The colors then became lighter with pale pink dresses which came with long sleeves, high necks, ruffled chiffon decoration, colorful patterned prints and shiny sequins.
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In 2015, large swaths of the western part and southeastern parts of the U.S. became lighter blue, indicating an uninsured rate of less than 10 percent.
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As time passed, tiaras became lighter ("more of a question of look and fashion," Mr. Mansvelt said) and, by the end of the 19th and beginning of the 20th century, had transformed into the aigrette, the sort of hair ornament Daisy Buchanan would wear, with a feather popping up in the front.
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Later his drawing became lighter and more poetic; he shifted his attention from people to things, particularly landscape. His final mode reveals highly sensitive visions of Lisbon, Sintra and the Algarve.
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As popularity increased and car became lighter & more aerodynamic for the 1991 model year, the process was simplified as Pontiac offered a convertible through normal dealer ordering channels via RPO's. A Total of 173 Firebird Convertibles were reported by ASC for 1987.
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This is known as "running" the punt. It was the normal technique used to move heavy fishing punts. As pleasure punts became lighter, it became more usual for the punter to stand still – normally towards the stern – while shoving. This is called "pricking" the punt.
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Later new brighter pea-green shade was introduced.kaski.boinaslava.net , retrieved on September 11, 2007. The leather suspension, or liner, were produced in several different variants. The M36 helmet design became lighter, more compact, and more comfortable than the First World War-era designs and provided excellent protection.
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In 1891, Pardon W, Tillinghast patented a design for a stand which was mounted on the pedal, but folded up flat under the pedal when not in use. Kickstands on bicycles fell out of fashion in the 1970s, as the bicycles became lighter, and many riders were concerned about extra weight.
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This "new natural style" emphasized the beauty of the body's natural lines. Clothing became lighter and easier to care for than in the past. Women often wore several layers of clothing, typically undergarments, gowns, and outerwear. The chemise, the standard undergarment of the era, prevented the thin, gauzy dresses from being fully transparent.
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In order to use the oncoming airflow even more efficiently, near the rear window there were two air intakes (one from each side) that cooled the brakes. Also behind the rear window was an air intake. Lightening was further facilitated by the use of organic aviation glass. The wheels also became lighter, thanks to the magnesium alloy material employed.
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Since the time she had spent in Berlin, her most important genre became floral still life. Her early work reflects characteristics of München studio-work. Her focus was on value, chiarascuro and draftsmanship; only her pastels were light and rosy. From 1889 onwards her painting became lighter with blue nuances, typical for Parisian art at the time.
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Despite his association with the Neo-Impressionists, Cross did not adopt their style for many years. His work continued to manifest influences such as Jules Bastien-Lepage and Édouard Manet, as well as the Impressionists. The change from his early, somber, Realist work was gradual. His color palette became lighter, working in the brighter colors of Impressionism.
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Tuber grew up in the north of Greece. They were hiding from the sun, jamming in dark studios and playing their music in rock caves. As they moved north, sounds became lighter, since they started miss hot ground. Balance came as a result of smash, dark embraced light and improvisation turned into an effortless and instinctive process.
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Chinoiserie bowl, Lambeth Pottery, c. 1760 Towards the end of the 17th changing taste led to the replacement of apothecary pots, tiles and large dishes by polite tablewares, delicate ornaments, punch bowls, teapots, cocoa pots and coffee-pots. The decoration became lighter and more informal. Changing taste was also reflected in chinoiserie decoration and greater use of a polychrome palette.
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His colours became lighter and his subject matter became more elevated such as religious scenes. In the 1630s he also painted compositions with small figures, usually representing genre scenes of brothels or musical gatherings. These works were similar to those of the Utrecht painter Jacob Duck. Van Bijlert also painted the portraits of eminent citizens of Utrecht such as burgomasters and nobles.
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Smaller classrooms were preferred as they were easier to light correctly. Interiors became lighter and airier and met with immediate approval from educationalists. Over time, the Leichhardt Street schools' Suter building was altered to improve lighting and ventilation of the interior to standard designs by the department. In skylights were added to the roof either side of the spire to aid internal lighting of the classrooms.
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The R-7 family of rockets () is a series of rockets, derived from the Soviet R-7 Semyorka, the world's first ICBM. More R-7 rockets have been launched than any other family of large rockets. When Soviet nuclear warheads became lighter, the R-7 turned out to be impractical as a ballistic missile. It was not necessary to launch such heavy payloads in a military application.
