Meeting Daft Punk in Paris shortly afterwords was another highlight.
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"All we wanted to do was have fun," Goodman said afterwords.
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Afterwords, Mr. Pompliano alleges that on multiple occasions, when called for reference, Snap Inc.
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The musical, "Afterwords," found a working home at their respective apartments, both in Harlem.
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Safaree didn't mince words afterwords ... challenging Meek to a fight and a whole lot more.
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In fall 2016, they called the producer of "Afterwords," Ashley DeSimone, and asked her to meet.
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"I would buy it under their name, and they would get the money afterwords," he said.
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Afterwords, following the front page review of A Designer's Art, editors gave more space to graphic design topics.
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Afterwords, they utilized transfer leaning, bringing together stakeholders to assemble a database of 129,450 clinical images covering 2,000 different diseases.
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In the nation's capital, shopper Phillip Carlisle rushed to buy the book at Washington's Kramerbooks & Afterwords Cafe when it was released just after the stroke of midnight.
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Afterwords, I talked with Mason about the future of virtual reality, what it's like building VR startup in London, and the difficulties of converting the masses to VR.
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There are no less than six afterwords attached to the manifesto — a testament to the store in which Buttarelli's ideas are held among privacy, digital and human rights campaigners.
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Holocaust novels—for adults as well as for young readers—tend to include extensive afterwords detailing the stories on which they are based and the ways, if any, in which they deviate from their sources.
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In one of the book's afterwords, Nicholas L. Syrett, chair of women, gender, and sexuality studies at the University of Kansas, summarizes the history of fraternities in the United States—how they evolved into these secret, single-sex clubs where men bonded in degrading one another with homoeroticism, where friendships were formed through "secrecy and shame," and where sexual violence was commonplace.
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Despite all those progressive things Selina says for the cameras during a photo-op for her holiday shopping trip to Kramerbooks & Afterwords Café — she claims she plans to purchase a book by the African-American poet Wanda Coleman, as well as a graphic novel "with a strong Asian protagonist" — Selina's open-mindedness goes out the window when she realizes her daughter is gay.
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Areas has been covered by alternative rock band The Gathering on their 2013 album Afterwords.
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Ellison introduced the anthology both collectively and individually while authors provided afterwords to their own stories.
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Ognjanović is also writing about comics. He regularly writes afterwords and essays for the publisher Veseli četvrtak, especially for their editions of Dylan Dog, Martin Mystere and Zagor. Ognjanović also wrote afterwords for Serbian editions of Alberto Breccia’s albums Myths of Cthulhu and Mort Cinder (Darkwood, Belgrade, 2018).
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Afterwords was the first album released by the band under an exclusive physical format (CD) deal with Target Stores.
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Afterwords is the eleventh studio album by the Dutch alternative rock band The Gathering released via Psychonaut label on 25 October 2013.
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In August 2020, he changed the name of Afterwords Cafe to All Day by Kramers, with a menu designed by Chef Vincent Griffith.
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Prismatical structure constructed inside the tube is safe by difects which can happen afterwords if the prismatical structure is inserted in a second moment.
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In April 2020, Salis set up a pop-up take out and delivery of his BBQ sandwich franchise, the Federalist Pig, in the Afterwords Cafe. Salis announced in May 2020 that he intended to relocate Kramerbooks and Afterwords Cafe to an undisclosed location. The local community responded with regret and grief. Salis later clarified he would keep the bookstore at its original location for at least three more years.
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He has lectured on publishing at Princeton and Harvard. He is the author of Afterwords: Novelists on Their Novels and The Fiction Editor, the Novel, and the Novelist.
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The Collected Letters of Robert E. Howard, Vols. 1–3, Robert E. Howard Foundation. Lord also provided introductions, afterwords, or commentary for dozens of Howard books.Howard, Robert E. (1976).
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In 2006, Kosche announced that he would be leaving Steep to focus on Collective Soul exclusively. In 2007, Collective Soul released the album Afterwords. Kosche co-wrote the album's lead single "Hollywood" with Ed Roland.
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Koman has made available the body of work of Samuel Edward Konkin III through KoPubCo. He is the pseudonymous author of the Gloamingerism pamphlets published as afterwords in the 1999 trade paperback edition of J. Neil Schulman's novel Alongside Night.
