeck (South Cape), Bell sound (Bellsund), Greene harbergh (Grønfjorden), Mari mag.
Mary Wells, "My Guy" Review Retrieved January 4, 2014 The song was originally recorded in January of 1967 in Bell Sound Studios in New York with Jerry Ross producing and Joe Renzetti arranging and conducting. Nick Ashford and Valerie Simpson provided background vocals, accompanying the lead singer Jay Proctor; Jerry Ross used session musicians for the song's instrumental backing in place of the band the Techniques. This process would continue for all of the band's singles recorded after this.
16–17; Conway (1906), pp. 65–67. In 1615 the Dutch arrived with a fleet of eleven ships and three men-of-war under Adriaen Block, occupied Fairhaven, Bell Sound, and Horn Sound by force, and built the first permanent structure on Spitsbergen: a wooden hut to store their equipment in. The ten ships sent by the Muscovy Company were relegated to the south side of Fairhaven, Sir Thomas Smith's Bay, and Ice Sound.Purchas (1625), p.
The group were promoted nationally by Jerry Ross with Dick Clark on American Bandstand, where they debuted their single "And Suddenly". The band spent the fall of 1967 recording their debut album at Bell Sound Studio in New York City. Haffkine hired Barry Oslander to co-produce and a number of studio musicians were used to replace the band members during recording. When the eponymous album was released in May 1968, it had a bubblegum pop sound.
The performers on the 1957 Bell Sound Studios recording were Bob Gaudio (piano), Tom Austin (drums and whistle effect), Billy Dalton (guitar), Billy Crandall (sax and vocal effect), and Diana Lee (a female vocalist working for Leo Rogers). The record was originally released on a private label, Power Records. The song's instant popularity led the label owner to license the production to ABC- Paramount Records. It reached #3 on the list later known as the Billboard Hot 100.
The housing of the bell box may be manufactured from wood, metal, or plastic. The basic core component of a conventional bell box is an electromagnet and a bell or other metal part, some of which create a repetitive sound.Tom Harris, "How Doorbells Work", HowStuffWorks The bell sound is normally created inside the box, although the unit may have bells mounted on the outside of the box. The bell box may also include visual alerts such strobe or other flashing lights.
The Two Sides of the Smothers Brothers (released September 1, 1962 on Mercury Records) is the second comedy album by the Smothers Brothers. Side A (tracks 1-6) consisted of comedy and was recorded at The Crystal Palace in St. Louis during a live performance. Side B (tracks 7-12) was recorded at the Bell Sound Studio in New York City with a full orchestra and represented the singing side of the boys. It reached number 26 on the Billboard Pop Albums chart.
Stephen Desper commented that "Cabinessence" was "finished, more or less, with Brian's guidance through Carl." "Bluebirds over the Mountain" is a cover of the 1958 Ersel Hickey song, produced by Bruce Johnston in September 1967 at Western Studio and completed in October 1968 at Bell Sound. "Time to Get Alone" was written and produced by Brian for the group Redwood (later Three Dog Night) between sessions for the Beach Boys' Wild Honey (1967). It was completed by the Beach Boys in November 1968 at their studio.
Ali then landed a stiff left jab at the very end of the round. Before the fifteenth and final round, Inoki and Ali shook hands while the crowd acclaimed in anticipation of a possible climactic finish. However, Inoki's strategy went unchanged, even although Ali reminded him of the bout's nearby ending. Inoki landed several kicks more before Ali landed a counter jab, but nothing came from it, and when the final bell sound, both men shook hands again and embraced among a mix of cheers and jeers.
The work is scored for two solo violins, a string chamber orchestra consisting of 6 first violins, 6 second violins, 4 violas, 4 cellos and 2 double bass, a harpsichord and a prepared piano. The two keyboard instruments are meant to be played by one player. The piano is prepared by inserted coins between the strings in its upper register as well as being electrically amplified creating a ‘church bellsound. The piece consists of six movements: A typical performance lasts for approximately 28 minutes.
