Sentences Generator
And
Your saved sentences

No sentences have been saved yet

298 Sentences With "amours"

How to use amours in a sentence? Find typical usage patterns (collocations)/phrases/context for "amours" and check conjugation/comparative form for "amours". Mastering all the usages of "amours" from sentence examples published by news publications.

type: All Declarative Interrogative Exclamative

structure: All Simple Compound Complex Compound-Complex

length: All <=10 words 10-20 words 20-30 words 30-50 words

If the forensically brilliant and hard-minded Trevor-Roper had fallen for him, why not Peters's many amours?
For a long time, Lear's amours had to be cloaked in the neat periphrases of "bachelordom" and eccentric reclusion.
Frank Lushington, a Cambridge-educated young man who became a successful lawyer, was one of the most intense of these amours.
" Asked about the Trump-Macron relationship, a spokesman for Macron responds, "As we say in France, 'les grands amours finissent toujours mal'— great loves always end badly.
En el programa, el presentador y los tertulianos discutieron el diario de más reciente publicación de Matzneff en esa época, Mes Amours Décomposés (Mis amores en descomposición).
But while each of Rory's adolescent amours has his own pluses and minuses, devoted members of Team Logan might find themselves in a bit of an awkward spot after viewing the series' highly anticipated revival.
I expressed a healthy degree of skepticism about this — right before "J'ai Deux Amours" came dripping out of some cafe speakers and Mr. Bagley and I discovered that we were born the same day of the same year.
His jangling, often discordant soundtrack is a striking accompaniment to the alien mating rituals of two amorous cephalopods in this clip from the filmmaker Jean Painlevé's short 1967 documentary "The Love Life of an Octopus" ("Les Amours de la Pieuvre" in French).
L'animateur et les invités commentaient le dernier volume du journal de M. Matzneff, Mes amours décomposés, dans lequel l'écrivain se vante de ses innombrables relations sexuelles avec des mineurs, dont des garçons Philippins de 11 et 12 ans qu'il qualifie de " piment rare ".
Shakespeare's best-loved characters seem to know Keenan on a first-name basis, and this conceit is sometimes distracting, feeling at once a little precious and a little forced, even as these scenes illustrate the easy familiarity of best friends or long-term amours.
The burnished elegance of David Woodhead's design makes cunning use of a two-way mirror and manages to couple distressed chic with a reminder of the theatrical environs that mark out the story of Desiree Armfeldt (a satin-cheeked Josefina Gabrielle) and her motley gathering of aristos and amours.
Jane Birkin and Serge Gainsbourg had one of the great romances of the 20th century, expressed through two decades' worth of sly, decadent French love songs — from the succès de scandale of "Je T'Aime...Moi Non Plus" in 1969 through "Amours des Feintes," released less than a year before Mr. Gainsbourg's death in 1991.
The cartographer Jacques-Nicolas Bellin wrote "Belsamont or Belles Amours" on his maps of 1744 and 1755. The form "Belles Amours" prevailed from this date.
The screening was presented by the Badlands Collective and A Nos Amours.
They relate the amours and gallantries of the court of Henry the Fourth.
Of the two song attributed to Josquin des Prez, one is "Adieu mes amours".
A separate French-language version Les amours de Pergolèse was released the following year.
He is followed by Cupid and her little amours. "You must be his helpmate," Apollo tells her, "It is the will of the gods." Everyone is delighted; Cupid, amours, and nymphs rejoice over the lover's happiness. A classical Pas d’action is performed.
He conducted the premiere of the comic opera Père des Amours by Eugène Lapierrein 1942.
La Fontaine had also published a conte entitled Les Amours de Psyché et de Cupidon in 1669.
He wrote tragicomedies and tragedies, including Marguerite de France, Téléphonte, Rodogune, Sémiramis, ', Les Amours de Diane et d'Endymion.
This novel was translated into French as Les Amours de Florisee et Clareo et de la peu fortunee Ysea by Jacques Vincent (Paris, 1554). A French adaptation of Achilles Tatius' novel (with significant changes) was published as Les adventureuses et fortunees amours de Pandion et d’Yonice (1599) by Jean Herembert, sieur de la Rivière.
Tenor of "Adieu mes amours" from Petrucci's Odhecaton. Adieu mes amours was a popular secular polyphonic chanson of the late 15th century. Many settings of this tune are in fact based on the c. 1480 setting by Josquin des Prez, in which the lower two voices are in quasi-canon, and the upper two voices are freer.
The Belles Amours River () is a salmon river in the Côte-Nord region of Quebec, Canada. It empties into the Gulf of Saint Lawrence.
Les Amours de la reine Élisabeth Les Amours de la reine Élisabeth (The Loves of Queen Elizabeth), Les Amours d'Élisabeth, Reine d'Angleterre (The Loves of Elizabeth, Queen of England) or La reine Élisabeth (Queen Elizabeth) is a 1912 feature 4-reel French silent film based on the love affair between Elizabeth I of England and the Earl of Essex. It was condensed from a play of the same name and directed by Louis Mercanton and Henri Desfontaines. It was shot in Paris and starred Sarah Bernhardt as Elizabeth and Lou Tellegen as Essex. Bernhardt by then was 68 and said of the film "This is my last chance at immortality".
A year later, he performed in Amours de Paris. His songs remained big hits, such as "Prosper" (1935), "Ma Pomme" (1936) and "Ça fait d'excellents français" (1939).
He named the butterfly for Atala, the Native American heroine of an 1801 French novella by Chateaubriand, Atala, ou Les Amours de deux sauvages dans le desert.
The music was composed by Robert Viger,Robert Viger, composer of Catherine tv-soundtrack who had already composed several soundtracks such as Les Amours romantiquesLes amours romantiques, Music by Robert Viger for a French television series. Viger also composed already the television soundtrack for the successful Marianne back in 1983. Juliette Benzoni's Marianne, une étoile pour Napoléon (six books) was the first of the novel series filmed for French television.
I. Introdução, selecção e notas de Joana Luísa da Gama. Lisboa: Ática, 1994: 9-16. 226\. «Les églogues de Bernardim Ribeiro». Bernardim Ribeiro, Chagrins & Amours de Quelques Bergers.
He attended the coronation of Louis IX in 1226, along with the trouvère Hue de la Ferté. Theobald I of Navarre, also a trouvère, dedicated the song De ma dame souvenir to Thibaut and also used Thibaut's Amours, que porra devenir as a model for a religious poem of his own. Gautier d'Espinal also borrowed the melody of Amours for one piece. Thibaut himself borrowed from rhythms from the polyphonic repertoire of the day.
J'ai Deux Amours is an album by Dee Dee Bridgewater. This was Bridgewater's first album of French music; she lived in France for more than two decades and speaks French.
That's probably why she didn't have an international career. It's a pity.Gérard Zwang, Mémoires d'une chanteuse française. La vie et les amours de Madeleine Grey (1896-1979), L'Harmattan, Paris, 2008.
She has also acted in several TV movies. In 2009 she played the lead role of Caroline Delaume in the six-part French television series Mes amis, mes amours, mes emmerdes.
Josquin's chanson was used as the basis for works by a number of other composers, including a version by Heinrich Isaac, and the five-voice chanson "Vous seulement" by Simon Moreau. The setting by Jean Mouton seems to be unrelated to the setting by Josquin. Although "Adieu mes amours" was originally a secular chanson, it was used in a number of mass settings such as, Missa "Adieu mes amours" which uses both parody and cantus firmus compositional techniques by Francesco de Layolle, and another Missa "Adieu mes amours" by Jacob Obrecht. The first attribution to Josquin of this chanson is in the Casanatense chansonnier of around 1480, which was probably put together to celebrate the betrothal of Isabella d'Este to Francesco Gonzaga.
La Pandora is a short novella by the French poet and writer Gerard de Nerval. In the style of Sylvie, it recounts Nerval's stay in Vienna in 1839-1840 and his infatuation with a theatre actress there. It was a follow-up to the text of Les Amours de Vienne, previously published in Revue de Paris in 1841 and incorporated in Nerval's book Voyage en Orient in 1852. Pandora was originally titled Suite des Amours de Vienne - La Pandora.
Contemporary Canadian Composers ed. by Keith MacMillan and John Beckwith. Toronto : Oxford University Press, 1975 Quesnel was the subject of the comic opera Le Père des amours, written by Eugène Lapierre in 1942.
Besides Fine amours, which has pentasyllables, all of Carasaus's works have only heptasyllables and decasyllables. All his melodies are in bar form; but Pour ce me sui de chanter entremis is also motivic.
A small prose comedy, Les Carrosses d'Orléans (1680), was on the other hand a genuine success and was frequently staged. It was later adapted into a popular English hit The Stage Coach by George Farquhar and Peter Motteux. La Chapelle published two novels, Les Amours de Catulle (1680) and Les Amours de Tibulle (1700), both dry collections of translations from the Latin poets Catullus and Tibullus respectively. In 1688, La Chapelle was elected chairman of the Académie française, succeeding Antoine Furetière.
She published The Amours of Alcippus and Lucippe, with a dedication to Margaret Walker, in 1704, and "The Fugitive," dedicated to Esther Johnson (Swift's beloved friend "Stella") , in 1705. She claims in the Introduction to "The Works of Mrs. Davys" (1725) that she abandoned "The Amours" while in press to go north, probably to York. In 1716, she returned to London for the production of her play, The Northern Heiress, or the Humours of York, a comedy critical of the marriage market.
The Amours of Sainfroid and Eulalia or Venus in the Cloister is a pornographic book published in New York City in 1854, translated from the French Les Amours de Sainfroit, jésuite, et Eulalie, fille dévote published by Isaac van der Kloot at The Hague in 1729. It is an anticlerical account of the seduction of a nun by a Jesuit priest. Henry Spencer Ashbee suggests that it is based on an historical incident in Toulon in 1728–29, involving Jesuit priest and alleged witch Catherine Cadière.
Authors associated with les Amours were Antoine de Nervèze, Nicolas des Escuteaux and François du Souhait.The classic, albeit outdately judgemental, book on these early novels is: Reynier, Gustave. Le Roman sentimental avant l'Astrée. Paris: Corti, 1908.
6 on the north side of the Mounth in 1057, after retreating with his men over the Cairnamounth Pass to take his last stand at the battle at Lumphanan.Andrew Wyntoun, Original Chronicle, ed. F.J. Amours, vol.
32r (5 or 6 stanzas). #Touse (Bergier) de vile (RS957). As a song in Trouva f.124 (index only, as this folio is missing), TrouvK p.401, TrouvX f.190r (three stanzas). #Bien s'est Amours honie (RS1163).
His nine chansons and five jeux partis survive only in north French sources, and were probably not widely copied or performed. The only possible exception to this is Hé, Amours, je fui nouris, which is widely preserved, but at the same time has conflicting attribution: it is more commonly assigned to Gillebert de Berneville in the manuscripts. The song Joliement doi chanter ascribed to Robert is also more often found ascribed to Gillebert. Hé, Amours was the basis for two contrafacta: Aucun gent m'out blasmé and Mout sera cil bien mouris, in praise of Mary.
Senatore has worked with , Giorgio Rossi, and Antonio Tagliarini.. In 2013, she choreographed and produced Nos amours bêtes, based on a script by . In 2018, she developed choreography for dances performed in the opera Cendrillon by Jules Massenet.
83–84; Dunbar; Duncan (1971) p. 2; Duncan; Brown (1956–1957) p. 199; Amours (1907) pp. 84–87; Laing (1872) p. 240. According to the former source, the king personally led the first of two incursions in 1221.
It was revised and published under the title Histoire des amours de Cléante et de Bélise, avec le recueil de ses lettres in 1691. Her novel continued to be published into the 19th century. She died in Paris in 1740.
Luxembourg was represented in the Eurovision Song Contest 1957, on 3 March 1957, by Danièle Dupré with the song "Amours mortes (tant de peine)", written by Jean-Pierre Kemmer and Jacques Taber. The entry had been chosen internally by the broadcaster.
In October 2015 Hogg co-curated the retrospective exhibition of film maker Chantal Akerman's installation work, "Chantal Akerman NOW", at the Ambika P3 Gallery. This was the culmination of a two-year-long retrospective of Akerman's work she had programmed with Adam Roberts, with whom she founded the cinema collective A Nos Amours in 2011. The collective is "dedicated to programming over-looked, under-exposed or especially potent cinema".A Nos Amours In an interview, Hogg said that 'A new generation is growing up who actually don’t know the work of directors like Tarkovsky', as a major motivation behind establishing the collective.
Les Amours du dimanche is a 1989 album recorded by French artist Marc Lavoine. It was his third studio album and contains the singles "C'est la vie" (#14), "Ami", "Chère amie" (they failed to chart) "Rue Fontaine" (#11) and "Je n'ai plus rien à te donner" (#18) which obtained popularity in France. The album earned a Gold certification awarded by the SNEP and was ranked on the chart for 26 weeks in 1989 and 1991, peaking at #35 in its first and second weeks.Les Amours du Dimanche, French Albums Chart See: "Sélection des Autres Artistes" => "Marc LAVOINE" Infodisc.
This song, their rendition of "Les Amours Perdues", also appeared in Lea Pool's film Emporte Moi. Besides Elysian Fields, Charles has other projects. She and Bloedow recorded La Mar Enfortuna for Zorn's Tzadik label, featuring renditions of Sephardic and Ladino songs.[ Allmusic.
The story follows the misbehaviors of Regina (Valeska Suratt) as she passes whooping cough to the numerous men she kisses. In the final act, her amours land her in divorce court, where she performs a dance routine borrowed from Suratt's vaudeville act.
The Want package in the UK has two bonus tracks: "Chelsea Hotel No. 2" (a Leonard Cohen cover) and "In With the Ladies", which replace "Coeur de parisienne – Reprise d'Arletty" and "Quand vous mourez de nos amours" from 2004's augmented edition.
In 2011, she also participated as a supporting musician in a reunion tour by the Franco-Ontarian rock band CANO. She is married to musician Luc de Larochellière."Andrea Lindsay et Luc De Larochellière: des amours et des chansons". La Presse, February 14, 2013.
Although music survives for six other pieces of Simon's, it is irregular, difficult to interpret in terms of modes, lacking in mensural notation and being open to different interpretations of its intervals. One interpretation of Tant ai amours gives it an interval of a twelfth.
Louis Dunand and Philippe Lemarchand, Augustin Carrache. Les amours des Dieux, Genève, Slatkine, 1990, pp. 1009-1033. This theory remains contested to this day. In effect, Coiny seems to have had a set of six anonymous prints, but it is difficult to say precisely which.
He may have based his Bien font Amours lor talent on the conductus Quid frustra consumeris and Chanter et renvoisier seuil on Sol sub nube latuit. With the exception of three chansons that are restricted to a sixth-- Amours, que porra devenir, Chanter et renvoisier seuil, and Huimain par un ajourant--and one, Li miens chanters ne puet mais remanoir, which is severely restricted in movement, most of Thibaut's melodies move freely. They are all basically syllabic, with only Li miens chanters exhibiting more complex melisma. Compared to his melodies (all recorded in bar form),The first six lines of Quant je voi are given mensural notation in the Chansonnier Cangé.
The main editions of texts, with Latin translation, that are owed to Gaulmin are De operatione dæmonum, attributed to Michael Psellos (1615); Les amours d'Ismène et d'Isménias, by Eustathios Makrembolites (1617); Les amours de Rhodanthe et de Dosiclès, by Theodore Prodromos (1625); and the De vita et morte Mosis, an anonymous Hebrew text (1629). But Gaulmin’s most famous publication is the Livre des lumières en la conduite des rois composé par le sage Pilpay (1644), dedicated to chancellor Pierre Séguier by “David Sahid of Ispahan,” a translation in French of a Persian edition of the Panchatantra (or Book of Kalîla and Dimna), which popularized the “Fables of Pilpay” in France.
In 1941 Albert Skira returned to Geneva. In the years 1941 to 1948 he devoted himself (with the assistance of Henri Matisse) to publishing Florilège des Amours de Ronsard (Anthology of the Amours of Pierre de Ronsard), a luxury artist's book created at the "highest possible standards ... in design and typography". Other major books published by Skira in the 1940s included Rabelais's Pantagruel (1943) (with "vibrantly-coloured woodcuts" by André Derain) and Malraux's Les Conquérants (1949) (with etchings by André Masson). Towards the end of the war he also published "a monthly review of art and literature"James Lord, Giacometti: A Biography, New York: Farrar Straus Giroux, 1983, 1985, (ebook) 2012.
The Second Part by the Same Hand (1685), and The Amours of Philander and Silvia (1687). The copyright holder was Joseph Hindmarsh, later joined by Jacob Tonson. The novel has been of interest for several reasons. First, some argue that it is the first novel in English.
The mouth of the river is in the municipality of Bonne-Espérance in Le Golfe-du- Saint-Laurent Regional County Municipality. The Belles Amours harbor is an inlet that stretches inland for more than , and has provided a sheltered anchorage for fishermen since the 16th century.
F.J. Amours, vol. 4, pp 298-299 and 300-301 (c. 1420) The alignment of the Cairnamounth, Elsick Mounth and Causey Mounth ancient trackways had a strong influence on the medieval siting of many fortifications and other settlementsC. Michael Hogan, Elsick Mounth, The Megalithic Portal, ed.
The lyrics to "Ô Canada! mon pays, mes amours", meaning "O Canada! my country, my love" is a French-Canadian patriotic song. It was written by George-Étienne Cartier and first sung in 1834, during a patriotic banquet of the Saint-Jean- Baptiste Society held in Montreal.
In 2013 a New York Times music writer compared her vocal style to that of Billie Holiday, Ella Fitzgerald, and Edith Piaf. Her song "A Prayer" appeared in the television show Deadwood (2005), and her version of "J'ai deux amours" was included in the film Diplomacy (2014).
