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"unexpressed" Definitions
  1. (of a thought, a feeling or an idea) not shown or made known in words, looks or actions; not expressed

117 Sentences With "unexpressed"

How to use unexpressed in a sentence? Find typical usage patterns (collocations)/phrases/context for "unexpressed" and check conjugation/comparative form for "unexpressed". Mastering all the usages of "unexpressed" from sentence examples published by news publications.

And many characters walk around with great satchels of unexpressed love.
They speak guardedly but vividly of fleeting encounters, deep relationships, unexpressed feelings.
Our stress levels and our unexpressed anger kill us in other ways.
He joked, and harangued, and seemed rarely to let a thought go unexpressed.
The benefit is that negative advertising encapsulates the sometimes unexpressed Achilles' heel of one's opponent.
" To which Kennedy unhelpfully added that he believes the president "grows anxious when he has unexpressed thoughts.
The eight stories in Her Body and Other Parties, the author's first collection, drip with desire and resentment and unexpressed thoughts.
We need the voice of madness to remind us of all that is unexpressed in polite society, or even among friends.
To use the terminology of the Ritz-Carlton Hotel Company, strive to "serve even the unexpressed needs and wishes" of your customers.
Indeed, it's not an explanation that explains anything, because all it does is tell you what happened, while leaving the why completely unexpressed.
But giving language to years of unexpressed hope and exasperation in that lawyer's office is the most wonderful, most human speaking Johansson has done.
And Jack Quaid (the son of Dennis Quaid and Meg Ryan) brings an intriguing mix of insecure intelligence, charm, and unexpressed rage to Hughie Campbell.
As a result, their emotional landscape has been enlivened and enriched, able to give voice to feelings that might previously have remained unconceptualised and unexpressed.
Why it matters: Trump's decisions on whether someone deserves to be jailed or released from prison are based on anything from unexpressed gratitude to celebrity advocacy.
And perhaps the most memorably complex performance in the film belongs to Noémie Lvovsky as Delphine's mother, Monique, whose inscrutable, stoical face is full of untold stories and unexpressed longing.
He has been both more and less transparent than other presidents, shielding his tax returns and White House visitor logs from public scrutiny while appearing to leave few thoughts unexpressed, no matter how incendiary or inaccurate.
Mazo used the incident to call on elected leaders to respond strongly, suggesting the recent wave of anti-Semitic attacks might be the result of people who believe they are fulfilling the unexpressed wishes of their leaders.
Fogelman and his writers have believably seeded the season with growing, unexpressed resentments between Jack and Rebecca, which are only barely understood by their children, and he lets them all spill out here in a torrent of bile.
Ambition or creativity—or ambition for creativity—meant both artistic trends captured a sort of auditory syncretism that, whether "pure," absolute music or intelligent dance music, sought out the future using ideas left concealed or unexpressed in the past.
The great tradition of modern fiction—running from James Joyce and Virginia Woolf to Alice Munro and Karl Ove Knausgård—is for the writer to mine their own experience for narrative, finding hitherto unexpressed truths by hewing close to actuality.
In a sterling career that has included the precise dramas Wendy and Lucy and Meek's Cutoff, the filmmaker has let silence and ambiguity be her allies, allowing them to suggest the worlds of experience and feeling that go unexpressed by our fellow creatures.
"We realized there was unexpressed potential in the community, especially on the part of women," said Mariangela De Blasi, a social worker with Arci Solidarietà Onlus, a Rome-based nonprofit organization that works with marginalized people, and manages the burgeoning catering business.
The culture might not have had "meaning" insofar as its audience wanted an exotic nihilism prepped for YouTube or reality television, and the skhothane may have had their own unexpressed agenda, but for some the subculture became a kind of echo of something else.
"Let me say to our L.G.B.T. friends and family, particularly to anyone who might view this tragedy as an indication that their identities — their essential selves — might somehow be better left unexpressed or in the shadows: This Department of Justice — and your country — stands with you in the light," she said.
Instead of ranting about the leaking and the belching and defaming of email leaks and social media, experience the private courage — the crushing, unexpressed pain — of the 56-year-old King George VI, played with quiet depth and range by Jared Harris (best known as the tormented Lane Pryce in "Mad Men").
This idea can express itself in something as straightforward as authorities not picking up Cunanan because there was an unexpressed disinterest and distaste for a killer who targeted gay men, or as complex as a military man trying to cut off his own distinctive tattoo so he won't be outed by a fling who spotted said tattoo and, thus, kicked out of the armed forces.
At one time or another, after all, different visions of the novel have vied for prominence: the idea of fiction as a kind of play, a pretend state that liberates our powers of invention; the appreciation of fiction's role in releasing unexpressed agonies, allowing us a cathartic self-knowledge; the awareness of the thrill fiction offers of living in a space where assumed values are thrown into question.
On one end a ONE (minimal impact — the actor/actress might experience some restlessness, discomfort, a dream or two about being the evil clown, but it quickly goes away once the production is over), to a TEN (the actor/actress experiences change in mood, increased anxiety, severe insomnia, intrusive thoughts, using drugs/alcohol to cope, wanting to avoid going to rehearsal, experiencing somatic symptoms during rehearsal, having nightmares) - that if I were to generalize, would involve murder, physical/emotional violence, annihilation, terror, among other features that symbolically could represent what we call a self state (healthy, positive, prosocial side) at war with the other self state (shadow, dark side, disowned parts, repressed parts that are characterized by anger, rage, hostility that has been unexpressed and playing this role triggers those feelings that are "ego dystonic" and a threat to his/her self (persona) - one side would be "killing off" the other - and this could lead to decompensation, regression, destabilization, etc.
It is predicted that the higher amounts of MeJA activate previously unexpressed genes within the roots to cause the growth inhibition.
Thus, orthographic "to choose", for example, can represent the stative (whose endings can be left unexpressed), the imperfective forms or even a verbal noun ("a choosing").
According to Aristotle, association is the power innate in a mental state, which operates upon the unexpressed remains of former experiences, allowing them to rise and be recalled.
The Denmark study introduced the concepts of "unexpressed genotypes"the latent genetic risk, and "epigenetic control"the biochemical regulation of how genes work, into the new field of behavioral genetics.
