The architectonics of Leslie Wayne's structures exude impermanence and a poetic expression of loss.
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By transposing Popova's spare "painterly architectonics" onto carpet, Büsch turns them into a merely generic abstract design.
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By late 21921, her "Painterly Architectonics" had become non-objective, and she joined Malevich's Suprematist group in 21920.
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The architectonics of Wayne's structures mediate the in-between space of impermanence and maybe even point to a poetic expression of loss.
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Like all of Berthot's work, these two paintings reconcile the ostensibly incompatible precipitateness of Abstract Expressionism with the architectonics of Hard-Edge Abstraction.
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If the paintings' geometries are not essentially formalistic, what, then, makes this newfound architectonics of the picture plane a suitable means for this artist?
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The utopian-grid fantasy is later displaced by the architectonics of body politics and the anatomy of female pleasure in ceramics, works on paper, textiles and paintings.
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Despite Ballet Mécanique's clever architectonics, though, Herz sees the building more as a lighthearted ode to the Rube Goldberg tradition than as another milestone of eco-automation.
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Advertise on Hyperallergic with Nectar Ads Alain Resnais's 1956 film Toute la Memoire Du Monde cinematically renders the architectonics and anatomy of one of the largest repositories of human memory — the Bibliothèque Nationale — as a monstrous prison where memory is captive.
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And so, as the canvases in his previous show suggested, his painting temperature cooled and he became less involved with taming chaos and more engaged with developing a personal sense of architectonics, with the black ground as the most conspicuous holdover from his previous way of working.
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TectoRNAs are the basic self-assembling unit in RNA architectonics. In RNA architectonics, the sequence length of tectoRNA is usually less than 200 nts. TectoRNAs are typically originating from single stranded RNA molecules and once folded, they act like LEGO bricks to build up higher order architectures. They can be synthesized, folded and self-assembled into multimeric nanostructures during transcription in isothermal conditions.
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As such, the RNA architectonics approach can be seen as RNA modular origami. This approach was extended to the synthesis of larger self-assembling units of more than 400 nts. More recently, RNA origami was extended to the design of long single stranded RNA sequences able to fold into large pre-defined nanostructures. Hence, RNA modular origami (originally called RNA architectonics), RNA origami and RNA single stranded origami are both originating from the same concept where RNA sequences can be design to self-fold and assemble into predefined shapes.
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The importance of architectonics in nanoscience and nanotechnology was first accentuated in 1999 at the University of California, Los Angeles (UCLA). Next year, the first International Symposium on Nanoarchitectonics has been held in Tsukuba, Japan. In 2003, the term nanoarchitectonics was first mentioned in a peer-reviewed article, by a German group from the Freie Universität Berlin, and the same year a dedicated research center, Functional Engineered Nano Architectonics, has been opened at UCLA. In 2007, similar centers have been established in Tsukuba: the International Center for Materials Nanoarchitectonics at NIMS and Interfacial Nanoarchitectonics at AIST.
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Supposed to be fashioned after the Laxminarayan Temple of Badrinath, this temple is built in modern Indian style of architecture. This daunting structure erected in glossy marbles and ornamented with beautiful carvings and engravings is distinguished for its commanding architectonics. The carvings on the temple walls depict the episodes chronicled in the Hindu Puranas.
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Fernandez wrote several books and many scholarly articles. He is credited for writing over 170 published works. Mostly notably are the books: Persuasions and Performances, Beyond metaphor, Bwiti: an Ethnography of the religious imagination, On symbols in Anthropology, Fang Architectonics, Divinations confessions testimonies, and The conditions of Reciprocal Understanding. A complete list of his published works is contained in his CV.
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In: Bleker, Johanna (ed.): Der Eintritt der Frauen in die Gelehrtenrepublik. Husum, 1998, 75-93. Vogt-Mugnier and her husband's findings on myelinogenesis led to her dissertation work on the fiber systems in the cat cerebral cortex (Étude sur la myelination of hémishères cérébraux) and the beginning of their research in architectonics. In Berlin, Vogt-Mugnier was awarded her medical license on January 16, 1920.
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Pandya, along with many colleagues, has made significant contributions in the field of connectivity of cerebral cortex. Several postdoctoral and Ph.D. students have received training under Pandya. His research works have been internationally recognized and he has presented his work in conferences in North America and Europe. Currently he is continuing his research studies on comparative brain architectonics in the monkey and humans, as well as connectional studies in the monkey.
