72 Sentences With "beauteous" | Random Sentence Generator

Katherine Heigl recently gave birth to a most beauteous baby boy, if you haven't heard.

"Morning FaceTime chat with my ride or die Icarus and of course my beauteous seestra @scoutlaruewillis," Rumer captioned a screenshot of the sisters FaceTiming.

A cannier soul singer (producer Raphael Saadiq, say) might have lent such a project political resonance, but Legend's beauteous voice conveys only blank enthusiasm.

Listening to The Downward Spiral's beauteous breather "A Warm Place," one might be bold enough to draw comparisons between Reznor and ambient pioneer Brian Eno.

But for Chinese entrepreneurs holding the reins to unicorns like handset maker Xiaomi and car app Didi Chuxing, the city's beauteous glow may not last long.

Informed by, yet not beholden to, the city's hip-hop traditions, the group's gritty, oddly beauteous sound absorbs subway rumbles and car alarms, projecting them back out in mutated fashion.

Read on for what they had to say about their relationships with their manes, and let their words (and beauteous pics) serve as inspiration to let your own unique flag fly.

If anything does snap the claustrophobic spell, it is Reynolds's road trips, when he guns his beauteous British sports car, a red Bristol, along country byways, with the camera peering forward and ravening up the miles.

While the former's plaintive chorus neatly displays his vocal ache, the beauteous backup vocals on the latter hardly flatter a song whose kind wishes for a friend surviving cancer don't diverge from received ideas or language.

It reminds me a lot of "24" when "24" was good, and while the visuals are interesting — everyone involved with the heist wears spooky Salvador Dalí masks, for example — it's not about beauteous vistas or whatever.

Extending to a celestial place beyond what one could consider to be an atypical foundation for rap, his work paints a calming, soothing world that draws from dreams, the beauteous aurality of the Studio Ghibli collection, a sort of virtual and ethereal paradise.

Beauteous Strivings: Fritz Ascher, Works on Paper. Introduction Rachel Stern. Exhibition catalogue. New York, New York Studio School.

This is supported by a kenning in a Norse poem that refers to "Grani's beauteous burden,"Düwel (1988:136). indicating a common understanding of the motif.

The object of art must be beauteous not only by its form, but also venerable by its content. Illustrious artists are "folk teachers, the creators of life".

He completes his grand ship with no assistance from hammer or saw. Canto XVIII. – Väinämöinen and Ilmarinen, Rival Suitors Väinämöinen sets off to Pohjola to woo the beauteous Northland maiden. On his way he comes across Annikki—Ilmarinen's sister—who asks him where he is going.

The Baháʼí Faith venerates Mary as the mother of Jesus. The Kitáb-i-Íqán, the primary theological work of the Baháʼí religion, describes Mary as "that most beauteous countenance," and "that veiled and immortal Countenance." It claims that Jesus was "conceived of the Holy Ghost."The Kitáb-i-Íqán Part One.

Anadoluhisarı (), known historically as Güzelce Hisar ("the Beauteous Castle") is a medieval fortress located in Istanbul, Turkey on the Anatolian (Asian) side of the Bosporus. The complex is the oldest surviving Turkish architectural structure built in Istanbul, and further gives its name to the neighborhood around it in the city's Beykoz district.

56 Nevertheless the work can be, and more often is, sung by a tenor: Britten conducted the piece with Peter Pears as soloist within two years of the premiere. Pears was the dedicatee of the song "Being Beauteous". Wulff Scherchen was the dedicatee of the song "Antique". Both men were in romantic relationships with Britten.

Dingley's works were: # The Spiritual Taste Described, or a Glimpse of Christ Discovered, 1649, republished as Divine Relishes of matchless Goodness, 1651. # The Deputation of Angels, 1654, London. # Messiah's Splendour, or the Glimpsed Glory of a Beauteous Christian, 1654. # Divine Optics, or a Treatise of the Eye discovering the Vices and Virtues thereof, 1655.

The inscription on her tomb describes her as "beauteous in body and her face was gentle and pretty." When her tomb was opened in 1871, it was discovered that many of her bones had been stolen via a hole in the side of the casket.Richard II and Anne of Bohemia at Westminster-Abbey.org. Accessed 11 March 2008.