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The band recorded a live album with the Atlanta Symphony Youth Orchestra in 2005, titled Home, and released it in 2006. Collective Soul has since released four more albums: Afterwords (2007), a second self-titled album (2009), See What You Started by Continuing (2015), and Blood (2019).
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Immodest Proposals is a collection of 33 science fiction stories by British- American writer William Tenn, the first of two volumes presenting Tenn's complete body of science fiction writings. It features an introduction by Connie Willis. Tenn provides afterwords to each story, describing how they came to be written.
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Lackey and Dixon have in the past worked in raptor rehabilitation. She refers to her various parrots as her "feathered children". The afterwords to some of her books refer to rehabilitation and falconry, and this interest has influenced and informed her writing. She also enjoys beadwork, costuming, and needlework.
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The interview was televised on CSPAN's BookTV series Afterwords in March, 2013. Ken also wrote the book Republican Like Me: How I Left the Liberal Bubble and Learned to Love the Right. In the book he chronicles his journey interviewing conservatives from all backgrounds and ends up becoming an independent voter.
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Dean played high school hockey for Greenway Raiders from 1983-1986, graduating in 1986. Afterwords, Dean played one season for the USHL team the Rochester Mustangs. From years 1987 to 1991, Dean played for the University of Alaska, Anchorage Seawolves Men's Hockey Team, playing along fellow Greenway Alumni, Mike Peluso.
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The title comes from Arthur C. Clarke's novel 2010: Odyssey Two. In 2007, he released the instrumental album, Afterwords 3, on Alpha Pup Records. He is the music supervisor of This Is the Life, a documentary film which chronicles the Good Life Cafe. In 2013, he returned with Modern Persian Speech Sounds.
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Walt's Time also includes a preface by then Walt Disney Company's vice- chairman Roy E. Disney, a foreword by the Vice Chairman of Walt Disney Imagineering Marty Sklar, and an introduction by Disney film historian Leonard Maltin. Also included are afterwords by each of the three editors as well as a thorough discography and videography.
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Emperor Go-Kōgon of the Northern Court inscribed the title on the labels (外題 gedai) of each scroll, while Ashikaga Takauji wrote afterwords at the end of each volume. The ten-volume work was finally completed in 1356 (Enbun 1) after ten years of production.Suwa Shishi Hensan Iinkai, ed. (1995). p. 814, 816.
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Here Comes Civilization is a collection of 27 science fiction stories written by William Tenn, the second of two volumes presenting Tenn's complete body of science fiction writings. It features an introduction by Robert Silverberg and an afterword by George Zebrowski. Tenn provides afterwords to each story, describing how they came to be written.
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The group continue to expand upon the experimental nature of their music. In August 2007 Anneke van Giersbergen left the group to focus on her solo project Agua de Annique. On 12 March 2009, The Gathering announced that their replacement vocalist was Silje Wergeland (Octavia Sperati). Their most recent album, Afterwords, was released on 25 October 2013.
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As a literary critic, Fishelov has published review articles and essays in the literary supplements of the daily newspapers Davar, Haaretz, and Yediot Ahronot. He has also written afterwords to Hebrew translations of 18th- century literary works, such as Daniel Defoe's Robinson Crusoe and Moll Flanders, Jonathan Swift's Selected Writing, and Laurence Sterne's A Sentimental Journey Through France and Italy.
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The Anthology of Rap is a 2010 rap music anthology published by Yale University Press, with Adam Bradley and Andrew DuBois as the editors. Henry Louis Gates, Jr. wrote the foreword, while Chuck D and Common wrote the afterwords. Bradley and DuBois are English professors, at the associate level at the University of Colorado and University of Toronto Scarborough, respectively. It was published on November 9, 2010.
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Below is a bibliography of published works written by Dutch-born Catholic priest Henri Nouwen. The works are listed under each category by year of publication. This includes 42 books, four of which were published posthumously, along with 51 articles and 4 chapters which are lists in process. Also listed below are 31 of the forewords, introductions, and afterwords which he wrote for others' works.
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René Rutten (born 2 July 1972 in Nijmegen, Gelderland) is a Dutch guitarist for The Gathering. He founded the band with his brother Hans in 1989, and together they released eleven studio albums, four live albums, and four EPs. His latest work with The Gathering was Afterwords, released in 2013. In 2015 Rutten formed a new band, "Habitants", who released their debut album in 2018.
