122 Sentences With "uncommercial" | Random Sentence Generator

All showed genderless, experimental collections that provided a refreshingly uncommercial antidote to fashion week.

And, as these musical forms [are] so uncommercial, the bands could take the provocations farther than in the black metal scene.

Rightly considered uncommercial, it wasn't released until 1978, and its assorted versions have no definite sequence or even an official title.

Pitchfork, who reviewed the release, described it as "pointedly uncommercial and abrasive," noting Charli's decision to ditch mainstream sounds by employing underground producers.

It was, as you might imagine, stridently uncommercial and creatively oriented—a space for people who wanted their music commentary abstruse, thoughtful, and slow.

It was not that Mr Nesmith wished to be obscure or uncommercial, and there was nothing about his solo material that determined it should be.

Science fiction editor John Joseph Adams believes that only the incredible success of that show can explain the existence of something as quirky and uncommercial as BrainDead.

It was a dark, nasty, almost defiantly uncommercial tale of cannibalism and class warfare—the type of story that few execs in Hollywood would want to tell.

But I don't know what a calling-card project that demonstrates that its maker can semi-successfully mimic artistically vital but uncommercial directors is supposed to prove.

There's not much other guitar music as confrontationally uncommercial as this, which he seems to wear as a badge of honor—as charitable listeners might argue that he should.

By then, they had the clout to perform this uncommercial thing onstage at the Grammy's—and with USC's marching band to boot, always tiptoeing along the human/machine divide.

Though not necessarily natural allies, both Florida's Dead Prez and Michigan's Slum Village hit their creative strides around the turn of the millennium performing decidedly uncommercial hip-hop. Stic.

And while proudly uncommercial eccentricity might be an ironic fit for pop music, once named for its inherent popularity, it seems to be doing just fine for Carly Rae Jepsen.

I have long wanted to move away from comedy and do something uncommercial, not reliant on jokes, that few people would see - which I achieved with the The Brothers Grimsby.

I have long wanted to move away from comedy and do something uncommercial, not reliant on jokes, that few people would see – which I achieved with the The Brothers Grimsby.

There's some quality grown-up material here about the virtues of getting lost, and some Forky-specific insight into the attachment children can have to their own unsanctioned, unmanufactured, uncommercial creations.

It is so small, expensive to pick and perishable that it seems utterly uncommercial, but two sophisticated specialty growers in Orange Cove have planted 20 acres, some on trellises like wine grapes.

These topics, previously thought uncommercial, not to mention unsexy, have been eloquently explored recently by Diana Athill ("Somewhere Towards the End"), Roger Angell ("This Old Man") and Christopher Hitchens ("Mortality"), among others.

Ahead of that call, however, the bondholder group rejected the plan, arguing in the email they see "the proposal as wholly inadequate and uncommercial", adding "a significantly higher recovery with cash is still achievable".

Conundrums and outrages of the sort that fuss Mr. Story are at the heart of events, however uncommercial, like New York Fashion Week: Men's, and of what remains of fashion creativity in this town.

According to the New York Times, YouTube has become the "new talk radio" for the far right, and it's been similarly useful as a stage for the otherwise uncommercial and politically toxic white power music to flourish.

The British oil and gas company said it has decided to relinquish its 50 percent interest in Block 24/11 off the coast of southern Angola and that Katambi, a gas discovery made in the block in 2014, had been deemed uncommercial.

After "Natalie, Natalia," about a mentally unstable politician who enters into an affair with a colleague's wife, Mr. Mosley embarked on "The Catastrophe Practice," a clearly uncommercial project that Secker & Warburg published on condition that Mr. Mosley write the biography of his father.

He said one needs not "overinterpret" China's soon-to-come entity list, adding that it mainly targets foreign companies that run against market rules and violate the spirit of contracts, cut off supplies to Chinese firms for uncommercial reasons, damage the legitimate rights of Chinese companies, or threaten China's national security and public interests.

With a record nine nominations at the Game Awards, whose voting jury encompasses a sizable chunk of the gaming press, it has been (controversially) showered in accolades for a decidedly uncommercial willingness to maroon you for hours in solitude rather than stick to the familiar treadmill of constant engagement, of enemies killed and experience points gained and skills learned.

Another popular uncommercial theme was "Don't Just Sit There—Do Something!" which encouraged viewers to do something active or constructive.

The Uncommercial Traveller is a collection of literary sketches and reminiscences written by Charles Dickens, published in 1860–1861. In 1859 Dickens founded a new journal called All the Year Round, and the "Uncommercial Traveller" articles would be among his main contributions. He seems to have chosen the title and persona of the Uncommercial Traveller as a result of a speech he gave on 22 December 1859 to the Commercial Travellers' School London in his role as honorary chairman and treasurer. The persona sits well with a writer who liked to travel, not only as a tourist, but also to research and report what he found visiting Europe, America and giving book readings throughout Britain.

"Tears of the World" was recorded for Somewhere in England in April 1980,Badman, p. 248. but was deemed too uncommercial for release by Warner Bros. Records, the distributor of Harrison's Dark Horse label.Huntley, pp.

The novelist Charles Dickens was so taken with this that he included the church in his book of sketches The Uncommercial Traveller, renaming it "St Ghastly Grim".Charles Dickens, "Chapter XXIII: The City of the Absent", The Uncommercial Traveller (New York City: Hurd and Houghton, 1869), page 329. The interior of St Olave's only partially survived the wartime bombing; much of it dates from the restoration of the 1950s. It is nearly square, with three bays separated by columns of Purbeck limestone supporting pointed arches.

Although, in the words of Dorian Lynskey "Butcher's Tale (Western Front 1914)" was the band's "most soberly uncommercial song," Date Records chose it for a single off Odessey and Oracle. This apparently due to the company seeing the song as a metaphor for the Vietnam War, which was emerging as a hot topic at the time, and partly due to the recommendation of Al Kooper, who was championing the band at the time. The band, however, was surprised that such an uncommercial song was chosen as a single. Not surprisingly, the single sold poorly.

Insolvent transactions are transactions entered into by a company whilst insolvent, or transactions entered into by the company the result of which caused the company to become insolvent. An insolvent transaction may be voidable when one of the following conditions apply: # It was entered into during the 6-month period immediately before the relation back day or during the period between the relation back day and the winding up; # it was an uncommercial transaction entered into during 2 years prior to relation back day; # it was a related entity transaction during the 4-year period prior to the relation back day; # it involved a situation where the company was a party to an unfair preference or uncommercial transaction in order to defeat, delay or interfere with the rights of any or all of its creditors and the transaction was entered into during the ten years immediately prior to the relation back day. There are two categories of insolvent transactions: unfair preferences, and uncommercial transactions.

