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33 Sentences With "voicelessness"

How to use voicelessness in a sentence? Find typical usage patterns (collocations)/phrases/context for "voicelessness" and check conjugation/comparative form for "voicelessness". Mastering all the usages of "voicelessness" from sentence examples published by news publications.

And yet, all along, a feeling of voicelessness and meaninglessness crept beside me.
To some locals, the controversy has dredged up painful memories of a legacy of displacement and voicelessness.
Many Trump supporters see their economic precariousness and political voicelessness as a result of globalization and immigration.
Little Sister suffers from "selective mutism," a symbol of the voicelessness that women continue to suffer in our post-feminist age.
In her intelligence, vulnerability, volatility, desperation, narcissism and self-destructiveness, Su Lan — despite her voicelessness — is a compellingly complex protagonist, portrayed with exquisite irony.
In her intelligence, vulnerability, volatility, desperation, narcissism and self-destructiveness, Su Lan — despite her voicelessness — is as complex a protagonist as any I can recall.
"I thought it was more important to be the symbol that people can recognize to put the face to voicelessness and powerlessness that sexual assault leaves us with," Union said of her silent role.
Although it was not at all a deliberate or feminist decision on her part, I still view my grandmother as a challenger of the general voicelessness and passivity of so many women of her generation, especially other Mexican women.
" Although her role is small and comes with no lines, Union said, "I thought it was more important to be the symbol that people can recognize to put the face to voicelessness and powerlessness that sexual assault leaves us with.
Her work is political because it samples moments of the real world, including recordings from the television, from the police, from the streets in which we live—whether we like it or not, whether we ignore it or not, What makes Al Qadiri's work so exquisite, and so terribly important, is that it is beautiful and, at the same time, it speaks directly of war and powerlessness, of inequality and voicelessness.
In linguistics, voicelessness is the property of sounds being pronounced without the larynx vibrating. Phonologically, it is a type of phonation, which contrasts with other states of the larynx, but some object that the word phonation implies voicing and that voicelessness is the lack of phonation. The International Phonetic Alphabet has distinct letters for many voiceless and modally voiced pairs of consonants (the obstruents), such as . Also, there are diacritics for voicelessness, and , which is used for letters with a descender.
The voiceless retroflex nasal is an extremely rare type of consonantal sound, used in very few spoken languages. The symbol in the International Phonetic Alphabet that represents this sound is , a combination of the letter for the voiced retroflex nasal and a diacritic indicating voicelessness.
The voiceless bilabial nasal is a type of consonantal sound, used in some spoken languages. The symbol in the International Phonetic Alphabet that represents this sound is ⟨⟩, a combination of the letter for the voiced bilabial nasal and a diacritic indicating voicelessness. The equivalent X-SAMPA symbol is `m_0`.
The voiceless alveolar nasal is a type of consonant in some languages. The symbols in the International Phonetic Alphabet that represent the sound are and , combinations of the letter for the voiced alveolar nasal and a diacritic indicating voicelessness above or below the letter. The equivalent X-SAMPA symbol is `n_0`.
The phenomenon of consonant gradation in Finnic languages is also a form of lenition. An example with geminate consonants comes from Finnish, where geminates become simple consonants while retaining voicing or voicelessness (e.g. → , → ). It is also possible for entire consonant clusters to undergo lenition, as in Votic, where voiceless clusters become voiced, e.g.
The riddles alludes to the jay's proclivity for imitating other species, and it has been argued that the poem's soundplay also reflects this.Robert Stanton, 'Mimicry, Subjectivity, and the Embodied Voice in Anglo-Saxon Bird Riddles', in Voice and Voicelessness in Medieval Europe, ed. by Irit Ruth Kleiman (Palgrave Macmillan, 2015), pp. 29-43 (pp.
