539 Sentences With "overtone" | Random Sentence Generator

"I think the word assassination has a political overtone," Murphy explained.

But beyond the positivity, these candles hold an overtone of irony.

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There was a bohemian, hippie overtone that is absent this time around.

Last April, Stone's efforts to pressure Credico took on a more violent overtone.

"This has a political overtone," said Lawrence Gostin, a Georgetown University global expert.

Settling political scores All three of Trump's first pardons had a distinctly political overtone.

The maple butter contributed a subtly sweet overtone that made this sandwich stand out.

The former secret-police director's English was governmentally genteel, but with a blunt overtone.

He is also a skilled demagogue, making inflammatory remarks that often have a racial overtone.

I apply the Overtone and let it sit for an hour to grab the most color.

Well, sort of; the answer is OVERTONE, as in "Suggestion," but that's close enough for me.

The "gig economy" certainly has this exciting overtone of futurism and technology and being mediated through apps.

Mr. Johnston's tuning system is built on the pure ratios of the overtone series of a note.

Missy Mazzoli's joyous "Vesper Sparrow" was inspired by a polyphonic Sardinian folk style based on overtone singing.

As always, the undertone — and sometimes the overtone — was each candidate's so-called electability against President Trump.

I also do my hair — I use Overtone to maintain an ashy silver on my highlighted hair.

"What I like about Overtone is that they make products that are both functional and decorative," Lemonis says.

If the season 8 opener is any indication, Shameless is looking to take on an even more political overtone.

As a Jew, I don't think I'd be giving someone a name if it had an anti-Semitic overtone.

"If you want to give your hair a pop of color, try the color conditioners from oVertone instead," Brown suggests.

Fox News added scary music and, in one section, a red overtone to an Adam Schiff supercut from today pic.twitter.

There is an unfortunate overtone in the world of polar bears that is powered more by opinion than hardcore science.

"The shades in the Basics line are as practical as your go-to closet staples," says oVertone cofounder Liora Dudar.

A skittish overtone remained in the currency markets, OANDA APAC Head of Trading Stephen Innes said in a Wednesday note.

I gave him a sequence of notes and he sung them in his own unique way using harmonic or overtone singing.

The report "provided a brief risk-off overtone early this morning," FX strategists at OCBC Bank in Singapore said in a note.

He was much more comfortable dealing with the international press, which in his view had less of a Zionist overtone to it.

This week, on an all-new episode of The Profit, Marcus Lemonis heads to Orlando, Fl for Overtone Acoustics, a soundproofing company.

Maybe it's the decaying ruins of multiple defunct human civilizations, but theres a dark overtone to Morgan Jouquand's otherwise stunning nature footage.

You can still kind of taste that, like, the buckwheat, like, bitterness a little bit, you know, like the overtone of that.

When you return to the rest of life, all that remains is an echo of overtone, a brief silence and then the applause.

Amongst looking for clues and figuring out puzzles, there is an overtone of mystery, desperation and, for lack of a better word, dread.

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The father-son dynamic creates a power imbalance absent in the brother-to-brother version, adding an overtone of Oedipal anxiety and parental abuse.

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"I think there was a political overtone," said Lawrence O. Gostin, director of the O'Neill Institute for National and Global Health Law at Georgetown University.

Overtone Acoustics was selling its popular sound-absorbing panels, which double as art, to individual customers only, mostly those with music studios or home theaters.

Their dark religious overtone is not subtle -- and they could define the final four-week push to dethrone him from the top of the evangelical heap.

And she balked at what she, like Carr, defined as an overtone of blame in media remarks about black turnout in Cincinnati after Ohio went for Trump.

"Prison has a racial overtone ... and someone like Michael doesn't see himself walking down Broadway while people are clamoring, 'You're going to be my wife,'" Goldberg said.

Mr. Wise grew up on the Upper West Side and attended the High School of Music and Art, where he became editor of the school paper, Overtone.

Lamentably, the threat of arrest can add a traumatizing overtone, particularly for those who live under heightened government surveillance or fear arrest because of identities they hold.

As on this group's vibrant new recording, "Geometry of Caves," issued by the Relative Pitch imprint, Ms. Kitamura occasionally produced dramatic gusts of overtone singing through quick inhalations.

In the closing minutes of "Crazy Nigger," additional pianists emerge from the audience and join the players onstage, to assist in the unfolding of a clangorous overtone series.

Mr. De Jesus is on shaky ground early on, when he has to play Mr. Valli as a teenager, and his upper range can have a nasal overtone.

There's an overtone of bile-like tartness layered over a surprisingly sweet base note, combining to suggest the vomit of a person who ate too many honey-glazed donuts.

And, just for argument's sake, while the word "c***" is generally considered very offensive because of its strong misogynistic overtone, some literary feminists have argued that it's possibly empowering.

Debussy favored a mode that has become known as the acoustic scale, which mimics the overtone series by raising the fourth degree (F-sharp) and lowering the seventh (B-flat).

There is a clear visual allusion to Christ, stretched out on an imaginary crucifix, and an overtone of sacrifice, perhaps indicating that we as a society have sacrificed our culture.

One Western diplomat, who spoke on the condition of anonymity because of protocol, expressed concern that the violence had taken on a more ethnic overtone in the days after the election.

It's loaded, nearly overloaded, with a pair of faucets, busted hubcaps, worn sandals and the business end of a spade, that last being one of several elements with a racial overtone.

" He said that Republican animosity toward President Obama had "a heavy racial overtone" and that Donald J. Trump's surprisingly successful campaign for president had "tapped a waiting reservoir there of inherent racism.

In its most recent iteration, we've seen sis go from a devout term with religious overtone to Black LGBTQ nomenclature that captures a sense of endearment and communalism sacred to the community.

To his languid Midwestern voice he soon added a slightly British overtone, acquired at the same time that he discovered British tailors, to whom he was devoted the rest of his life.

But if the market goes with a story that the U.S. dollar has peaked and is going lower versus many other currencies, then Cramer wants investors to be prepared for a bullish overtone.

With Mr. Gibson's laptop producing sampled callbacks to frequencies highlighted earlier in the performance, Mr. Lee's move to this particular D reveals one of the work's most arresting — and, yes, roaring — overtone clouds.

While both have been playing around the country for decades, there is no record of their sharing a bill, so this show will have a historic overtone to match the inevitable air of revelry.

I would agree with Jess that, "Oh, I took care of a baby for a hot minute so now I'm Ruth Bader Ginsburg" is a ridiculous, but prevalent overtone this season — particularly in the finale.

"The overtone of Trump trying to persuade the Fed to stop aggressively tightening is probably one thing the market's focused on," said Tom di Galoma, a managing director at Seaport Global Holdings in New York.

Between the poignant lyricism and poetic narratives that have enraptured fans for more than two decades, Thom Yorke's existential musings imbued the grunge-laden overtone of the late 90s with a softer and more experimental palette.

To create her images, she photographs, scans, and captures old quilts and afghans (Blanket Statement #1 and #2), tie-dye T-shirts (Undertone Overtone), discarded color sample booklets (New Fancy Foils), and gaudy fabrics (Razzle Dazzle).

The optics of the private exchange between Trudeau and several peers, including British Prime Minister Boris Johnson and French President Emmanuel Macron, certainly seem to have an overtone of mocking the leader of the free world.

Gently layered chords and microtonal slides played with the rainbow-like colors of the overtone series; within the constantly shifting harmonic haze, a single resonant fundamental played on the cello could feel momentous, and almost giddily reassuring.

But I vividly remember the emotions I perceived coming off my mom in waves: surprise with an undercurrent of sadness and an overtone of what did I do as a parent to make you feel this way?

And I mean some of the work was good, but it also always had this overtone of having this ulterior motive that, oh, some important producer or casting director will come see me and then I'll get catapulted to something else.

Whether or not Bieber's pink hair is an indicator of new bops or merely a cue from his wife, we hope he has plenty of color-safe tips (and a few jars of Overtone) while he rides the pink-hair wave.

"Clarida went back to the usual script and his comments did not contain the dovish overtone as some had expected," said Wu. The dollar index, a gauge of its value versus six major peers, traded at 97.38 having risen for three sessions in a row.

By recording his pianist's playing in real time, and feeding the resonating notes into a laptop hooked up to speakers, Mr. Gibson is able to amplify a series of overtone relationships, pushing them back into the concert hall as the piece very, very gradually progresses.

Adding to the dovish overtone, the Bank of England cut growth forecasts on Thursday and the lone advocate of a rate hike reversed his position, suggesting rates were on hold for an extended period even as Governor Mark Carney said the next move was still likely to be up.

" The Assassination of Gianni Versace has its aims right in the title: "I think the world 'assassination' has a political overtone," said Murphy, "And I think it denotes somebody who is taking the life of somebody else to make a point—and I think that's exactly what Andrew Cunanan did.

By the 287s, during the city's economic downturn and near-bankruptcy, the term S.R.O. had acquired a sinister overtone, with many hotels filling up with drug dealers, prostitutes and released convicts who would frighten other tenants trying to scratch out a living and would disturb their neighbors with drunken brawls.

The Washington Post reported that Monday's protests had a more violent overtone than previous days, with some of the protesters carrying knives and speaking of their desire to wreak havoc on the Israeli side of the border, and organizers urging them to break through the fence by telling them that Israeli troops were abandoning their positions, which wasn't the case.

For example, an A string at 440 Hz will cause an E string at 330 Hz to resonate, because they share an overtone of 1320 Hz (third overtone of A and fourth overtone of E).

String resonance occurs on string instruments. Strings or parts of strings may resonate at their fundamental or overtone frequencies when other strings are sounded. For example, an A string at 440 Hz will cause an E string at 330 Hz to resonate, because they share an overtone of 1320 Hz (3rd overtone of A and 4th overtone of E).

He merged throat singing together with a cappella dubstep. The Overtone Choir Spektrum from Prague, Czech Republic, is unique among overtone choirs, particularly because it connects traditional choir singing with overtone techniques. It is the only one of its kind in the Czech Republic, and one of only a few in the world. Sherden Overtone Choir was founded in 2016 in Sardinia by Ilaria Orefice and Giovanni Bortoluzzi.

Such a crystal is referred to as a 3rd, 5th, or even 7th overtone crystal. To accomplish this, the oscillator circuit usually includes additional LC circuits to select the desired overtone.

Within each overtone series, the different pitches are attained by changing the embouchure. Standard fingerings above high C are the same as for the notes an octave below (C is 1–2, D is 1, etc.). tone; a half step = a semitone Each overtone series on the trumpet begins with the first overtone—the fundamental of each overtone series cannot be produced except as a pedal tone. Notes in parentheses are the sixth overtone, representing a pitch with a frequency of seven times that of the fundamental; while this pitch is close to the note shown, it is flat relative to equal temperament, and use of those fingerings is generally avoided.

Wolfgang Saus, from Germany, is considered one of the major teachers/performers of "polyphonic overtone singing" in Europe. Formerly trained as a classical baritone, his unique skills makes him instantly recognizable. He's also a renowned composer and arranger of polyphonic overtone singing music for solo voice and choirs. A cappella singer Avi Kaplan also exhibited overtone singing during his group's (Pentatonix) performances.

Kiva Simova is a Canadian harmonic overtone singer, keyboard player, and songwriter, based in Toronto, ON, Canada. She is internationally recognized as a western pioneer in world beat/jazz music, particularly the art of harmonic overtone singing (singing two pitches simultaneously) which she both performs and teaches. She composes for overtone choir and has directed her own such choir, AURALIA in Prague.

The overtone modes are at frequencies which are approximate, but not exact odd integer multiples of that of the fundamental mode, and overtone frequencies are therefore not exact harmonics of the fundamental. High frequency crystals are often designed to operate at third, fifth, or seventh overtones. Manufacturers have difficulty producing crystals thin enough to produce fundamental frequencies over 30 MHz. To produce higher frequencies, manufacturers make overtone crystals tuned to put the 3rd, 5th, or 7th overtone at the desired frequency, because they are thicker and therefore easier to manufacture than a fundamental crystal that would produce the same frequency—although exciting the desired overtone frequency requires a slightly more complicated oscillator circuit.

Overtone was invited to the film première which was held in Los Angeles on 3 December 2009, and also did a performance for the guests at the after party. Overtone and Natalie Stack of Natalie's Wish Foundation.

Retrieved on 2014-04-23.Dr. Dave Dargie “UMNGQOKOLO – Thembu Xhosa – OVERTONE SINGING filmed 1985–1998 in South Africa”. Retrieved on 2014-04-23.Dargie, Dave. "Xhosa Overtone Singing" The world of South African music: A reader.

