108 Sentences With "aumbry" | Random Sentence Generator

Bayley used the pseudonyms P.F Woods, J. Barrington Bayley, Alan Aumbry, Michael Barrington, Simon Barclay, and John Diamond.

The tower arch has a round head; the chancel arch is pointed. The arcades have pointed arches carried on octagonal piers. In the south wall of the chancel is a recess for an aumbry, and a damaged piscina. There is another aumbry recess in the wall of the south aisle.

Mary-Ellen McTague is a Manchester chef who has run two successful restaurants in the city; Aumbry and 4244.

Mid-13th century aumbry at St Matthew's Church, Langford, Oxfordshire, England An ambry (or almery, aumbry; from the medieval form almarium, cf. Lat. armārium, "a place for keeping tools"; cf. O. Fr. aumoire and mod. armoire) is a recessed cabinet in the wall of a Christian church for storing sacred vessels and vestments.

The vestry dates from the 20th century. The arcade consists of four rounded-headed arches on round piers. The south wall of the aisle has recesses for a tomb and for an aumbry, and there is an aumbry in the south wall of the chancel. The bowl of the font is Norman, supported on a 20th-century shaft.

Pevsner describes the chancel recess as 13th-century, with English Heritage noting it as 14th. Within the chancel is an aumbry, and a double-niche sedilia or Easter Sepulchre, both 14th-century. A further aumbry, and a piscina, are part of the early 13th-century south chapel. The 15th-century font is octagonal, and of Perpendicular style with quatrefoils and shields.

The roof of the north transept is also wooden, but of Tudor design. In the north wall of the transept is an aumbry and in the northeast corner is an oven with a chimney, which was used for baking Communion wafers. The transept contains an oak chest dated 1676 and a bench dated 1737. In the east wall of north transept are a piscina and another aumbry.

Despite being set in an intimately small location Aumbry quickly became a much loved and critically acclaimed restaurant with Simon Hattenstone describing it in The Guardian as a "miracle of Lilliputian industry." and The Telegraph's Zoe Williams declaring that "From a fancy cheese puff to a potty-yet-perfect pudding, the menu at Aumbry blew my mind." In the autumn of 2014 Aumbry closed for refurbishment and a temporary pop up restaurant called 4244 was set up in Manchester’s Northern Quarter. 4244's run was initially planned for only a few weeks but was quickly extended until the end of the year and in January 2015 McTague ended speculation about the future of Aumbry by confirming that it would not reopen. Later that month McTague announced that she would be working in collaboration with Prestwich bar Cuckoo to run a three-month residency in the venue, offering bistro food with a focus on locally sourced produce.

On the east wall of the chancel is an aumbry, behind a brass door engraved with the cross. Above this is a candelabra indicating that the Blessed Sacrament is preserved in the aumbry. On the altar table is the altar cross which is made of iron, gilded and inlaid with mosaic and mother of pearl; this dates from 1896. The earlier altar cross is now above the western door in the nave.

The addition to the north aisle projects to the north, and contains a square aumbry. A groove for the parclose screen exists on each side of the arch. There appears to have been another chantry, or possibly two, at the east end of the north aisle, with which two niches, one on each side of the east window, were connected. There was another chantry at the east end of the south aisle, connected with a square aumbry just south of the corbel.

In some churches, the sacrament is reserved in a tabernacle or aumbry with a lighted candle or lamp nearby. In Anglican churches, only a priest or a bishop may be the celebrant at the Eucharist.

In the south wall of the chancel is a 13th-century trefoil-headed piscina, and in the north wall is a medieval aumbry. In the tower are two bells, one dating from the 13th, and the other from the 14th century.

Dark stained oak panels complement the similar pews. The west aisle leads to a chantry altar and aumbry. Behind it is the organ chamber. A wood screen similar to the narthex screen sets off the chapel on the east side.

Memorial cross at Cape Evans The first clergyman of any denomination to set foot on Antarctica was Arnold Spencer-Smith (1883–1916), an Anglican priest who was chaplain and photographer for the Ross Sea Party of Shackleton's Imperial Trans Antarctic Expedition. Spencer-Smith set up a chapel in Ponting's darkroom in Scott's Hut at Cape Evans. He arranged an altar with cross and candlesticks and an aumbry where he reserved the Blessed Sacrament; he made a lamp to hang by the aumbry to indicate the real presence. In his diary, Spencer-Smith records when he celebrated Eucharist and how many were present.

In the north wall of the nave is a large Norman recess. In the east wall of the chancel is a 14th-century aumbry and piscina. The tub font dates from the 12th century. The pulpit is simple, and in Jacobean style.

The chancel has a Norman window; the other windows date from 1891. In the chancel is a piscina and aumbry dating possibly from the 12th century. On its east gable is a cross finial and on the west gable is a bellcote.

In many of them, during Eucharistic adoration, the celebrant displays the sacrament in the monstrance, typically on the altar. When not being displayed, the reserved sacrament is locked in a tabernacle (more common in Roman Catholicism) or aumbry (more common in the other traditions mentioned).

