60 Sentences With "bass fiddle" | Random Sentence Generator

In high school she formed the Melody Ranch Girls, singing and playing a bass fiddle that her parents had paid for by pawning furniture.

Leo Fender had another far-reaching idea, introduced in 1952: an electric bass guitar that was far more portable, louder and crisper than a classic bass fiddle.

After the family moved to North Carolina, he learned to play the bass fiddle in high school and began performing with Homer Briarhopper and His Dixie Dudes, a country band he had heard on the radio.

With a shrug, Herbert would stop playing and decide to balance the violin on his chin. Harry would then notice Herbert's accomplishment and would take the guitar and balance it on his chin. This left Sylvester smiling blandly at the audience, still plucking his bass fiddle. When Sylvester sees Herbert and Harry balancing their instruments on their chins, he would do a long take, turning from his brothers to his huge bass fiddle and then back at them.

They consist, at most concerts, of a pair of long-necked lutes, the dayra, or frame drum, which, with its jingles, is very much like a tambourine, and the sato, or bowed tanbour, which vaguely resembles a bass fiddle.

The Tarbox Ramblers are a musical group probably best labeled as adult alternative or blues/folk revival; in the words of founder Michael Tarbox, a "primitive blues and jug band". The original line-up with Robbie Phillips (washtub bass), J. Place (harmonica), Mickey Bones (drums, washboard and bones) and Michael Tarbox was formed in Cambridge, Massachusetts, in 1994. The mid period group consisted of Tarbox (vocalist and guitarist), Daniel Kellar (violinist), Johnny Sciascia (upright bass fiddle), and Jon Cohan (drummer and percussionist). Since 2003 Nashville based musician, Scott McEwen plays (upright bass fiddle and percussion) with the Ramblers.

He is a musician, playing the bass fiddle with the Green House River Band, a bluegrass band that performs in North Carolina and Virginia. Webster manages his family's farm, now a cattle farm, which he and his siblings inherited from their father.

The band has gone through many changes in structure and performance. With a floating membership of around 100 individuals playing sax, brass, percussion, and stringed instruments, it has appeared both as a mobile unit for parades, and as an amplified band with bass, fiddle, guitar, and banjo.

At a young age Doane showed impressive musical talent. By early adolescence he was playing the flute, violin and double bass fiddle. Doane attended the Woodstock Academy, a private secondary school affiliated with the Congregational church and located in Woodstock, Connecticut. His musical talents enabled him to serve as the school's choir director.

While living at a rented farm in Franklin, Tennessee, Leonard Cohen worked on his second album Songs from a Room with Bob Johnston, its producer. In the candlelit Columbia Studio A on Music Row, Nashville, Johnston created a relaxed atmosphere for, what Mike Evans, in his book Leonard Cohen: An Illustrated Record, calls "suitable, and non-intrusive, backing" by the assembled session musicians: Charlie Daniels on bass, fiddle and guitar, Ron Cornelius on guitars, Bubba Fowler on banjo, bass, fiddle and guitar, and Johnston himself playing keyboards. Ten songs were recorded in one eight-hour session, half of which ended up on the album. The recording of "The Partisan" utilized only a classical guitar, double bass, and accordion along with vocals by Cohen and female voices.

Nicaraguan music is a mixture of indigenous and Spanish influences. Musical instruments include the marimba and others common across Central America. The marimba of Nicaragua is played by a sitting performer holding the instrument on his knees. He is usually accompanied by a bass fiddle, guitar and guitarrilla (a small guitar like a mandolin).

After his return to Paris, Jack started playing the bass fiddle in dance bands. His marriage soon broke up and his wife left with their newly born son. Jack was drafted to do his duty in Korea for ten months. In 1953, he started working for the brand-new KDUB TV Channel 13, the local branch of CBS.

The sides were "Honeysuckle Rose" and "I'm a Dreamer, Aren't We All." One unusual trait of Honeysuckle Rose was Paul playing the guitar and scatting in unison in a manner similar to George Benson at least a couple decades later.Bassist Slam Stewart had already done something similar with scatting with bowed bass fiddle about a decade earlier.