The Well Wrought Urn: Studies in the Structure of Poetry. New York: Reynal & Hitchcock, 1947. In the writing of poems, paradox is used as a method by which unlikely comparisons can be drawn and meaning can be extracted from poems both straightforward and enigmatic. Brooks points to William Wordsworth's poem It is a beauteous evening, calm and free.

Sad Britney is the third EP from American singer-songwriter Christopher Dallman. It was released on November 9, 2009 by Beauteous Bird Records. After hearing Dallman's cover of Britney Spears's "Gimme More", producer Rachel Alina suggested releasing an EP of Spears's songs to bring attention to his music. The EP also included covers of "Radar", "Toxic" and "... Baby One More Time".

As the years pass, Sigmund grows old, having lost both his son and his treacherous Queen. Eventually, however, he learns of the beauteous Princess Sigrlinn. Although seven young sons of kings are also asking for her hand, Sigrlinn marries Sigmund, preferring to be the mother of a mighty hero. Enraged at this slight, the seven sons of kings invade the land of Völsung.

For example, Brooks takes the opening lines of Wordsworth's sonnet, "It is a Beauteous Evening, Calm and Free:" > It is a beauteous evening, calm and free, The holy time is quiet as a Nun, > Breathless with adoration... Brooks points out that while the evening is described as quiet and calm, it is also breathless with apparent excitement. There is no final contradiction between this kind of excitement and this kind of calm, but the meaning of the words are being modified by each other, moving away from their purely denotative meaning. This is a good example of what "paradox" means to Brooks: the poet expresses himself in words that are metaphorical and thus protean in their meaning, that contradict one another because of their connotations. Brooks thus uses the same criteria to analyze and judge these poems as he did for the modern and metaphysical verse.

Sonnet 54 by William Shakespeare is divided into three quatrains and one heroic couplet. The first two quatrains work together, illustrating both the scentless canker bloom Shakespeare's Sonnets, edited by Stephen Booth (Google Books) and the scented rose. In the first two lines of the first quatrain he says that beauty seems more beauteous as a result of truth. In the next two he gives the example of a rose.

A puzzling aspect of Rimbaud's style is his use of foreign words within the French text of Illuminations. For example, the poem "Being Beauteous" has an English title, even in the original French. Rimbaud biographer Graham Robb suggests that the presence of words from languages like English and German are due in part to Rimbaud's travels. Apparently, as he learned languages, Rimbaud kept lists of words he wished to use in poems.

Lemminkäinen enters the chamber and with swelling ego praises himself until he sees the beauteous Sampo. He tries with all his might to move it, but the roots of the mountain have firmly secured its place. Lemminkäinen then captures and harnesses a great ox, which he uses to plough the roots and free the Sampo. Väinämöinen and the heroes carry the Sampo back to their ship and proceed to leave Pohjola and return home.

The Time Magazine review noted "The fact that it has sparkle and distinction is almost entirely attributable to blithe, blonde, beauteous Jeanne Aubert. As the Princess, Evelyn Herbert ... is luscious- looking, hits good rich notes but experiences difficulty in making the lyrics intelligible.""The Theatre: New Plays in Manhattan: Oct. 27, 1930", Time Magazine, October 27, 1930 Steven Suskin wrote that the operetta "was not especially distinguished, though it contained one song hit – the snappy, interpolated 'I Love Love'".

Tampa is a novel that combines erotica, satire and social criticism. It claims to address double standards like gender-based expectations of females, regarding beauty and the great extent of mischief that women may be forgiven provided they are young and beauteous. The novel centres on a middle-school teacher who has sexual relations with her students. Nutting was inspired by Debra Lafave, a teacher charged with having sex with her under-age students in 2005.

Dallman's first recorded song after his departure from music was a single-song EP called "Anthem". It was produced by George Stanford and recorded at his home studio in Hollywood. "Anthem" was released in August 2009 with half of all proceeds from the single going to support the Human Rights Campaign after the passage of Proposition 8 in California. This was also Dallman's first song to be released under his own record label, Beauteous Bird Records.