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He was born in Nordhausen. He studied at the Academy of Architecture in Berlin, and was afterwards appointed an instructor in the School of Design of the Industrial Institute there. In 1844 he was appointed a professor of tectonics (architectonics) at the Academy of Architecture.ADB:Bötticher, Karl @ Allgemeine Deutsche Biographie In 1853 he received his doctorate from the University of Greifswald, and later worked as a lecturer at the University of Berlin (until 1862).
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Born in Johor Bahru, Johor, he is of Hakka Chinese (his mother) and Malay descent. He attended the English College (now Sultan Abu Bakar College) and Maahad Johor. He obtained his bachelor's and master's degree in the Islamic Jurisprudence from University of Al-Bayt, Jordan. He completed his doctorate in Political Science from Durham University with his doctoral thesis titled "Constructing the Architectonics and Formulating the Articulation of Islamic Governance: A Discursive Attempt in Islamic Epistemology".
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The Model, 1913 The Pianist, 1914, National Gallery of Canada Popova was one of the first female pioneers in Cubo-Futurism. Through a synthesis of styles she worked towards what she termed painterly architectonics. After first exploring Impressionism, by 1913, in Composition with Figures, she was experimenting with the particularly Russian development of Cubo-Futurism: a fusion of two equal influences from France and Italy. From 1914–1915 her Moscow home became the meeting-place for artists and writers.
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Her painting The Violin of 1914 suggests the development from Cubism towards the "painterly architectonics" series of 1916–1918. This series defined her distinct artistic trajectory in abstract form. The canvas surface is an energy field of overlapping and intersecting angular planes in a constant state of potential release of energy. At the same time the elements are held in a balanced and proportioned whole as if linking the compositions of the classical past to the future.
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Metal-oxide sensors are produced for environmental gas detection, including, Automotive Air Quality Sensors (AQS), Interior Air Quality (IAQ), Outdoor Air Quality (OAQ), MeMs Pellistor sensors (mPell), IR Source and Module (MIMS) and MeMS Thermal Conductivity sensors for high volume markets such as the automotive industry.Car Cabin Air Quality Sensors and Systems; Written by Kosmas Galatsis from Microelectronics Advanced Research Corporation (MARCO), Center on Functional Engineered Nano Architectonics (FENA), University of California, Los Angeles, CA, USA; and Wojtek Wlodarski from the School of Electrical and Computer Systems Engineering, Royal Melbourne Institute of Technology University, Melbourne, VIC, Australia.Carbon Monoxide Sensors and Systems; Written by Kosmas Galatsis from Microelectronics Advanced Research Corporation (MARCO), Center on Functional Engineered Nano Architectonics (FENA), University of California, Los Angeles, CA, USA; and Wojtek Wlodarski from the School of Electrical and Computer Systems Engineering, Royal Melbourne Institute of Technology University, Melbourne, VIC, Australia.Evaluation of micro-sensors to monitor Ozone in Ambient air_ISPRA 2008; Written by Michel Gerboles and Daniela Buzica, Joint Research Centre, Institute for Environment and Sustainability, Transport and Air Quality.
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He earned his doctorate in 1799 for a dissertation based on the works of Kant entitled The Architectonics of Natural Metaphysics. In 1800, Alessandro Volta reported his invention of the voltaic pile, which inspired Ørsted to investigate the nature of electricity and to conduct his first electrical experiments. In 1801, Ørsted received a travel scholarship and public grant which enabled him to spend three years traveling across Europe. He toured science headquarters throughout the continent, including in Berlin and Paris.
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He has been the Raytheon Chair Professor of Physical Science since 2006. He serves on the editorial board of the Encyclopedia of Nanoscience and Nanotechnology TM (American Scientific publishers). He currently also serves as the Director of Marco Focus Center on Functional Engineered Nano Architectonics (FENA), an interdisciplinary Research Center, funded by Semiconductor Industry Association and Department of Defense to address the need of information processing technology beyond scaled CMOS. The Center involves 12 universities across the nation with 35 participating faculty members.
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He published a book entitled The Hollow Tile House (1913) on a new construction technique that he had developed. One year later, he published the quirky Architectonics: The Tales of Tom Thumtack, Architect, illustrated by Rockwell Kent. From 1914 on, Squires worked with his brother in the oil business, but he maintained his interest in architecture, as demonstrated by the unique design of his Craftsman style home. The house was added to the National Register of Historic Places on November 22, 2011.
