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41 Sentences With "attuning"

How to use attuning in a sentence? Find typical usage patterns (collocations)/phrases/context for "attuning" and check conjugation/comparative form for "attuning". Mastering all the usages of "attuning" from sentence examples published by news publications.

We are increasingly a society of brands attuning themselves to markets, and markets evaluating brands.
Digital publishers often act as such, attuning their strategies to the platforms in the chase for clicks.
As this early painting's title suggests, Pousette-Dart was interested in attuning himself to nature and its boundless presence.
Flemish artist Sylvie Franquet is attuning herself with her own cultural roots, employing tapestries as her artistic medium of choice.
Thankfully, after attuning myself to this naïve reactionary rhetoric, the following galleries (16 in all) shifted the topic of focus to the firmer grounds of provocation and promise.
Attuning myself once again to the rhythm of puzzle solving, I started to register this all as merely additional criteria, the kind that speedrunners and completionists impose on themselves on a lark.
Even so, the new members of its Broadway cast are still grappling with their characters, trying to play their roles as written while attuning their performances to modern-day standards and principles.
"Crystals are from the Earth, so it only makes sense that when we're feeling anxious or nervous, attuning to their energy can ground us," explains Narayana Montúfar, crystal reiki practitioner and senior astrologer at Astrology.
"Now this is the day the Lord has made," Clinton said upon taking stage, her voice attuning itself to the regional twang, much like Obama and generations of politicians before her have done with relative peace.
" For Mr. Groening, part of the challenge in creating "Disenchantment" has been attuning it to the tastes and pacing of contemporary television, which have changed considerably since the Simpsons were introduced in wiggly interstitial segments on "The Tracey Ullman Show.
What's more, attuning my senses to the customs peculiar to each city neighborhood had to have alerted me early on to the perpetual clash of interests that propels a society and that sooner or later would provoke in the incipient novelist the mimetic urge.
Loman, S. (1994). Attuning to the fetus and the young child: Approaches from dance/movement therapy. ZERO TO THREE Bulletin of National Center for Clinical Infant Programs, 15 (1)August/September.Birklein, S. & Sossin, K.M. (2006).
Gilbert nevertheless commended Woolworth's devotion to the details and beauty of the building's design, as well as the entrepreneur's enthusiasm for the project. Such was the scale of the building that, for several years, Gilbert's sense of scale was "destroyed [...] because of the unprecedented attuning of detail to, for these days, such an excessive height".
Mindfulness means attending to one's internal assumptions, cognitions and emotions and simultaneously attuning attentively to the other's assumptions, cognitions and emotions while focusing the five senses.Thich, 1991 To be mindful of intercultural facework differences, we have to learn to see the unfamiliar behavior from a fresh context. Thus, on a general level, mindfulness demands creative thinking and living.
Attunement is a central practice of Emissaries of Divine Light. The origin of the word Attunement refers to the attuning of the human capacity with the universal animating spirit within all people. Attunement practitioners believe that positive shifts in consciousness release a healing energy through a person’s body, mind and emotions. Emissaries of Divine Light practice Attunement as a form of energy medicine.
The Kestenberg Movement Profile (KMP) is a system of movement observation and analysis used to appraise individuals of all ages including the fetus.Loman, S. (1994). Attuning to the fetus and the young child: Approaches from dance/movement therapy. ZERO TO THREE Bulletin of National Center for Clinical Infant Programs, 15 (1) August/September It was developed by Dr. Judith Kestenberg and her colleagues.
Based on several hymn tunes, this is a piece about metaphorically tuning and attuning, growing out of perceptions of life after age 50. Commissioned by Kappa Kappa Psi. UFO Dreams: Concerto for Euphonium and Wind Ensemble (1998). Premiered March 1999 by euphonium soloist Matthew Maslanka and the Hellgate High School Wind Ensemble (John H. Combs, conductor) of Missoula, Montana, on a commission by that ensemble.
Dopamine is associated with pleasure and attuning to the environment during decision-making. During adolescence, dopamine levels in the limbic system increase and input of dopamine to the prefrontal cortex increases. The balance of excitatory to inhibitory neurotransmitters and increased dopamine activity in adolescence may have implications for adolescent risk-taking and vulnerability to boredom (see Cognitive development below). Serotonin is a neuromodulator involved in regulation of mood and behavior.