A new altar with console tables was installed and the communion rails moved outwards to extend the size of the sanctuary. Two old door frames were used to construct side chapels and placed at an angle across the north-east and south-east corners of the church. One, the Lady Chapel, was dedicated to the Rector's parents in 1925 and the other was dedicated to Christ the King. Originally, a baroque aumbry was used for reservation of the Blessed Sacrament, but later a tabernacle was installed on the Lady Chapel altar and the aumbry was used to house a relic of the True Cross.

In the chancel is a 13th-century double piscina, and a square aumbry. The reredos stretches the full width of the church, and contains encaustic tiles depicting the apostles. The pulpit is in Jacobean style, and contains crude carvings of mermen. The stone font dates from 1868.

This was the first church designed by John Douglas. In 1961 a new choir vestry was formed to celebrate the 100th anniversary of the church. A Lady Chapel was dedicated in 1972 with an aumbry added the following year. Outside porch doors were fitted in 1979.

The arcades are carried on circular piers. In the south aisle are a piscina and an aumbry. The font is Norman, dating from the 12th century; it is tub-shaped and carved with rosettes and foliage. The pulpit is dated 1633, and is carved with colonnettes and panels.

The room has window seats, wall closets, and a shafted fireplace. A step up from this room leads to a circular oratory, equipped with aumbry, piscine, holy- water stoup and stone candle-holders. This room is also vaulted. There is a bedroom in each of the upper floors.

The arcades are supported by piers, some of which are circular, others octagonal. On the north side of the chancel is a double aumbry; on the south side is a single aumbry and a damaged piscina. In the south aisle is a recess dating from the middle of the 14th century with a crocketed canopy, a finial at the apex and pinnacles at the sides; it had possibly been an Easter Sepulchre. The monuments include a 13th-century effigy of a knight with chain mail, a sword and a shield; a grave cover carved with a foliated cross, a man's head, and hands in prayer; and two Anglo-Saxon cross shafts dating from about 800.

It features a fireplace that was installed around 1820, an aumbry and a window with a panel displaying the arms of Sir Alexander Innes and Mary Mackenzie, his second wife, believed to date from after 1647 (when Maria Gordon, his first wife, died). A staircase in the north east corner, built into the thickness of the wall, leads to the upper floors. The second floor has two recessed windows, one in the western wall next to a square aumbry, and one in the southern wall which incorporates another gun-loop. The third floor has a tall vaulted ceiling supporting the stone roof above it, and rectangular entrances to the bartizans, which each feature further gun-loops.

The interior of the church is plastered. In the north wall of the chancel are two square aumbries, and in the south wall is a piscina and another square aumbry. Over the east window is a blocked 12th-century window. At the west end of the church is a gallery.

There are panelled 14th-century screens between the nave and the chancel, and between the chancel and the chapel. The chancel has a double south arcade, an aumbry in its north wall and a piscina in the south wall. In the chapel is a carved stone reredos. There are two pulpits.

On returning to England McTague wrote again to Heston Blumenthal at The Fat Duck and was given a role compiling historical research and developing dishes for Blumenthal's pub The Hind's Head. McTague remained there for four years before opening her own restaurant Aumbry in Prestwich, Greater Manchester with Tottingham in 2009.

McTague and her restaurants have won a number of awards. In 2012 Aumbry won Restaurant of the Year at the Manchester Food and Drink Awards and the following year she was named Chef of the Year. In 2014 McTague won the Cheshire Life and Lancashire Life Chef of the Year.

The 14th-century screen was restored in the 19th century. In the south wall of the chancel is a small aumbry. The altar rails date from the early 18th century, and the choir stalls from the following century. The 15th-century font has an octagonal bowl carved with Instruments of the Passion.

In the north wall is the aumbry, which is used for the reservation of the Sacrament. On the opposite wall are three more seats. Dividing the sanctuary from the chancel are wooden altar rails with red embroidered kneelers. Communion is distributed continuously, but kneeling is still expected for those who are able.

The current church building, constructed between 1961 and 1963, to replace the original building dating from 1935, was designed by F. X. Velarde and completed for the F. X. Velarde Partnership by Richard O'Mahony. The aumbry for oils is by David John, but the font by the same designer is no longer there.

At the east end is a communion table dated 1725. On the north wall is an aumbry. On a window-ledge in the Gerard Chapel is the cross-arm of an Anglo-Saxon preaching cross dating from around 750. The pews, furnishings and glass in the chancel and sanctuary were designed by Pugin.

This feature is unique in England. On the east and north walls of the chancel are large moulded corbels. Also in the chancel are an aumbry with a semicircular head, a simple sedilia, and a 13th-century trefoil-headed piscina. The font consists of an octagonal bowl carried on an octagonal stem.

Inside the church are four-bay arcades. To the sides of the chancel arch are rood stairs, and above the arch is a two- light window. There is a piscina in the chancel and another in the south aisle. There is a double aumbry in both the north and the south walls.