Nicaraguan music is a mixture of indigenous and European, especially Spanish, influences. Musical instruments include the marimba and others common across Central America. The marimba of Nicaragua is uniquely played by a sitting performer holding the instrument on his knees. He is usually accompanied by a bass fiddle, guitar and guitarrilla (a small guitar like a mandolin).

For the past 30 years, Glen has played a Klotz bass fiddle crafted in Tyrol circa 1715 on which he has made extensive use of a unique tuning with both a low and high C string. Moore is a founding member of Oregon, but worked also regularly with Rabih Abou-Khalil, Vasant Rai, Nancy King and Larry Karush.

The dance scenes continue as Elena gets out of the tea spot and starts playing with the Tea bag. If all these swagger scenes happen upstairs, in the basement takes place a "Vintage times" themed party. There, a man is playing a bass fiddle and Elena wears a Turkish turban executing oriental moves. The video ends with Elena bathing in the tea pot.

"Smoke! Smoke! Smoke! (That Cigarette)" was produced by Lee Gillette, and featured Johnny Weis, electric lead guitar; Eugene "Smokey" Rogers, acoustic rhythm guitar, harmony vocal; Earl "Joaquin" Murphey, steel guitar; Manny Klein, trumpet; Paul "Spike" Featherstone, harp; Andrew "Cactus" Soldi, Harry Sims, Rex Call, fiddles; Ossie Godson, piano; Deuce Spriggens, bass fiddle, harmony vocal; Milton "Muddy" Berry, drums; and Larry "Pedro" DePaul, accordion.

The marimba of Nicaragua distinguishes itself from the other forms of marimba in Central America by the way it is played. Nicaragua's marimba is played by a sitting performer holding the instrument on his knees. They are usually accompanied by a bass fiddle, guitar and guitarrilla (a small guitar similar to a mandolin). This music is played at social functions as a sort of background music.

Norman Edward Brownlee (Feb 7, 1896 - April 9, 1967) was born in Algiers, Orleans Parish, Louisiana. He was a pioneer jazz musician and led (and played piano with) a very popular orchestra in New Orleans in the 1920s, Brownlee's Orchestra of New Orleans. He also performed with many well-known orchestras and musicians of his day. His bass fiddle is in the New Orleans Jazz Museum.

Rhodes played banjo and bass fiddle and developed his comic character. In 1960 Speck auditioned for a new television show that Porter Wagoner was starting in Nashville. Having both come from West Plains, they had a natural chemistry, and Rhodes began an association with Wagoner that would last over 20 years. Rhodes died March 19, 2000, at age 84 and is buried at Spring Hill Cemetery in Nashville, Tennessee.

DePoy is a fifth-generation bluegrass musician from the Shenandoah Valley, coming from a musical family dating back to the mid-1700s. The long line of traditional musicians he descends from have been recorded by famed American ethnomusicologist Alan Lomax. DePoy himself has been a professional musician since 1959, mastering bluegrass banjo and the thumb-picking style on guitar. DePoy also plays mountain dulcimer, autoharp, Dobro, mandolin, and the "bass fiddle".

He plays guitar and sings lead. The project's first LP, Chip Hanna & The Berlin Three, was released in April 2007 on People Like You Records in Germany. Their second LP, Old South Jamboree, was released on February 1, 2008, on PLY. The Berlin Three are Andy Laaf drums, Tex Morton guitar/lap steel, and Valle bass fiddle; they are well known in the rockabilly/psychobilly-scene as members of Mad Sin.

Then, finally Sylvester would lift the bass fiddle in the air and balance it on his chin for the finale. The Wiere Brothers stage performances offered a blend of classical European musical tradition and the lively, often comic spirit of the American west. They appeared in four royal variety performances for the queen of England. Inga Wiere, a sister of Herbert, Harry and Sylvester Wiere, was married to dancer Jon Zerby.