String resonance occurs on string instruments. Strings or parts of strings may resonate at their fundamental or overtone frequencies when other strings are sounded. For example, an A string at 440 Hz will cause an E string at 330 Hz to resonate, because they share an overtone of 1320 Hz (3rd overtone of A and 4th overtone of E). Electric guitars can have string trees near the tuning pegs to mute this type of reverberation. The string length behind the bridge also must be as short as possible to prevent the resonance.

This oscillator is a physical model of an electric piano such as the Fender Rhodes piano. Programmable parameters for the hammer include hammer force, hammer width, and hammer noise. For the tone generator, programmable parameters include decay time, release time, overtone level, overtone frequency, and overtone decay. For the electronic pickup, programmable parameters include pickup position in relation to the tone generator (such as a tine).

Because "overtone" makes the upper partials seem like such a distinct phenomena, it leads to the mathematical problem where the first overtone is the second partial. Also, unlike discussion of "partials", the word "overtone" has connotations that have led people to wonder about the presence of "undertones" (a term sometimes confused with "difference tones" but also used in speculation about a hypothetical "undertone series").

Overtone has featured as the opening act on the west leg of Corinne Bailey Rae's The Sea Tour and rock band OneRepublic. In December 2010 the casino and resort tycoon Steve Wynn hired Overtone as the feature band for a three-month run at his Wynn and Encore luxury casino and resort in Las Vegas. Overtone resided and performed out of Carmel and Los Angeles whilst being managed by Dina Eastwood.

The pearl is pinkish- white, with a white hue and a slightly pink overtone.

In some music contexts, the terms "harmonic", "overtone" and "partial" are used fairly interchangeably.

Cepheid variables may pulsate in a fundamental mode, the first overtone, or rarely a mixed mode. Pulsations in an overtone higher than first are rare but interesting. The majority of classical Cepheids are thought to be fundamental mode pulsators, although it is not easy to distinguish the mode from the shape of the light curve. Stars pulsating in an overtone are more luminous and larger than a fundamental mode pulsator with the same period.

A small proportion of Cepheid variables have been observed to pulsate in two modes at the same time, usually the fundamental and first overtone, occasionally the second overtone. A very small number pulsate in three modes, or an unusual combination of modes including higher overtones.

If RBM intensity is particularly strong, its weak second overtone can be observed at double frequency.

The 1920s Texan singer of cowboy songs, Arthur Miles, independently created a style of overtone singing, similar to sygyt, as a supplement to the normal yodelling of country western music. Blind Willie Johnson, also of Texas, is not a true overtone singer according to National Geographic, but his ability to shift from guttural grunting noises to a soft lullaby is suggestive of the tonal timbres of overtone singing. Starting in the 1960s, some musicians in the West either have collaborated with traditional throat singers or ventured into the realm of throat singing and overtone singing, or both. Some made original musical contributions and helped this art rediscover its transcultural universality.

The overtone band observed in the IR spectrum is one such transition with ∆v=2, from v=0 to v=2 energy state. It has been experimentally found that the intensity of the overtone band is very low compared to the fundamental band, validating the harmonic approximation.

To make melodies, one plays it high into the overtone series. One series of harmonics is achieved by overblowing with the end of the tube open and another is achieved with the end closed. This means that most overtone flutes produce only the notes present in the natural scale. Overtone flute tubes typically have a relatively long resonating chamber compared to their inner diameter or cross sectional area, which encourages the instrument to resonate in the higher harmonics.

The South African a cappella group Overtone recorded the song for director Clint Eastwood's movie Invictus (2009).

Overtone singing, also called harmonic singing, occurs when the singer amplifies voluntarily two overtones in the sequence available given the fundamental tone they are singing. Overtone singing is a traditional form of singing in many parts of the Himalayas and Altay; Tibetans, Mongols and Tuvans are known for their overtone singing. In these contexts it is often referred to as throat singing or khoomei, though it should not be confused with Inuit throat singing, which is produced by different means.

After singing a few songs in their green room, OneRepublic invited Overtone to open for them at their show later that evening at The Troubadour in West Hollywood and at a tree lighting ceremony the following day at the Americana mall. Overtone has featured as the opening act on the west leg of Corinne Bailey Rae's The Sea Tour, performing in Vancouver, Portland, Seattle and San Francisco. In December 2010, the casino and resort tycoon Steve Wynn hired Overtone as the feature band for a three-month run in his Wynn and Encore luxury casino and resort in Las Vegas. After Invictus, Overtone moved to California, where they were managed by Dina Eastwood.

DJs and performers of electronic music like The KLF have also merged their music with throat singing, overtone singing, or with the theory of harmonics behind it. Tran Quang Hai , a researcher on overtone singing since 1969 in Paris,France, has published many articles, videos on overtone singing from 1971. His film "The Song of Harmonics" directed by Hugo Zemp in 1989 obtained 4 international prizes in Estonia (1990) France (1990) and Canada (1991). David Hykes, a pioneer in new music, contemplative chant and healing sounds, founded Harmonic Chant in New York in 1975, the year he also founded his legendary group, The Harmonic Choir, considered to be one of the world’s pre-eminent overtone ensembles.

Minor as upside down major. The Istrian scale may be tuned as subharmonics 14 through 7 D First proposed by Zarlino in Instituzione armoniche (1558), the undertone series has been appealed to by theorists such as Riemann and D'Indy to explain phenomena such as the minor chord, that they thought the overtone series would not explain. However, while the overtone series occurs naturally as a result of wave propagation and sound acoustics, musicologists such as Paul Hindemith considered the undertone series to be a purely theoretical 'intervallic reflection' of the overtone series. This assertion rests on the fact that undertones do not sound simultaneously with its fundamental tone as the overtone series does.

Harmonics may also be called "overtones", "partials" or "upper partials". The difference between "harmonic" and "overtone" is that the term "harmonic" includes all of the notes in a series, including the fundamental frequency (e.g., the open string of a guitar). The term "overtone" only includes the pitches above the fundamental.

Not only do the performers produce partials from the overtone series in each note they sing, but all of the fundamental tones are also related by whole-number overtone ratios. In this way, overtones are composed upon overtones, generating a range of degrees of harmonic fusion . According to the 1986 Hyperion Singcircle liner notes: > In each section a new overtone melody or 'model' is introduced and repeated > several times. Each female voice leads a new section eight times, and each > male voice, nine times.

Altai Khairkhan () is an overtone singing ensemble from Mongolia founded in 2002 by Childeegiin Palamjav, Sambuugiin Pürevjav and Ejeegiin Toivgoo.

In order to fully exploit the selectivity feature of Fourier transform spectroscopy, the near infrared region is of interest because many overtone spectra of atmospherically relevant gases are located in this part of the spectrum. Some of these studies include the detection of overtone bands of CO2, OCS, CH3CN and HD18O in the near IR.

In Water Passion after St. Matthew by Tan Dun, the soprano and bass soloists sing in a variety of techniques including overtone singing of the Mongolian style. In 2014 German singer Anna-Maria Hefele went viral on YouTube with her "polyphonic overtone" singing. The Huffington Post has commented on her "amazing ability" and her singing being "utterly bizarre". On 10 October 2014, she was number two on The Guardian's Viral Video Chart, with one online video titled Polyphonic Overtone Singing, which features Hefele as she demonstrates and explains overtones.

S Pegasi (S Peg) is a Mira variable star in the constellation Pegasus. It varies between magnitude 7 and 13 with a period of 319.22 days. It is believed to be pulsating in the first overtone. First overtone pulsators have masses less than at a temperature of 2,107 K, and less than at the luminosity of S Pegasi.

The choir combines Tuvan Throat Singing Styles with Sardinian Throat singing. Contemporary multi- instrumentalist performer The Suitcase Junket employs a self-taught overtone singing, or throat singing technique in his live and recorded performances. Several contemporary classical composers have incorporated overtone singing into their works. Karlheinz Stockhausen was one of the first, with Stimmung in 1968.

An overtone flute in the key of G, with an inner diameter of 1", will require more effort to play higher harmonics than an overtone flute in the same key, with an inner diameter of 1/2". For example, a ratio of 1 : 30 - Inner Diameter : Length allows for very high harmonics to be played with little effort.

The pulsation periods of these oscillators lie between 5 and 21 minutes. The stars pulsate in high overtone, non-radial, pressure modes.

In 1930, the avant-garde American composer and musical theorist Henry Cowell collaborated with Russian inventor Léon Theremin in designing and building the remarkably innovative Rhythmicon. Cowell wanted an instrument with which to play compositions involving multiple rhythmic patterns impossible for one person to perform simultaneously on acoustic keyboard or percussion instruments. The invention, completed by Theremin in 1931, can produce up to sixteen different rhythms—a periodic base rhythm on a selected fundamental pitch and fifteen progressively more rapid rhythms, each associated with one of the ascending notes of the fundamental pitch's overtone series. Like the overtone series itself, the rhythms follow an arithmetic progression, so that for every single beat of the fundamental, the first overtone (if played) beats twice, the second overtone beats three times, and so forth.

The overtone and undertone series can be considered two different arrays, with smaller arrays that contain different major and minor triads. Experiments with undertones to date have focused largely upon improvisation and performance, not compositional design. Harry Partch argued that the overtone series and the undertone series are equally fundamental, and his concepts of Otonality and Utonality is based on this idea. Similarly, in 2006 G.H. Jackson suggested that the overtone and undertone series must be seen as a real polarity, representing on the one hand the outer "material world" and on the other, our subjective "inner world".

Approximation of the notes available on a koncovka made in the key of G. Notes played with the end closed are marked with "●", and notes played with the end open are marked with "○". Both groups of notes are harmonics of a fundamental on G. Koncovka. Koncovka, a Slovak overtone flute An overtone flute is a type of a flute that is designed to play in the upper harmonics, typically well above the two or three harmonics that are the practical limit for most woodwind instruments. An overtone flute has either no tone holes,Maclagan, Susan J. (2009).

In traditional music, the overtone scale persists in the music of peoples of South Siberia, especially in Tyvan music. Overtone singing and the sound of the jew's harp are naturally rich in overtones, but melodies performed on igil (bowed instrument distantly related to the violin) and plucked string instruments such as doshpuluur or chanzy also often follow the overtone scale, sometimes with pentatonic slices. The acoustic scale appears sporadically in nineteenth-century music, notably in the works of Franz Liszt and Claude Debussy.Tymoczko, Dmitri (2004). “Scale Networks in Debussy.” Journal of Music Theory 48.2: 215–292.

An overtone is any partial above the lowest partial. The term overtone does not imply harmonicity or inharmonicity and has no other special meaning other than to exclude the fundamental. It is mostly the relative strength of the different overtones that give an instrument its particular timbre, tone color, or character. When writing or speaking of overtones and partials numerically, care must be taken to designate each correctly to avoid any confusion of one for the other, so the second overtone may not be the third partial, because it is the second sound in a series.

Jill Purce (born 1947) is a British voice teacher, Family Constellations therapist and author. In the 1970s, Purce developed a new way of working with the voice, introducing the teaching of group overtone chanting, producing a single note whilst amplifying vocal harmonics.van Tongeren, M.C. (2006). Overtone Singing: Physics and Metaphysics of Harmonics in East and West. Centraal Boekhuis. p. 174.Godwin, J. (1991).

Throat singing is an umbrella term for a variety of indigenous vocal performance styles. Some of them have overlap with overtone singing, or harmonic singing.

Beardyman is known for his eclectic array of vocal techniques which include beatboxing, singing, rapping, overtone singing, scat singing, instrument/sound mimcry and voice impressions.

They are found near the red edge of the instability strip. Some authors use s-Cepheid as a synonym for the small amplitude DECPS stars, while others prefer to restrict it only to first overtone stars. Small amplitude Cepheids (DCEPS) include Polaris and FF Aquilae, although both may be pulsating in the fundamental mode. Confirmed first overtone pulsators include BG Crucis and BP Circini.

Cowell explains, "the natural spacing of so-called dissonances is as seconds, as in the overtone series, rather than sevenths and ninths....Groups spaced in seconds may be made to sound euphonious, particularly if played in conjunction with fundamental chord notes taken from lower in the same overtone series. Blends them together and explains them to the ear."Cowell, Henry (1969). New Musical Resources, p.111-139.

At harmonic nodal positions, the string resonates more than at other positions. For instance, dividing the string 1/3 + 2/3 creates a clear overtone, while 24/33 + 9/33 creates an indistinct overtone. The color dotted scale indicates the simple-number ratios up to the 7 limit (on the Moodswinger II to the 8 limit.) On these positions just intoned harmonic dyads occur.

