They plan to continue commissioning new repertoire, particularly triple concertos, from composers who reflect their artistic taste.
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Apple's original shows, "Carpool Karaoke" and "Planet of the Apps," focus on the creative process and artistic taste.
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I know how much of a passionate and perfectionist person he is (as am I) and I love and trust his artistic taste.
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Professor Nochlin went on to write extensively on feminist matters in the arts while pursuing a career that was unusual in its breadth, powered by an almost evangelical sense of urgency and a certain flexibility in artistic taste.
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The greatest indication, however, that the Salon livrets were a product of their zeitgeist is in the decline of their popularity and distribution: at the turn of the century, beginning with the 1863 Salon des Refusés and continuing with the Salon des Indépendants and Salon d'Automne (all independent salons), the prevalence of exhibition catalogues outside of the traditional Salon indicated that the artistic milieu of France was in flux and that the old vanguard was no longer the sole determinant of artistic taste.
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Nordmark is known for his exquisitely beautiful colors, his original ideas and artistic taste. The lines and the colors in his theater decorations and costumes helped to create the most striking effects.
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There was a double objective: continuity and stability of religious ceremony, and showcasing splendour and artistic taste of the court.Alexander J. Fisher. "The Munich court chapel." Book review in Early Music, Volume 37, Issue 1, pp. 113-114.
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Marie was described as impulsive, witty, and energetic, and introduced a more relaxed style to the stiff Danish court. She never fully learned to speak Danish. The marriage was friendly. She gave her children a free upbringing, and her artistic taste and Bohemian habits dominated her household.
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In 1888 the young family was given a small house named Little Hyttnäs at Sundborn just outside Falun in Dalarna by Karin's father Adolf Bergöö (1828–1890). Carl and Karin decorated and furnished this house according to their particular artistic taste and also for the needs of the growing family. Through his paintings and books, Little Hyttnäs has become one of the most famous artist's homes in the world, transmitting the artistic taste of its creators and making it a major line in Swedish interior design. The descendants of Carl and Karin Larsson now own this house, now known as Carl Larsson-gården, and keep it open for tourists each summer from May until October.
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Art in Theory 1648–1815: An Anthology of Changing Ideas by Charles Harrison, Paul Wood, and Jason Gaiger p. 445 et seq. online at books.google.com (accessed 11 February 2008) Cochin was able to influence the artistic taste of France and was one of his country's primary leaders of taste during the eighteenth century.
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Some descendant cultures, such as the Selkup, remain in the Sayan region. Iron was unknown to them, but they excelled in bronze, silver, and gold work. Their bronze ornaments and implements, often polished, evince considerable artistic taste. They developed and managed irrigation to support their agriculture in wide areas of the fertile tracts.
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The portraits of this period fall at the time of the highest creative upsurge of Russov as the painter, and constitute the most valuable part of his diverse artistic heritage. They are distinguished by an extraordinary expressiveness of images, courage of compositional decisions, unmistakable artistic taste. The color scheme is dominated by pearl and purple tones.
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Jacob, p. 166-167. In 2007, Washington Post reporter Linda Wheeler found the memorial ornate and romantic and praised it as a vivid reflection of Victorian artistic taste. Kirk Savage, associate professor of art history and architecture at the University of Pittsburgh, criticizes the memorial for being "clearly the product of white supremacist thinking and practice".Savage, p. 183.
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The same year the National Gallery of Canada Act was passed with an independent Board of Trustees constituted; Walker was appointed chairman and served until his death. Its trustees were charged, among other duties, with the development, encouragement and cultivation of "correct artistic taste in the fine arts." By 1924, this collection had over 4,000 items.
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Triplicane has a rich culture. The culture associated with Parthasarathy temple and its mada veethis is a traditional and an age old one. Rooted in tradition, Triplicane is also known for its fine artistic taste in music, dance and arts. An annual community even known as the Thiruvallikeni Thiruvizha (literally Triplicane Festival) is celebrated in January.
