97 Sentences With "arched ceiling" | Random Sentence Generator

The High Line's arched ceiling at 14th Street is his largest venue yet.

Down the hall is a dining room with an arched ceiling, acorn chandelier and Dutch door.

The front space, with an arched ceiling and stone-tiled floor, is overflowing with quirky design objects (handbound notebooks, children's masks).

But the wood floor and the soaring arched ceiling make the sound bounce around in a way that is distracting and unintended.

Set under an elegantly arched ceiling, "Host" creates a powerful encounter between human "civilisation" and the elemental substances out of which life originally emerged.

The artwork, Anthem, invited viewers to make their way down a long, concrete hallway, its arched ceiling lending the scene a somewhat Gothic effect.

All come from an open kitchen in the back of the intimate space, which has a warmly lit arched ceiling and Art Deco touches.

In the Times Square scene, the stage and the auditorium's arched ceiling are plastered with the brightly lit logos of companies that have ads in the program.

Located off the lobby, and set under an arched ceiling with mood lighting, Jake's looks like it was once a cocktail lounge that hasn't totally given up its former vibes.

In a vast, shallow pool, beneath the high-arched ceiling of the Park Avenue Armory's Wade Thompson Drill Hall, the hems of their filmy white kimonos trail along the surface.

Mr. Nuñez, the junior interior minister, said that while "overall the structure is holding," inspectors had identified "vulnerabilities" in the arched ceiling and in a gable of the northern transept.

It was here that PentUp concluded with a black-tie dinner under the arched ceiling and low-hanging chandeliers of the cadet mess hall, where princes, dukes, sultans and kings have eaten for a couple of centuries.

The gymnasium there, with its high, arched ceiling and capacity of about 3,000, has the feel of an old college field house, with four rows of seats on three sides (20 reais, or about $5), plus 10 rows of concrete bleachers above them (15 reais).

On the interior, the space has been divided into four dining rooms. The arched ceiling and walls are of painted plaster.

The main gallery, with its high arched ceiling, also serves double duty as the annual site of the Met's elaborately decorated Christmas tree.

Interior of the church in 1910 Inside the church, the arched ceiling of the main sanctuary was unsupported by internal pillars and spanned the whole length and width of the church, measuring by .

The interior features a two-story center hall with a full arched ceiling. The property also includes three contributing guest houses. and Accompanying photo It was listed on the National Register of Historic Places in 1987.

There is a central entrance hall with staircase leading up to the first floor which has a galleried assembly room. The assembly room has a gallery with decorative panels to gallery front and an arched ceiling with transverse ribs.

Sandstone segments form the arched entrance of the tunnel. Internally, the arched ceiling of the tunnel is lined with bricks. From mid-height a coarsely dressed stone wall extends to the base of the tunnel. Tunnel 6 is located at .

The nave's spacious presbytery had windows and skylight (claraboya). The belfry had four bells, two of which were small bells rung by rotation (esquitas). The baptistery with an arched ceiling was situated at the bottom of the belfry. Flooring was made of wood.

On the north side on the first floor is the North Lodge Room. An open-beam arched ceiling marks this room, which is in the half- timbered style and has balconies on three sides and a stage in front."The North Lodge Room." The Light.

Sandstone segments form the arched entrance of the tunnel. The exit portal deck and cornice is stepped. Internally, the arched ceiling of the tunnel is lined with smooth-faced stone. From mid-height a coarsely dressed stone wall extends to the base of the tunnel.

Through the vestibule is the rectangular nave, with a smooth plaster arched ceiling. A broad archway leads to the chancel. A small staircase lead downward to the social hall and kitchen on the basement level. The church is flanked on both sides by the cemetery.

The original mayor's office is directly opposite the top of the stairs. It has freestanding fluted Roman Doric columns in the entrance. Fluted wall pilasters and marble wainscoting supporting a full entablature and arched ceiling. On either end of the hallway are city council chambers.

The exit portal arch segments are of quarry-faced stone. Internally, the arched ceiling of the tunnel is lined with bricks, meeting with a lining of smooth-faced stone. A coarsely dressed stone wall extends to the base of the tunnel. Tunnel 2 is located at .