Ashley Alexander Mallett, The Black Lords of Summer: The Story of the 1868 Aboriginal Tour of England, pp.65–66. He was enthusiastic, and even planned a travel book, The Uncommercial Traveller Upside Down, but ultimately decided against the tour.Australian Dictionary of Biography.

In their April 2016 report, the administrators stated that payments from Queensland Nickel to Blue Star Line had been "uncommercial and director- related transactions". Palmer has rejected the claims made against him in the report, including those related to the Titanic II.

When presented with the finished album, WEA rejected it as "too uncommercial".Adams, p.92 The band agreed to re-record the album, despite Sergeant's complaints. Using the original version of the album as a blueprint, the follow-up recording sessions went more smoothly.

Berger, George. Dance Before the Storm, Virgin Books, 1998, pp. 33–35. The band have rarely performed together in recent years, but four – uncommercial yet critically acclaimed – albums of Burbridge's songs have been released since 2000. Burbridge recorded tracks at the Levellers' studio in Brighton, and other musicians augmented his work.

The band ceased to exist after several line-up changes and a policy of playing increasingly uncommercial and distasteful material. Young's later band, Flying Colours, released a single, "Abstract Art", on the No Records label in 1981. Cardiff band Boy Azooga recorded a cover version of Do The Standing Still in 2018.

Main Street, credited to Roy Wood & Wizzard (whereas the group's first two albums had been credited simply to Wizzard), was initially planned to showcase the more jazz-rock-oriented, deliberately uncommercial side of the group as part of a double album, along with the material that became the 1974 album Introducing Eddy & The Falcons.

Mendadak Dangdut was directed by Rudy Soedjarwo. In an interview, Soedjarwo said that he directed the film to contrast city people and villagers, including economic differences; he often inserted messages on morality into his films. The script was written by Monty Tiwa, who initially had difficulty selling it as studios considered it uncommercial. He also wrote the film's soundtrack.

The group, however, did not last long, perhaps because the extreme and uncompromising nature of its music (as with much contemporary classical music, which incidentally Colossamite's music resembles) was appreciated mainly by a niche audience, thus proving fairly uncommercial. The group disbanded in 1998. Three of the four members now play in the experimental rock band Gorge Trio, based in Oakland, California.

Retrieved June 10, 2020. It was finally released in the US at five Detroit theatres on November 12, 1982 for just one week, with no trailer, no poster and no promotion at all. It did no business and was shelved as uncommercial by Paramount. Dumbfounded and hurt by the film's shelving, Fuller moved to France and never directed another American film.

Well Street was renamed Ensign Street in honour of the hostel. According to John Stape's biography "The Several Lives of Joseph Conrad", Conrad first lived in this sailor's home at the age of 21, and returned several times. There was a sugar refinery at the bottom of Dock Street and Well Street. It is mentioned by Charles Dickens in "The Uncommercial Traveller".

One of Powerhouse's innovations was the use of what the show called Uncommercials. Since the show ran on PBS, which is commercial-free, the producers created 30- to 90-second commercial-like breaks that would air during the broadcast. Instead of selling products, uncommercials would sell a theme, often in entertaining or humorous ways. One uncommercial, for example, featured a 12-year-old boy who asked, “How do I get a girl to like me?” Several boys and girls of around the same age then offered suggestions. Another one asked, “What is a friend?” and several teenagers answered, one of which was future Saturday Night Live star Ana Gasteyer (her answer: “Someone you can be weird with.”) in her first-ever TV appearance. Another uncommercial featured Henry Winkler as a celebrity organ who gave advice on how to take care of your lungs.

The BFI Production Board (1964-2000) was a state-funded film production fund managed by the British Film Institute (BFI) and "explicitly charged with backing work by new and uncommercial filmmakers." Emerging from the Experimental Film Fund, the BFI Production Board was a major source of funding for experimental, art house, animation, short and documentary cinema, with a continuing commitment to funding under-represented voices in filmmaking.

Beherit is a black metal band from Finland. The band was formed in 1989 by Nuclear Holocausto (Marko Laiho), Black Jesus (Arjo Wennström) and Sodomatic Slaughter (Jari Pirinen), with the purpose of performing "the most primitive, savage, hell-obsessed black metal imaginable". "Beherit" is the Syriac word for Satan. Through the uncommercial nature of their music, visuals, and live performances, the band quickly attracted a cult following.

Republished in 2006: "Bob" Brown, The Complete Book of Cheese (Echo Library, 2006). The Oxford English Dictionary lists the first known usage of "American cheese" as occurring in the Frankfort, Kentucky, newspaper The Guardian of Freedom in 1804. The next usage given is in 1860 by Charles Dickens in his series The Uncommercial Traveller. The cheeseburger is a popular food in North America (shown topped with American cheese).

She directed the 'uncommercial' Obsession Fetish, which parody's Calvin Klein, and addressed eating disorders with the tagline "The beauty industry is the beast". Dodds is the writer of Picturing Transformation Nexw-áyantsut a book published in October 2013 by Figure 1 Publishing. The book features the photographic artwork of Uts'am Witness Project co-founder Nancy Bleck and was written with Bleck and Squamish Nation Hereditary Chief Bill Williams.

Finally, he approached Marvin Gaye who liked the song, but wanted The Originals to cut a version of it. Benson eventually persuaded Gaye to record the song by offering him a cut of the royalties. Gaye definitely earned the credit by adding lyrics and other touches to the song. The song was recorded in June 1970, but Motown refused to release it at first, claiming it was uncommercial.

Where it is not possible to categorise transactions as unfair preferences or uncommercial transactions, they may still be voidable even if entered into outside of the time periods usually applied to such transactions. This will be the case where transactions were entered into by the company for the purpose of defeating, delaying or interfering with the rights of creditors during the 10 years prior to the relation back day.

After Pan disbanded, Robert Lelièvre recorded a solo album in 1971 with some of the members of Pan and other Danish musicians. On this album all songs except one had French lyrics. The album was subsequently judged too uncommercial by the record company, Sonet Records, and remains unreleased to this day. Under the threat of imprisonment as deserter from the army, Lelièvre had since his departure in 1962 never returned to his native France.

Also absent from the list are the first self-titled LP, and the compilation albums Giant Steps and Pretentious. high priced import until 2004 when a digitally remastered CD was released. This was because their US label Columbia Records rejected the album as uncommercial. As a result, Columbia dropped the band from the label which contractually allowed the band to take ownership of the original master recording and all rights to it.