Harmonics are also called overtones or partials. They occur at whole-number multiples of the fundamental, which is called the first harmonic. The second harmonic is the first overtone (the octave above the open string), the third harmonic is the second overtone, and so on. The second harmonic is in the middle of the string and sounds an octave higher than the string's pitch.

When singing a note, there are numerous overtones present. Singers experienced in overtone singing are able to control their voice in such a way, that they can increase the intensity of any high overtone to such an extent, that it becomes clearly audible, whilst simultaneously singing the fundamental. In this way two pitches (fundamental and high-intensity overtone) can be made clearly audible while singing.Overtone singing, Frequency Spectrum of the voice, showing the fundamental and various overtones: octave, ..., and high-intensity higher overtones (a melody is created, by shifting the intensity to various overtones, while others are more suppressed)) Tonal colour is an important characteristic on a guitar.

Overtone is an a cappella/vocal band that made its debut in 2006 and originates from Johannesburg, South Africa. Overtone is best known for their vocal renditions of pop music and diverse repertoire. In 2009 they were discovered by Dina Eastwood, wife of actor/director Clint Eastwood while in South Africa shooting his film Invictus. Shortly thereafter they were asked to do the majority of the movie sound track.

The overtone series can be produced physically in two ways – either by overblowing a wind instrument, or by dividing a monochord string. If a monochord string is lightly damped at the halfway point, then at , then , , etc., then the string will produce the overtone series, which includes the major triad. If instead, the length of the string is doubled in the opposite ratios, the undertones series is produced.

Instruments are not always tuned using these intervals. In the Western world, instruments of fixed pitch, such as pianos, are typically tuned using equal temperament, in which intervals other than octaves consist of irrational-number frequency ratios. While those intervals approximate the overtone intervals, they do not match the frequencies of the overtone series exactly and as such do not resonate sympathetically and have as pure a "ring".

The majority of these are thought to be first overtone (e.g. X Sagittarii), or higher, pulsators, although some unusual stars apparently pulsating in the fundamental mode also show this shape of light curve (e.g. S Vulpeculae). Stars pulsating in the first overtone are expected to only occur with short periods in our galaxy, although they may have somewhat longer periods at lower metallicity, for example in the Magellanic Clouds.

Notes available on a koncovka made in the key of G. Notes played with the end closed are marked with "●", and notes played with the end open are marked with "○". Nature look koncovka. Koncovka, a Slovak overtone flute Koncovka is a Slovak duct-blown overtone fipple flute without finger holes, traditionally played by shepherds. The koncovka flute is played by closing and opening the bottom hole of the flute.

In 2006 luthier Yuri Landman built the Moodswinger, a 12 string overtone zither. The Moodswinger is a twelve-string electric zither with an additional third bridge designed by Yuri Landman. The rod which functions as the third bridge divides the strings into two sections to cause an overtone multiphonic sound. One of the copies of the instrument is part of the collection of the Musical Instrument Museum in Phoenix, Arizona.

In Hermann von Helmholtz's classic "On The Sensations Of Tone" he used the German "Obertöne" which was actually a contraction of "Oberpartialtöne", or in English: "upper partial tones". According to Alexander Ellis (in pages 24–25 of his definitive English translation of Helmholtz), the similarity of German "ober" to English "over" caused a Prof. Tyndall to mistranslate Helmholtz' term, thus creating "overtone". Ellis disparages the term "overtone" for its awkward implications.

Stimmhorn: In Land. A musical film as a composition with duo Stimmhorn (Balthasar Streiff, alphorns, and Christian Zehnder, overtone singing). Produced by SF-DRS, dpt. Music & dance. (2001).

Balochi Nur Sur is one of the ancient forms of overtone singing and is still popular in parts of Pakistan, Iran, and Afghanistan – especially in the Sulaiman Mountains.

Ilmanvaloa for clarinet and orchestra) and throat singer (overtone singing) (e.g. Aukea for a throat singer and orchestra). Yli-Salomäki has co-operated e.g. with aerialist Ilona Jäntti.

Higher overtone pulsators and Cepheids pulsating in two overtones at the same time are also more common in the Magellanic Clouds, and they usually have low amplitude somewhat irregular light curves.

Bernstein uses a low C as an example to show how a note contains overtones, or higher pitches that sound simultaneously. Using this concept, he relates the harmonic series to tonality in several ways. First, he notes the relationship of the fundamental pitch, in this case a C, and its second overtone, in this case a G (the first overtone is an octave). These pitches make up the tonic-dominant relationship fundamental to the system of tonal music.

New York Town Hall premiered his Concord Sonata in 1939, featuring pianist John Kirkpatrick. This received favorable commentary in the major New York newspapers. Later, around the time of Ives' death in 1954, Kirkpatrick teamed with soprano Helen Boatwright for the first extended recorded recital of Ives' songs for the obscure Overtone label (Overtone Records catalog number 7). They recorded a new selection of songs for the Ives Centennial Collection that Columbia Records published in 1974.

515 Hykes founded the Harmonic Choir in 1975, and has performed and taught Harmonic Chant and the related Harmonic Presence work in America, France, Germany, Italy, Switzerland, Japan, Australia and many other countries.Campbell (1989) p.64 Of overtone singing and his own study of the form, music theorist Charles Madden writes, "David Hykes has done everything I had hoped to do, and more." His choir incorporates both basic overtone signing as well as additional advanced forms.

1Time Airlines sponsored all flights and artists were accommodated by Village and Life and Protea Fire and Ice Hotels. Heart FM, Your LMG, Overtone, V&A; Waterfront were the core media partners.

However, the chord may be spelled in a variety of ways, and it is related to other pitch collections, such as being a hexatonic subset of the overtone scale, lacking the perfect fifth.

They indicate that since realia carry a very local overtone, they often pose a challenge for translation.Vlahov, S. and Florin, S. “Neperovodimoe v perevode. Realii”, in Bruno Osimo. “Manuale del Traduttore, Seconda Edizione”.

Heracleum Kalyuka (or Kolyuka, Russian: Калюка, Колюка) is a Russian and Ukrainian overtone flute, lacking playing holes. Traditionally, Kalyukas were made from hollow plant stems, such as Motherwort, or Angelica.Description of overtone flutes Modern versions of the instrument are usually made from PVC an inexpensive and durable substitute. The upper end of the Kalyuka is open, and although it has a built-in fipple to produce sound, a player should also partly close the opening of the tube with the tongue.

Szomjas-Schiffert 1996: 64 Several surprising characteristics of joiks can be explained by comparing the music ideals, as observed in joiks and contrasted to music ideals of other cultures. In some instances, joiks mimic natural sounds. This can be contrasted to other goals, namely overtone singing and bel canto, both of which exploit human speech organs to achieve “superhuman” sounds.Szomjas- Schiffert 1996: 74 Overtone singing and the imitation of sounds in shamanism are present in many other cultures as well.

Lines in the spectrum of Betelgeuse show doppler shifts indicating radial velocity changes corresponding, very roughly, to the brightness changes. This demonstrates the nature of the pulsations in size, although corresponding temperature and spectral variations are not clearly seen. Variations in the diameter of Betelgeuse have also been measured directly. First overtone pulsations of 185 days have been observed, and the ratio of the fundamental to overtone periods gives valuable information about the internal structure of the star and its age.

Polyphonic overtone singing "Pachelbel's canon" – Performed by Wolfgang Saus Chirgilchin performing various styles of Tuvan throat singing. Overtone singing – also known as overtone chanting, harmonic singing, or throat singing – is a type of singing in which the singer manipulates the resonances created in the vocal tract, in order to produce additional overtones above the fundamental note being sung. From a fundamental pitch, made by the human voice, the belonging harmonic overtones can be selectively amplified by changing the shape of the resonant cavities of the mouth, larynx, and pharynx.Titze 2008; Titze 1994; Pariser & Zimmerman 2004 This resonant tuning allows singers to create more than one pitch at the same time (the fundamental and one or more selected overtones), while actually generating only a single fundamental frequency with their vocal folds.

This added a fourth, sympathetic (aliquot) string to each trichord group in the treble to enrich the piano's weakest register by enhancing the overtone spectrum of the instrument. He died, aged 86, in Leipzig.

In 1990, Matthias Kaul with the American violinist Malcolm Goldstein began performing in an improvisational duo. Matthias Kaul’s work comprises more than 100 compositions including chamber music, choral music, audio drama and opera. Since 1987, he has performed as a percussionist and glass harmonica player in various radio recordings and on festivals. Recordings of his work were published alongside those of Alvin Lucier, John Cage, Vinko Globokar and Christian Wolff. Mathias Kaul invented numerous musical instruments such as the “Matthias Kaul overtone drum” and the overtone triangle.

Concert at Neumünster Abbey, 2016 Enkhjargal Dandarvaanchig (, born 1968, Ulaanbaatar), also known as Epi, is a Mongolian musician, overtone singer, and Morin khuur player. He works in the style of fusion between modern and traditional music.

Since the early 1970s, she has taught diverse forms of contemplative chant, especially overtone chanting. For over 15 years, she has been leading Family Constellations combined with chant.Troughton, M. (2008). "Tried & Tested—Healing the Family Workshop".

Shamanism in Siberia is far from being homogeneous. In some of the various cultures there, mimicking natural sounds can be present: some instances of overtone singing, and also certain shamanic songs of some cultures can be examples.

Huun-Huur-Tu (, ; , ; ) are a music group from Tuva, a Russian federative republic situated on the Mongolia–Russia border. The most distinctive characteristic of Huun-Huur-Tu's music is throat singing, in which the singers sing both the note (drone) and the drone's overtone(s), thus producing two or three notes simultaneously. The overtone may sound like a flute, whistle or bird, but is solely a product of the human voice. The group primarily use native Tuvan instruments such as the igil, khomus (Tuvan jaw harp), doshpuluur, and dünggür (shaman drum).

In this case, as the total length of the string is shortened, the fundamental frequency is raised, and the positions of the nodes shift accordingly (that is, by the same number of frets), thereby raising the frequency of the overtone by the same interval as the fundamental frequency. Artificial harmonics are more difficult to play than natural harmonics, but they are not limited to the overtone series of the open strings, meaning they have much greater flexibility to play chromatic passages. Unlike natural harmonics, they can be played with vibrato.Sevsay, Ertuğrul (2013).

F4 marks the sixth partial, or the fifth overtone. Notes on the next partial, for example A4 (a minor third higher) in first position, tend to be out of tune in regards to the twelve-tone equal temperament scale. A4 in particular, which is at the seventh partial (sixth overtone) is nearly always 31 cents, or about one third of a semitone, flat of the minor seventh. On the slide trombone, such deviations from intonation are corrected for by slightly adjusting the slide or by using an alternate position.

2 Tone Records was an English record label that mostly released ska and reggae-influenced music with a punk rock and pop music overtone. It was founded by Jerry Dammers of the Specials and backed by Chrysalis Records.

Zehnder sings normally, sings overtone, and yodels. He also plays the wippkordeon, a bandoneon (concertina), a bandurria (a small guitar- like instrument similar a mandolin), an organ pipe and a hang (percussion instrument), among others. Streiff sings and plays horn like instruments, including the alphorn, double alphorn, alpofon (a system developed by his own instrument), büchel, cornet, baroque trumpet, cornetto and tuba. In addition, the duo worked with guest musicians, such as the overtone singing group Huun- Huur-Tu from Tuva or Tomek Kolczynski (kold electronics) on their album Igloo and on a production of Faust.

Main pitches: harmonics of B1 Stimmung is in just intonation. Six singers amplified by six microphones tune to a low B1 drone, inaudible to the audience, and expand upwards through overtone singing, with that low B's harmonics 2, 3, 4, 5, 7, and 9 (B2, F2, B3, D4, A4, and C5) becoming in turn fundamentals for overtone singing. It is composed using what the composer calls moment form, and consists of 51 sections (called "moments"). The harmonies of Stimmung are composed from 108 pitches: twelve different tones for each of the three women's voices, and twenty-four for each of the three men.

It has steadily increased by around 4.5 seconds per year except for a hiatus in 1963–1965. This was originally thought to be due to secular redward evolution across the Cepheid instability strip, but it may be due to interference between the primary and the first-overtone pulsation modes. Authors disagree on whether Polaris is a fundamental or first-overtone pulsator and on whether it is crossing the instability strip for the first time or not. The temperature of Polaris varies by only a small amount during its pulsations, but the amount of this variation is variable and unpredictable.

A wolf tone, or simply a "wolf", is a sustaining sympathetic artificial overtone that amplifies and expands the frequencies of a played musical note, and is produced when the original note matches the natural resonant frequency of the body of the musical instrument. A wolf tone is frequently accompanied by an oscillating beating (due to the uneven frequencies between the natural note and artificial overtone), which may be likened to the howling of a wolf. A similar phenomenon is the beating produced by a wolf interval, which is usually the interval between E and G of the various non-circulating temperaments.

