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32 Sentences With "baby maker"

How to use baby maker in a sentence? Find typical usage patterns (collocations)/phrases/context for "baby maker" and check conjugation/comparative form for "baby maker". Mastering all the usages of "baby maker" from sentence examples published by news publications.

Hotel Zed is offering a Valentine&aposs day promotion called Baby Maker Nooner.
In this guy's eyes, I wasn't a radio maker; I was a baby maker.
After all, Markle's main purpose isn't to be a girlfriend or wife or baby maker.
She reaches the duel just in time to see Jamie stab Randall in the baby-maker (adios, Frank).
Dissimilar in background and temperament but yoked together in friendship, they cannot talk of much beyond their quests for a lover, husband, or baby-maker.
But I don't know how good of a baby maker I'm going to be because my eggs is dusty as hell, but I'll give it a shot.
In fact, Pete says Joe's baby-maker was so massive, the guy needed THREE shower shoes -- 2 for his feet and one to keep his man junk from touching the floor.
Rather than going the romantic — but overdone — flowers, chocolates or table-for-two route, the Canadian hotel chain is upping the ante with a four-hour Baby Maker Nooner special on Feb.
The Jets WR and his wife Jessie James were out in NYC -- without their 2 kids -- when we asked if they would ever take Antonio Cromartie's lead and surgically shut down E.D.'s baby maker.
From girlhood to baby-maker: The key thing to know about ancient pre-wedding rituals is that they were far removed from the overt sexuality of today's bachelorette parties (despite TV's best efforts to sex-up ancient cultures).
They made two TV movies, Sweet Hostage and Baby Maker.
The Baby Maker is a 1970 American drama film directed and co-written by James Bridges and released by National General Pictures.
The Baby Maker was released to DVD by Warner Home Video on March 23, 2009, via the Warner Archives DVD-on-demand service as a Region 1 DVD.
'Wanted: Baby-maker for eccentric toff, 70' - Daily Express 19 April 2017 pg 24 After breaking up with her new partner after a year, Hughes works as a weddings co-ordinator.
Palimos ng Pag-ibig is an adaptation of the 1971 film, The Baby Maker directed and co-written by James Bridges. It was first serialized in Komiks by Nerissa Cabral before it was adapted for film.
Bridges went on to write and direct a number of notable films, including The Baby Maker, The Paper Chase, September 30, 1955, The China Syndrome, Urban Cowboy, Mike's Murder, Perfect, and Bright Lights, Big City. Bridges was a mentor to actress Debra Winger.
She has an uncredited part as a secretary in the Marilyn Monroe film Let's Make Love (1960). Her film career endured into the 1970s with roles in They Shoot Horses, Don't They? (1969), The Baby Maker (1970), The Day of the Locust (1975), and Marathon Man (1976).
The Baby Maker-A Bizarre Tale. The Miami News. December 16, 1970 Pg. 19 A Hershey once said that starring in Boxcar Bertha (1972) "was the most fun I ever had on a movie."Turner Classic Movie Programming Article: Boxcar Bertha. Retrieved on June 6, 2010.
Criticizing the directing and writing of James Bridges, critic Shirley Rigby said of the "bizarre" film, "Only the performances in the film save it from being a total travesty." Rigby went on to say, "Barbara Hershey is a great little actress, much, much more than just another pretty face." John Simon called The Baby Maker insufferable.
Palimos ng Pag-ibig () is a 1986 Filipino drama film directed by Eddie Garcia. The film was based on the 1970 movie The Baby Maker that was initially adapted by Nerissa Cabral into a Komiks series. The film was turned into a teleserye of the same title in 2007 for the first installment of Sineserye Presents.
"There Goes My Baby" is a down-tempo R&B; ballad, with elements of neo soul; the song primarily uses Usher's falsetto range. Both "Lay You Down" and "Lingerie" contain influences from pop artists, with the former channelling Prince whilst the latter, Michael Jackson. In an interview with music video website Vevo, Usher explained that "Lay You Down" is a "classic R&B; baby maker".
In 1970, Hershey played Tish Grey in The Baby Maker, a film that explored surrogate motherhood. Criticizing the directing and writing of James Bridges, critic Shirley Rigby said of the "bizarre" film, "Only the performances in the film save it from being a total travesty." Rigby went on to say, "Barbara Hershey is a great little actress, much, much more than just another pretty face."Rigby, Shirley.
"Hot like Fire" is described as a "panting minimalist controlled-blaze baby- maker" with suggestive lyrics. The production of the song has been described as being a "jeep-friendly beat". According to Emily Manning from i-D "Hot Like Fire features a sizzling, soulful, and bouncing beat (plus an ad-lib Tim ripped from Suzanne Vega's "Tom's Diner")". On "Hot Like Fire" Aaliyah "hums and moans promises to her new bae that his patience will be rewarded".