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The name given to the form of writing in early times was called Kufic script. Arabic miniatures are small paintings on paper, whether book illustrations or separate works of art. Arabic miniature art dates to the late 7th century. Arabs depended on such art not only to satisfy their artistic taste, but also for scientific explanations.
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In general, Savickis avoided joining organizations or societies and never belonged to any political party. He was not governed by stereotypes and exhibited inner freedom and intelligence. He developed his artistic taste in Western Europe among wealthy bourgeois. Such traits were also reflected in his works which made them difficult to understand and foreign to a more narrow-minded Lithuanian reader.
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Fine press printing and publishing comprises historical and contemporary printers and publishers publishing books and other printed matter of exceptional intrinsic quality and artistic taste, including both commercial and private presses. Their dedication to fine printing distinguishes them from other small presses. Fine press publications are often published in limited editions, that are swiftly bought up by book collectors and libraries.
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It received a glowing notice from Zola and was attacked by the more conservative critics who hated the typical bleakness of Naturalism. Gustave Flaubert, one of Huysmans' heroes, was impressed by what he called "a powerful and outstanding work", although he criticised the book for its lack of focus, use of slang and its promotion of Naturalist concepts of artistic taste.
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All these are combined to emphasize a sense of loss, of unreachable hope, her isolation, and the absence of any means of help. For Delacroix, colors were the most important ingredients for his paintings. Because of this artistic taste and belief, he did not have the patience to create facsimiles of classical statues. He revered Peter Paul Rubens and the Venetians.
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But garish beauty is not necessary to female seducers, in them are their special magic, their personal methods, and not only an artistic taste but also the gift of reincarnation, they by inside feel know how to make any person obedient to them. Sofia Blyuvshteyn possessed this natural gift over any measure that also made her a queen of the criminal world of St. Petersburg.
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A similar ornament covers lintel stones, abaci of the columns, individual parts of the archivolt and a hand of eight-pointed stars trimming the portal in a rectangular frame. The carving is so perfect that the overall impression is that of openwork lace. The distinctiveness and richness of the church's decoration evidence the artistic taste and consummate skill of the craftsmen who created it.
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Nandadulal Temple built in 1740 by Indranarayan Roychoudhury presents an excellent example of ancient Indian sculptures. There are many fascinating temples devoted to Kali, Shiva and other deities which show marks of brilliant craftsmanship and artistic taste. The temple's old idol of lord Krishna was thrown away into the pond behind the temple by a general. Later the pieces of the idols were fished out and submerged in varanasi.
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The Society considered five new designs, concluding that the one by William Wetmore Story (1819–1895), seemed "vastly superior in artistic taste and beauty". Congress deliberated over those five as well as Mills's original. While it was deciding, it ordered work on the obelisk to continue. Finally, the members of the society agreed to abandon the colonnade and alter the obelisk so it conformed to classical Egyptian proportions.
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The Baku school of carpet weaving includes the villages of Novkhany, Fatmai, Nardaran, Bulbulya, Mardakan, Gaadi. These carpets are marked for their increased softness of the material and intense colors, as well as excellent artistic taste and exquisite decoration. This school has about 10 compositions. The historical sources and inscriptions on the carpets testify to the fact that carpet making was widely spread in these villages and carpet-ware was exported outside the country.
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Each tazza is a bowl or cup, approximately high. The form is based on the kylix, a broad shallow wine-drinking cup from Ancient Greece, also the source of the word "chalice". Some tazze could be used for drinking, but they would also be used as serving dishes for small food items, such as delicacies, sweets or fruit. These lavishly decorated vessels were probably intended primarily as a spectacular display of wealth and artistic taste.