St Gallgo's was used as a temporary mortuary as bodies were recovered from the sea. Hughes and his brother Hugh, who was rector of an adjoining parish, conducted many of the funeral services. Hughes wrote over 1,000 letters to people enquiring for news of relatives and friends, and comforted many who visited Anglesey. Charles Dickens stayed with Hughes when he visited Anglesey to write about the sinking; his experiences were published in The Uncommercial Traveller.

ESP-Disk is a New York-based record company and label founded in 1963Space Is The Place, Szwed, Mojo, 2000, p.207 by lawyer Bernard Stollman. Though it originally existed to release Esperanto-based music, starting with its second release (Albert Ayler's Spiritual Unity), ESP became the most important exponent of what is commonly referred to as free jazz. ESP also released recordings by uncommercial underground rock acts including the Fugs, The Godz and Pearls Before Swine.

Ryland Louis Bouchard (born October 16, 1979) is an American vocalist and musician who has gone through many distinct phases, in which he has incorporated aspects of folk, electronica, jazz, psychedelia and avant-garde rock. Previously known as the Kill Rock Stars recording artist The Robot Ate Me, has been labeled by Daytrotter as "One of the most creative and potentially scary minds of our generation" and by Spin Magazine as "purely artistic, baffling, and almost completely uncommercial".

In January 2015, Italian DJ Giorgio Moroder confirmed a new musical project with Minogue and Garibay, revealing to American website Idolator that "She is doing another EP with [their] friend Fernando who did most of Lady Gaga's Born This Way." He described the approach as "very sexy and uncommercial". A year after Kiss Me Once's release, Minogue's contract with Parlophone ended. Alongside this, she announced her departure from Roc Nation and planned "to take more control over her career".

Not.com.mercial (2000) was written mostly by Cher after she had attended a songwriters' conference in 1994; it marked her first attempt at writing most of the tracks for an album. As the album was rejected by her record label for being uncommercial, she chose to sell it only on her website. In the song "Sisters of Mercy", she criticized as "cruel, heartless and wicked" the nuns who prevented her mother from retrieving her from a Catholic orphanage. The Catholic church denounced the song.

This left many of the city churches with tiny congregations. In 1860, Charles Dickens attended a Sunday service at St. James Garlickhythe which he describes in The Uncommercial Traveller. The congregation had dwindled to twenty, the building was pervaded with damp and dust, which Dickens uses to convey an impression of the presence of dead parishioners. The Union of Benefices Act 1860 was passed by Parliament, permitting the demolition of City churches and the sale of land to build churches in the suburbs.

Thumper is a fictional rabbit character from Disney's animated films Bambi (1942) and Bambi II (2006). He is known and named for his habit of thumping his left hind foot. The young adult version of Thumper also appears at the Walt Disney Parks and Resorts as a meetable character in Fantasyland and at Disney’s Animal Kingdom. The character was an important influence upon the development of the movie Bambi which started production with an adult tone which seemed too serious and uncommercial.

In the year 2005, the festival turned into an international two-day festival, with legendary progressive rock bands not only from Russia but from other countries to coming to perform in the festival. Though there was an InProg 2007 festival planned, it did not take place because of a low financial situation. In 2008, after kind invitation of "Empty Hills" festival, the largest uncommercial open-air festival in Russia, InProg re-emerged as "InProg on the Hills", sort of "festival in festival".

It was the first London hospital for children under two years of age. It was described in some detail by Charles Dickens in two pieces called 'A Small Star in the East' and 'On An Amateur Beat' published in The Uncommercial Traveller. In 1932 it was renamed as the Princess Elizabeth of York Hospital for Children. A decade later, it amalgamated with the Queen's Hospital for Children, which had been founded in 1867 as the Dispensary for Women and Children.

They wanted the Russ Manning versions, but John Buscema wanted > to make it as much like the Joe Kubert version as possible. Also, the > foreign publishers needed stories in fifteen-page increments, because most > of the books feature thirty pages of material and two pages of ads. > Everything that made the books commercial in America, made them uncommercial > overseas. Marvel did not continue the Tarzan Family title, publishing instead a series on Burroughs' primary non-Tarzan character, John Carter, Warlord of Mars.

Honoria Barbary and Martha Cratchit work in a dress-shop, Mantalini's—a reference to Madame Mantalini, a milliner in Nicholas Nickleby. The toy shop in the neighbourhood, Gruff and Tackleton, appears in The Cricket on the Hearth. The coffee-house on the street is Garraway's, frequented in real life by Dickens and appearing in The Pickwick Papers, Martin Chuzzlewit, Little Dorrit, and The Uncommercial Traveller. Amelia Havisham's first dog here is Jip, the spaniel that is Dora Spenlow's lapdog in David Copperfield.

The Unknown Industrial Prisoner is a Miles Franklin Award-winning novel by Australian author David Ireland.Austlit - The Unknown Industrial Prisoner by David Ireland In 1978 a film version was planned, to be produced by Richard Mason and directed by Arch Nicholson, with Ken Cameron also working on it. Funding was from Film Australia. However the Minister for Home Affairs Bob Ellicott cancelled the film on the grounds it was uncommercial, a rare instance of political interference in the Australian film industry.

The area emerged from Westminster, an area just west of the City of London, which owed its importance to the consecration of Westminster Abbey and after that, the establishment of the Palace of Westminster. Westminster and the West End are also part of Central London. The term West London is used to differentiate the area from other informal radial divisions of London, the Metropolitan Compass;A phrase used, for instance, by Dickens in the Uncommercial Traveller, Ch 3 North London, East London and South London.

" The Suburbans Joel Goldenburg believes the closest the group ever came to the genre was the lightly produced album Friends (1968): "the vocals of sunshine pop songs are a little more anonymous and not as lushly featured as that of The Beach Boys. And I don't see the [Phil] Spector connection. The light touch applied to the songs reminds me more of soft samba music." Murray says that "John Phillips, on the other hand, practically created the blueprint for sunshine pop, with little of Wilson's uncommercial weirdness.

Wizzo Band had proved an uncommercial venture; the records received unenthusiastic reviews from critics who were baffled by the music, especially in the light of Wood's earlier track record as a creator of hit records with his previous bands, and they were ignored by radio programmers. The live version of "California Man" was issued as the B-side of Wood's 1982 single "O.T.T.", under the title "Mystery Song". A similar arrangement was used by Cheap Trick in their own cover version of the song.