In addition, he also published Le Quatrième Larron in 1861, Ce que l'on dit pendant une contredanse (1863), Les Amours faciles (1866), Les Derniers Jeunes Gens, Le Bal du diable etc. His last work was a more humorous than philological fantasy entitled Voyage autour du dictionnaire published in 1892.
However, changes in the theater rendered DeMille's melodramas obsolete before they were produced, and true theatrical success eluded him. He produced many flops. Having become disinterested in working in theatre, DeMille's passion for film was ignited when he watched the 1912 French film Les Amours de la reine Élisabeth.
Dominique Besnehard (; born 5 February 1954) is a French actor, film producer, casting director, writer and talent manager. He has appeared in over 80 films and television shows since 1975. He starred in the 1983 film À nos amours, which was entered into the 34th Berlin International Film Festival.
He also composed entertainments and interludes for theatre, including those of the Nouveau Monde, which were a great success. In 1729, he had Les Amours des déesses, ballet héroïque on a libretto by Louis Fuzelier played at the Académie royale de musique The Regent granted him letters of nobility.
The film was released in Italy on August 7, 1979, and was screened in 4 cities (including Turin and Milan) with a total of 14.307 spectators in the first year. In France, the film was released theatrically in February 1981 under the title Les amours interdites d'une religieuse.
The novel probes the instinct that drives one to save money and to be wary of the other, and which prevents one from enjoying life, rather than "spend without counting." Amours transversales, published in 2004, returns to the romantic vein of Le problème avec Jane. A narrative built upon four short stories with recurring characters, Amours transversales is about those loves that are not the ones upon which one has based one's life, but which are no less important: temporary, incidental loves that draw across our lives a transversal line. Following a silence of four years, Un brillant avenir was published in 2008 and became one of Cusset's greatest successes to date.
An illustration from The Runaway Her experience of a real private press, St John Hornby's Ashendene Press, was rather more mixed. Raverat spent a year producing 29 wood engravings for an edition of Les Amours de Daphne et Chloe by Longus. It appeared in 1933, five years after the project started.
Perdues dans New York was released on DVD in the UK by Redemption Films on 16 July 2007 in a non-anamorphic 1.66:1 transfer with a Dolby 2.0 mono soundtrack. Extras included two of Rollin's early short films (Les Amours Jaunes and Les Pays Lion) and a stills gallery.
Octave Féré, real name Charles Octave Moget, (11 October 1815 – 21 April 1875) was a minor 19th-century French writer. Féré contributed to the magazine ' and also participated to the writing of many plays by the dramatist Saint-Yves, including for example Les Amours du comte de Bonneval in 1866.
Within her circle of literary acquaintances Fowke had various important friendships, notably with Aaron Hill. Her correspondence with him was published after her death as Clio: or, a secret history of the life and amours of the late celebrated Mrs. S-n--- m. Written by herself, in a letter to Hillarius.
Frontispiece to the Odhecaton. Adieu mes amours by Josquin des Prez in the Odhecaton. The Harmonice Musices Odhecaton (One Hundred Songs of Harmonic Music,Harmonice Musices Odhecaton A, pp. 3-4. also known simply as the Odhecaton) was an anthology of polyphonic secular songs published by Ottaviano Petrucci in 1501 in Venice.
Gabrielle d’Estrées, ou Les amours d'Henri IV de France (Gabrielle d’Estrées, or The Loves of Henri IV of France) is an opera in three acts by the French composer Étienne Méhul. It premiered at the Opéra-Comique, Paris on 25 June 1806. The libretto is by Claude Godard d'Aucourt de Saint-Just.Bartlet, p.
In 2008, he sang "L.U.V." as a duet with Daniel Darc for the latter's album, Amours suprêmes. He was also involved in Étienne Daho's Daho Show, covering "I Can't Escape from You" as a duet with Daho. He also rerecorded Serge Gainsbourg's classic album, L'Homme à tête de chou, for a show.
In her premiere, she performed in Jean-Joseph Mouret's Les Amours des Dieux. She danced alongside Marie Camargo, also a student of Prévost; however, they each formed different approaches to their dancing – Camargo as the technician and Sallé as the actress. Her legacy never quite separated from Camargo despite their differing styles.
Sandrine Bonnaire at the 2000 Cannes Film Festival. Bonnaire was born in the town of Gannat, Allier, in the Auvergne region. She was born into a working-class family, the seventh of eleven children. Her acting career began in 1983, when she starred in the Maurice Pialat film À Nos Amours at age 16.
The J-P Wimille was a French automobile manufactured from 1946 until 1950. Powered by a rear-mounted 22 hp Ford V-8, it was an aerodynamic saloon designed by racing driver Jean-Pierre Wimille. No more than 20 were built. Some of the cars appeared after Wimille's death in the 1953 film "Les amours finissent à l'aube".
L'Amour est un chat qui te guette et t'attrapera. L'Amour est un chat qui t'attrapera. A bon chat bon rat, je sais/tu peux boire Les chats et les Amours aiment à folâtrer, et sitôt qu'on les flatte font patte de velours Buveurs gardez-vous de la patte, de la patte de l'amour. L'Amour est un chat qui t'attrapera.
The river basin covers . It lies between the basins of the Napetipi River to the west and the Belles Amours River to the east. About 69.5% of the basin is in Labrador, north of the provincial boundary. The Quebec portion is partly in the unorganized territory of Petit-Mécatina and partly in the municipality of Bonne-Espérance.
This ancient story was recorded in lost lines of Hesiod.According to Bibliotheke III.6.7, and in Phlegon, Mirabilia 4. In Hellenistic and Roman times Tiresias' sex-change was embellished and expanded into seven episodes, with appropriate amours in each, probably written by the Alexandrian Ptolemaeus Chennus, but attributed by Eustathius to Sostratus of Phanagoria's lost elegiac Tiresias.
Mitchell 1999, p. 225 On 17 July 1995, Fo had a stroke. He quickly recovered and was well again by his seventieth birthday on 24 March 1996.Mitchell 1999, p. 226 In summer 1996, he wrote Leonardo: The Flight, the Count and the Amours. Set in 1502, the titular character of the play was Leonardo da Vinci.Mitchell 1999, p.
The large sculpture studio with 25 foot high ceilings is part of the main structure.Slesin, Suzanne. "Cast in Metal." New York Times Magazine, Part 2. April 15, 1984, pp 34–35.GA Houses 17, February 1985, Pp.60-67"Amours d'aluminium," Decoration Internationale, Octobre 1983 Pp.82-95"Modern Sanctum," Interior Design, October 1985 Pp.242-243 et seq.
He was a disciple of Shah Hatim. The four collections of his poems are – Rekhta, Baqiyaa, Aamekhta and Angekhta in which he is seen as a romantic poet whose choice of words was high. He wrote poems describing his amours with courtesans and dancing girls. He also wrote Majalis e Rangin, a critical review of contemporary Urdu poets.
It makes use of enharmony, a technique Rameau believed was ideal for "inspiring dread and horror."Girdlestone, p. 149Bouissou (2014), pp. 329-330 At the beginning of Act Three, Phèdre implores Venus for mercy in the aria "Cruelle mère des amours" which Girdlestone praises as a "magnificent solo" in spite of its "terribly flat" words.Girdlestone, p. 154ff.
Eustache le Peintre de Reims or Eustache de Rains (fl. 1225-40) was a trouvère from Reims, possibly a painter (peintre), but that may just be a family name. Seven poems of his are preserved in surviving chansonniers. Eustache addressed one of his songs, Amours, coment porroie chancon faire, to Guigues IV, Count of Forez and Nevers.
In Paris he formed part of the larger circle of humanists and poets that included Jean Dorat and Pierre Ronsard.He published a commentary, in French, on Ronsard's Amours, 1553. He wrote almost exclusively in Latin: epigrams, odes, satires and letters, which were widely circulated before they were printed. His orations remained models for students through the eighteenth century.
Jean-Baptiste Labelle (September 1825 - 9 September 1898) was a Canadian composer, organist, pianist, and conductor. He is best known for composing the music to the song Ô Canada! mon pays, mes amours (words 1834, music before 1868) with words by George-Étienne Cartier. He also used words by Cartier for the song Avant tout je suis Canadien (1860).
"À toutes les filles..." is a 1990 song recorded as a duet by the French singers Didier Barbelivien and Félix Gray. This ballad was released in May 1990 as the first single from their album Les Amours cassées. It achieved a huge success in France, topping the chart and becoming a very popular song throughout years.
In the next-to-last sentence of Pepys's 10-year diary one reads, "my amours to Deb are past."See diary entry for 31 May 1669. In 2006, Kate Loveman reported that Willet remained in London after leaving the Pepys household, marrying a theology graduate named Jeremiah Wells in 1670. Pepys later helped Wells obtain a position as a ship's chaplain.
His single, "Qu'est-ce que t'es belle", was a duet with Les Rita Mitsouko leader Catherine Ringer. His third album Les Amours Du Dimanche was released in 1989, which sold 300,000 copies. In 1992, the singles "Paris", also the title track of his fourth album, and "L'Amour de trente secondes" gained success. In 1993, Lavoine released his fifth album Faux Rêveur.
She garnered a Genie Award nomination as Best Supporting Actress at the 31st Genie Awards for her performance in Heartbeats (Les Amours imaginaires)."Letting the Genies out of their bottles". Regina Leader-Post, March 3, 2011. She has also appeared in the television series Série noire,"Voici comment Anne-Élisabeth Bossé a vécu la scène du «crosstets» dans Série noire".
In 1927 Buffet appeared in the silent film Napoléon directed by French filmmaker Abel Gance; she played the role of Laetizia Bonaparte, Napoleon's mother. In 1930 Buffet published her ghostwritten memoir titled: Ma Vie, Mes Amours, Mes Aventures: Confidences recueillies par Maurice Hamel (My Life, My Loves, My Adventures: Confessions obtained by Maurice Hamel), published by writer, poet, journalist and editor Eugène Figuière.
France, the United States, and also the Carillon Sacré-Cœur. The musicians played God Save the Queen, the national anthem of both Great Britain and the Dominion of Canada, Ô Canada, then the national anthem of French Canadians, as well as other patriotic or traditional airs such as Vive la Canadienne, À la claire fontaine, Ô Canada! mon pays, mes amours, etc.
In 1999, Raphael made a brief appearance in the comedy film Peut-être (French: Maybe), directed by Cédric Klapisch. He would subsequently had small roles in The Dancer (2000) and the television film Les grand gamins. In 2010, Raphael portrayed the character of Louis in Ces amours-là, directed by Claude Lelouch. The film was premiered in France on 15 September 2011.
The Franconian Motet was named after Franco of Cologne. These motets, composed around 1250–1280, differed from the earlier Notre Dame motets in that they did not use the rhythmic modes, the triplum was more subdivided, and the multiple texts could also be in multiple languages. An example of a Franconian Motet is Amours mi font/En mai/Flos filius eius.
Women authors reported on politics and on their private love affairs in The Hague and in London. German students imitated them to boast of their private amours in fiction.See George Ernst Reinwalds Academien- und Studenten-Spiegel (Berlin: J.A. Rüdiger, 1720), pp. 424–427 and the novels written by such "authors" as Celander, Sarcander, and Adamantes at the beginning of the 18th century.
Lorenzo Bartolini, (Italian, 1777–1850), La Table aux Amours (The Demidoff Table), Metropolitan Museum of Art, New York City, Marble sculpture Marble sculpture is the art of creating three-dimensional forms from marble. Sculpture is among the oldest of the arts. Even before painting cave walls, early humans fashioned shapes from stone. From these beginnings, artifacts have evolved to their current complexity.
Anti-Jacobin Review and Magazine (July 1798), 95. Regarding her relationship with Gilbert Imlay, the review describes her as a "concubine" and a "kept mistress" and writes, "the biographer does not mention many of her amours. Indeed it was unnecessary: two or three instances of action often decide a character as well as a thousand."Anti- Jacobin Review and Magazine (July 1798), 97.
The cantos are again musically conditioned according to the Ragas and Raginis (tunes) prevalent in Odisha. Dinakrushna has shown great skill in painting the natural cycle of seasons and seasonal amours and romantic adventures associated with the seasons. Centering round the drama of Radha and Krushna, Dinakrushna has written many songs overflowing with a sort of mystically human and divine love.
Another love song, where the performers are instructed to sing "con passione". Chants d'oiseaux – « Quand nous chantons nos amours » (Bird songs :"When we sing about our love") (1862) – words by Victor de Laprade (in the Livre troisième of Rose Mystica from Idylles héroïques, 1855). Johnson regards it as "one of Chabrier's earliest masterpieces – a perfect example of his musical conjuring".
The 9th César Awards ceremony, presented by the Académie des Arts et Techniques du Cinéma, honoured the best French films of 1983 and took place on 3 March 1984 at the Théâtre de l'Empire in Paris. The ceremony was chaired by Gene Kelly and hosted by Léon Zitrone. Le Bal and À nos amours tied for the award for Best Film.
Les amours de Ragonde (The Loves of Ragonde, original title: Le mariage de Ragonde et de Colin ou La Veillée de Village) is an opera in three acts by Jean-Joseph Mouret with a libretto by Philippe Néricault Destouches. It was first performed at the Château de Sceaux in December, 1714. It is one of the first French comic operas.
Born in Paris as the son of a stationer, he became a bookseller's clerk, and first attracted attention with the first part of his novel Les Amours du chevalier de Faublas (Paris, 1787; English translation illustrated by etchings by Louis Monzies in 1898); it was followed in 1788 by Six semaines de la vie du chevalier de Faublas and in 1790 by La Fin des amours du chevalier de Faublas. The heroine, Lodoiska, was modelled on the wife of a jeweller in the Palais Royal, with whom he had an affair. She divorced her husband in 1792 and married Louvet in 1793. His second novel, Émilie de Varmont (1791), was intended to prove the utility and necessity of divorce and of the marriage of priests, questions raised by the French Revolution; all his works tended to advocate revolutionary ideals.
During the time he spent in Paris, however, feverish speculation ran rife about this exotic personage, his unpaid bills, his lavish but exotic lifestyle, the possibilities of amours, all concentrated in a pot-boiler romance of the beautiful but repeatedly kidnapped Georgian, Amanzolide, by M. d'Hostelfort, Amanzolide, nouvelle historique et galante, qui contient les aventures secrètes de Mehemed-Riza-Beg, ambassadeur du Sophi de Perse à la cour de Louis le Grand en 1715. (Paris: P. Huet, 1716).Bibliographic details, summary. It was quickly translated into English, as Amanzolide, story of the life, the amours and the secret adventures of Mehemed-Riza-Beg, Persian ambassador to the court of Louis the Great in 1715In German, Amanzolide oder des vor zwey Jahren in Franckreich gewesenen Persianischen Ambassadeurs Mehemed-Riza-Beg Liebes und Lebens-Geschichte (Leipzig: M. Georg Weidmann, 1717).
During the time he spent in Paris, however, feverish speculation ran rife about this exotic personage, his unpaid bills, his lavish but exotic lifestyle, the possibilities of amours, all concentrated in a pot-boiler romance of the beautiful but repeatedly kidnapped Georgian, Amanzolide, by M. d'Hostelfort, Amanzolide, nouvelle historique et galante, qui contient les aventures secrètes de Mehemed-Riza- Beg, ambassadeur du Sophi de Perse à la cour de Louis le Grand en 1715. (Paris: P. Huet, 1716).Bibliographic details, summary. It was quickly translated into English, as Amanzolide, story of the life, the amours and the secret adventures of Mehemed-Riza-Beg, Persian ambassador to the court of Louis the Great in 1715In German, Amanzolide oder des vor zwey Jahren in Franckreich gewesenen Persianischen Ambassadeurs Mehemed-Riza-Beg Liebes und Lebens-Geschichte (Leipzig: M. Georg Weidmann, 1717).
Abatino was not only Baker's management, but her lover as well. The two could not marry because Baker was still married to her second husband, Willie Baker. During this period, she scored her most successful song, "J'ai deux amours" (1931). Baker starred in three films which found success only in Europe: the silent film Siren of the Tropics (1927), Zouzou (1934) and Princesse Tam Tam (1935).
She had been brought up in the strictest principles of virtue and religion, but was seduced into "vile amours" by her friend Anne Johnson, an enthusiastic Methodist, and "transactions not fit to be mention'd passed between them". When Anne leaves her for a man, Hamilton seeks another female lover. She dresses as a man and pretends to be a Methodist preacher. She meets Mrs.
The Globe and Mail, November 29, 1988. The first appearance of "Amours & Companions" consisted entirely of fake ads written by the staff to demonstrate the desired tone for real submissions in subsequent issues. Contributors to the magazine included Scott Symons, Michael Coren, Malcolm Muggeridge, Josef Skvorecky, Jane Jacobs, George Grant, Andrew Coyne, Neil Bissoondath, Mark Kingwell, Patricia Pearson, David Frum, Kildare Dobbs, Russell Smith and Danielle Crittenden.
In Histoires du temps, he announced the rapid pace of history and the growing immediacy of relationships. In Amours, he announced the emergence of poly-romantic relationships. In Au propre et au figuré, he announced the break-up of property and its use, and subsequently he invented the concept of the "nomadic object." In Lignes d'horizons, in 1990, he predicted the relative decline of US power.
It was used again in the Ontario's segment of the short film A Place to Stand, which won the 1967 Academy Award for Live Action Short Film. George-Étienne Cartier ca. 1871 "Ô Canada! mon pays, mes amours" is a French- Canadian song, written by George-Étienne Cartier first sung in 1834, during a patriotic banquet of the Saint-Jean-Baptiste Society held in Montreal.