From the north-east angle of the cellar a turnpike stair leads to all storeys of the tower. The hall has a wide fireplace and four windows. There are two aumbries in the jambs while a third aumbry has an ogival lintel. The bedroom, on the second floor, has a wall press and a garderobe.

This window includes a fragment of medieval stained glass. Internally, the aisle pews date from the 18th century but the nave pews, the screens, the pulpit, and the communion rails are from the late 19th century. In the chapel is an aumbry without a door and a squint. There are numerous memorial wall tablets.

In the chapel is a coat of arms dated 1723. In the north wall between the chapel and the chancel is a 14th-century hagioscope. The south wall of the chancel contains a combined aumbry and piscina in two recesses with semicircular heads. The font is Norman, and consists of a square bowl on a 19th-century base.

The following year Unsworth and McTague worked together to create a real life version of the meal featured in the book as part of Prestwich Book Festival. The event was held at Aumbry, with diners able to eat some of the dishes that appeared in the novel whilst Unsworth read extracts of her book at intervals throughout the meal.

The altar in the aisle was formerly in St Mildred's Church, Canterbury, and the main altar dates from 1956. From the medieval period are niches, an aumbry, and floor tiles. In the north wall is a late-14th-century tomb recess. The memorials include a wall tablet dated 1606, and a wall monument dated 1808 by Westmacott.

The roof is tiled with locally quarried Horsham stone. The chancel has hood-moulded trefoiled windows in its liturgical North and South walls. Also in the south wall is an ornate priest's door with a pointed-arched head. A hood-moulded piscina and aumbry, both dating from when the church was built, are also visible on the chancel walls.

Between the arches are columns, each of which is surmounted by a small spire. The carved wooden pulpit dates from the same era. The font is Norman, and the rest of the furniture dates from the 1863 restoration. The Lady Chapel contains two tombs, one of which is dated 1615, and an aumbry complete with its door.

"aumbry", The Catholic Encyclopedia ed. Charles George Herbermann, Edward A. Pace, et al., New York: Encyclopedia Press, 1913, , Volume 2 Assize - Brownr, p. 107. The Refectorian was responsible for keeping the lavatorium clean and ensuring it contained sand and a whetstone for the monks to sharpen their knives, and for changing the towels twice a week.

They survive to some height above the springing of the crossing arches, although the voussoirs of the arches themselves have been removed. There are fragmentary walls projecting from the eastern pier to the north and east, while the other incorporates a small trefoil-headed recess or aumbry. These remains probably date from the late 13th century.

The Southern Province sisters trace their descent from the remnants of the Memphis sisters. Their current chapel houses the altar, aumbry, and chalice that were originally located in the Memphis house. The sisters formerly operated a girls' school in Sewanee—St. Mary's Preparatory School for Girls—which closed at the end of the 1967-1968 school year.

On 19 March 2015 it was announced that the Manchester Roadhouse was to permanently close at the end of May. The news was met with sadness in the city with fans sharing their memories of the Roadhouse in the Manchester Evening News. Just days later a further announcement revealed that Mountain would be turning the venue into a new city centre restaurant with her business partner the chef Mary-Ellen McTague with whom Mountain had previously owned Prestwich-based restaurant Aumbry. McTague had her first job preparing food at the Roadhouse whilst she was a student and admitted to having mixed feelings about the venue’s closure but also explained that due to the larger space offered by the Roadhouse they would have more freedom than they had running Aumbry.

The north and south walls of the nave, the transepts and a portion of the chancel were rebuilt. The aumbry from the north transept was restored. A two light window, placed in the south aisle by the Rector a few years previous, was moved to the north wall of the north transept. The end window of the south transept was new.

Inside the south wall of the nave are the arches of a two-bay arcade of an aisle that has been removed. The south wall of the chancel contains an ogee-headed piscina, and a small aumbry. The chancel roof dates from 1852, and the nave roof is medieval. The altar rail dates from the 17th century, and incorporates turned balusters.

The south arcade has four bays carried on octagonal piers with moulded capitals. On the north and south walls is a cornice carved with a frieze containing a variety of motifs. There is a trefoil-headed piscina in the south wall of the aisle, and another in the south wall of the chancel. Also in the chancel is a double aumbry.

At the ends of the choir stalls are carvings of poppyheads, wyverns and a green man. The altar table is dated 1638. In the north wall of the sanctuary is an aumbry and on the opposite wall are a canopied piscina and a triple sedilia, also with canopies. These canopies are described as being "among the showpieces of the 14th century masons".

The roof dates from the medieval period. The chancel arch is in Norman style, and to its right is a squint. In the chancel is a piscina in a recess in its south wall, and in the north wall is a double aumbry. The 1849 restoration removed most of the fittings, but a Jacobean pulpit and communion table are still present.