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After problems that Ognjanović had with his professor and mentor, he had to leave his job at the Faculty of Philosophy in Niš in 2009. Currently, Ognjanović is an independent scholar and editor at Orfelin Publishing (Novi Sad, Serbia) where he edits the series "Poetics of Horror", which includes translations of some works, extensive afterwords for each book, biographies and bibliographies of selected authors, etc.
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Afterwords is the seventh studio album by Atlanta-based rock band Collective Soul, released on August 28, 2007. The album was released digitally in the iTunes Store and physical copies of the album were available only at Target Stores following an exclusive deal the band made with the chain. The album was later re-released at all retail locations on December 9, 2008 with three new tracks written by Ed Roland.
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Jüri Kallas (born April 20, 1967) is an Estonian science fiction expert, translator, publisher and editor. Jüri Kallas has worked for publishers Elmatar and Fantaasia as a compiler and editor. He is currently working on handing out the Estonian Science Fiction Association award Stalker, developing the Estonian science fiction bibliography and is an active contributor for the online science-fiction magazine Reaktor. He has written afterwords for novels and collections.
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Kramerbooks, located at 1517 Connecticut Avenue NW in Washington, D.C.'s Dupont Circle neighborhood, opened in August 1976 by Bill Kramer, David Tenney, and Henry Posner. Two months later, the business partners opened Afterwords Cafe, with an entrance on 19th Street, in the same building. Constructed in 1920, the building was originally an automobile showroom. Later tenants included Hudson Air Conditioning Corporation and the women's clothing stores Looby and Peck & Peck.
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130 Because he ignored the tradition he rested blindly imprisoned in it, repeating its most problematic gestures, falling short of the most elementary critical questions.Jacques Derrida, "'Afterwords" in Limited, Inc. (Northwestern University Press, 1988), p. 131 Derrida would even argue that in a certain way he was more close to Austin than Searle was and that, in fact, Searle was more close to continental philosophers that he himself tried to criticize.
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The New Canadian Library is a publishing imprint of the Canadian company McClelland and Stewart. The series aims to present classic works of Canadian literature in paperback. Each work published in the series includes a short essay by another notable Canadian writer, discussing the historical context and significance of the work. These essays were originally forewords, but after McClelland and Stewart's 1985 sale to Avie Bennett, the prefatory material was abandoned and replaced by afterwords.
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The record is the last album before the band went on hiatus and bassist Marjolein Kooijman quit in 2014. Afterwords is somewhat a continuation of the previous album, Disclosure, containing remakes of five of the songs. De-constructed to just a few main elements, with a melody and perhaps a few lyrics retained, the songs start almost from scratch to build up completely different compositions. S.I.B.A.L.D. stands for "Sometimes it's better a little dusty".
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Collective Soul performed two shows with the Atlanta Symphony Youth Orchestra on April 23 and 24, 2005. A DVD and double disc CD of the performances, entitled Home: A Live Concert Recording With The Atlanta Symphony Youth Orchestra was released in February 2006. Collective Soul's seventh studio album, Afterwords was released in August 2007. It was co-produced by Anthony J. Resta who also contributed synthesizers, percussion and lead guitar on the song "Bearing Witness".
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"Weinmann’s poems, ranging from traditional sonnets and blank verse to more radically experimental forms, push language beyond consolation and praise and toward a possibility of atonement with the world of things."—Diane Kistner, Editor, FutureCycle Press "...Weinmann...is a very serious poet, with a matchless command of form. He is learned, even erudite, but never (ever) stuffy or pedantic. His poems are uncommonly fresh; they bristle with intelligence and unexpected insights..."—Young Smith, Eastern Kentucky UniversityYoung Smith. Afterwords.
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The City on the Edge of Forever, Bantam Books, 1977, . In 1995, Borderlands Press published The City on the Edge of Forever, with nearly 300 pages, comprising an essay by Ellison, four versions of the teleplay, and eight "Afterwords" contributed by other parties. He greatly expanded the introduction for the paperback edition,Harlan Ellison's The City on the Edge of Forever, White Wolf Publishing, 1996; . in which he explained what he called a "fatally inept" treatment.