1st Bassman is an album by jazz bassist Paul Chambers, recorded at Bell Sound Studios on May 12, 1960 and released by the Vee-Jay label.Jazzdisco: Paul Chambers Catalog, accessed July 22, 2019Fitzgerald, M. Jazz Discography: Paul Chambers Leader Entry, accessed July 22, 2019Callahan, M. & Edwards, D. Both Sides Now: Vee-Jay Album Discography, Part 1: Main Series LP-100-101 & LP-1001-1070 (1956-1963), accessed July 22, 2019 This album is notable for its featured use of the acoustic bass as the lead instrument.
The album was recorded at Bell Sound Studios in New York City, which was owned by the company that owned Buddah Records. Neil Bogart, founder of Casablanca Records, was an executive at Buddah prior to forming Casablanca. Casablanca Records held a party at the Century Plaza Hotel in Los Angeles to celebrate the West Coast release of Kiss (February 8) and to introduce the record company to the press and other record industry executives. In keeping with the Casablanca theme, the party included palm trees and a Humphrey Bogart lookalike.
Kiss agreed, with the condition that Aucoin sign the band to a record label within two weeks. On November 1, 1973, Kiss became the first act signed to former teen pop singer and Buddah Records executive Neil Bogart's new label, Casablanca Records.Leaf and Sharp, Behind the Mask, pp. 145–146. The band entered Bell Sound Studios in New York City on October 10, 1973, to begin recording its first album. On December 31, the band had its official industry premiere at the Academy of Music in New York City, opening for Blue Öyster Cult.
The GT sports package includes Nissan's 4WS version of HICAS to improve stability and handling, taking advantage of the 53:47 weight distribution. A driver aid system used in Japan, called Distance Control Assistance, pushes the gas pedal against the foot when the DVD navigation with GPS determines that an unsafe speed is being maintained. If the Autonomous cruise control system is being used, the Distance Control Assistance will reduce speed automatically, and will warn the driver that an adjustment is being made with an audible bell sound.
The Hit Factory moved to a new location in 1981 known as The Hit Factory Broadway at 237 West 54th Street. These studios were previously home to the famous Bell Sound Studios. Ed Germano's son, Troy Germano, started working full-time with him at this location. At The Hit Factory Broadway there were a total of five studios: A1, A2, A3, M1 as well as M4 — which was later transformed into the first mastering suite for Herb Powers, Jr. These studios were also designed by Ed Germano & Frank Comentale.
Michael Rashkow was born July 18, 1941, in New York City. As a child and young man, he grew up in New York and Florida, and he served in the U.S. Air Force as a psychiatric medic. Rashkow came to the music business without any background or credentials in the industry, having been a golf professional and a golf equipment manufacturer's rep from 1960 through 1965. His entree was via the recording studio and he became a recording engineer who worked at Bell Sound, Studio 76, Sounds On Broadway, National Recording and Broadway Recording.
School bell visible in St Johns School, alt= The ringing of a school bell announces important times to a school's students and staff, such as marking the beginnings and ends of the school day, classes, and breaks. In some schools it may take the form of a physical bell, usually electrically operated. In other schools it may be a tone, siren, electronic bell sound, a series of chimes, or music played over a PA system. In East Asian nations, the Westminster Chimes pattern is commonly played as the bell.
One of J.J.'s men recognizes the bell sound in the background and puts Tony's general location near a church. J.J. orders the men to put out flyers of Yvonne in the area so that the community can help search for her. Another of J.J.'s men goes home where his father recognizes a picture of Yvonne on the printed flyers and tells him that he saw her being taken down into the hospital. A confrontation occurs when J.J. and his men go to the hospital and confront Tony and his men.