The > results were considered quite satisfactory, and the pictures made money. He followed this up with Moonlite and by February 1911 it was written that "more film has been used over Jack Gavin than over any other Australian biograph actor." He was described as "the beauteous bushranger". A newspaper profile attributed the success of Gavin's bushranging films to two main factors: the quality of horsemanship in them, and the fact they were normally shot on the real locations where the events occurred.

Clytostoma was a genus of woody-stemmed vines from tropical America, native to Argentina and the southern part of Brazil. It is now considered a synonym of Bignonia. The botanical name comes from the Greek, klytos means splendid or beauteous, and stoma means mouth; alluding to the beautiful flowers. It is closely related to Bignonia, from which it differs chiefly in its simple slender tendrils, the short disk, and that it has a habit of clambering over adjacent foliage using tendrils to hang on tight.

While the Qur'anic description of Heaven includes natural imagery, Willey argues that no Nizari fida'i would seriously believe that he was witnessing Paradise simply by awakening in a beauteous garden.Willey, p. 55 The Nizaris' symbolic interpretation of the Qur'anic description of Paradise serves as evidence against the possibility of such an exotic garden used as motivation for the devotees to carry out their armed missions. Furthermore, Willey points out that a courtier of Hulagu Khan, Juvayni, surveyed the Alamut castle just before the Mongol invasion.

Sonnet 41, lines 5-8: "Gentle thou art, and therefore to be won; Beauteous thou art, therefore to be assailed; And when a woman woos, what woman's son Will sourly leave her till he have prevailed?" Line 5 may be explained by a scene in "King Henry VI," Part 1. 5.3.78-9 which states: "She's beautiful, and therefore to be wooed; She is a woman, therefore to be won." Line 6 may be explained by a line from "All's Well that Ends Well," 1.1.

The red-bellied black snake was first described and named by English naturalist George Shaw in Zoology of New Holland (1794) as Coluber porphyriacus. Incorrectly assuming it was harmless, he wrote, "This beautiful snake, which appears to be unprovided with tubular teeth or fangs, and consequently not of a venomous nature, is three, sometimes four, feet in nature." The species name is derived from the Ancient Greek porphyreus, which can mean "dark purple", "red-purple" or "beauteous". It was the first Australian elapid snake described.

Cabbopotamus-kun is a large hippopotamus/cabbage who has huge crush on Lettuphant, who runs away from him, considering him too huge and unrefined for her. Cherrodent-kun is a small pink mouse/cherry, who loves to hang out (literally) with his twin sister, also named Cherrodent. His sister gets extremely upset when he gets lost in episode 4. Peachmingo-chan is flamingo/peach who considers herself highly beauteous, and loves beautiful things (such as Lotus Eater's tail flower), but abhors dirt, hence is unable to speak to Lotus Eater.

"It is a beauteous evening, calm and free" is a sonnet by William Wordsworth written at Calais in August 1802. It was first published in the collection Poems, in Two Volumes in 1807, appearing as the nineteenth poem in a section entitled 'Miscellaneous sonnets'. The sonnet describes an evening walk on the beach with his nine-year-old daughter Caroline Vallon. Wordsworth reflects that if his young daughter is seemingly unaffected by the majesty of the scene it is because, being young, she is naturally at one with nature.

Until that Friday 21 May 1802, Wordsworth had shunned the sonnet form, but his sister Dorothy's recital of Milton's sonnets had "fired him" and he went on to write some 415 in all.Gill (1989) pp. 209, 390 "It is a beauteous evening" is the only "personal" sonnet he wrote at this time; others written in 1802 were political in nature and "Dedicated to Liberty" in the 1807 collection. The simile "quiet as a nun / Breathless with adoration" is often cited as an example of how a poet achieves effects.

Violence Has Arrived re-attains the brutal focus of the band's earlier albums. It has more of a thrash metal sound than any of their previous albums. It is similar to Scumdogs of the Universe, in that Dave Brockie was the dominant voice of the band again, and the theme is centered on generalized carnage. Gwar takes on more "medieval" themes this time, such as torture ("The Wheel") and conjures up some truly ugly imagery in songs such as "Licksore", "Beauteous Rot", "Immortal Corrupter" and "The Apes of Wrath".