Anne Ferrand (1657 - November 18, 1740) was a French writer. The daughter of and Louise Chevreau, she was born Anne Bellinzani in Paris. In 1676, she married Michel Ferrand, who later became a judge; the couple separated in 1686. In 1689, she published Histoire nouvelle des amours de la jeune Bélise et de Cléante, an epistolary novel based on her affair with Louis Nicolas le Tonnelier de Breteuil.
Gondolier du grand canal, Pour fanal j'ai la croisée Où s'allument tous les soirs, Tes yeux noirs, mon épousée. Ma gondole est aux heureux, Deux à deux je la promène, Et les vents légers et frais Sont discret sur mon domaine. J'ai passé dans les amours, Plus de jours et de nuits folles, Que Venise n'a d'ilots Que ses flots n'ont de gondoles.Barcarolle (The LiederNet Archive) Accessed February 13, 2008.
Three of these last have surviving melodies, probably composed by him. He also wrote six chansons courtoises, and a seventh attributed to Jehan de la Fontaine may be by him. He also composed one surviving rotrouenge. All of his melodies are conventional, save Uns pensers jolis, which is through-composed, and Jolie amours qui m'a en sa baillie, which begins on B and ranges from high to low F.
His most famous work was an Occitan poetic book in 35,600 octosyllables called the Breviari d'amor, begun in 1288. Encyclopedic in length and diversity, its sole purpose is the reconciliation of love for God with the erotic amours of the troubadour lyric.Kay, p. 362, calls the Breviari "one of the most ambitious vernacular encyclopaedias of the Middle Ages", noting that it is remarkable that it is in verse.
"From Montreal's streets to France's forests". Montreal Gazette, January 20, 1990. In 1991 she published Chiens divers (et autres faits ecrasés), a short story collection, and Sentimental a l'os, a collection of some of her theatrical plays. She published the novels Sourdes amours in 1993 and Bonheur, oiseau rare in 1996, which were subsequently republished in English translations by Lazer Lederhendler as Soundless Loves (1997)"Silenced woman speaks: Soundless Loves".
Je n'ai pas droite was used as the model for an anonymous song, Se j'ai du monde la flour. His Loiaus amours was a model for another anonymous song, Grant talent ai qu'a chanter, and provided the basis for a contrafactum by the Chastelain de Couci, La douce vois du rossignol salvage. Thirteen songs by Colart are preserved in manuscripts. He preferred isometre, bar form and G modes.
Carasaus (fl. c. 1240-60) was a French trouvère, five of whose works survive. His career can be dated because he dedicates two grand chants (Fine amours m'envoie and Puis que j'ai chançon meüe) to Jehan de Dampierre (died 1259) and another (N'est pas sage qui me tourne a folie) to Henry III of Brabant (reigned 1248-61). Carasaus also dedicated Con amans en desesperance to a certain Berengier, yet unidentified.
In 1702 John Dennis offered an adaptation (it has been called a "perversion") of the play, titled The Comical Gallant, or the Amours of Sir John Falstaff – which flopped. In 1824 Frederick Reynolds included Merry Wives in his series of operatic adaptations, with music by Henry Bishop. Charles Kean returned to Shakespeare's text in an 1851 production.F. E. Halliday, A Shakespeare Companion 1564–1964, Baltimore, Penguin, 1964; p. 314.
Aniruddha with Usha, the rebirth of Tilottama The Padma Purana narrates that Tilottama was an ugly widow named Kubja in her previous birth. Kubja underwent auspicious ceremonies for eight years and finally performing the ritual Magha puja. This ensured that she was born as Tiliottama and appeared heaven as an apsara. The Brahma Vaivarta Purana narrates that Sahasika, grandson of Bali disturbed sage Durvasa's penance in his amours with Tilottama.
Nervèze is representative of a younger generation following on the literary developments of French novelists Nicolas de Montreux and Béroalde de Verville, and he is often associated - along with authors Nicolas des Escuteaux and François du Souhait - with the sentimental novels (or "amours") published during the reign of Henry IV. Nervèze wrote ten novels, of which one is a reworking of a story taken from Ariosto's Orlando furioso and one is a reworking of Tasso's Jerusalem Delivered. Nervèze dedicated his novels to high-ranking members of the nobility around the king: Maximilien de Béthune, duc de Sully; Queen Marie de Médicis; the marquis de Rosny; the vicomte d'Aubeterre. Nervèze's first novels were published in 1598, but they were most likely written earlier and had perhaps circulated in manuscript form for years. His first "amours" are short works of tragic love that are close to the tragic tales of Italian Matteo Bandello; his later "Léandre" novels show the influence of chivalric adventure novels (like Amadis of Gaul).
He accompanied the prince on his many travels, to France (Paris), Bohemia (Prague) and Austria (Vienna), where his two first comic operas were performed in Schönbrunn: Le Déguisement pastoral (1756) en Les Amours champêtres (1758). Van Maldere also played for the empress Maria Theresia in Vienna. His works were known to Wolfgang Amadeus Mozart and Joseph Haydn. Carl Ditters von Dittersdorf notes him as one of the most important virtuosos of his time.
De Viau's wrote satirical poems, sonnets, odes and elegies. His works include one play, Les Amours tragiques de Pyrame et Thisbé (performed in 1621), the tragic love story of Pyramus and Thisbe which ends in a double suicide. He wrote Fragment d'une histoire comique (English: Fragment of a Comic Novel, 1623), in which he expressed his literary tastes. He was not a supporter of "the metaphoric excess and lofty erudition" of his contemporaries.
Mary, alias Mr. George Hamilton, who was Convicted of having Married a young Woman of Wells and Lived with her as her Husband. Taken from her own Mouth since her Confinement. Fielding's text was re-published with alterations in 1813, again anonymously, as The surprising adventures of a female husband! Containing the whimsical amours, curious incidents, and diabolical tricks of Miss M. Hamilton, alias Mr. G. Hamilton, alias Minister Bentley, Mr. O'Keefe, alias Mrs.
The river basin covers . It lies between the basins of the Saint-Paul River to the west and the Brador River to the east. It is partly in the unorganized territory of Petit-Mécatina and partly in the municipalities of Blanc-Sablon and Bonne- Espérance. The Brador Hills, so named by Admiral Henry Wolsey Bayfield on his 1843 map, stretch from east to west for about between Belles Amours River and the Newfoundland border.
Benoît McGinnis is a Canadian theatre, film and television actor who was nominated for a Genie Award for Best Performance by an Actor in a Supporting Role for his role in Le Banquet. McGinnis has also appeared in other works including the hit TV series Les hauts et les bas de Sophie Paquin and the Canadian movie Heartbeats (Les Amours imaginaires). He graduated from the National Theatre School of Canada in 2001.
For Brune, it narrowly missed the 1938 Prix Goncourt, defeated in the fifth round by ' by Henri Troyat thanks to the double vote of the president of the jury, J.-H. Rosny aîné.Du côté de chez Drouant : Le Goncourt de 1922 à 1949 program by Pierre Assouline on France Culture 3 August 2013. The Éditions Robert Laffont succeeded in attracting François de Roux with Amours perdues in 1942 and L'Ombrageuse (in 1942 too).
In 1554 the College awarded a silver eglantine rose to none other than Pierre de Ronsard, the greatest French poet of his generation, for his Amours. During the Enlightenment, Fabre d'Églantine received his name from the dog rose the academy bestowed on him at the jeux floraux (floral games). In 1694 the Consistori was reborn as the Académie des Jeux Floraux, founded by Louis XIV. Later, Victor Hugo received a prize at the jeux.
It is loosely adapted from the novel Les amours du chevalier de Faublas by Louvet de Couvrai and Molière's comedy Monsieur de Pourceaugnac. It was first performed at the Königliches Opernhaus in Dresden on 26 January 1911 under the direction of Max Reinhardt,. The producer in Dresden was considered inadequate and Strauss sent Reinhardt to supervise and carry out his ideas, although Reinhardt did not receive any credit in the programme. Ernst von Schuch conducting.
Here, Rambabu amours a girl Lakshmi (Uma) which is rejected by her father Constable Nukka Raju (Mallikarjuna Rao) as he aspires to couple up his daughter with his subordinate Cola (Sudhakar). Meanwhile, Sowmya returns for pursuing a Ph.D. in Criminal Psychology. Accordingly, she is acquainted with Mahesh and they fall in love. Once Rambabu insults his house owner Janardhan Seth (Tanikella Bharani) in the show for which he seals his belongings including the Gangaram doll.
Jack describes his adventure climbing the beanstalk ("Giants in the Sky"). He gives the Baker gold stolen from the giants to buy back his cow, and returns up the beanstalk to find more; the Mysterious Man questions the Baker's price of a child, and steals the money. Cinderella's Prince and Rapunzel's Prince, who are brothers, compare their unobtainable amours ("Agony"). The Baker's Wife overhears their talk of a girl with golden hair.
F. Andrieu (; presumably François or Franciscus Andrieu) was a French composer of the ars nova style in the late Medieval era. His only surviving composition is the motet Armes amours, written for the death of the celebrated Guillaume de Machaut in 1377. The work has been widely praised and analyzed; it is the earliest known lamentation for another composer. He may be the same person as Magister Franciscus, although the scholarly consensus on this identification is unclear.
Afranius' comedies described Roman scenes and manners (the genre called comoediae togatae) and the subjects were mostly taken from the life of the lower classes (comoediae tabernariae). They were considered by some ancients to be frequently polluted with disgraceful amours, which, according to Quintilian, were only a representation of the conduct of Afranius.Quintilian, x. 1. § 100 He depicted, however, Roman life with such accuracy that he is classed with Menander, from whom indeed he borrowed largely.
Resurrection is a lost 1912 silent drama short film directed by Joseph A. Golden, produced by Adolph Zukor and released by Famous Players Film Company.Resurrection at silentera.com It is based on the 1899 novel Resurrection (Voskraeseniye) by Count Leo Tolstoy. It is the first original film Zukor ever produced in contrast to the famous Les Amours de la reine Élisabeth starring Sarah Bernhardt which was made in France and which he bought the U.S. distribution rights.
De Nobili designed the costumes for Raymond Rousseau's film Les Sorcières de Salem (1957) (from The Crucible by Arthur Miller) with screenplay by Jean-Paul Sartre and starring Simone Signoret , and for Michel Boisrond's Amours Célèbres (or Famous Love Affairs, 1961) also with Simone Signoret, Brigitte Bardot and Alain Delon, co-designing the costumes with Monique Dunan and Georges Wakhevitch) . She was also colour and period consultant on The Charge of the Light Brigade (1968) directed by Tony Richardson.
Her most famous novel was Madame de..., published in 1951, which was adapted into the celebrated film The Earrings of Madame de... (1953), directed by Max Ophüls and starring Charles Boyer, Danielle Darrieux and Vittorio de Sica. Vilmorin's other works included Juliette, La lettre dans un taxi, Les belles amours, Saintes-Unefois, and Intimités. Her letters to Jean Cocteau were published after the death of both correspondents. She was awarded the Renée Vivien prize for women poets in 1949.
Only Cyrus has some interest. Only two of them, Hercules and Cyrus were presented". adds: "In 1616, Pierre Mainfray, from Rouen, had his first play entitled les Forces incomparables et Amours du grand Hercules printed followed by Cyrus triomphant, la Rodanienne and la Chasse royale. Nothing remarkable in these plays if not the division into four acts of the first and the last, and his Shakespearean ignorance of geography which makes him lay siege to Rhodes by land.
He lived in poverty, writing journalism for bread (the stock market page of the Figaro even, until fired for his bias against capitalism). It was under these conditions that he wrote his first book L'Argent (1857). Les Amours de Paille (1859), a comedy written in collaboration with Poupart-Davyl, was a failure.(ref 1990 Alain Viala) At the insistence of his colleague Henri Rochefort he found an administrative job issuing birth certificates for the Vaugirard town hall.
Sandrine Bonnaire (; born 31 May 1967) is a French actress, film director and screenwriter who has appeared in more than 40 films. She won the César Award for Most Promising Actress for À Nos Amours (1983), the César Award for Best Actress for Vagabond (1985) and the Volpi Cup for Best Actress for La Cérémonie (1995). Her other films include Under the Sun of Satan (1987), Monsieur Hire (1989), East/West (1999) and The Final Lesson (2015).
Montreux's work would be the most significant pastoral novel produced in France until L'Astrée by Honoré d'Urfé. He wrote several long adventure novels which, like Bérolade de Verville's, were inspired by the Hispano-Portuguese chivalric adventure novel (like Amadis of Gaul) and the ancient Greek novel (like the works of Heliodorus of Emesa or Achilles Tatius): Les chastes et delectables Jardins d'Amour semez de divers discours et histoires amoureuses (1594), L’Œuvre de la Chasteté, qui se remarque par les diverses fortunes, adventures et fidelles Amours de Criniton et de Lydie in three volumes (1595-9) et Les Amours de Cleandre et Domiphille (1597). Montreux is responsible for several plays: four tragedies Tragédie du jeune Cyrus (drawn from Xenophon, 1581), Isabelle (1594), Cléopâtre (1594), Sophonisbe (1601); two comedies La Joyeuse (drawn from Xenophon, 1581) and Joseph le Chaste; 3 pastorals Athlette (1585), Diane (1592) Arimène ou le berger désespéré (1597). He also wrote religious poems, a history of the Ottoman Empire from 1565 to 1606, and a long work of spiritual philosophy L'Homme et ses dignités (1599).
In 1994, she collaborated with British singer Carmel in Liverpool to produce an album of the same name. In 2000, she began touring Flemish schools using music to encourage children to learn French French language. Two CDs based on the "Bob & Bobette" comic characters from this campaign were released, titled Eventail Junior. In 2001, she partnered the former Hooverphonic band member Frank Duchêne and lyricists Michael Bisceglia and Ronny Mosuse on the album Flagrants Délices, and its associated single "La saison des amours".
Despite the title "The Amours of Philander and Silvia" the love between these two characters does not seem to play the major role any more (as it did in part 1). Their feelings towards each other are only dissembled and their relationship to other people gain in importance. Silvia continues to be pursued by Octavio and by Brilljard; Philander pursues Calista and other women. Furthermore, a large part of the action is concerned with Cesario's political scheme to gain the crown.
Paradis were first discovered by DJ Tim Sweeney after submitting demos to the Beats in Space radio show hoping for airplay. Sweeney eventually decided to sign the duo for the first release of his then-newly established label Beats in Space. Paradis have appeared on many mixes, some for contemporary fashion labels such as Etudes Studio and for popular music sites such as White Light Mixes. In 2012 Paradis made the soundtrack for Sacha Barbin's short film Mes Amours Décomposé(e)s.
He also meditated reforms in French spelling. His theories are exemplified in Etrenes de poezie Franzoeze an vers mezures (1574). His works were published in 4 volumes, entitled Œuvres en rime (1573), consisting of Amours, Jeux, Passetemps, et Poemes, containing, among much that is now hardly readable, some pieces of infinite grace and delicacy. His sonnet on the Roman de la Rose was said to contain the whole argument of that celebrated work, and Colletet says it was on everybody's lips.
A tale of Arthur Burdett Frost dated 1881. Comics in the United States originated in the early European works. In fact, in 1842, the work Les amours de Mr. Vieux Bois by Rodolphe Töpffer was published under the title The Adventures of Mr. Obadiah Oldbuck in the U.S. This edition (a newspaper supplement titled Brother Jonathan Extra No. IX, September 14, 1842)The Adventures of Mr. Obadiah Oldbuck at Don Markstein's Toonopedia. Archived from the original on March 13, 2012.
Comic opera was relatively rare during the Baroque era in France and the musicologist Cuthbert Girdlestone expresses his surprise that none of Rameau's contemporaries seem to have remarked on the innovative nature of Platée.Girdlestone p.336 Rameau may have been inspired by a revival of an earlier comic opera, Les amours de Ragonde by Jean-Joseph Mouret, in 1742,Ivan A. Alexandre p.28 or by Joseph Bodin de Boismortier's comic opera-ballet, Don Quichotte chez la Duchesse from 1743.
At the beginning of the 1950s, she was a costume designer for the Comédie-Caumartin shows, directed by Bruno Coquatrix from 1952. In the early 1960s, her costume atelier went bankrupt and closed down after Josephine Baker failed to pay for the costumes she had ordered for her revue of Paris, mes amours. Dominique Chapuis, L'Olympia entonne l'air des profits, Lesechos.fr, 4 February 2004 When her husband Bruno Coquatrix died in 1979, she inherited Olympia Hall in equal shares with her daughter Patricia.
At the Eurovision Song Contest in Frankfurt, the Belgian entry was the first of the night preceding Luxembourg with "Amours mortes (tant de peine)". Reflecting the song title, the stage was showing the picture of a street in the background. Schoepen delivered, as usual in these days, a simple performance which was remarkable because of the large whistling part in his song. At the close of voting, Belgium had received five points in total; the country finished shared eight among the ten participants.
In 1903 Petipa presented completely new choreography for many of the pas in his 1868 ballet Le Roi Candaule. For this revival Petipa created a new version of the celebrated piece Les amours de Diane that would later be transformed by Agrippina Vaganova into the famous Diane and Actéon Pas de Deux. Such work prompted the Ballet Master to write in his diaries "I am amazing." Petipa then set to work on what would prove to be his final ballet.
Beverly Hills Chase was remixed by a number of notable groups, including Superfunk, Super Mal, Jetset Hifi, Edwin Van Cleef, 4TrakZ, Vch Crew, Super 64, and Vox Populis. Stanton has been featured on the music website In Your Speakers, describing him as an "up-and-coming Daft Punk protégé". In February 2012, Stanton released his first album called A nos amours LP on So French Records, an album containing 17 tracks. Stanton's album L'Odyssée was released in May 2017 on So French Records.
The opening track, "Reserection", puts the matter to rest as Daho states that he will rise from his "cendres fiction" ("fictitious ashes") "encore et encore" ("again and again"). The only English song on the EP, "Accident", is a reworked version of Daho's 1984 French- language single "Week-end à Rome", with original English lyrics. Daho's speech from "Reserection" is also reprised within the song. "Jungle Pulse" and "X Amours" are French-language reworkings of Saint Etienne's "Filthy" and "Paper", respectively.