After the success of Black Ivory's first two albums (both released in 1972 on Today/Perception Records), Don't Turn Around and Baby Won't You Change Your Mind, the group took a three- year break from recording. During that time Black Ivory toured, and changed their management and record company. Now signed to Buddah Records, Black Ivory's first album on the new label entitled, Feel It was produced by Black Ivory (Leroy Burgess, Stuart Bascombe and Russell Patterson), Robert John and Mike Gately. It was recorded at Bell Sound Studio, Opal Sound Studio and Media Sound Studios and released in June 1975.
Jingle bells as a musical instrument Sleigh bells Tuned chromatic sleigh bells, range F4-F6 A jingle bell or sleigh bell is a type of bell which produces a distinctive 'jingle' sound, especially in large numbers. They find use in many areas as a percussion instrument, including the classic sleigh bell sound and morris dancing. They are typically used as a cheaper alternative to small 'classic' bells. The simplest jingle bells are produced from a single piece of sheet metal bent into a roughly spherical shape to contain a small ball bearing or short piece of metal rod.
The song was originally offered to Dionne Warwick, who turned it down at the time, saying she felt it was "too country" for her tastes and "too preachy" though she later recorded it for her album Here Where There Is Love. (Warwick also recorded a second version in 1996, which scraped the lower reaches of the US Hot 100.) Bacharach initially did not believe in the song, and was reluctant to play it for DeShannon. The song was also rejected by Gene Pitney, reportedly over a financial dispute. DeShannon's version was recorded on March 23, 1965, at New York's Bell Sound studios.
No Man's Land: A History of Spitsbergen from Its Discovery in 1596 to the Beginning of the Scientific Exploration of the Country. Cambridge: At the University Press. During this voyage, he also named Ice Point (Ispynten), Bell Point (for a nearby bell-shaped mountain, now called Kapp Lyell), Bell Sound (Bellsund), Point Partition (Midterhuken), Low Sound (Van Mijenfjorden), Lowsoundness (Lågneset, its Norwegian equivalent), Ice Sound (Isfjorden), Green Harbour (Grønfjorden), Osborne Inlet (St. Jonsfjorden), Black Point (Salpynten), Black Point Isle (Prins Karls Forland), Foul Sound (Forlandsundet), Cape Cold (Kaldneset), Fair Foreland (Fuglehuken), Deer Sound (Kongsfjorden), Close Cove (Krossfjorden), Cross Road (Ebeltofthamna), and Fairhaven (Smeerenburgfjorden).
The group's purpose was to make a demonstration record to interest a recording company in signing the group. Seven of the songs were recorded at Glen Campbell Studio in Pittsburgh, Pa. Asphalt Mother and Reach Out were recorded the same year, 1968, at Bell Sound Studio, Long Island, New York and released on the Morning Glori Music label as a 45 RPM single. The remaining tracks were not released until 2006, 38 years later. The band received several 33 rpm acetates of the Glenn Cambell Session to be used as demos but the studio kept the Master Tape.
Jimmy Buffett simply remade his "Cheeseburger in Paradise" song into children's music with cleaned up lyrics ("Root Beer" instead of "Draft Beer"). His songs were already kid friendly with catchy lyrics and simple melodies punctuated with penny whistles and ship bell sound effects. Conversely, Koo Koo Kanga Roo, a children-oriented comedy synthpop duo, made a successful crossover from performing children's events into touring with adult rock and punk bands such as Reel Big Fish and Frank Turner. In Canada, artists such as The Kerplunks and The Oot n' Oots have paved modern pathways to the genre following in the footsteps of Raffi, Fred Penner and Sharon, Lois & Bram.
Sinclair User: > "... it has the best sound ever heard on a Spectrum. Let's be honest, whilst > Spectrum games are often the most original and inventive, sometimes most of > us envy just a little the three-channel funk music possible on the > Commodore. Envy no more, the continuous soundtrack on Glider Rider is as > funky and exciting as anything you've heard - hardened Sinclair users in the > office rose as one from their seats to stare at the TV - surely it couldn't > be! Not only a get-on-down soundtrack but digitised effects as well, > including a remarkable ring-modulated bell sound at the end of the game.".