According to Sarah Bradford, Sacheverell Sitwell's biographer, "At Cambridge, a male admirer addressed Horner as "Beauteous Adonis": he was pale, willowy and elegant, with a finely drawn profile and blond." Horner was the longtime companion of Sir Osbert Sitwell (1892-1969). They met at a London party in 1923, when Horner was an undergraduate at Cambridge. During their relationship, both of them had other affairs, Sitwell with art critic Adrian Stokes and Horner with Vicomte Bernard d'Hendecourt, with whom Horner lived for several years in Paris and from whom he received an inheritance.

Canto VIII. – Väinämöinen's Wound Väinämöinen is speeding along on his journey when he hears something curious above his head and against the advice of Louhi he looks up and sees an enormous rainbow with a beauteous maiden at the end of it. He invites her to come to his sledge and be his wife. She acts coy and tells him she will come with him if he succeeds in numerous challenges the final and greatest being the creation and launching of a boat without touching or interfering with it.

Carmen manages to close down the house and separate the group administered by Belén. But she and the kids receive the help of a mysterious man named Pedro Vega who donates his old mansion to them. Alongside Facundo, Piojo and Tommy, Belén and the chiquititas find the huge, beauteous manor at the corner of the Pasaje del Sauce. Despite being astonished with the attractive facade, the orphans discover a creepy place full of traps and secret passages, inhabited by a mysterious woman named Elena, and her granddaughter Lucia.

Don Sanche relates what lies heavily on his heart: he cannot join the happy inmates of the castle because the one he loves, the beauteous Princess Elzire is cruel and does not return his affections. The light march of the page and the chorus does not promise much hope for the desperate knight and Don Sanche almost plays with the thought of suicide. Alidor, Lord of the castle, appears. He tells how he has had his castle built as a memorial to love, in gratitude to destiny for having assigned him many happy lovers' trysts.

The purpose of the visit was to prepare Annette for the fact of his forthcoming marriage to Mary Hutchinson. Afterwards he wrote the sonnet "It is a beauteous evening, calm and free", recalling a seaside walk with the 9-year- old Caroline, whom he had never seen before that visit. Mary was anxious that Wordsworth should do more for Caroline. Upon Caroline's marriage, in 1816, Wordsworth settled £30 a year on her (equivalent to £2,313 as of 2019), payments which continued until 1835, when they were replaced by a capital settlement.

Charles Davis wrote a verse about the viaduct, which was buried in the central column of the eighth pier on 6 September 1859 and found during demolition. The lines quoted in Dow's Dictionary of Railway Quotations are: :See! now Beelah's beauteous sights begin! :Whose curling stream shall ever flow within, :And underneath this splendid monster Bridge, :Shall floods henceforth descend from every Ridge; :And thousands wonder at the glorious sight, :When trains will run aloft both day and night; :For ages past, no human tongue could tell :Of such a structure o'er thy monster gill.

Shakespeare's use of the words "play" and "wantonly" together implies that "play" has a sexual connotation.Shakespeare's Sonnets, edited by Stephen Booth (Google Books) In the third quatrain the author compares the death of the two flowers. The canker bloom dies alone and "unrespected", while roses do not die alone, for "of their sweet deaths are sweetest odours made". The final couplet indicates that the young man, or perhaps that which is beauteous and lovely, will enjoy a second life in verse, while that which is meaningless and shallow will be forgotten.

A.k.a. Bill the Conqueror, William Paradene West is an ex- Harvard man, where he was on the football team and became good friends with Judson Coker, but running more to muscle than brain, neglected his studies somewhat. For a time he drifted aimlessly, supported by a generous allowance from his wealthy uncle Cooley, but on falling for Coker's beauteous sister Alice, he resolves to reform and take a job. A large, strong and reliable chap, he is adored by Flick Sheridan, whose life he saved when they were younger, and secretly adores her, keeping the secret even from himself.