The Saltworks were a primary location in the 1961 film by Pierre Kast La Morte-Saison des amours AKA The Season for Love. In 1965, Marcel Bluwal used the director's house for the tomb of the Commander in his television adaptation of Molière's Dom Juan. Since 1973, the royal salt works and the Institut Claude-Nicolas Ledoux have been members of the European network of cultural sites. Then in 1982, UNESCO listed the salt works as a World Heritage Site.
Maximianus's poetry, usually divided into six separate elegies, deals with the contrast between the infirmities of age and the vigor and amours of youth. Some scholars have noted a connection with the topos of the senex amans found in classical comedy and in Ovid.E. S. Duckett, The Gateway to the Middle Ages: France and England (Ann Arbor: U of Michigan P, 1961), p. 63. The first, and longest, elegy presents in detail the miseries of the "prison", the "living death", that is old age.
Barrymore played Evans Garrick, closely modeled on his own experience, and Mary Beth Hughes played his wife. The critics reacted harshly to the film, and to Barrymore's association with it. The New York Times wrote that "As a play it is a feeble thing, hardly matching the spectacular public accounts of his amours ... for all of Mr. Barrymore's shenanigans and devastating wit, The Great Profile is more than a little pathetic. In the Winter of his Discontent Mr. Barrymore is selling his talent at cut-rate".
Over the next two years three more of his operas premiered there: Circé (1694), Théagène et Cariclée (1695), and Les amours de Momus (1695). In the summer of 1696, Élisabeth Desmarets died, leaving him with their six-year-old daughter to bring up. Desmarets became a frequent visitor to the Saint-Gobert family in Senlis, who offered to help him take care of Élisabeth-Madeleine. Both families had been friends since 1689, and Desmarets had given singing lessons to their daughter, Marie- Marguerite, when she was fifteen.
Zukor is honored with a dinner marking his 25 years in the film industry in 1936. From left: Frank Lloyd, Joseph M. Schenck, George Jessel, Zukor, Darryl F. Zanuck, Louis B. Mayer, and Jesse L. Lasky. In 1912, Adolph Zukor established Famous Players Film Company—advertising "Famous Players in Famous Plays"—as the American distribution company for the French film production Les Amours de la reine Élisabeth starring Sarah Bernhardt.Wu, Tim, The Master Switch : The Rise and Fall of Information Empires, New York : Alfred A. Knopf, 2010. .
Primarily based around William Shakespeare's adaptation, the performance featured Paul McCartney as Pyramus, John Lennon as his lover Thisbe, George Harrison as Moonshine, and Ringo Starr as Lion, with Trevor Peacock in the role of Quince. Spanish poet Luis de Góngora wrote a Fábula de Píramo y Tisbe in 1618, while French poet Théophile de Viau wrote Les amours tragiques de Pyrame et Thisbée, a tragedy in five acts, in 1621. In 1718 Giuseppe Antonio Brescianello wrote his only opera, La Tisbe, for Württemberg court.
He is probably the local "Pierre II" referred to in documents from between 1210 and 1224. Four songs are attributed to Pierre in the Chansonnier du Roi and the Noailles Chansonnier, and all appear in other chansonniers with different attributions. All the melodies are in bar form. Most unusual are the presence of a melodic tritone in two sources for Fine amours et bone esperance and of a sharpened subdominant in Chanter me fet ce don't je crien morir, both created by the use of accidentals.
Ascaride won the 1998 Best Actress César Award for her role in Marius et Jeannette and was nominated two other times, one for Best Actress for Marie-Jo et ses 2 amours (Marie-Jo and Her 2 Lovers) and for Best Supporting Actress for Brodeuses (A Common Thread; American DVD release, Sequins). She also won the Best Actress award at the Valladolid International Film Festival for The Town Is Quiet. She won the 2006 Rome Film Festival Best actress award for Le Voyage en Arménie.
He also participated in the recording of film music, notably René Allio's, and television programs including devoted to Gyorgy Cziffra. Pradier also et accompanies singers such as Claude DormoyClaude Dormoy on Discogs and Michel Dens. In addition, Pradier has collaborated on several ballet creations by Roland Petit, such as Parisiana 25, Les amours de Franz, Soirées Debussy n°2, Ma Pavlova, Charlot danse avec nous, as guest solo pianist with Dominique Khalfouni, Zizi Jeanmaire, Maya Plisetskaya, Patrick Dupond, Mikhail Baryshnikov. Pradier is an Academic of the .
The traditional story recounts that King Henry adopted her as his mistress. To conceal his illicit amours from his queen, Eleanor of Aquitaine, he conducted them within the innermost recesses of a complicated maze which he caused to be made in his park at Woodstock, Oxfordshire. Rumours were heard by Queen Eleanor, and she contrived to penetrate the labyrinth, confronted her rival, and forced her to choose between the dagger and the bowl of poison; Rosamund chose the latter and died.Matthews, W.H., Mazes and Labyrinths, Chap.
Any variety or combination of meats, including chicken or turkey, may be used to make jambalaya. Cajun jambalaya is known as "brown jambalaya" in the New Orleans area; to Cajuns it is simply known as "jambalaya". Cajun jambalaya has more of a smoky and spicy flavor than its Creole cousin. The first appearance in print of any variant of the word 'jambalaya' in any language occurred in Leis amours de Vanus; vo, Lou paysan oou théâtré, by Fortuné (Fortunat) Chailan, first published in Provençal dialect in 1837.
Straatdeuntje ("Street Tune") was the Belgian entry in the Eurovision Song Contest 1957, performed in Dutch by Bobbejaan Schoepen. The song was performed first on the night (preceding Luxembourg's Danièle Dupré with "Amours mortes (tant de peine)"). At the close of voting, it had received 5 points, placing 8th in a field of 10. The song is a moderately upbeat number, with Schoepen singing about a tune wandering up and down a street and being heard (and presumably performed) by all who hear it.
He made his television debut in 2005, in the role of Hugh Despenser the Younger in the remake miniseries Les Rois maudits, based on the French novel series of the same name by Maurice Druon. He also appeared in series such as Éternelle and Un village français. His debut in cinema came in 2006, with Nouvelle chance by Anne Fontaine and L'homme de sa vie by Zabou Breitman. The following year, he appeared in acclaimed director Eric Rohmer's final film, Les Amours d'Astrée et de Céladon.
Like later editions of the Italian original, subsequent editions of Le Maçon's translation did, however, censor or omit some words, passages or tales, until the 1757 edition, which is much sought after for its beautiful engravings. Le Maçon also published an edition of the works of Jean Lemaire de Belges and of Clément Marot. He has sometimes, wrongly, been attributed as the author of Érotasmes ou les Amours de Phydie et de Gélasine (Lyon, 1550, in-8°), which is actually the work of Philibert Bugnyon.
By mid-1983, her singles were no longer making the top 40. Her famous amours included country singer Merle Haggard (who was 21 years her senior), actor Don Johnson, pop singer Andy Gibb, and most notably, Glen Campbell, with whom she had a stormy relationship and a minor hit duet, "Dream Lover". She moved to Nashville after her breakup with Campbell in 1982 and began to lead a more secluded life. Finally, in 1988, her family confronted her and persuaded her to enter the Betty Ford Center.
Marc Minkowski was born in Paris. His maternal grandmother, Edith Wade, was a violinist. He began his musical career as a bassoonist for René Clemencic's Clemencic Consort and Philippe Pierlot's Ricercar Consort. In 1982 Minkowski formed "Les Musiciens du Louvre", an orchestra dedicated to showcasing French Baroque music which has championed works by Marin Marais (opera Alcione), Jean-Joseph Mouret (opera Les amours de Ragonde), Marc-Antoine Charpentier, Jean-Baptiste Lully (opera Phaëton at Opéra National de Lyon) and Jean-Philippe Rameau (opera Hippolyte et Aricie).
Because of his year at Milton Academy, Eliot was allowed to earn his Bachelor of Arts after three years instead of the usual four. Frank Kermode writes that the most important moment of Eliot's undergraduate career was in 1908 when he discovered Arthur Symons's The Symbolist Movement in Literature. This introduced him to Jules Laforgue, Arthur Rimbaud, and Paul Verlaine. Without Verlaine, Eliot wrote, he might never have heard of Tristan Corbière and his book Les amours jaunes, a work that affected the course of Eliot's life.
The only known mythography attached to Mater Larum is little, late and poetic: again, the source is Ovid, Fasti, II.571ff who identifies her as a once-loquacious nymph, Lara, her tongue cut out for betrayal of Jupiter's secret amours. Lara thus becomes Muta (speechless) and is exiled from the daylight world to the underworld abode of the dead (ad Manes); a place of silence (Tacita). She is led there by Mercury and impregnated by him en route. Her offspring are as silent or speechless as she.
Welles then hired Kurant as the cinematographer for his thriller The Deep, which spent three years in production but was never finished.Willy Kurant: Welles DP on Immortal, Deep, Heroine In 1968, Kurant shot his first American film, The Night of the Following Day. In the 1980s, he worked on two films with director Maurice Pialat: A Nos Amours, from which Kurant was fired after two weeks of shooting, and the Palme d'Or-winning Under the Sun of Satan. He also worked on Boris Szulzinger's Mama Dracula (1980).
The couple are said to have had a child from their union but little information exists. Having married Bassompierre, they lived together in disgrace, Louise Marguerite dying at the Château d'Eu. She was buried at the Collegiale Notre Dame et Saint Laurent, at Eu, France. She is credited as the author of a fictionalized account of the love life of Henry IV's court, reworked and published under various titles including Romant royal (1621), Advantures de la cour de Perse (1629), and Histoire des amours du grand Alcandre (1651).
Knight, the Midwife, &c; ...The surprising adventures of a female husband! : containing the whimsical amours, curious incidents, and diabolical tricks, of Miss M. Hamilton, alias Mr. G. Hamilton, alias Minister Bentley, Mr. O'Keefe, alias Mrs. Knight, the midwife, &c.; who married three wives, and lived with each some time undiscovered: for which acts she was tried at the summer sessions, in the county of Somerset, in the year 1752, found guilty, and whipped four several times, in four market towns, and afterwards imprisoned six months ..., Henry Fielding, 1813. p.
L'Ex-voto (1932), for example, describes the life and milieu of the fishermen of Honfleur at the opening of the twentieth century. She was married to the translator J. C. Mardrus from 1900 to 1915, but her primary sexual orientation was toward women. She was involved in affairs with several women throughout her lifetime, and she wrote extensively of lesbian love. In 1902-03 she wrote a series of love poems to the American writer and salon hostess Natalie Clifford Barney, published posthumously in 1957 as Nos secrètes amours (Our Secret Loves).
Titlepage of The Amours of Philander and Silvia (1687) ;Dedication To Lord Spencer: The author praises Spencer for his noble birth and the glorious future, that is surely destined for him. The author compares Spencer to Cesario, saying that he is too loyal to be like him, but also warning him against unlawful ambition. ;The Lovers The main plot of last volume is difficult to ascertain. Many new characters, such as Alonzo, are introduced and the plot contains various love affairs, disguises, mistaken identities, and personal and political intrigues.
She then created the Lara Quartet, which accompanied singers on stage, including Claude Nougaro, Nana Mouskouri, Mireille Mathieu, and Jean Ferrat. She played on recordings by Françoise Hardy, Maxime Le Forestier, Georgette Lemaire, Jean Sablon, and Juliette Gréco, as well as writing two songs for Barbara's 1972 album Amours incestueuses. In 1969, Lara opened for Canadian musician Gilles Vigneault at the Olympia music hall in Paris. Lara's first original album, Ad libitum, was released in 1972, and in 1975 she composed the score to the French film Docteur Françoise Gailland.
Elsewhere in Europe, Momus was becoming softened into a figure of light-hearted and sentimental comedy, the equivalent of Harlequin in the French and Italian Commedia dell'arte.Derek F. Connon, Identity and Transformation in the Plays of Alexis Piron, London 2007, pp.125-6 A typical production has him competing for the amorous favours of a nymph in Henry Desmarets' opéra-ballet Les amours de Momus (1695).French language outline online By this period, then, Momus was the patron of humorous satire, partnering the figures of comedy and tragedy.
Later, the city hall of Gressy was built on this location. Only the death scene of Thomas and the vampire sister was not filmed in Île-de-France. Instead, Rollin chose Pourville-lès-Dieppe, a beach near Normandy which was dear to his heart since his teens and had already been used as a setting in 1958 for his first short film, Les Amours Jaunes (The Yellow Lovers). The beach was seen again on numerous occasions throughout the filming, and the same beach was used as a setting in his later films.
He told his friend Stanley Karnow, as recounted in Karnow's book Vietnam: A History, that his love for Vietnam has not diminished his love for America, as in the French song "J'ai Deux Amours" (English: "I Have Two Loves"). Referring to his years in the United States, he told Karnow "Those were the best years of my life." Ẩn admired the communists as nationalists, "but their ignorance and arrogance have only given us misery." Ẩn died in Ho Chi Minh City in a military hospital from complications of emphysema.
Rotunda of the tapestries of the Amours de Gombault et Macée. Built by the architect Eugène Leseney, the Jean-Lurçat Cultural Centre is situated on the Place du Champ-de-Mars, opposite the Sainte-Croix Church. It houses the Museum of Fine Arts where, within the collections of the city since 1989, are found: The writings and sketches of Jean Follain, paintings by Corot, Guillaume Fouace, Eugène Boudin. Is also exposed the tapestries of the (16th century), composed of eight tapestries from the Bruges workshops including a draft with the theme of the Lai d'Aristote.
Vanity Fair, 1913 In 1910, he and Bernhardt travelled to the United States, where The New York Times first published, and then retracted, the announcement of their impending marriage. (She was 37 years his senior.) Back in France, in 1912 they made their second film together, Les Amours de la reine Élisabeth (Queen Elizabeth), and the following year, Adrienne Lecouvreur. The latter is considered a lost film. In the summer of 1913, Tellegen went to London where he produced and starred in Oscar Wilde's play The Picture of Dorian Gray.
Its most recent revival was in November 2007 when it was staged at the Opéra-Théâtre in Metz in a production designed and directed by and conducted by . Outside France the opera was first performed in Brussels on 26 August 1849, in London at St James's Theatre on 8 February 1850, and in New Orleans at the Théâtre d'Orléans on 18 April 1850. It was given in English at the Haymarket Theatre in London on 18 June 1851 (as The Cadi, or Amours among Moors) and in Manchester on 8 December 1880.
Guillaume Crétin's poem, which also serves as a lament for Antoine de Févin, who died around the same time, indicates his fame as a singer and composer. It also gives the source of his nickname: a chanson, probably by Loyset Compère, called Lourdault, lourdault ("clod, clod"). Only one of Braconnier's compositions has survived with a certain attribution: a chanson, Amours me trocte par la pancé, which is a skillful polyphonic composition in four parts, with an obscene subtext: it contains numerous references to intercourse in various positions, minimally disguised in the text.Reese, p.
His second label, Valois, recorded Sándor Végh and his Végh Quartet, and discs of Clément Janequin and Amours de Ronsard with the Ensemble Polyphonique de Paris of the composer Charles Ravier. Ravier returned to Bernstein in the 1970s to make two recordings of the Meslanges of Lassus, the second of them deeply problematic. The Paris-based American pianist Noël Lee made many recordings for Valois; Aaron Copland, Ravel, Chopin, and the Brahms quintet with the Quatuor Danois. Then from 1965, chanson and lieder recordings of Ravel, Duparc, Robert Schumann, Mussorgsky, etc.
Albert Viau (6 November 1910 - 27 June 2001) was a Canadian baritone, folksinger, composer, and music educator. After beginning his career as a musician in the classical repertoire, he specialized in folk music and traditional songs. He released about 50 78 rpm records during his career, mostly for La Bonne Chanson. He also recorded a few songs under the pseudonym Jacques Dupont, including Partons, la mer est belle, Le Soir sur l'eau, and Le Lac des amours, and recorded the song Le Rêve passe with the Canadian Grenadier Guards Band for RCA.
Christina never revealed what was in the letters, but according to Le Bel, it is supposed to have dealt about her "amours", either with Monaldeschi or another person. She herself wrote her version of the story for circulation in Europe. The killing of Monaldeschi in a French palace was legal, since Christina had judicial rights over the members of her court, as her vindicator Gottfried Leibniz claimed. As her contemporaries saw it, Christina as queen had to emphasize right and wrong, and her sense of duty was strong.
The son of Barthélemy de Laffemas and Marguerite Lebret, Isaac de Laffemas was first attracted to the theater while his father, Comptroller General of Trade, faced the biggest problems of the regulation of manufacturing and development of sericulture. A poet and playwright, he wrote several s. He composed a theatre play, L'Instabilité des félicités amoureuses, or La Tragi-Pastorale des amours infortunés de Phelemas et de Gaillargeste, published in Rouen in 1605.Gallica : de Boyer de Sainte-Suzanne, Les intendants de la généralité d'Amiens (Picardie et Artois) : l'administration sous l'Ancien régime, (p.
He earned a great reputation in writing Chautisa and other lyrical poems about Radha and Krushna. The most recurrent themes of his writings are the glorification and the portrayal of the divine drama of deities he worshipped, viz, Jagannath, Radha and Krishna. Rasakallola has a distinct place in Odia literature for its sheer poetic excellence and mellifluousness. It deals with the amours of Krushna with the maidens of Vraja and consists of 34 melodious cantos and each line of the cantos beings with the initial sound ‘ Ka’, the first consonant in sanscrit and Odia language.