In the 1930s, while Thirty Minutes Behind the Walls, a musical show involving prisoners from Huntsville Unit played on radio waves, one Goree Unit prisoner, Reable Childs, suggested starting a band consisting of women from the Goree Unit. Of the original members, Mozelle McDaniel and Ruby Mae Morace served as the main singers. Georgia Fay Collins, Ruby Dell Guyton, and Bonnie Scott played the acoustic guitar. Lillie Mae Dudley played the bass fiddle.

Born Martin Robert Schopp in Chenoa, Illinois, he graduated from high school in 1935. Marty got an early start in the radio business when he appeared on WDZ Illinois as a sophomore in high school. Marty played the bass fiddle with The Lone Pine Fiddlers, a bluegrass group led by David "Stringbean" Akeman who later became notable as a longtime member of The Grand Ole Opry in Nashville, Tenn and a regular on the television show, "Hee Haw".

Petrone has a saxophone but only makes noise with it – it seems as if he doesn't know how to play it. The same is true of Laureen, who has a bass fiddle. Each of them quarrels with the detectives and describes Niles, their hero, as a great genius who composed music which was so far ahead of its time that no one understood it. While these bizarre discussions are going on, Niles enters with Paulette and a large suitcase full of props.

She then asked Allen to smuggle a working model of a new machine gun out of his plant. He agreed, in exchange for $2,000. By carrying it on his shoulders beneath his coat, Allen was able to sneak it out of the plant. Morris then hid the weapon inside a bass fiddle case and transported it into the Soviet consulate while avoiding detection. After Morris was drafted in 1942, Lona took over the expanding Volunteer Network that Morris had been maintaining and managed seven agents.

They perform on mountain dulcimer, 5-string banjo, autoharp, guitar, Dobro, mandolin, and bass fiddle. Me & Martha are members of America’s Old-Time Country Music Hall of Fame and are on the artist rosters of the Virginia Commission for the Arts and Young Audiences of Virginia as traditional musicians. In 2012, they played 212 concerts, hosted 34 weekly Tuesday night bluegrass jams at James Madison University, participated in a number of community service events, and worked tirelessly on the Shenandoah Music Trail, an organization they founded.

In the mid 1960s, as the sound of electric 12 string guitar became popular, Vox introduced the Phantom XII and Mark XII electric 12 string guitars. Vox produced many more traditional 6 and 12 string electric guitars in both England and Italy. It may be noted that the Phantom guitar shape was quite similar to that of first fretted electric bass guitar, the Audiovox "Electric Bass Fiddle" of 1934. In 1966 Vox introduced the revolutionary but problematic GuitarOrgan, a Phantom VI guitar with internal organ electronics.

"Interview with Marshall Lytle", The Art of Slap Bass. He used gut strings for the G and D strings while the A and E strings were wound. Lytle's style of playing, which involved slapping the strings to make a percussive sound, is considered one of the signature sounds of early rock and roll and rockabilly. The athletic Lytle also developed a stage routine, along with Ambrose, that involved doing acrobatic stunts with the bass fiddle, including throwing it in the air and riding it like a horse.

The first organ said to be designed for church use was installed in Newport, Rhode Island in 1733. Organs, however, were expensive and difficult to play. Only the largest churches could afford an organ and organist, and so many used more portable instruments, such as the bass fiddle, which was called "God's fiddle" to distinguish it from the much-maligned "Devil's fiddle" (violin). Later, other instruments like the ophicleide, trombone, cornet, German flute, bassoon, violin and clarinet were added, thus birthing the church band.

Chasin' Crazy is an American country music group composed of Landon Parker (acoustic guitar, vocals), Travis Fincher (drums, vocals), Jimmy James Hunter (lead guitar, vocals), Creigh Riepe (keyboards, guitar, vocals) and Forest Miller (bass, fiddle, mandolin, vocals). The group was formed in Nashville, Tennessee in 2012. They signed to RPM Entertainment and released their debut single, "That's How We Do Summertime", in May 2014. The song was written by Thomas Matthew Karlas and Matthew Thomas Ramsey and produced by Marti Frederiksen and Blake Chancey.

