With that feedback, it takes on board whether or not it should be classifying the events as attacks or not, then refines its internal models.
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Squirewell makes his own account of the nation that takes on board the violence done to people of color in the name of allegiance to godly truth.
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AND I THINK THAT TAKES ON BOARD THE GLOBAL RISKS AND, YOU KNOW, THE FACT THAT ACCOMMODATIVE POLICY CONTINUES TO BE APPROPRIATE BUT IT DOES HAVE AN UPWARD SLOPE TO IT. MEDIAN IS FOR TWO HIKES THIS IS YEAR IF THE DATA COME IN THE WAY WE'RE EXPECTING.
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During World War II, the commanding officer of a sub reluctantly takes on board two Western diplomats to take them to the Canaries and arrange an armistice. When they get there, peace has been declared, but the sub's crew do not know that sonce its radio has failed. It send its passengers ashore to go out to face a final battle.
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After being court-martialed and discharged from the Navy, Captain Bell (Rock Hudson) turns to drink. Reduced to skippering a rundown brigantine in the South Seas, he takes on board a disparate group of passengers and crew, including a prostitute, a show-biz entrepreneur, a missionary, a washed up opera singer, and a couple of refugees. During a storm at sea, the true characters of all on board are revealed.
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Humboldt remains, however, relatively unknown in English-speaking nations. Andrew Goatly, in "Washing the Brain", takes on board the dual problem of conceptual metaphor as a framework implicit in the language as a system and the way individuals and ideologies negotiate conceptual metaphors. Neural biological research suggests some metaphors are innate, as demonstrated by reduced metaphorical understanding in psychopathy. James W. Underhill, in Creating Worldviews: Ideology, Metaphor & Language (Edinburgh UP), considers the way individual speech adopts and reinforces certain metaphoric paradigms.
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Having played for the Celtic youth teams, Ferry signed a four-and-a-half-year professional contract with the club in January 2006.Craig Swan, "Ferry takes on board Keane lessons to star for young Scots", The Times, 20 July 2006. He was part of the team that won the Under-19 League and Cup double in 2006 and was among a number of players named, by coach Willie McStay, as likely to progress to the first team."McStay backs Celtic's double winning youths", RTÉ Sport, 11 May 2006 A few months later Ferry made his first-team debut on a pre-season tour of Poland,Simon Ferry profile , Celticfc.
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Différance, instead, focuses on the play of presence and absence, and, in effecting a concentration of certain thinking, Derrida takes on board the thought of Freud's unconscious (the trace), Heidegger's destruction of ontotheology, Nietzsche's play of forces, and Bataille's notion of sacrifice in contrast to Hegel's . Yet he does not approach this absence and loss with the nostalgia that marks Heidegger's attempt to uncover some original truths beneath the accretions of a false metaphysics that have accumulated since Socrates. Rather it is with the moods of play and affirmation that Derrida approaches the issue. However, Derrida himself never claimed to have escaped from the metaphysics with what he has done.
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It has been suggested that Indian contributions to mathematics have not been given due acknowledgement in modern history and that many discoveries and inventions by Indian mathematicians are presently culturally attributed to their Western counterparts, as a result of Eurocentrism. According to G. G. Joseph's take on "Ethnomathematics": > [Their work] takes on board some of the objections raised about the > classical Eurocentric trajectory. The awareness [of Indian and Arabic > mathematics] is all too likely to be tempered with dismissive rejections of > their importance compared to Greek mathematics. The contributions from other > civilisations – most notably China and India, are perceived either as > borrowers from Greek sources or having made only minor contributions to > mainstream mathematical development.
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Eccentric and cat-loving counter-terrorism consultant Rufus Excalibur ffolkes is asked by Lloyd's of London to develop a contingency plan, should any of the North Sea oil installations it insures be threatened. Months later, a North Sea supply ship named Esther takes on board a group of men posing as reporters who are to visit the oil production platform Jennifer. The leader of this group, Lou Kramer, hijacks the ship; the gangsters attach limpet mines to the legs of Jennifer and its accompanying oil drilling rig, Ruth, then issue a ransom demand for £25 million to the British government. Esther's crew tries to fight back, but is thwarted by Kramer's vigilance, and two of their number end up dead.
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A man known only as Robur (Price), shoots down and takes on board his flying ship Prudent (Hull), his daughter Dorothy (Webster), her fiancé Evans (Frankham), all of whom were exploring a volcanic crater in their balloon, along with US government agent Strock (Bronson), who had hired them to look for evidence of an eruption. The supposed eruption was caused by Robur working on his airship, who had also inadvertently broadcast a biblical passage over a voice amplifier, stirring religious fears among the citizenry of the nearby town. Robur has been traversing the globe in his airship, the Albatross, with a goal of forcing peace on the world by virtue of his superior military capabilities. He has a loyal crew of like-minded, equally fanatical idealists.
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In the 1870s, residents of the garrison at the Fort Humboldt frontier outpost of the United States Army are reported to be suffering from a diphtheria epidemic. A special express train is heading up into the remote mountain ranges towards the fort filled with reinforcements and medical supplies. There are also civilian passengers on the train in the rear luxurious private car – Nevada Governor Fairchild (Richard Crenna) and his fiancée Marica (Jill Ireland), the daughter of the fort's commander. The train stops briefly in the small whistle stop settlement of Myrtle, where it takes on board local lawman United States Marshal Pearce (Ben Johnson) and his prisoner, John Deakin (Charles Bronson), a supposedly notorious outlaw who was identified via a picture in a newspaper advertisement offering a $2,000 (approximately $ today) reward.
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