Pierre de Ronsard His popularity in his own time was overwhelming and immediate, and his prosperity was unbroken. He published his Hymns, dedicated to Margaret de Valois, in 1555; the conclusion of the Amours, addressed to another heroine, in 1556; and then a collection of Œuvres completes, said to be due to the invitation of Mary Stuart, Queen of Francis II, in 1560; with Elégies, mascarades et bergeries in 1565. To this same year belongs his most important and interesting Abrégé de l'art poétique français. The rapid change of sovereigns did Ronsard no harm.
The following year, Swaim began working on his first comedy, Cheap Shot. The film went into production in 2003 and was released in the summer of 2004 under the name Nos Amis les Flics. The film, starring Daniel Auteuil, Frédéric Diefenthal and Lorant Deutsch, won the Grand Prix du Festival de Saint-Malo that year. Aside from writing, directing and producing, Swaim has acted in several films, including John Landis's Spies Like Us, Caroline Huppert's J'ai Deux Amours, James Ivory's A Soldier's Daughter Never Cries, and Florence Quentin's Ole, starring Gérard Depardieu and Gad Elmaleh.
Amédée de Beauplan (11 July 1790 – 24 December 1853) was a 19th-century French playwright, composer and painter. Fauquet (2003), see Bibliography. Much of his family (including his father), close to queen Marie Antoinette's entourage, was executed during the French Revolution. He composed hit songs, including Le Pardon and Dormez, mes chères amours, and the famous Leçon de valse du petit François (1834) sung in cabarets for over a century (in particular by ), and two opéras comiques: L'Amazone, after Scribe, Delestre- Poirson and Mélesville (1830) and Le Mari au bal (1845).
Taylor, 302: whatever the truth regarding this sacrifice and its abolition, the gens Junii held ancestor cult during Larentalia rather than the usual Parentalia. Modern scholarship takes the Arval rites to the Mother of the Lares as typically chthonic, and the goddess herself as a dark or terrible aspect of the earth-mother, Tellus. Ovid supplies or elaborates an origin-myth for the Mater Larum as a once-loquacious nymph, Lara, whose tongue is cut out as punishment for her betrayal of Jupiter's secret amours. Lara thus becomes Muta (the speechless one).
Initially the floral games were intended to keep alive the poetic language and style of the Occitan troubadours, but in time this aim was forgotten. In 1471 the golden violet was awarded to Peire de Janilhac n'ostan qu'el fos Frances, per so que dictec el lengatge de Tholosa: notwithstanding that he was French, because he composed in the language of Toulouse.Paden, 183. In 1554 the Constistori, now the Collège, awarded a silver eglantine rose to none other than Pierre de Ronsard, the greatest French poet of his generation, for his Amours.
In 2006, he recorded a Charles Trenet song, "Que reste-t-il de nos amours ?" as a duet with Françoise Hardy for her album (Parenthèses...). In June 2006, in the Cité de la musique in Paris, he got the opportunity to sing for several days. There he brought on stage artists such as Christophe, Dominique A, Rodolphe Burger or Arto Lindsay. In early 2007, after a small break, he was involved in the Les Aventuriers d'un autre monde tour alongside rock and pop artists Jean-Louis Aubert, Cali, Daniel Darc, Richard Kolinka and Raphaël.
Piaf's death in 1963 led him to work with Jacques Brel, writing Je m'en remets à toi in 1964, and to writing songs for television shows such as Michel Vaillant in 1967, and cinema, Trafic by Jacques Tati in 1971. That same year he placed a song with Barbra Streisand, who bought Le Mur, which became a hit as I've Been Here (on the album Je m'appelle Barbra) In the 1970s Charles Dumont started a career as interpreter with songs such as Une chanson (1976) and Les amours impossibles (1978), which received awards.
The most notable of them is probably that of Les Inconnus, under the title "Chagrin d'amour","Chagrin d'amour", music video Chartsinfrance.net (Retrieved April 20, 2008) With Bernard Campan as Didier Barbelivien,AKA Didier Barbelavie and Didier Bourdon as Felix Gray.AKA Felix Grave Despite the similarity of the titles, the song is unrelated to Julio Iglesias and Willie Nelson's song "To All the Girls I've Loved Before". Given the song's success, Gray and Barbelivien released three other singles : "Il faut laisser le temps au temps", "E vado via" and "Nos Amours cassées".
Mérelle most often appeared in film serials throughout her career, such as 1924's Les aventures de Robinson Crusoé, directed by Gaston Leprieur; 1924's Les amours de Rocambole, directed by Charles Maudru; 1925's Jean Chouans, directed by Luitz-Morat; 1926's Le capitaine Rascasse, Henri Desfontaines and 1926's Le juif errant, directed by Luitz-Morat. Her final film appearance was in the 1928 drama Rapa-Nui (also known as The Golden Abyss) directed by Mario Bonnard and starring André Roanne.Les Gens du Cinéma Retrieved 10 August 2016.
Atala, ou Les Amours de deux sauvages dans le désert is an early novella by François-René de Chateaubriand, first published on 12 germinal IX (2 April 1801). The work, inspired by his travels in North America, had an immense impact on early Romanticism, and went through five editions in its first year. It was adapted frequently for stage, and translated into many languages. Along with René, it began as a discarded fragment from a long prose epic the author had composed between 1793 and 1799, Les Natchez, which would not be made public until 1826.
During the same period, he worked for the Rohan family at the Hôtel de Soubise, sculpting bas-reliefs for Amours des Dieux ("The Gods' Love Affairs", 1736) in the state chamber of the Princess. The Bâtiments du Roi commissioned him for work at the Courts of Accounts in Paris, at the Basilica of St. Denis, and on the royal chapel at Versailles. At the abbey he created a bas-relief Saint Maur Seeking the Aid of the Lord for the Healing of a Child. The fathers at the Oratory of Paris entrusted him with the decoration of the church portal.
The Blu-ray, as well as a DVD reissue, contained the film presented uncensored in its original 1.66:1 aspect ratio from a newly remastered negative in HD. Special features included an introduction from Rollin; two short films from Rollin (Les amours jaunes and Le pays loin); an alternate version of one scene; "Fragments of Pavements Under the Sand", documentary by Daniel Gouyette featuring interviews with Rollin, Jean-Denis Bonan and Jean-Pierre Bouyxou; additional interviews with Rollin and Jean-Loup Philippe; original theatrical trailers; and a 16-page booklet with an essay by Video Watchdog editor Tim Lucas.
The film won the Prix de la Fiction at the Antibes Film Festival. Between 1992 and 1995, he directed a number of documentaries for Radio Télévision Suisse, including "La Revanche d'Allah", "La Complainte du Moscovite", "la Croisade d'un conseiller fédéral", "Brigade des Moeurs", "Les Renards de Kaboul", "La Croatie ou la Mort", and several other award-winning programs. Between 1995 and 2000, he directed a dozen TV features for Swiss and French TV, among which "Un enfant de trop" (1995), "Rachel et ses amours" (1996), "Le Roi en son moulin" (1997) and "Un cadeau, la vie" (1998).
Fine amours served as the model for an anonymous composition of the same name (the second line beginning Me fait), an anonymous piece beginning L'autrier par une matinee, and an anonymous song to the Virgin Mary, Douce dame, vierge Marie. The music of Chanter me fet was used in two different readings of Pour la pucele en chantant me deport by Gautier de Coincy and the lyrics were a model for the anonymous Destroiz d'amours et pensis sans deport. The other pieces attributed to Pierre are Quant foillissent li boscage and Tant sai d'amours con cil qui plus l'emprent.
The admonition of Death brings Contrition and Conscience, and it is only when Remembraunce has delivered an epitaph chiefly dealing with the Seven Deadly Sins, and Fame has enrolled Graunde Amours name with the knights of antiquity, that we are allowed to part with the hero. This long imaginative poem was widely read and esteemed, and certainly exercised an influence on the genius of Edmund Spenser. Hawes' poetry sought to revive the earlier medieval romances and allegorical poems which he much admired. Other works of Hawes include The Conversyon of Swerers (1509) and A Joyfidi Medytenon to all Englonde, a coronation poem (1509).
The palace and its gardens thus became stages where the princess acted out her ambitions, enthroned like a queen surrounded by her court. In some of her more exclusive parties, Madame de Berry also played the leading part in elaborate "tableaux-vivants" that represented mythological scenes and in which she displayed her person impersonating Venus or Diana. According to various satirical songs which scurrilously evoked her amours "the Lady of the Luxembourg" hid several pregnancies, shutting herself up from society when about to give birth. Her taste for strong liquors and her sheer gluttony also scandalized the court.
Barbara's musical legacy is revealed in the writing of a number of singers, French-speaking and otherwise. A style referred to as "Nouvelle Chanson",() or "New Chanson", artists such as Keren Ann, Benjamin Biolay, Coralie Clement, Emilie Simon, Daphné, Vincent Delerm and Tancrède are often cited as exponents of the updated style. One of the few English-speaking artists to cover her work is Marc Almond, whose version of "Amours Incestueuses" ("Incestuous Loves") was released on his 1996 album "Absinthe". The Anglo-French biographer David Bret, a close friend of Barbara, wrote at her behest "Les Hommes Bafoués", a song about AIDS prejudice.
Birkin at the 2001 Cannes Film Festival. In 1978, Birkin modeled in trade advertisements for Lee Cooper jeans. She then appeared in the Agatha Christie films Death on the Nile (1978) and Evil Under the Sun (1982), and recorded several albums, including Baby Alone in Babylone, Amours des Feintes, Lolita Go Home, and Rendez-vous. She won Female Artist of the Year in the 1992 Victoires de la Musique. She starred in two films directed by Jacques Doillon – as Anne in La fille prodigue (1981) and as Alma in La pirate (1984, nominated for a César Award).
The company advertised "Famous Players in Famous Plays" and its first release was the French film Les Amours de la reine Élisabeth (1912) starring Sarah Bernhardt and Lou Tellegen. Its first actual production was The Count of Monte Cristo (1912, released 1913), directed by Edwin S. Porter and starring James O'Neill, the father of dramatist Eugene O'Neill. In 1914, the company purchased the former headquarters of New York City's Ninth Mounted Cavalry unit at 221 West 26th Street in Manhattan. The cavernous brick building made excellent filming space for Zukor, and the modernized site is still used today as Chelsea Television Studios.
Les Onze Mille Verges ou les Amours d'un hospodar is a pornographic novel by French author Guillaume Apollinaire, published in 1907 over his initials "G.A.". The title contains a play on the Catholic veneration of the "Eleven thousand Virgins" (French: les onze mille vierges), the martyred companions of Saint Ursula, replacing the word vierge (virgin) with verge (rod) due to a slip of the tongue by the protagonist and as an omen of his fate. The use of the word verge may also be considered as a pun for it is used as a vulgarism for the male member.
Among the latter are to be found Cowley's most vital pieces. This section of his works opens with the famous aspiration: : "What shall I do to be for ever known, : And make the coming age my own?" It contains elegies on Wotton, Vandyck, Falkland, William Hervey and Crashaw, the last two being among Cowley's finest poems, brilliant, sonorous and original; the amusing ballad of The Chronicle, giving a fictitious catalogue of his supposed amours; various gnomic pieces; and some charming paraphrases from Anacreon. The Pindarique Odes contain weighty Lines and passages, buried in irregular and inharmonious masses of moral verbiage.
Religion of negroes, engraving, Paris, 1795, made to celebrate the first abolition of slavery on 4 February 1794. Nicolas Colibert, a French painter and engraver, was born in Paris in 1750. He executed in the dotted style some landscapes after Casanova, and about 1782 came to London, where he produced two oval plates of 'Pity' and 'Youth,' and two subjects from 'Evelina.' During the Revolution he returned to Paris and engraved several of Schall's designs for 'Les Amours de Psyche et de Cupidon,' published in 1791, and some illustrations after Monsiau to the poem 'La Mort d'Abel,' published in 1793.
Rameau revised Hippolyte for a revival in 1742. Apart from small changes in detail, he substantially reduced the role of Phèdre, replacing her Act 3 aria "Cruelle mère des amours" with a recitative and completely suppressing her death scene in Act 4. These changes were so drastic - the musicologist Sylvie Bouissou describes them as "blasphemy" - that the soprano Mlle Chevalier refused to sing the role of Phèdre. The revised version made its debut on 11 September 1742. In spite of initial criticisms of poor singing it was a great success, running for 43 performances in 1742 and 1743.
Hans Tischler (1974-6), "Rhythm, Meter, and Melodic Organization in Medieval Songs," Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap, 28, 12. The later anonymous religious piece La volontés dont mes cuers est ravis was a contrafactum of its melody. Besides these two songs Robert wrote Amours me mont me guerroie, Bien ait l'amours qui m'a doné l'usage, Nus fins amans ne se doit esmaier, and Pour (çou) ce se j'ain et je ne sui amés. This last was quoted--both lyrically and to a lesser degree musically--by Guillaume de Machaut in his four-part Middle French motet.
In 1949 an Italian film, Cavalcade of Heroes, was made to commemorate the hundredth anniversary of the Republic, although it was not released until the following year. It was directed by Mario Costa and starred Carla Del Poggio and Cesare Danova. Arthur Hugh Clough's long poem Amours de Voyage takes place during the siege of Rome, with one character describing the fighting in letters to his friend. The movie In the Name of the Sovereign People, 1990, directed by Luigi Magni, winner of the David di Donatello, is dedicated to the Roman Republic and his protagonists.
Danièle Dupré (1938–2015) was a French singer from the 1950s, most notable for representing Luxembourg in the 1957 Eurovision Song Contest with her song Amours mortes (tant de peine) – Faded Love (So Much Pain) – where she finished in a tie for fourth. A fairly minor star, her recordings occasionally appear on eBay and other places where EPs and 45 RPM singles are sold, and appear occasionally on compilations of 1950s French music. She spent some time in Brazil as a child. After returning to France, she appeared in a movie, La Parisienne, and went on to receive operatic training.
The song "We Share Our Mothers' Health" featured in the ABC series Ugly Betty, as well as an episode of CSI: NY. In August 2007, "Heartbeats" was featured in an episode of the HBO series Entourage. The song was later used in an episode of the HBO series Girls. The song "Wrap Your Arms Around Me" from their 2013 album was used in the closing scene and credits of episode 9 of the 2017 season of the Hulu series Handmaid's Tale. Their song "Pass This On" was used in the 2010 drama film Les amours imaginaires by Quebec director Xavier Dolan.
With partners Daniel Frohman and Charles Frohman he planned to offer feature-length films that would appeal to the middle class by featuring the leading theatrical players of the time (leading to the slogan "Famous Players in Famous Plays"). By mid-1913, Famous Players had completed five films, and Zukor was on his way to success. Its first film was Les Amours de la reine Élisabeth, which starred Sarah Bernhardt. That same year, another aspiring producer, Jesse L. Lasky, opened his Lasky Feature Play Company with money borrowed from his brother-in-law, Samuel Goldfish, later known as Samuel Goldwyn.
In the 1560s, Belleau tried his hand at a mixed verse and prose form modeled on the Italian pastoral Arcadia by Jacopo Sannazaro (French translation, 1544): this became La Bergerie (1565-1572), in which narration (in prose) is interspersed with poems on love and the countryside. His last work, les Amours et nouveaux Eschanges des Pierres precieuses (1576), is a poetic description of gems and their properties inspired by medieval and renaissance lapidary catalogues. He died in Paris on 6 March 1577, and was buried in Grands Augustins. Remy Belleau was greatly admired by poets in the twentieth century, such as Francis Ponge.
Joseph Carl Breil (29 June 1870 – 23 January 1926) was an American lyric tenor, stage director, composer and conductor. He was one of the earliest American composers to compose specific music for motion pictures. His first film was Les amours de la reine Élisabeth (1912) starring Sarah Bernhardt. He later composed and arranged scores for several other early motion pictures, including such epics as D. W. Griffith's The Birth of a Nation (1915) and Intolerance (1916), as well as scoring the preview version of The Phantom of the Opera (1925), a score that is now lost.
Intermissions in early films had a practical purpose: they were needed to facilitate the changing of reels. When Les Amours de la reine Élisabeth (The Loves of Queen Elizabeth), starring Sarah Bernhardt, opened on July 12, 1912, in the Lyceum Theatre in New York City, the four reel film was shown in four acts, with an intermission at each reel change. The technology improved, but as movies became progressively longer, the intermission fulfilled other needs. It gave the audience a breather, and provided the theater management an opportunity to entice patrons to its profitable concession stand.
He arranged the tracking shots, laid the tracks, checked the electricity, and helped the cameraman. When Jean did his military service for the French army, he worked as an editor in the cinema department alongside Claude Lelouch. They worked on army commercials, Lelouch directed, and Jean did the montage, and also did two films, Mechanographie, a documentary, and La Guerre de Silence (The War of Silence), a real film with actors and a story. In 1958, he directed his first short film Les Amours Jaunes (The Yellow Lovers), which he directed after he left the army.
La pêche chinoise, 1742, one of Boucher's chinoiserie designs woven at Beauvais (Musée des Beaux-Arts et d'archéologie de Besançon) Boucher also designed for Beauvais the Story of PsycheKathryn B. Hiesinger, "The sources of François Boucher's Psyché tapestries," The Philadelphia Museum of Art Bulletin 72 (1976), pp 7-23. and at the apex of the lot, the Amours des Dieux, the "Loves of the Gods", after paintings by Boucher delivered 1747–49; suites from among the nine subjects, though never all subjects in one suite, were being woven at Beauvais as late as 1774.Standen 1984, pp. 63-84.
He imitated Petrarch, Ariosto, Sannazaro, and still more closely the minor Italian poets, and in 1604 a number of his plagiarisms were exposed in the Rencontres des Muses de France et d'Italie. As a sonneteer he showed much grace and sweetness, and English poets borrowed freely from him. In his old age Desportes acknowledged his ecclesiastical preferment by a translation of the Psalms remembered chiefly for the brutal mot of Malherbe: "Votre potage vaut mieux que vos psaumes." He published in 1573 an edition of his works including Diane, Les Amours d'Hippolyte, Elegies, Bergeries, Œuvres chrêtiennes, etc.