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He found that Ferdinand was "gentle", "jocular" and usually self-effacing, "in all things the opposite of his uncle" Carol I. In Queen Marie, the art historian recognized a political woman, more active in public affairs than Carol's Elisabeth.Ciupală, p.100 Tzigara also shared Marie's artistic taste, including her passion for the work of Romanian Symbolist sculptors Oscar Späthe and Friedrich Storck (whom, in 1903, he had called them "innovators of Romanian sculpture").Șotropa, p.
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The Baroque style from different nations and cultures influenced the Ottoman Empire in many ways. The Ottoman Turks began to adapt many styles from the West and even more artistic taste from Europe where they added a bit of their culture into their new art.Rustem, Unver, Necipoglu, Gulru, Eldem, Edhem, Lajer-Burcharth, Ewa, and Roxburgh, David. Architecture for a New Age: Imperial Ottoman Mosques in Eighteenth- Century Istanbul, 2013, ProQuest Dissertations and Theses.
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Palazzo Chiericati by Palladio (c.1550) has a superposed colonnade similar to that at West Wycombe, but the inspiration for the south front may have been Palladio's reconstruction of Vitruvius's Roman villa illustrated in his Quattro Libri. Villa Capra detta La Rotonda was the inspiration for Mereworth Castle, the home of Dashwood's uncle, Lord Westmorland. West Wycombe's east portico was in turn built as a homage to Westmorland's artistic taste at Mereworth.
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It had also been used as a prison until the end of the 19th century. The Hôtel Pams is a lavishly-decorated mansion designed for Jules Pams that illustrates the artistic taste of the wealthy bourgeois at the turn of the 20th century. Les Halles de Vauban are a new addition to the banks of the city's canal. Opened in November 2017 the indoor markets are privately owned and cost €1.5 million.
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Pope used the model of Horace to satirise life under George II, especially what he regarded as the widespread corruption tainting the country under Walpole's influence and the poor quality of the court's artistic taste. Pope also added a wholly original poem, Epistle to Doctor Arbuthnot, as an introduction to the "Imitations". It reviews his own literary career and includes the famous portraits of Lord Hervey ("Sporus") and Addison ("Atticus"). In 1738 he wrote the Universal Prayer. Full-text.
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Statues and decorative features from this ceramic still look almost new today. Coade did not invent 'artificial stone', but she likely perfected both the clay recipe and the firing process. She combined high-quality manufacturing and artistic taste, together with entrepreneurial, business and marketing skills, to create the overwhelmingly successful stone products of her age. She produced stoneware for St George's Chapel, Windsor, The Royal Pavilion, Brighton, Carlton House, London and the Royal Naval College, Greenwich.
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The phenomenon must probably arise from the emotional interpretation that others give me. It must be - I think so - that I see in all human faces passion and paganism. The Bogota newspaper El Siglo described the exhibition as a "challenge to good taste". She felt that the artist was "a young woman without artistic taste, who shows that she does not even have elementary notions of drawing and that she does not know the technique of watercolor".
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Metaphysical or spiritual interpretations of common aesthetical values have shifted towards locating social groups that form the contemporary artistic taste or fashion. Kant also followed the fashion of his contemporaries. In his aesthetic philosophy, Kant denies any standard of a good taste, which would be the taste of the majority or any social group. For Kant, as discussed in his book titled the Critique of Judgment, beauty is not a property of any object, but an aesthetic judgement based on a subjective feeling.
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Paul Bender, former clerk for Justice Felix Frankfurter, who argued on behalf of the government in the case, described Ginzburg as "a smut peddler". Though unlike Hefner of Playboy, he wasn't selling himself as the face of his magazine, his appearance implicated that the magazines would be of lower interest, not the fact that it was more upscale with an artistic taste. On the other hand, His appearance also kept him from gaining more supporters during and after the trial.Stein, R. (1972, February).