Their frames were carved locally. Von Gerichten Art Glass Company of Columbus, Ohio, created the stained glass windows depicting Saints Matthew, Mark, Luke, and John in 1908. Large Doric columns support the basilica's arched ceiling. They are made of yellow poplar encased in plaster and painted to resemble marble.

The tunnel is curved with a length close to . The spandrels of the tunnel portals are infilled with regular coursed quarry-faced sandstone crowned by a deck and projecting cornice. Sandstone segments form the arched entrance of the tunnel. Internally, the arched ceiling of the tunnel is lined with bricks.

Connecting the two was a narrow block forming the arcade itself. The front façade had six fluted Corinthian columns. The interior of the arcade was long with an arched ceiling decorated in the Grecian style and with several domed skylights. The whole design was intended as an elegant shopping experience.

The tunnel is straight with a length close to . The spandrels of the tunnel portals are infilled with regular coursed quarry-faced sandstone crowned by a deck and projecting cornice. Sandstone segments form the arched entrance of the tunnel. Internally, the arched ceiling of the tunnel is lined with smooth- faced stone.

Inside, the second-floor ballroom is noted for arched ceiling. Extending west, and facing Route 57, is a two-story ell that is probably the oldest portion of the building. Extending northward from that ell is another long two-story ell. The area that is now Sandisfield was first settled in 1740s.

Its brick center chimney straddles the ridge. It has a nine-window facade and a five-window gable. Windows have twelve-over-twelve sash except the attic window which has six-over-six sash. Its entry door is protected by a gabled hood with an arched ceiling, supported on large curvilinear brackets.

The spandrels of the tunnel portals are infilled with regular coursed quarry-faced sandstone crowned by a deck and projecting cornice. Sandstone segments form the arched entrance of the tunnel. Internally, the arched ceiling of the tunnel immediately inside the entrance is lined with smooth-faced stone. Brick lining may occur further inside the tunnel.

The Philcade may be better known for its interior design, especially its lavishly decorated lobby. Marble pilasters support a plaster frieze, covered with gold leaf, at the mezzanine. The arched ceiling is decorated with geometric designs that are hand painted in red, blue, green, purple, and brown. The ceiling is trimmed with gold leaf.

The entrance portal is crowned by a stepped deck with missing sections of cornicing. The exit portal has a straight deck and cornice. Internally, the arched ceiling of the tunnel is lined in different sections with brick and smooth-faced stone. From mid-height a coarsely dressed stone wall extends to the base of the tunnel.

Inside is a boveda (arched ceiling) with a chorus to the baroque altar. The facade contains two doorways that are elaborately decorated in stonework containing indigenous symbolism. The temple is dedicated to the Saint Francis of Assisi. During the first week of October, las Fiestas Franciscanas is held, with a procession through the main streets, music, games, and pyrotechnics.

The building opened in 2005 containing a raked auditorium seating three hundred and an eighty-person seminar room with a sliding partition. The design retains a number of the building's period features, such as stained glass windows, arched ceiling and polished granite columns, while introducing contemporary furnishings and comprehensive audio-visual equipment, as well as full disabled access.

Downtown Minneapolis Campus In fall 1992, the university opened a permanent campus at 1000 LaSalle Ave. in Minneapolis. The first building, named Terrence Murphy Hall in May 2000, is headquarters to the university's Opus College of Business. Artist Mark Balma created one of the largest frescoes in the United States on the arched ceiling of its atrium.

9 windows make the room very light, the slender Cisterian-influenced pillars on which the arched ceiling supports, add more wideness to the room. The two-vaulted room is separated with seven consoles into six bays of vault. In the Middle Ages, the floor was laid with special-sized limestone slabs, nowadays they are uniform.Kangropool Rasmus (1982).

Paveletskaya () is a Moscow Metro station on the Zamoskvoretskaya line, located in the Zamoskvorechye District, Central Administrative Okrug. It was opened in 1943 and was designed by S.V. Lyashchenko and E.S. Demchenko. Paveletskaya features tall white marble pillars decorated with the hammer and sickle and a high, arched ceiling. The walls are faced with white marble.