In 1937, he played at the "Swing Time" in André Ekyans orchestra. In 1938, he met Charles Trenet and worked with him until 1943 as an accompanist pianist and composed songs. In 1939, he participated in the elaboration of the melody of La Mer, but, absent on the day of the presentation at the publishing house, it was Albert Lasry, pianist of the editions who co-wrote with Charles Trenet the music for this future international success. Among the songs written by Chauliac, notably for Charles Trenet, are Marie Marie, ', ' and Que reste-t-il de nos amours ?.
She has also explored on This Is New (2002) the songs of Kurt Weill, and, on her next album J'ai Deux Amours (2005), the French Classics. Herbie Hancock and Dee Dee Bridgewater giving a masterclass to musicians in Rabat, Morocco Her album Red Earth, released in 2007, features Africa-inspired themes and contributions by numerous musicians from Mali. Performed at the San Francisco Jazz Festival (2007). On December 8, 2007 she performed with the Terence Blanchard Quintet at the John F. Kennedy Center for the Performing Arts in Washington, D.C.. She tours frequently, including overseas gigs around the world.
Nothing is known for certain about Andrieu except his authorship of an elegy on the death of famous Guillaume de Machaut in 1377, the double ballade for four voices: Armes amours. The work is adapted from two texts by a student of Machaut, the poet Eustache Deschamps, making Andrieu's work one of two surviving musical settings of over 1,500 lyrics by Deschamps. Musicologist Gilbert Reaney notes that this would mean that from what is known about Andrieu, he is a "pure musician". The work is contained in the Chantilly Codex, and is one of two extant four-part double ballades from the Medieval era, the other being by Machaut.
Besides these, the ornamental pieces which he executed for the 'Voyage pittoresque de Naples et de Sicile' of Saint-Non, published in 1781, and the plates of 'Les Amants surpris,' 'Les Amours champêtres,' and 'Marchez tout doux, parlez tout bas,' after Baudouin, and a view of Narbonne, after Monnet, must be ranked among his best works. Choffard wrote in 1804 a 'Notice historique sur l'art de la Gravure,' and was about to undertake a more extensive work when he was struck down by death at Paris in 1809. MM. Portalis and Béraldi give in their 'Graveurs du Dix-huitieme Siècle' a detailed catalogue of his engravings, which number 855.
However, he denies having invented anything new, asserting that his "postmodern" work simply seeks to revitalize French-language pop. Visual arts and choreography play a prominent role in Pierre Lapointe's work, given his background in graphic arts and theatre. He works with dancers and many contemporary artists, particularly when producing music videos, and he often includes them on stage. Lapointe has been influenced by visual artists like Jeff Koons, Takashi Murakami and Montreal native David Altmejd, whom he credits as a major inspiration for Mutantès In 2016, he collaborated with the French designer Matali Crasset, who designed the scenography for Amours, délices et orgues.
Nous étions au fond de l’Afrique Gardiens jaloux de nos couleurs Quand, sous un soleil magnifique Retentissait ce cri vainqueur : En avant ! En avant ! En avant C’est nous les Africains Qui revenons de loin Venant de nos pays Pour sauver la Patrie Nous avons tout quitté Parents, gourbis, foyers, Et nous gardons au cœur Une invincible ardeur Car nous voulons porter haut et fier, Le beau drapeau de notre France entière, Et si quelqu’un venait à y toucher, Nous serions là pour mourir à ses pieds. Battez tambours, à nos amours Pour le Pays, pour la Patrie, Mourir au loin, c’est nous les Africains.
Waves crash on the coast at L'Anse à L'Orignal Low tide on Île aux Amours Porcupine Near Wootton House According to Jacques Cartier, the Battle at Baie de Bic happened in the spring of 1534, 100 Iroquois warriors massacred a group of 200 Mi'kmaq camped on Massacre Island in the St. Lawrence River. Baie de Bic was an annual gather place for the Mi'kmaq along the St. Lawrence. Mi'kmaq scouting parties notified the village that the Iroquois attack the evening before the morning attack. They evacuated 30 of the infirm and elderly and about 200 Mi'kmaq vacated their encampment on the shore and retreated to an island in the bay.
During that period, he started his work as a wood engraver. His professionalism, skilfulness and taste for meticulous and rigorous work quickly drew the recognition of his peers. The symbolist painter Émile Bernard, who was practically his neighbour, commissioned the engraving of his drawings illustrating Ronsard's Les Amours and Baudelaire's Les Fleurs du Mal, which Ambroise Vollard then published in 1914 and 1916. With the start of World War I in 1914, Latour was mobilized, and on 22 September he was seriously wounded in Picardy. While convalescing in hospital he met Madeleine Cosnard who would become his wife in 1917 and the mother of his two sons, Jacques and Jean.
In The Orangerie (1796), James Gillray caricatured William's dalliances during his exile, depicting him as an indolent Cupid sleeping on bags of money, surrounded by pregnant amours William V joined the First Coalition against Republican France in 1793 with the coming of the French Revolution. His troops fought bravely in the Flanders Campaign, but in 1794 the military situation deteriorated and the Dutch Republic was threatened by invading armies. The year 1795 was a disastrous one for the ancien régime of the Netherlands. Supported by the French Army, the revolutionaries returned from Paris to fight in the Netherlands, and in 1795 William V went into exile in England.
Rhodope, in love with Aesop; engraving by Bartolozzi, 1782, after Kauffman's original Sir John Vanbrugh's comedy "Aesop" was premièred at the Theatre Royal in Drury Lane, London, in 1697 and was frequently performed there for the next twenty years. A translation and adaptation of Boursault's Les fables d'Esope, Vanbrugh's play depicted a physically ugly Aesop acting as adviser to Learchus, governor of Cyzicus under King Croesus, and using his fables to solve romantic problems and quiet political unrest.Mark Loveridge, A History of Augustan Fable (hereafter Loveridge), pp. 166–68. In 1780, the anonymously authored novelette The History and Amours of Rhodope was published in London.
Marèse made her first screen appearance in a 1929 short C'est par amour pour vous Madame. Her first full-length feature was Amours viennoises in 1930, followed by the Marc Allégret-directed adaptation of Mam'zelle Nitouche. Marèse's break came when she was offered the leading role (originally intended for Catherine Hessling) in Renoir's La Chienne (The Bitch), in which she played Lulu, a prostitute who connives with her pimp and lover (Georges Flamant) to exploit financially an unhappily married man (Michel Simon) who has fallen in love with her. Marèse's performance was well received and seemed to mark the start of a potentially successful career.
The structure was used as a banqueting house, and as a meeting place for Louis XIV and his mistress Madame de Montespan from 1671. The king was entertained in the main central pavilion, which had one main storey with high attics above, and three main rooms: a central living room of and two apartments: the Appartement de Diane ("Apartment of Diana") and the Appartement des Amours ("Apartment of Love"), each with a gilded bed. Other guest and service functions were relegated to the other four pavilions, two large and two small, arranged around two oval courtyards. The Trianon de Porcelaine was surrounded by formal gardens divided into three parts.
Ball p.59 He married Elizabeth Cole of Gateshead in 1664; they had one daughter, Margaret, who married Captain Walker.Ball p.59 Margaret was a friend of the Irish-born author, Mary Davys, who dedicated her first novel, The Amours of Alcippus and Lucippe, later renamed The Lady's Tale (1704) to Margaret. Mrs Davys in the dedication praises Margaret's "unexceptional temper", and refers to their old acquaintance in England, suggesting that their friendship was of long standing.Bowden, Martha, introduction to The Reform'd Coquet by Mary Davys, reissued by the University of Kentucky 1999 Elrington Ball described Jeffreyson as a fine lawyer, but a Tory above all.
Stolen Kisses () is a 1968 French romantic comedy-drama film directed by François Truffaut starring Jean-Pierre Léaud and Claude Jade. It continues the story of the character Antoine Doinel, whom Truffaut had previously depicted in The 400 Blows and the short film Antoine and Colette. In this film, Antoine begins his relationship with Christine Darbon, which is depicted further in the last two films in the series, Bed & Board and Love on the Run. The original French title of the film comes from a line in Charles Trenet's song "Que reste-t-il de nos amours ?" which is also used as the film's signature tune.
Tousez was born in Paris. An actor at the Théâtre des Variétés (1816-1826), he played the handsome young men in Les Bolivars et les Morillos ou Les amours de Belleville (1819) by Armand d'Artois and Gabriel de Lurieu as well as, inter alia, in Le témoin ou La Porte-Maillot (1820) by Eugène Scribe, Mélesville and Xavier Boniface. In 1818, he married Charlotte Zoë Régnier de la Brière, an actress and François-Joseph Regnier's mother. He took part in the composition of several plays of the boulevard theatre genre which were presented at the Théâtre du Gymnase dramatique and the Théâtre du Vaudeville.
She ended her modeling career while she began in television on channel FR3 presenting various programs such as Télé Caroline, Chapiteau 3, Dadou Babou and 40° à l'ombre de la 3. The year of her television debut, in 1986, was also the one where she had her only film role offered by Max Pécas in Deux enfoirés à Saint-Tropez. In 1990, still on FR3, she produced and presented two programs, Ce soir ou jamais and from 1991 à 1993, À vos amours, broadcast on Sunday evenings. Her years spent on television were honored in 1989 by the 7 d'Or for best television presenter.
The French poet Tristan Corbière, having met a man who claimed to be the son of Lamartine and Graziella while in Italy in 1869, wrote a poem titled "Le fils de Lamartine et Graziella" ('The Son of Lamartine and Graziella'). The poem, published in Corbière's 1873 collection Les amours jaunes, has been interpreted by André Le Milinaire as condemning the falsity of family life. Graziella title character was depicted by the French artist Jules Joseph Lefebvre in an 1878 oil painting on canvas. Commissioned by the art collector Catharine Lorillard Wolfe, the work depicts Graziella sitting on a rock, fishing net in hand, gazing over her shoulders at a smoking Mount Vesuvius.
Lisa Jardine suggests the sale of this lute once belonging to the deposed king may have been distasteful to Lady Stafford.Matthew Spring, 'A Goose Among Swans', The Lute in the Netherlands in the Seventeenth Century (Cambridge Scholars, Newcastle, 2016), pp. 131, 137-140: Lisa Jardine, Temptation in the Archives (UCL: London, 2015), pp. 62-3. Mary Boyle, Countess of Warwick wrote, "she was a cunning old woman who had been herself too much, and was too long versed in amours."T. Crofton Croker, Autobiography of Lady Warwick (Percy Society, London, 1848), p. 9. Mary Boyle had lived at a house of Lady Stafford's, and her brother Francis Boyle, Lord Shannon, married Elizabeth Killigrew at Whitehall Palace in 1639.
The facade of the Hôtel Guimard Hôtel Guimard, dessin de Jean-Baptiste Maréchal Map of the Hotel Guimard, with a theatre above the entrance Marie-Madeleine Guimard was a ballerina for the Paris Opera. She made her fortune as mistress of the Prince de Soubise and had a hôtel particulier (or mansion) in Pantin, a Paris suburb. The Hôtel Guimard was nicknamed the "Terpsichore temple", in reference to Mlle Guimard (Terpsichore was the Muse of dance). The site featured a sculpture titled Terpsichore Crowned by Apollo, a low relief of the Muse of Dance riding a chariot "pulled by Amours surrounded by Bacchantes and Wildlife and followed by the graces of choreography".
The plot function of the aging lecher Pandarus in Chaucer's and Shakespeare's famous works has given rise to the English terms a pander (in later usage a panderer), from Chaucer, meaning a person who furthers other people's illicit sexual amours; and to pander, from Shakespeare, as a verb denoting the same activity. A panderer is, specifically, a bawd — a male who arranges access to female sexual favors, the manager of prostitutes. Thus, in law, the charge of pandering is an accusation that an individual has sold the sexual services of another. The verb "to pander" is also used in a more general sense to suggest active or implicit encouragement of someone's weaknesses.
"All" was the United Kingdom entry at the Eurovision Song Contest 1957 performed in English by Hull born actress and occasional singer Patricia Bredin. It was a ballad and at a length of 1:52 minutes, it was the shortest entry in the history of the contest until Finland in 2015 as well as being the first song to be performed in English. The song was performed third on the night (following Luxembourg's "Amours mortes (tant de peine)" and preceding Italy's "Corde della mia chitarra" - the longest entry in the history of the contest at 5:09 minutes). The song was placed 7th out of 10 songs, and received a total of 6 points.
A student at the Conservatoire of Paris with Sarah Bernhardt and Louis Monrose as teachers, she made her debut in the 1880s and played, among others, at the Théâtre du Vaudeville, the Ambigu-Comique, the Théâtre-Libre, the Théâtre de l'Odéon, the Théâtre des Variétés, the Théâtre du Cercle in Aix-les-Bains (La Vie facile, Mathias Sandorf, La Chance de Françoise, Myrtil et Mélicerte, Amoureuse, La Jeunesse des mousquetaires, La Vie à deux, Fedora, Jeunes Amours, La Flamboyante, Les Femmes savantes, Gogo, Les Dominos roses, Midi à quatorze heures, Le Nouveau Monde, La Course au baiser, Les Rantzau (in London), La Marchande de sourires, Le bonheur conjugal, Les Espérances, Chez l'avocat, Diplomate...) She is buried at Montmartre Cemetery.
In the strip as written by Segar, Olive was something of a coy flapper whose extremely thin build lent itself well to the fashions of the time; her long black hair was usually rolled in a neat bun, like her mother's. She is the youngest sibling of Castor Oyl and Crude Oyl. She was the more-or-less fiancée of Harold Hamgravy, a "lounge lizard" or slacker type who did as little work as possible and was always borrowing money. His attraction to other women—particularly if they were rich—naturally incensed Olive, and she once succumbed to a fit of "lunaphobia" (a kind of angry madness) over one of his amours.
Pope Leo X, known as the Medici Pope, carried on his family's tradition of patronage of the arts begun by his great-grandfather Cosimo de' Medici in the Republic of Florence. Upon hearing of the generosity of this new pope, Francesco Maria Molza abandoned his family – parents, wife, and children – and moved to Rome where he became infatuated with a woman and wrote poems to her; he wrote the pastoral poem La ninfa Tiberina in praise of Faustina Mancini and went through a series of various amours. He was at one point attacked and seriously wounded by a would-be assassin. After Leo's death, he moved to Bologna where he joined the entourage of Ippolito de' Medici.
He also wrote a successful mock-heroic poem (Siege de Caderousse) travesties of Homer and Virgil, a prose novel depicting the country manners of the time (Histoire de Jean lont pris), and two comedies, which likewise give a vivid picture of the village life he knew so well. In the opinion of Oelsner the two genuine poets are the brothers Rigaud of Montpellier: Augustes (1760–1835) description of a vintage is deservedly famous; and Cyrille (1750—1820s) produced an equally delightful poem in the Amours de Mounpeïé. Pierre Hellies of Toulouse (d. 1724) a poet of the people, whose vicious life finds an echo in his works, has a certain rude charm, at times distantly recalling Villon.
229 "I must own", wrote Cibber, "that I believe I know more of your whoring than you do of mine; because I don't recollect that ever I made you the least Confidence of my Amours, though I have been very near an Eye-Witness of Yours." Since Pope was around four and a half feet tall and hunchbacked due to a tubercular infection of the spine he contracted when young, Cibber regarded the prospect of Pope with a woman as something humorous, and he speaks mockingly of the "little-tiny manhood" of Pope. For once the laughers were on Cibber's side, and the story "raised a universal shout of merriment at Pope's expense".Lowe in Cibber (1966b), p.
In 1985 he worked on L'Affaire Landscape, also written by Daniel. While doing work for Charlie Mensuel, Varenne also drew erotic stories for L'Écho des savanes, such as Carré noir sur dames blanches (1984), Erma Jaguar, later published in three volumes (1988-1992), Corps à corps (1987), Les Larmes du sexe (1989), Amours fous (1991), and the portfolios Erotic Opera (1986), Fragments érotiques (1993), and Le Goût des femmes (2002). Most of them were published by Albin Michel in France; Erma Jaguar was published in English by Catalan Communications in the United States. For Casterman, Varenne worked on the graphic novels Angoisse et Colère (1988, written by Daniel Varenne adapted from the novel Mars) and Gully Traver (1993).
During the first half of the twentieth century only a few Canadian operas were known. Roberta Geddes- Harvey's La Terre Bonne, or the Land of the Maple Leaf was first performed in 1903. Joseph Vézina's operetta La Fétiche from 1912 deals with First Nations subjects like the conflict between the Iroquois and the French settlers in the early eighteenth century. J. Ulric Voyer's three-act opera L'Intendant Bigot was performed in Montreal and Quebec City in 1929. In the 1940s, Healey Willan's Transit through Fire (1942) was broadcast by the CBC; and Eugène Lapierre's operas La Père des amours (1942) and La Vagabond de la gloire (1947) were based on the lives of Joseph Quesnel and Calixa Lavallée.
H.N. Fairchild, Religious Trends in English Poetry Volume 2, p.298 Though Cawthorn’s “Abelard and Eloisa” followed in the train of the earlier imitations of Pope that were written immediately on its publication, there had been none since 1730. His poem of 1747 not only heads a new wave of them but seems to have been the most continuously reprinted. Before his posthumous 1771 collection, it had reappeared in The Poetical Calendar (1763) and George Pearch’s Collection of Poems in Two Volumes (1768).The New Cambridge Bibliography of English Literature, Volume 2, column 646 By 1781 it had joined Pope’s original in John Hughes’ The Letters of Abelard and Heloise: with a particular account of their lives, amours, and misfortune,p.