Through spending time with Robert Traynor, college friend and booking manager for Electric Circus, Korvin helped with equipment load-in, stage set up and microphone set ups. After producing sessions recorded at Bell Sound and Apostolic Studios with a New York 3-piece electric house band, Sirocco, Korvin decided to assemble all the organizational elements necessary to build an audio recording studio, Blue Rock Studio. Intentionally conceived as a one-room-only recording facility, Blue Rock Studio offered privacy and intimacy in a creative surrounding. Korvin says, “Blue Rock was a space of learning, a place to acquire and use technical skills and musical knowledge.
In that episode, the animals foil the spell by dropping a bell sound into the potion cauldron and Maledictus Maggot punishes Bubonic and Tyrannia for the foiled spell by attaching their homes, forcing them to live together. Unlike the other known punishments that never last enough to be seen in later episodes, this one seems to be permanent and has lasted at least five years (the animals recall that it has been five years since it happened). Bubonic and Tyrannia are so clumsy that some of their spells bring trouble to themselves, and when the spells are undone, they feel a temporary relief that quickly ends when Maggot shows up to punish them for their failure.
He also overlooked "From Me to You", "Misery", and "There's a Place", which were first issued in the US by Vee Jay Records but had not yet been issued on a Capitol album. "Sie Liebt Dich", a German-language version of "She Loves You", and the single version of "Get Back" were also passed over. (The single version of "Let It Be" and its B-side, "You Know My Name (Look Up the Number)", had yet to be released.) Steckler and Apple had become disappointed with the Capitol Records release schedules and determined to promote the new album themselves. Steckler also took the tapes to Sam Feldman at Bell Sound Studios for mastering, rather than delivering them to Capitol.
As a precaution against a surprise landing, the ground markers were removed by the Norwegians, several trenches were dug and obstacles were strewn over the strip. Another transmitter and some stores were found in Adventdalen; Ullring sailed south to Bellsund (Bell Sound), Van Mijenfjorden (Lowe Sound) and Braganza Bay to deliver arms to the Fritham Force party and take nine of them to reinforce Barentsburg. At Banak, Dr Erich Etienne, who had supervised the weather data operation and Major Vollrath Wibel arranged a reconnaissance flight to Spitzbergen. A Ju 88 of 5 (Weather Squadron 5) flew the sortie over Advent Bay on 23 July to reconnoitre the extent of the Allied interference with the .
The song was inspired by a line from Carl Perkins' 1956 song "Dixie Fried". On January 25, 1958 Holly recorded a version of "Rave On" at Bell Sound Studios in New York as a track for his debut solo album, Buddy Holly, with Coral Records releasing it as a solo single in April 1958. Although it barely made the top 40, peaking at No. 37 in the United States, it reached No. 5 in England. In the spring of 1958 West recorded "Baby Bessie Lee", "Doll Britches" and "Linda Loves a Hula Hoop", backed by Sonny Curtis (guitar), Vi Petty (piano), George Atwood (bass) and McKay/Bo Clarke (drums) at Petty's Clovis Studios.
61 Despite this difference, "a few bold souls have identified Black Sabbath's eponymous 1970 debut album as the first ever 'Goth-rock' record". The author Gavin Baddeley notes that the title track of the album "describes a satanic rite, complete with driving-rain and tolling bell sound effects, while the cover focuses on a black-cloaked, spectral-looking girl in a graveyard, shot through a sickly pale ochre filter". Other commentators have described Black Sabbath as the "absolute prototype gothic heavies"Hoskyns 2004, p. 69 and observed that by separating the band's music "from their heavy metallic connotations", one "could cull a killer Goth album from their first five LP's, with every future reference point and requirement intact".
Springer then welcomed viewers to the show, introduced a particular situation, or topic, and interviewed several guests experiencing such situations. After finishing the interview, Springer announced the entrance of another guest whom the first guest would like to confront. The second guest entered the stage, and a confrontation between the two guests usually occurred, often breaking down into a brawl that was eventually broken up by on-set security personnel before one of them got knocked out, causing a ringside bell sound effect to go off to determine who was the winner of the brawl by knockout. Once the fight had been quelled, Springer interviewed the second guest about the situation faced by the first guest.