During the 19th and early 20th centuries, other stringed instruments began to be added to the fiddle-banjo duo that was essential to dance music of the early 19th century United States. These other instruments included the guitar, mandolin, and double bass (or washtub bass), which provided chordal and bass line accompaniment (or occasionally melody also). Such an assemblage, of whatever instrumentation, became known simply as a "string band." In the 1870s African- American dance houses of Cincinnati had musicians who played violin, banjo, and bass fiddle.

But after Sylvester's death in July 1970, Harry and Herbert Wiere discontinued their act. Harry Wiere did make one appearance on the TV series Bionic Woman in 1976 as the Tipsy Man. One of their popular acts of the 1960s involved the three brothers playing the violin, guitar and bass fiddle, and Mildred Seymour, their accompanist, performing a classical piece on the grand piano. Herbert would try to do a serious number on the violin but would get frustrated with his brothers' hillbilly antics.

Papa French led the band until his death in 1977. He released the traditional jazz LP "A Night At Dixieland Hall", recorded live in 1965. Released on the Nobility label as Nobility 702, this set was recorded at Dixieland Hall, 522 Bourbon Street, NEw Orleans. It featured Jeanette Kimball on Piano, Louis Barbarin on drums (incorrectly spelled "Louise" on the LP liner notes), Steward Davis on Bass Fiddle, Joseph "Cornbread" Thomas on Clarinet and Vocals, Waldren "Frog" Joseph on Trombone, Wendell Eugene on Trombone, and the well known Alvin Alcorn on Trumpet.

Doyle joined the Liberal Party in 1958, and became president of the South Yarra Branch. He was a Councillor for the City of Prahran from 1965 to 1967 and was a member of the Victorian Legislative Assembly from 1967 to 1971, representing the seat of Gisborne. Tom Reynolds, his successor in the seat of Gisborne, described the challenge of following in the footsteps of Doyle, in that he was an "illustrious man" with the "obvious talents" of "height, good looks, a law degree, [and] being able to sing or to play the bass fiddle".

These people's folk music consisted of bowed bass, fiddle and sometimes a clarinet, with the later additions of drums, accordions and guitars. Within Texas, Polish music was diverse, with a rhythmic style predominant in the Chappell Hill/Brenham area, and a melodic sound in Bremond. The group, Brave Combo is an example of what is commonly called within the industry Tex-Mex polka music. The Czech and Polish settlers in Texas had a major influence on the traditional Mexican folk music forming what we now know as Tejano music.

In the early 1900s the Roma in Braddock, Pennsylvania, purchased an entire block of homes, making them the largest population of settled Roma in the United States. John Brenkacs Hungarian Gypsy Orchestra c. 1925, with Albert Balog, Geza Duna bass, Louis Balog cimbalom, Rudy Rigo Violin The Hungarian Gypsy Orchestra consist of a lead violin referred to as a Primas, a second violin or viola, tenor violin, bass fiddle and a cimbalom. Their music was an important part of world roots music, and they performed throughout America in Hungarian music and all genres of music.

Ritchey grew up in a musical family in Lewis County in Washington state. His great-great grandparents had a band and both grandmothers were musicians along with several of his uncles. He began playing in childhood and went on to master the mandolin, acoustic guitar, banjo, bass, fiddle and electric guitar. In his late teens, he started commuting to Seattle where he was hired as an accompanist by various country stars such as Bobby Bare, Ferlin Husky and Del Reeves, when they were touring in the Pacific Northwest.

Shook started a new band called Sarah Shook & the Disarmers in mid to late 2013. The band started as a recording project, with Eric Peterson on guitar, and John Howie Jr. (Two Dollar Pistols, John Howie Jr. & the Rosewood Bluff) on drums, Jason Hendrick on bass fiddle, and Phil Sullivan on lap steel. Sarah Shook and the Disarmers released their first record, Sidelong, in October 2015, with a re-release in 2017. Sidelong was produced by Ian Schreier at Manifold Recording Studios, which is near the Haw River in North Carolina.