Mind over Four (occasionally written as Mind over 4) was an American heavy metal group based out of Orange County, California. They started life as a sort of psychedelic punk band but eventually began creating their own unique brand of fierce prog/metal. In interviews they often referred to their music as "experimetal". BNR Metal Pages describes them as "occupy[ing] that gray area between metal and uncommercial hard rock, but with a quirkiness in the songwriting that makes them difficult to describe or categorize".

In the years following the introduction of the Pensions Act 1995, it was widely perceived that it was failing to offer the protection to pension scheme members that had been anticipated. The Occupational Pensions Regulatory Authority was perceived as being reactive, didactic and uncommercial. The minimum funding requirement had not prevented some pension schemes winding up with insufficient assets to secure their liabilities, amid considerable publicity. There was strong political pressure to establish a guarantee fund similar to the American Pension Benefit Guaranty Corporation.

At the time of release it was very difficult for uncommercial bands to release music, and most bands on the compilation had only self-released cassettes that were only available in their own towns. The Cyclops and the Axel Grinders had previous releases on international labels, but this was their first release in their own country. It was the first release from Into The Void, a Christchurch band that performed for several decades. It was released by the Flying Nun label in 1992 on cassette and CD.

Diamandis performing "Obsessions" in May 2010 at Edinburgh's Assembly Rooms, during The Family Jewels Tour "Obsessions" was Diamandis' first single, released on 14 February 2009, and "Mowgli's Road" followed on 13 November 2009. She chose the song as an "uncommercial" taster due to its oddness, but it received attention after being shared by the likes of Perez Hilton and Kanye West. "Hollywood" was released as the album's second single and Diamandis' first major release on 1 February 2010. It reached number 12 on the UK Singles Chart.

Passenger tenders were usually owned by the shipping lines and would only service their own vessels, mail tenders were often owned by national post offices and would attend any mail ships. In his memoir The Uncommercial Traveller, Charles Dickens describes a voyage from New York to Liverpool on Cunard's first screw steamship , and meeting the mail tender out of Queenstown, Ireland. Queenstown, today named Cobh, was an important port for the Irish transatlantic trade. Being only a small harbour though, it relied on tenders.

Third (reissued in 1985 as Third/Sister Lovers) is the third album by American rock band Big Star. Sessions started at Ardent Studios in September 1974. Though Ardent created promotional, white-label test pressings for the record in 1975, a combination of financial issues, the uncommercial sound of the record, and lack of interest from singer Alex Chilton and drummer Jody Stephens in continuing the project prevented the album from ever being properly finished or released at the time of its recording. It was eventually released in 1978 by PVC Records.

Squeeze's first EP and most of its self-titled debut album (1978) were produced by John Cale for A&M; Records. Cale had been a member of Velvet Underground from whose album Squeeze took their name. However, the debut album's two hit singles ("Take Me I'm Yours" and "Bang Bang") were produced by the band themselves, as the label found Cale's recordings uncommercial. In the United States and Canada, the band and album were dubbed UK Squeeze owing to legal conflicts arising from a contemporary American band called "Tight Squeeze".

Some protesters, commentators such as Libération correspondent Jean Quatremer and the Liège-based NGO Committee for the Abolition of the Third World Debt (CADTM) allege that the debt should be characterised as odious debt. The Greek documentary Debtocracy, and a book of the same title and content examine whether the recent Siemens scandal and uncommercial ECB loans which were conditional on the purchase of military aircraft and submarines are evidence that the loans amount to odious debt and that an audit would result in invalidation of a large amount of the debt.

Some protesters, commentators such as Libération correspondent Jean Quatremer and the Liège- based NGO Committee for the Abolition of the Third World Debt (CADTM) allege that the debt should be characterized as odious debt. The Greek documentary Debtocracy, and a book of the same title and content examine whether the recent Siemens scandal and uncommercial ECB loans which were conditional on the purchase of military aircraft and submarines are evidence that the loans amount to odious debt and that an audit would result in invalidation of a large amount of the debt.

Sing-Songs is the second EP by the Australian psychedelic rock band The Church, released in December 1982. Unlike its polished predecessors, the material was quickly written and recorded as a demo for the band's U.S. label Capitol Records, who had rejected their previous album, The Blurred Crusade, as too uncommercial. Capitol remained unimpressed and dropped the band, but the recordings were released in Australia by EMI/Parlophone. Sing-songs was long considered the most difficult item in The Church's catalogue to obtain as it was only released as a fairly limited vinyl pressing.

Music shops grew in popularity on Denmark Street after the decline of music publishers in the 1960s. The music publishing trade on Denmark Street began to decline during the 1960s, as the traditional producers lost touch with changing tastes and groups like the Rolling Stones showed it was possible to write their own material. For example, Paul Simon was based in London at this time but Mills Music, at No. 20, told him that his songs "Homeward Bound" and "The Sound of Silence" were uncommercial. Recording studios began to be operated in the street.

After canceling plans for a March debut in January 1980, they moved it to their summer schedule; Altman's strategy was to have the film released in time for that year's presidential campaign. Before that could take place, the company's new president, Norman B. Levy, planned an April 1980 run in St. Louis, Missouri. Altman went against it and suggested test runs in four markets instead: San Francisco and Sacramento, California; Houston, Texas; and Boston, Massachusetts. The resulting previews played to poor audience response, and some time later, Fox deemed it uncommercial for release.

All Fall Down is the third studio album by English post-punk band The Sound, recorded from March to August 1982 and released in November 1982 on record label WEA. After being pressured by their record label to release a more commercially successful album, since their previous records failed to attract the attention of the public, The Sound rebelled and recorded All Fall Down, which has been called "distinctly uncommercial". The album was poorly received by critics and led to the termination of The Sound's contract with WEA. No singles were released from the album.

It continued to blow at force 12 until the afternoon of 26 October. The Royal Charter was driven ashore on the east coast of Anglesey just north of the village of Moelfre in the early hours of the morning of 26 October 1859, eventually being smashed to pieces against the rocks, with the loss of over 450 lives. The public impact of the shipwreck may be judged by the fact that Charles Dickens travelled from London to Anglesey to report on the aftermath as described in The Uncommercial Traveller.

Following his rise to fame as one of the most successful popular songwriters of the late 1960s, Webb's early singer-songwriter albums seemed almost "deliberately uncommercial". Both of his initial Reprise albums, Words and Music (1970) and And So: On (1971), offered songs that were less pop-oriented and more personal and idiosyncratic. Still, his more conventional ballads put him well within the 1970s singer- songwriter genre. Although these early albums may have been too eclectic for commercial radio—both failed to chart—each received some good reviews.