It was also sold as Sears Roebuck & Co. Model 6C. Although often unexpressed in speech, as a "64" it is almost always followed by a single series letter."64" without a letter indicates the first year of manufacturer only.
Because sex-limited genes are present in both sexes but only expressed in one, this allows the unexpressed genes to be hidden from selection. On a short-term scale, this means that during one generation, only the sex that expresses the sex-limited trait(s) of interest will be affected by selection. The remaining half of the gene pool for these traits will be unaffected by selection because they are hidden (unexpressed) in the genes of the other sex. Since a portion of the alleles for these sex-limited traits are hidden from selection, this occurrence has been termed 'storage-effect'.
Others argue that the term latent is not truly applicable in the case of homosexual urges, since they are often not in the unconscious or unexpressed category, but rather exist in the conscious mind and are (often violently) repressed on a conscious level.
Unexpressed introns are removed by the spliceosome complex in order to create a more concise mRNA transcript. Splicing is just one of many different post- transcriptional modifications that mRNA must undergo before translation. Prp8 has also been hypothesized to be a cofactor in RNA catalysis.
Last paragraph stated that knowledge of the stakeholders should be presented in a good way. In addition it is imperative that the language should be able to express all possible explicit knowledge of the stakeholders. No knowledge should be left unexpressed due to lacks in the language.
Couples-therapy is often centered on creating more intimacy in a relationship. Spouses are encouraged, or even required, to disclose unexpressed emotions and feelings to their partners. The partners' responses are practiced to be nonjudgmental and accepting. Therapists utilize techniques like rehearsal and the teaching of listening skills.
However, unlike it, these consonant signs would also sometimes serve to express the short vowels (which could also sometimes be left unexpressed, as they always are in the parent systems). To distinguish long vowels from short ones, an additional aleph could be written before the sign denoting the long vowel.Clauson, Gerard. 2002.
Anukta (Kannada:ಅನುಕ್ತ; English: Unexpressed) is an 2019 Indian Kannada language Suspense thriller directed by Ashwath Samuel. This movie is produced by Harish Bangera under Deyi Production. Nobin Paul has worked on music as well as background music for the film. The film stars Karthik Attavar and Sangeeta Bhat in the lead roles.
Rudaba, angry at Bashar stays at home. In a TV conference Tayyaba says that Bashar is corrupt and cause of trouble for her. In contrast Rudaba says that she loves her husband and doesn't believe in Buland's rallys that she has been forced to marry him. Bashar's unexpressed love for Rudaba is strengthened and he surrenders.
This view is based in part on the degenerate genetic code, in which sequences of three nucleotides (codons) may differ and yet encode the same amino acid (GCC and GCA both encode alanine, for example). Consequently, many potential single-nucleotide changes are in effect "silent" or "unexpressed" (see synonymous or silent substitution). Such changes are presumed to have little or no biological effect.
Based on a true story as told in his one-man off- Broadway show and his first book, the film follows the journey of an aspiring comedian in denial about the fate of his relationship, his goals for the future, and his emergent rapid eye movement sleep behavior disorder. The longer his feelings of anxiety go unexpressed, the more uproarious and dangerous his sleepwalking incidents become.
The House of Lords held that the employers had breached a contractual duty, implied into the employment contracts, to properly inform their employees about their rights. Lord Bridge, distinguished terms implied ‘in fact’ to reflect the parties’ unexpressed common intentions and those implied ‘in law’. He went on as follows.[1992] 1 AC 294, 307 Lord Roskill, Lord Goff, Lord Jauncey and Lord Lowry concurred.
Without clear congressional intent to preempt, federal laws should not invalidate state programs. "In a dual system of government in which, under the Constitution, the states are sovereign, save only as Congress may constitutionally subtract from their authority, an unexpressed purpose to nullify a state's control over its officers and agents is not lightly to be attributed to Congress."Parker v. Brown, 317 U.S. 341, 351 (1943).
In Kupalo's Fire (1966), Kalynets connects the country's folklore and ancient traditions to modern, Soviet life. Most of his works do not contain glaring political criticisms, rather unexpressed denunciation. He drew strong influence from Bohdan Ihor Antonych, and dedicated one of his poems to him. He also dedicated poems to various Ukrainian cultural icons, including Taras Shevchenko, filmmaker Alexander Dovzhenko, and composer Stanislav Liudkevych among others.
The duplicated segment contained the gene citT for the citrate transporter protein used in anaerobic growth on citrate. The duplication is tandem, and resulted in copies that were head-to-tail with respect to each other. This new configuration placed a copy of the previously silent, unexpressed citT under the control of the adjacent rnk gene's promoter, which directs expression when oxygen is present.
Skewed X-inactivation has medical significance due to its impacts on X-linked diseases. X-chromosome skewing has an ability to amplify diseases on the X chromosome. In wildtype women, recessive diseases on the X chromosome are often unexpressed due to the roughly even inactivation process, which prevents mutated alleles from becoming heavily expressed. However, skewed inactivation can lead to a more severe expression of the disease.
" In 2000, she released Beautiful Creature. This album left the rockier side of Hatfield's musical personality unexpressed, however, so simultaneously she recorded Juliana's Pony: Total System Failure with Zephan Courtney and Mikey Welsh. She called the latter album "a loud release of tension" with "lots of long sloppy guitar solos. And no love songs...a not-at-all attractive reaction to the ugly side of humanity, specifically American culture.
However, a mixed ratiocination may show only three propositions if the fourth proposition is unspoken, unexpressed, and merely thought. For example, the ratiocination Nothing immortal is a man, Socrates is a man, Therefore, Socrates is not immortal is only valid if the fourth proposition Therefore, no man is immortal is covertly thought. This unspoken proposition should be inserted after the first proposition and is merely its negative converse.
This, along with the frustrations of an unexpressed artistic talent, produced a rebellious reaction in the young girl's naturally ebullient nature. However, her talent as an artist was recognised at school by a sympathetic headmistress at Manchester High School for Girls and she went on to attend art courses in Manchester and, from 1915 to 1917, at University College, Reading, where she was taught by Allen W. Seaby.