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Gothic windows were in a stone frame separate from the wall, not cut into the wall. The early windows were made of pieces of tinted glass, touched up with grisaille painting, and held in place by pieces of lead that outlined the figures. As the windows grew larger, more intense colors were used. After 1260, the colors became lighter, and the combination of grisaille and pale shades of yellow became more common.
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Interiors became lighter and airier and met with immediate approval from educationalists. A technical innovation developed at this time was a continuous ventilation flap on the wall at floor level. This hinged board could be opened to increase air flow into the space and, combined with a ceiling vent and large roof fleche, improved internal air quality and decreased internal temperatures effectively. This type was introduced around 1909 and was constructed until approximately 1920.
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By November 4, a large area of rain began to form from the Western North Carolina to Southern West Virginia. The storm's center slowly moved north, over central West Virginia. Rainfall rates of 3 to 6 inches in 12 hours were observed over the headwaters of the Potomac, Greenbrier, and Little Kanawha rivers. On Monday night, November 5, severe flooding took place and by midnight the rain became lighter, but by then flooding had begun.
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Smaller classrooms provided a greater amount of natural light so large classrooms were subdivided. Interiors became lighter and airier and met with immediate approval from educationalists. During the 1920s and 1930s alterations were made to the vast majority of older school buildings to upgrade their lighting and ventilation. Although these changes occurred at Albert State School, it was to a lesser extent than most schools, with the Ferguson teaching building retaining most of its high-level windows.
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The weight of these petrol engines made of die-cast aluminium is only for the 1.2 TSI and for the 1.4 TSI. The crankshaft alone became lighter by 20 per cent; the connecting rods lost 30 per cent of their weight. In addition the connecting rod bearing journals are now hollow-drilled and pistons now come with flat bottoms, all of them optimized for lower weight. Regarding thermal management, the EA211 petrol engine is equipped with a modern dual-circuit cooling system.
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In 1949, he joined the Linien II artists association where he exhibited until 1952. After the 1960s, his paintings became lighter in colour, initiating a style which became increasingly common in Denmark over the following years. In 1952, he began an association with Aage Damgaard who had a shirt factory in Herning. He decorated the factory canteen the following year and from 1957 to 1961, he comprehensively painted the inner walls of the Angli factory, becoming a pioneer of industrial art.
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As the 1960s progressed the models became lighter by using plastic bases, and the range concentrated increasingly on sports and racing cars. In comparison their great rivals French Dinky stayed with their tactics of modelling mostly the sedans on the French roads at the time. The late 1960s were a tough time for die-cast vehicle manufacturers in general, but Solido survived whereas French Dinky closed shop in 1971. In the mid-1970s, there were about 50 models in the standard Solido line.
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In 1866, he studied at the Munich Academy, and in 1868 he moved to the Kunstakademie Düsseldorf to study with the popular genre painter Ludwig Knaus. In 1867, he travelled to Paris to see the Universal Exposition. After his Paris trip, his style became lighter, with broader brushstrokes and tonal colour schemes - he was probably influenced by modern French painting seen at the Exposition. Pluckmakers (Tépéscsinálók) by Mihály Munkácsy (1871) In his early career Munkácsy painted mainly scenes from the daily lives of peasants and poor people.
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Polish pączki In Poland and parts of the U.S. with a large Polish community, like Chicago and Detroit, the round, jam-filled doughnuts eaten especially—though not exclusively—during the Carnival are called pączki (). Pączki have been known in Poland at least since the Middle Ages. Jędrzej Kitowicz has described that during the reign of the Augustus III under influence of French cooks who came to Poland at that time, pączki dough fried in Poland has been improved, so that pączki became lighter, spongier, and more resilient.
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She later had roles in It's in the Bag and John and Julie. Mason changed his pace from perky musicals to dark drama with A Window in London (Lady in Distress) about a man who believes he has witnessed a murder from a passing train. However his films became lighter again including Back-Room Boy – a comedy set in a lighthouse starring Arthur Askey. Robert Murphy describes the film as "the funniest if the least original of the Askey comedies" in his book Realism and Tinsel.
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During the 2006 season a reorganisation was initiated on the experiences of the previous year. The next car became lighter (250 kg) and the Guzzi V2 Engine was abandoned in favour of a 4-cylinder engine designed by Honda, which increased the power of the car to 71Hp. Other changes included a reduction of design time and the development of internal electronics. The SC06 to date is the only SquadraCorse one seater build without any red, as it raced with an unpainted green Kevlar body.