The arched ceiling of the lobby was decorated with colorful frescoes. The lobby was clad throughout with several types of Italian marbles. Three elevator banks extended from the southern wall of the lobby. The second floor contained offices north of the lobby, and a footbridge was placed across the lobby to connect the elevators and offices.

The passage widens to inside the fort, with an arched ceiling. In front of the defensive wall there are four parallel ditches separated by three clay and gravel mounds. A pathway leads through this defence to the entrance of the fort. It seems that originally the path ran through a stone passage with a flagged roof as it passed through each mound.

It is a six-story glass atrium with a 50-foot arched ceiling. Many events are held here. The Chicago Children's Museum is a part of the pier, with many different exhibits and activities for both children and adults to enjoy. Chicago Shakespeare Theater, a theater that performs Shakespeare's productions, is located there and the Pier also has an IMAX theater.

The spandrels of the tunnel portals are infilled with regular coursed quarry-faced sandstone, crowned by a deck and projecting cornice. Sandstone segments form the arched entrance of the tunnel. Internally, the arched ceiling of the tunnel is lined with bricks, meeting with a lining of smooth-faced stone. Exposed sections of the ceiling reveal a second lining of brick.

The citizens hall's look is shaped by two-coloured herringbone patterned octahedral pillars, on which impost is architectural motive of consoles, that originates from the Cistercians architecture and often appears later in Tallinn's architecture. The arched ceiling supports on them. Arched ceilings were rarely seen elsewhere than in churches, monasteries and fortresses. In dwelling houses were usually built wooden ceilings.

The main arched ceiling of the auditorium is clad in perforated ceiling panels and the ceiling cove is clad in fibrous plaster sheeting. The cove is supported by curved timber hangers and has circular lights in two rows in the underside. The auditorium floor is polished timber. The southern side of the auditorium has bench seating along the exterior wall.

College hostel Miranda House was a residence before it became a college. Miranda House hostel was founded in 1948 by the vice-chancellor, Sir Maurice Gwyer; its foundation stone was laid by Lady Edwina Mountbatten on 7 March the same year. The building was designed by architect Walter George. The dining hall has a high arched ceiling, monastic tables and benches.

The Central Linn gym had an elaborate painting done in late 2010 by foreign exchange student Mathias Peter Hansen. The painting depicted a cobra about 20 feet in height, with a blue background, and the words "Cobra" and "Dome" on either side of the snake. This reflected the unofficial title of the gym, "Cobra Dome", due to its high arched ceiling.

There are four bells, one of which was cast at Brașov in 1790. The exterior decoration is sparse, confined to niches and buttresses. The nave has an arched ceiling with an octagonal gap for the spire, while the altar space is a quarter-sphere. In 1926, part of the parish house was rebuilt and the interior painted; the church suffered damage during the 1940 Vrancea earthquake.

The double wood and glass doors at the main entrance lead into a small vestibule where stairs provide access to the tower and cellar. From there doors open into the main reading room, rectangular with an elliptical arched ceiling. The original plaster walls have been covered in modern paneling; the original hardwood floors remain. Oak and chestnut molding trims the cornice, doors and windows.

The tunnel is straight with a length close to . The spandrels of the tunnel portals are infilled with regular coursed quarry-faced sandstone, crowned by a deck and projecting cornice. Sandstone segments form the arched entrance and small rendered side walls face the entrance. Internally, the arched ceiling of the tunnel is lined with bricks, meeting with a wall lining of smooth-faced stone.

The Law Library (now Courtroom Four) is clad with carved oak panels. An eagle and the Latin inscription, "Lux et Veritas" (light and truth), crown the exit. The U.S. District Courtroom A with its arched ceiling and pink-tinged white marble walls retains its original gold-trimmed black velvet drapery in the apse behind the judge's bench. The U.S. Courthouse is embellished with notable artwork.

Plaster panels on the wall conceal the original wooden arches. Silhouettes of figures in early 20th- century dress decorate wall niches in the panels as well as stair landings and hallways. Similar landscapes in silhouette fill the domes beneath the balcony. Higher up, the plaster panels on the arched ceiling spandrels and frieze have been painted gold, as have the classical elements on the stage wall.