Experiments can be focused on undoing projections or retroflections. The therapist can work to help the client with closure of unfinished Gestalts ("unfinished business" such as unexpressed emotions towards somebody in the client's life). There are many kinds of experiments that might be therapeutic, but the essence of the work is that it is experiential rather than interpretive, and in this way, Gestalt therapy distinguishes itself from psychoanalysis.
The average ratio of non-silent to silent substitutions is 2:1 for unexpressed seminal RNase sequences, which is consistent with the model that these seminal RNases are pseudogenes and is close to that expected for random substitution in a gene that serves with no selected function. On other hand, the average ratio is less than 1:1 in case of pancreatic RNases which exhibits consistency with the model that states that pancreatic RNases are functional where selective pressure constrains the amino acid replacements. However, when the expressed ox seminal RNase is compared with its nearest unexpressed homologs (homologous chromosomes) in buffalo and kudu, a most remarkable ratio of non-silent to silent substitutions, 4:1, is observed. Pseudogenes in order to perform a new function and to provide new selected properties they search protein “structure space” with rapidly introduced amino acid replacements and such pseudogenes are only expected to have the above-mentioned remarkable ratio of non-silent to silent substitutions.
Theologian Joseph Benson therefore suggests that "It is probable [that] Lazarus was younger than his sisters".Benson Commentary on John 11, accessed 27 May 2016, cf. Bengel's Gnomon of the New Testament on John 11, accessed 28 May 2016 The sisters send messengers to Jesus, so his location cannot have been entirely secret, "firmly expect[ing] that he, who had cured so many strangers, would willingly come and give health to one whom he so tenderly loved".Benson Commentary on John 11, accessed 27 May 2016 The words of their message made reference only to Lazarus' sickness, leaving unexpressed "(but ... to be inferred) the consequent, therefore come to our help".Bengel's Gnomon of the New Testament on John 11, accessed 28 May 2016 Bengel notes that John often expects the reader to make such inferences, such as in : "When they wanted wine, the mother of Jesus saith unto Him, 'They have no wine' [leaving the consequent unexpressed, but implied, Do Thou relieve them]".
Three rather short fine lines are found towards the hindmargin, between the last two streaks and there is a slender line from three-fourths of the disc to the costa, before the apex and a similar but shorter streak beneath to the apex, as well as some obscure whitish scales along the inner margin indicating an unexpressed streak. The hindwings are grey, posteriorly fuscous tinged.McMillan, Ian (10 October 2010). "Catoryctis Meyrick, 1890".
This is a mixed ratiocination because an unexpressed proposition must be added in thought in order to arrive at the conclusion. If I say, No B is C, A is C, Therefore, A is not B My inference is valid only if I silently interpose the immediate inference No C is B after the first premise. It is merely the negative converse of the first premise. Without it, the ratiocination is invalid.
In contrast to Western Melodrama, the concept of suffering is a fundamental component. It is partly captured in the word han, which is a deep-seated feeling of sorrow, bitterness, or despair that originates in oppression or injustice which accumulates over time and remains unexpressed in the heart. It is believed by some to be a distinguishing characteristic of the Korean culture. Another distinguishing characteristic of Korean melodrama is the emphasis on family.
Rashi to Sanhedrin 72b, s.v. yatza rosho Maimonides, though, justified the law not because the fetus is less than a nefesh (human being), as the Talmud held, but rather through the principle of the rodef or pursuer, "pursuing her to kill her." Schiff argues that the Maimonidean view is "unprecedented" and "without doubt, this hitherto unexpressed insight had dramatic potential ramifications for the parameters of permissible abortion." Meir Abulafia and Menachem Meiri reaffirm Rashi's view.
I learned that dance can also be found in stillness." In describing her works, reviewers evoked such adjectives as simple, small-scale, workmanlike, blunt, wry, tender, delicate, elusive, fundamental, serene, mysterious, and intense unexpressed emotion. New York Times dance critic Jennifer Dunning hailed Sally Gross as "the most poetic of minimalist choreographers." Dunning explained Gross "can indicate complex atmospheres and personal histories with the most minimal of brush strokes and the simplest of props.
In terms of exam stress management, "afterburn is the time needed after the exam to... set it to rest", a period of "afterburn time... [with] a host of unexpressed feelings and incomplete tasks".W. E. Schafer, Stress Management for Wellness (nd)p. 82 and p. 181 "Referring to soldiers recently returned from Iraq, Sara Corbett described this type of delayed reaction as 'psychological afterburn'... [quoting soldiers who spoke of it to the effect of:] 'My body's here, but my mind is there.'"P.
Works of fiction that use this style emphasize characters acting out their feelings observably. Internal thoughts, if expressed, are given through an aside or soliloquy. While this approach does not allow the author to reveal the unexpressed thoughts and feelings of the characters, it does allow the author to reveal information that not all or any of the characters may be aware of. An example of this so-called camera-eye perspective is "Hills Like White Elephants" by Ernest Hemingway.
An interrupted gene (also called a split gene) is a gene that contains expressed regions of DNA called exons, split with unexpressed regions called introns (also called intervening regions). Exons provide instructions for coding proteins, which create mRNA necessary for the synthesis of proteins. Introns are removed by recognition of the donor site (5' end) and the splice acceptor site (3' end). The architecture of the interrupted gene allows for the process of alternative splicing, where various mRNA products can be produced from a single gene.
Duff I (1999) p. 467 Since then, however, both the purposive and plain meaning approaches have been used.Duff I (1999) p. 468 Academics have rejected the idea that legislative history should be an aid to statutory interpretation, arguing, "It would introduce intolerable uncertainty ... if clear language in a detailed provision of [an] Act were to be qualified by unexpressed exceptions derived from a court's view of the object and purpose of the provision", and that it violates the rule of law, which requires that laws be performable.
His unnatural love for his sister goes unexpressed, however, his jealousy cannot be controlled. If his sister wants to lead any sort of a normal life, it will be up to her to break her dependence on her brother and move on. The film, developed at and distributed by , stars inter alia Alon Abutbul, Mosko Alkalai, , and David Wilson and features music by and (in addition to a song performed by and written by and ), cinematography by , editing by , and production by Enrique Rottenberg and .
