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"barouche" Definitions
  1. a four-wheeled carriage with a driver's seat high in front, two double seats inside facing each other, and a folding top over the back seat

27 Sentences With "barouche"

How to use barouche in a sentence? Find typical usage patterns (collocations)/phrases/context for "barouche" and check conjugation/comparative form for "barouche". Mastering all the usages of "barouche" from sentence examples published by news publications.

He had his choice of a barouche or a sporty gig.
The royal steed is one of the horses who pulls Kate's barouche carriage in the procession at Trooping the Colour from Buckingham Palace to Horse Guards Parade each year.
The ceremonial ride, in which she also shared a barouche (open-top) carriage with brother-in-law Prince Harry and mother-in-law Camilla, Duchess of Cornwall, went along the Mall in London from Buckingham Palace as part of the ceremonial festivities for Queen Elizabeth's official birthday, a celebration known as Trooping the Colour.
It is drawn by a pair of horses and was used in the 19th century for display and summer leisure driving. Designed to give a powerful impression of luxury and elegance, the structure of the carriage is heavier than it looks because of the lack of a rigid roof structure. A light barouche was a barouchet or barouchette. A barouche-sociable was described as a cross between a barouche and a victoria.
Barouche driving is mentioned as a fashionable pastime in Nice, Italy, in chapter 37 of Little Women by Louisa May Alcott. Chichikov, the main character of Nikolai Gogol's "Dead Souls", is frequently driven around in his own barouche by his servant Selifan and is also involved in a crash with another carriage.
President Lincoln's barouche A barouche was an expensive four-wheeled, shallow vehicle used in the 19th century with two double seats inside, arranged vis-à-vis, so that the sitters on the front seat face those on the back seat. It has a soft collapsible half- hood folding like a bellows over the back seat and a high outside box seat in front for the driver. The entire carriage is suspended on C springs and leather straps and more recently additional elliptical springs. Royal barouche in London, 2009.
Barouche in Livrustkammaren, Stockholm, Sweden A barouche is a large, open, four-wheeled carriage, both heavy and luxurious, drawn by two horses. It was fashionable throughout the 19th century. Its body provides seats for four passengers, two back-seat passengers vis-à-vis two behind the coachman's high box-seat. A leather roof can be raised to give back-seat passengers some protection from the weather.
King George V and Queen Mary riding in the 'Balmoral' Sociable, July 1930. A sociable (short for sociable coach) or barouche-sociable is an open, four- wheeled carriage described as a cross between a barouche and a victoria, having two double seats facing each other. It might be controlled from the interior by an owner-driver or have a box for a coachman. A pair of folding hoods protect the passengers.
After his expulsion, Dresser took to selling bibles in Tennessee to further his education. On Saturday, July 11th, 1835, Dresser arrived in Nashville with anti-slavery pamphlets stored in a box in his barouche and settled in a local inn. Two days later, while Dresser's barouche was being repaired, the box was uncovered and his abolitionist leanings were made public as a result. Afterwards, rumors began to spread that Dresser was attempting to incite the free blacks of Nashville into violence.
The first tableau shows the encounter of Fabrice and Clélia near an auberge on the mountain road to Milan. Fabrice, still a teenager, has fled the Grianta castle in a barouche with his mother and aunt, seeking safety in Milan. The carriage is stopped by police looking for a certain Conti travelling without a passport, who then appears, with his young and beautiful daughter Clélia. The Général Conti is escorted to Milan while Fabrice offers a seat in the barouche to Clélia.
Unusual vehicles include an 18th-century landau and an early-19th-century barouche, both in very good condition. There is also an 1890s 'char-a-bang' which dates from the early days of public transportation.
Abraham Lincoln owned an identical barouche while he was president of the United States. When the Prime Minister of Canada, Diefenbaker went 'Out West' during his sojourn, as Prime Minister his day ride was a Remington barouche carriage. The Five Glass Landau Coach, made by James Cunningham, Son and Company, Rochester, New York, circa 1890. In the early 1970s, while Don Remington was visiting England, he came across a man named Colonel Graville Williams who sold him the carriage BBreak by Holland & Holland, London.
In the 1994 novel, "The Alienist", which is set in 1896, by Caleb Carr a frequently used mode of transportation for the characters is a caleche. In the novels by Jane Austen, "Lady Dalrymple, Mr. and Mrs. Palmer, and Henry Crawford owned barouches" in which other characters rode, and Jane Austen herself on at least one occasion in 1813 rode in a barouche. Henry Crawford was a character in Mansfield Park and his barouche was the topic of two important scenes of the novel; Lady Dalrymple was in Persuasion, while Mr and Mrs Palmer were characters in Sense and Sensibility.
Barouche is an anglicisation of the German word barutsche, via the Italian baroccio or biroccio and ultimately from the ancient Roman Empire's Latin birotus, "two-wheeled". The name thus became a misnomer, as the later form of the carriage had four wheels.
Pensavo fosse amore, invece era un calesse (I thought it was love, but it was a barouche) is a 1991 Italian romance-comedy drama film. It is the last film directed by Massimo Troisi. For his performance Angelo Orlando won the David di Donatello for best supporting actor.
"Kasha" from the Gazu Hyakki Yagyō by Toriyama Sekien, ca. 1781. Kasha (火車) from alt= The kasha (火車, lit. "burning chariot" or "burning barouche" or 化車, "changed wheel") is a Japanese yōkai that steals the corpses of those who have died as a result of accumulating evil deeds.