Paul Tutmarc, inventor of the modern bass guitar, outside his music store in Seattle, Washington In the 1930s, musician and inventor Paul Tutmarc of Seattle, Washington, developed the first electric bass guitar in its modern form, a fretted instrument designed to be played horizontally. The 1935 sales catalog for Tutmarc's company Audiovox featured his "Model 736 Bass Fiddle", a solid-bodied electric bass guitar with four strings, a scale length, and a single pickup. Around 100 were made during this period. Audiovox also sold their “Model 236” bass amplifier.

George Marino was born on April 15, 1947 in the New York City borough of the Bronx. He attended Christopher Columbus High School there and learned to play the saxophone and bass fiddle in the high school band and was classically trained on guitar. Marino broke into the music business as a guitarist playing rock and roll in local New York City bands such as The Chancellors and The New Sounds Ltd. until most of the band members were drafted into the service for the war in Vietnam.

Born in Newark, New Jersey, Nicholas "Massi" Macioci first learned to play the bass fiddle by Newark native and musician, Anthony Gaeta. As a bass singer, Massi had been playing with several bands before he joined The Four Lovers in 1958, including some groups that featured future Four Lovers and Four Seasons members Frankie Valli and Tommy DeVito. After the group evolved into the Four Seasons, they performed such hits as "Sherry," "Dawn (Go Away)," and "Rag Doll." He was responsible for most of the group's vocal arrangements.

A partial solution was playing slap bass style, slapping the strings against the fingerboard to make a relatively loud percussive sound. In 1933, the Audiovox Manufacturing Company was founded by Paul Tutmarc, subsequently the inventor of the first electric bass, the fretted and solid-body Audiovox Model 736 Bass Fiddle, in 1936, which was designed to be played in a guitar-like horizontal manner. The instrument was sold with the first purpose-built bass amplifier, the Audiovox Model 936. Seen largely as a novelty, the few that were sold remained in the Seattle area.

Reviewers of the time commonly mentioned both sides of the record without focusing on a particular song. The disk sold 365,000 copies upon its release, and became Rodgers' second-best-selling recording, behind the pairing of "Blue Yodel No. 1 (T for Texas)" / "Away Out in the Mountain". The Victor Talking Machine Company sound engineers later discovered that the strong sound of the bass fiddle on the original recording damaged the grooves as it was played. Victor re-dubbed the track, and later issues featured the bass sound cut in half.

In 1933 they moved to Chicago's WLS, the Prairie Farmer Station. Now Paul ("Hezzie", on his washboard), "Gabe" (on clarinet) and Ken (tenor guitar). With the addition in 1934 of Frank Delaney Kettering on bass fiddle, the Hoosier Hot Shots became the quartet that they would remain until the 60s. In the late 1930s, the group had a five-minute radio show on NBC sponsored by Alka-Seltzer and appeared on National Barn Dance on WLS-AM in Chicago, Illinois; they also had a radio program for one season (1949-1950) on the Mutual Broadcasting System.

Stripling would periodically leave the “Barn Dance Show” to tour with Bill Monroe, and by 1958 he asked Jim and Jesse McRynolds if he could start working on the WVOP Valdosta radio show. He was also known to work with Flatt and Scruggs, toured with Ernest Tubb and played the fiddle for Johnny Carson at political rallies in the 1946 race for governor in Georgia. Chick also played the bass fiddle for Jimmy Martin and the Stanley Brothers in 1962. One of his last jobs was in 1966, playing with the New River Boys as a comedian.

In 1931, Tom Murray, who had recently left the Beverly Hill Billies, offered Fisher a spot with his new group, the Hollywood Hillbillies, based in Los Angeles. Fisher learned to play the bass fiddle with the group and claimed he was one of the first to play the instrument in a country band. The Hillbillies appeared on the Hollywood Breakfast Club radio show and were fairly popular around Los Angeles but had little income to show for it. In late 1933, Fisher and Ken Carson left the group to join several members of the Beverly Hill Billies who had moved to San Francisco.