Introspection (also referred to as internal dialogue, interior monologue, self-talk) is the fiction-writing mode used to convey a character's thoughts. As explained by Renni Browne and Dave King, "One of the great gifts of literature is that it allows for the expression of unexpressed thoughts ..." According to Nancy Kress, a character's thoughts can greatly enhance a story: deepening characterization, increasing tension, and widening the scope of a story. As outlined by Jack M. Bickham, thought plays a critical role in both scene and sequel.
Loops within the chromosome bring HOTTIP closer to its targets; this allows HOTTIP to bind to WDR5/MLL protein complexes to aid in trimethylation of lysine 4 of histone 3. HOTAIR is a long non-coding RNA that assists in regulating the HoxD genes. It is produced in the HoxC cassette, near the divide between expressed and unexpressed genes, and represses HoxD genes. HOTAIR acts by attaching to Suz12 in the PRC2 complex, and then guides this complex to the genes to be repressed.
Leon Trotsky gave a brief analysis of the Serapion Fraternity in the second chapter of his Literature and Revolution (1924). Trotsky characterises the group as young and naive; he is not sure what might be said about their coming maturity. He writes that they 'were impossible without the Revolution, either as a group, or separately.' He repudiated their claimed political neutrality: 'As if an artist ever could be "without a tendency", without a definite relation to social life, even though unformulated or unexpressed in political terms.
Sorrells, Id., 287 U.S. at 384 (Frankfurter, J., concurring. Under the objective approach the defendant's personality (i.e., his predisposition to commit the crime) would be immaterial, and the potential for the police conduct to induce a law- abiding person considered in the abstract would be the test. This, supporters argued, avoided the dubious issue of an unexpressed legislative intent on which the Sorrells court had relied and instead grounded the entrapment defence, like the exclusionary rule, in the court's supervisory role over law enforcement.
The lyrical style varies depending on culture, denomination, and country. For example, in Northern Europe the bands with Lutheran members usually prefer a personal lyrical approach, which is seldom meant to "convert" in an aggressive manner, since evangelism has been more typical among American bands. Christian bands never deny their conviction but typically avoid preaching, and sometimes the matter is left unexpressed, leaving religion as a private issue of the listener. Certain bands choose to deal with everyday life experiences from a Christian perspective in order to draw both Christian and non-Christian listeners.
That is, an interdependent individual uses the unexpressed thoughts, feelings, and beliefs of another person with whom they have a relationship, as well as the other person's behaviors, to make decisions about their own internal attributes and actions. Markus and Kitayama also contributed to the literature by challenging Hofstede's unidimensional model of collectivism-individualism. The authors conceptualized these two constructs bidimensionally, such that both collectivism and individualism can be endorsed independently and potentially to the same degree. This notion has been echoed by other prominent theorists in the field.
A Love Story... a simple unconventional love story... story of operating ancestral business... A Story of ‘Siddharth’ (Umesh Kamat) and ‘Revati’ (Sharvani Pillaai) fortifying their spice company to the next level...A Story of expressed and unexpressed relationship between ‘Kiran’ (Tejashri Pradhan) and ‘Kirit’ (Chirag Patil). A Story adorned of ‘Anirudha’ (Ajit Bhure) and ‘Renuka’ (Kavita Lad Medhekar) ... Story of camaraderie and reliance between ‘Tejas’ (Nikhil Rajeshirke) and ‘Siddharth’. A Story of brother – sister fondle between ‘Siddharth’ and ‘Revati’.Story of Love, Commitment, Possessiveness, Possession, Companionship, Relations Film is about journey of affiliations.
A 44-year-old unemployed ex-gangster with five criminal convictions, Han-mo is not particularly pleased at this development. But more trouble lies ahead: younger sister Mi-yeon (Gong Hyo-jin) arrives with her bratty, rebellious 15-year-old daughter Min-kyung (Jin Ji-hee). 35-year-old Mi-yeon announces that she is leaving her second husband, and that she needs to stay with them for the immediate future. Thus the dysfunctional family is reunited, revealing petty conflicts, sibling rivalries and largely unexpressed affection, as they struggle with the challenges of middle age.
Current developments in socio-analysis include Bain’s discovery of Organisational Dreaming,Bain A.,“Organisational Dreaming”, in PACAWA Newsletter, February, 2006. Bain A. “The Organisation Containing and Being Contained by Dreams: The Organisation as a Container for Dreams (1)” in Infinite Possibilities of Social Dreaming in Systems, ed. Lawrence W., Karnac, London,2007. which is based on the observation that dreams are “container sensitive”, and that the dreams shared by people within an organisation during a project will reflect organisational realities that are the “unexpressed known” within the organisation.
Mutations that disrupt either the structure or the function of either of the two genes are not deleterious and will not be removed through the selection process. As a result, the gene that has been mutated gradually becomes a pseudogene and will be either unexpressed or functionless. This kind of evolutionary fate is shown by population genetic modeling and also by genome analysis. According to evolutionary context, these pseudogenes will either be deleted or become so distinct from the parental genes so that they will no longer be identifiable.
Reification is the process by which an abstract idea about a computer program is turned into an explicit data model or other object created in a programming language. A computable/addressable object—a resource—is created in a system as a proxy for a non computable/addressable object. By means of reification, something that was previously implicit, unexpressed, and possibly inexpressible is explicitly formulated and made available to conceptual (logical or computational) manipulation. Informally, reification is often referred to as "making something a first-class citizen" within the scope of a particular system.
"There are many kinds of power [...] The erotic is a resource within each of us that lies in a deeply female and spiritual plane, firmly rooted in the power of our unexpressed or unrecognized feelings". In "The Uses of the Erotic" within Sister Outsider, she discusses how the erotic comes from sharing, but if we suppress the erotic rather than recognize its presence, it takes on a different form. Rather than enjoying and sharing with one another, it is objectifying, which she says translates into abuse as we attempt to hide and suppress our experiences.
Like the writing systems from which it is descended, the Sogdian writing system can be described as an abjad, but it also displays tendencies towards an alphabet. The script consists of 17 consonants, many of which have alternative forms for initial, middle, and final position. As in the Aramaic alphabet, long vowels were commonly written with matres lectionis, the consonants aleph, yodh and waw. However, unlike Aramaic and most abjads, these consonant signs would also sometimes serve to express the short vowels (which could also sometimes be left unexpressed as in the parent systems).