The song's composers John Barry and Don Black asked British singer Matt Monro, who was managed by Black at the time, to record the song for the film's soundtrack. The producers of the film considered the song uncommercial, however, and deleted it from the print shown at its Royal Command premiere in London. When Monro, who attended the event, made Black aware of the edit, they successfully lobbied the producers to restore it. Monro's interpretation appeared over the closing credits in a shortened version recorded especially for the film, which enabled it to qualify for the Academy Award.

Milt Gabler at the Commodore Music Store offered storage facilities and helped keep the catalog in print, with Wolff working for him. By late 1943, the label was back in business recording musicians and supplying records to the armed forces. Willing to record artists that most other labels would consider to be uncommercial, in December 1943 the label initiated more sessions with artists such as pianist Art Hodes, trumpeter Sidney DeParis, clarinetist Edmond Hall, and Harlem stride pianist James P. Johnson, who was returning to a high degree of musical activity after having largely recovered from a stroke suffered in 1940.

The music of 666 is more ambitious and experimental than previous Aphrodite's Child releases, containing greater use of electronic keyboards, studio experimentation, expanded instrumentation, and influences from genres such as jazz, musique concrète and world music. Reflecting this character, only six of the album's 24 songs have vocals and lyrics, four by lead singer Demis Roussos and two by Loukas Sideras. The rest are either instrumental, instrumentals with narration, or use vocals as an instrument. Although the album's material is often acknowledged as challenging and uncommercial, it has also been described as tuneful, "fun", and retaining elements of pop music.

There are occasional moves towards African and East European musical styles, but Shooglenifty keep their groove pure Celtic. Shooglenifty make music which reaches parts other bands never knew existed…a compelling set dripping with high energy club vibes." Although all reviews were favourable, some noted minor drawbacks with things other than the band's performance. Ann Flint of Rambles was very favourable to the album, calling it "interesting" and "innovative", but was unsavoury towards the uncommercial tone of its packaging and artwork, saying that "for those who like music and don't have a particular medium they favor, [the album] may be just the ticket.

I leave labor and load, Take up a different story. I keep an inventory Of wonders and of uncommercial goods.The Sabbath poems have been described as "written from a particular place and on particular Sabbaths, and so should be read as part of a spiritual practice and as poems, in some sense, devoted to dwelling, to living thoughtfully in one place." Oehlschlaeger links Berry's project to a key observation by Henry David Thoreau, > As Thoreau continues in 'Life Without Principle,' he notes the constant > busyness of Americans, so engaged in 'infinite bustle' that 'there is no > sabbath.

Civil Rights March on Washington, D.C. Manager Albert Grossman created Peter, Paul and Mary in 1961, after auditioning several singers in the New York folk scene, including Dave Van Ronk, who was rejected as too idiosyncratic and uncommercial, and Carolyn Hester. After rehearsing Yarrow, Stookey and Travers out of town in Boston and Miami, Grossman booked them into The Bitter End, a coffee house, nightclub and popular folk music venue in New York City's Greenwich Village. The group recorded their debut album, Peter, Paul and Mary, and it was released by Warner Bros. the following year.

John Moon brought the first company of 4 converts with him on the ship Britannia from Liverpool in June 1840. Another 800 members made the voyage the next year. Writing of the members preparing for one such ocean voyage, Charles Dickens described these pioneer Latter-day Saints in chapter 22 of his book The Uncommercial Traveller as, by his estimation, "the pick and flower of England". In June 1894, however, Latter-day Saint leaders in America had begun to encourage the European members to remain in their homelands and build up the Church in those countries.

In a 2009 interview, Bob Stanley said that in retrospect the band "got ahead of ourselves a bit" by releasing such an uncommercial album, which "definitely could have done with a couple more obvious songs". In 1995, they released their most successful single, "He's on the Phone", a reworking of Étienne Daho's "Week-end à Rome" that they had created for a collaborative EP with Daho entitled Reserection. It reached No. 11 on the UK chart. Stanley has said that with hindsight it was "a bit stupid" that the band "didn't release another single for two and a half years".

So strongly persuaded was he of success that a > gentleman was induced to advance the requisite money; but, alas! to the > great disappointment of all concerned, the machinery failed to slit the > iron. Foley therefore set out for Sweden a second time, receiving on his > arrival a joyful welcome from the Swedish workmen. So gladly indeed did they > receive the returned fiddler, that, with a disastrous confidence, to make > sure of him they lodged him in the very citadel of the business, the > slitting-mill itself, looking on him, in their simple-minded, uncommercial > good-fellowship, as a mere fiddler, and nothing more.

The SE Mananda field, located in PDL 2, was discovered in 1991. While the field was very close to the Kutubu facilities, it is on the other side of a very deep gorge and consequently, for a number of years, was deemed to be uncommercial. Following the PNG Government's introduction of a marginal field tax regime to encourage the development of smaller oil fields, and the transfer of Operatorship, Oil Search commenced detailed technical and engineering studies on the SE Mananda field during 2003. This work confirmed that the field was economic based on a low cost development and incorporating an appropriate fiscal regime.

In a review of the Come and Get It compilation, Douglas Wolk of Pitchfork Media includes the Temple as an example of the Beatles' "willingness to go to bat for totally uncommercial ideas" on their short-lived record label; music historian Colin Larkin similarly highlights the devotees' album among an "eccentric catalog" that included the composer John Tavener and the Modern Jazz Quartet.Larkin, p. 684. This adventurousness, Wolk continues, provides the "really fun" aspect of the 2010 compilation, just as it "made the Beatles' own Apple releases particularly entertaining".Douglas Wolk, "Various Artists Come and Get It: The Best of Apple Records", Pitchfork Media, 23 November 2010 (retrieved 19 September 2014).

Gerard Fallec, credited on the sleeve with "production coordination", did not play a part in the production process, but became involved during the year-long battle to have the record released. Ferris credited him with suggesting the album's final title and working on its sleeve. Additional contributors to the album included Harris Halkitis, who had filled in for Vangelis when the band toured in support of It's Five O'Clock, horn player Michel Ripoche, Greek painter Yannis Tsarouchis, actress Irene Papas, John Forst and Daniel Koplowitz. Upon the album's completion, Mercury Records refused to release it, objecting to its uncommercial material and in particular the song "∞".

The band's guitarist Ed O'Brien estimated that 80 per cent of the album was recorded live. Despite lowered sales estimates by EMI, who deemed the record uncommercial and difficult to market, OK Computer reached number one on the UK Albums Chart and debuted at number 21 on the Billboard 200, Radiohead's highest album entry on the US charts at the time, and soon earned a 5× platinum and double platinum certification by the BPI and RIAA, respectively. The songs "Paranoid Android", "Karma Police", "Lucky", and "No Surprises" were released as singles. The album expanded Radiohead's international popularity and has sold at least 7.8 million units worldwide.