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Emmanuel Sunga's three-year service from 1990, church facilities were improved and a big generator at the back of the church was installed. Msgr. Norberto Habos' five-year service from 1993 was dedicated to continuous improvement in church facilities. Because of his eye of beauty and artistic taste, the magnificent retablo of the Holy Spirit at the dome of the main altar, the chapel of Saints, and the stained glass windows which depicted the 15 mysteries of the Rosary were installed. Under the incumbency of Msgr.
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Because there were so few actual artists as club members, there was great resistance for any major change in the artistic taste of the Club. By the early 20th century, artists were returning from Europe, with a totally different idea of Art. They saw the works of Picasso, Cézanne and Matisse. Then came the Boston exhibition in 1913 of the Armory Show, and its influence on the local Boston Art scene threatened the Club with new influences and Art Styles; Modernism, Cubism, Abstract Art.
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The Hôtel Pams is a mansion in Perpignan, Pyrénées-Orientales, France. It was built between 1852 and 1872 by Pierre Bardou, one of the founders of the JOB cigarette paper company, then transformed in the 1890s into an elegant mansion by his son-in-law Jules Pams, a politician and amateur art-lover. It illustrates the artistic taste of the wealthy bourgeois at the turn of the 20th century. Today the building is owned by the city of Perpignan, and is only occasionally open to the public.
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The first wave of Iranian new wave cinema came about as a reaction to the popular cinema at the time that did not reflect the norms of life for Iranians or the artistic taste of the society. It began in 1969 and then ended with the beginning of the Iranian revolution in 1979. The films produced were original, artistic and political. The first films considered to be part of this movement are Davoud Mollapour’s Shohare Ahoo Khanoom (1968), Masoud Kimiai's Qeysar and Darius Mehrjui's The Cow (1969).
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Binck's pictures are remarkable for correctness of drawing and general artistic taste. His style is very neat, sometimes resembling the works of H. Aldegrever, but his plates evince less mastery in the execution. His drawing is correct, and there is an agreeable taste in the turn of his figures. There has existed considerable confusion respecting the marks of the artists of this period, particularly those whose names commence with a B. The works of this master are generally marked with a cipher, the C meaning Coloniensis.
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These items could be found in the homes of the wealthy, alongside embroidered silks and wares in jade, ivory, and cloisonné. The houses of the rich were also furnished with rosewood furniture and feathery latticework. The writing materials in a scholar's private study, including elaborately carved brush holders made of stone or wood, were designed and arranged ritually to give an aesthetic appeal. Connoisseurship in the late Ming period centered on these items of refined artistic taste, which provided work for art dealers and even underground scammers who themselves made imitations and false attributions.
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154 Further, > Unfortunately, the promise of this far-sighted undertaking was far from > being fulfilled in its performance. The magnificent opportunity which was > given to the Commissioners to create a beautiful city simply was wasted and > thrown away. ... Thinking only of utility and economy ... in the simplest > and dullest way ... their Plan fell so far short of what might have been > accomplished by men of genius governed by artistic taste. ... [T]hey were > surcharged with the dullness and intense utilitarianism of the people and > the period of which they were a part.
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Tipe dei Successori Le Monnier, 1889, page 498. In the 1870s, Story submitted a design for the Washington Monument, then under a prolonged and troubled construction. Although the Washington National Monument Society considered his proposals "vastly superior in artistic taste and beauty" to the original 1836 design by Robert Mills, they were not adopted, and the monument was completed to Mills' scheme, only slightly modified. Story also sculpted a bronze statue of Joseph Henry on the Mall in Washington, D.C., the scientist who served as the Smithsonian Institution's first Secretary.
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With Coypel's help, Poisson de Vandières chose paintings from the royal collection for exhibition at the Palais du Luxembourg, thus creating the first museum in France. Between December 1749 and September 1751, he spent twenty-five months in Italy, staying first at the Académie de France à Rome, and then travelling (the so- called "Grand Tour") across the country with the engraver Charles Nicolas Cochin, the architect Jacques-Germain Soufflot and the abbé Leblanc. This trip would have important repercussions on the development of arts and artistic taste in France.