"Lay You Down" is an R&B; song with a length of four minutes and three seconds. In an interview with music video website Vevo, Usher explained that the song is a "classic R&B; baby maker". Sara Anderson of AOL wrote that it opens "with improvisational, high-pitched 'ooohs' and base- driven synth beats." The song was released as the third and final single from Versus, an extended play released as an extension of his sixth studio album, Raymond v.
Karlin began his film career with Up the Down Staircase in 1967. Following in quick succession were Yours, Mine and Ours (1968), The Stalking Moon (1968), The Sterile Cuckoo (1969), The Baby Maker (1970), Cover Me Babe (1970) and Lovers and Other Strangers (1970). For the latter he wrote the music for the song "For All We Know", which won the 1971 Academy Award for Best Original Song and was a Top 10 hit for The Carpenters. The Sandpipers charted with another of his compositions, "Come Saturday Morning".
He was reared in Pasadena. He graduated from Montebello High School in 1945, aged 17 and at times claimed 1933 as his birth year. Larson found the role of cub reporter Jimmy Olsen on The Adventures of Superman to be a handicap, because he became typecast as a naive young man. This caused him to do little acting after the show ended in 1958, and he turned to writing and production, with an output that included plays, a libretto, texts for classical music, and movies such as The Baby Maker.
The album opens with an "alarm call" from the Jungle inspired intro track "Beats 4 Da Streets" and it features commentary from Missy Elliot. Throughout the intro Missy repeatedly calls Aaliyah's name and tells her to wake up. She also mentions that “You’ve just now entered into the next level the new world of funk” while various sounds such as echoing amid bells, blippy synths, and heavy bass are playing in the background. The second track, "Hot Like Fire", is described as a "panting minimalist controlled-blaze baby-maker" with suggestive lyrics.
He joined George Morrison's acting class, helping direct student plays to pay for his studies and appearing onstage in La MaMa Experimental Theatre Club productions. In 1968, he joined The Actors Studio and began working in professional theatre and TV. Two of Glenn's early television roles were as Hal Currin in the 1966 crime series Hawk, starring Burt Reynolds, and Calvin Brenner on the CBS daytime serial The Edge of Night. In 1970, director James Bridges offered him his first movie role, in The Baby Maker, released the same year.
In 1976, he appeared both in an episode of Sara and in Territorial Men, a television movie version of the series. His film career included roles in Act One (1963), The Baby Maker (1970), Time Travelers (1976), Run for the Roses (1977), Institute for Revenge (1979), Hanging by a Thread (1979), The Day the Loving Stopped (1981), Deadly Eyes (1982), and as John F. Kennedy in the television miniseries Blood Feud (1983). He has three children from his first marriage to Kathleen Sullivan (1962 - 1974), Samuel (born in 1962), Patrick (born in 1964), and Christopher (born in 1966). Groom married actress Suzanne Rogers in 1980.
He lives at Maunsel House in Bridgwater, Somerset. Slade is childless and has said he is looking for a male heir who has genetic similarity to one of his further paternal ancestors, who will take an interest in running the estate and to whom he will leave it in trust. He was married (from the late 1970s to 1991) to Pauline Myburgh (daughter of Major Claude Myburgh) and divorced, claiming that her 17 cats were an impediment to the marriage.'Wanted: Baby-maker for eccentric toff, 70' - Daily Express 19 April 2017 pg 24 He had a relationship with Fiona Aitken (currently wife of the Earl of Carnarvon) for a few years in the 1990s.
On July 13, 1944, she "began her work with 20th Century Fox ... after receiving a seven year contract with option." Coates signed a movie contract with Warner Brothers extending from 1948 to 1956, and she co-starred with George O'Hanlon as the title character's wife in the studio's Joe McDoakes short-subject comedies. She acted in film serials including Jungle Drums of Africa (1953), Gunfighters of the Northwest (1953), and Panther Girl of the Kongo (1955). Her film career also included roles in Girls in Prison (1956), I Was a Teenage Frankenstein (1957), Blood Arrow (1958), Cattle Empire (1958), The Incredible Petrified World (1959), The Baby Maker (1970) and Goodnight, Sweet Marilyn (1989).
In the 1960s, when it became clear that Adventures of Superman would continue to enjoy great popularity in syndicated reruns, far beyond the end of its production in 1957, Coates—like many of the other supporting cast members such as Jack Larson ("Jimmy Olsen")—tried to distance herself from the Superman series, fearing it might limit her opportunities. By the mid 1960s, however, she had settled into a comfortable semi-retirement as a wife and homemaker after marrying Los Angeles family physician Howard Press in 1962. She resumed her career after their divorce in 1986, but in the period immediately before that divorce, her film and television appearances were infrequent. One notable role was that of the mother of the female lead in the 1970 film The Baby Maker, directed by James Bridges, the lover and production partner of Jack Larson, who had remained Coates's good friend since they worked together on Adventures of Superman.

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