Sokol (, ) is a Moscow Metro station on the Zamoskvoretskaya Line. The station opened on 11 September 1938. Designed by K. Yakovlev, V. Polikarpova, and V. Andreev, it features a single row of pillars which flare upward into the arched ceiling, separated by circular coffers. Sokol is finished in a variety of materials, including white and gray Koyelga marble, onyx, granite, and white ceramic tile.

The schoolhouse is an L-spaped single story wood frame structure, built in 1852. The original structure measured , with a addition added at an unknown date. The building is distinguished from other district schoolhouses of the period by an interior arched ceiling, which was originally plastered, but is now covered with wood sheathing. Original pine sheathing is used on the interior walls to a height of .

House at 10 Cara Dušana Street House at 10 Cara Dušana Street. Built in 1724-1727, it is the oldest surviving house in Belgrade The oldest surviving private house in downtown Belgrade that is still used as a residence is located in the House at 10 Cara Dušana Street. It was built in 1724-27. The house has an arched ceiling and is currently used as a bakery.

Accordingly, the final design for the vault included iron gates with secure locks. Other elements of the design included a double-arched ceiling, the creation of ventilation and related systems, and the placement of fine marble and carpet to beautify the structure and retard the harshness of death for decedents' family members at funerals. The entire structure is built into a hillside."Harding Rests in Ivy- Clad Vault in Marion Cemetery".

It was located at S.W. 12th and Main streets in downtown Portland. Its two towers were tall, and the main interior space measured , and featured an arched ceiling 52 feet high. It was replaced in 1928 by a notable Neo-Byzantine synagogue building at N.W. 19th and Flanders that continues to serve the congregation. It was listed as Temple Beth Israel on the National Register of Historic Places in 1979.

Entrance to the first floor assembly hall, called the "Great Hall", was through two large double doors at the east end of the vestibule. The Great Hall occupied the remainder of the floor space East of the vestibule. The room was flanked on either side by seven large, arched windows, with four similar windows along the east wall. An arched ceiling spanned some fifty feet in breadth, in the center.

In 1937, Louis Gordon Theatres Inc. leased the property from the Dulgarian Brothers with the intention of turning it back into a theater. Since then, any renovations have been minor and the property remains in the hands of the Dulgarians. A heavy maroon curtain to cover the screen was added in the 1970s, and in the 1980s a false ceiling was removed from the lobby to uncover the original arched ceiling.

Smaller in scale than on the exterior, the edges of the slab also curve upwards, pierced with regularly spaced square holes. The length of the church is divided into bays by the exposed parabolic arches. A scaled-down arch within the arch closest to the sanctuary provides the framework for a lower arched ceiling, lined with plasterboard. The gap between the inner and outer arches is glazed with frosted glass.

By this time, serious defects of construction had become apparent: in one ward the walls and rafters separated and the arched ceiling gave way while in another ward part of the ceiling collapsed. It was found that the roof was insufficient and that the foundations were insecure, necessitating reinforcement works in 1858. Further extensions were added from 1875 to 1879, and by 1880 conditions for inmates had become very poor.

The older eastern part of the platform level has an arched ceiling, which widens to a triple vault in the newer western section. Mezzanines with faregates are located at both ends of the station. The east mezzanine is located on the west end of Long Wharf, near the New England Aquarium. Two glass headhouses—one with escalators and stairs, the other with an elevator—provide access from the surface.

The arched ceiling had an elaborate painting of the Paris Opéra, by Carpegat, described by E. M. Forster, as "the attenuated Cupids who encircle the ceiling of the Queen's Hall, inclining each to each with vapid gesture, and clad in sallow pantaloons".Forster, E. M. Howards End 1910, Chapter 5. Retrieved 7 August 2011 In the centre of the arena there was a fountain containing pebbles, goldfish and waterlilies.Elkin (1944), p.