Theobald left the Holy Land to return home in September 1240, Guigues and Duke Hugh IV of Burgundy stayed behind to construct a fortress at Ascalon.Lower (2005), p. 52. The poet Eustache le Peintre de Reims wrote a short song in Old French, Amours, coment porroie chancon faire, about Guigues's participation in the Crusade.. While in the Holy Land, Guigues received a relic of the True Cross from the Master of the Temple, Armand de Périgord.. He died at Castellaneta in Italy while returning from his crusade. His body was brought back to Forez and lies in the church he had founded at Montbrison.. In his will, Guigues names his two children: his successor, Guigues V, and his younger son, Renaud.
Souvenirs d'enfance ("Souvenirs of infancy", "Childhood memories") is a series of autobiographical novels by French filmmaker and académicien, Marcel Pagnol (1895–1974).Books and Writers Souvenirs d'enfance comprises four volumes covering the years from his birth in 1895 to about 1910, which were spent in Marseille, with family summer holidays in La Treille, about ten kilometres (six miles) away. The four volumes in order are La Gloire de mon père ("My Father's Glory"); Le Château de ma mère ("My Mother's Castle"); Le Temps des secrets ("The Time of Secrets"); and Le Temps des amours ("The Time of Love"). The first two were published in 1957, the third in 1960, and the fourth, which was unfinished, was published posthumously in 1977.
Kelly's Directory of Essex: 1882 p.130; 1902 p.189; 1914 p.270 Parish land is of marl and clay overlaying white clay. In the late 19th to early 20th century, crops grown were largely wheat, barley and beans. The 1882 parish area was , supporting an 1881 population of 520. By 1902, area was plus five acres of water, with a 1901 population of 488 in the civil, and 534 in the ecclesiastical parish. By 1914 it was plus one acre of water, and a population of 453 (civil) and 485 (ecclesiastical). In 1884, a detached part of Mashbury parish, known as 'Amours' was added to Good Easter, and a detached part of Good Easter parish known as the 'Pinchers' was added to Margaret Roothing parish.
On 21 December 1670, owing to a jest made by Coventry in the House of Commons on the subject of the King's amours, Sir Thomas Sandys, an officer of the guards, with other accomplices, by the order of Monmouth, and (it was said) with the approval of the king himself, waylaid him as he was returning home to Suffolk Street and slit his nose to the bone. The outrage created an extraordinary sensation in the Commons, and in consequence Parliament debated a bill ‘to prevent malicious maiming and wounding’ (22 & 23 Chas. II, c.1), a measure known as the "Coventry Act" was passed, declaring assaults accompanied by personal mutilation a felony without benefit of clergy, an Act not repealed until 1828.
Salim Bachi travels through Europe and the Maghreb to defend a certain idea of literature, giving lectures to students, readers, universities and cultural institutes. A resident at the Académie de France à Rome in 2005, he now lives and works in Paris. The éditions Gallimard published five of his novels in the Collection Blanche, Le Chien d'Ulysse, La Kahéna, Tuez-les tous, Le silence de Mahomet and Amours et aventures de Sindbad le Marin, which were hailed by critics and won several literary prizes. He also published a book of short stories about malvie ("bad life") in Algeria entitled Les douze contes de minuit at the same publisher and a narrative of travel, Autoportrait avec Grenade, at éditions du Rocher.
Daniel Rozoum (20 May 1959 – 28 February 2013), known as Daniel Darc, was a French singer, who achieved success with his band Taxi Girl (together with Mirwais Ahmadzaï) between 1978 and 1986, and also as a solo artist. After Taxi Girl was disbanded in 1986, he continued a solo career, releasing Sous influence divine in 1987. Produced by Jacno, this included a cover version of "Comment te dire adieu", a song with lyrics by Serge Gainsbourg that had been popularized by Françoise Hardy. In 1994 he released Nijinsky, followed by two albums in cooperation with composer, director and producer Frédéric Lo: Crève cœur in 2004 and then Amours suprêmes in 2008, with appearances by Alain Bashung, Robert Wyatt, Morgane (singer of Cocoon) and Steve Nieve.
In 1958, he collaborated with Jean-Pierre Landreau to compose all the music revues of Lido for the company Lido-Mélodies whose two founding members are Jean Gruyer and Pierre Delvincourt. In 1959, he collaborated with Bruno Coquatrix to compose the music of Paris mes amours and Avec (lyrics by André Hornez) which were performed by Josephine Baker at the Olympia. In 1960, he wrote the music for the song Les Étangs de Sologne with the lyrics by Paul Vialar which was sung the same year by Jean Philippe in the TV show Toute la Chanson. In 1971, he participated with Maurice Lehmann to the foundation of the ANAO (Association Nationale des Amis de l’Opérette) which will be Vice- President.
Sketch of Jean-Jacques Barthélemy by Pierre-Simon-Benjamin Duvivier Barthélemy left a number of essays on Oriental languages and archaeology, originally read before the Academy of Inscriptions and Belles-Lettres; Les amours de Caryte et de Polydore, a novel illustrating ancient manners; and Mémoires of his life. Barthélemy's correspondence with Paolo Paciaudi, chiefly on antiquarian subjects, was edited with the ' in 1877 by Charles Nisard. His letters to the comte de Caylus were published by Antoine Serieys as Un voyage en Italie (1801), and his letters to Mme du Deffand, with whom he was on intimate terms, in the ' (1866), edited by the marquis de Sainte-Aulaire. See also Mémoires sur la vie de l'abbé Barthélemy, écrits par lui-même (1824), with a notice by Lalande.
After L'Amour fessé and Le Peuple du pôle, he published "Parisian" before the war and novels that originally appeared in the weekly La Vie Parisienne: Les Caprices de Nouche, Le Béguin des Muses, Le Miroir des pécheresses, Nique et ses cousines. Subsequently, he published other novels, among which are La Nuit d'été, Cassinou va-t-en guerre, La Petite Faunesse, Le Renard bleu, Mon Gosse..., Ouily et Bibi, Amours basques, Le Pauvre et son chien. Le Bestiaire sentimental, which was a popular favorite with the public, comprises three volumes: Vie de Grillon, La Chauve-Souris and Émile et les autres. In these stories, he gave tender attention to animals that had populated his universe since childhood (crickets, bats, cats, frogs).
Scene: The stage shows a grove in a forest in America, on the borders of the French and Spanish colonies, where the ceremony of the Peace Pipe is about to be celebrated Adario, a Native American, is in love with Zima, daughter of a native chief, but he fears the rivalry of the Spaniard Don Alvar and the Frenchman Damon (Air: Rivaux des mes exploits, rivaux des mes amours). The Europeans plead with Zima for her love, but she says Damon is too fickle and Alvar is too jealous; she prefers the natural love shown by Adario (Air: Sur nos bords l'amour vole) and the couple vow to marry (Duet: Hymen, viens nous unir d'une chaîne éternelle). The act ends with the Europeans joining the natives in the ceremony of peace (Chorus: Forêts paisibles).
In television, Serero started his career in France with: Juste un pitch (2008), Code Barge (2008), Krach (2009), C'est la crise (2011), Mes amis, mes amours, mes emmerdes (2011), Interpol (2011), Des soucis et des hommes (2011), Las Vegas Hotel (2011), L'Attaque (2011), Platane (2011), Silences d'Etat (2012), RIS Police (2012), Profilage (2012), Royal Palace (2012). In America, he starred in Blood Feuds – Gangs of New York by Discovery Channel on American Heroes Channel (2015), On the Case with Paula Zahn, Suddenly Rich on TLC (2016), Whistleblowers on Spike TV (2016), Six Degrees of Murder on Discovery Channel (2016), Deadline: Crime with Tamron Hall on NBC (2016), The Hunt with John Walsh on CNN (2016), We Are New York WANY (2017), Pandora's Box on Discovery ID (2018) and Quantico on ABC.
The area was noted for its "great numbers of female votaries to Venus of all ranks and conditions", while another author distinguished Covent Garden as "the chief scene of action for promiscuous amours." The Scottish statistician Patrick Colquhoun estimated in 1806 that of Greater London's approximately 1,000,000 citizens, perhaps 50,000 women, across all walks of life, were engaged in some form of prostitution. Whether any of these women could confirm their addresses for publication in Harris's List is something that author Sophie Carter doubts. She views the annual as "primarily a work of erotica", calling it "nothing so much as a shopping list ... textually arrayed for the delectation of the male consumer", continuing "they [the women] await his intervention to institute an exchange", epitomising the traditional male role in pornography.
But, since relations between them are now impossible, she advises him to distance himself from her memory and looks forward to the release of death when "one kind grave" will reunite them (line 343). Pope was born a Roman Catholic and so might be assumed to have an insight into, and a special interest in, the story. He had, however, a recently published source to inspire him and guide his readers. This was The Letters of Abelard and Heloise: with a particular account of their lives, amours, and misfortune by the poet John Hughes, which was first published in 1713 and was to go through many editions in the following century and more.Google Books There are several instances of Pope's direct dependence on Hughes’ version of the letters.
Stéphane De Groodt began his acting career playing a number of roles in many television series such as Faux Contact and a recurring role in the French crime series Boulevard du Palais from 2004 to 2008. He then played supporting roles in a number of minor films, but also in more well-known films such as Asterix at the Olympic Games (2008) and Asterix and Obelix: God Save Britannia (2012). In 2010, he replaced actor Serge Hazanavicius for the role of the veterinary François Kleber in the series Mes amis, mes amours, mes emmerdes... at the beginning of the second season. In 2013, he played a guest role in the sixth season of series Fais pas ci, fais pas ça, in which French actress Frédérique Bel also had a recurring role since the fourth season.
This was the colossal ballet Le Roi Candaule (known in Russian as Tsar Candavl), which was staged especially for the visiting ballerina Henrietta D'or. The ballet featured the Pas de Vénus, which was considered to be among Petipa's greatest masterpieces of classical choreography, with the ballerina D'or executing five pirouettes during her piqué turns in rapid succession. The ballet also included the pas known as Les amours de Diane, or simply as the Pas de Diane, which would later be transformed by Agrippina Vaganova into the so-called Diane and Actéon Pas de Deux for her 1935 revival of La Esmeralda. Le Roi Candaule would go on to break attendance records at the St. Petersburg Imperial Bolshoi Kamenny Theatre, and by 1903 the work had been performed 194 times.
He went back to writing plays, but after his next piece was badly received he decided to change his job once more and began writing a series of autobiographical novels – Souvenirs d'enfance – based on his childhood experiences. In 1957, the first two novels in the series, La Gloire de mon père and Le château de ma mère were published to instant acclaim. The third Le Temps des secrets was published in 1959, the fourth Le Temps des Amours was to remain unfinished and was not published until 1977, after his death. In the meantime, Pagnol turned to a second series, L'Eau des Collines – Jean de Florette and Manon des Sources – which focused on the machinations of Provençal peasant life at the beginning of the twentieth century and were published in 1962.
These included, in Scotland, Dalkeith Palace and Bowhill House (which he bought for his son Charles in 1747), and in England, Spalding in Lincolnshire, Langley in Berkshire and Hall Place at Hurley. Buccleuch was buried on 26 April 1751 in Eton College Chapel. Lady Louisa Stuart called him "a man of mean understanding and meaner habits", and added that after his first wife's death "he plunged into such low amours, and lived so entirely with the lowest company, that his person was scarcely known to his equals, and his character fell into utter contempt." Though a distant kinswoman by marriage and therefore privy to family remembrances of Buccleuch, Stuart's judgment must be treated with caution; she had no first-hand knowledge of the man, having not yet been born at the time of his death.
Jane Barker (1652–1732) was a popular English fiction writer, poet, and a staunch Jacobite. She went into self-imposed exile when James II fled England during the Glorious Revolution in 1688.Wilson, xxv Her novels, The Amours of Bosvil and Galesia, also published as Love Intrigues (1713), Exilius or The Banish'd Roman (1715), A Patchwork Screen for the Ladies (1723), and The Lining of the Patchwork Screen for the Ladies (1726) were written after she returned to London in 1704. Prior to and during her exile, she wrote a collection of poems justifying the value of feminine education and female single life, "Poetical Recreations" (1688),Mello, 2015 and a group of political poems, "A Collection of Poems Referring to the Times" (1701), which conveyed her anxiety about the political future of England.
He also wrote a comedy Les divertissements du Temps ou la Magie de Mascarille and another play, Les amours de Merlin en 1671,Henri Liebrecht, Histoire du théâtre français à Bruxelles au XVIIe et au XVIIIe siècle, Société des bibliophiles et iconophiles de Belgique, 1923, p.63. although some sources date the plays in 1691 and attribute them to his son Claude.Wolfgang Leiner, Horizons européens de la littérature française au XVIIe siècle: l'Europe, lieu d'échanges culturels? : la circulation des œuvres et des jugements au XVIIe siècle, G. Narr, 1988, p.298. (father and son sharing the same nickname, this is a great source of confusionMohamed Samy Djelassi (Éd.), Rosidor, Les valets de chambre nouvellistes: comédie inédite en cinq actes et en prose, écrite à Stockholm vers 1701, Volume 1, Uppsala universitet, 1988, p.
A new type of restaurant, the Brasserie, appeared in Paris during the 1867 Universal Exposition. The name originally meant a place that brewed beer, but in 1867 it was a type of café where young women in the national costumes of different countries served different drinks of those countries, including beer, ale, chianti, and vodka. The idea was continued after the Exposition by the Brasserie de l'Espérance on the Rue Champollion on the Left Bank, and was soon imitated by others. By 1890, there were forty-two brasseries on the Left Bank, with names including the Brasserie des Amours, the Brasserie de la Vestale, the Brasserie des Belles Marocaines, and the Brasserie des Excentriques Polonais (brasserie of the eccentric Poles), and they were often used as a place to meet prostitutes.
In 2008, Karin announced the release of a solo album under the name Fever Ray in March 2009. The eponymous album was digitally released in advance of this date. The single "If I Had a Heart" was featured in a 2011 episode of Breaking Bad and in the 2013 film Horns, is the opening theme of the Canadian-Irish historical drama television series Vikings, and is the opening of the movie Laurence Anyways by Quebec director Xavier Dolan, who also used Karin's song "Keep the Streets Empty For Me" in his movie Les Amours Imaginaires. In a 2016 interview with The Fader, Karin related that they are currently working on more solo music, though they are "unsure" if it will be under the Fever Ray moniker or not.
In 1757 L'Astrée was sufficiently in the public consciousness, or at any rate "Celadon" had become a byword for amorousness, to be referred to in passing by an Italian guest of Casanova.The Complete Memoires By Jacques Casanova – Chapter 59 from Nalanda Digital Library at NIT Calicut In 1908 a bust of D'Urfé was erected at Virieu-le-Grand (Ain), where the greater part of L'Astrée was written. An adaptation of L'Astrée, by French director Eric Rohmer, was released in 2007 under the title Les Amours d'Astrée et de Céladon (in English-speaking territories its title was The Romance of Astrea and Celadon). It was nominated for a Golden Lion at the 2007 Venice Film Festival, and star Andy Gillet won an Étoile d'Or in 2008 for Best Male Newcomer for his performance as Céladon.
In France, the period following the Wars of Religion saw the appearance of a new form of narrative fiction (which some critics have termed the "sentimental novel"), which quickly became a literary sensation thanks to the enthusiasm of a reading public searching for entertainment after so many years of conflict. These short (and realistic) novels of love (or amours, as they are frequently called in the titles) included extensive examples of gallant letters and polite discourse, amorous dialogues, letters and poems inserted in the story, gallant conceits and other rhetorical figures. These texts played an important role in the elaboration of new modes of civility and discourse of the upper classes (leading to the notion of the noble honnête homme). None of these novels have been republished since the early 17th century, and they remain largely unknown today.
Robert Challe, Journal d'un Voyage faites aus Indes Orientales 1721 Robert Challe (17 August 1659 – 25 January 1721) was a French colonialist, voyager and writer, although he never published under his own name, which accounts for his obscurity until his re-discovery in the 1970s. His two most well-known works are :fr:Les Illustres Françaises, published anonymously in The Hague in 1713, translated in English by Penelope Aubin in 1727 under the title The Illustrious French Lovers; being the true Histories of the Amours of several French Persons of Quality, and Journal d'un voyage fait aux Indes Orientales, published after his death in 1721. Challe was born in Paris, the youngest of five children of the second marriage of a certain Jean Challe, a petit bourgeois and minor civil servant. He had two brothers and two sisters.
He was born about 1585 near Verdun of a Calvinist family, and studied at the university of Paris. He then joined Turenne's army in the Netherlands, where he gained rapid advancement. He was the author of a tragedy, Tyr et Sidon, ou les funestes amours de Belcar et Méliane, published in 1608 under the anagram-name Daniel d'Anchéres, and reprinted with numerous changes in 1628 under the author's own name. It has been suggested that Schelandre was directly acquainted with Shakespearian drama, but of this there is no direct proof, although he appears to have spent some time in England and to have seen James I. He pursued his military career to the end of his life, dying at Saumazènes in 1635 from wounds received in the German campaign of Louis d'Epernon, Cardinal de la Valette.
The literary work of Jacques Attali covers a wide range of topics and almost every possible subject in the field of literature: mathematics, economic theory, essays, novels, biographies, memoirs, children's stories, and theater. It is probably difficult to find a common thread in his work. All of his essays revolve around the daunting task of describing the future from a long-term analysis of the past. In order to accomplish this, he undertook the task of retelling the story of human activity and its various dimensions: music, time, property, France, nomadic life, health, the seas, modernity, global governance, love and death (Bruits, Histoires du temps, La nouvelle économie française, Chemin de sagesse, Au propre et au figuré, l'ordre cannibale, Consolations, l’homme nomade, Amours, Histoire de la modernité, Demain qui gouvernera le monde , Histoires de la mer).