Overtone tunings that are open tunings have been used in songs by folk musician Joni Mitchell and by rock guitarist Mick Ralphs of Bad Company; these open overtones-tunings select their open notes from the first six partials of their overtone sequence on C or G. For open tunings, the open strings and the frets are each associated with a major-chord, which is played by strumming the open strings or the strings after they have been barred at one fret with one finger, greatly simplifying major-chord playing. For each such open or barred chord, the overtones reinforce the bass note, increasing the guitar's volume of sound and resonance. In an open overtones-tuning, adjacent strings that differ by a third interval can be tuned in just intonation, resulting in greater consonance than thirds in equal temperament. Music theorist William Sethares has discussed an overtones tuning that uses six higher partials, from fourth to ninth, of the overtone sequence; his tuning is not an open tuning.

So strictly speaking, the first overtone is the second partial (and usually the second harmonic). As this can result in confusion, only harmonics are usually referred to by their numbers, and overtones and partials are described by their relationships to those harmonics.

Tuva is a part of Russia, inhabited by a Turkic people. Tuvans are known abroad for khoomei (xöömej), a kind of overtone singing. Traditionally, Tuvan music was only a solo effort. The musician's intention was usually to emphasise timbre and harmonics over rhythm.

The Sami people of the northern parts of Sweden, Norway, Finland, and the Kola Peninsula in Russia have a singing genre called yoik. While overtone techniques are not a defining feature of yoik, individuals sometimes utilize overtones in the production of yoik.

A distributed memory for networked livecoding performance. In Proceedings of International Computer Music Conference 2010. Additionally Overtone, Impromptu and Extempore support multi-user sessions, in which any number of programmers can intervene across the network in a given runtime process.Sorensen, A. (2005).

Bhutan has sixteen public holidays. Bhutanese holidays are rooted in the Drukpa Lineage of Kagyu Buddhism, the House of Wangchuck and the Tibetan calendar. Even secular holidays, however, have a measure of religious overtone, as religious choreography and blessings mark these auspicious days.

The roAp stars oscillate in high-overtone, low-degree, non-radial pressure modes. The usual model that is used to explain the behavior of these pulsations is the oblique pulsator model.Kurtz, D. W. Monthly Notices of the Royal Astronomical Society, vol. 200, p.

Nine Treasures (九宝, or jiǔ bǎo) is a folk metal group with members mostly from the autonomous region of Inner Mongolia. Founded in 2010, the group combines traditional Mongolian music with heavy metal, notably using traditional instruments and overtone singing techniques.

They return in procession, escorting the alto to the front while singing an "overtone chant." The alto Eve calls the boy Michael to her out of the audience, they sing a mystical duet, and she takes him with her into another world.

On February 22, 2011, Rivermaya's official Facebook page announced that they would release their music video titled "Remenis" [Reminisce] and will formally introduce their new members, Ryan Peralta who was the band's regular session player and Norby David of the band Overtone.

Like 'maladministration', 'injustice' was left undefined in the Act. Crossman did not want to give the word a legalistic overtone that could exclude the sense of outrage aroused by unfair or incompetent administration, even where the complainant has suffered no actual loss.

During the Cultural Revolution era, between the year of 1967 and 1971, there were 19 sets total 80 stamps issued by the China Postal Service, with its distinct design and strong political overtone, these stamps became highly collectable after the end of Cultural Revolution.

Another famous reed organ that was evaluated was built by Poole.Helmholtz, H. L. F., 1875, p. 677, Appendix. XIX. Lord Rayleigh also used the harmonium to devise a method for indirectly measuring frequency accurately, using approximated known equal temperament intervals and their overtone beats.

"Quartz Crystal Application Notes" . Beckwithelectronics.com. Retrieved on 2012-06-21. A fundamental crystal oscillator circuit is simpler and more efficient and has more pullability than a third overtone circuit. Depending on the manufacturer, the highest available fundamental frequency may be 25 MHz to 66 MHz.

Erik Kerstel did a thesis on subdoppler spectroscopy of hydrogen bonded complexes, including the first such spectra in the vibrational overtone region [10]. Brooks Pate brought Scoles and Kevin K. Lehmann together for what proved to be a long series of experiments (and many Ph.D. theses) that characterized Intramolecular Vibrational energy Redistribution. They first studied the hydrogen stretching fundamental and first overtone spectral regions and observed Lorentzian lineshapes due to irreversible relaxation for large molecules with a very high density of states [11]. They developed IR- microwave and later IR-IR double resonance methods to provide unambiguous quantum assignments of even highly congested spectra and to reach higher in energy [12].

To a first approximation, the motion in a normal vibration can be described as a kind of simple harmonic motion. In this approximation, the vibrational energy is a quadratic function (parabola) with respect to the atomic displacements and the first overtone has twice the frequency of the fundamental. In reality, vibrations are anharmonic and the first overtone has a frequency that is slightly lower than twice that of the fundamental. Excitation of the higher overtones involves progressively less and less additional energy and eventually leads to dissociation of the molecule, because the potential energy of the molecule is more like a Morse potential or more accurately, a Morse/Long-range potential.

In general, the harder the surface of the resonator, the more selective it will be, and the softer the surface, the more universal it will become. "[A] hard resonator will respond only when the vibrator contains an overtone that is exactly in tune with the resonator, while a soft resonator permits a wide range of fundamentals to pass through un-dampened but adds its own frequency as on overtone, harmonic or inharmonic as the case may be." Hardness carried to the extreme will result in a penetrating tone with a few very strong high partials. Softness carried to the extreme will result in a mushy, non-directional tone of little character.

In barbershop music, a style of four-part singing, the word overtone is often used in a related but particular manner. It refers to a psychoacoustic effect in which a listener hears an audible pitch that is higher than, and different from, the fundamentals of the four pitches being sung by the quartet. The barbershop singer's "overtone" is created by the interactions of the upper partial tones in each singer's note (and by sum and difference frequencies created by nonlinear interactions within the ear). Similar effects can be found in other a cappella polyphonic music such as the music of the Republic of Georgia and the Sardinian cantu a tenore.

In almost all of these systems interval of the octave doubles the frequency of a note; for example, an octave above A440 is 880 Hz. If however the first overtone is sharp due to inharmonicity, as in the extremes of the piano, tuners resort to octave stretching.

This overtone-series tuning was modified by Mick Ralphs, who used a high C rather than the high G for "Can't Get Enough" on Bad Company. Ralphs said, "It needs the open C to have that ring," and "it never really sounds right in standard tuning".

The unusually short period of V473 Lyr is caused by pulsations in the second overtone and the fundamental pulsation period would be three times as long. The amplitude variations have an approximate period of 1,205 days, and there is a secondary modulation with a period of 5,300 days.

Non-Western music, particularly that built on pentatonic scales, is largely tuned using just intonation. In China, the guqin has a musical scale based on harmonic overtone positions. The dots on its soundboard indicate the harmonic positions: , , , , , , , , , , , , . Indian music has an extensive theoretical framework for tuning in just intonation.

One reviewer says that the movement, "with an almost Wagnerian overtone to the slow unfolding of melodic strand, continues the American tradition of using hymn tunes, and place[s] Adams firmly in the neo-Romantic movement".Mark Morris. A Guide to 20th-Century Composers. Methuen, 1996. p. 475.

Due to the success of the lead-off single, the album was as well received. As with Dion's earlier releases, the album had an overtone of love. Dion worked with a new team of writers and producers on her eponymous album. Five songs were written by Diane Warren.

Christopher Keating, Former Sen. Chris Dodd endorses Joe Biden for president, Hartford Courant (October 18, 2018).Steve Eder, Banking Ties Could Hurt Joe Biden in Race With Populist Overtone, New York Times (August 31, 2015). He also supported the pro-consumer Credit Card Accountability, Responsibility and Disclosure Act.

To tune an octave, a piano technician must reduce the speed of beating between the first overtone of a lower note and a higher note until it disappears. Because of inharmonicity, this first overtone is sharper than a harmonic octave (which has the ratio of 2/1), making either the lower note flatter, or the higher note sharper, depending on which one is tuned relative to the other. To produce octaves that reflect the temperament and accommodate the inharmonicity of the instrument, the technician begins the stretch from the middle of the piano so that, as the stretch accumulates from register to register, it results in the desired stretch at the top and bottom of the instrument.

It is also the key to the "mellow" sound of the vibraphone (and marimba, which uses the same deep arch) compared with the brighter xylophone, which uses a shallower arch, and the glockenspiel, which has no arch at all. These rectangular bars have three primary modes of vibration. The deep arch causes these modes to align and create a consonant arrangement of intervals: a fundamental pitch, a pitch two octaves above that, and a third pitch an octave and a major third above the second. For the F3 bar that usually forms the lowest note on a vibraphone, there would be F3 as the fundamental, F5 as the first overtone and A6 as the second overtone.

In liquid state at 20°C these vibrations are red-shifted due to hydrogen bonding, resulting in red absorption at 740 nm, other harmonics such as v1 +v2 + 3v3 giving red absorption at 660 nm. The absorption curve for heavy water (D2O) is of a similar shape, but is shifted further towards the infrared end of the spectrum, because the vibrational transitions have a lower energy. For this reason, heavy water does not absorb red light and thus large bodies of D2O would lack the characteristic blue colour of the more commonly-found light water (1H2O). Absorption intensity decreases markedly with each successive overtone, resulting in very weak absorption for the third overtone.

This is the main reason why the ocean is blue. So, water owes its intrinsic blueness to selective absorption in the red part of its visible spectrum. The absorbed photons promote transitions to high overtone and combination states of the nuclear motions of the molecule, i.e. to highly excited vibrations.

W Cygni has a maximum magnitude of 5.10 and a minimum magnitude 6.83. It is catalogued as having a primary period of 131.7 days, but shows variations with a variety of periods around 131 days as well as 234 days. It is believed to be pulsating in the first overtone.

5-limit otonality and utonality: overtone and "undertone" series, partials 1-5 numbered , , , and . 31-limit otonality 13-limit utonality Otonality and utonality are terms introduced by Harry Partch to describe chords whose pitch classes are the harmonics or subharmonics of a given fixed tone (identity), respectively. For example: , , ,... or , , ,....

Salem's Lot does not rely on the same kind of dynamics as The Texas Chain Saw Massacre. "This film is very spooky – it suggests things and always has the overtone of the grave. It affects you differently than my other horror films. It's more soft-shelled," director Tobe Hooper explains.

Early records show that the shrine was an emerging center of Yamato power, flavored with a military overtone. Archeological evidences shows that around the 4th century, Yamato kings and nobility constructed more and more palaces and buildings in the shrine's vicinity.Brown, Delmer et al. (1993). Cambridge History of Japan, p. 119.

Since her childhood she practices overtone singing. She received lessons by the choir director Christian Bollmann in Düsseldorf and for a long time took part in the Berlin Didgeridoo-Orchestra. She performed music in the DUO Bernstein (1996–2001). Nowadays she makes music during projects of art with her husband.

328 Ruiz made cameos in two of Eastwood's films: Blood Work and True Crime (in which Fisher even appeared). In the summer of 2012, Dina, Morgan and Francesca starred with the band Overtone in a reality show for the E! network titled Mrs. Eastwood & Company, on which Clint appeared only occasionally.

The rather lightweight cymbals exuded a dark, overtone-rich sound. Lewis' wood-shell drums were considered warm and rich in their sound. He almost exclusively played a Gretsch drums set, although in later years, played Slingerland drums equipped with natural calfskin top heads. Regular mylar heads were used on the bottom.

The linear absorption (FTIR) spectrum is indicated above the 2D IR spectrum. The two peaks in the 1D spectrum reveal no information on coupling between the two states. After the waiting time in the experiment, it is possible to reach double excited states. This results in the appearance of an overtone peak.

His interests progressed over from Buddhism to Sufism and to the mystical side of Christianity. He became interested in overtone and subharmonic chants, long deep synthesizer drones, and in Indian classical music.Biography at the official Mathias Grassow web-site Later he was influenced by the singing bowl sound recordings of Klaus Wiese.

Autotranslation by SYSTRAN. Not to be confused with the completely different and unique Russian "Kalinka". The willow flute is a type of overtone flute. It is played by varying the force of the air blown into the mouthpiece, with the end of the tube being covered by the finger or left open.

Muma Pădurii literally means "mother of the forest", though "mumă" is an archaic version of "mamă" (mother), which has a fairy tale overtone for the Romanian reader (somewhat analogous to using the archaic pronouns like "thou" and "thy" in English). A few other such words, typically protagonists of folktales, have this effect.