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By removing this wood, the bat became lighter, its sweet spot grew and its pick up improved. Even though there is less material, strong strokes are still possible if well- timed. It allows weaker players to play many strokes they would otherwise omit from their repertoire. This bat quickly became a big seller and various scooped bats such as the GN500, Dynadrive and Viper have been released by Gray Nicolls ever since, including a re-release of the Scoop itself for the 2012 English season.
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After the enemy was expelled from Moscow, Alexey Borisovich Kurakin (the younger brother of Stepan Borisovich) restored the church. The last trustee of the church and the Hospice was the great-grandson of Alexei Borisovich – Fedor Alekseevich Kurakin. In 1902, he reconstructed the main building – strengthened the foundation, built on the second floor, and widened the window openings so that the rooms became lighter and more comfortable. At the same time, the building lost its baroque features and was decorated in the spirit of neoclassicism.
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The stencil would gradually stretch, starting near the top where the mechanical forces were greatest, causing a characteristic "mid-line sag" in the textual lines of the copies, that would progress until the stencil failed completely. The Gestetner Company (and others) devised various methods to make mimeo stencils more durable. Compared to spirit duplication, mimeography produced a darker, more legible image. Spirit duplicated images were usually tinted a light purple or lavender, which gradually became lighter over the course of some dozens of copies.
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Embodyment was a Christian rock band from Arlington, Texas which formed in 1992 and were first known by the name Supplication where they originally played death metal, later turning into a deathcore band with the release of their 1996 ep "Embodyment" and then completely abandoned all their extreme metal influences thereafter pursuing an alternative rock/alternative metal style with their album The Narrow Scope of Things and subsequently became lighter with each proceeding album. The band frequently performed shows with touring acts such as Living Sacrifice, Zao, Training for Utopia, P.O.D. and No Innocent Victim.
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This was a double edged sword as boats became lighter, but in some cases they became weaker. Also some manufacturers turned to less expensive plastics and a form of hull decomposition known as blistering became prevalent. The economic downturn of the early 1980s reduced demand for sailboats, while manufacturers increasingly competed with the used boat market. Since fiberglass doesn't rot or rust, twenty years of high production had left a huge inventory of boats, and in many areas the number of boats exceeded the marina space to house them.
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The ancestors of the breed were developed during the Middle Ages for use as pack horses, when they gained their nickname of "Chapman Horses". These pack horses were crossbred with Andalusian and Barb blood, and later with Arabians and Thoroughbreds, to create the Cleveland Bay of today. Over the years, the breed became lighter in frame as they were employed more as carriage and riding horses. The popularity of the Cleveland Bay has greatly fluctuated since it was first imported to the United States in the early 19th century.
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Dries spent the free time 'his' Honfleur museum left him in the house he bought in Aurel in the Vaucluse. He went back to the colours of the south and his palette became lighter but in a more serene and peaceful style that he will maintain until his sudden disappearance in 1973. "Now the paint gives life to tone as well as the form in such a way that for Dries, a patient man, paint, colour and form are of equal importance."Jean Chabanon, in Le Peintre , January 15th, 1957, p.
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There seemed to be no spoken mention of his office address in the season six shows, although in the episode "Bonus Baby" when a police officer inspects Bailey's Private Investigator License, a close-up shows the address "77 Sunset Strip". As the season progressed, there were some shifts in tone. Several episodes into the season, Bailey's stern personality became lighter, though still different from prior seasons. His secretary Hannah, previously known to sixth season viewers only because Bailey addressed her in his recorded dictations, was seen on-screen beginning in the season's eleventh episode.
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Many of the illustrations found depict knights riding horses which resembled the breed, with one of the most famous examples being William the Conqueror.Friese stamhengsten deel I, E. Dijkstra (citation from Dr. Geurts) These ancestors of the modern Friesians were used in medieval times to carry knights to battle. In the 12th and 13th centuries, some eastern horses of crusaders were mated with Friesian stock. During the 16th and 17th centuries, when the Netherlands were briefly linked with Spain, there was less demand for heavy war horses, as battle arms changed and became lighter.
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From then until his death, the racy credits sequence to every EON Bond film would begin with the words "Albert R. Broccoli Presents." Although from the 1970s onward the films became lighter in tone and looser in plot—and, at times, less successful with critics—the series distinguished itself in production values and continued to appeal to audiences. In 1966, Albert was in Japan with other producers scouting locations to film the next James Bond film You Only Live Twice. Albert had a ticket booked on BOAC Flight 911.