While experiencing the night life of the city at a speakeasy, Rodgers encountered a jazz combo composed of Dean Bryan (guitar), C. L. Hutchinson (cornet), James Rikard (clarinet), George MacMillan (bass fiddle) and John Westbrook (steel guitar). Rodgers invited the group to join him in his upcoming session after trying out some songs with their backing. In addition to Rodgers' characteristic blues guitar sound, the participation of the combo known as the Westbrook Conservatory Entertainers on "Waiting for a Train" gave the song a "jazz-flavored" sound. After the train whistle, Rodgers sang the first verse and followed with his signature yodel.

There is no one "standard tuning" for the Appalachian dulcimer, but as with the shape of the instrument, certain tuning arrangements have proven more popular than others. Traditionally, the Appalachian dulcimer was usually tuned (from left to right) to G3-G3-C3, C4-G3- C3, or C4-F3-C3. Note: Because the dulcimer is most often played on the lap or with the instrument laying on a table, when the instrument is held upright (headstock at the top), the highest pitched string will be on the left—this is the reverse of most other string instruments (e.g., guitar, bass, fiddle, etc.) where the lowest string is on the left.

He started in music at the age of 11, when he organized a band consisting entirely of young harmonica players. Later, he learned to play guitar and then bass fiddle and violin. He was inspired by Yodeling Slim Clark (with whom he performed along with the Red River Rangers from Athol, Massachusetts), as well as by Jimmie Rodgers and other singing cowboys and was known as a blue yodeler. Roberts at age 17 won a New Hampshire radio contest to be chosen as "Eastern States Yodeling Champion" in 1944. He enlisted in the U.S. Navy in early 1945, then moved to Fort Wayne, Indiana, after World War II ended.

In jazz, blues, rockabilly and other genres outside of classical music, this instrument is commonly called the upright bass, standup bass or acoustic bass to distinguish it from the electric bass guitar. In folk and bluegrass music, the instrument is also referred to as a "bass fiddle" or "bass violin" (or more rarely as "doghouse bass" or "bull fiddle"). The upright bass is different from the acoustic bass guitar, which is a guitar-family instrument that is built like an acoustic guitar with a sturdier construction (although using the same E1–A1–D2–G2 tuning as the double bass). The double bass is sometimes confusingly called the violone, bass violin or bass viol.

Robert C. Bushnell (born 1926) is an American bass player and guitarist who has appeared on dozens of albums and singles as a studio musician, including Bobby Lewis's hit "Tossin' and Turnin'" (1961), "My Boyfriend's Back" by The Angels (1963), "Under the Boardwalk" by The Drifters (1964) and the remixed hit version of Simon and Garfunkel's "The Sound of Silence" (1965). Bushnell was born in West Philadelphia and attended Sulzberger Junior High School where he first learned how to play bass fiddle. He graduated from West Philadelphia High School in 1945 and left for New York City shortly thereafter. He played occasionally with Jimmy Heath's band in the late 1940s, coinciding with John Coltrane.

Instrumentation includes kanklės, a kind of zither that accompanies sutartinės, rateliai, waltzes, quadrilles and polkas, and fiddles, (including a bass fiddle called the basetle) and a kind of whistle called the Lamzdeliai lumzdelis; recent importations, beginning in the late 19th century, including the concertina, accordion and bandoneon. Sutartinė can be accompanied by skudučiai, a form of panpipes played by a group of people, as well as wooden trumpets (ragai and dandytės). Kanklės is an extremely important folk instrument, which differs in the number of strings and performance techniques across the country. Other traditional instruments include švilpas whistle, drums and tabalas (a percussion instrument like a gong), sekminių ragelis (bagpipe) and the pūslinė, a musical bow made from a pig's bladder filled with dried peas.