These, like the main altar, are painted in white and gold. A carpet on the floor of the sanctuary, green in color with red trimmings, adds the last detail to the beauteous ensemble. The sanctuary is separated from the nave by a highly polished, elaborately-carved oak railing, in front of which communicants kneel upon a raised step, and it matches superbly a most substantially-built pulpit of oak with heavy brass trimmings. In the windows above the side altars are striking colored representations of the Glorification of Saint Joseph and of the Coronation of the Blessed Virgin Mary.

Laman Blanchard, writing in 1836, described the Rother as "a beauteous stream", and noted that chub, roach and perch were caught by fishermen who fished from its banks. It was also one of the main sources of salmon for the River Don system. The river did not suffer from the worst effects of the industrial revolution until the 1880s, when the development of coal mining on several of its tributaries resulting in a rapid deterioration in water quality. The industry itself discharged minewater to the river, containing large volumes of solids, which were deposited on the river bed, smothering the vegetation.

Or perhaps a latter man of the same name. O'Neill attributes the following verses to Keating, concerning Ó Cobhthaigh: Who is the artist by whom the cruit is player? By whom the anguish of the envenomed spear’s recent would is healed, through the sweet-voiced sound of the sounding-board, like the sweet~streamed peal of the organ? Who is it that plays the enchanting music that dispels all the ills that man is heir to? Tadhg O’Cobthaigh of beauteous form, - The chief-beguiler of women, The intelligent concordance of all difficult tunes, The thrills of music and of harmony.

Showmen's Trade Review previewed the film before its release and commended Lamarr's performance: "Miss Lamarr is just about everyone's conception of the fair-skinned, dark-haired, beauteous Delilah, a role tailor-made for her, and her best acting chore to date." Photoplay wrote, "As Delilah, Hedy Lamarr is treacherous and tantalizing, her charms enhanced by Technicolor." Lamarr returned to MGM for a film noir with John Hodiak, A Lady Without Passport (1950), which flopped. More popular were two pictures she made at Paramount, a Western with Ray Milland, Copper Canyon (1950), and a Bob Hope spy spoof, My Favorite Spy (1951).

The most popular series of Tarzan films began with Tarzan the Ape Man (1932), starring Johnny Weissmüller and Maureen O'Sullivan. Weissmüller, the son of ethnic-German immigrants from Romania, was already well known as a five-time Olympic gold medalist in swimming. He became the most famous and longest-lasting screen Tarzan, starring as the Ape Man in a total of twelve films, through 1948, the first six produced by Metro-Goldwyn-Mayer and the final six from RKO. The beauteous and scantily clad O'Sullivan was a major factor in the early popularity of the series.

She swears to kill Kurohime to avenge the fallen God of Death, and first appears when Kurohime killed Gandhara on Yamato. She is very powerful, with a beauteous appearance masking a fearsome treelike form. : During confrontations between the two, Yashahime shows not only extreme sadism, but a dual personality of sorts: being polite and calm in one moment, but revealing her cruel and true form when angered. Aside from her command over the earth and trees, Yashahime also wields the Hakushinboku (White God Tree), which is said to be a symbol of divine power, and the opposite of Kurohime's Kokushinboku (Black God Tree).

Drawing on its established esoteric doctrine, Willey asserts that the Ismaili understanding of Paradise is a deeply symbolic one. While the Qur'anic description of Heaven includes natural imagery, Willey argues that no Nizari fida’i would seriously believe that he was witnessing Paradise simply by awakening in a beauteous garden. The Nizaris' symbolic interpretation of the Qur'anic description of Paradise serves as evidence against the possibility of such an exotic garden having been used as motivation for the devotees to carry out suicidal missions. Furthermore, Willey points out that Juwayni, the courtier of the Great Khan Mongke, surveyed the Alamut castle just before the Mongol invasion.

Esther, on the other hand, was left to raise Cristina alone. When the curse came true and the child turned into a mermaid on her seventh birthday, Esther realized that Cristina's life would be endangered in their superstitious fishing village, where mermaids are believed to be unlucky. As such, Esther is forced to release Cristina in the sea, where she is found and cared for by the mermaids headed by Istah, their beauteous queen. With the heart and mind of a human being, Cristina, now also known among the mermaids as Marina, dreams of nothing else but to walk again and live the life that was taken away from her.