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Marseille's traditional kit colours were white shirts and shorts with blue socks until 1986. Since 1986, Marseille have played with white shirts, white shorts and white socks, and the blue color became lighter due to Adidas marketing but in 2012–2013, the club returned to its original kit, wearing blue socks. Club founder René Dufaure de Montmirail drew inspiration from his personal seal, which featured interlaced letters "D" and "M", to create the club's first badge. The club's motto, "Droit au but", dates from the days when the club's main sport was rugby, under the name "Football Club de Marseille".
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In latter years, the concerts were televised over HSV-7. The concerts were performed by an orchestra especially formed by Hector Crawford for the purpose, and known as the Australian Symphony Orchestra, and supplemented by a wide range of mainly well-known artistes. Originally, the concerts were composed of light classical music but, over the years, the format became lighter and lighter and even some pop music was later performed. A classic example of the latter occurred on 12 March 1967 when The Seekers performed at Music for the People; their performance being simulcast on 3DB and HSV 7.
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All of the early typewriter desks were sturdy since typewriters needed to be heavy in order to maintain the alignment of the moving parts and not skid over the desk when the carriage was moved. Although newer and portable models became lighter, all-day typing on a portable machine was slower and uncomfortable compared to typing on a heavier office model. Originally, typewriters were very costly machines which one tried to protect from dust or accidents. They were also very ungainly or even ugly to those unfamiliar with them, and getting them out of sight was useful for aesthetic reasons.
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In his earlier years however, his work was highly expressive, often bleakly theatrical, using a simplified, stereotyped, often succinct painting language, formally representing the message of his work. Dark tones, strong outlined contours, sparing light – all properties which characterize his work from those years, showed his strong affiliation for some time with the Basel School known as the “Dark Tone School (or the„Dunkeltonigen“), itself a reaction against the Basel painter , a colleague of Henri Mattise, and fellow graduate of the Kunst Academie in Munich. Under the influence of expressionism, over time his palette became lighter and his paintings brighter.
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He painted still lifes, seascapes, and landscapes, which were new genres in Croatian art at the time. His palette became lighter and brighter as he worked outdoors: browns, greys and dull greens became purer, and were joined the purple of heather, the yellow of broom, and the rich array of blues of the sea. Abandoning his previously detailed style, his smaller studies from nature are more creative. With thick impasto and impulsive brush strokes, around 1907 a new style emerged in his work – pointillism in a light, bright colours, that he used for his landscapes of Pelješac.
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Concert Sound and Lighting Systems, Ch. 5, 'Power amplifiers', By John Vasey Many power amplifiers feature internal fans to draw air across their heat sinks. The heat sinks can become clogged with dust, which can adversely affect the cooling capabilities of the amplifier. In the 1970s and 1980s, most PAs employed heavy Class AB amplifiers. In the late 1990s, power amplifiers in PA applications became lighter, smaller, more powerful, and more efficient, with the increasing use of switching power supplies and Class D amplifiers, which offered significant weight- and space- savings as well as increased efficiency.
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A foul is the touching of any part of an opponent's boat or sculls by any part of your own boat or sculls. In the early days of professional rowing, fouling an opponent was an accepted part of the game as a contestant would often deliberately foul to gain an advantage. As racing boats became lighter and frailer this practise became less and less accepted and was finally done away with as actual rowing skill was counted as more important than disabling the opposition. Later title or money matches outlawed fouling and generally the man doing the fouling lost the match.
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AMPS technology was discontinued in the United States in 2008. Since a traditional car phone uses a high-power transmitter and external antenna, it is ideal for rural or undeveloped areas where mobile handsets may not work well or at all. However, due to current US Federal Communications Commission regulations, carriers must pay penalties for activating any equipment that is not an E911 compliant device, such as analog. In the 1980s, the car phone was more popular than the regular mobile phone. However, as mobile phones became lighter and more affordable during the mobile phone boom in the 1990s, car phones became less common.
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Although a beam engine has a similar layout to a return connecting rod engine, in that the piston rod points in one direction and the connecting rod runs backwards from this, beam engines are not considered as return connecting rod engines. Stephenson's manager Hackworth's locomotive Royal George inverted the design to having the cylinders, still vertical, face downwards directly onto the crankshaft. By the time of Stephenson's Rocket, particularly as the new fire-tube boiler locomotives became lighter and faster, it was recognised that vertical cylinders caused hammer blow on the flimsy fishbelly rails of the time. Rocket was built with cylinders inclined at 45° but was soon rebuilt to place them near-horizontally.