Ring flow field Ring sound The word "ring" here refers to the shape and not to the bell sound. The flow from a circular orifice impinging on a toroidal ring of the same diameter as the orifice will result in a tone; it is called a ring tone. It is similar to the hole tone described above, except that because the plate was replaced by a ring, a fundamental change in the resultant sound field occurs. Small disturbances at the ring feed back to the orifice to be amplified by the flow instability (class I). The unstable flow creates a set of symmetric (ring) vortices that later impinge on the physical ring.
According to his hagiographers, Ciaran was born in pagan Ireland and left for Rome to receive Christian baptism and study the Bible. In Rome for twenty or thirty years, he was ordained a bishop and returned to Ireland. On the way, he is said to have met Saint Patrick in Italy and from him received a clapperless bell; whence Patrick told Ciaran to found a church when the bell should miraculously sound, and nearby would be a cold spring. Upon returning to Ireland, he evangelized his paternal kinsmen, the Osraige, and passed through their territory and over the Slieve Bloom Mountains when he heard the tongueless bell sound, and nearby was a spring of cold water.
The tyranny of William I is described by the poet Francis Thompson, Chaucer writes on the curfew bell as just as a time, not a law: Shakespeare had unusual times for the curfew bell. In Romeo and Juliet, iv 4, he has Lord Capulet saying: In Tempest, v. 1, Prospero says: :In King Lear, iii. 4, Edgar speaks, In the sixteenth century Bishop Joseph Hall's "Fourth Satire" it reads: In the play The Merry Devil of Edmonton (published 1608), the curfew was at nine o'clock in the evening: John Milton's put in his allegorical Il Penseroso's mouth the words: In Handel's L'Allegro, il Penseroso ed il Moderato these words are accompanied by a pizzicato bass-line, representing a distant bell sound.
Goodlad first appears as admiral of the English whaling fleet in 1620 in Thomas Edge's Dutch, Spanish, Danish Disturbance (1622), which appears in Samuel Purchas' Hakluytus posthumus or Purchas His Pilgrimes (1625). Edge states he was again admiral in 1621 and 1622. Purchas (1625) also reprints a letter, dated 8 July 1623 (Old Style), written by "Captaine William Goodlard [sic]" to vice-admiral William Heley. Writing from "Bell-sound" (Bellsund), the main harbor of the English in Spitsbergen, he reported a catch of "three and thirtie" whales there, as well as the lamentable loss of his brother Peter on 28 June (OS), who was drowned when pulled out of a boat by a kink in the line from a harpooned whale.
During the swing, the clapper inside the bell will have struck the soundbow, making the bell sound or "strike". Each pull reverses the direction of the bell's motion; as the bell swings back and forth, the strokes are called "handstroke" and "backstroke" by turns. After the handstroke a portion of the bell-rope is wrapped around almost the entirety of the wheel and the ringer's arms are above his or her head holding the rope's tail end; after the backstroke most of the rope is again free and the ringer is comfortably gripping the rope some way up, usually along a soft woolen thickening called a sally. Normally there is one ringer per bell, due to the bell weights and rope manipulation involved.
Dionne Warwick recorded "I Just Don't Know What to Do with Myself" at Bell Sound Studios in August 1966 with Burt Bacharach producing; released that September the track is from her third album, Here Where There Is Love on Scepter Records. The song was a moderate success reaching #26 on the US Hot 100 and #20 on US Hot R&B; with its strongest evident regional success in Detroit going Top Ten there. After "Message to Michael" and "Trains and Boats and Planes" Warwick's "I Just Don't Know..." was her third consecutive single release comprising a previously recorded Bacharach/David song and Warwick's next Top 40 single "Alfie" would also fit in this category; three of the four appeared on Warwick's 1967 album Here Where There Is Love.
