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24 Sentences With "bears a child"

How to use bears a child in a sentence? Find typical usage patterns (collocations)/phrases/context for "bears a child" and check conjugation/comparative form for "bears a child". Mastering all the usages of "bears a child" from sentence examples published by news publications.

After five days of obeying various customs, she returns to her parents' home. The bride and groom are forbidden to live together or even talk to each other until the bride bears a child. Younger generations no longer practice these customs.
Kiran and Richard form an intricate emotional and physical bond which ends in them living together. One day, Kiran presents the idea of adopting a child to strengthen their bond. Kiran asks Richard, who is bisexual, to marry a woman and abandon her after she bears a child. The woman ends up being Pavithra.
Tsai takes a mute peasant girl as his second wife. She bears a child, named Tsai Sungu, whom she grows very fond of and raises him well. The boy’s poetry is acknowledged by his master who sees the boy’s potential for creating beautiful art. One afternoon, Tsai, who has become sickly and lies on his deathbed, calls the boy to him.
Fully aware that Ranjana loves him, Satyapriya hesitates in rescuing her and lets her become prey of the morally corrupt prince. The incident shakes the moral foundation of Satyapriya, who has betrayed his conscience and feelings. To redress the mounting guilt, he marries Ranjana, but their lives are the never same again. She bears a child whose paternity is never clearly established.
They followed them, teased them, and then made the mistake of falling in love with them, resulting in their capture. The women long to fly again, but the men keep their wings clipped. Soon each of the women bears a child, four wingless boys, and a winged-girl, Angela. As Angela grows up she starts flying and the women are delighted.
Wicked, also known as Condannata in Italy and Malvada in Spain, is a 1931 American pre-Code film directed by Allan Dwan and starring Elissa Landi, Victor McLaglen, and Una Merkel. The screenplay concerns a woman who commits murder while trying to save her bandit husband and bears a child in prison. The production dates were between early June and early July 1931.
The heroine—Margery May or Margaret—is raped by Prince Heathen, sometimes after he has tried to woo her. Sometimes he tells her he has massacred her family; in all variants, he imprisons her until she bears a child. She has a son and weeps. She tells Prince Heathen she is not weeping for him but because she has nothing to wrap the baby in.
The couple appears torn between traditional expectations and independence of new thought. A second theme in Idu is the double standard and voicelessness of women. Through the relationship of Ojiugo and Amarajeme, it is presumed that Ojiugo is the reason that the couple cannot bear children. However, when Ojiugo bears a child with another man, Amarajeme comes to understand he is sterile, is devastated, and kills himself.
This results in Wen-heung being shot and killed by a Shanghaiese mafia member. Following Wen-heung's funeral, Wen-ching and Hinomi marry at home, and Hinomi later bears a child. The couple support Hinoe's resistance group, but the guerilla forces are defeated and executed. They manage to inform Wen-ching of the fact and encourage him to escape, but Hinomi later recounts that they did not have anywhere to go.
A surrogate mother is a woman who bears a child that came from another woman's fertilized ovum on behalf of a couple unable to give birth to children. Thus the surrogate mother carries and gives birth to a child that she is not the biological mother of. Surrogate motherhood became possible with advances in reproductive technologies, such as in vitro fertilization. Not all women who become pregnant via in vitro fertilization are surrogate mothers.
The dragon's tail strikes the stars down to earth. The woman bears a child, a son, who is drawn up to the throne of God. The woman flees to a wilderness where a place is appointed for her. Then there is war in heaven, and Michael and his angels fight with the dragon (signifying Satan) and his angels, and the dragon is cast down onto the earth, and has no more place in heaven.
A simple yet heartwarming story of a three- generation family, The Road Home portrays the love and conflicts between family members running a general hospital. It explores the lives of the grown- up children who each have their own problems to solve, and the way they cope with their aging parents. Yoo Min-soo is the eldest son of the hospital's CEO. His wife Jang Mi-ryung bears a child out of wedlock but raises it with maternal love.
The story now alternates between Pasadena 1904—where Leonie, living in a primitive tent with her mother Albiana (Mary Kay Place), bears a child temporarily named "Yo,"—and New York, where Leonie met Japanese poet Yone Noguchi (Shido Nakamura). She and Yone succumb to passion while collaborating on his anonymous novel, The American Diary of a Japanese Girl, published by Frederick A. Stokes (David Jensen). They quarrel when Yone returns unannounced from London with an apparently drunk Charles Warren Stoddard (Patrick Weathers).
Kissy Suzuki is a fictional character introduced in Ian Fleming's 1964 James Bond novel, You Only Live Twice. Despite Bond's womanizing, Kissy Suzuki (at least the literary version) remains the only character known to the reader who bears a child by him. The treatment of Kissy varies greatly between the novel and the film, where she is never identified by her name, no family name appears in the closing credits and the film ends in the usual Bond-style happy ending.