NSAID (non-specific inhibitor of PTGS2 (COX-2)) flurbiprofen (green) bound to PTGS2 (COX-2). Flurbiprofen is stabilized via hydrophobic interactions and polar interactions (Tyr-355 and Arg-120). PTGS2 (COX-2) is unexpressed under normal conditions in most cells, but elevated levels are found during inflammation. PTGS1 (COX-1) is constitutively expressed in many tissues and is the predominant form in gastric mucosa and in the kidneys. Inhibition of PTGS1 (COX-1) reduces the basal production of cytoprotective PGE2 and PGI2 in the stomach, which may contribute to gastric ulceration.
On the face of it, a statement of solipsism is -- at least performatively -- self-defeating, because a statement assumes another person to whom the statement is made. (That is to say, an unexpressed private belief in solipsism is not self- refuting). This, of course, assumes the solipsist would not communicate with a hallucination, even if just for self-amusement. One response is that the solipsist's interlocutor is in fact a figment of their imagination, but since their interlocutor knows they are not, they are not going to be convinced.
The forewings are ashy-grey, with well-defined black markings. The veins tend to be streaked with blackish and there is a suffused spot on the costa at about one-third and another similar on the costa before the middle, both indicating unexpressed fasciae. There is a slender line from the base of the costa to the anal angle. Another similar one is placed immediately beneath, but not reaching the base or the anal angle, and a third similar streak is found from the base to near the anal angle, terminating in a suffused patch of scales.
These two cell populations are kept separate by a mechanism of cell segregation linked to the heritable expression of a selector gene. A selector gene is one that is expressed in one group of cells but not the other, giving the founder cells and their descendants different instructions. Eventually these selector genes become fixed in either an expressed or unexpressed state and are stably inherited to the descendants, specifying the identity of the compartment and preventing these genetically different cell populations from intermixing. Therefore, these selector genes are key for the formation and maintenance of lineage compartments.
The affirmative mode of this fourth figure is not possible because a conclusion cannot be derived from the premises. The negative mode of this fourth figure is possible only if each premise is immediately followed by its unexpressed, unspoken converse as an immediate inference. In order to be valid, the negative mode ratiocination: No stupid man is learned, Some learned persons are pious, Therefore, some pious persons are not stupid must become: No stupid man is learned, Consequently, no learned person is stupid; Some learned persons are pious, Consequently, some pious persons are learned, Therefore, some pious persons are not stupid.
A study in yeasts also found that de novo genes are enriched at recombination hotspots, which tend to be nucleosome-free regions. In Pristionchus pacificus, orphan genes with confirmed expression display chromatin states that differ from those of similarly expressed established genes. Orphan gene start sites have epigenetic signatures that are characteristic of enhancers, in contrast to conserved genes that exhibit classical promoters. Many unexpressed orphan genes are decorated with repressive histone modifications, while a lack of such modifications facilitates transcription of an expressed subset of orphans, supporting the notion that open chromatin promotes the formation of novel genes.
At the beginning of the novel, Isabel's baby is three months old. Reflecting on philosophy and infancy, she muses that Immanuel Kant, "although he would have acknowledged, of course, that each baby should be treated as an end in its own right, and not as a means to an end," would most likely have found babies "too irrational, too messy," whereas her fellow Scot David Hume "would have found babies good company because they were full of emotions, unexpressed perhaps, or made known only in the crudest manners, but emotions nonetheless."Alexander McCall Smith (2007). The Careful Use of Compliments, Ch. 1.
The supreme court found that neither relevant provincial statutes the defendant was charged under, the Offence Act, and the Motor Vehicle Act stipulated anything with regards to the language of the court proceedings. Because the Offence Act, and the Motor Vehicle Act had no provision on that matter, and because section 133 of the Offence Act stipulated that the Criminal Code of Canada may apply for matters left unexpressed, such as the language of the trial, the supreme court determined that the provincial judiciary did not have the authority to refuse the defendant's request for a French language trial.
He enjoyed coming at it slyly. He gloried in the art of presentation." Labash deliberately does not use Facebook or Twitter, and has written lengthy essays attacking both of these popular social media sites. In his May 2013 article about Twitter, he stated, "I outright despise the inescapable microblogging service, which nudges its users to leave no thought unexpressed, except for the fully formed ones....I hate the way Twitter transforms the written word into abbreviations and hieroglyphics, the staccato bursts of emptiness that occur when Twidiots who have no business writing for public consumption squeeze themselves into 140-character cement shoes.
The band's name drew no end of grief from label executives and music critics, and even prompted a columnist in The Tampa Tribune to bemoan "the decay of morality" demonstrated by "increasingly dicey" band names "a la Butthole Surfers, Pee Shy and others." Band members explained that the name originated from a nickname that Wheeler had received from an old boyfriend. In their early days they also performed a song called "Pee Shy," in which urinary reticence became a metaphor for unexpressed longing—as exemplified in the crucial line, "If you won't leave, I can't start." The band apparently never recorded this song.
It can support the translation of intentions into action. John W. Atkinson, David Birch and their colleagues developed the theory of "Dynamics of Action" to mathematically model change in behavior as a consequence of the interaction of motivation and associated tendencies toward specific actions. The theory posits that change in behavior occurs when the tendency for a new, unexpressed behavior becomes dominant over the tendency currently motivating action. In the theory, the strength of tendencies rises and falls as a consequence of internal and external stimuli (sources of instigation), inhibitory factors, and consummatory in factors such as performing an action.
The term pro-drop is also used in other frameworks in generative grammar, such as in lexical functional grammar (LFG), but in a more general sense: "Pro-drop is a widespread linguistic phenomenon in which, under certain conditions, a structural NP may be unexpressed, giving rise to a pronominal interpretation." (Bresnan 1982:384). The empty category assumed (under government and binding theory) to be present in the vacant subject position left by pro-dropping is known as pro, or as "little pro" (to distinguish it from "big PRO", an empty category associated with non-finite verb phrases).R.L. Trask, A Dictionary of Grammatical Terms in Linguistics, Routledge 2013, p. 218.
A Libyan soldier stands on the image of Gaddafi in a Tripoli hotel Freedberg noted, "If one could be honored by means of an image, one could also be dishonored by one." "As with images of political leaders," he continues, "we deal with the feeling, unexpressed though it may be, that by damaging the representation one damages the person whom it represents. At the very least, something of the disgrace of mutilation or destruction is felt to pass on to the person represented." Those emotions are on display in a video that captures the moment that protesters tore down the statue immortalizing Gaddafi's "Green Book" a compendium of his political philosophy.
