But the near-bagginess of the film is part of its initial charm.
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There's a certain bagginess to this season that is a big part of its problems.
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The Taylor-for-Topshop way involves downplaying the bagginess of the sweats while also maximizing comfort.
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Especially when I'm shirtless; there's something about the subtle bagginess and the elastic waist that flatters my physique.
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And yet there is a bagginess to that first act, and a flatness to the climax of the second.
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While wearing my usual go-to size, there was a little bit of that extra bagginess I wasn't looking for.
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Anglin asks that people wear fitted short-sleeve T-shirts with specific lengths and degrees of bagginess, and fitted jeans — no shorts.
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There are repetitions and a general bagginess to the essays, taken together, but Scranton at his best is an incisive dispenser of tough love.
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" —a man "The bagginess and clear lack of washing makes them feel especially gross, as does the fact that they always seem to be pulled from the floor.
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The Pfefferman family's way of dealing with crises small and large is centering themselves, and through the shapelessness of grief and the bagginess of "Transparent's" storytelling, we check in with various characters.
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The nice thing about the Bull Bag is that, while it was a bit too spacious around the bottom of the testes, that bagginess made for the perfect fit up top—not too tight or pinchy.
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The result is a strange mixture of curtness and bagginess, with far more information about Mark and Karen's unremarkable lives than the story needs, delivered in far denser chunks than the reader can digest with any pleasure.
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Although Robin Campillo's "Beats Per Minute" centers on Act Up activists struggling against government apathy and corporate intransigence in the early 1990s, the movie's intricate negotiation of gender issues, the complexities of identity and the necessity of resistance make up for the story's frustrating bagginess.
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The slight bagginess and perplexity of its second half has to do with problems left unsolved — like how best to use the Faceless Ghost, whose pursuit of Isabel seems too earthbound, and how to clearly depict women who define themselves by the male presences in their lives.
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This generates yet more lift, but the amount of slack is stringently regulated by the FIS so as to not allow for excessive bagginess and thereby reducing its wingsuit-, sail- or parachute-like properties.Ljunggren, David (7 February 2014). "Olympics-Ski jumping-After retirement thoughts, Ammann back for more". Yahoo!. Retrieved 22 May 2015.
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Parachute pants are a style of trousers characterized by the use of ripstop nylon or extremely baggy cuts. In the original tight-fitting, extraneously zippered style of the late 1970s and early 1980s, "parachute" referred to the pants' synthetic nylon material. In the later 1980s, "parachute" may have referred to the extreme bagginess of the pant. These are also referred to as "Hammer" pants, due to rapper MC Hammer's signature style.
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Green coffee stored in bags Green coffee is usually transported in jute bags or woven poly bags. While green coffee may be usable for several years, it is vulnerable to quality degradation based on how it is stored. Jute bags are extremely porous, exposing the coffee to whatever elements it is surrounded by. Coffee that is poorly stored may develop a burlap-like taste known as "bagginess", and its positive qualities may fade.
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Loosely-fitted or bagginess in the crotch-region is sometimes associated with a lax, casual and easy-going approach to attires or garbs.Newcomb, Elizabeth, and Cynthia Istook. "Confronting stereotypes: apparel fit preferences of Mexican-American women." Journal of Fashion Marketing and Management: An International Journal 15.4 (2011): 389-411 Clothing that is tight-fitting in the crotch is sometimes referred to by informal terms such as a man-bulge or moose-knuckleSchlosser, Bethanee J., and Ginat W. Mirowski.
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Mittens can also be used on costume sleepers for both children and adults ; Quilted fabric : Sleepers are occasionally made from a quilted fabric, incorporating a thin layer of polyester fiberfill batting for increased warmth. Quilted sleepers using polyester foam as insulation were also made in the 1950s. ; Elastic back waist : Sleepers in larger sizes sometimes feature an elastic band along the rear half of the waist, designed to provide a better fit by reducing bagginess around the torso.
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As an alternative to trousers, breeches (or knickers in variations of English where this does not refer to underwear) may be worn with informal suits, such as tweed. These are shorter, descending to just below the knees, fastened closely at the top of the calf by a tab or button cuff. While once common, they are now typically only worn when engaged in traditional outdoor sports, such as shooting or golf. The length and design is closely related to the plus-fours (and plus-sixes etc.) worn for sport, but differ in having no bagginess.
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The cap is made of dark blue wool. There are eight panels, with the ECB ensignia at the front. Unlike the Australian style, in the English cap the wool is not baggy and the visor narrower and longer. In this image, the slight 'bagginess' is because it is not being worn Perhaps the most famous version of the cricket cap in the modern setting is the baggy green cricket cap of the Australian cricket team, for which the players and fans of Australia hold a degree of reverence.
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In his book, Amit Chaudhuri questions – "Can it be true that Indian writing, that endlessly rich, complex and problematic entity, is to be represented by a handful of writers who write in English, who live in England or America and whom one might have met at a party?" Chaudhuri feels that after Rushdie, IWE started employing magical realism, bagginess, non-linear narrative and hybrid language to sustain themes seen as microcosms of India and supposedly reflecting Indian conditions. He contrasts this with the works of earlier writers such as Narayan where the use of English is pure, but the deciphering of meaning needs cultural familiarity. He also feels that Indianness is a theme constructed only in IWE and does not articulate itself in the vernacular literatures.
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Entertainment Weeklys Leah Greenblatt was more qualified in her praise, finding the tracks "enveloping" but also occasionally "exhausting—a bleakness that begs, eventually, for a little fresh air." Tom Sloman of DIY found that the "frustrating" album finds Marshall "in transition", while Greg Cochrane of Uncut wrote that "lush as it sometimes is, [it] too often disappears into an indecipherable cloud of smoke". Writing in The Guardian, critic Rachel Aroesti wrote that the album's "bagginess and unremitting gloom mean it often struggles to hold the attention and unfortunately lacks much discernible appeal at all." Tom Hull gave it a B grade and said that Marshall "has a rep for drawing on punk and hip-hop, but mostly comes up with Nick Cave dark tones".
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It is sometimes said that the style originated from a ban in 1924 on the wearing of plus fours by Oxford (and Cambridge) undergraduates at lectures. The bagginess allegedly allowed plus fours to be hidden underneath – but the argument is undermined by the fact that the trousers (especially in the early years) were not sufficiently voluminous for this to be done with any success. Other theories include claims that the style was invented by Harold Acton of Christ Church or by Bob Boothby of Magdalen; but there is evidence of the term, at least, being used at significantly earlier dates. The original trousers were in circumference at the bottoms but became increasingly larger to or more, possibly due to misunderstanding of the measurement as the width rather than circumference.
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In his book, Amit Chaudhuri questions – "Can it be true that Indian writing, that endlessly rich, complex and problematic entity, is to be represented by a handful of writers who write in English, who live in England or America and whom one might have met at a party?" Chaudhuri feels that after Rushdie, Indian writing in English started employing magical realism, bagginess, non- linear narrative and hybrid language to sustain themes seen as microcosms of India and supposedly reflecting Indian conditions. He contrasts this with the works of earlier writers such as R. K. Narayan where the use of English is pure, but the deciphering of meaning needs cultural familiarity. He also feels that Indian is a theme constructed only in IWE and does not articulate itself in the vernacular literature.
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