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The initial explorations in macroscale human connectomics were done using either equally sized regions or anatomical regions with unclear relationship to the underlying functional organization of the brain (e.g. gyral and sulcal-based regions). While much can be learned from these approaches, it is highly desirable to parcellate the brain into functionally distinct parcels: brain regions with distinct architectonics, connectivity, function, and/or topography (Felleman and Van Essen, 1991). Accurate parcellation allows each node in the macroscale connectome to be more informative by associating it with a distinct connectivity pattern and functional profile.
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TectoRNAs are modular RNA units able to self-assemble into larger nanostructures in a programmable fashion. They are generated by rational design through an approach called RNA architectonics, which make use of RNA structural modules identified in natural (or sometimes artificial) RNA molecules to form pre-defined 3D structures spontaneously. The abilities of RNA which is capable of catalysis and non-canonical base pairing make it an attractive biomolecule for design. By applying the knowledge of computational modeling and biochemical characterization, RNA can be shaped into defined geometries and conduct various functions.
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This distilled form of Cubism, soon to be known as Crystal Cubism, is consistent with Metzinger's shift, between 1914 and 1916, towards a strong emphasis on large, flat surface activity, with overlapping geometric planes. The manifest primacy of the underlying architectonics of the composition, entrenched in the abstract, controls practically all of the elements of the painting. Color remains primordial but is moderate and sharply delineated by boundary conditions.Joann Moser, Jean Metzinger in Retrospect, Cubist works, 1910–1921, The University of Iowa Museum of Art, J. Paul Getty Trust, University of Washington Press 1985, pp.
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The ritualistic aspect of Bwiti is shown in a long elaborate ceremony that represents the journey between life and death. The ceremony is accompanied by small doses of psychedelic plants. Fernandez sought to understand the Fang and the Bwiti practices: he focused on metaphors and how they are acted out. He stated: Fernandez published his findings in multiple articles including: “Principles of Opposition and Vitality in Fang Aesthetics”, “Christian Acculturation and Fang Witchcraft”, “Fang Architectonics”, “Symbolic Consensus in a Fang Reformative Cult”, “Fang Reliquary Art: Its Quantities and Qualities”, and “Bwiti: An Ethnography of the Religious Imagination in Africa”.
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If true, the theory has major implications for efforts to design consciousness into artificial intelligence machines;Andrew A. Fingelkurts, Alexander A. Fingelkurts, Brain and mind Operational Architectonics and man-made "machine" consciousness. Cognitive Processing (2009) 10(2):105-111. current microprocessor technology is designed to transmit information linearly along electrical channels, and more general electromagnetic effects are seen as a nuisance and damped out; if this theory is right, however, this is directly counterproductive to creating an artificially conscious computer, which on some versions of the theory would instead have electromagnetic fields that synchronized its outputs—or in the original version of the theory would have spatially patterned electromagnetic fields.
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Got the theoretical results from the point of research of the mutual connection of Azerbaijani prose and folklore, the form of the expression of folklorism in prose, the place of the genre of folklore in the organization of the written text and the history of the epos of the Turkic peoples, the likeness of the heroic eposes from the genetic point of view, the root unity, the architectonics of dastan. Defended PhD thesis on the topic “Poetics (genesis and artistic system) of the epos “Keroglu”, DPhil thesis on the topic “Azerbaijani prose and folklore at the beginning of the 20th century”. She is the author of over 100 scientific and methodical works, 6 studies, 10 scientific articles published abroad.
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David F. Ford points out in Musics of Belonging (Carysfort Press, Dublin 2007) how "beside the new architectonics since the move to full-time writing there has also been an alternation between more personal and more public themes". Ford lists the characteristic themes in O'Siadhail's work which emerge from early on as: "despair, women, love, friendship, trust, language, school, vocation, music city life, science, Irish and other cultures and histories". He adds that "there is a wrestling for meaning, with no easy solutions – both the form and the content are hard-won". Several critics have highlighted how O'Siadhail uses a vast variety of classic forms including sonnets, terza rima, villanelles, haikus etc.
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The church was designed by Jeremiah O'Rourke in the Gothic Revival style. O’Rourke was a Newark architect who specialized in church architecture. Nearby examples of his work are the chapel at Seton Hall University (1863) and the Cathedral Basilica of the Sacred Heart, Newark, New Jersey (begun in 1898). The parish school, Columbus Hall, also designed by O'Rourke, was erected in 1894 across the street from the church. O’Rourke’s design for St John’s Church is a Victorian adaptation of German Gothic architectonics. Like many other 19th century houses of worship in the Orange Valley, the church’s exterior is faced with locally quarried brownstone. Philanthropist and real estate speculator Llewellyn S. Haskell donated the stone for St. John’s from his quarry in West Orange. Under the direction of the pastor, Rev.