The application of gender studies and queer theory to non-Western mythic tradition is less developed, but has grown since the end of the twentieth century. Myths often include being gay, bisexual, or transgender as symbols for sacred or mythic experiences. Devdutt Pattanaik argues that myths "capture the collective unconsciousness of a people", and that this means they reflect deep-rooted beliefs: "Myths, legend, and lore capture the collective unconscious of a people. [...] To understand the unexpressed worlds of a people, to decipher coping skills of a culture, an unraveling of myth, a decoding of lore is essential." about variant sexualities that may be at odds with repressive social mores.
' He: 'Bed and butter.' In the above, the man may be presumed to have a sexual feeling or intention that he wished to leave unexpressed, not a sexual feeling or intention that was dynamically repressed. His sexual intention was therefore secret, rather than subconscious, and any 'parapraxis' would inhere in the idea that he unconsciously wished to express that intention, rather than in the sexual connotation of the substitution. Freudians might point out, however, that this is simply a description of what Freud and Breuer termed the preconscious which Freud defined as thoughts that are not presently conscious but can become conscious without meeting any resistance.
Taylor 2010, p.215 If the heart was out of balance with Maat, then another fearsome beast called Ammit, the Devourer, stood ready to eat it and put the dead person's afterlife to an early and unpleasant end.Taylor 2010, p.212 This scene is remarkable not only for its vividness but as one of the few parts of the Book of the Dead with any explicit moral content. The judgment of the dead and the Negative Confession were a representation of the conventional moral code which governed Egyptian society. For every "I have not..." in the Negative Confession, it is possible to read an unexpressed "Thou shalt not".
From a pragma-dialectical perspective, in order to get an overview of those aspects in argumentative discourse that are crucial for resolving a difference of opinion, the following analytical operations are carried out: :# Determining the points at issue; :# Recognizing the positions the parties adopt; :# Identifying the explicit and implicit arguments; :# Analyzing the argumentation structure. An analytical overview shows the differences of opinion, the distribution of dialectical roles, the expressed and unexpressed premises that make up the argument, and the argumentation structure (the relationship between a series of arguments presented to defend a standpoint) (see Snoeck Henkemans, 1992). The analytical overview can have critical or heuristic functions.
Set in the backyard of a blue- collar South Philadelphia neighborhood early in the summer of 1973, the comedy-drama focuses on the 21st birthday celebration of Harvard student Francis Geminiani. In attendance are his divorced blue collar father Fran and Fran's widowed girlfriend Lucille, next-door neighbor Bunny Weinberger and her overweight son Herschel, and Francis' classmates, the wealthy WASP Hastings siblings; Judith (who seeks romance with Francis) and Randy (the object of Francis' unexpressed affection), who have arrived unexpectedly, much to their friend's dismay. All are dysfunctional to varying degrees, and the interactions among them provide the play with its comic and dramatic moments.
The double bind is often misunderstood to be a simple contradictory situation, where the subject is trapped by two conflicting demands. While it's true that the core of the double bind is two conflicting demands, the difference lies in how they are imposed upon the subject, what the subject's understanding of the situation is, and who (or what) imposes these demands upon the subject. Unlike the usual no-win situation, the subject has difficulty in defining the exact nature of the paradoxical situation in which he or she is caught. The contradiction may be unexpressed in its immediate context and therefore invisible to external observers, only becoming evident when a prior communication is considered.
The director, Thomas Schendel, in his response to critics, argued that the classical and common plays would not offer enough roles that would justify a repertoire position for a black actor in a German theatre company. The protest grew considerably and was followed by media reports. While advocates of the theatre indicated that in principle it should be possible for any actor to play any character and that the play itself has an anti-racist message, the critics noted that the letter unwillingly disclosed the general, unexpressed policy of German theatres, i.e., that white actors are accounted to be qualified for all roles, even black ones, while black actors are suitable only for black roles.
" Modern genre critics equally reviewed the film positively, giving the film an aggregate score of 100% on the review aggregator website Rotten Tomatoes from 24 reviews. Kurosawa biographer Stuart Galbraith IV, reviewing the Criterion Collection DVD, called the work "archetypal postwar Ozu" and "a masterful distillation of themes its director would return to again and again... There are better Ozu films, but Late Spring impressively boils the director's concerns down to their most basic elements." Norman Holland concludes that "Ozu has created—in the best Japanese manner—a film explicitly beautiful but rich in ambiguity and the unexpressed." Dennis Schwartz calls it "a beautiful drama," in which "there's nothing artificial, manipulative or sentimental.
Patients with schizophrenia have long been recognized as showing "flat or inappropriate affect, with splitting of feelings from events ... feelings seem flat instead of being in contact with what is going on". One study of flat affect in schizophrenia found that "flat affect was more common in men, and was associated with worse current quality of life" as well as having "an adverse effect on course of illness". The study also reported a "dissociation between reported experience of emotion and its display" – supporting the suggestion made elsewhere that "blunted affect, including flattened facial expressiveness and lack of vocal inflection ... often disguises an individual's true feelings." Thus, feelings may merely be unexpressed, rather than totally lacking.
Irvine, Robert Jane Austen, London: Routledge, 2005 page 151. Rebecca Dickson has complained that "strong and self-sufficient Elinor" of Sense and Sensibility became "a girl woman with unexpressed emotions who must learn to demonstrate them" in the Ang Lee film. By contrast, Penny Gay praised the 1995 version of Sense and Sensibility for portraying "the characters' experiences as bodies" as offering up a filmic version of the experiences of women. Irvine argued that the emphasis on physicality of the actors is necessary once the voice of the narrator is eliminated as films used movements, looks and gestures to express emotions, requiring "…that all characters become physically and transparently expressive in a way that only problem cases such as Marianne Dashwood indulge in the novels".