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The Crnojević printing press marked the beginning of the printed word among South Slavs. The press operated from 1493 through 1496, turning out religious books, five of which have been preserved: Oktoih prvoglasnik, Oktoih petoglasnik, Psaltir, Molitvenik, and Četvorojevanđelje. Đurađ managed the printing of the books, wrote prefaces and afterwords, and developed sophisticated tables of Psalms with the lunar calendar. The books from the Crnojević press were printed in two colors, red and black, and were richly ornamented.
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Afterwords... (in Russian) Nevertheless, he continued his work. In 1998 he released one of the most acclaimed documentaries about the First Chechen War — Damned and Forgotten that was awarded with the Nika Award in 1998 as the best documentary.1998 Nika Award at the Awards & Winners website He also took part in several non- governmental organizations dedicated to helping disabled war veterans. In 2011 he survived a stroke and died several days later at the age of 50.
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The band made a deal in the US with Target stores, making it the "exclusive physical retailer" of Afterwords for one year. The album was immediately available in digital form on iTunes. The record debuted at # 25 on the Billboard Comprehensive Albums chart (as albums available only from a single retailer were ineligible for the Billboard 200 at the time). Billboard would later amend this rule due to similar successes of other artists via similar agreements.
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The 2019 edition is themed "forewords/afterwords" in reference to W. H. Auden's final collection of essays. Taking place from 21–24 November 2019, the festival will be directed by Pauline Fan and Sharaad Kuttan, marking the first time two co-directors will helm the festival in its 9-year history. The line- up of the festival will include 2019 Man Booker International Prize winner Jokha al-Harthi, as well as 2019 EBRD Literature Prize winner Hamid Ismailov.
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His lifelong passion for Icelandic legend culminated in his verse translation of The Elder Edda (1969). Among his later themes was the "religionless Christianity" he learned partly from Dietrich Bonhoeffer, the dedicatee of his poem "Friday's Child." A Certain World: A Commonplace Book (1970) was a kind of self-portrait made up of favourite quotations with commentary, arranged in alphabetical order by subject. His last prose book was a selection of essays and reviews, Forewords and Afterwords (1973).
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Limited, Inc.. Northwestern University Press, 1988. p. 29: "...I have read some of his [Searle's] work (more, in any case, than he seems to have read of mine)" and didn't try to understand him and even that, perhaps, he was not able to understand, and how certain practices of academic politeness or impoliteness could result in a form of brutality that he disapproved of and would like to disarm, in his fashion.Jacques Derrida, "Afterwords" in Limited, Inc.
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Some examples of his series include the Dirt Man series, the Dirt Baby series, and the Dirt Window series. Croak is also a published writer, with essays appearing in the books This Will Make You Smarter: New Scientific Concepts to Improve Your Thinking and Is the Internet Changing the Way you Think?: The Net's Impact on our Minds and Future, both edited by John Brockman. An additional essay was published in the book Afterwords, a compilation put together by Salon.
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Under the guidance of Wind, the Classics of Golf Library was created to preserve and make available the works of the leading authors of early and modern golf literature. Wind and Macdonald reprinted these classic golf books and added Forewords and Afterwords to provide insight and perspective to the great literary works. Sixty-nine books make up the Classics of Golf Library today, which is featured in the USGA Museum. In 1992, the PGA of America honored Wind with its lifetime achievement award.
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This volume was published by Audio Literature. Volume three is notable in that—apart from the new introductions or afterwords in each collection—it contains the first essay in these Ellison Audio book collections (Valerie: A True Memoir). It also contains a reading by another author, Robert Bloch, originally done for a vinyl record album released by the Harlan Ellison Record Collection, in the late 1970s. Bloch's story A Toy for Juliette, is included because the story on the next track is Ellison's continuation of the plot.
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It was passed on as an authentic testimony of the Warsaw Ghetto and ended up in several Holocaust anthologies and even as a meditation in Jewish prayer books. It was many years before Kolitz was able to recapture his story and claim it as his own. It was later translated under his name in editions in Polish, French, Italian, German, Spanish, Danish and Swedish. In 1999, Pantheon Books published the story in a slim volume with afterwords by Paul Badde, Emmanuel Levinas and Leon Wieseltier.