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'Paris Brest' pastry variation by Philippe Conticini. 'Pâtisserie des Rêves', Paris. \- Verrines (1994) : he transforms the world of gastronomy and pastry“Far from the artifices of the times and the lazy ways of reproducing, everywhere, the same traditional pastries, Philippe was the first to understand the difference between in-shop pastries and restaurant pastries, by playing on the textures and creating desserts which did not exist before. By renovating the profession, Philippe brought the benefit of all his imagination and sensitiveness to pastry-making, which immediately became lighter, full of new savours” writes Joël Robuchon in the Preface of Sensations, Philippe Boé, Philippe Conticini, La Martinière, 2009 by being the first to serve dishes and desserts “vertically” in glasses rather than horizontally in plates (traditional serving).
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The index typewriter's niche appeal however soon disappeared, as on the one hand new keyboard typewriters became lighter and more portable and on the other refurbished second hand machines began to become available. The last widely available western index machine was the Mignon typewriter produced by AEG which was produced until 1934. Considered one of the very best of the index typewriters, part of the Mignon's popularity was that it featured both interchangeable indexes and type, allowing the use of different fonts and character sets, something very few keyboard machines allowed and only at considerable added cost. Although pushed out of the market in most of the world by keyboard machines, successful Japanese and Chinese typewriters are of the index type albeit with a very much larger index and number of type elements.
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The Māori of New Zealand used the rhizomes of Pteridium esculentum (') as a staple food, especially for exploring or hunting groups away from permanent settlements; much of the widespread distribution of this species in present-day New Zealand is in fact a consequence of prehistoric deforestation and subsequent tending of ' stands on rich soils (which produced the best rhizomes). The rhizomes were air-dried so that they could be stored and became lighter; for consumption, they were briefly heated and then softened with a ' (rhizome pounder); the starch could then be sucked from the fibers by each diner, or collected if it were to be prepared for a larger feast. ' were significant items and several distinct styles were developed. Aborigines in Australia ate the roots after they were pounded into a paste and roasted.
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Originally a team of players wore numbers from 1 to 11, corresponding roughly to their playing positions, but at the professional level this has generally been superseded by squad numbering, whereby each player in a squad is allocated a fixed number for the duration of a season. Professional clubs also usually display players' surnames or nicknames on their shirts, above (or, infrequently, below) their squad numbers. Football kit has evolved significantly since the early days of the sport when players typically wore thick cotton shirts, knickerbockers and heavy rigid leather boots. In the twentieth century, boots became lighter and softer, shorts were worn at a shorter length, and advances in clothing manufacture and printing allowed shirts to be made in lighter synthetic fibres with increasingly colourful and complex designs.
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Recognizing that the local science museum has a display of meteorites, the Fringe team is able to secure Dr. Crick (Alan Ruck), the man behind the osmium injections, and another paraplegic who has taken Dr. Crick's injections as they attempt to steal the display. With Dr. Crick in custody, Walter learns that the man had worked in aerospace to find an alloy for fighter craft. He happened upon the combination of the osmium-lutetium alloy that generated a material lighter than air, and sought to refine a permanent solution to give his own paraplegic son the ability to walk, having promised the same to those that had died from earlier, lethal doses of the alloy. Walter, who has lamented to Nina Sharp (Blair Brown) his need to have William Bell (Leonard Nimoy) back to make himself whole, realizes that the only reason the osmium-lutetium alloy became lighter than air was due to his own transgression into the parallel universe that has started to break down the laws of reality.
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Although video technology had the potential to be cheaper since it doesn't have the costs of film stock and have to go through the development process respectively, the quality of early video recording technology in the 1950s and even into the mid 1960s was often far too low to be taken seriously against the aesthetical look, familiarity and relative ease of editing of 16mm and 35mm film stock – which many television cinematographers used well up until the late 1980s in documentaries, dramas etc. before video technology caught up to being 'acceptable' as television cameras and camcorders eventually displaced film stock for regular television use as they became lighter and more practical to take with them. Because early video cameras were so large and so expensive, it wasn't until 1984 with the JVC VHS-C camcorder that consumers had access to video tape technology. Professionally, early video cameras were designated mostly for studio use, as up until the mid-1980s, when the camera unit and recorder unit merged as a camcorder (CAMera-reCORDER) as their bulky size made them far too big and bulky to be used outside against the smaller and more practical film camera.
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