Nimoy's next appearance occurred six episodes later, in "Grey Matters". As a reference to a brief appearance by Nimoy's character William Bell, sound editor Bruce Tanis was instructed to create bells as a recurring motif in the scene when Bell encounters Olivia and gives her vital information about the parallel universe. Tanis explained that because he couldn't put the sound of bells in everything, he "took some dry ice recordings and pitched them down considerably and reverbed them to become ringing tones that I played underneath the whole scene". Tanis also used some "reversed" ship's bells as well as crystal glass rubs in order to make Bell's office sound like multiple layers of glass and bell sounds; he referred to the scene as "a little ominous" but not "too cliche".
Retrieved 12 May 2013 By the early 1960s he was working as an assistant at Bell Sound Studios in New York City, where he met songwriters and record producers Jerry Leiber and Mike Stoller. He began working for them in the Brill Building, initially as a pianist and then as an arranger. He contributed to records by The Drifters and others before, in 1964, arranging his first hit, "Sally Go 'Round the Roses" by The Jaynetts, on which he claims to have played all the instruments except guitar. "Sally Go 'Round the Roses" at ArtieButler.com. Retrieved 12 May 2013 He co-wrote Alvin Robinson's "Down Home Girl" with Leiber (quickly covered in 1965 by The Rolling Stones), and later in 1964 joined the team working with songwriters Jeff Barry and Ellie Greenwich.
After receiving some airplay on the East Coast, the single was later leased to the larger Jubilee Records label for better distribution, although it failed to chart nationally. DiMucci states that he never knew then, or now, who the Timberlanes were: "The vocal group was so white bread, I went back to my neighborhood and I recruited a bunch of guys, three guys, and we called ourselves Dion and the Belmonts." Initially billed as "Dion with the Belmonts", the new group recorded "We Went Away"/"Tag Along" on the Mohawk label before leaving for newly formed Laurie Records. Known thereafter as "Dion and the Belmonts", their first Laurie release, "I Wonder Why" (Laurie Records first release, Laurie 3013), was recorded at New York's Bell Sound Studios and brought them immediate success.
After the Left Banke disbanded, Finn went on to become an engineer at Bell Sound Studios as well as working with jazz drummer Buddy Rich at Rich's night club Buddy's Place as stage manager and MC. In 1982, Studio 54 owner Steve Rubell convinced Finn to try his hand as a DJ. This led to Finn working at NY clubs such as The Palladium, The Red Zone, and Au Bar. In the 1990s Finn began working as a DJ for private events, resulting in his own company, Topspin Entertainment. Finn was the DJ for the White House Millennium Gala, hosted by President Bill Clinton and Hillary Clinton. In 2006, he appeared in the November issue of Town & Country magazine in a five-page spread called "The Party Masters".
Springtime brings the Bacchanalia Formal, often with a live swing band in the courtyard. For each Arts First event, the first weekend in May, there is a courtyard performance of the 1812 Overture, during which those not part of the official orchestral ensemble are encouraged to assist on kazoos; in lieu of cannon, hydrogen-filled balloons are ignited by the House chemistry tutor; and until recently (see below) the performance would climax with the role originally scored by Tchaikovsky for authentic Russian zvon (a "bell" in the Slovakina language or "bell sound" in Russian), being played (appropriately enough) by Lowell's own authentic Russian zvon. There is a winter holiday dinner, and various sophomore, senior, Roundtable and faculty dinners take place throughout the year. Language tables and special-interest tables are common features of everyday lunches and dinners.