The nave has a 19th-century waggon roof; the chancel has a plain plaster vault. In the chancel there are niches on each side of the east window, and a recess for an aumbry in the north wall. The chancel floor contains two memorial slabs. In the nave is an arch leading to the stairway to a former rood screen.

All that remains is the south aisle and the tower. The tower survives with four stories with quoins, battered walls, battlements, aumbry and stairs turret. The east window (bearing the arms of Sir John Bellew and Dame Ismay Nugent beneath it) is a 1587 post- Gothic replacement. In the north wall of the medieval belfry is the scar or shadow of a round tower.

The south aisle contains two stained glass windows, one by Cox & Sons, c.1860. At the east end of the aisle is a doorway, Tudor arch headed, and spiral stairs to a loft above a previous rood screen, above which is another exit doorway. There is also a double aumbry. The arched doorway and door from the south porch is at the west bay.

Between the nave and the aisle is a five-bay arcade carried on alternate circular and octagonal piers with chamfered bases and capitals. In the south wall of the aisle is a piscina (or an aumbry). The font has both Norman features and features from a later date, possibly the 17th century. It is thought that it originated in the 12th century and was embellished later.

In the north wall of the chancel is an aumbry, and in the south wall is a piscina. The pews are box pews, one of which has a desk dated 1707 attached to its back. Also in the church is a pair of Jacobean seats with carved canopies. The circular Norman font is elaborately carved with rope moulding, a dragon, interlace, foliage, and medallions.

In the Early Christian Church, Holy Communion was not kept in churches for fear of sacrilege or desecration. Later, the first ciboria were kept at homes to be handy for the Last Rites where needed. In churches, a ciborium is usually kept in a tabernacle or aumbry. In some cases, it may be veiled (see photograph below) to indicate the presence of the consecrated hosts.

Internally there is a four-bay south arcade, a tower arch and a chancel arch. In the north wall of the chancel is a recumbent effigy and in the south wall is a 19th-century piscina and a stepped triple sedilia. In the south aisle is another piscina and an aumbry. The font dates from the 19th century and has a 17th-century carved canopy.

The present Church of Ireland building occupies the site of the nave of the old building; only the chancel and transepts survive. The chancel has an aumbry, sedilia, piscina, tomb canopy and two doorways: one transitional and one Gothic. There are three lancet windows in the east gable. The old chancel and the north and south transepts contain one of Ireland's largest collections of medieval funerary.

The font dates from the 13th century; it is square and is carved with leaf motifs. In the chancel is a piscina and an aumbry, Royal arms dated 1733 and boards carrying texts from a similar date. Over the chancel arch is a painting of the Last Supper, probably by Matthias Read. The stained glass in the east window, dating from 1849, is by John Scott of Carlisle.

The family originated at Fenton near Dirleton but by the mid 13th century had made their demesne at the castle of Baikie on an island between two small lochs in the parish of Airlie in Angus. Their arms are displayed in an aumbry in the parish church of Airlie. Through marriage about 1275 they gained lands near Inverness at Beaufort, which title they used in contracts in that area.

In 1993, the old vicarage was sold and replaced with a newer, smaller building erected on part of the former garden. The process of restoration included the commissioning of contemporary artworks. In 1986 the Ilkley artist Graeme Willson painted a great Crucifixion suspended over the nave altar, followed in 1994 by the Madonna of the Passion in the Lady Chapel and a chalice and host on the aumbry door.

The font has a carved Norman bowl on a later stem. In the south wall is a recess which probably formerly contained a medieval effigy that is now in the south aisle. In the east wall is an aumbry, and a piscina with a motif of the sun. Piscina from mithran temple thought to be close by & has bulls head The pulpit is simple and Jacobean in style.

A cupboard in the western wall of the sanctuary, the aumbry, has images of two saints on the inner face of the door leafs, made visible when opened. Walls of fixed vertical timber fins divide the sanctuary from the vestries on either side. The eastern vestry contains a small kitchenette and timber pantry cupboard. The western vestry contains built-in timber storage cupboards, a small safe and a corner sink.

The aumbry was used to store chalices and other vessels, as well as for the reserved sacrament, while the piscina was used for washing the communion vessels. The south window has two trefoil- headed lights, under a square head. The south doorway is from the 19th century, with a pointed arch. The west window was altered in 1865 and also has two trefoil-headed lights, under a quatrefoil.

The arcade between the nave and the north aisle has three bays with octagonal piers. The two bays to the east have late-12th-century rounded arches, and the west bay has a pointed arch, probably dating from the 13th century. The chancel arch is pointed and dates from the 19th century. In the chancel are a 14th-century piscina with two ogee arches, four brackets for statues, and an aumbry.

In the north wall of the chancel is a rectangular aumbry. In the south wall is an arched door, of planking over cross bracing and heavy surrounds, recessed within a plain right angle opening with pointed and chamfered double-arch head. From the 19th-century restoration are chancel altar rails, choir stalls, a brass eagle lectern, and a wood pulpit. The pulpit is octagonal with one side open and receiving steps.