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He utilized his artistic taste and love for collecting pieces of art. He was one of the greatest collectors of antiques, tapestries, drawings, paintings and sculptures of his time. After his death and long quarrels, his heirs sold many precious pieces of art from the castle and then, on 25 February 1939, sold the castle, the health spa, and the surrounding land to Czech entrepreneur Jan Antonín Baťa (owner the shoe company Bata). After 1945, when Baťa's property was confiscated by the Czechoslovak government, the castle became the seat of several state institutions.
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Some of this painted work was, apparently, executed by his own hand; most of the pieces attributed to him are remarkable examples of artistic taste and technical skill. His satinwood table-tops, china cabinets and side-tables are the last word in a daintiness which here and there perhaps is mere prettiness. Pergolesi likewise designed silver plate, and many of his patterns are almost instinctively attributed to the brothers Adam by the makers and purchasers of modern reproductions. There is, moreover, reason to believe that he aided the Adam firm in purely architectural work.
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Russian President Vladimir Putin called this incident a tragedy and asked to give one's attention to children's education and gun control. He also told a Moscow Kremlin advisory council on the arts and culture that "the new generation...needs to be raised with good artistic taste and the ability to understand and value the theatrical, dramatic and musical arts." Criticism was also aimed at violent video games and exposure to American culture. Moscow Mayor Sergey Sobyanin later stated that schools in Moscow have been set to be reviewed for security.
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Demand for postcards increased, government restrictions on production loosened, and technological advances (in photography, printing, and mass production) made it possible. In addition, the expansion of Rural Free Delivery allowed mail to be delivered to more American households than ever before. Other factors included shifts in artistic taste among the public, and the development of a sale and distribution network of jobbers and importers-- connecting Main Street America with German printers. Billions of postcards were posted during the golden age, with nearly 700 million postcards mailed during the year ending June 30, 1908 alone.
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Her frustration eventually was pointed to as typifying women's unfitness for supervising construction, although many architects sympathized with her position and defended her. In the end the rifts were made up, perhaps, and Hayden's building received an award for "Delicacy of style, artistic taste, and geniality and elegance of the interior." Within a year or two, virtually all the Fair buildings were destroyed. Frustrated with the way she had been treated, Hayden may or may not have decided to retire from architecture, but she did not work again as an architect.
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"Foakes-Jackson, F. J. (1920). "Forty Years of Cambridge Theology," in The Constructive Quarterly 8:313-30. He reports that he had benefited greatly from his tutor at Eton: "I was under a man of extraordinary culture, a classicist, a man of letters, a linguist, one gifted in the artistic taste. After five years of almost constant strife, for I don't think we liked one another, I changed from being an idle little boy into a comparatively well educated man, with wide interests and respect for learning of every description.
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Miles, p. 320 In fact, the French revolutionaries justified the large-scale and systematic looting of Italy in 1796 by viewing themselves as the political successors of Rome, in the same way that ancient Romans saw themselves as the heirs of Greek civilization.Miles, p. 320 They also supported their actions with the opinion that their sophisticated artistic taste would allow them to appreciate the plundered art.See Miles, p. 320 Napoleon's soldiers crudely dismantled the art by tearing paintings out of their frames hung in churches and sometimes causing damage during the shipping process.
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Le Faune au chevreau Musée Cognacq-Jay Winning that last medal, first place in the Prix de Rome competition, gave him the right to study at the French Academy at Rome, at the time the single mainstream route to a successful official career as a sculptor in Paris. He first received his stipend in 1740, and he arrived in Rome on 13 October 1740. He stayed there for eight years between 1740–1748, and lived at the Academy. The goal here was that through the study of antiquities and the masters of the past, one would develop and refine one's artistic taste.