It was merely a room to sit and be anointed in. In the Forum Baths at Pompeii the floor is mosaic, the arched ceiling adorned with stucco and painting on a coloured ground, the walls red. Anointing was performed by slaves called unctores and aliptae. It sometimes took place before going to the hot bath, and sometimes after the cold bath, before putting on the clothes, in order to check the perspiration.Galen. x.

Floorplan of the Nauvoo Temple second floor mezzanine The second mezzanine was similar to the first floor mezzanine. It was accessed via the two staircases at the West end of the building. There was no foyer connecting the two stairwells. The second floor mezzanine is also presumed to have been divided into fourteen small rooms, seven rooms along each side of the North and South walls of the building, between the arched ceiling of the second floor.

Two doors, one on the north wall and another on the south, opened to the landing of two spiral staircases, one in the northwest corner and the other in the southwest corner, which led to the attic. These were the only access points to the rest of the building. The room was flanked on either side by seven large, arched windows, with four similar windows along the east wall. An arched ceiling spanned some in breadth, in the center.

The station has two side platforms serving the two tracks of the Blue Line; an arched ceiling runs the length of the platform level. With the platforms below street level, it is the second-deepest station on the MBTA system (after Porter station). The Boston Elevated Railway (BERy) opened the Atlantic Avenue Elevated on August 22, 1901, with a station at State Street. The BERy opened the East Boston Tunnel under State Street and Long Wharf for streetcars on December 30, 1904.

Grand Central–42nd Street (signed as 42nd Street–Grand Central) on the Flushing Line has a single island platform and two tracks. There is a large arched ceiling, similar to other deep-level stations in the system and in other parts of the world. Along the platform are stairs and escalators to other lines and to a mezzanine and passageways under the Grand Central Terminal concourse. Exits and entrances are located at the center, west and east ends of the platform.

The main ceiling is a single > arch, of span, rising within of the ridge. The gallery is entirely above the > level cornice of the building, having an arched ceiling which rises five > feet higher than the main ceiling, and is ventilated by a large round window > placed in the centre of the tympanum. The proscenium presents an opening > wide and high. It is composed of pilasters, having ornamented capitals and > bases, which support a beautifully enriched arch, crowned with the American > eagle.

The structure is constructed of white limestone and has a colonnaded entry off Hollis Street. Inside, the Ticket Lobby has a high arched ceiling with a seated waiting area and ticketing/baggage counters. At the time of its construction, the station had a massive covered train shed which extended for 1,500 feet south over the station tracks to protect passengers boarding and disembarking from the weather. The earlier 1920 "temporary" station was converted to an attached baggage and express shed.

The Moorish Revival exterior was said to resemble that of the Great Synagogue of Pilsen, while the interior design featured an "arched ceiling, indirect lighting system...[and] the Ark and the Bimah were finished in white enamel and gold". The building also sported stained glass windows "with Judaic historical designs". The principal address during the dedication was given by the noted Jewish orator, Rabbi Hirsch Masliansky. In the evening, a sacred concert was performed by Cantor Josef Rosenblatt and his choir.

Architectural features include an exterior main gable entrance with early Victorian-style half- timbering, an arched ceiling, clerestory windows, a great hall with a musicians' gallery, a stained glass window wall, and a stucco mosaic wall adorned with broken colored glass. Owned by the Alden family until 1949, it was sold that year to the Amalgamated Garment Workers Union, which converted it to a recreational rather than residential structure."R. Percy Alden Village - The Alden Place, 100 Freeman Drive," in "Heritage Trail," The Lebanon Valley Conservancy.

At the same time the interior of the first floor was remodelled. A panelled, arched ceiling to the rear half of this floor is decorated in modelled fibrous plaster with angels, harps and Australian floral motifs in gold relief. The walls are panelled in silky oak; the floor is hardwood. Lead light panels in the ceiling and one end wall depict the four counties of Ireland and the Queensland coat of arms, while other leadlight windows are located in the north- east side wall.

The lavish interior features an arched ceiling painted by famed muralist Anthony Heinsbergen, who purposely undercut the competition bidding for the job and toiled on his back while painting, like Michelangelo. Heinsbergen later claimed that he rarely bothered with self-promotion again. In the 1960s, the Elks sold the building due to shrinking membership, and the building was transformed into the luxury Park Plaza Hotel, overlooking the then-glamorous MacArthur Park. In the 1980s the hotel became the site of after hours nightclubs like Power Tools.