A turning point for Overtone came with their involvement in the film Invictus. Clint Eastwood asked them to record a demo of the song "Shosholoza", a popular traditional Ndebele song which has been considered the second national anthem of South Africa. After liking the first song, additional songs were requested including "Nkosi Sikelel' iAfrika" (the South African national anthem), "Olé olé olé – We are the Champions", "Hamba Nati", "World in Union", "Colorblind", "The Crossing (Osiyeza)" and the theme song to the film, "9000 Days". Overtone joined the promotional team in the United States where they appeared together with Clint Eastwood and Morgan Freeman on talk shows including The Ellen DeGeneres Show, The Late Late Show with Craig Ferguson and Lopez Tonight.

As harmonics are universal to all physical sounds, the notion of authenticity is best understood in terms of musical quality. Musicians of note in this genre include Collegium Vocale Köln (who first began using this technique in 1968), Michael Vetter, Tran Quang Hai, David Hykes,Bellamy and MacLean 2005, 515. Jill Purce, Jim Cole, Ry Cooder, Paul Pena (mixing the traditional Tuvan style with that of American Blues), Steve Sklar, and Kiva (specializing in jazz/ world beat genres and composing for overtone choirs). Others include composer Baird Hersey and his group Prana with Krishna Das (overtone singing and Hindu mantra), as well as Canadian songwriter Nathan Rogers, who has become an adept throat singer and teaches Tuvan throat singing in Winnipeg, Manitoba.

The notes are laid out in a cross pattern in the tone circle from low to high so that with a specific orientation of the Hang, the player can ascend or descend the scale by alternating using the left and right hands to strike the tone fields. Each tone field has multiple overtones oriented specifically in the flattened field with a dome at the center. Typically there is a fundamental tone, an overtone tuned to an octave above that fundamental, and an additional overtone a perfect fifth above that octave (twelfth or tritave). The orientation is fairly consistent across the fields on each Hang so that the overtones can be highlighted, muted, or extracted based on how and where the player strikes the tone field.

In French, means 'sophisticated' or 'delicate', or simply 'studied', without the negative connotations of the English. ; rendezvous: lit. "present yourself" or "proceed to"; a meeting, appointment, or date in French. In English, it generally endorses a mysterious overtone and refers to a one-on-one meeting with someone for another purpose than a date.

Near-infrared spectroscopy is based on molecular overtone and combination vibrations. Such transitions are forbidden by the selection rules of quantum mechanics. As a result, the molar absorptivity in the near-IR region is typically quite small. One advantage is that NIR can typically penetrate much further into a sample than mid infrared radiation.

2003) The orange chat is potbellied in shape with long thin legs, a short slender straight bill and a brush-tipped tongue. Male feathers are mostly a deep, warm, cadmium yellow with orange overtone, and this colour is strongest on the crown and breast.Ford, Hugh Alastair, PhD. "Australian Chats (Epthianuridae)." Grzimek’s Animal Life Encyclopedia. Eds.

Strong, p. 221 The stridently Protestant overtone of the royal entry pageantry reflected not only the desire of the City establishment for religious reform, but the involvement of the Revels OfficeStevens, p. 263 and the Royal Wardrobe in the preparations suggest at least a foreknowledge, if not active direction by Elizabeth and her government.Strong, pp.

Remedia Amoris (Love's Remedy or The Cure for Love) [c. 2 AD] is an 814-line poem in Latin by Roman poet Ovid. In this companion poem to The Art of Love, Ovid offers advice and strategies to avoid being hurt by love feelings, or to fall out of love, with a stoic overtone.

Vibrational modes of an ideal string, dividing the string length into integer divisions, producing harmonic partials f, 2f, 3f, 4f, etc. (where f means fundamental frequency). An overtone is any frequency greater than the fundamental frequency of a sound. Using the model of Fourier analysis, the fundamental and the overtones together are called partials.

Occasionally a score will call for an artificial harmonic, produced by playing an overtone on an already stopped string. As a performance technique, it is accomplished by using two fingers on the fingerboard, the first to shorten the string to the desired fundamental, with the second touching the node corresponding to the appropriate harmonic.

The members are from Uvs aimag, situated in the west of Mongolia near the Altai Mountains. Thus, the songs are often a praise to the mountains, rivers and animals of western Mongolia. The band performs either songs of their own composition or Mongolian traditional songs using morin khuur, topshur and a range of overtone singing techniques called Khöömii ().

The music video features footage of the band recording parts of the song in the studio, as well as odd- ball occurrences such as eyeballs, bones, and other things which may suggest the cannibalistic overtone of the song. The video was directed by Peter Martinez and featured acting from A&R; icon John Kalodner and comedian Anthony Clark.

High resolution IR spectra of most ketones reveal that the "carbonyl band" is split into a doublet. The peak separation is usually only a few cm−1. This splitting arises from the mixing of νCO and the overtone of HCH bending modes.Robert M. Silverstein, Francis X. Webster, David Kiemle "Spectrometric Identification of Organic Compounds" Edition: 7th ed.

The Bashkirs of Bashkortostan, Russia have a style of overtone singing called özläü (sometimes spelled uzlyau; Bashkort Өзләү), which has nearly died out. In addition, Bashkorts also sing uzlyau while playing the kurai, a national instrument. This technique of vocalizing into a flute can also be found in folk music as far west as the Balkans and Hungary.

Xhosa people often use their voices to mimic nature's sound. Among Xhosa people, overtone singing is known as 'unngqokolo' which is a word derived from the Khoisan language. Khoisan language and culture has strong influence over Xhosa music as many Khoisan music techniques and songs were assimilated into Xhosa music. Therefore, many Xhosa musical terms have Khoisan roots.

In the early 1994 intro music composed by David Foster was a slow tempo saxophone theme; the late 1994 version was a remix with harmonizing voices percussion with guitar. The 1995-1997 theme also composed by David Foster was an uptempo piano bass and string synthesizer. A solemn version was used for episodes of a serious overtone.

In 2012, he started a collaboration with overtone singer Christian Zehnder and Arkady Shilkloper. The same year he recorded "Pilgrims", a new trio album with percussionist Tony Majdalani and guitarist Marco Jencarelli. The Percussion Art Ensemble Berne premiered his new composition "Oscillating Orbits" in 2013, scored for marimba, vibraphone, timpani and various percussion instruments, featuring violinist Misa Stefanovic.

The fujara ()The ad hoc pronunciation in the UNESCO video, , is incorrect. originated in central Slovakia as a large sophisticated folk shepherd's overtone fipple flute of unique design. It is technically a contrabass in the tabor pipe class. Ranging from 160 to 200 cm long (5'3" - 6'6")"The Fujara and its Music": Description, Slideshow, Video, UNESCO, 2005, 2008.

Significant documentation has been provided on placentophagy in a range of animals. Anomalies generally include humans and aquatic species, as well as camels. However, the concept is becoming more popular among women in the Western World despite its controversial overtone. Theories as to why mammals engage in placentophagy are related to the many proposed benefits of placental consumption.

The case-pipes (along with those from the organ in Oederquart) are the only ones by Schnitger's hand that have completely survived today, their metal luckily not having been requisitioned in the 20th century for military purposes.Edskes, Vogel (2016). Arp Schnitger and His Work. p. 10. Sonically they are characterized by an elegant and overtone-rich sound.

Classical Cepheids have also been used to clarify many characteristics of our galaxy, such as the Sun's height above the galactic plane and the Galaxy's local spiral structure. A group of classical Cepheids with small amplitudes and sinusoidal light curves are often separated out as Small Amplitude Cepheids or s-Cepheids, many of them pulsating in the first overtone.

RR Lyraes are similar to Cepheid variables but of lower metallicity (i.e. Population II) and much lower masses (about 0.6 to 0.8 time solar). They are core helium-burning giants that oscillate in one or both of their fundamental mode or first overtone. The oscillation are also driven by the kappa mechanism acting through the second ionization of helium.

Additionally the sound aesthetic of the baroque guitar (with its strong overtone presence) is very different from modern classical type guitars, as is shown below. Today's use of Torres and post-Torres type guitars for repertoire of all periods is sometimes critically viewed: Torres and post-Torres style modern guitars (with their fan-bracing and design) have a thick and strong tone, very suitable for modern-era repertoire. However, they are considered to emphasize the fundamental too heavily (at the expense of overtone partials) for earlier repertoire (Classical/Romantic: Carulli, Sor, Giuliani, Mertz, ...; Baroque: de Visee, ...; etc.). "Andrés Segovia presented the Spanish guitar as a versatile model for all playing styles" to the extent, that still today, "many guitarists have tunnel-vision of the world of the guitar, coming from the modern Segovia tradition".

Gage Averill writes that "Barbershoppers have become partisans of this acoustic phenomenon" and that "the more experienced singers of the barbershop revival (at least after 1938) have self-consciously tuned their dominant seventh and tonic chords in just intonation to maximize the overlap of common overtones." However, "In practice, it seems that most leads rely on an approximation of an equal- tempered scale for the melody, to which the other voices adjust vertically in just intonation." What is prized is not so much the "overtone" itself, but a unique sound whose achievement is most easily recognized by the presence of the "overtone". The precise synchrony of the waveforms of the four voices simultaneously creates the perception of a "fifth voice" while at the same time melding the four voices into a unified sound.

The eyes are green with red pupils. Anerythristic Characterized by a grey/blue overtone, some mild yellow colour is not uncommon on the sides, similar to Anery corn snakes. The markings on the body are similar to that of the normals, pale cream/white in colour. The eyes are similar in colour to the overall body tone, with regular black pupils.

The founding members of Overtone were University of Johannesburg alumni Eduard Janse van Rensburg and Emile Welman. The two were roommates in their fraternity and sang in the fraternity's local serenade group. After graduating, they decided to pursue a career in the entertainment industry. The other members were known to them by previous music ties and were asked to join the group.

A second order ordinary differential equation has been derived describing the displacement of the loop axis. Together with boundary conditions, solving this equation determines the eigenfrequencies and eigenmodes. The coronal density scale height could then be estimated by using the observed ratio of the fundamental frequency and first overtone of loop kink oscillations. Little is known of coronal fine structure.

In addition to the biasing resistor R1, Ruan Lourens strongly recommends a series resistor Rs between the output of the inverter and the crystal. The series resistor Rs reduces the chance of overtone oscillation and can improve start-up time. This second resistor Rs isolates the inverter from the crystal network. This would also add additional phase shift to C1.

Cruiserweight was an American rock band from Austin, Texas, United States. The band consisted of vocalist Stella Maxwell, guitarist Urny Maxwell, bassist David Hawkins, and drummer Yogi Maxwell. The band's sound was defined by peppy female vocals, as well as fast, sometimes aggressive instrumentals, while still retaining a pop/punk overtone. The name originated from the boxing weight class of the same name.

World in Union features in the movie Invictus which is based on the events surrounding the 1995 Rugby World Cup in South Africa. The original 1995 World Cup recording by PJ Powers and Ladysmith Black Mambazo is used at the end of the final match. A second recording made for the movie by Yollandi Nortjie and Overtone is played during the closing credits.

Intact samples can be imaged in transmittance or diffuse reflectance. The lineshapes for overtone and combination bands tend to be much broader and more overlapped than for the fundamental bands seen in the MIR. Often, multivariate methods are used to separate spectral signatures of sample components. NIR chemical imaging is particularly useful for performing rapid, reproducible and non- destructive analyses of known materials.

Mrs. Eastwood & Company is an American reality documentary television series that premiered May 20, 2012, on E!. The show chronicled the lives of Dina Eastwood, the then wife of actor/director Clint Eastwood, and their daughters, Francesca and Morgan. Mrs. Eastwood manages the six-person a cappella group Overtone, who also live with the Eastwoods in their Carmel-by-the-Sea, California, mansion.

"And Then We Kiss" is four minutes and twenty-eight seconds long. It is a euro-trance song with influences of techno and usage of synthesizers. The song blends dance-rock guitars and symphonic strings and closes with an orchestral overtone. Its lyrics talk about a kiss and the different sensations that the protagonist experiences, including trembling, crying and moaning.

The Roosevelt in approach incorporated a near-mystical faith of the ennobling nature of war. It endorsed jingoistic nationalism as opposed to the businessmen's calculation of profit and national interest. Foreign policy in the progressive era was often marked by a tone of moral supremacy. Woodrow Wilson and William Jennings Bryan both saw themselves as 'Missionaries of Democracy', with the deliberate religious overtone.