Archaeologist William G. Dever contributed to the article on "Archaeology" in the Anchor Bible Dictionary. In this article he reiterates his perceptions of the negative effects of the close relationship that has existed between Syro-Palestinian archaeology and biblical archaeology, which has caused the archaeologists working in this field, particularly the American archaeologists, to resist adoption of the new methods of processual archaeology. In addition he considers that: "Underlying much scepticism in our own field [referring to the adaptation of the concepts and methods of a "new archaeology", one suspects the assumption (although unexpressed or even unconscious) that ancient Palestine, especially Israel during the biblical period, was unique, in some "superhistorical" way that was not governed by the normal principles of cultural evolution".Dever, p.
According to the theory, just as programming instincts involves creating a pattern or template for which an analogue can be found in the environment (twig-like materials, a friendly human face, etc.), so it makes sense that deactivation also uses sensory analogues or metaphors, enabling the brain to draw on images which represent the unexpressed emotional arousals of the day. Griffin has posited another, more important reason for why dreaming is in metaphor. Using an analogous experience as a means of completing an arousal enables the arousal associated with the instinctive urge to be discharged but, importantly, the instinctive urge itself in the context it was experienced can be remembered. This prevents memory stores from becoming either corrupt or incomplete.
In 1971 Sermonti published Il Crepuscolo dello Scientismo (in English The Twilight of Scientism), a post- modernist critique of science. In 1980 Sermonti published a book Dopo Darwin (After Darwin) co-authored with Roberto Fondi, which critiqued aspects of Neo- Darwinism as the fundamental model for evolution. From 1979 to 2012, Sermonti was chief editor of Rivista di Biologia-Biology Forum. Between 1986 and 1989 Sermonti produced three books on the hermeneutics of fairy tales, entitled Fiabe di Tre Reami (Fairy Tales of Three Realms), arguing that they contained unexpressed principles of science: Snow White is the narrative of cupellation as well as of the phases of the moon; Red Riding Hood is the story of mercury; Cinderella is the tale of sulfur.
Elettra Ingravallo offers an alternative approach towards an interpretation in her publication: The Grotta Dei Cervi (Otranto - Lecce): Download Link Elettra Ingravallo argues in close proximity to and support of Aby Warburg's concept of "Survival". An interpretation based on images is here fruitless, as the motives and the actual abstract process of the visual act is too much under the control of subconscious impulses and instincts. She emphasizes that the incomplete knowledge of prehistoric societies and heterogeneous information on social and political organisation provides only a vague understanding of the true nature and correlation of power inside the Neolithic communities. It is not inappropriate, she writes to remind that difficulties remain for interpretations of the immaterial world of prehistory and its unexpressed concepts.
In Phoenician writing, unlike that of abjads such as those of Aramaic, Biblical Hebrew and Arabic, even long vowels remained generally unexpressed, regardless of their origin (even if they originated from diphthongs, as in bt 'house'; Hebrew spelling has byt). Eventually, Punic writers began to implement systems of marking of vowels by means of matres lectionis. In the 3rd century BC appeared the practice of using final 'ālep 10px to mark the presence of any final vowel and, occasionally, of yōd 10px to mark a final long . Later, mostly after the destruction of Carthage in the so- called "Neo-Punic" inscriptions, that was supplemented by a system in which wāw 10px denoted , yōd 10px denoted , 'ālep 10px denoted and , ʿayin 10px denoted and hē 10px and 10px could also be used to signify .
In Kierkegaard's journal for 1846 there is a reference to this incident in the following terms: "The terrible fate of the man who had once in childhood mounted a hill and cursed God, because he was hungry and cold, and had to endure privations while herding his sheep and who was unable to forget it even at the age of eighty-two." When after Kierkegaard's death this passage was shown to his surviving elder brother, Bishop Peder Christian Kierkegaard, he burst into tears and said: "That is just the story of our father, and of his sons as well." Elsewhere, in Stages on the Way of Life, Kierkegaard suggests that these dark moods served to link the father and the son in a fellowship of secret and unexpressed sympathy. Scandinavian studies and Notes 1921 p.
That is unfortunate not only because, in my view, the Court decides the constitutional questions wrongly, but also because consideration would have shown that the first question decided today is not raised by the facts before us, and that the second question should not be resolved here, given the present posture of this case. I respectfully dissent." "Since, for reasons it leaves unexpressed, the Court does not take this traditional course, I am constrained to express my views on the issues it unnecessarily decides. The Court reaches its conclusion that a warrant is not necessary for a police officer to make an arrest in a public place, so long as he has probable cause to believe a felony has been committed, on the basis of its views of precedent and history.
The ATO submitted that the court should adopt a "purposive" rather than a literal approach to interpreting the ITAA's deduction provisions, as the ITAA contained sections barring deductions for fines, penalties, and bribes. It argued that, based on these existing "public-policy" exceptions, the unexpressed intent of the legislation was to prohibit deductions relating to illegal activities; the court should consequently read into the legislation an implied prohibition on claiming those deductions. The court rejected this submission on the grounds that a non-literal interpretation of the deduction provisions would be inconsistent with other areas of the ITAA and would cause uncertainty among taxpayers. It stated that it was the role of the legislature to determine public-policy exceptions to the deduction provisions, not that of the courts.
She is most interested in exploring how myth influences and reflects society. Art critic Richard Bartholomew would see in them 'lonely people'. In 1990, in an art catalogue, Art writer Shamim Hanfi described her work as having a 'quiet restlessness' that creates 'a feeling of unexpressed sadness'. In the initial stages of her experimentation with her work and her early works in lithography in 1979, Bartholomew would sense the solitariness of her 'faces, portraits, images, children with legs crossed, arms folded, recumbent figures, groups of people staring quietly, privately, personally into some past or future' Of specific interest are 'the suggestive eyes and delicate mouth, the posture, the placement of the hand, the unselfconscious attitude- 'all create a sense of intimacy', a trait that would mark her entire career as an artist.
Curb Your Enthusiasm often features guest stars, and many of these appearances are by celebrities playing versions of themselves, fictionalized to varying degrees. The plots and sub-plots of the episodes are established in an outline written by David (in later seasons, by David in collaboration with Jeff Schaffer and others), and the dialogue is largely improvised by the actors (a technique known as retroscripting). As with Seinfeld, which David co-created, the subject matter in Curb Your Enthusiasm often involves the minutiae of American daily social life, and plots often revolve around Larry David's many faux pas and his problems with certain social conventions and expectations, as well as his annoyance with other people's behavior. The character has a hard time letting such annoyances go unexpressed, which often leads him into awkward situations.