As for the knockdown, described here also in detail, Kessler offers a perspective directly contradicting Moore's, saying "I didn't bother to wipe Marciano's gloves on my shirt before I waved them back to combat; that early in the drama, there was no resin on the canvas." As opposed to any blind rage, Kessler states that "Archie hesitated a couple of seconds before he came in." With humor and without malice, Kessler even recounts the 38-year-old Moore poo-pooing any talk of retirement at the postfight press conference, then sitting in on bass fiddle at a hotspot in Greenwich Village until 5 A.M.! Examination of the original, uncut closed circuit broadcast from 1955, shows no excesses in referee involvement.

The band played its first official gig on March 11, 1993, opening for the Irish Descendants at Memorial University of Newfoundland in St. John's, Newfoundland. The founding band members included Alan Doyle (vocals, guitar, bouzouki, mandolin), Séan McCann (vocals, bodhrán, guitar, tin whistle), Darrell Power (vocals, bass, guitar, bones), and Bob Hallett (vocals, fiddle, accordion, mandolin, concertina, bouzouki, whistles, bagpipes) Power, McCann and Hallett had already been playing together in another band. In the winter of 1989, the band, a six-piece with guitar, bass, fiddle, accordion and mandolin played its first gig, two songs, at the Memorial University's winter carnival talent show under the name "Newfoundland Republican Army" or NRA, and won first prize. The band's only other appearance as NRA was later that winter at the university "Grad House".

I would keep them any day as an unfair trade for the four little swans in Swan Lake." For the concert at The Academy of Music in Philadelphia, Pennsylvania on 7 February 1956, The Philadelphia Inquirer music critic Samuel Singer commented, "'Tanec' means 'dance', but 'dance' in a larger form than customary. Besides dance alone, it conveys drama, ritual, tradition, songs, even military maneuvers ... there was a remarkable precision in both dancing and playing ... Clarinet, bass fiddle, violin, drums, guitar and flute provided most of the accompaniments in various combinations." For the concert at The Constitution Hall in Washington, D.C. on 9 February 1956, Paul Hume, the Washington Post and Times music critic observed, "A "Sopska Poskocica" is devised to show the girls how handsome and wonderful and brilliant and exciting and sensational their man friends are.

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Throw Rag started up in October 1993 with founding members Sean Doe (vocals), Roger "Chino" Smith (drums), and Dan "Scorcho" Lapham (rhythm guitar). Also in the original lineup were bassist Danny "Talmadge" Black (who wrote Table 4 3) and guitarist Michael "The Outlaw" McCartney. Throw Rag played primarily at the Indio, California venue Rhythm and Brews (operated by renowned desert musician Mario Lalli, whose song "King Baby" was also performed by the band) throughout 1994 with other shows in Orange County, CA. Other members of the early Throw Rag were Scott "Barfly" Brooks (bass) and Tom "Colonel Riptide Tenmen" Lynn (banjo and vibes). By the end of 1994, Francis "Franco" Cronin (bass fiddle), Patrick "Dino" Bostrom (lead guitar), and Craig "Jacko" Jackman (lord of scum) had joined the band. From late 1996 through mid-1997, the band saw more lineup changes as Jacko left temporarily to be replaced on occasion by John Summers a.k.a.

Besides dance alone, it conveys drama, ritual, tradition, songs, even military maneuvers ... there was a remarkable precision in both dancing and playing ... Clarinet, bass fiddle, violin, drums, guitar and flute provided most of the accompaniments in various combinations." For the concert at The Constitution Hall in Washington, D.C. on February 9, 1956, Paul Hume, the Washington Post and Times music critic observed, "A Sopska Poskocica is devised to show the girls how handsome and wonderful and brilliant and exciting and sensational their man friends are. The rate at which it is danced, and the tremendous energy and precision of six men who dance it, is unique and demanded a repetition." For the concert at Massey Hall in Toronto, Ontario, Canada on February 13, 1956, John Kraglund, a music critic for The Globe and Mail wrote: "The first impression, however, must be one of rhythmic precision ... Nor was the performance without spectacle ... in the case of one dance, Sopska Poskocica, it was no more than a show-off dance.