The MPLA is a consistent presence at the national, regional and local levels. Anthropologists have observed high levels of "voicelessness" and "powerlessness" within urban and rural communities in Angola; formalized political representation within institutions of the state remain low, and most Angolans rely on informal institutions such as social networks for support in times of need.
As edited by Williamson and translated by Stanton, the riddle reads:The Old English Riddles of the Exeter Book, ed. by Craig Williamson (Chapel Hill: University of North Carolina Press, 1977), p. 82; Robert Stanton, 'Mimicry, Subjectivity, and the Embodied Voice in Anglo-Saxon Bird Riddles', in Voice and Voicelessness in Medieval Europe, ed. by Irit Ruth Kleiman (Palgrave Macmillan, 2015), pp.
The voiceless alveolar tap or flap is rare as a phoneme. The symbol in the International Phonetic Alphabet that represents this sound is , a combination of the letter for the voiced alveolar tap/flap and a diacritic indicating voicelessness. The equivalent X-SAMPA symbol is `4_0`. The voiceless alveolar tapped fricative reported from some languages is actually a very brief voiceless alveolar non-sibilant fricative.
The voiceless velar nasal is a type of consonantal sound, used in some spoken languages. The symbol in the International Phonetic Alphabet that represents this sound is , a combination of the letter for the voiced velar nasal and a diacritic indicating voicelessness. (For reasons of legibility, the ring is usually placed above the letter, rather than regular ). The equivalent X-SAMPA symbol is `N_0`.
The couple appears torn between traditional expectations and independence of new thought. A second theme in Idu is the double standard and voicelessness of women. Through the relationship of Ojiugo and Amarajeme, it is presumed that Ojiugo is the reason that the couple cannot bear children. However, when Ojiugo bears a child with another man, Amarajeme comes to understand he is sterile, is devastated, and kills himself.
Martínez-Celdrán, E. (2004) "Problems in the classification of approximants". Journal of the International Phonetic Association, 34, 201–10. However, such frication is generally slight and intermittent, unlike the strong turbulence of fricative consonants. Because voicelessness has comparatively reduced resistance to air flow from the lungs, the increased air flow creates more turbulence, making acoustic distinctions between voiceless approximants (which are extremely rare cross-linguistically) and voiceless fricatives difficult.
The voiceless alveolar lateral approximant is a type of consonantal sound used in many spoken languages. The symbols in the International Phonetic Alphabet that represent the dental, alveolar, and postalveolar lateral approximants are and , combinations of the letter for the voiced alveolar lateral approximant and a diacritic indicating voicelessness above or below the letter. The equivalent X-SAMPA symbol is . Voiceless lateral approximants are common in Sino-Tibetan languages, but uncommon elsewhere.
In phonetics, preaspiration (sometimes spelled pre-aspiration) is a period of voicelessness or aspiration preceding the closure of a voiceless obstruent, basically equivalent to an -like sound preceding the obstruent. In other words, when an obstruent is preaspirated, the glottis is opened for some time before the obstruent closure. To mark preaspiration using the International Phonetic Alphabet, the diacritic for regular aspiration, , can be placed before the preaspirated consonant. However, prefer to use a simple cluster notation, e.g.
In IPA, they could be either or Voiceless nasal clicks distinct from voiceless aspirated clicks are only attested from one language, Taa, which changes the voicing of the initial consonant to distinguish singular and plural nouns. In this language, both voiced and voiceless nasal clicks (but not the aspirated and breathy-voiced nasal clicks) nasalize the following vowel; they are largely distinguished by voiceless vs. murmured nasalization leading up to the click release, and the voicelessness occurs even after vowels.Naumann, Christfied (2008).
M.I.A.'s commentary on the oppression of Sri Lankan Tamils, Palestinians and African Americans has drawn praise and criticism. The United States has restricted her access into and out of the country during her career since the release of her debut album. M.I.A. notes that the voicelessness she felt as a child dictated her role as a refugee advocate and voice lender to civilians in war during her career. M.I.A. attributes much of her success to the "homeless, rootlessness" of her early life.