The Washo language of California and Nevada exhibits a switch-reference system. When the subject of one verb is the same as the subject of the following verb, the verb takes no switch- reference marker. However, if the subject of one verb differs from the subject of the following verb, the verb takes the "different subject" marker, -š (examples from Mithun 1999:269): : : The Seri language of northwestern Mexico also has a switch-reference system which is similar in most ways to those of other languages except for one very salient fact: the relevant argument in a passive clause is not the superficial subject of the passive verb but rather the always unexpressed underlying subject. In clauses with subject raising, it is the raised subject that is relevant.
She rejected conventional therapy and explored holistic therapy and the personal and feminist political dimension of living with cancer. It was through experiencing the effectiveness of using photography in confronting and documenting her hospitalisation and illness that Spence, with Rosy Martin, developed 'photo therapy' in which the subject was empowered to control their image to discover and represent unexpressed or repressed feelings and ideas. By working collaboratively the person in front of the camera was both subject and author of the image.Paul Pieroni, Joe Scotland, Louise Shelley, George Vasey (eds). 2012. Jo Spence: Work (Part I) SPACE, London 1 June — 15 July 2012 and Jo Spence: Work (Part II) Studio Voltaire, London 12 June — 11 August 2012 (exhibition catalogue), Jo Spence Memorial Archive, London, SPACE, London, and Studio Voltaire, London Other collaborators/ therapists included Ya’acov Kahn, David Roberts and Dr Tim Sheard.
Some critics praised it as being stronger than the first season. Maureen Ryan of The Huffington Post compared the second season to the first by saying, "Season 2 is a different animal, a much leaner and meaner machine that allows sentiment to be present but unexpressed and depicts a darker world in which innocence is a luxury that no one can truly afford." Chuck Barney declared, "Sunday's explosive two-hour opener boldly delivers on the promise by TNT producers to rev up both the pace and the firepower in Season 2." Screen Rant's Anthony Ocasio lauded the season premiere. "While further episodes will reveal more, the type of character development, intriguing storylines and exciting action that will be contained in Falling Skies season 2, there’s no doubt that TNT’s hit drama will likely become an epic adventure, spanning many seasons," he said.
The question, then, remains of whether to express manner or not. It is not always easy to know, but manner is generally left unexpressed when it can be considered to be self- evident and can be inferred from the context; expressing the manner then tends to sound unnatural."Users of verb-framed languages specify MANNER in clauses with PATH verbs only when motor pattern or rate of movement is really at issue" (Slobin 2004: 8). Thus, "He ran into the room" can be translated as Il est entré dans la pièce en courant because it is slightly unusual to run into a room and so manner should be mentioned, but translating "He walked into the room" as Il est entré dans la pièce à pied ("on foot") or en marchant ("walking") is distinctly odd because it calls unintended attention to the usual way in which one enters a room.
Authors/composers are listed for each track on the album. #"Shine" (Cyndi Lauper, William Wittman) – 3:15 #"I Dance and Dance and Smile and Smile" (Dory Previn) – 3:16 #"That's Life" (Kelly Gordon, Dean Kay) – 2:59 #"Wig in a Box / Wicked Little Town" (Stephen Trask) – 4:14 #"Don't Tell Me" (Lance Horne) – 3:32 #"Here You Come Again / My Interpretation" (Barry Mann, Cinthia Weil) / (Mika, Jodi Marr, Richie Supa) – 3:34 #"Next to Me" (Lance Horne, Alan Cumming) – 2:51 #"Thinking of You" (Victoria Wood) – 1:44 #"Unexpressed" (John Bucchino) – 3:00 #"Where I Want to Be" (Björn Ulvaeus, Benny Andersson, Tim Rice) – 3:09 #"What More Can I Say" (William Finn) – 2:58 #"Mein Herr" (John Kander, Fred Ebb) – 3:29 #"All I Know" (Jimmy Webb) – 2:35 #"Beautiful" (Jeff Haris) – 2:05 This album was produced by Michael Croiter, Bill Sherman and Lance Horne, who also played the piano accompaniment on the album and composed two of the songs.
The critic Mary Favret, in her 2000 essay "Being True to Jane Austen," argued that because film is literally just moving pictures, it resists the tendency of photography to have a fixed image, suggesting a world where change is always possible. Because of this, Favret praised the 1995 version of Persuasion as the film used a wandering camera to capture in a kaleidoscopic way Anne Elliot's unexpressed romantic- sexual feelings even when Anne (Amanda Root) remained still and silent. Irvine noted that film adaptations of Austen's work often used the physicality of the actors to show the sexual desires of the characters that Austen herself only hinted at, with Irving calling a "particularly notorious" example of this being the scene from the 1995 version of Pride and Prejudice, where Mr. Darcy (Colin Firth) dives into a pond and emerges with wet clothes clinging to his body before a clearly interested Miss Bennet (Jennifer Ehle). The emphasis on the physicality of the actors to express emotions together with abandonment of the narrator has divided critics.
Baxter, 1971. p. 99 The theme of the work, as in most of Sternberg's films, is "an examination of deception and desire" in a spectacle pitting Dietrich against Clive Brook, a romantic struggle in which neither can satisfactorily prevail.Baxter, 1971. p. 94: "The central conflict in Shanghai Express is a stock Sternberg confrontation between destroyer and victim, the two bound together by an interlocking and unexpressed desire for immolation. Sternberg strips the denizens of the train, one-by-one, of their carefully crafted masks to reveal their petty or sordid existences. Dietrich's notoriously enigmatic character, Shanghai Lily, transcends precise analysis but reflects Sternberg's own personal involvement with his star and lover.Baxter, 1971. p. 95-96: Dietrich's characterization of Lily "approaches closest to the core of the Dietrich-Sternberg relationship but, as in the case of the personalities involved, there are no easy answers ... [the imprecision in Sternberg's presentation of Lily] is appropriate to the work of a man whose subject is the woman he loves, but of whose love he is in doubt." And p. 90: "Furthman's ingenuity is vital to the story ... the multiple deceptions that motivate the film, and most of all the enigmatic character of Dietrich's Shanghai Lily.

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