The interior of del Templo de San Antonio The dome has a number of pendentives with geometric details and sculpted flowers in its interior. The walls contain several paintings framed by medallion structures made by Candelario Rivas, which show miracles attributed to Saint Anthony of Padua. Chandeliers hang from an arched ceiling, rife with more pendentives just above the capitals of Doric-styled columns. A balcony above the common area contains a pipe organ and a small number of seats, usually reserved for important guests.

Faris Caves are a series of artificially excavated caves located along the Smoky Hill River in central Ellsworth County, Kansas. Each of the three caves are about 12-feet square, with 10-foot arched ceiling, dug out of the Dakota Sandstone with a pickaxe by Coloradan miner Charles Griffee in the 1880s. Fresh spring water flowed through one of the caves to help keep food and supplies cool in the hot months. Griffee sold his land and caves to Winfield and William Faris in 1893.

The current building is a combination of Romanesque and Gothic as well as later features, but in its current form retains the general external appearance of a Romanesque basilica. Original structures from this period include the main and north crypt, the walls of the transept, the core of the outer wall of the northern aisle, the polygonal choir apsis, the long choir, nave and the arched ceiling. The furnishing is a more eclectic mix of styles. Interior features include a large crucifix from ca.

The interior of CHIJMES Hall, showing the arched ceiling and stained glass windows The early Gothic Revival style Convent of the Holy Infant Jesus Chapel has finely detailed works, such as the plasterwork, the wall frescoes and stained glass panels. The grand Anglo-French chapel was established with the support of the Catholic community in Singapore and beyond. Designed by Father Charles Benedict Nain, the chapel is one of the most elaborate places of worship ever built in Singapore. The chapel's stained-glass windows were designed by Jules Dobbelaere and were imported from Bruges, Belgium.

The Belle Isle Aquarium is a public aquarium located in Belle Isle Park in Detroit, Michigan. Designed by noted architects George D. Mason and Albert Kahn, it opened on August 18, 1904, and was the oldest continually operating public aquarium in North America when it closed on April 3, 2005. The aquarium reopened to the public on August 18, 2012, and is now run entirely by volunteers. The historic building features a single large gallery with an arched ceiling covered in green glass tile to evoke an underwater feeling.

Arched ceiling in the Tara Ball Room, 2015 Tara House is situated in a section of Elizabeth Street previously used as a warehousing precinct. It is located close to other remnants of the warehouse era, notably the adjacent Heckelmanns Building and the present Kings Car Park. Current use of the area is for shops and offices. Tara House is a two-storey, cement- rendered brick building with basement of the late 1870s, with simple classical detailing, including an arcaded upper level crowned by an entablature and balustraded parapet.

The All Saints building was designed by architect Willey Reveley and featured an arched ceiling that spanned the whole sanctuary, some long and wide, without the use of any supporting pillars. The neoclassical frontage of the church was dominated by four columns supporting Grecian pilasters and a triangular pediment. The catacombs were the resting place of a chancellor of the Exchequer and two notable Royal Navy officers among others. In August 1944 the remains of all 403 people buried in the catacombs were transferred to a communal grave elsewhere in Southampton.

Its two towers were tall, and the main interior space measured , and featured an arched ceiling 52 feet high. Postcard depicting the 1889 synagogue It was replaced in 1928 by a notable Neo-Byzantine synagogue building at N.W. 19th and Flanders that continues to serve the congregation. It was listed as Temple Beth Israel on the National Register of Historic Places in 1979. Designed by Herman Brookman, it is considered one of the finest examples of Byzantine-style architecture on the west coast, and was inspired by the Alte Synagoge (Steelerstrasse Synagogue) in Essen, Germany.