Once engaged in combat, however, they must use an action to do so (called re-attuning on the fly), which requires a set difficulty they must achieve, or risk losing their turn. It is generally recommended that Casters only use attuned spells, but this is not required. Casting a spell that is not in a matrix is referred to as raw casting. Raw casting is perhaps the most dangerous aspect of the Earthdawn magic system.
The CIA withdrew its request after he suggested that feeling love towards members of the KGB was an essential component of the endeavor. The "Inner Light Consciousness", a set of techniques for attuning the senses to the spiritual, was developed and taught by Solomon. He authored the book The Meta-Human: A Handbook for Personal Transformation. He also produced the audio courses Inner Light Consciousness on meditation practice and The Self-Esteem Survival Kit on self-improvement.
Corwin must now prevent Brand from attuning himself to the jewel, or Brand's plot to destroy the Pattern will succeed. Corwin and his family band together to prevent this, eventually recover the jewel, and discover that their father Oberon, the true King of Amber, still lives. Roger Zelazny makes a brief cameo appearance in the book as a guard in a dungeon, smoking a pipe and working on a novel which may or may not be The Chronicles of Amber itself.
Bell's analysis of the newsreaders' speech revealed that they spoke differently based on the intended radio audience. He identified relationships in the frequency of sociolinguistic variables, such as postvocalic [t], which corresponded to the speech of the radio audiences. Bell proposed that because the topic of speech (identical news topics), speaker, and speech activity were the same, the most plausible way of accounting for the variation was that the newscasters were attuning their speech to what they perceived to be the norms for the respective radio audiences.
While attending Charles' class, Eastin became interested in teaching acting as well. In 1991, he founded his own acting school, The Steve Eastin Studio. The studio believes in what Eastin refers to as "Choiceless awareness", where the actors do not read into the script, nor prepare their "beats" or think about what or how they may read their lines. Instead, the actors are encouraged to be in the moment and let their natural, emotional power take over and thus tap into the vast collective unconscious all humans are capable of attuning themselves to.
In 2011, he edited a collection of articles on the Philosophy of Action, Agents And Their Actions (Blackwell), which includes recent work by John McDowell and Joseph Raz. He spoke at the Harvard Conference in celebration of Hilary Putnam in 2011. He often gives papers on attuning poetry and philosophy for general audiences; in 2015, for example, he gave a public talk at the Ashmolean Museum in Oxford on 'Why Philosophy and Poetry Matter'. In 2017, he took part in a short filmed conversation about Philosophy and Film with Lenny Abrahamson and Francine Stock.
Throughout 2008, Pearson used the social networking site MySpace to release a series of free solo recordings. He dubbed this project The Blueprint and released a newly written free song every week for six months. Some of the songs from his debut studio album Satellites were written during this period, and Pearson has claimed that this period of intensive creativity refined his songwriting skills as well as attuning him to the power of social media. No official physical release was given for these recordings, though CD copies were sold online to fans.
Communication accommodation theory (CAT) is a theory of communication developed by Howard Giles. This theory concerns "(1) the behavioral changes that people make to attune their communication to their partner, (2) the extent to which people perceive their partner as appropriately attuning to them.", The basis of the theory lies in the idea that people adjust (or accommodate) their style of speech to one another. Doing this helps the message sender gain approval from the receiver, increases efficiency in communication between both parties, and helps the sender maintain a positive social identity.
It provided a menu of artists and repertory from which the local concert associations could select. The success of Community Concerts rested on finely attuning its programs to evolving audience tastes. In this 1951–1952 season the choices of composers were exclusively limited to those in the Romantic period with no representation of the Renaissance or Modern eras. Perhaps due to the impact of emerging technologies such as FM radio and high quality disc recording, by the 1957–58 season non-Romantic composers were represented in the sponsored programs.
"These 'truths', which Zhuangzi's goblet words 'tip toward', might be accessed non-cognitively through attuning with the natural world, listening to one's body, and refining technical skill. The goal of these practices is the transformation of the self in harmony with the constant changes of nature – an emergent 'bringing forth' of normativity that cannot be put into words." (2019: 173). Following the construal of Fried (2007), Kirby says the zhīyán name refers to the ancient qīqí (欹器) irrigation vessel, which tipped and spilled its contents once it reached capacity.