At the crew made course for Greenland, eventually seeing pack ice through the fog. The Catalina flew into Scoresby Sound and the crew photographed northwards to Cape Brewster, turned for Iceland at and flew in clear weather almost to the island before the fog closed in again, landing at Akureyri at on 26 June The ice and weather reports were transmitted and P-Peter took off at for Jan Mayen, thence to Spitzbergen, making landfall at The crew descended to to take photographs in clear weather then turned east for Bell Sound and photographed Van Mijenfjorden (Lowe Sound) a prospective anchorage for tankers, examining Sveagruva, which seemed unoccupied. The crew took pictures of the coast to Cape Linné, Green Harbour and Barentsburg, made contact with Fritham Force and then photographed the pier, the navigator hanging out of the port blister with a camera, held fast by a colleague. Healy landed P-Peter, deposited Glen and Croft into a boat and took off for Advent Bay to check on the Germans.
Typical Teac top loading stereo cassette deck from mid-1970s A typical portable desktop cassette recorder from RadioShack. The first consumer tape recorder to employ a tape reel permanently housed in a small removable cartridge was the RCA tape cartridge, which appeared in 1958 as a predecessor to the cassette format. At that time, reel to reel recorders and players were commonly used by enthusiasts, but required large individual reels and tapes which had to be threaded by hand, making them less-accessible to the casual consumer. Both RCA and Bell Sound attempted to commercialize the cartridge format, but a few factors stalled adoption, including lower-than-advertised availability of selections in the prerecorded media catalog, delays in production setup, and a stand-alone design that was not considered by audiophiles to be truly hi-fi. The "compact cassette" (a Philips trademark) was introduced by the Philips Corporation at the Internationale Funkausstellung Berlin in 1963Mourning and Celebrating 50 years of Compact Cassette - SoundBlog, 23 March 2013. Retrieved 25 August 2013.Rewound. On its 50th birthday, the cassette tape is still rolling. Time Magazine, 12 August 2013, p.
Then, on January 28, 1974, Perez came to the international spotlight when he was chosen to referee the Muhammad Ali-Joe Frazier rematch, pitting the two former world Heavyweight champions as they tried to return to the world title, in a match contested for the North American Boxing Federation's Heavyweight title. Frazier had 30 wins and one second-round knockout loss to George Foreman (when he lost the world Heavyweight title) while Ali was 43–2, with 31 knockout wins, having lost to Frazier in their first bout on March 8, 1971 and to Ken Norton; he had avenged the loss to Norton and was now trying to avenge his loss to Frazier; at stake was a fight against Foreman for the world title. Perez made a move that has been somewhat criticized by fans and some sportswriters alike afterward when, after Ali had hurt Frazier with 20 seconds to go in the second round, Perez stepped between the two as he allegedly had heard the bell sound. Ali went on to win by twelve round unanimous decision, but Frazier and his trainer Eddie Futch were critical of Perez, saying that he was unwilling to take points from Ali for holding Frazier during the encounter.
Corner of 6th Avenue, next door to Jim & Andy's Bar (116 West 48th Street) and Manny's Music (156 West 48th Street), both famous musicians hangouts. Used regularly by Tom Dowd for Atlantic sessions and producer Creed Taylor for Verve. Van Morrison recorded "Brown Eyed Girl" there. # A & R Studio 2 (formerly Columbia Studio A) 799 7th Avenue Opened by Jack Arnold and Phil Ramone early 1968 # Associated Sound (now Quad Recording Studios) 723 7th Avenue Near corner of West 48th Street, a few doors down from Dick Charles. The Angels' "My Boyfriend's Back," the Raindrops' "What A Guy" and The McCoys' "Hang On Sloopy" were cut there # Bell Sound (later The Hit Factory) 237 West 54th Street Founded June 1950 by Allen Weintraub and Daniel Cronin (1929–1968), both classmates from Brooklyn Technical High School; studio was located at 135 West 54 beginning June 1959; Burt Bacharach's favorite studio. Bought by Jerry Ragovoy 1968 and reopened as The Hit Factory; sold 1975 to partner Eddie Germano (né Edward F. Germano; 1941–2003); now run by Troy George Germano (born 1962), his son # Capitol Studios, Studio A (Capitol Records, Inc.) (the studio operated under Capitol from 1949 to 1961) 151 West 46th Street First floor (one floor up) in the 14-story Eaves Building (built in 1928).

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