During his visit he heard the monks chanting and realized that each individual was producing a chord, composed of a fundamental note and overtones. He returned to record the chanting in 1967 and asked acoustic engineers at MIT analyze the sound. They confirmed the finding, which is an example of overtone singing. Smith has called this the singular empirical discovery of his career.

The overtones on an English handbell are a 12th (an octave and a perfect fifth) above the fundamental, while Dutch handbells – such as Petit & Fritsen – focus on the overtone a minor 10th (an octave and a minor third) or a major 10th (an octave and a major third) above the fundamental. Handbells can weigh as little as or upwards of .

A special edition of the Hafler Trio's work Exactly As I Say includes a DVD containing material said to be "based on and extended from techniques suggested by Prof. Hans Jenny". Photographer Alexander Lauterwasser has also captured imagery of water surfaces set into motion by sound sources ranging from sine waves to music by Beethoven, Karlheinz Stockhausen and overtone singing.

The ilimba is a lamellophone from Tanzania. It is a traditional instrument of the Gogo ethnic group and its most famous player in the 20th century was Hukwe Zawose, who developed a version of the instrument with between 66 and 72 metal keys. The instrument is similar to the Zimbabwean mbira but larger, and is tuned to intervals derived from the overtone series.

Singer holds the thread tied to the bells and hits the edge of one bell to the face of the other bell. There are techniques to produce at least three different sounds. For fast rhythms less prominent hand is rolled to facilitate fast beating. A closed hit of the bells produces a sound without any overtone and with sudden decay.

Her work has called her to arrange and produce for various TV shows such as Vijay TV's Airtel Super Singer in Chennai and Mazhavil Manorama's Josco Indian Voice in Kerala and Superstar in Astro TV, Malaysia. She conducts a choral vocal group named El Fé, is the lead singer of her band Overtone and performs in various shows and concerts with them.

It was a screening of Massacre that led producer Richard Kobritz to hire Hooper as director. He shot the film from July to August 1979, although the film differed from the source material (particularly with the violence and graphic scenes) in order to meet broadcast standards. He described it as 'very spooky - it suggests things and always has the overtone of the grave.

Mira variables are mostly fundamental mode pulsators, while the semiregular and irregular variables on the asymptotic giant branch pulsate in the first, second, or third overtone. Many of the less regular LPVs pulsate in more than one mode. Long secondary periods cannot be caused by fundamental mode radial pulsations or their harmonics, but strange mode pulsations are one possible explanation.

In spectral music, the viola has been sought after because of its lower overtone partials that are more easily heard than on the violin. Spectral composers like Gérard Grisey, Tristan Murail, and Horațiu Rădulescu have written solo works for viola. Neo-Romantic, post-Modern composers have also written significant works for viola including Robin Holloway Viola Concerto op.56 and Sonata op.

Dimitrie Bolintineanu Dimitrie Bolintineanu (; 14 January 1819 (1825 according to some sources), Bolintin-Vale - 20 August 1872, Bucharest) was a Romanian poet, though he wrote in many other styles as well, diplomat, politician, and a participant in the revolution of 1848. He was of Macedonian Aromanian origins. His poems of nationalist overtone, fueled emotions during the unification of Wallachia and Moldavia.

A striking difference is the counterpoint technique, that, still being strict, became eloquent and sentimental. Now the pieces rarely show distinct sections in modern style and in archaistic counterpoint. In his later style, the musical presentation of the words acquired a pietist overtone. The sections alternate freely between polyphonic and chordal writing; the harmony is constantly elaborate; chromaticism is freely used.

Examples of exceptions include the circular drum, – a timpani whose first overtone is about 1.6 times its fundamental resonance frequency,Elena Prestini, The Evolution of Applied Harmonic Analysis: Models of the Real World, (p140) gongs and cymbals, and brass instruments. The human vocal tract is able to produce highly variable amplitudes of the overtones, called formants, which define different vowels.

The unique features of NICE-OHMS, in particular its high sensitivity, imply that it has a large potential for a variety of applications. First developed for frequency standard applications,J. Ye, L. S. Ma, and J. L. Hall, "Ultrasensitive detections in atomic and molecular physics: demonstration in molecular overtone spectroscopy," Journal of the Optical Society of America B-Optical Physics (JOSA B) 15 (1), 6-15 (1998)L. S. Ma, J. Ye, P. Dube, and J. L. Hall, "Ultrasensitive frequency-modulation spectroscopy enhanced by a high-finesse optical cavity: theory and application to overtone transitions of C2H2 and C2HD," JOSA B 16 (12), 2255-2268 (1999) with an astonishing detectability of 10−14 cm−1, it has later been used for spectroscopic investigations as well as chemical sensing and trace species detection, with detectabilities in the 10−11 \- 10−10 cm−1 range.

He pioneered molecular orbital (MO) calculations on σ-bonded polyatomic molecules such as saturated hydrocarbons. He also performed the first MO calculations of the acidity and basicity of aromatic molecules in excited states. He carried out extensive research in molecular spectroscopy. In infrared spectroscopy he studied molecular vibrations as well as overtone bands in hydrogen-bonded systems, and the effect of hydrogen bonds on vibrational anharmonicity.

Together they form the harmonic series. Overtones which are perfect integer multiples of the fundamental are called harmonics. When an overtone is near to being harmonic, but not exact, it is sometimes called a harmonic partial, although they are often referred to simply as harmonics. Sometimes overtones are created that are not anywhere near a harmonic, and are just called partials or inharmonic overtones.

For instance, the use of a Balinese pentatonic scale for supporting evidence does not accurately reflect Balinese music. As Keiler points out, "there is absolutely no relationship of intervallic content between [the Balinese] scale and the overtone series." Finally, the term monogenesis is slightly misapplied. A common origin for all languages means that a single language emerged before populations spread, after which diversity among languages arose.

Internally, parametric audio coding algorithms operate on 10 ms PCM frames using a model of the human voice. Each of these audio segments is declared voiced (vowel) or unvoiced (consonant). Codec 2 uses sinusoidal coding to model speech, which is closely related to that of multi-band excitation codecs. Sinusoidal coding is based on regularities (periodicity) in the pattern of overtone frequencies and layers harmonic sinusoids.

The arpeggiation through the fifth is an imitation of the overtone series, adapted to man [sic] "who within his own capacities can experience sound only in a succession".Free Composition, § 16. The fifth of the arpeggiation coincides with the last passing note of the fundamental line. This at first produces a mere "divider at the fifth", a complex filling in of the tonal space.

Premal's Tibetan Mantras for Precarious Times (2010) was recorded with the Gyuto Monks of Tibet, known for their tradition of overtone singing, also described as "chordal chanting". It was created as a support for mantra meditation practice, featuring eight mantras chanted 108 times each. It is a benefit CD, with proceeds going to the Gyuto Monastery in Dharmsala, India, the Phowa Project, and Veggiyana.

In pain and facing partial paralysis even if spine surgery were successful, Brewton shot himself at around 3 p.m. on May 11, 1967. Four days after his death, Brewton's work was shown at the Socrates Perakis gallery in Philadelphia, along with that of Jim McWilliams, Thomas Chimes and sculptor Paul Anthony Greenwood. "Artist's Suicide Gives Tragic Overtone to Exhibit," ran the headline of Dorothy Grafly's review.

Painting therefore takes on a religious overtone in this Sisyphean cycle of human endeavor. This sense of tragedy and religious fatalism becomes more overt and apocalyptic in the paintings completed when he lived in the artists' village next to the Yuanmingyuan. Ding Fang's first artistic endeavors, beginning between 1982 and 1985, worked with rustic realist painting. His rustic paintings showed the true lives of the ordinary people.

R Sagittae is classified as an RV Tauri variable because of the distinctive regular variations with alternating deep and shallow minima. The period is conventionally quoted as the time between two deep minima and is the fundamental pulsation mode. The shallow minimum is the result of a first overtone pulsation. It is further classified as RVb since the average and maximum magnitude varies slowly over several years.

Eagle Twin is an American metal band formed in Salt Lake City, Utah by singer/guitarist Gentry Densley and drummer Tyler Smith. Eagle Twin's music could be broadly classified as doom metal or sludge metal, but also touches on progressive rock, blues rock, jazz fusion and psychedelic rock, featuring lengthy instrumental passages and Densley's gruff, half-chanted vocals, which occasionally veer into overtone singing.

Barometer Rising is a romantic-realist novel by Canadian author Hugh MacLennan. The work explores life in Halifax, Nova Scotia during World War I, and its interruption by the Halifax explosion. The narrative predominantly follows and pivots upon the romantic life of Penny Wain. The book had been difficult to publish as MacLennan had previously written regarding international themes, while Barometer Rising contained a decidedly nationalist overtone.

Like the majority of her singles, Atlantic Records requested Jewel to re-record "This Way" with a more pop overtone. The "Album Version" of the song proved too acoustic-sounding and downtempo for mainstream radio. The "Radio Remix" contained more percussion, background vocals, and an uptempo guitar arrangement. The song spent four weeks in Billboard's Adult Pop Song chart and peaked at #36 in August 2002.

At 8:57 minutes long, it is the second-longest song on the album, the longest being the 10:14 "Coma". It is the third-longest song by Guns N' Roses, behind the 9:24 "Estranged" from Use Your Illusion II. "We call it 'the Layla song'," joked Slash. Its distinct symphonic overtone owes to a sweeping string arrangement, orchestrated by Rose.Bozza, Anthony, & Slash (2007). Slash.

Jayaseelan's poetry is noted for its intense philosophical overtone, often presented in a witty manner. The first of his poetry anthologies was published in 1986 under the title, Aarohanam. This was followed by a number of anthologies which include Kavithakal (1997), Jayaseelante Kavithakal (2008), Viswaroopan (2013) and Aamayum Kaalavum (2015). His contributions in linguistics are marked by a leaning towards the generative grammar of Noam Chomsky.

He made a recording of the chanting and had engineers at MIT confirm the phenomenon, which is known as overtone singing.NPR story of recording and MIT analysis The recording was originally released as an LP on Anthology Records. In 2005 the master tapes were digitized for a CD on the GemsTone label. Royalties from sales of the CD go to the Gyuto Tantric University in India.

These correspond to the first overtone and fundamental radial pulsation modes for an extreme helium star slightly under . At irregular intervals a few years or decades apart R Coronae Borealis fades from its normal brightness near 6th magnitude for a period of months or sometimes years. There is no fixed minimum, but the star can become fainter than 15th magnitude in the visual range.

To better demonstrate that the technique of playing tones above high F had its basis in the natural overtone series of the saxophone, he had the Buescher factory create a custom instrument for him: a saxophone body with no tone holes at all. A picture of this instrument is seen on the inside page of the Top Tones book. He demonstrated that it was possible to play at least 16 overtones on this instrument, and on a conventional saxophone as well, and claimed that diligent study of the overtone technique was the best way to gain a command of the extended range and improve over all tone quality. The extended range (altissimo register) was highly controversial throughout the middle of the 20th century, and Raschèr stirred the controversy among the classical saxophone community by insisting that the instrument's inventor, Adolphe Sax, had intended the instrument to be played in this manner.

Constellations of Boötes and Coma Berenices, both used for proportions in Sternklang Sternklang creates a sense of "non-progressive or circular time by blurring complex relationships between pitch and rhythm based on the overtone series so that the structure is perceived as inexhaustible and thus appears static" . The entire composition is based on five just-intoned harmonic sounds, each containing eight tones corresponding to the second through ninth partials of the overtone series. One of these tones in each chord is the E above middle C, tuned to 330 Hz. In the first chord this functions as the ninth partial, in the second chord as the eighth partial, and so on to the fifth chord, where it is the fifth partial. Compositionally, the harmonic structure fluctuates between an extreme situation in which all five groups share the same chord and the opposite extreme where each group's chord is different .

In Fales' exploration of timbre, she discusses three broad categories of timbre manipulation in musical performance throughout the world. The first of these, timbral anomaly by extraction, involves the breaking of acoustic elements from the perceptual fusion of timbre of which they were part, leading to a splintering of the perceived acoustic signal (demonstrated in overtone singing and didjeridoo music). The second, timbral anomaly by redistribution, is a redistribution of gestalt components to new groups, creating a "chimeric" sound composed of precepts made up of components from several sources (as seen in Ghanaian balafon music or the bell tone in barbershop singing). Finally, timbral juxtaposition consists of juxtaposing sounds that fall on opposing ends of a continuum of timbral structure that extends from harmonically based to formant-structured timbres (as demonstrated again in overtone singing or the use of the "minde" ornament in Indian sitar music).