The B-side was "Crystal Japan", an instrumental recorded in 1980 for a Japanese commercial for the sake Crystal Jun Rock, which also featured an appearance from Bowie. "Teenage Wildlife" was originally slated as the B-side for "Up the Hill Backwards" until Bowie found out the prices fans were paying for the import single of "Crystal Japan", and insisted the track receive a UK release. The uncommercial nature of "Up the Hill Backwards", combined with the track having been available on the album for the past six months, saw the single stall at No. 32 in the UK chart. It also briefly charted at No. 49 in Canada.

Angel Dust was met with extensive critical acclaim. One critic wrote that the album is "one of the more complex and simply confounding records ever released by a major label" and similarly, another called it "the most uncommercial follow-up to a hit record ever". The single "A Small Victory" is described as a song "which seems to run Madame Butterfly through Metallica and Nile Rodgers, reveals a developing facility for combining unlikely elements into startlingly original concoctions". The songs "Malpractice" and "Jizzlobber" have been called "art-damaged death metal" and "nerve-frazzling apocalyptic rock" by contrast with the "accordion- propelled" Midnight Cowboy theme cover that follows.

Set in 1950s Los Angeles, Richard Hudson (Warburton) is a shrewd car dealer who moves from San Francisco and sets up a used-car dealership. Tiring of this job, he turns the lot over to an assistant Bill (Ron Morgan) and starts writing his first film, The Man Who Got Away. It turns out to be an uncommercial picture, chronicling the story of a truck driver who goes berserk, runs over a little girl and dies fending off a platoon of police officers. In making his film, Richard enlists the help of his father-in-law, Leo (Paul Malevich), a washed-up former film director whose notable possession is a Rouault painting of a clown.

Recoil began in 1986, when Daniel Miller (record producer and founder of Mute Records) heard some of Alan Wilder's demo recordings, which he had made on a 4-track cassette machine. These recordings were substantially different from anything Depeche Mode had released — whilst they were still created using synthesizers and sampling, they featured little of Depeche Mode's catchy pop songwriting, instead opting for an experimental, John Cage-esque style. Due to the primitive and decidedly uncommercial nature of these pieces, Wilder and the record label decided to release the album inconspicuously, naming it 1 + 2. It eventually came out in mid-1986, not long after the release of Depeche Mode's well-received Black Celebration.

The album is largely centred on percussion, and Levene has described it as "probably [...] the least commercial record ever delivered to a [record] company." Similarly, the Trouser Press Record Guide states that "the music is so severe as to lend credence to a record executive's statement that The Flowers of Romance is one of the most uncommercial records ever made – at least within a 'pop' context." Simon Reynolds has described the album as highly experimental and preoccupied with moving beyond the defining standards of rock music, subsequently making it a pioneering post-rock record. Occasional drummer Martin Atkins played on three songs, while band members Levene and John Lydon handled percussion duties on the other tracks.

Michael Penn: Free-For- All , CMJ Review In Vox magazine, critic Gary Leboff acknowledged that Penn could be "pig-headedly uncommercial," but, he conceded, "the payoff is sublime". Leboff continues, "His freeform songwriting creates tracks of startling shape and originality, offering literate reflections on the human condition..." Penn collaborated with the renowned surrealist animators The Brothers Quay on "Long Way Down (Look What The Cat Drug In)," which found a home not only on MTV but in film festivals around the country. He has worked extensively creating original music for film. He scored Paul Thomas Anderson's films Hard Eight (1996) and Boogie Nights (1997); he also appears in the latter in a cameo role playing Nick, a recording engineer.

These two Weltanschauungen cannot be reconciled or tolerate > one another, one must be victorious, the other must go under!Röhl (2004), p. > 208 In response, Chamberlain wrote back to Wilhelm on 20 January 1917, declaring: > England has fallen totally into the hands of the Jews and the Americans. A > person does not understand this war unless he realizes that it is in the > deepest sense the war of Judentum and its near relative Americanism for the > control of the world—a war against Christianity, against Bildung, moral > strength, uncommercial art, against every idealist perspective on life, and > for the benefit of a world that would include only industry, finance, and > trade—in short, unrestricted plutocracy.

The Guardian described the album as "six improvised pieces full of space and unhurried rhythm," which blend together "pastoral jazz, contemporary classical, folk, prog rock and loose blues into a single, doggedly uncommercial musical tapestry" which would be labeled "post-rock." Simon Harper of the Birmingham Post observed the album's "combination of jazz, classical, rock and the spacey echoes of dub, using silence almost as an instrument in its own right. Although the album is noted for its tranquil soundscapes, Graham Sutton of Bark Psychosis notes "Noise is important. I could never understand people I knew who liked Talk Talk and saw it as something 'nice to chill out to' when I loved the overwhelming intensity and the dynamics.

In 1986, Talk Talk, then a three-piece band consisting of leader and singer Mark Hollis alongside drummer Lee Harris and bassist Paul Webb, released their third album The Colour of Spring, which saw the band shift from their earlier, synthpop-oriented sound and featured a more organic art rock sound, where musicians improvised with their instruments for many hours, then Hollis and producer Tim Friese-Greene edited and arranged the performances to get the sound they wanted. A total of sixteen musicians appeared on the album. It became their most successful album, selling over two million copies and prompting a major world tour. Nonetheless, for their next album Spirit of Eden (1988), the band chose to work towards an even more unconventional and uncommercial direction.

"I Hope You're Happy Now" was first released as the second track on Blood & Chocolate. An acoustic version of the song was released as the B-side to "I Want You" in November 1986, but no version of the track was ever released on a single of its own. Writer Graeme Thomson said of this choice, "With pop songs of the calibre of 'Blue Chair' and 'I Hope You're Happy Now' at his disposal, to release the doggedly uncommercial 'I Want You' and 'Tokyo Storm Warning'—both over six minutes long— as the first two UK singles was a willfully perverse move". The song has also been released on the compilation albums Girls Girls Girls and The Very Best of Elvis Costello.

Jared Gomes later reflected unfavorably on the album's production, claiming that the label was trying to achieve commercial success by forcing a nu metal sound. Gomes stated in 2011, "all my decisions were being overlooked by the record company I was under when producing it… causing me to hold back on things, change song structures and all other kinds of shit in order to try and get into the radio friendly scene to fit in with the nu- metal movement… and as I complied I grew to dislike what I was becoming." Eventually, Gomes said, he would try to make the band's next album, Only in Amerika as uncommercial as possible, to provoke people lyrically as a backlash against the more commercial sound of Blackout.