The opening at the east end on the north wall is also possibly an aumbry. There is evidence of ridge and furrow fields remaining in Walworth Park which may be associated with this settlement. In 2007 there was a watching brief when an electricity supply trench was dug in the middle of the lost settlement site, just north-east of the farm buildings, but no archaeological evidence was found.

On the walls are areas of painting dating from the medieval and post-Reformation periods; otherwise the walls are whitewashed. In the south wall of the chancel is a double aumbry. The chapels are divided from the east ends of the aisle by 15th-century embattled carved screens. On the south wall of the south chapel is a piscina with a trefoiled head, and in the north wall is a niche.

An old Scottish church furnished the pattern for the reading stand. The rear cabinet, based on an aumbry or weapon closet, contain artifacts such as pewter and china used at Soutar's Inn in Ayrshire that was frequented by Robert Burns. The panels in the doors, mantel, and in-the-wall cabinets were carved in Edinburgh by Thomas Good and then shipped to Pittsburgh. The cabinetwork was done in the shops of Gustav Ketterer of Philadelphia.

In the south chapel at the east wall, in an opening leading from the chapel to the chancel, is a blind doorway. At the south side is a piscina, an aumbry and a stoup. There is an elaborate canopied relief tomb niche, without tomb, with internal arch, with decorative bosses above, holding a cinquefoil with foliate bosses attached, and spandrels containing shields. The south chapel west stained glass window is c.1892.

St Paul's was completed first, with engineering details for both buildings provided by Cairns engineer R McLean. Oribin designed all aspects of the church, including internal fixtures and furnishings, and his attention to detail led him to personally craft some items. Timber furniture included the baptismal font, lectern, pulpit, candle holders, stools and pews. A pair of aumbry cupboard doors, depicting stylised interpretations of Saints Peter and Paul, were designed and routed by Oribin himself.

In the north aisle is a lancet window. The other windows are Perpendicular in style; along the aisles and clerestory they have two or three lights, and the east window has five lights. Inside the church the arcades are carried on circular piers; the north arcade has round-headed arches, and the arches in the south arcade are pointed. In the north wall of the chancel is an aumbry, and in the south wall is a piscina.

Balvaird is notable among Scottish castles of its date for its refined architectural detail. Features include corbels in the form of carved heads supporting the corner- roundels of the wall-walk, an unusually elaborate aumbry (wall-cupboard) in the first-floor hall and a cap-house above the stair in the form of a miniature tower-house. It has been suggested that some or all of these carved stone features may have been brought to Balvaird for re-use from an ecclesiastical building.

The church seats 300 persons and is dedicated to the Norwegian King and so-called Martyr, St Olaf (Olaf II of Norway). At the restoration in 1928 the foundations of the original Norman church were uncovered but nothing of this remains above ground. The pillars on the north side and south arch of the nave are of Caen stone (14th century); those of the south side are granite (15th century). The piscina and aumbry in the south chancel are 13th century.

Between the nave and the Kedleston Chapel to its north is a three-bay arcade. There is an aumbry recess and a piscina in the chancel, and another piscina in the south transept. The north transept contains the organ. The font dates from the 18th century and consists of a circular bowl on a polygonal shaft; it has a wooden cover. The wooden pulpit is from the 19th century, and the brass lectern in the shape of an eagle dates from 1886.

The chairs at the altar were given in memory of Margaret and Randolph Parker by their daughter, Emily Kendig of Richmond, VA. The vigil candles were given by Joan Short in memory of her parents, Abner and Madeline Boyd and in honor of the Canon 9 ministry of Rev. Ray Moore. The antique-cabinet above the vigil candles is from a British Anglican church and was donated by Pat Miller and Bill Miller of Abingdon. The Aumbry was donated by the Rev.

An aumbry (a recess to store sacred vessels near the altar) with a pointed arch, in the south wall of the chancel belongs to this period. In the seventeenth century, Sir Richard Sandforth of Howgill extended the south side and put a third window there in memory of his wife Anne. The church received its 'chalise and paten' in 1633 and in 1669 the ' bellcot' was erected. In the eighteenth century the south windows were altered in imitation sixteenth century style.

The wall mosaics are lined with green onyx and a zigzag pattern. In the arched chancel area there is a Cosmatesque pillar piscina. Set into an ogee arch is an aumbry adorned with an image of the Pelican in her Piety carved in white marble which was installed in memory of Prince Francis of Teck, the brother of Queen Mary, who died in 1910. Set into roundels beneath the arches are sculpted busts of the Twelve Apostles and the Old Testament prophets.

This aisle was formerly used as a side chapel as the 14th-century piscina and aumbry indicate and may have been a Lady Chapel. There are slight traces of colouring on the pillar below the eastern end of the arcade and holes which may indicate support for a statue. It has now been restored to use as a side chapel. On the stonework level with the pews, are two scratched figures or graffiti, one of a knight in armour and the other a curious serpent-like figure.