This allowed four possible keys: G and F with the valve open, and D and C with the valve closed. In the 1930s, the competitive circuits allowed the valve to be unlocked, which allowed for more complex melodies to be played by each musician, instead of the melodies being split among 3 or 4 parts. The horizontal valve was still tucked under the handhold, operated by the right thumb. Through the 1940s and 1950s, corps experimented with sanding down the tuning slide to be as quick and smooth in operation as a trombone slide, to allow quick changes in tuning to reach notes within overtone series of the keys of F# and F. Combined with the piston valve, this allowed for notes within the overtone series of D and C. Many bugles were modified with a ring to allow the left hand to actuate the slip-slide tuning slide.

"Sunset", also known as the "Retreat Call", is a bugle call played in United Kingdom and British Commonwealth countries to signal the end of the official military day.Royal Marines Band - "beating retreat" royalmarinesbands.co.uk, Retrieved 18 July 2010 In common with all bugle calls, it consists only of notes from a single overtone series. This allows it to be playable on a bugle or equivalently on a trumpet without moving the valves.

The number 13 in the Dreamspell calendar appears both as the "galactic tone" of the daily galactic signature, as well as in the 13 Moons of 28 days each are the "months" of the calendar. The 13 Moons are named after the 13 galactic tones. The names of the 13 galactic tones are: Magnetic, Lunar, Electric, Self-Existing, Overtone, Rhythmic, Resonant, Galactic, Solar, Spectral, Planetary, Crystal, and Cosmic.

The specialized term perfect third is occasionally used to distinguish the 5:4 ratio from major thirds created using other tuning methods. 7-limit and higher systems use higher partials in the overtone series. A wolf interval is an interval whose tuning is too far from its just-tuned equivalent, usually perceived as discordant and undesirable. Commas are very small intervals that result from minute differences between pairs of just intervals.

The technique of producing multiphonics with the voice is called overtone singing (typically with secondary resonant structure) or throat singing (typically with additional tones from throat trills). There is another technique done in whistling, where whistlers hum in their throats while whistling with the front parts of their mouths. This is well known for achieving a spacey "ring modulation" sound (e.g. by Jim Carrey in The Truman Show).

It normally has 12 open frets. The smaller body makes the parlor a more comfortable option for players who find large body guitars uncomfortable. Grand Concert – This mid-sized body shape is not as deep as other full-size guitars, but has a full waist. Because of the smaller body, grand concert guitars have a more controlled overtone and are often used for its sound projection when recording.

Startopia is a video game by Mucky Foot Productions (formed by ex-Bullfrog employees) and published by Eidos in June 2001, in which the player administers various space stations with the task of developing them into popular hubs. The game has a comical overtone, with lighthearted humour and cartoonish aliens. The game was re-released on GOG.com in September 2012, and was added to the Steam catalogue in October 2013.

This arrangement produced both the reverb and echo heard on Stax Records. The song was written by Isaac Hayes and David Porter. They had been working for a while when Porter went to the restroom. Hayes grew impatient and yelled for Porter to get back to the writing session. Porter replied: “Hold on, I’m comin’.” They both recognized the sexual overtone and completed the song within an hour.

The overtone singing style is called Sygyt and is a form of Tuvan Khoomei. Under the label Ear Cabbage Records, Mandino released his solo album Robots from the Graveyard in 2003 under the name "Space Mandino". His follow-up Experimental Experimentation (with bio- mechanical laboratory scraps) was released in 2007. The singing of Joy Dumas is featured on songs "Intergalactic Zombies from Outer Space" and "The Sun Shines on my Grave".

Irregular crystals of sea salt Unrefined sea salt contains small amounts of magnesium and calcium halides and sulfates, traces of algal products, salt-resistant bacteria and sediment particles. The calcium and magnesium salts confer a faintly bitter overtone, and they make unrefined sea salt hygroscopic (i.e., it gradually absorbs moisture from air if stored uncovered). Algal products contribute a mildly "fishy" or "sea-air" odour, the latter from organobromine compounds.

Arthur R "Mockingbird" Miles (August 28, 1904 - June 15, 1984) was an American singer of cowboy songs in the 1920s. He died in Loraine, Texas. Born in Jasper, Texas, Miles is credited with independently utilizing a style of overtone singing, similar to the Tuvan style called sygyt, as a supplement to the normal yodeling of Country Western music. Two recordings from 1929 exist that are attributed to Miles.

Tubular bells are sometimes struck on the top edge of the tube with a rawhide- or plastic-headed hammer. Often, a sustain pedal will be attached to allow extended ringing of the bells. They can also be bowed at the bottom of the tube to produce a very loud, very high-pitched overtone. The tubes used provide a purer tone than solid cylindrical chimes, such as those on a mark tree.

The Meldrews' neighbour on the other side, overly cheery charity worker Nick Swainey, also adds to Victor's frustration. Although set in a traditional suburban setting, the show subverts this genre with a strong overtone of black comedy. Series One's "The Valley of Fear" is an episode which caused controversy, when Victor finds a frozen cat in his freezer. Writer David Renwick also combined farce with elements of tragedy.

In March 2006 Landman was contacted by the noise band Liars to make an instrument for them. After 6 months he finished two copies of The Moodswinger, an electric 12-string 3rd-bridge overtone koto, one for guitarist/drummer Aaron Hemphill and one for himself.Article on modernguitars.com Although it closely resembles an electric guitar, it is actually a zither, as it has neither frets nor a proper neck.

Orton on the Hill is a small village forming part of the Twycross civil parish in the Hinckley and Bosworth district of Leicestershire, England. It is furthermore located in the Sparkenhoe Hundred. The name is derived from its high situation on a hill overlooking four counties, (also formerly called Wortone or Overtone). Orton adjoins Morebarne, Sheepy and Newhouse Grange on the south, Appleby and Austrey to the east.

On Burwell's soundtrack for Psycho III, Miranda was a featured singer. By 1986 he had composed the music for a dance piece, RAB, which premiered at the Avignon Festival. At the same time, he was touring worldwide with The Harmonic Choir, David Hykes' experimental vocal group, which specialized in overtone singing. Burwell used the country music genre as the basis for his score for the Coens' Raising Arizona in 1987.

The harmonics are produced by collisions of the vocal folds with themselves, by recirculation of some of the air back through the trachea, or both.Ingo Titze, University of Iowa. Some singers can isolate some of those harmonics in a way that is perceived as singing in more than one pitch at the same time—a technique called overtone singing or throat singing such as in the tradition of Tuvan throat singing.

Later on, they made many other trips to Russia and study trips to Siberia particularly to make contact with local musicians and ritual specialists. It was during these times that they met shamanic musician Gendos Chamzyryn from Tuva and as a trio, they toured Altay villages in the summer of 1998. Chamzyryn played a variety of traditional Tuvan instruments and used the deep- vocal Kargiraa style of overtone-singing.

The same year, KANA acquired Lagan Technologies, a government-to- citizen customer relationship management company based in Northern Ireland. The software was rebranded as LAGAN Enterprise, a package that compiles information from sources such as 311 calls and map overlays to improve resource management. In 2011, KANA purchased Overtone, which allowed companies to monitor social media outlets like Facebook, Twitter and LinkedIn. The software was rebranded as KANA Experience Analytics.

L. Gianfrani, R. W. Fox, and L. Hollberg, "Cavity- enhanced absorption spectroscopy of molecular oxygen," JOSA B 16 (12), 2247-2254 (1999)C. Ishibashi and H. Sasada, "Highly sensitive cavity-enhanced sub-Doppler spectroscopy of a molecular overtone band with a 1.66 mm tunable diode laser," Japanese Journal of Applied Physics Part 1-Regular Papers Short Notes & Review Papers 38 (2A), 920-922 (1999)J. Bood, A. McIlroy, and D. L. Osborn, "Cavity-enhanced frequency modulation absorption spectroscopy of the sixth overtone band of nitric oxide," presented at the Manipulation and Analysis of Bio-molecules, Cells and Tissues, 2003N. J. van Leeuwen and A. C. Wilson, "Measurement of pressure-broadened, ultraweak transitions with noise- immune cavity-enhanced optical heterodyne molecular spectroscopy," JOSA B 21 (10), 1713-1721 (2004)N. J. van Leeuwen, H. G. Kjaergaard, D. L. Howard, and A. C. Wilson, "Measurement of ultraweak transitions in the visible region of molecular oxygen," Journal of Molecular Spectroscopy 228 (1), 83-91 (2004)M.

Being the daughter of a pair of schoolteachers, she grew up in an isolated village on the Tuvan/Mongolian border, exposed to the local overtone singing – something that was generally reserved for the males; in fact, females were actively discouraged from learning it (even now, the best-known practitioners remain male, artists like Huun-Huur-Tu and Yat-Kha). However, she learned much of her traditional repertoire from her grandmother, and went on to study music at the local college, but she was denied professional qualifications. Quietly she studied the overtone singing, as well as the shamanic traditions of the region, before leaving for study further in Moscow (Tuva was, at that time, part of the U.S.S.R.). Her degree completed, she returned to Tuva where she became a member of Sayani, the Tuvan state folk ensemble, before abandoning it to return to Moscow and joining the experimental Tri-O, where her vocal talents and sense of melodic and harmonic adventure could wander freely.

Jason William Adams (born July 12, 1983) is an American stage and voice-over actor. Raised in Los Angeles, he attended Hamilton High School (Los Angeles) before attaining a degree in Fine Arts from the University of California, Santa Cruz. He is most recently known for his portrayal of Tom in Overtone Industries' new-age opera Songs & Dances of Imaginary Lands. Alongside cinematographer Adam Jaffe, he co-founded the multi-media production company Spontaneous Combustions.

From September 2009 to about 2012 Moran toured with Dave Holland's Overtone Quartet. "Live: Time" is a 2008 complement to the Philadelphia Museum of Art exhibition on The Quilts of Gee's Bend. Cane was written for classical wind quintet Imani Winds - among them Moran's college classmate Toyin Spellman. It premiered in October 2008, and appeared in their album Terra Incognita in 2010; it relates to Marie Thérèse Metoyer and Moran's family history in Natchitoches, Louisiana.

The series Art Brothel consists of 25 photographs of various sizes with plastic laminate backings. The artist’s intention was to create an ironic, desecrating celebration of the system of contemporary art with an "overtone of parody"Marziani, p. 50. and using references to cinema. Corte created the Art Brothel series in 1995, the year of the Venice Biennale centenary, so it is not surprising that this celebration is his first ironic reference.

5-limit Otonality and Utonality: overtone and "undertone" series, Goes to partial nine, unnumbered. partials 1–5 numbered , , , and . The inversional symmetry of the two series is visible in notation Subharmonic frequencies are frequencies below the fundamental frequency of an oscillator in a ratio of 1/, with a positive integer. For example, if the fundamental frequency of an oscillator is 440 Hz, sub-harmonics include 220 Hz (), ~146.6 Hz () and 110 Hz ().

Moreover, the romance novel has a remarkable sexual overtone for this author. The nameless main character is surrounded by women, the painter Molly, the photographer Lotte, Leonora, the transsexual Sirena, and the female vicar Maria. They all represent the different aspects of the woman, the seductive siren, the motherly Maria, he mysterious witch Lotte, the martyr Leonora and the hateful Molly. Eventually no-one stays with the narrator except Lotte, but only to hide.

Overtones of a degenerate fundamental vibration have components of more than one symmetry type. For example, the first overtone of a vibration belonging to the E representation in a molecule like ammonia, NH3, will have components belonging to A1 and E representations. A transition to the A1 component will give a parallel band and a transition to the E component will give perpendicular bands; the result is a hybrid band.Allen and Cross, pp 164–70.

The B-3 and C-3 models introduced the concept of "Harmonic Percussion", which was designed to emulate the percussive sounds of the harp, xylophone, and marimba. When selected, this feature plays a decaying second- or third-harmonic overtone when a key is pressed. The selected percussion harmonic fades out, leaving the sustained tones the player selected with the drawbars. The volume of this percussive effect is selectable as either normal or soft.

Low frequency one wavelength loops are sometimes used on higher frequencies where the circumference will be several whole wavelengths. Using the loop at overtone frequencies, the feedpoint impedance will also be very different, so operation will require use of an antenna tuner. Radiation patterns at higher resonances are very different: Most noticeably the maximum radiation is in the plane of the loop, like a small loop (see below), instead of being perpendicular to it.

Generally, the pitch and timbre of the notes produced will depend on the positions, sizes, heights, and shapes of all the tone holes, both open and closed. Theoretical models allow these effects to be calculated with some accuracy, but the design of tone holes remains to some degree a matter of trial and error. Most woodwind instruments rely on tone holes to produce different pitches. Two exceptions are the slide whistle and the overtone flutes.