Under a spectacular arched ceiling, a dazzling floor appears to be random zigzags and geometrics; from another angle the pattern turns out to be a block-long Navajo blanket made of linoleum tiles. The fabulous dining room and her sleek, Streamline Moderne cocktail lounge were padlocked except for occasional movie shoots and Los Angeles Conservancy tours until 2018. On 4 October 2018, the restaurant was reopened as Imperial Western Beer Company. Not long before her retirement, Colter took on the 1947 renovation of the Painted Desert Inn in Arizona's Petrified Forest National Park.

One of the chains, taken from the original Hungerford Bridge on the Thames Although similar in size the bridge towers are not identical in design, the Clifton tower having side cut-outs whilst the Leigh tower has more pointed arches and chamfered edges. Brunel's original plan proposed they be topped with then-fashionable sphinxes, but the ornaments were never constructed. Looking up at the arched ceiling of the interior of the abutment under the Leigh Woods side of the bridge, showing stalactites. The Leigh Woods tower stands atop a red sandstone-clad abutment.

Over the Market was built a large Assembly Room with an arched ceiling. The Pannier Market was opened in February 1864 by the Mayor of South Molton.The buildings of South Molton - Devon Guide website South Molton Market is held here every Thursday and Saturday from 9 am to 1.30 pm hosting about 70 local businesses selling a wide range of locally produced, reared and grown foods including fruit and veg, bread, fresh fish and meat, eggs and pasties. Other goods available include flowers, clothing, jewellery, plants, antiques and hand crafts, etc.

Established on Lombard Street in 1745 by mayor Edward Shippen and Joseph Wharton, a wealthy merchant,, p. 25 and named "New Market" to distinguish it from the established market on High (now Market) St., the market was used well into the 19th century. It originally consisted of 16 stalls created by two rows of brick pillars supporting a gable roof and arched ceiling over an open market area, known as the Shambles. By 1797 it had extended to South Street, where it ended in a firehouse, which was later demolished, and eventually extended north to Pine Street as well.

After taking control of Malta in the beginning of the 19th century, the British converted the cavalier into an officers' mess, a place where soldiers could socialize. Some modifications were made to the structure at this point, including replacing the ramp leading to the roof by a staircase, and increasing the number of rooms by building an arched ceiling within the ground floor room, therefore creating two stories where there had been only one. Changes were also made to help combat humidity. Later on, two cisterns were excavated within the cavalier to store water pumped to Valletta via the Wignacourt Aqueduct.

Initially, there were handrails within the registry room that separated the primary inspection into several queues, but 1911 these were replaced with benches. A staircase from the first floor formerly rose into the middle of the registry room, but this was also removed around 1911. When the room's roof collapsed during the Black Tom explosion of 1916, the current Guastavino-tiled arched ceiling was installed, and the asphalt floor was replaced with red Ludowici tile. There are three large arched openings each on the northern and southern walls, filled-in with grilles of metal-and-glass.

Also on the south side are a telephone alcove; an entrance to the lobby outside the building's former auditorium; and a passageway to the former cafeteria, Small vestibules separate the main corridor from Hudson Street and West Broadway. On Hudson Street, between the vestibule and the main hall, is a wide entrance hall. This space contains plaster on the upper portions of its walls, as well as an arched ceiling supported by octagonal brick piers. Unlike most other Art Deco lobbies of the time, which incorporated traditional motifs with modern materials, 60 Hudson Street's lobby largely uses a modern brick design.

By the way, the "Tallinn" cafe and other confectionery products were famous all over the city. The varietee ceiling on the second floor of the cafe "Tallinn" as well as the "Karoliina" wineshelf of the bar were formed by welding the empty, bottomless cups from the fish compound. The interior of "Karoliina" had the most historic aura - the exhibited wall and the arched ceiling and the tables made out of the trunks of ancient trees. The modernity of the room was expressed on one wall in some square lamps, that were mounted close to the floor, which created mystical glow with a spotlight on the wall.

The architectural expression was eclectic, combining classical columns and arches, stylised Art Deco details, a symmetrical Beaux Arts form with a stepped skyscraper silhouette. Designed as a memorial to World War I soldiers, the exterior features stylized Assyrian friezes, sculpted figures in military uniform, and massive cast stone warrior angels guarding the plinth and tower at every corner. The lobby features an arched ceiling painted by famed muralist Anthony Heinsbergen. Designed as a memorial to World War I soldiers, the exterior features stylized Assyrian friezes, sculpted figures in military uniform, and massive cast stone warrior angels guarding the plinth and tower at every corner.