Yazeed Said celebrates Eucharist with the congregation gathered around the altar standing in the chancelHe also introduced a portable altar which could be placed in the chancel or the nave, and he and his successors made increasing use of it for celebrating Eucharist in a more intimate manner.Buck, op.cit., page 52. During this period, icons and votive candles were introduced into the church, and an aumbry was installed allowing for reservation of the consecrated Bread and Wine for use in administering Communion to sick parishioners.

It was originally used as the refectory, with a window being added by Bishop Beckington in the 15th century, and later became a coal store. The hall also has arches into bays and an ogee-headed recess which may have been an aumbry. At the eastern end of the hall is a parlour on the ground floor and, on the first floor, is a dormitory. The chapel next to the dormitory can be see through a squint which is unusually combined with a piscina.

The ceiling of the plastered-wall chancel is painted blue over the sanctuary at the east, with rafters having painted stars; at the north the vestry is entered through a "wide" arch. At the south of the chancel is a piscina and a window seat, and at the north, a "large" aumbry, with the floor laid with encaustic tiles. Fixtures and fittings included a Perpendicular font, and an 1882-dated pulpit with "symbols of the Evangelists". The stone reredos contains a statue niche and quatrefoil details.

St Augustine's Church The small parish church, dedicated to St Augustine of Canterbury, is built in limestone ashlar and dates from the 13th century. The nave was rebuilt in 1633, and the west tower was added in the same century. Following restoration in 1891 by C.E. Ponting, the only clearly 13th-century features are the chancel arch (described as "good" by Pevsner) and – inside the chancel – roll-moulded string courses, a trefoil piscina, and an aumbry. The font is 12th-century, on a 19th-century base.

St Raphael's Cathedral in Dubuque, Iowa, placed on the old high altar of the cathedral (cf. General Instruction of the Roman Missal, 315, a) A tabernacle is a fixed, locked box in which, in some Christian churches, the Eucharist is "reserved" (stored). A less obvious container for the same purpose, set into a wall, is called an aumbry. Within Catholicism, Eastern Orthodoxy and in some congregations of Anglicanism and Lutheranism, a tabernacle is a box-like vessel for the exclusive reservation of the consecrated Eucharist.

In the 13th century the chancel was rebuilt wider and taller. The line of the former 11th century Anglo-Saxon roof against the east wall of the tower can be seen at the west end of the chancel. The concave lozenge at the top of each of the chancel windows is a highly unusual feature for the 13th century. The elaborate aumbry in the north wall of the chancel, with six compartments under three gables, is also unusual and suggests that it was a rich parish at the time.

The plastered walls of the church exhibit a variety of paintings, some from the medieval period, and some from the post-Reformation era. On the west wall are depictions of Adam and Eve standing on each side of a tree, and elsewhere are flower patterns, all probably dating from the medieval period. Later paintings include biblical texts, creeds, commandments, royal arms, and figures with drapery. The sanctuary is paved with tomb slabs and contains a double piscina on the east wall and an aumbry in the south wall.

In the south wall is a 14th-century piscina with cusped head, set within an ogee headed recess. The north aisle, also 13th-century, contains within the north side of the chancel arch pier a further piscina with a seven-cusped arch surround with spandrels within a rectilinear frame, this sitting on a projecting ledge, with above, an entablature containing three floriate carvings; running on the entablature are crenellations. In the north wall is a further aumbry with wooden door. At the west end of the north aisle sits the church organ.

The second paten has written: "If any man eate of this Bread he shall live for ever Jo VIth". In 1887 the Native American students from the Hampton Normal and Agricultural Institute (now Hampton University) contributed to a stained glass window depicting the baptism of Pocahontas. On the chapel wall to the left of the main altar is an aumbry. The door panel consists of pieces of the 13th- century stained glass from St. Helena Church, Willoughby Parish, Lincolnshire County, United Kingdom - the parish in which Captain John Smith was baptized.

St Michael and All Angels parish church A church was built on this site circa 1100; the earliest remaining features are three Norman columns from about 1200 which form the north arcade. The south arcade was rebuilt with Early English Gothic pointed arches, a bay longer than the previous arcade, together with a new tower of cut stone at the West end. There are hagioscopes (squints) in both transepts, an aumbry is in the north and two more in the south transept and aisle. The village's Web site provides this comment about its early history.

This leads through walls up to thick into a vaulted cellar with a well and two spiral stairs leading up. The main stair at the north-east corner leads up to a caphouse at parapet level, while the second serves the high-table end of the first floor hall. The hall is dominated by a large fireplace, with the Royal Arms of Scotland carved above it. Next to the fireplace is an elaborately decorated aumbry (a ceremonial recess), with a carved cinquefoil surround that attests to the relative wealth of the Murrays.

Through her culinary work McTague has taken part in a range of creative collaborations. In 2012 Aumbry worked with Prestwich Book Festival to create a menu based on food featured in author Emma Jane Unsworth's book Hungry, The Stars and Everything. A one off menu was created and Unsworth read extracts of her book to diners at points throughout the meal. The following year the restaurant devised another menu for the book festival, this time based on Sybille Bedford's work A Legacy with readings provided by actress Julie Hesmondhalgh.