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In most of his fiction, Carter was consciously imitative of the themes, subjects and styles of authors he admired. He usually identified his models in the introductions or afterwords of his novels, as well as in the introductory notes to self-anthologized or collected short stories. His best- known works are his sword and planet and sword and sorcery novels in the tradition of Edgar Rice Burroughs, Robert E. Howard, and James Branch Cabell. His first published book, The Wizard of Lemuria (1965), first of the "Thongor the Barbarian" series, combines both influences.
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Zábrana also wrote many afterwords to his translations and these were published in Potkat básníka in 1989. Apart from three years during the 1960s when he published three collections (Utkvělé černé ikony 1965, Lynč 1968 and Stránky z deníku 1968), he published no original poetry in his lifetime. He wrote three detective stories (with Josef Škvorecký), and one novel for children. In the normalization period of the 1970s, later in the 1980s, he wrote poetry and continued with his diaries, published in 1992 under the title Celý život (A Whole Life).
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Recognizing that the collectivity that once marked New York's cultural life was fast disappearing in the 1980s, Lotringer ceased regular publication of the Semiotexte journal in 1985, though book-length issues occasionally appeared into the 1990s. In its place, he instituted the Semiotexte Foreign Agents series – a collection of "little black books" by French theorists. Published with no introductions or afterwords, the books were conceived to present "theory brut" like champagne into the American cultural marketplace. The series debuted in 1983 with Jean Baudrillard's Simulations, excerpted by Lotringer from Symbolic Exchange and Death (Galilée, Paris: 1977) and Simulacra and Simulations (Gallimard, Paris: 1981).
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It was commissioned by and hung prominently for more than 30 years at the Bank of California building in downtown Seattle. (After the Bank of California merged with Union Bank in 1996 to form Union Bank of California, the work was donated to the Daybreak Star Center.) Also included in that donation was a major oil painting by Guy Anderson, based on a traditional Northwest Native representation of a whale. Bernie Whitebear is memorialized by the Bernie Whitebear Memorial Ethnobotanical Garden next to the Center building.Bernie Whitebear Ethnobotanical Memorial Garden , AfterWords, Edmonds Community College, 2005-10-11.
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Wood-engraver Gwen Raverat was a fan of Hart's 1872 novel The Runaway, which the artist described as "a gay, rather farcical book, which was the delight of my own childhood (and I supposed of the generation before as well) and has been very much loved by my own children, and by many others". Raverat asked publishing house Macmillan to publish an edition of the novel with her art. The Runaway was reissued in 1936 with sixty of Raverat's engravings after Duckworth accepted the project. The Runway was also reissued by Persephone Books with afterwords from Anne Harvey and Frances Spalding.
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He argued that truth was not about getting it right or representing reality, but was part of a social practice and language was what served our purposes in a particular time; ancient languages are sometimes untranslatable into modern ones because they possess a different vocabulary and are unuseful today. Donald Davidson is not usually considered a postmodernist, although he and Rorty have both acknowledged that there are few differences between their philosophies.Davidson, D., 1986, "A Coherence Theory of Truth and Knowledge," Truth And Interpretation, Perspectives on the Philosophy of Donald Davidson, ed. Ernest LePore, Basil Blackwell, Oxford, afterwords.
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Searle did not reply. Later in 1988, Derrida tried to review his position and his critiques of Austin and Searle, reiterating that he found the constant appeal to "normality" in the analytical tradition to be problematic from which they were only paradigmatic examples. He continued arguing how problematic was establishing the relation between "nonfiction or standard discourse" and "fiction," defined as its "parasite", "for part of the most original essence of the latter is to allow fiction, the simulacrum, parasitism, to take place-and in so doing to 'de-essentialize' itself as it were".Jacques Derrida, "Afterwords" in Limited, Inc.
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The bookstore was one of four in Washington, D.C. managed by Kramer, who had taken over the business from his parents, Sidney and Miriam Z. Kramer, librarians who opened their first store, Sidney Kramer Books, in 1946. Kramer wanted to open a business that provided customers a place to eat and read, what he described as "two of the three most enjoyable human activities." At the time of its opening, there were few places in the country that provided such a service. The concept became popular and other businesses, including the Harvard Book Store and Square Books, followed Kramerbooks & Afterwords' lead and opened their own cafes.