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Living space was at a premium. Some ordinary citizens and freedmen of middling income might live in modest houses but most of the population lived in apartment blocks (insulae, literally "islands"), where the better-off might rent an entire ground floor, and the poorest a single, possibly windowless room at the top, with few or no amenities. Nobles and rich patrons lived in spacious, well-appointed town houses; they were expected to keep "open house" for their peers and clients. A semi-public atrium typically functioned as a meeting-space, and a vehicle for display of wealth, artistic taste, and religious piety.
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Castleford- type sugar bowl, 1790–1810 The teapots often have a straight-sided octagonal shape, imitating designs in silver. The reliefs follow the general artistic taste of the period, with mild Neoclassicism shading into Romanticism. The lids of the teapots are often either hinged, or slide out to the rear, the lid piece including a section of the "gallery" or border around the top hole in the pot.Fitzwilliam; Godden, xxiii; Wood, 14 Sowter & Co of Mexborough, South Yorkshire, and Chetham & Woolley of Longton, Staffordshire, in The Potteries, were two of the other potteries that made Castleford-type wares.
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The west and east facing shrines have superstructures called the Rudrachhanda griva- shikhara and Vishnuchhanda griva-shikhara respectively. The design of the superstructures speaks of the artistic taste of the builders. They are three- dimensional, with the first tier (tala) measuring a third of the total height of the tower, and the second tier measuring one half the height of the first. Each of the three shrines have individual vestibules (or half hall or ardhamantapa) which open to a large common open hall called the mahamantapa or navaranga, whose ceiling is supported by four ornate central pillars.
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The Museum at Casa Armstrong Poventud presents the latest architectural and artistic taste in vogue at the end of the 19th century in Europe. For example, heavy use of glass on doors and windows. The glass decor used in the front door of the residence, for instance, is almost identical to those used in the Crystal Palace at the Great Exhibition of the Works of Industry of all Nations in England years earlier. The floral and natural motifs in the residence, are also characteristic of those comprising the new artistic expression of the Victorian Era evident in Europe and the United States in the first decades of the 20th century.
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Helder made some attempt to keep pace with post-war changes in artistic taste, but was eventually squeezed out of the New York galleries by the popularity of Abstract Expressionism. In the Pacific Northwest she came to be overshadowed by Mark Tobey, Morris Graves, Guy Anderson, and other artists of the "Northwest School". Nevertheless, she remained a well-respected "WPA artist" and master of watercolor. Aware of its artistic and cultural value, Helder had resisted selling pieces of the Grand Coulee series individually, finally selling the complete collection to the Eastern Washington State Historical Society (now the Northwest Museum of Arts and Culture) in 1954.
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A friend of the Lake Poets, with whom he considered himself a kindred spirit, Beaumont lent out the farm of the estate to William Wordsworth and his family in the winter of 1806. They were briefly joined there by Samuel Taylor Coleridge, but Beaumont was unable to establish the same rapport with this poet as with Wordsworth, who proved a lifelong friend. The 1800s saw Beaumont being promoted to influential posts in what were effectively committees of artistic taste: he sat on the monuments committee for St Paul's Cathedral from 1802 and was one of the founding directors of the British Institution (established in 1805).
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He participated at many group exhibitions in Athens (Melas House 1881, Parnassos Literary Society 1885, Zappeion 1888 and 1896 etc.). In 1903 he participated at the International Exhibition of Paris; the next year his work was included in the artistic exhibition for the International Exhibition of Athens. Lembesis died very poor and largely unknown as an artist, perhaps due to a shift in Athenian artistic taste from the Munich School to more modern artistic movements inspired from Paris. He was buried in Salamina; to cover the cost of his funeral, his relatives had to sell all of his paintings for 2 to 3 drachmas per item.
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In > 1941, during the reconstruction of the marine park, it was found necessary > to move him temporarily to warehouse quarters. Though it would seem hard to > lose such a massive man-stone, it was the last the figure was ever heard of > or seen. In 2017, Douglas Perry of The Oregonian described the memorial as "one of Portland's lost public-art masterpieces (or grotesque curiosities, depending on one's artistic taste)". The newspaper's Grant Butler included the monument in his overview of "14 Portland treasures trashed in the name of progress", and wrote, "if you look closely, it actually bears closest resemblance to the art deco figure of Academy Award trophies".