After citing earlier authorities (Wickman v Schuler [1974] AC 235, The Antaios [1984] AC 191 and Chartbrook v Persimmon [2009] UKHL 38), he ruled that, because Kookmin's interpretation was not "absurd or irrational" or "so extreme as to suggest that it was unintended", merely unfavourable to Rainy Sky, it should be accepted. The alternative course would "put us in real danger of substituting our own judgment of the commerciality of the transaction for that of those who were actually party to it." However, Sir Simon Tuckey delivered a dissenting judgement, in which he stated that Simon J's first-instance view that Kookmin's interpretation was "surprising and uncommercial" was a legitimate reason for rejecting that interpretation, and that the judgement therefore should not be overturned.

In a more reserved review, Glenn Rice of Select praised It's Immaterial for approaching their "gloomy" subjects "sort of sideways on", with whispered vocals and instrumentation that together suggest "a more subdued Pet Shop Boys", but felt the band seemed disengaged and unenthusiastic, describing Song as "the pop equivalent of a Lowry painting – simplistic, flat and populated by workaday characters fostering ideas of escape from life's dreariness." Alistair Mabbott of The List considered the uncommercial sound of the album disappointing, adding that if the duo "intended it to be leavened by a dose of quirky humour, it hasn't worked." He also compared Campbell's unfavourably with Paul Buchanan of the Blue Nile, a band he noted the album's "sustained mood and melancholy" was texturally similar to.

Upon release, "Eight Miles High" was banned by many U.S. radio stations, following allegations made by the broadcasting trade journal the Gavin Report, that its lyrics advocated recreational drug use. The band and their management strenuously denied these allegations, stating that the song's lyrics actually described an airplane flight to London and the band's subsequent concert tour of England. The relatively modest chart success of "Eight Miles High" (number 14 in the U.S. and number 24 in the UK) has been largely attributed to the broadcasting ban, although the challenging and slightly uncommercial nature of the track is another possible reason for its failure to reach the Top 10. In February 1966, just prior to the release of "Eight Miles High", Gene Clark left the band.

Now permanently relocated to New York, next project was 1995's Hanky Panky, an album that consisted entirely of Hank Williams cover tunes. Hanky Panky was recorded by a new group consisting of Johnson, Collard, Fitting, ex Iggy Pop guitarist Eric Schermerhorn, ex David Bowie bass guitarist Gail Ann Dorsey (billed as "Hollywood" Dorsey), and drummer the "Reverend" Brian MacLeod. Their cover version of "I Saw The Light" hit No. 31 UK.Released by Some Bizzare Label / Epic An experimental album called Gun Sluts was recorded in 1997, but left unreleased by the band after it was rejected for being too uncommercial by their label. severed their eighteen-year relationship with Sony and moved to Interscope, on Trent Reznor's Nothing Records imprint.

In 1975 founded his own group, Spacebox, to realize his concept of an authentic European, cyclic structured, minor dominated, modal harmonic, collective improvised, organic-electric live music as a player, composer and songwriter. From 1975 to the early 1980s, his main performance work was through his Spacebox project. With it he performed solo in Berlin und London where he stayed for about half a year each (e.g. Performance Weeks ´London Calling`/New London Theater/Avantgarde Center Oval, all in 1976/1977), enlarged it in 1978 to a quartet in Munich and gained an international reputation as an extremely un-normed, uncommercial underground figure (Kohfidisch Festival 78/Umsonst&Drau;ßen Festivals 78+79/Münchener Performance Wochen 79 und Münchener Jazzfest 80; 2 LPs).

The Irish short film Six Shooter won the Academy Award for Best Short Film in 2006 while the short film New Boy was nominated for the same award in 2009. In 2009 a record seven IFB funded films (Ondine, Perrier’s Bounty, Triage, A Shine of Rainbows, Eamon, Cracks, and Colony) had officially been selected for the Toronto International Film Festival. Tony Keily has criticised the board's insistence on funding "uncommercial commercial cinema". Paul Melia has also criticised the IFB over its slowness in awarding funding. The Minister for Arts, Sports and Tourism Martin Cullen addressed the issue of commercial success recently saying that “The film board offers the chance to make films for a small audience and not necessarily for big commercial success but which have real quality.

This is a movie that is good in spite of what it thinks it's about." In his review in The Washington Post, Desson Howe also offered a mixed response, writing, "To watch Voyager is to remember old-fashioned elements from the European films of [the 1950s], the then-exciting work of the Antonionis and Fellinis. ... Delpy's intrinsic mystique (not her acting) suggests the mystery heroines of old art films such as La Dolce Vita ... With a healthy dose of viewer indulgence, and the occasional blind eye to arty excess, there's something well-intentioned and uncommercial to celebrate." In their review in Spirituality & Practice, Frederic and Mary Ann Brussat called Voyager a "mesmerizing screen interpretation of a Max Frisch novel" with Sam Shepard delivering "his best performance in years.

Bedhead's music was generally subdued, with a polyphonic sound based on the interlocking of single-line melodies played by three electric guitars and one electric bass guitar (often played with a capo), nearly always using clean (undistorted) tones, prompting comparisons to the Velvet Underground. According to Allmusic, "What distinguished [Bedhead] was the way it combined [indie rock]'s modest ambitions with careful song construction and rock & roll's sense of grand dynamic excitement. This was the quintessential indie rock band because it delivered some of the best the genre is capable of: workaday vocals that actually work, gorgeous melodies (though uncommercial, this music doesn't have to be indigestible), and dynamics that could crush the listener." The group's vocals were often delivered in such a low key manner that they could be difficult to decipher.

Tongue n' Cheek received positive reviews from music critics. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, the album received an average score of 75 based on 14 reviews, which indicates "generally favorable reviews". The Guardian gave the album 4 out of 5 stars, opining: "If it's less wilfully uncommercial than his earlier oeuvre, which frequently made the listener feel like they were being mugged in the middle of an amusement arcade, its distorted synthesisers are still edgily thrilling". Pitchforks Ian Cohen gave the album 7.5/10, saying that "He sounds damn good over trashy, flashy electro that manages to keep pace with cadences as hyperactive as his own, and, above all, he's way more fun than he's often given credit for".