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These feature Gale Parker as Indiana's sidekick; they introduced afterwords to the series, regarding each novel's historical context. Caidin became ill, so Max McCoy took over in 1995 and wrote the final four novels: Indiana Jones and the Philosopher's Stone, Indiana Jones and the Dinosaur Eggs, Indiana Jones and the Hollow Earth, and Indiana Jones and the Secret of the Sphinx. McCoy set his books closer in time to the events of Raiders of the Lost Ark, which led to his characterizing Indiana as "a bit darker". The prolog of his first book featured a crystal skull, and this became a recurring story, concluding when Jones gives it up in the final novel.
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Carlos Casas studied fine arts, cinema and design. In 1998 he was awarded an Artist- in-residence in Fabrica, research and communication center of Benetton. In 2000 his short Film “Afterwords”, produced by Marco Müller and Fabrica Cinema was selected for Venice Film Festival, International Film Festival Rotterdam and Reencontres du Cinema in Paris 2001. In 2001 he started a series of documentaries for Colors Magazine, and a series of Fieldworks, an ongoing experiment with ambiental video and radio frequencies, a sort of landscape video notes, in 2003 he developed a 52 min documentary,”Rocinha. Daylight of a favela” Shot on location in one of the biggest favelas in Rio de Janeiro.
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The fact that students expressed their desire to take part in such therapy may have affected the outcome. Gary Solomon, PhD, MPH, MSW, and author of The Motion Picture Prescription and Reel Therapy states that viewing television or film movies "can have a positive effect on most people except those suffering from psychotic disorders." A study conducted by Eg ̆eci & Gencöz, concluded that watching the movies alone does not induce insight and change. There are however insight-inducing effects when a therapeutic session is held afterwords, allowing for the participant to “[deepen] the perceived connections between the movies and the participants’ relationship problems enable them to pass through the stages theoretically expected to induce change” (2017).
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Kramerbooks & Afterwords (also known as Kramer's) is an independent bookstore and cafe in the Dupont Circle neighborhood of Washington, D.C. Since its founding in 1976 by Bill Kramer, Henry Posner, and David Tenney, Kramer's has become a local institution and meeting place for neighborhood residents, authors, and politicians. It was one of the first bookstores in the country to feature a cafe which influenced similar business models nationwide. Notable people that have visited Kramer's include Barack Obama, Andy Warhol, Maya Angelou, and Monica Lewinsky, whose purchases at the bookstore attracted national attention during the Lewinsky scandal investigation and led to a high-profile legal battle. Kramer's was sold in 2016 to Steve Salis.
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First UK edition Forewords and Afterwords is a prose book by W. H. Auden published in 1973. The book contains 46 essays by Auden on literary, historical, and religious subjects, written between 1943 and 1972 and slightly revised for this volume. The essays include Auden's introduction to The Portable Greek Reader (retitled "The Greeks and Us" in this volume), his introduction to the anthology The Protestant Mystics, his introduction to an edition of Shakespeare's Sonnets, reviews and introductions on Goethe, Sydney Smith, Kierkegaard, Edgar Allan Poe, Tennyson, Wagner, Lewis Carroll, A. E. Housman, Cavafy, Kipling, Thomas Mann, Dag Hammarskjöld, and others, and a partly autobiographical essay, "As It Seemed To Us". The contents were selected by Edward Mendelson and the book is dedicated to Hannah Arendt.
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Chandler is the recipient of the 2016 Richard Wilbur Award for her book The Frangible Hour, University of Evansville Press. She also won the 2010 Howard Nemerov Sonnet Award for her poem "Coming to Terms", the final judge being A.E. Stallings. She was also a finalist for the Nemerov award in 2008 ("Missing"), 2009 ("Singularities"), 2012 ("Composure"), 2013 ("The Watchers at Punta Ballena, Uruguay"), 2014 ("Afterwords"), 2015 ("Oleka"), 2016 ("Family at Sunset Beach, California"), and 2017 ("Celebration"), and won The Lyric Quarterly Prize in 2004 ("Franconia") and the Leslie Mellichamp Award in 2015 ("Chiaroscuro"). Eight of her poems, including "66", "Body of Evidence" and "Writ" received nine Pushcart Prize nominations, and her poem, "66" was a finalist for the Best of the Net award in 2006.