Her debut novel Hungry, the Stars and Everything, was published in June 2011 by Hidden Gem Press and won a Betty Trask Award from the Society of Authors. The novel was also shortlisted for the Portico Prize for Fiction 2012. Set in a restaurant called Bethel, the novel follows the life of restaurant critic Helen as she eats her way through a tasting menu, evoking memories. Unsworth used the name Bethel for her setting after her friend, the chef Mary-Ellen McTague, had considered but rejected using it for her new restaurant Aumbry which she opened in Prestwich.

The entrance is in the lowest stage of the tower; above it the roofline of the original 11th-century church can be discerned. Inside is the nave with its north and south aisles and south chapel (now used to house the organ), and the chancel with a restored chancel arch (originally built in the Norman era using clunch, a common building material in Sussex). In the north wall of the chancel, a 14th- century aumbry can be discerned. The tower has rounded-headed windows in its middle stage and tall, much narrower rounded lancets in the upper stage.

These windows use opaque glass to hide tall buildings behind and to disguise the fact that the East wall is a wedge in plan. The work was completed in 1962. An aumbry above the south chapel altar is by Bernard Merry. The organ Dykes Bower also built a small Parish Room to the North East of the church in 17th-century style and a Georgian-style rectory, adjacent to the church, on Foster Lane in 1959 – in the first floor room of which is an important mural by Hans Feibusch on the subject of Jacob and the Angel.

Within Little Cowarne are nine Grade II listed buildings, including St Guthlac's Church, houses, cottages, and hop kilns."Little Cowarne", British Listed Buildings. Retrieved 22 March 2020 St Guthlac's Church dates to the 12th and 13th century, and was "heavily restored" by the Herefordshire architect F.R. Kempson in 1870, and consists of a chancel, nave, west tower, and a gabled south-west porch. Constructed of dressed rubble masonry, it is tile roofed, and contains in the chancel a 19th- century traceried east window, a 12th-century window in the north wall, a piscina with aumbry, and 19th-century encaustic floor tiles.

The south aisle dates from the early 14th century. At the western end is the Lady chapel with a small altar table, which is used for quiet prayer and contemplation. Behind the altar table is the east window; this has two lights with pointed trefoil heads and a diamond-shaped quatrefoil light at the top; the interior splays of the window have shallow cinquefoil-headed niches. On the south wall, to the right of the altar are the aumbry, behind a wooden door in a square stone opening, and a triangle-headed piscina; these both date from the construction of the aisle in the early 14th century.

To the south of this tomb is a white alabaster tombstone which is thought to be in memory of George Savage, chancellor of the diocese of Chester who died in 1552. Also in the chapel is the effigy of a civilian, showing the head and shoulders and the feet, the centre being left as plain masonry. In the southeast corner of the chapel is the tomb of Sir John Savage who died in 1528 and his wife, Elizabeth, daughter of Charles Somerset, 1st Earl of Worcester. In the apse of the chapel are a damaged piscina and aumbry, and a squint giving a view of the main altar.

St. Magnus Cathedral dominates the Kirkwall skyline The 'Kirk' of Kirkwall was not the Cathedral (which was originally at Birsay), but the 11th-century church of Saint Olaf of Norway. One late medieval doorway survives from this church, and an aumbry from the original church survives within the late 19th-century structure of the present-day Saint Olaf's Church (Episcopal) in the town's Dundas Crescent. At the heart of the town stands St. Magnus Cathedral, which was founded in memory of Saint Magnus Erlendsson, Earl of Orkney 1108–1117 by Earl (later Saint) Rögnvald Kali. Next to the Cathedral are the ruins of the former Bishop's Palace and Earl's Palace.

All Saints church The Church of All Saints is held with Bettws Newydd nearby and has some interesting features. A small low screen divides the nave from the presbytery, taking the place of the usual chancel arch as the whole building is contained under one roof; the screen is plain and not of good workmanship, the only ornamentation being slight columns with crocketed pinnacles on each side of the entry. The altar slab, apparently not pre-Reformation, is severely mounted on plain stone squares and in keeping with the austere lines of the building. There are also a modern trefoiled aumbry and a piscina in the south wall.

High Lutheran church in Kansas City, Missouri Lutheran Eucharistic adoration is most commonly limited in duration to the Eucharistic service because Lutheran tradition typically does not include public reservation of the Sacrament. If the holy elements are not consumed at the altar or after the service, then they can be set aside and placed in an aumbry, which is normally located in the sacristy. Primarily, the extra hosts are reserved for another Eucharist or for taking to the sick and those too feeble to attend a church service. However, in North America and Europe, some Lutherans may choose to reserve the Eucharist in a tabernacle near the altar.