Gravestone at Oahu Cemetery In her later years, Kekaʻaniau lived at the home of her grandniece Eva Kuwailanimamao Cartwright Styne at 1036 Kinau Street, Makiki, Honolulu. On her 94th birthday on September 11, 1928, a large contingent of Honolulu residents made a pilgrimage to her home to bedeck the residence with floral tributes and offer expressions of affection and respect. The Honolulu Star-Bulletin noted the home of the nonagenarian "was a veritable bower of flowers, redolent with beauteous blossoms."; One of her last functions, in October of the same year, was helping arrange partners for a quadrille in a historic reenactment of the court of Kamehameha IV and Queen Emma.

When the film was released, The New York Times film critic Bosley Crowther panned the film, writing, "There is certainly nothing original—or particularly blissful, we would say—about the romantic tumble here taken by a visiting white man for a beauteous native maid...Unfortunately, Delmer Daves, who directed and wrote the script, either didn't or wasn't permitted to pitch the whole film in this slyly kidding vein. And the consequence is a rambling mishmosh of South Sea romance and travesty, of solemn high-priesting and low clowning, of never- never spectacle and sport."Crowther, Bosley. The New York Times, film review, March 15, 1951.

Rimbaud is also mentioned in the CocoRosie song "Terrible Angels", from their album La maison de mon rêve (2004). In his 1939 composition Les Illuminations British composer Benjamin Britten set selections of Rimbaud's work of the same name to music for soprano or tenor soloist and string orchestra. Hans Werner Henze set one of the poems in Illuminations, "Being Beauteous", as a cantata for coloratura soprano, harp and four cellos in 1963. In a scene in I'm Not There (2007), a young Bob Dylan (played by Ben Whishaw) is portrayed identifying himself as Arthur Rimbaud by spelling Rimbaud's name and giving 20 October as his birthday.

And to call this album a "progression" for Alcest may be a bit of a leap—and so too would be calling Shelter a "brave" album. Shelter is less of a progression and more of a magnification of the beauteous, gentile side of Alcest and a complete suppression of the blackness at the heart of the band." In contrast, Pitchfork contributor Jason Heller argued in his review of the album that "Still capable of great feats of mood and beauty, Alcest have transformed themselves, although not always in the best way. They’ve gone from being a remarkably innovative, influential, and singular force in a subgenre they helped create to being just another shoegaze act.

One such mixed marriage took place in Bantry, producing descendants marked by "scaly skin" and "membrane between fingers and toes". But after some "years in succession" they will almost inevitably return to the sea, their "natural instincts" irresistibly overcoming any love-bond they may have formed with their terrestrial family. And to prevent her acting on impulse, her ' (or "little magic cap") must be kept "well concealed from his sea-wife". O'Hanlon mentioned that a merrow may leave her outer skin behind in order to transform into other beings "more magical and beauteous", But in Croker's book, this characteristic isn't ascribed to the merrow but to the merwife of Shetland (where she is called the selkie) and Faroese tradition.

JSTOR Database John Crowe Ransom points out that there is a certain self-refuting aspect to the promises of immortality: for all the talk of causing the subject of the poems to live forever, the sonnets keep the young man mostly hidden. The claim that the poems will cause him to live eternally seem odd when the vocabulary used to describe the young man is so vague, with words such as "lovely", "sweet", "beauteous" and "fair". In this poem among the memorable descriptions of ruined monuments the reader only gets a glimpse of the young man in line 10 "pacing forth".Ransom, John Crowe. The World’s Body. Charles Scribner's Son, New York, 1938. p.

Laura depicts Isabel as having fewer accomplishments and less beauty than herself, but being better travelled. Isabel warns Laura of the "insipid vanities and idle dissipations" of London, Bath and Southampton, while instilling in Laura a desire to explore the world (Austen 517). ;Letter The Fifth Laura to Marianne Here Laura recalls a night in December when a strange man and his servant, who were lost, stopped at her home in need of shelter. Upon hearing a knock at their door, Laura and her family converse about the character of the knock and the knocker's intention. Laura depicts her initial attraction to the young gentleman, claiming him to be the "most beauteous and amiable youth" she had ever seen (Austen 518).