The barouche was the fashionable carriage of the time. Gig, drawn by one horse. Average speed for carriages of this time was seven miles an hour. When general Tilney left Bath for Northanger, his 'handsome, highly-fed four horses' performed the journey of thirty miles at a sober pace, broken into two stages with a two hours' rest in between.
Detail of door and seats The barouche was based on an earlier style of carriage, the calash or calèche: this was a light carriage with small wheels, inside seats for four passengers, a separate driver's seat and a folding top. A folding calash top was a feature of two other types: the chaise, a two-wheeled carriage for one or two persons, a body hung on leather straps or thorough-braces, usually drawn by one horse; and a victoria, a low four-wheeled pleasure carriage for two with a raised seat in front for the driver. A victoria is distinguished from a barouche by having fold-down occasional seating for the rear-facing passengers, instead of permanent front seats. In Quebec, Canada, calèche refers to a two-wheeled horse-drawn vehicle with or without a folding top and with a driver's seat on the splashboard.
Hazard was married to Carrie Geller, daughter of physician William Geller of Marysville, California, on October 3, 1873. The wedding party left Los Angeles early on a Friday morning, with the groom and his friends "in an elegant barouche, drawn by four horses." The group of carriages arrived at the Church of Our Saviour in San Gabriel, California, about 8 a.m. and the ceremony was performed by the Rev.
The Goldsworthy Gurney steam carriage, in an 1827 illustration. Model of a Gurney steam carriage in The Castle, Bude. The Gurney steam drag, illustrated and described in a 1902 book by Moore as "His "Improved Steam Carriage" – an ordinary barouche drawn by an engine instead of horses." In the period 1825–9, Gurney designed and built a number of steam-powered road vehicles which were intended to commercialise a steam road transport business—the Gurney Steam Carriage Company.
" The New York Dramatic Mirror disagreed on almost all points, "In numerous details the illusion is dispelled, for the scenery is manifestly not of the eighteenth century. No contemporary of Goldsmith ever rode in such a barouche as appears in this film, nor lived in such a house as Mr. Hardcastle. The final tableau is as artificial as set pieces which have gone out of style at funerals. With all of its imperfections there is considerable of virile comedy in the film.
Casson had displayed not only a good practical knowledge of construction, but a thorough scientific knowledge of design methodology. The receipt of a further Silver Medal, and the company’s certificate for four outline drawings, plans and sections for Omnibus, Barouche, and Salisbury Boot brought his ability to a wide audience.West Cumberland Times 20 September 1877 In 1877, on behalf of his employer, he visited the centennial Exhibition in Philadelphia, USA, where he obtained the medal and highest commendation awarded to an international exhibitor.
Pakula 1999, pp. 220–221. In Berlin, Vicky's situation remained difficult, and her relationship with Queen Augusta, who also had liberal ideas, continued to be tense. Any gesture of the crown princess was a pretext for the worst criticism from her mother-in-law; for example, Augusta disapproved when Vicky chose to use a landau instead of a traditional barouche with two horses. The opposition between the two women grew so much that Queen Victoria had to intercede for her daughter with William I.Pakula 1999, p. 271.
Staveley made his first appearance on 18 April at Catterick Bridge Racecourse. He started favourite for a Produce sweepstakes and won from Barouche, a black colt owned by Sir William Gerard. On 24 May at York Racecourse started the 4/6 favourite for a sweepstakes over one and a half miles and won from Lord Fitzwilliam's Caleb Quotem. Following the York meeting, Fletcher reportedly rejected an offer of 1,500 guineas for the colt, but sold him to Colonel Mellish for 2,000 guineas shortly afterwards.
Alfred Gwynne Vanderbilt owned an original Royal Hansom Cab 1910, located at the Remington Carriage Museum. Don Remington purchased the Vanderbilt cab in New York, then stabilized the carriage and maintained its original Vanderbilt logo, finishes and trimmings. The Royal Hansom Cab frequented the cobbled streets of London, Paris and New York City between 1870 and 1930, prior to the automobile taxis. The Remington Barouche carried numerous dignitaries, including Prince Philip and Prince Andrew, Prime Minister Pierre Trudeau, Alberta premiers Ralph Klein and Peter Lougheed, Governor General of Canada Madame Sauve', Mormon President Kimball & President Benson of the LDS Church.
On the toll house is a sign which reads: > Table of tolls to be taken under the Wilford Bridge Act 1862. For every > horse or other beast drawing any Coach or Stage Coach, Omnibus, Van, > Caravan, Sociable, Berlin, Landau, Chaial, A-Vis, Barouche, Phaeton, Chaise > Marine, Caleche, Carricle, Chair, Gig, Dog cart, Irish Car, whisky, Hearse, > Litter, Chais or any little carriage 6D. For every horse or other beast > drawing any wagon, wain, cart or other carriage. 4D. For every horse or > mule, laden or unladen not drawing 1½ D. For every Ox, Cow, Bull or Neat > cattle 1 penny; or for a score 6D.
Until 1930, many Parisians came to the track down the river on steamboats and various other vessels, the trip taking around an hour to the Pont de Suresnes. The royal couple joined Prince Jérôme Bonaparte and his son Prince Napoleon in the Royal Enclosure alongside the Prince of Nassau, Prince Murat and the Duke of Morny, an avid racegoer. Non-aristocratic members of the upper classes were not permitted into the Royal enclosure and had to be content with watching from their barouche carriages on the lawn. A number of prominent artists have painted horse racing scenes at Longchamp including the one seen here by Édouard Manet in 1867 and another four years later by Edgar Degas titled Race Horses at Longchamp.

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