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The stories originally appeared in the fantasy magazine Weird Tales in the 1930s. The pieces in The People of the Black Circle, in common with those in the other Conan volumes produced by Karl Edward Wagner for Berkley, are virtual reproductions (other than typo correction) of the originally published form of the texts as they appeared in Weird Tales, in contrast to the edited versions appearing in the earlier Gnome Press and Lancer editions of the Conan stories. In contrast to the earlier editions, which included Conan tales by authors other than Howard, Wagner took a purist approach, including only stories by Howard, and only those thought to be in the public domain. His prefaces and afterwords dismiss editorial revisions made in the earlier editions.
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The latter is a multi-character 'small town' horror story along the lines of similar work in this period, a subgenre perhaps 'pump- primed' by the likes of Stephen King's 'Salem's Lot. In characteristically honest and self-critical afterwords, Campbell has claimed that The Hungry Moon, along with the similarly commercially minded The Parasite and, to a lesser degree, The Claw, are among of his least successful of his works, by turns awkwardly structured, containing too many ideas, and/or tending towards explicit violence. By contrast, The Influence (1988) and Ancient Images (1989) are tightly plotted novels of supernatural menace, each with (predominantly) female central characters and generating unease through the author's trademark suggestiveness and surreal imagery. In 1987, Campbell published Scared Stiff, a collection of "sex and horror" short stories.
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In Germany, as manga began outselling domestic comics in 2000, German publishers began supporting German creators of manga-styled comics. Jürgen Seebeck's Bloody Circus was not popular amongst German manga readers due to its European style, and other early German manga artists were affected by cancellations. After this, German publishers began focussing on female creators, due to the popularity of shōjo manga, leading to what Paul Malone describes as a "home-grown shōjo boom", and "more female German comics artists in print than ever before". However, genuinely manga-influenced stylistic conventions, such as sweatdrops, are employed to ensure "authenticity", original German works are flipped to read in a right-to-left style familiar to manga readers, author's afterwords and sidebars are common, and many German manga take place in Asia.
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He has also brought out reprints and audio books through Boruma Publishing, including as of 2020 Intricate Mirrors, a collection of science fiction stories; Interlaced Pathways, a collection of contemporary fantasy stories; and 10 Analogs of the Future, of the ten collaborations Wu and Rob Chilson had published in Analog magazine. All include an introduction by the author(s) and afterwords following each story. His more than seventy published works of short fiction have been nominated for the Hugo Award twice individually and once as a member of the Wild Cards group of anthology writers; his work has been nominated for the Nebula Award twice and once for the World Fantasy Award. His short story "Goin' Down to Anglotown" was in the anthology The Dragon and the Stars, which won Canada's Aurora Award in the category of Best Related Work in English.
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The Alchemaster's Apprentice is a reworking of the novella Spiegel, das Kätzchen (Mirror, the Little Cat) by Gottfried Keller. The names in the German original are only lightly transformed: Keller's novel features the alchemist and Hexenmeister (witch master) Pineiß, living in the town of Seldwyla, while Moers' novel features the Schrecksenmeister Eißpin, who lives in Sledwaya. Keller's work also features a contract in which the alchemist is to fatten up the cat in return for its fat, but in the original the cat escapes by tricking him into marrying the town's witch. The novel features two afterwords: one by the Zamonian writer Optimus Yarnspinner, in which he explains that he is reworking a story named "Echo the Crat" which is originally by 'Gofid Letterkerl' (an anagram of Gottfried Keller), because Letterkerl's style makes his works inaccessible to modern readers.
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Smith has stated that he is "regretful" that the flopped/non-flopped controversy of the last few years of his career seem to have overshadowed his twenty years of fighting to promote and publish quality manga. The last manga produced by Studio Proteus staff in the flipped, left-to-right, American comic format was the Blade of the Immortal #131 in November 2007, making it the longest-running manga ever published in the American format. The series then moved to graphic-novel-only format. Toren Smith has also done manga work outside of Studio Proteus, such as editing Tori Miki's"Three Steps Over Japan: Tori Miki" Anywhere But Here, writing afterwords for various manga collections in Japan such as the hardcover reissue of Masahiko Kikuni's Gekko no Sasayaki, Kenji Tsuruta's Suiso - Hydrogen, consulting on English for anime companies, and other manga and anime-related activities in the United States and Japan.