Its cost, including furniture, was almost £2000. The church was dedicated by Archbishop of Brisbane St Clair Donaldson in 1912 at a service attended by members of the whole community which regarded its opening as a great event for the growing township. In 1912 the Brisbane Diocese newsletter, The Church Chronicle, stated that St Michael and All Angels Church was "a really beautiful Church - one of the best wooden buildings in the Diocese". The church was built in a cruciform plan with few internal wall planes, an arched ceiling space formed by an exposed scissor-braced roof frame and a tall nave and arched windows giving the illusion of verticality.

The architecture at Anacostia is unusual. Due to cost considerations and the station's shallow depth, the usual arched ceiling was abandoned in favor of flat concrete walls and a ceiling of small barrel vaults (oriented perpendicular to the tracks) similar to the upper coffers in the six-coffer arch station design. The station is an underground stop because the distance between the Anacostia River tunnels and the station is too short to have permitted an above-ground stop. The station has entrances on both sides of DC-295/I-295 (Anacostia Freeway), which necessitated the construction of a slightly longer platform than would be necessary to accommodate trains.

The Kennedy–Warren was the first building in Washington to use aluminum extensively; applications include the entrance porch, spandrels between the windows on the façade, balustrades in the lobby, and even an aluminum-leaf arched ceiling in the ground-floor corridors, unique in Washington. The stone carvings are in the Aztec Deco style, influenced by the carved stonework of ancient Mexico, and include griffins, eagles, and a frieze of elephants and starbursts and they rise three floors above street level. An unusual feature of the Kennedy–Warren when it opened in 1931 was its air-cooling system. Three enormous fans drew cool air from Klingle Park at the back of the building and forced it through the public corridors.

Of particular note were the Central Hall, the large lecture hall (seating 200, gallery-style and communicating with the laboratories) and library, with reading rooms for girls and boys respectively. In addition, a domestic science block was erected in the same style to the south of the main building and near the girls' school entrance. A feature of the wood-panelled Central Hall, rising two storeys with gallery to an arched ceiling, was the six large stained glass windows with figures representing Literature, Science, Art, Music, Technology and Gymnastics. South Lanarkshire public libraries – local history collection- Programme and Souvenir, opening of the new Hamilton Academy building 22nd. Sept. 1913 This new Hamilton Academy building was officially opened on 22 September 1913, a programme and souvenir of this event being published by the Hamilton Advertiser newspaper.

The third floor houses a massive ceramic-tiled Hubbard Currence therapeutic tub (a full body immersion whirlpool installed in 1938 when other hydrotherapeutic pools were also added), areas for men' s and women' s parlors, and a wood panelled gymnasium to the rear. The most impressive space on the third floor is the assembly room (now museum) where the segmentally arched vaults of the ceiling are filled in with arched, stained glass skylights. Arched wood-frame doors surrounded by fanlights and sidelights open out to the small balconies of the front elevation. The basement houses various mechanical equipment, a bowling alley (since removed), and the Fordyce spring – a glazed tile room with an arched ceiling and a plate glass window covering over the natural hot spring (spring number 46).

CSX freight train emerging from the north end of the Howard St. tunnel Reconstructing the Howard Street Tunnel to accommodate double- stacked intermodal containers had been once thought to cost $1–3 billion. However, in April 2016, a $425 million plan was revealed that would create the needed of additional clearance in the tunnel by trimming and notching its arched ceiling, lowering its floor, and using steel crossties, which have a lower profile than wood crossties. The Maryland Department of Transportation subsequently applied for a $155 million FY2016 FASTLANE grant to help fund a project based on this lower-cost plan, but the grant was not received. In December 2016, MDOT reapplied for a FASTLANE grant of the same amount in the FY2017 round of funding. In addition to the federal funds expected from the grant, the State of Maryland would contribute $145M, and CSX $125M, towards the cost of the project.