In 1993, the photographs were collected in the book Do or Die, published by Viking Penguin and prefaced by Gordon Parks and Martin Scorsese: "Patiently, painfully and with a highly discerning heart, Martine Barrat has filled our eyes with a world of young warriors eager to earn the honors of their hostile sport. ... A wistful, beauteous demeanor betrays the hardness that is already building in their hearts. ... with powerful pictures and strong words, Martine Barrat captures the spirit of young fighters who, with the other guy's blood on their gloves, return joyously to their concerns." In 2007, Barratʼs work was featured in the acclaimed Harlem In My Heart, a major retrospective at La Maison Européenne de la Photographie in Paris.

Sir Henry Parkes and Miss Annie Parkes in the 1890s Parkes' literary work includes six volumes of verse, Stolen Moments (1842), Murmurs of the Stream (1857), Studies in Rhyme (1870), The Beauteous Terrorist and Other Poems (1885), Fragmentary Thoughts (1889), Sonnets and Other Verses (1895). Although critical reception of his poetry was often negative, some of his poems have been included in Australian anthologies. His prose work includes Australian Views of England (1869), and his autobiographical Fifty Years in the Making of Australian History (1892). A collection of his Speeches on Various Occasions, delivered between 1848 and 1874, was published in 1876, and another collection dealing mostly with federation appeared in 1890 under the title of The Federal Government of Australasia.

Suratgarh is a small town in Sri Ganganagar district of Rajasthan and is in the close proximity of Radcliffe Line demarcated between India and Pakistan. Suratgarh is also famous for its Air Force Base Station which provides strategic advantage to India over neighboring Pakistan. It was chosen for the shooting the first schedule of the film because of resemblance with the village of Punjab in undivided India back in 1921 where Joginder Singh lived his childhood and adolescence till he joined the British Indian Army. Dras, a beauteous town on National Highway 1D or popularly known as Srinagar- Leh Highway came into prominence owing to Pakistani incursions in the Kargil sector in the summer of 1999, but it is also the second coldest inhabited place in the world.

Valentine is a ghost character in Romeo and Juliet. In act 1, scene 2, Romeo assists an illiterate Capulet servant by reading the list of guests for Lord Capulet's feast, and among the "dozen or so named guests with their unnamed but listed daughters, beauteous sisters, and lovely nieces" is listed "Mercutio and his brother Valentine". Mercutio appears on stage regularly until his death in act 3, scene 1 and is "almost as central a character as Juliet or Romeo, for his death is the keystone of the plot's structure", but Valentine is only mentioned the once in the guest list. The only time it is possible for the character to appear on stage is as one of the crowd of guests at the feast in act 1, scene 5, but if he is, there is nothing in the text to suggest his presence.

A dying-and-reborn phoenix, depicted in the Aberdeen Bestiary Chester prefaced his poem with a short dedication addressed to the Phoenix and Turtledove, traditional emblems of perfection and devoted love, respectively: :Phoenix of beautie, beauteous, Bird of any :To thee I do entitle all my labour, :More precious in mine eye by far then many :That feedst all earthly sences with thy savour: :Accept my home-writ praises of thy loue, :And kind acceptance of thy Turtle-doue The poem is a long allegory, incorporating the story of King Arthur, in which the relationship between the birds is explored, and its symbolism articulated. It begins with the personification of Nature observing that the magnificently beautiful Phoenix is apparently about to die without an heir. The physical description given of the Phoenix is as a human female rather than a bird. Nature visits the Classical gods and pleads with Jupiter to find a way to give the Phoenix a child.