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For the publication of these works, Manuppelli has included introductions or afterwords by several American authors, including Dennis Lehane, Peter Orner, and Tobias Wolff, among others. In 2017, work began at David R. Godine, Publishers to gather together all of the fiction Dubus released with his longtime and loyal publisher between the mid-1970s and late 1980s. The three-volume collected short stories and novellas was conceived of by series editor Joshua Bodwell and is made up of six of Dubus's previous books, two books per volume, plus previously uncollected stories in volume three. The project was a thorough re-launch of the master's work: for the first time since Dubus's stories were originally published by Godine, all of the interior pages were re-set and re-designed; all new cover photographs were commissioned from Greta Rybus; the paperback originals were given handsome French flaps; and new, original introductions by Ann Beattie, Richard Russo, and Tobias Wolff were commissioned.
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Since the late 1980s he has written music for the likes of Opus 20 (Meditatio 1989), Het Trio (Distant Skies, Mountains and Shadows 1992), The Hilliard Ensemble (O Ignis Spiritus 1993), The Apollo Saxophone Quartet (Wrestling with Angels 1993), the BBC Philharmonic Orchestra (Upon the Edge of Autumn 1994), Evelyn Glennie (Concerto Nekyia 1995), The Goldberg Ensemble (Hidden Streams 1995), Fretwork (Afterwords 1999), Virelai (With How Sad Steps, O Moon 2000), Jacob Heringman (Black Sun 2001), Gothic Voices (Powered by Joy 2002), Matthew Wadsworth (MirAre 2002), Catherine King and Jacob Heringman (Eye of Heart... 2002), Alison Wells and Ian Mitchell (Pirate Things 2006) and many others. Some of Keeling's music has appeared on CD releases distributed by the Discipline Global Mobile, Burning Shed, and Riverrun record labels, as well as being performed and broadcast worldwide. It is published by Faber, PRB, Staunch and Alto Publications. Since the late 1960s, Keeling has been a keen advocate of the music of Robert Fripp and King Crimson.
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Afterwords (book); FutureCycle Press USA. 2014. “Fugue for Crocuses” (poem); Sonora Review 37/38 (Spring 2000) “Pindar and the Ethic of Encounter.” Analecta Husserliana LXXXII, 321-345. Kluwer Academic, Netherlands. “Exercises with Fermata” (poem); The Antioch Review, Spring 2005. “The Collar” (poem); Sahara, Volume 7, Spring 2007. “In Doubt, Recalling Cordelia” (poem); Boxcar Poetry Review, March 2009. “After Visiting Hours” (poem); Mimesis 6 (Winter 2010); reprinted in Boston Review, May/June 2010. “Parables of the Sparrow” (poem); Long Poem Magazine 3 (Winter 2010). “Water/Zero” (poem); Blackbird (Spring 2010). “Omega” (poem); Boxcar Poetry Review (Summer 2010). “Kosovo” (poem); "Kigali" (poem); "Arlington" (poem) Tidal Basin Review (Spring 2011). “Broken Ground” (poem); Cerise Press (Summer 2011). “Cicadas, Monticello” (poem); Cerise Press (Summer 2011). “Ultramarine” (poem); Cerise Press (Summer 2011). “Korē (poem); Blackbird (Fall 2011). “To His Soon-to-Be Ex-Wife, Imagined as a Meadow” (poem); Third Coast (Spring 2012). “Lethe” (poem); Third Coast (Spring 2012). “Want/Not Want” (poem); The Literary Review (Fall 2012).
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Evelyn's Diary for 9 June 1695 records: :"Went afterwords to see Sir Jo: Mordens Charity or Hospital on Black-heath now building for the Reliefe of Merchands that have failed, a very worthy Charitye, nobel building." Defoe wrote about the college in his Tour Through Great Britain, published in 1724: :"It was built by Sir John Morden, a Turkey merchant of London, but who liv'd in a great house at the going off from the heath, a little south of the Hospital, on the road to Eltham. His first design, as I had it from his own mouth the year before he began to build, was to make apartments for forty decay'd merchants, to whom he resolved to allow £40 per annum each, with coals, a gown (and servants to look after their apartments) and many other conveniences so as to make their lives as comfortable as possible, and that, as they had liv'd like Gentlemen, they might dye so." Sir John Morden died in 1708, aged 86, and was buried in Morden College chapel crypt.
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