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Born in Leningrad to a typical intelligentsia family, Abeshaus was educated as an electrical engineer but soon abandoned this career and enrolled in the Mukhina School for Applied Art. By the time of his graduation from the famous “Mukha” (Fly in Russian), he had already developed a critical stance towards the official Soviet art dominated by the Communist ideology and began exhibiting at semi-underground exhibitions. This was culminated by his taking part in a famous 1975 exhibition at the Nevsky Palace of Culture. Abeshaus was fired from his job and censured by the official press – which however admitted his "artistic taste, a good sense of color and form".
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" In one section of his text, the author claimed that lyricism "does not agree with me". Nevertheless, Simona Cioculescu contends, the book was also an aesthetic revelation, which showed her father-in-law was a versed author of prose. In critic Al. Săndulescu's view: "The author willingly ignored his own sensitivity and artistic taste, his humor, punctuated here and there with some malicious remark, and ultimately his verve and his virtues as an expansive talker [...], in reality the virtues of a raconteur, who, contradicting his excessively self-critical opinion, often produces a literary effect." He adds: "The memoirist enjoys and cultivates chitchat, even if he tarnishes it here and there with too many 'philologicals' and an exaggerated bibliographic exactitude.
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Of the persecutions, the most known victims are Kai Lykke and Leonora Christine. In 1662, the nobleman Kai Lykke was forced to flee and had his property in Denmark confiscated after he was discovered to have written in a private letter ti his mistress that the queen had sex with her lackeys; his was not allowed back to Denmark until after Sophie Amalie's death. Dansk Biografisk Leksikon In 1663, she famously had Leonora Christina Ulfeldt imprisoned in the Blåtårn, and refused to release her as long as she herself was still alive. While her artistic taste was French, her political views were German-oriented and her influenced was feared, especially among the nobility.
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Hryniewski, a native of Poland, got art education in Florence, and upon returning to Georgia became founder of the Tbilisi Academy of Arts, together with D. Chubinashvili, Iakob Nikoladze, Eugene Lanceray, A. Kalgin and others. In 1920, the studio was renamed “Ballet School of the State Theatre”. Perini was appointed as director, while Nicholas Sergeyev, ballet master at the Saint Petersburg Opera Theatre, was invited as pedagogue. The tuition fee was not high, although kids from needy families were taught for free. In 1925, the studio presented a performance by students; poet Ioseb Grishashvili wrote: > “Student girls rushed around. You could see Perini’s caring hand in their > dancing, as well as Sergeev’s and Arbatov’s artistic taste.
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This approach was offered as a replacement for the European art forms that dominated Bezalel during the reign of Schatz and Lilien. The monument "The Roaring Lion" which Melnikov erected at Tel Hai, designed in the "Assyrian-Mesopotamian" style, reflected Melnikov's aesthetic ideal. "For many generations", Melnikov asserted, "the Jews were cut off from the figurative tradition in art; there are many ways to express artistic taste, but the taste that was in fashion was European art based on Greek and Roman culture, and as long as Athens was the inspiration for art in Europe, the Jew was instinctively excluded from it".Haaretz, 18 December 1925 Other young artists offered alternative artistic approaches, turning to modern art, of which Schatz and Melnikov strongly disapproved.
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Sophie Amalie was described as a charming beauty with entertaining wit and artistic taste, also in private correspondence not intended for her to see. A Swedish guest described her as "a lovely young person" and a Frenchman described her in 1649: "This princess was tall, blonde, with a very attractive complexion, mild and very accommodating toward strangers; she had a great taste for France, and she had everything it could give her." Sophia of Hanover was impressed by her and said of her that "her goodness and great accomplishments won over all hearts to her", while the French envoy noted that the queen's considerable charm was in fact reserved for those "which belongs to her party or are of use to her interests." The Spanish envoy Bernardino de Rebolledo dedicated sonnets to her in which he described her as a seraph.