Through her "voicing the intersubjective experience of a community," Danticat distinguishes herself from other Haitian prose authors (73, 76) [xi]. She creates a space for the "voicelessness" of those unable to "speak their individual experience" (76) [xi]. Danticat's short stories uphold an undivided experience, one that politically aligns itself with an "egalitarian regime of rights and the rule of law" (81) [xi]. The political space in which such a single experience can exist is the means through which Danticat's transnational identity and her characters can survive.
If the vocal folds are not close or tense enough, they will either vibrate sporadically or not at all. If they vibrate sporadically it will result in either creaky or breathy voice, depending on the degree; if don't vibrate at all, the result will be voicelessness. In addition to correctly positioning the vocal folds, there must also be air flowing across them or they will not vibrate. The difference in pressure across the glottis required for voicing is estimated at 1 – 2 cm H20 (98.0665 – 196.133 pascals).
Among obstruents (consonants such as k, g, t͡ʃ/ch, d͡ʒ/j, s, and z), it is very common for languages to contrast modal voice with voicelessness, but in English, many supposedly-voiced obstruents do not usually have modal voice. In speech pathology, the modal register is one of the four identifiable registers within the human voice. It is above the vocal fry register and overlapping the lower part of the falsetto register. That view is also adopted by many vocal pedagogists, but some vocal pedagogists may view vocal registration differently.
The voiceless palatal nasal is a type of consonantal sound, used in some spoken languages. The symbols in the International Phonetic Alphabet that represent this sound are and , which are combinations of the letter for the voiced palatal nasal and a diacritic indicating voicelessness. The equivalent X-SAMPA symbol is `J_0`. If distinction is necessary, the voiceless alveolo- palatal nasal may be transcribed as (devoiced, retracted and palatalized ), or (devoiced and advanced ); these are essentially equivalent, since the contact includes both the blade and body (but not the tip) of the tongue.
3-Iron has also been described as exploring social status and "issues of marginality, voicelessness, and invisibility" in South Korea. Seung Chung describes Tae-suk and Sun- hwa—presented at varying points in the film as either inaudible or invisible—as being "of liminal class affiliations." Writer Sheng-mei Ma similarly notes Sun-hwa and Tae-suk as being "marginalized, 'half-human' protagonists". Tae-suk is depicted as a transient with no known family, and from dialogue in which Min-gyu recounts having wired money to Sun-hwa's family, it can be inferred that he and Sun-hwa are in an interclass marriage, with Sun-hwa hailing from a family of lower economic status than Min-gyu.
While effectively dismissing the equation of oppression with 'voicelessness', it restores marginalized or isolated writers to the centre of their own rich, resilient and truly international tradition." The anthology was included in Sacred Fire: "QBR" 100 Essential Black Books,Max Rodriguez, Sacred Fire: "QBR" 100 Essential Black Books, University of Michigan, 1999. which said: > "Daughters of Africa is a monumental achievement because it is the most > comprehensive international anthology of oral and written literature by > women of African descent ever attempted. (...) The success of the collection > is that it clearly illustrates why all women of African descent are > connected by showing how closely related are the obstacles, the chasms of > cultural indifference, and the disheartening racial and sexual dilemmas they > faced.
There is some confusion as to the nature of murmured phonation. The IPA and authors such as Peter Ladefoged equate phonemically contrastive murmur with breathy voice in which the vocal folds are held with lower tension (and further apart) than in modal voice, with a concomitant increase in airflow and slower vibration of the glottis. In that model, murmur is a point in a continuum of glottal aperture between modal voice and breath phonation (voicelessness). Others, such as Laver, Catford, Trask and the authors of the Voice Quality Symbols (VoQS), equate murmur with whispery voice in which the vocal folds or, at least, the anterior part of the vocal folds vibrates, as in modal voice, but the arytenoid cartilages are held apart to allow a large turbulent airflow between them.

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