A Koore prefers to have a son to a female. When a female bears a child, people who come to visit her first ask her what sex she bore. Her answer is symbolic: she says, "I have yele", meaning a 'human being' or "mumme," meaning a 'solid' if she bore a son. On the other hand, if she bore a female she says, "I have ogatse", meaning a 'traveler', or "kana", meaning 'a dog' or 'zelo', meaning 'a wooden bowl'.
When the two men meet later that night at the sacred rock, Juanito asks Joseph to kill him in revenge for his brother, but Joseph refuses. Joseph wants to pass it off as an accident so Juanito can stay on, but Juanito flees the farm, promising to return once the guilt has passed. Elizabeth is integrated into the farm and meets Rama, Thomas' wife, who helps her with many things, including her first childbirth. For a time, the farm prospers, and Elizabeth bears a child.
She rises towards the top of the Friends, originally as Manjome's mistress, but later as General Secretary after killing Manjome. She bears a child of Friend, hoping she can take over the "Holy Mother" position from Kiriko. ; : Chono is a detective and the grandson of the legendary detective Cho-san. He investigates the Friend's cult and over the course of the story, undergoes a character arc in which he stops comparing himself to his grandfather, as he goes from wanting his fellow policemen to call him "Cho-san" to rejecting the nickname altogether.
She discovers she is pregnant and bears a child. Reduced to poverty, she moves into a boardinghouse with her infant, and struggles to pay for the baby's basic needs. Unaware that her grandfather in Texas has died and left her a $100,000 fortune, a desperate Nasa dresses up as a prostitute and goes out in the neighborhood hoping to earn some quick cash to purchase medicine for her child. While she is out, a drunken lout at the boardinghouse drops a match and accidentally sets the building on fire.
Ruth bears a child, Marco, named after the explorer Marco Polo, after Thomas leaves for Vietnam. Years pass as Ruth raises Marco; eventually the day comes when Thomas is supposed to return, but he does not. Instead, he disappears and is described as being “made up of lies.” Thomas has been changed by his experiences in Vietnam, and thoughts flow through his head, such as his cheating on his wife with a Vietnam woman named Ma, the sadness he experienced when the army took him away from Vietnam, and the faces of shot men from war scenes he was in.
By the time the boys are freed by Grandma's own death, one is too crushed to stand up to life, the other is beginning to show that he has inherited some of Grandma's tyranny. Both are attracted to the same lusty Italian opera singer, and when she bears a child, neither brother knows which is the father, and the girl can't tell. Bit by bit, they withdraw to a life of bitterness, become the butts of neighborhood hoodlums, booby-trap the house and retire to an existence of unwashed queerness. When the police finally break into the house, the stench is pretty bad.
She bears a child with Siddharth whom she sends to her parents in London since she believes he deserves more than to grow up in the remote village. Eventually the police round up the entire village, capturing Siddharth and Geeta for intent to cause unrest and brutally assaulting them – fabricating a story of a villagers' riot to explain their injuries. Geeta is bailed out of prison by her now influential ex-husband. Siddharth, on the run, is shot by the police, admitted to a local hospital, and placed under arrest while Geeta believes him to have been killed.
Nacchi continues his Casanova ways with the rich girl unaware of any of these happenings. Lakshmi bears a child and names him Ganesha. Meanwhile, Kitti manages to get a plum offer from the same firm that works with Mallige’s husband. Soon Nacchi as his girlfriend realizes that he is married and so starts encouraging Kitti instead to get back at him. Nacchi confronts her and ends up apologizing for his “mistake” but she is firm in her decision and decides not to have anything to do with him. Things start falling into place when she sees Mallige at Kitti’s place and informs him about the truth.
Kuria village Nyumba ntobhu (meaning "house without a man") is a traditional form of non-sexual same-sex union among Kuira women of the Mara Region of Tanzania; the partnerships are formed between older, usually widowed women without male descendants and younger, childless women, known as mokamööna (daughters in-law). As part of the relationship, the younger mokamööna bears a child from an external male partner. The elder woman serves as a grandmother to the resulting child, thus securing her with an heir and ensuring the continuation of her lineage. Nyumba ntobhu marriages, like traditional Kuira marriages, are secured through the payment of a bride price in the form of cattle; in the case of nyumba ntobhu relationships, the bride price is provided by the older woman to the family of the younger partner.
Child ballad 90 Jellon Grame has affinities to this ballad.Francis James Child, The English and Scottish Popular Ballads, v 2, p 298, Dover Publications, New York 1965 This ballad is closely related with a Scandinavian one, "Young William" (TSB E 96), in which a rival in love kills the successful wooer, the woman bears a child and has the rival told it was a girl, and the son, grown, kills the rival.Francis James Child, The English and Scottish Popular Ballads, v 2, p 297, Dover Publications, New York 1965 Another Scandinavian ballad (TSB D 352) opens with the bride being carried off, and her family coming to burn down the church that the bridegroom and his people are in; she hides her son from her family and in time he avenges his father.Francis James Child, The English and Scottish Popular Ballads, v 2, p 298, Dover Publications, New York 1965 The procession scene in the movie The Wicker Man is set to this tune.

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