In 1712, Bickham wrote copy books and business texts, as there was a strong link between writing and mathematics instruction (arithmetic and bookkeeping) in the-mid 17th century to early 18th century. Bickham the Elder collected from twenty-five London writing masters in 1733 to create and engrave the penmanship samples forming the Universal Penman, which was reported to be the most important and popular of copy texts used by writing masters to instruct their pupils. Appearing in Bickham's Universal Penman was this poem by writing master Samuel Vaux, dated 1734, conveying, that poor writing was a disgrace to the beauty of the writer: “An artless Scrawl ye blushing Scribler shames; All shou’d be fair that Beauteous Woman frames.” And then this piece, hinting, that calligraphy may have a role in encouraging romance: “Strive to excel, with Ease the Pen will move; And pretty line add Charms to infant Love.” (Monaghan, 2005, p. 281).

The French version was the first to appear in theaters. An Italian version was also made. Renoir repeatedly preferred the English version: it was the only one to be restored in 2012. François Truffaut reportedly referred to The Golden Coach as "the noblest and most refined film ever made". “In its own time, The Golden Coach was an international failure in all three language versions with both the critics and the public.” “Seen today by the international community of cinephiles as a truly 'beauteous' and 'ravishing' comic fantasy from Jean Renoir’s late period, The Golden Coach can best be appreciated as an illustrious filmmaker’s elegant tribute to the theater. The “comedy”... is based... on a clear-eyed vision of art's denial of 'normal' life. Instead of seeking the nonexistent 'psychology' of the characters, one must follow the flowing images as a mobile painting driven by Magnani and Vivaldi across the canvas of an Italianate spectacle.

The Many Moods of Christmas is 1963 LP of eighteen Christmas carols conducted by Robert Shaw, grouped into four suites. The carols were arranged for chorus and orchestra by famed Broadway orchestrator Robert Russell Bennett. The following is a listing of the suites and the music that each suite contains: Suite One Good Christian Men, Rejoice — Silent Night — Patapan — O Come, All Ye Faithful Suite Two O Sanctissima — Joy to the World — Away in a Manger — Fum Fum Fum — March of the Kings Suite Three What Child is This? — Hark! the Herald Angels Sing — Bring a Torch, Jeanette, Isabella - Angels We Have Heard on High Suite Four Break Forth, O Beauteous, Heav’nly Light - The First Nowell — O Little Town of Bethlehem - I Saw Three Ships - Deck the Halls with Boughs of Holly As with most stereo albums made before 1967, the original version, performed by the Robert Shaw Chorale and RCA Victor Symphony, was released by RCA Victor in both mono and stereo.

Described as an "insane, power-mad pixie" and an outrageous character that is confident of her own intelligence in a way that annoys other people, this beauteous "pixie with the golden touch" contributes to the Colfer idea that fairies are basically as bad as humans – and fight even dirtier. The name Koboi sounds both as "cowboy" and "kobold", a temperamental sprite of German folklore who becomes outraged when not fed properly, and who sometimes is referred to as a spirit of caves and mines, which fits since the fairies of the series live underground. In this way, the name Koboi suits the gold-digger Opal Koboi. It is also known that Koboi bankrupted her father's business after he tried to dissuade her from studying engineering (as he expected his daughter to follow the normal path in life for female pixies: namely, marrying a suitable husband) and that she has a long, bitter rivalry with Foaly since their days at university, and that one of Opal's main goals is to prove she is intellectually superior to the centaur.

A member of the Society of Irish Artists from 1845 to 1849 and an architect to the Trustees of the Royal Exchange between 1847 and 1851. He lived in Blackrock at 3 Waltham Terrace from 1855 until he died on 10 January 1864. He was buried in the family plot at Glasnevin cemetery. The parish priest of the Rathmines Church, William Meagher gave a eulogy of Byrne, “Of this gifted man whose talents and disinterested care have laid us under such obligations, of him who designed the portico of St Paul's and erected the majestic shrine of St Audoen's and the solemn cathedral-like pile of St James and the bold and beauteous dome of Our Lady of Refuge, of the accomplished and good and generous Patrick Byrne how truly may it not be said that he regarded the beauties of classical and mediaeval art with equal reverence, studied their several excellencies with equal assiduity & wrought upon the principles of both with equally supereminent success.”Donnelly, M (1855) "Quoted from text of volume of engraved designs for church", privately printed by Meagher in 1855, Short Histories of Dublin Parishes, Vol.