All songs written by William Galison, unless otherwise noted # "Back in Your Own Back Yard" (Billy Rose, Al Jolson, Dave Dreyer) \- 2:34 # "J'ai deux amours" (Vincent Scotto, Géo Koger, Henri Vanna) \- 3:17 # "Flambée montalbanaise" (Gus Viseur) \- 3:03 # "Got You on My Mind" (Joe Thomas, Howard Biggs) \- 4:18 # "Jealous Guy" (John Lennon) \- 3:41 # "The Way You Look Tonight" (Dorothy Fields, Jerome Kern) \- 3:04 # "Rag for Madi" - 3:19 # "Playin'" (Galison, Peyroux) \- 4:42 # "Shoulda Known" - 5:09 # "Heaven to Me" (Ernest Schweikart, Frank Reardon) \- 4:05 # "Heaven Help Us All" (Ron Miller) \- 4:32 Recorded at Excello, Brooklyn, New York in March 2003 by Hugh Pool, and mixed by Ted Spencer at Ted Spencer Studio, New York, in January and February 2004, except track 3, recorded and mixed at Tonstudio Schlag in 1999 by Wolfgang Lohmeier.
Sets of tapestry covers for seat furniture were introduced, and in September 1737 it was decided that the King of France should purchase two sets of tapestry each year, for 10,000 livres, for gifts to foreign ministers, an advertisement of French hegemony in the field of art and also a fine advertisement for the quality of the Beauvais manufacture. The king had the entire production of Gobelins at his disposal, but as Edith Standen points out,Edith A. Standen, "The 'Amours des Dieux': A Series of Beauvais Tapestries after Boucher" Metropolitan Museum Journal 19 (1984, pp. 63-84) p. 63. they were rather large, rather solemn and definitely old-fashioned. In 1739, for the first time, cartoons for Beauvais were exhibited at the Paris salon, another way of keeping the tapestry workshops before the public eye.
His early friendships were chiefly with artists; and he wrote art criticisms with recognized discernment. In 1868 he was a founding member of the Société Libre des Beaux-Arts, an avant-gardist group whose ideals he championed. Taking a house in the hills near Namur, he devoted himself to sport, and developed the intimate sympathy with nature which informs his best work. Nos Flamands (1869) and Croquis d'automne (1870) date from this time. Paris-Berlin (1870), a pamphlet pleading the cause of France, and full of the author's horror of war, had a great success. His capacity as a novelist, in the fresh, humorous description of peasant life, was revealed in Un Coin de village (1879). In Un Mâle (1881) he achieved a different kind of success. It deals with the amours of a poacher and a farmer's daughter, with the forest as a background.
The Latin text of Genesis 32:30 'Vidi dominum facie ad faciem; et salva facta est anima mea' (I have seen the Lord face to face) was set for the third nocturn at Matins on the second Sunday of Lent and was a popular medieval telling of the story of Jacob's encounter with the angel. It is set as the tenor (upper voice) text of Machaut's multi-text- layered Motet No.15 Vidi dominum (I have seen the LORD) simultaneously with two secular French texts: "Faux semblant m'a decü" and "Amours qui ha le pouvoir."Anne Walters Robertson Guillaume De Machaut and Reims: Context and Meaning in His Musical... 2002, p. 163 "Drawn from the Genesis story of Jacob's wrestling match with the angel, Vidi dominum is a favorite phrase for ..." Machaut musically contrasts God's blessing in the Latin text with the disappointments of secular love in the French texts.
Paul Barroilhet: The Duke of Nottingham Roberto Devereux (or Roberto Devereux, ossia Il conte di Essex [Robert Devereux, or the Earl of Essex]) is a tragedia lirica, or tragic opera, by Gaetano Donizetti. Salvadore Cammarano wrote the Italian libretto after François Ancelot's tragedy Elisabeth d'Angleterre (1829), and based as well on the Historie secrete des amours d'Elisabeth et du comte d'Essex (1787) by Jacques Lescéne des Maisons, although Devereux was the subject of at least two other French plays: Le Comte d'Essex by Thomas Corneille and Le Comte d'Essex by Gauthier de Costes, seigneur de la Calprenède. The opera is loosely based on the life of Robert Devereux, 2nd Earl of Essex, an influential member of the court of Queen Elizabeth I of England. The plot of Roberto Devereux was hardly original, mainly derived from Felice Romani's libretto Il Conte d'Essex of 1833, originally set by Saverio Mercadante.
An anonymous vielle-player from the Codex Manesse Vielart, Vielars, Wilars or Wilart de Corbie was one of the earliest trouvères from northern France. In one instance a chansonnier names him Willame (Guillaume de Corbie, William from Corbie) and some scholars have followed this, concluding that "Vielart" and its variations form a sobriquet meaning "violist" (player of a vielle) or perhaps "old man" (from French vieillard). He was active in the Île-de-France in the first decades of the thirteenth century at the latest, since his song De chanter me semont Amours was used as the basis for a contrafactum, Quant ces floretes florir voi, by Gautier de Coincy (died 1236). Only two songs can be firmly ascribed to him, and both survive with musical notation: De chanter and Cil qui me prient de chanter, which served as the basis for a Latin contrafactum, Dic, homo, cur abuteris.
Most of Nervèze's novels proclaim their veracity and take place in the recent past during the civil wars in France, although the story of Palmelie and Lirisis takes place under François II of France and Charles IX of France, and the story of Lidior occurs around 1600 during the conflict between the Dutch provinces and the Spanish Netherlands. His collected novels were published several times in anthologized form, and the number of editions seems to indicate commercial success. Along with his novels, Nervèze wrote numerous works of moral philosophy, and his moral and religious philosophy is evident in most of his works, including the novels. His Catholicism is mixed with elements of stoicism and he idealized the chastity and purity of his characters (who frequently seek out retreat in convents to assuage their woes) and his novel Les amours de Polydore et de Virgin[i]e celebrates divine love as a cure for the ravages of earthly love.
He returned to England shortly before the restoration of King Charles II, and lived at Queen's College, Oxford where Thomas Barlow was provost. Under Barlow's influence, Wycherley returned to the Church of England. Thomas Macaulay hints that Wycherley's subsequent turning back to Roman Catholicism once more was influenced by the patronage and unwonted liberality of the Duke of York, the future King James II. As a professional fine gentleman, at a period when, as Major Pack wrote, "the amours of Britain would furnish as diverting memoirs, if well related, as those of France published by Rabutin, or those of Nero's court writ by Petronius", Wycherley was obliged to be a loose liver. However, his nickname of "Manly Wycherley" seems to have been earned by his straightforward attitude to life. Wycherley left Oxford and took up residence at the Inner Temple, which he had initially entered in October 1659 but gave little attention to studying law and ceased to live there after 1670.
In 2006, as the popularity of L5 diminished, the band announced Lydy's departure. Louisy Joseph started preparing for a debut solo album– Louisy Joseph en interview after a friend advised her to contact Pascal Obispo who agreed to produce her album at his Atlético Music studios, and arranged for a contract with Warner Music France with contributions by John Mamann and Olivier Reine in a soul, reggae and acoustic style far away from the pop style of L5. She also chose to adopt the name Louisy Joseph rather than her full name Lydy Louisy-Joseph, effectively distancing herself from "Lydy of L5" days. Her debut solo album La saison des amours was released on 14 April 2008, the day she turned 30. Her debut solo single "Assis par terre", written by Lionel Florence, was released on 26 May 2008 and hit Top 3 followed by a concert at the Zénith de Nantes, on the occasion of the NRJ Music Tour.
Louise Marie Amélie Faivre (February 4, 1837 - November 17, 1897) was a French mezzo-soprano. Born in Paris, the daughter of François-Théodore Faivre (1799-1861), a trombonist with the Théâtre-Italien, and Julie-Coralie Bolot (1814-1883), Faivre studied at the Conservatoire de Paris, where in 1857 she received third prize in singing and second in the field of opéra-comique. A career singer at the Théâtre Lyrique, at which she debuted in 1857 in Euryanthe by Carl Maria von Weber, she ultimately rose to become principal dugazon of that company, for which she created a number of roles. Most notably, in 1859, she was the first Siébel in Faust by Charles Gounod; other roles which she created for the company included parts in Le moulin du roi, by Adrien Boieldieu; La colombe, by Gounod; Les deux amours, by François-Auguste Gevaert; Erostate, by Ernest Reyer; and La fille de l'orfèvre, by .
Jonathan Romney traces a long line of (mainly French) painters and writers influencing these directors, beginning with the Marquis de Sade, and including Gustave Courbet's 1866 L'origine du monde, Comte de Lautréamont, Antonin Artaud, Georges Bataille, William S. Burroughs, Michel Houellebecq, and Marie Darrieussecq. He locates filmic predecessors in Luis Buñuel and Salvador Dalí, Roman Polanski, Jean-Luc Godard's Le weekend, Andrzej Zulawski's Possession, and Michael Haneke. Quandt also alludes to Arthur Rimbaud, Buñuel, Henri-Georges Clouzot, Georges Franju, Michelangelo Antonioni, Pier Paolo Pasolini, Guy Debord, Walerian Borowczyk, Godard, Psycho, Zulawski, Deliverance, Jean Eustache's La maman et la putain, and Maurice Pialat's A Nos Amours as models, but criticizes that the contemporary filmmakers so far lack the "power to shock an audience into consciousness". John Wray notes that some of these filmmakers show less affection for Hollywood films than their New Wave predecessors, and take after Jean Renoir as well as Bresson.
Some single and minor pieces, an epithalamium on Antoine de Bourbon and Jeanne de Navarre (1550), a "Hymne de la France" (1549), an "Ode a la Paix," preceded the publication in 1550 of the four first books ("first" is characteristic and noteworthy) of the Odes of Pierre de Ronsard. This was followed in 1552 by the publication of his Amours de Cassandre with the fifth book of Odes, dedicated to the 15-year-old Cassandre Salviati, whom he had met at Blois and followed to her father's Château de Talcy. These books excited a violent literary quarrel. Marot was dead, but he left numerous followers, some of whom saw in the stricter literary critique of the Pléiade, in its outspoken contempt of merely vernacular and medieval forms, in its strenuous advice to French poetry to "follow the ancients," and so forth, an insult to the author of the Adolescence Clémentine and his school.
In this system he consistently spells his name with one "l": Peletier. Pelletier spent many years in Bordeaux, Poitiers, Piedmont (where he may have been the tutor of the son of Maréchal de Brissac), and Lyon (where he frequented the poets and humanists Maurice Scève, Louise Labé, Olivier de Magny and Pontus de Tyard). In 1555 he published a manual of poetic composition, Art poétique français, a Latin oration calling for peace from Henry II of France and emperor Charles V and a new collection of poetry, L'Amour des amours (consisting of a sonnet cycle and a series of encyclopedic poems describing meteors, planets and the heavens) which would influence poets Guillaume du Bartas and Jean-Antoine de Baïf. His last years were spent in travels to the Savoy, Germany, Switzerland, possibly Italy, and various regions in France, and in publishing numerous works in Latin on algebra, geometry and mathematics, and medicine (including a refutation of Galen, and a work on the Plague).
His first two volumes of chansons are for four voices, and are settings of the Amours of Pierre de Ronsard, poems which describe the stages and incidents in a love affair gone sour. Some of the harmonic language used in the chansons is daring, and approaches the experimental level of Vicentino; Bertrand uses microtones, including quarter- tones, as an expressive device in two of the pieces from the second book (1578). The most extreme example of this is the last seventeen measures of the chanson Je suis tellement amoureux, in which Bertrand completely avoids diatonic writing, using "only chromatic and enharmonic, with no mixture of diatonicism except in an interval in the bassecontre and another in the hautecontre, made to express the word 'death'" However, in a later edition of the same songs (published posthumously in 1587) his publisher removed the dots used as microtone accidentals; evidently they were either too hard to sing, or the notation was too unfamiliar. In the preface he also mentions that music is best when it appeals to the senses, and avoids mathematical subtleties.
Jerningham's use of this theme introduces another of the questions surrounding his originality. There had already been nine poetical replies in Abelard's name to Pope's original epistle, stretching from 1720 to 1785, but his is singular in stressing the historical background to Abelard's story. Although the material was available, as it was to Pope, in John Hughes’ Letters of Abelard and Heloise: with a particular account of their lives, amours, and misfortune,Google Books no one before him had thought to include the quarrel with Bernard of Clairvaux and the indictment for heresy as among the pressures that Abelard was under. An analogous case is another of Jerningham’s heroic epistles, “Yarico to Inkle” (1766), of which there had also been several other examples under that title in the four decades before his appeared.Frank Felsenstein, English Trader, Indian Maid: Representing Gender, Race, and Slavery in the New World: An Inkle and Yarico Reader, Johns Hopkins University 1999 The original story concerned an “Indian maid” who had saved a shipwrecked mariner on the North American coast and was subsequently sold by him into slavery.
The subjects, from the suite Jason and Medea by Michel- François Dandré-Bardon, and from the Amours de Psyché by Boucher; the description in the livret de salon pointed out that the actions were reversed, in order to appear the right way in tapestry. (Standen 1984:63). Louis- Philippe as a wedding gift to his daughter, 1832 Oudry turned to other artists to supplement the tapestry cartoons he was producing; from Charles- Joseph Natoire's designs Beauvais wove the suite of Don Quichotte, and from François Boucher, starting in 1737, a long series of six suites of tapestry hangings, forty-five subjects in all, constituting the familiar "Boucher- Beauvais" suites that embody the rococo style: the Fêtes Italiennes, a set of village festivals in settings evoking the Roman Campagna, the Nobles Pastorales, a further suite of six chinoiseries, now in a lighter, Rococo handling. Boucher's eight oil sketches for these Tentures chinoises were shown in the Salon of 1742;. It was unusual for the artist's sketches to be enlarged to provide cartoons, as in this case;Standen 1984:64, 65.
According to Antonius Diogenes, she was married to Balacrus (probably the satrap of Cappadocia of that name) as early as 332 BC. In 322 BC, her father gave her in marriage to Craterus as a reward for his assistance to Antipater in the Lamian War. After the death of Craterus a year later, she was again married to the young Demetrius Poliorcetes, the son of Antigonus. The date of her marriage is assumed to have taken place between 319 BC and 315, since the remains of her late husband were consigned to her care by Ariston, the friend of Eumenes in 315 BC. Despite the large difference in age, Phila appears to have had great influence over her youthful husband, who treated her with the utmost respect and consideration, and towards whom she had great affection in spite of his numerous amours and subsequent marriages. During the many vicissitudes of fortune which Demetrius experienced, Phila seems to have resided principally in Cyprus from whence she sent letters and costly presents to her husband during the siege of Rhodes.
An early fiction concerning the Empress, La Messalina by Francesco Pona, appeared in Venice in 1633. This managed to combine a high degree of eroticism with a demonstration of how private behavior has a profound effect on public affairs. Nevertheless, a passage such as :Messalina tossing in the turbulence of her thoughts did not sleep at night; and if she did sleep, Morpheus slept at her side, prompting stirrings in her, robing and disrobing a thousand images that her sexual fantasies during the day had suggested helps explain how the novel was at once among the most popular, and the most frequently banned, books of the century, despite its moral pretensions.Wendy Heller, Emblems of Eloquence: Opera and Women's Voices in Seventeenth-Century Venice, University of California 2003, pp.273-5 Much the same point about the catastrophic effect of sexuality was made by Gregorio Leti's political pamphlet, The amours of Messalina, late queen of Albion, in which are briefly couch'd secrets of the imposture of the Cambrion prince, the Gothick league, and other court intrigues of the four last years reign, not yet made publick (1689).
Eugene Onegin (1831) by Alexander Pushkin is a classical example, and with Pan Tadeusz (1834) by Adam Mickiewicz is often taken as the seminal example of the modern genre.For discussion of the basic categorical issues see The New Princeton Encyclopedia of Poetry and Poetics (Princeton, NJ: Princeton University Press, 1993), s.v. 'Narrative Poetry'. The major nineteenth-century verse novels that ground the form in Anglophone letters include The Bothie of Toper-na-fuisich (1848) and Amours de Voyage (1858) by Arthur Hugh Clough, Aurora Leigh (1857) by Elizabeth Barrett Browning, Lucile (1860) by 'Owen Meredith' (Robert Bulwer- Lytton), and The Ring and the Book (1868-9) by Robert Browning. The form appears to have declined with Modernism, but has since the 1960s-70s undergone a remarkable revival. Vladimir Nabokov's Pale Fire (1962) takes the form of a 999-line poem four cantos, though the plot of the novel unfolds in the commentary. Of particular note, Vikram Seth's The Golden Gate (1986) was a surprise bestseller, and Derek Walcott's Omeros (1990) a more predictable success.The upturn is noted in J. A. Cuddon, ed., A Dictionary of Literary Terms and Literary Theory (4th ed.
The novel is about the length of Silas Marner, and is centered on the great quarrel between Henry II and his Chancellor and Primate of England, Thomas Becket. Although in a broad sense based on history, its psychology is fancifully developed from a medieval legend found by Meyer in 1853 in Thierry's Histoire de la Conquête de l'Angleterre par les Normands (History of the Conquest of England by the Normans; 1825, Book IX), according to which Becket was the son of an Englishman and of the sister of the Kalif of Cordova. The story of Henry's amours with beautiful Rosamond Clifford in the hidden bower suggested the secret palace in which Meyer's Becket rears his daughter Grace to save her from royal lechery. The accidental slaying of Grace after her seduction by the king inspires in Becket a deep-laid plot for revenge under the veil of pretended loyalty and later of saintly devotion when he becomes Primate on Henry's nomination, whereby he drives the king to alternate fits of despair and fury over the loss of political advantages and of the love of his queen and sons.

No results under this filter, show 298 sentences.

Copyright © 2024 RandomSentenceGen.com All rights reserved.