Released at a time when the Byrds' surprising immersion in the world of country music coincided with their declining commercial appeal, Sweetheart of the Rodeo was an uncommercial proposition at the time of its release. However, the album has proved to be a landmark, serving not only as a blueprint for Parsons' and Hillman's the Flying Burrito Brothers, but also for the entire nascent 1970s Los Angeles country rock movement. The album was also influential on the outlaw country and new traditionalist movements, as well as the so-called alternative country genre of the 1990s and early 21st century. Among fans of the Byrds, however, opinion is often sharply divided regarding the merits of the album, with some seeing it as a natural continuation of the group's innovations, and others mourning the loss of the band's trademark Rickenbacker guitar jangle and psychedelic experimentation.

Ellicott was reappointed to the third Fraser Ministry (1977 to 1980) as Minister for Home Affairs and Minister for the Capital Territory. As home affairs minister he played a key role in the establishment of the Australian Institute of Sport (AIS), prompted by Australia's poor performance at the 1976 Summer Olympics. In 1978 he also cancelled Film Australia's funding of a film adaptation of The Unknown Industrial Prisoner on the grounds it was uncommercial, a rare instance of political interference in the Australian film industry.David Stratton, The Last New Wave: The Australian Film Revival, Angus & Robertson, 1980 p16Rod Bishop & Peter Beilby, "Ken Cameron", Cinema Papers, March–April 1979 p 258 He was later Minister for Home Affairs and the Environment from November 1980 until his resignation on 17 February 1981 to become a judge on the Federal Court of Australia.

She also took on controversial roles, such as Mistress Lisa in Exit to Eden, where one film critic commented "The script was awful—Dana looked great." The provocatively titled Live Nude Girls included frank discussion by women of their sexual fantasies at a bachelorette party using a low-budget improvisational comedy format with strong chemistry between the actors. Reviews were mixed: Los Angeles Times critic Richard Natale liked the film but wrote older male film executives believed it to be "uncommercial"; another critic agreed it was "genuine girl talk" but "didn't have a lot of substance" and viewers "don't get to know the characters in the film". She also starred as Margaret Sanger in the TV movie Choices of the Heart: The Margaret Sanger Story (1995), about the controversial nurse who crusaded for women's reproductive rights in the early 1900s.

Dan Weiss of Spin found that the most interesting aspect of Miley Cyrus & Her Dead Petz was RCA Records' willingness to let Cyrus release the material outside her recording contract: "Before the era of the surprise free album, record companies would refuse to release an uncommercial record, or let it choke to death without promotion". According to Weiss, the label supported Cyrus' launch strategy when it determined that none of the material "was worth fighting Big Miley LLC over". Chris DeVille of Stereogum said, "After a second straight year dotted by surprise drops by everyone from Drake to Death Grips to Miley Cyrus and the Flaming Lips" (after Beyoncé's self- titled fifth studio album in 2013), the practice ran the risk of becoming "standard". DeVille questioned the accuracy of the word "surprise", when the projects' existence had been extensively discussed by the media before their release.

Charles Dickens mentions the Pantechnicon as a place to buy carriages in Pictures from Italy and The Uncommercial Traveler. William Makepeace Thackeray's Vanity Fair (1848) mentions the Pantechnicon as a storage service: :The house was dismantled; the rich furniture and effects, the awful chandeliers and dreary blank mirrors packed away and hidden, the rich rosewood drawing-room suite was muffled in straw, the carpets were rolled up and corded, the small select library of well-bound books was stowed into two wine-chests, and the whole paraphernalia rolled away in several enormous vans to the Pantechnicon, where they were to lie until Georgy's majority. An adventure with a runaway pantechnicon is one of the episodes in the Arnold Bennett novel, The Card (1911). M.R. James mentions the fire that partially destroyed the Pantechnicon in his ghost story "Count Magnus," as having probably destroyed some of his main character's papers.

Recording of the album took place between December 1994 to May 1995, and was recorded at Real World Studios in England and Sunset Sound Factory in Los Angeles.Bloom liner notes Archer described the recording sessions as "a very relaxed affair"Tasmin Archer discussing the recording of Bloom EMI Records, however, were not supportive of the material that Archer had recorded, deeming it too uncommercial and too removed from the sound of her debut album.Tasmin Archer discussing the recording of Bloom Archer and Hughes had to fight for almost a year with EMI executives to get the album released in the form they wanted it to be. When it was finally released, EMI were still not very supportive of it and didn't push a marketing campaign as big as they had done with her debut album, which damaged sales of the singles and the album itself.

Managed by Shirley O'Loughlin, the band went on their first UK tour with Swiss female band Kleenex, in May 1979 after Rough Trade Records released their first single, "Fairytale in the Supermarket". Johnny Rotten was an early admirer of the band, and later stated: "The Raincoats offered a completely different way of doing things, as did X-Ray Spex and all the books about punk have failed to realise that these women were involved for no other reason than that they were good and original". The Raincoats' distinctly uncommercial sound did not appeal to everyone; after witnessing an early performance by the band, Danny Baker remarked that "they are so bad that every time a waiter drops a tray we'd all get up and dance". On 21 November 1979, Rough Trade released the band's self-titled debut album,Stuart Murdoch: My Top 10 albums observer.guardian.co.

Disabled people lose legal aid in 99% of benefits disputes The Guardian Supreme Court justice, Lord Wilson of Culworth fears the effectiveness of legal aid is being reduced. Wilson said, “The disadvantaged who needed to be acquainted with their human rights and helped to enforce them were unlikely to be able to do so without free legal advice and representation. Even where it is required to continue to provide free legal aid, for example to defendants to criminal charges and to parents threatened with the removal of their children, the UK is dismantling it indirectly by setting rates of remuneration for the lawyers at levels so uncommercial that, reluctantly, most of them feel unable to do that work. Access to justice is under threat in the UK.”Access to justice under threat in UK, says supreme court judge The Guardian The Law Society maintains restrictions to legal aid are preventing defendants getting a fair trial.

They however rejected the work because of its frivolous nature, its relatively few extended arias and its long passages of recitative. (The latter objections are not particularly true, however. The opera has relatively few ensemble pieces but is replete with gorgeous arias.) The opera manager Owen Swiney opined that the project was uncommercial; in a letter of 1726 he wrote: > [The libretto] is the very worst book (excepting one) that I ever read in my > whole life. Signor Stampiglia [...] endeavours to be both humorous and witty > in it: if he succeeded in his attempt on any stage in Italy, 't was merely > from a depravity of taste in the audience; for I am very sure it will be > received with contempt in England'cited in English National Opera programme, > Parthenope, 12 The King's Theatre, London, where Partenope had its first performance The opera was presented during the 1730 season at the King's Theatre when Handel was working in partnership with the director John James Heidegger.