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Gary Russell Libby in the Gary R. Libby Gallery At Stetson University, DeLand, Florida, Libby developed the curriculum for a number of upper-division interdisciplinary courses for a new major in the arts and humanities. He also worked with Fred Messersmith AWS, chairman of the Department of Art, in developing a series of exhibitions that explored the careers of artists from the United States and abroad who painted in Florida from post-Civil War to World War I. While at Stetson, Libby published a number of articles in academic journals, including the Italian Quarterly and Paideuma. He also began his study of Cuban historic artists in the Fulgencio Batista Collection of Cuban art housed at the Cuban Foundation Museum, Museum of Arts and Sciences, Daytona Beach, Florida. Libby’s "Artistic Taste in Pre- Castro Cuba" was one of the lead papers presented at the Southeastern Museum Conference, Charleston, South Carolina, 1975.
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Necklace René Jules Lalique The art jewelry that emerged in the first years of the twentieth century was a reaction to Victorian taste, and the heavy and ornate jewelry, often machine manufactured, that was popular in the nineteenth century. According to Elyse Zorn Karlin, "For most jewelers, art jewelry was a personal artistic quest as well as a search for a new national identity. Based on a combination of historical references, reactions to regional and world events, newly available materials and other factors, art jewelry reflected a country's identity while at the same time being part of a larger international movement of design reform."Karlin, Elyse Zorn, "Early twentieth-century art jewelry", in Skinner, Damian (ed.), Contemporary Jewelry in Perspective, Lark Books, 2013, p 86 Initially art jewelry appealed to a select group of clients with artistic taste, but it was quickly picked up by commercial firms, making it widely available.
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These are based on an ample culture, a determined artistic taste and on impressive intuitions. The mentor of Junimea society considered this type of criticism (neatly affirmative or negative) necessary only to that epoch of clutter of values, as its modalities of execution would gradate later, in the literary life, when the great writers would elevate the artistic level and implicitly would have the public's exigency augmented. This work as a tutor, as fighter for the assertion of values, would be led by Maiorescu throughout his entire life and would be divided between his political activity (he would become prime minister, but he will lose a friend from his youth, P.P. Carp), his University activity (as a professor he had and he promoted disciples of great value, like C. Rădulescu-Motru, P.P. Negulescu, Pompiliu Eliade and others), his lawyer activity and his literary critic activity. Maiorescu was seldom reproached for not having spent enough time on writing literary works but his work as a literary critic profoundly marks one of the most lusty epochs in the history of Romanian literature: the period of the great classics.
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As a talented graphic artist and portraitist, Buchkin fluent in a variety of techniques of painting. As usually their choice was determined by the genre, character of model, and artistic taste of author. In 1914, Piotr Buchkin becomes a member of the Society of Artists named after Arkhip Kuindzhi. In 1918 he was elected a member of the Society of Russian watercolors. After October Revolution in 1918–1921 Peter Buchkin serves as a team gunners division submarines of the Baltic Fleet. From 1921 to early 1930 he worked as head of the technical department of the Publishing house "Rainbow" in Leningrad. In 1930–1936 years Piotr Buchkin also worked as an illustrator in publishing of Leningrad and Moscow. In 1932 Piotr Buchkin become one of the founders of the Leningrad Union of Artists. In the years of 1936–1940 Buchkin taught at the Leningrad Institute of Painting, Sculpture and Architecture as a professor of drawing (1937). In postwar years Piotr Buchkin taught at the Vera Mukhina Art and Industry Higher School, where he was professor (1952), a Head of the Department of Monumental-Decorative Painting (1951–1955, 1962–1965).
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