At the north end of the village, the fields on the east and west sides of the North Farm buildings contain earthworks signifying a lost settlement. There are some isolated ruins and two rows of building foundations, and ditches and banks which form enclosures. The chapel was built in 1180 of squared and coursed rubble, and has since been incorporated into the northernmost farm building with blocked original openings and indications of the original door and window still visible, although it has 19th-century doorways and a pantiled roof. Inside there is evidence of a pointed arch containing a piscina with trefoil head, and a large aumbry at the east end of the south wall.

The vast majority of the church as seen from the south elevation is of new stone dating from this rebuild in the 1530s. However, the east bay of the north aisle uses stonework dating from the 14th century, and the west bay from the 15th century, suggesting that much of the masonry of the earlier structure was incorporated into the new Tudor building. The smaller windows, rough joint with the tower, lack of embattled parapets, and large sections of arch mouldings which make up the North wall all suggest that this was the case. Within the chancel, a 15th-century sedilia and piscina in a four-arch arcade, and an ogee-arched aumbry are located to the South of the altar and predate the current structure.

According to Ritual Notes, the Anglo-Catholic manual of rites and ceremonies, aumbries are used for reservation rather than tabernacles in churches in some dioceses because the diocesan bishop has so ordered. These aumbries should conform in general to the requirements for tabernacles including an ever-burning light and covering with a veil. For storage of the holy oil of the sick a lesser aumbry is to be used; it should be lined with purple silk, covered with a purple veil and kept locked; the door should be inscribed "oleum sacrum". (If the priest lives far away from the church he or she may be authorised to keep the holy oil of the sick at home.)Cairncross, Henry, et al.

There is a lowered sill on the southeast window of the chancel for a three-seat (sedilia); a cabinet (aumbry) is along the east of the north wall with an arched tomb recess to the west of it with an inscribed tomb lid which commemorates Nicholas de Kyngestone, late 13th-century rector. A 1440 oak screen to the chancel is very finely carved. Lying in the chancel is a black marble slab that dates back to 1667; it is a memorial, commemorating Anne Brunsell, sister of Sir Christopher Wren and wife of the rector of the time. The pipe rack organ, built in 1886 by J W Walker and sons of London, is in a chamber built onto the south wall of the chancery.

They remained on friendly terms, with Fisher even saying that the new flurries of correspondence between them was "quite like old times". For all his claims of a Tractarian position however, Morris did not, it appears, always endear himself to those clergy who took a more Anglo-Catholic stance. He prohibited extra-eucharistic devotions to the Sacrament (such as Benediction) in his diocese and insisted that permission be sought before the Sacrament was reserved in a tabernacle or aumbry for use in giving Holy Communion to the sick. Although the basis for his faith and doctrine was undoubtedly the 1662 Book of Common Prayer, he oversaw as Archbishop of Wales the preparation of a new Order for the Celebration of the Holy Eucharist for use in the Church in Wales.

The chancel has piscina, sedilia and aumbry, above which the continuous east window sill string forms a hood. Some of the wall panelling in the north aisle, and the boxing in the ringing chamber probably re-used woodwork from the 17th century pews. The organ case Other fittings include a Last Supper reredos in alabaster, and cast iron altar rails and parcloses. The Vernon Chapel has a 17th-century oak altar table from St Helen's, Worcester. In the north transept is an elaborately painted organ case housing a Nicholson two-manual instrument, built in about 1860, with a broader specification than is common for nearby Nicholson parish church instruments of similar age. The nave has a 19th-century font, an elegant late 18th-century west gallery and some 17th-century panelling.

The nave and chancel of The Church of St Mary Magdalene, Tortington have been dated to the 1140s but many alterations have been made to the church subsequently. A south aisle and chapel were added in the 13th century only to be demolished sometime between the 16th and 18th centuries. In a major restoration undertaken in 1867 the south aisle was rebuilt causing the 12th century doorway to be re-sited for a third time. The south chapel was not rebuilt, an aumbry or recess used to house vessels and items for the sacrament being all that remains of the original chapel, this now being visible in the exterior wall. Some other alterations were made in the 16th century and later, notably the enlargement of the two north windows in the nave and the single east window in the chancel. The bellcote was also rebuilt in the 16th century.

A sanctuary lamp in a Roman Catholic church Christian churches often have at least one lamp continually burning before the tabernacle, not only as an ornament of the altar, but for the purpose of worship. The General Instruction of the Roman Missal in the Catholic Church, for instance, states (in 316): "In accordance with traditional custom, near the tabernacle a special lamp, fueled by oil or wax, should be kept alight to indicate and honor the presence of Christ." The sanctuary lamp, also called a chancel lamp, is placed before the tabernacle or aumbry in Roman Catholic churches as a sign that the Lord is present, Old Catholic, and Anglican churches as a sign that the Blessed Sacrament is reserved or stored. It is also found in the chancel of Lutheran and Methodist churches to indicate the presence of Christ in the sanctuary, as well as a belief in the Real Presence of Christ in the Eucharist.