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The different EM field theories disagree as to the role of the proposed conscious EM field on brain function. In McFadden's cemi field theory, as well as in Drs Fingelkurts' Brain-Mind Operational Architectonics theory, the brain's global EM field modifies the electric charges across neural membranes, and thereby influences the probability that particular neurons will fire, providing a feed-back loop that drives free will. However, in the theories of Susan Pockett and E. Roy John, there is no necessary causal link between the conscious EM field and our consciously willed actions. References to "Mag Lag" also known as the subtle effect on cognitive processes of MRI machine operators who sometimes have to go into the scanner room to check the patients and deal with issues that occur during the scan could suggest a link between magnetic fields and consciousness.
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However, there was a tension between those who, like Malevich, saw art as a spiritual quest, and others who responded to the need for the artist to create a new physical world.Bowlt, John, and Drutt, Matthew, Amazons of the Avant-Garde, Guggenheim Museum, New York, 1999 Popova embraced both of these ideals but eventually identified herself entirely with the aims of the Revolution working in poster, book design, fabric and theatre design, as well as teaching. At 0.10 she had exhibited a number of figurative painted cardboard reliefs in a cubist derived style. In 1916 she began to paint completely abstract Suprematist compositions, but the title "Painterly Architectonics" (which she gave to many of her paintings) suggests that, even as a Suprematist, Popova was more interested in painting as a projection of material reality than as the personal expression of a metaphysical reality.
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In 2014, he led the experiment "Gecko-F4", the purpose of which was to study the effect of microgravity on the sexual behavior, the body of adult animals and the embryonic development of geckos Phelsuma ornata in a two-month orbital experiment on the Russian research satellite "Foton-M No.4". Sergey Savelyev is the author of the idea of cerebral sorting - a method of analysis of individual human capacities on the brain structures through the development and application of a high-resolution tomograph. The idea is based on his many years experience of research work in the field of cerebral cortex cytoarchitectonics, as well as individual variability of the architectonics and subcortical brain structures and also morphological foundations of human endowments, held at the Brain Institute of the Academy of Medical Sciences of the USSR.
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This is exemplified best through his engagement with a group of young people - beginning with what really mattered and was significant for them, and then trusting, discerning and helping them to recognise the source and energy of life (God's Spirit) already at work within their lives - (and) making the deep connections with the truth of the Gospel. They were hungry for this and the group began to thrive in just a short space of time. The curacy culminated in helping to design the new daughter church of St Barnabas, strengthening an interest in architecture that in later years has proved fruitful again and again both with actual buildings and with the architectonics of theology and institutions. He returned to General Theological Seminary as a fellow and tutor for two years, accompanied by his wife Perrin, who, together with their growing family, grew to be the cantus firmus of his life.
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The trajectory in O'Siadhail's work first moves beyond the sense of despair which haunted his youth, through the collections of once-off poems into the architectonics of his larger thematic books. In 1978, O'Siadhail published his first poetry collection The Leap Year (originally written in Irish), which was a meditation on healing and nature set against an urban background. This was followed in 1980 by Rungs of Time (originally in Irish) which in an almost Edda-like style announced many of the characteristic themes that would dominate his work; and in 1982 Belonging (the last of this trio originally written in Irish) emphasised, by its title, relationships as a major theme. There were two more collections which contain a few of his best known poems, Springnight in 1983 and The Image Wheel in 1985, before he went full-time and began a series of books based on broad themes.
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Leonardo da Vinci used the camera obscura as a model of the eye, René Descartes for eye and mind and John Locke started to use the camera obscura as a metaphor of human understanding per se.Philosophy of Technology: Practical, Historical and Other Dimensions P.T. Durbin Springer Science & Business Media The modern use of the camera obscura as an epistemic machine had important side effects for science.Contesting Visibility: Photographic Practices on the East African Coast Heike Behrend transcript, 2014Don Ihde Art Precedes Science: or Did the Camera Obscura Invent Modern Science? In Instruments in Art and Science: On the Architectonics of Cultural Boundaries in the 17th Century Helmar Schramm, Ludger Schwarte, Jan Lazardzig, Walter de Gruyter, 2008 While the use of the camera obscura has dwindled, for those who are interested in making one it only requires a few items including: a box, tracing paper, tape, foil, a box cutter, a pencil and a blanket to keep out the light.
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