Sunpyre had powers similar to those of her brother, Sunfire. She could convert solar and some other ambient energy into ionized plasma similar to the sun's, which she could use to fire blasts of heat and flame, surround herself with an aura of solar-powered fire, and fly close to by riding convection currents created by superheating the surrounding air with her aura of flames. This plasma, while surrounding her, also provided protection against energy and physical attacks. Also, she was resistant to most forms of radiation, and could see heat by attuning her eyes to the infrared wavelength of the light wave.
"Classical View; Lessons for the Future May Lurk in the Past", The New York Times, November 29, 1992, accessed July 25, 2017 He initiated the Y's dance center, School of Music and poetry center.Tolchin, Martin. "Attuning the Young to Music", The New York Times, June 26, 1960, accessed July 25, 2017Kisselgoff, Anna. "Tribute to the 'Y'", The New York Times, April 23, 1974, accessed July 25, 2017 The last is now called the Unterberg Poetry Center and has been led by prominent writers including American poet Karl Kirchwey who was director for thirteen years until 2000.
Between 1988 and 2001, the artist addressed his research to the field of the new media art, initially creating interactive multimedia installations, followed by those of "Virtual Reality". The characteristic that this cycle of works has in common is that of involving as many people as possible in the interactive technology, placing in evidence the relational component in the sharing of the virtual and digital dimension. The illustrated work "Connected Es" is characterized by the offer of bodily interfacing with devices for measuring one's breathing and heart-beat, leading to an intense emotional attuning. "CONNECTED ES" Interactive Installation of Virtual Reality.
To address this, a Gervain, et al., looked at an infant's mental representation of Japanese, which is a complement – head language with an object-verb (OV) word order, and Italian, which like English, is head- complement and therefore has a verb-object (VO) word order. They found that 8-month-olds have a general knowledge of word order specific to their language preceding their acquisition of lexical items or syntactic categories. Their attuning of structural relations of syntactic categories (verbs, nouns, etc.) within their language allows them to then apply this knowledge later in their development, possibly allowing for language-specific syntactic bootstrapping.
Books Voicetracks: Attuning to Voice in Media and the Arts, MIT Press, 2017 Neumark is co-editor of two significant books on voice and media art history: Voice: Vocal Aesthetics in Digital Arts and Media, Norie Neumark, Ross Gibson and Theo van Leeuwen (eds) 2010 Cambridge, MA: MIT Press. At a Distance: Precursors to Internet Art and Activism, Annemarie Chandler and Norie Neumark (eds) 2005 Cambridge, MA: MIT Press. ;Radiophonic essays and Media Art In the 1990s Neumark made a series of radiophonic essays for the Listening Room, the premier audio arts program of the Australian Broadcasting Corporation. Several were also broadcast on New American Radio.
The newly shaped secure attachment bond may become the best antidote to a traumatic experience from within and outside of the relationship. Adding to the original three-stage, nine-step EFT framework developed by Johnson and Greenberg, Greenberg and Goldman's emotion-focused therapy for couples has five stages and 14 steps. It is structured to work on identity issues and self-regulation prior to changing negative interactions. It is considered necessary, in this approach, to help partners experience and reveal their own underlying vulnerable feelings first, so they are better equipped to do the intense work of attuning to the other partner and to be open to restructuring interactions and the attachment bond.
During Dalinar's visions he sees the Knights Radiant wearing Shardplate and wielding Shardblades, but he notes that the plate when worn by the Radiants glow. Additionally, the number of Blades and Plate worn by the Radiants is much greater than the number left in the world at the main timeline of The Way of Kings. Most Shardblades are actually dead spren that come alive for a period of time by attuning themselves to their owner's heartbeat.WoK-Chapter 86 Shardblades wielded by the Knights Radiant are the Knight's spren taking the physical form of a weapon (often a sword, but can take the form of any weapon, or a shield), hence these Shardblades are a physical manifestation of a living spren.
He decided "not to popularize or glamorize knowledge through publicity methods designed to attract large numbers." At the same time, he felt that fees for "Y" programs "should be small enough to enable the clerical or the salaried worker with a modest income to enroll in any activity which might meet his needs and interests." Kolodney felt that music was a way to educate the emotions and that each person "responds differently to every sound, from the wind in the trees to a Shostakovich symphony."Tolchin, Martin. "Attuning the Young to Music", The New York Times, June 26, 1960, accessed July 25, 2017 He presented great musicians such as Rudolf Serkin, Myra Hess, Gregor Piatigorsky, Erica Morini, and Joseph Hoffman as well as the Budapest String Quartet in annual series.
One such common location is the Citadel, a floating city depicted as a standard medieval castle in the Windows version, with conches and shell-like structures prominent in the PlayStation's variation. Other similar areas include Duskwood, populated by the tribe-like Dashers, Corantha, the underground realm of the Dwarves, Stronghold, the bastion of the Legion of the Fallen, and the Glaciers in southern Ardon, populated by hostile snow-dwelling creatures. The PlayStation version features the ability to "empower" weapons and armor by purchasing elemental-, essence- and aether- based talismans and runes, attuning each to different properties - respectively Fire, Earth, Water, Air; Spirit, Mind, Body; and Light and Dark. Every individual character in the game is based upon one of these nine properties, and use of separate runes and talismans allows the player to defeat certain foes more easily.
Richard Holton Cracroft (June 28, 1936 – September 20, 2012) was an author and emeritus professor of English at Brigham Young University (BYU) where he held the title of Nan Osmond Grass Professor in English and spent time as head of BYU's English department and as dean of the College of Humanities. He directed BYU's American Studies Program (1989–1994), directed the Center for the Study of Christian Values in Literature and edited the seminal A Believing People anthology, a landmark in Mormon letters. His devotion to the field is most famously summed up in his Association for Mormon Letters presidential address "Attuning the Authentic Mormon Voice: Stemming the Sophic Tide in LDS Literature" and his long-running column "Book Nook" in BYU Magazine which demonstrated the breadth of Mormon literature to a wide audience."In Memoriam: Richard H. Cracroft" by William Morris, A Motley Vision. Sept.
De Gaynesford was educated at Ampleforth College and Balliol College, Oxford (1986–9; First in Modern History), after which he spent several years studying Theology, before turning to Philosophy in 1993. Shortly before receiving his doctorate, he was elected Fellow and Tutor in Philosophy at Lincoln College, Oxford (1997). He was subsequently Humboldt Research Fellow at the Freie Universität Berlin (2003) and a tenured professor at The College of William and Mary in Virginia (2002–2006) before becoming Professor of Philosophy (2008) and Head of Department (2016) at the University of Reading. He is the author of four books: The Rift in the Lute: Attuning Poetry and Philosophy (Oxford, 2017), I: The Meaning of the First Person Term (Oxford, 2006), Hilary Putnam (Routledge, 2006; the book's aim was "to make Putnam’s contributions to modern philosophy accessible to those without expertise in such matters"), and John McDowell (Polity, 2004).
Francis Zimmermann, "Gentle Purge: The Flower Power of Āyurveda", chapter 9 in In 1985, Maharishi Ayurveda doctors met with outside consultants, who suggested that some traditional Ayurvedic remedies would not be accepted by American consumers. The principal difference between Maharishi Ayur-Veda and traditional Ayurveda is the emphasis on the role of consciousness and the use of Transcendental Meditation, as well as the highlighting of the need to express positive emotions and attuning one's life to the natural rhythms of the body. Maharishi Ayur Veda also holds that perfect health is a state present within every person, that can be chosen by the individual, and that the physical body is a portal to a "quantum mechanical body" that exists at the subatomic level where matter and energy are one, and that every organ and process in the body has a quantum equivalent. Tony Nader, called Maharajadhiraj Raja Ram, who is the Sovereign Ruler of the Global Country of World Peace, identifies this concept of "quantum healing" with the Maharishi's theories of Vedic Science.
Since 2009, Morton has engaged in a sustained project of ecological critique, primarily enunciated in two works, Ecology Without Nature (2009) and The Ecological Thought (2010), through which he problematizes environmental theory from the standpoint of ecological entanglement. In Ecology Without Nature, Morton proposes that an ecological criticism must be divested of the bifurcation of nature and civilization, or the idea that nature exists as something that sustains civilization, but exists outside of society's walls. As Morton states: Viewing "nature," in the putative sense, as an arbitrary textual signifier, Morton theorizes artistic representations of the environment as sites for opening ideas of nature to new possibilities. Seeking an aesthetic mode that can account for the differential, paradoxical, and nonidentificational character of the environment, he proposes a materialist method of textual analysis called 'ambient poetics', in which artistic texts of all kinds are considered in terms of how they manage the space in which they appear, thereby attuning the sensibilities of their audience to forms of natural representation that contravene the ideological coding of nature as a transcendent principle.

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