Humming is often used in music of genres, from classical (for example, the famous chorus at the end of Act 2 of Giacomo Puccini's Madama Butterfly) to jazz to R&B.; Another form of music derived from basic humming is the humwhistle. The folk art, also known as "whistle-hum," produces a high pitch and low pitch simultaneously. The two-tone sound is related to field holler, overtone singing, and yodeling the music.

According to Anneke Smelik, Professor of the Department of Modern Languages and Cultures at Radboud University, classic cinema encourages the deep desire to look through the incorporation of structures of voyeurism and narcissism into the narrative and image of the film. As regards the narcissistic overtone of scopophilia, narcissistic visual pleasure can arise from self-identification with the image. In Mulvey’s view, male spectators project their look, and thus themselves, onto the male protagonists.

Classical Cepheid variables with visual amplitudes below 0.5 magnitudes, almost symmetrical sinusoidal light curves, and short periods, have been defined as a separate group called small amplitude Cepheids. They receive the acronym DCEPS in the GCVS. Periods are generally less than 7 days, although the exact cutoff is still debated. The term s-Cepheid is used for short period small amplitude Cepheids with sinusoidal light curves that are considered to be first overtone pulsators.

Groven also composed music for hardanger fiddle, experimenting with new ways of tuning the instrument, and wrote a number of folk tune arrangements for his own organ, using blue scales and irregular intervals, not to be achieved on a regular equal-tempered piano. He wrote also a number of essays on the topics of pure tuning and the overtone scale, as well as an essay of his own invention, the pure-tuning automath.

Between June 1971 and 1974, Purce lived in Kürten, Germany, and worked with the composer Karlheinz Stockhausen.Interview with Karlheinz Stockhausen, Sound International Magazine, Oct. 1978. Stockhausen had just introduced a simple form of overtone chanting using vowels to the West for the first time with the premiere of Stimmung in December 1968. During the autumn of 1971, Purce toured with Stockhausen and the performances of Stimmung throughout the eastern United States and Canada.

The septimal major third has a characteristic brassy sound which is much less sweet than a pure major third, but is classed as a 9-limit consonance. Together with the root 1:1 and the perfect fifth of 3:2, it makes up the septimal major triad, or supermajor triad . However, in terms of the overtone series, this is a utonal rather than otonal chord, being an inverted 6:7:9, i.e. a :: chord.

Vendetta Music, W.A.S.T.E. bio, "" In 2007, W.A.S.T.E. releases Violent Delights, also on Sistinas Music. With the genre growing, more artists contributed to remixing tracks on this album, including Embodi's remix of Electric Beatdown Bitch and To Mega Therion's remix of Omega 3. The album's title track contains even more of the energy- filled, rage-infused efforts as the previous albums. W.A.S.T.E. seemed to have taken on a much darker overtone with this album.

The regions between these bands can be used in near-infrared spectroscopy to measure the spectra of aqueous solutions, with the advantage that glass is transparent in this region, so glass cuvettes can be used. The absorption intensity is weaker than for the fundamental vibrations, but this is not important as longer path-length cuvettes can be used. The absorption band at 698 nm (14300 cm−1) is a 3rd overtone (n=4).

Tuning the highest string to an A4 or higher can be accomplished with a shorter scale length and/or a thinner string such as a .008 or .007. Extended range nine- string guitars also sometimes have a multi-scale fingerboard design where the bass strings will be longer than the treble strings, which helps with proper intonation of the lower strings, improves string tension balance across the strings, improves harmonic overtones, overtone series, and inharmonicity.

Secret Youth is a spellbinding, contradictory concoction of more straightforward elements mixed with a strong and somber experimental overtone, or "progressive noise rock" as the band themselves have described it. Callisto's cryptic lyrics often revolve around theological and existential themes and more difficult subjects, such as spiritual abuse. Callisto has headlined several tours in Europe from 2004 to 2015. They also opened for High on Fire on their 2005 United Kingdom tour.

American reed organ measurements showed a sinusoidal oscillation with sharp pressure transitions when the reed bends above and below its frame. The fundamental itself is nearly the mechanical resonance frequency of the reed. The overtones of the instrument are harmonics of the fundamental, rather than inharmonic, although a weak inharmonic overtone (6.27f) was reported too. The fundamental frequency comes from a transverse mode, whereas weaker higher transverse and torsional modes were measured too.

Charles Richard Shyer (born October 11, 1951) is an American film director, screenwriter and producer. Shyer's films are predominantly comedies, often with a romantic-comedy overtone. His films include Private Benjamin (1980), Irreconcilable Differences (1984), Baby Boom (1987), Father of the Bride (1991), and Father of the Bride Part II (1995), The Parent Trap (1998), The Affair of the Necklace (L'Affaire du Collier) (2001), Alfie (2004), and Ieri, Oggi Domani (Yesterday, Today and Tomorrow) (2012).

Due to its small size, the larynx acts as a resonator only for high frequencies. Research indicates that one of the desirable attributes of good vocal tone is a prominent overtone lying between 2800 and 3200 hertz, with male voices nearer the lower limit and female voices nearer the upper. This attribute is identified as brilliance, or more frequently as ring or the singer's formant, as fully described by Sundberg.Sundberg, Johan(1974).

Raisa Modorova is a singer from the Altai Republic of Russia. She is an overtone or throat singer. She was trained in opera in Moscow and Saint Petersburg, but later became a writer and singer of pop songs. In 1995, she had a dream which led her to take up the traditional music of Altai, despite the opposition of some patriarchal traditionalists who thought a woman should not perform this type of music.

As he was creating the painting, the artist used a complex painting technique, including a preliminary drawing with an undercoat graphite pencil, a few paint coats of various textures and directions, scumble, and overtone, strokes of various shape, thickness, and length, and diverse textured compactions. The painting was made in several stages. The principal outline is made in large strokes of medium thickness. Then finer details are portrayed over the layer slightly touched by fading.

Crystals above 30 MHz (up to >200 MHz) are generally operated at series resonance where the impedance appears at its minimum and equal to the series resistance. For these crystals the series resistance is specified (<100 Ω) instead of the parallel capacitance. To reach higher frequencies, a crystal can be made to vibrate at one of its overtone modes, which occur near multiples of the fundamental resonant frequency. Only odd numbered overtones are used.

The output frequency of a quartz oscillator can be either that of the fundamental resonance or of a multiple of that resonance, called a harmonic frequency. Harmonics are an exact integer multiple of the fundamental frequency. But, like many other mechanical resonators, crystals exhibit several modes of oscillation, usually at approximately odd integer multiples of the fundamental frequency. These are termed "overtone modes", and oscillator circuits can be designed to excite them.

Other influencing factors are the overtone used, the mounting and electrodes, impurities in the crystal, mechanical strain, crystal geometry, rate of temperature change, thermal history (due to hysteresis), ionizing radiation, and drive level. Crystals tend to suffer anomalies in their frequency/temperature and resistance/temperature characteristics, known as activity dips. These are small downward frequency or upward resistance excursions localized at certain temperatures, with their temperature position dependent on the value of the load capacitors.

The work is considered to have a feminist overtone because it exposes the unhappiness of an arranged marriage of a young woman to an elderly man. 1930 was the year in which Abe wrote several modernist-style short stories and in which Shuchi-teki Bungaku-ron was published by Kōseikaku in book form with other essays. Abe's last modernistic work, written in 1936, was . It became his acclaimed work and the basis for his post-war writing.

The score of Variations I (1958) presents the performer with six transparent squares, one with points of various sizes, five with five intersecting lines. The performer combines the squares and uses lines and points as a coordinate system, in which the lines are axes of various characteristics of the sounds, such as lowest frequency, simplest overtone structure, etc. Some of Cage's graphic scores (e.g. Concert for Piano and Orchestra, Fontana Mix (both 1958)) present the performer with similar difficulties.

The Ainu of Hokkaidō, Japan once practiced a type of throat singing called rekuhkara, which is now extinct. The last singer of rekuhkara died in 1976, but there are some recordings left.Shimomura Isao (下村五三夫), Itō Daisuke (伊藤大介) 樺太アイヌの喉交換遊びレクッカラについて Kitami Institute of Technology, 2008 At sumo tournaments, the announcer, called Yobidashi, announces each wrestler's name using overtone throat singing.

String material influences the overtone mix and affects the quality of the sound. Response and ease of articulation are also affected by choice of string materials. Violin strings were originally made from catgut, which is still available and used by some professional musicians, although strings made of other materials are less expensive to make and are not as sensitive to temperature. Modern strings are made of steel-core, stranded steel-core, or a synthetic material such as Perlon.

Mari Boine Persen, Gula Gula lyrics. Boine sings in a traditional Saami style, using the "yoik" voice, with a range of accompanying instruments and percussion. For example, on Gula Gula the instruments used are drum, guitar, electric bass clarinet, dozo n'koni, ganga, claypot, darboka, tambourine, seed rattles, cymbal, clarinet, piano, frame drum, saz, drone drum, hammered dulcimer, bosoki, overtone flute, bells, bass, quena, charango and antara.Booklet accompanying CD, Gula Gula, Mari Boine Persen, Real World Records (CDRW13), 1990.

The Keydong Thuk-Che-Cho-Ling Nunnery is the first Tibetan Institution to provide higher education for Buddhist nuns. This practice is a traditional way to purify the mind, and includes visualizations, verse recitations, distinction and beautiful overtone chanting, all complemented by heartfelt prayer. Nuns from Keydong were among the first to learn the sacred art of mandala (a practice previously restricted to monks). A mandala is a graphic representation of the perfected environment of an enlightened being.

The semiregular variable stars fall on one of five main period-luminosity relationship sequences identified, differing from the Mira variables only in pulsating in an overtone mode. The closely related OSARG (OGLE small amplitude red giant) variables pulsate in an unknown mode. Many semiregular variables show long secondary periods around ten times the main pulsation period, with amplitudes of a few tenths of a magnitude at visual wavelengths. The cause of the pulsations is not known.

The southern belt of the district has overtone of Marathi Language and Maharastrian culture. The rest of the district is predominantly tribal, populated by the Gonds and Korkus, who worship Baba Mahadev, practice rituals of animal sacrifice and follow superstitions. They use natural herbs for healthcare and medication. Major castes includes, kunbi, Raghuwanshi, Dhakad/Kirar, Rajput, Pawar etc and Schedule Caste (SC) constitutes 13% while Schedule Tribe (ST) were 18.2% of total population in Multai Tehsil.

Carlton is best known for his 1969 Gibson ES-335. Other guitars he owns and plays include a 1951 Fender Telecaster, a 1964 Fender Stratocaster, and a 1955 Gibson Les Paul Special. He has used a Fender Vibrolux amplifier, but his standard setup included a Dumble. Later in his career, a Bludotone Overtone Special has been utilized in replacement of the Dumble in certain situations (relating to travel logistics; the tone is remarkably similar to his Dumbles).

Normal modes are generated in the earth from long wavelength seismic waves from large earthquakes interfering to form standing waves. For an elastic, isotropic, homogeneous sphere, spheroidal, toroidal and radial (or breathing) modes arise. Spheroidal modes only involve P and SV waves (like Rayleigh waves) and depend on overtone number n and angular order l but have degeneracy of azimuthal order m. Increasing l concentrates fundamental branch closer to surface and at large l this tends to Rayleigh waves.

Grandmother's Spaceship the third a studio album by pioneer Christian punk band Scaterd Few. Lyrically the album is themed, referencing "aliens, the cyber-age and other extra-terrestrial things," while staying centered on the ultimate truth of renewed life in Christ. Several lyrics draw their themes directly from scripture. Musically it is more diverse than most punk albums, encompassing reggae, aggressive punk, funk, and a "slight Gothic overtone" similar to Allan's alternate band, Spy Glass Blue.

The work by Andrea Callegari on benzene, long a model system for such studies is noted among many such studies. After this work, Carlo Callegari converted the apparatus into a helium droplet machine, which was used for the first study of overtone vibrational transitions in helium nanodroplets. Also, the pure rotational spectra of HCCCN and HCN in helium were observed [13]. This established that a single droplet could absorb several thousand photons without "optically pumping" out of resonance.

Zhang Chu himself confided years later that the song carried a political overtone which few seemed to detect. This is typical of his style, social satire which is subtle and easy to miss by the unsuspecting. Similarly, his rollicking punk cover of the Red Standard "Socialism is Good" also left some of us wondering if this was not a tongue-in-cheek dig at the "People's Government". In 1993 Zhang Chu's first album "A Heart cannot Fawn" was released.

That is, the high notes are higher, and the low notes lower, than they are in an equal- tempered scale. Railsback discovered that pianos were typically tuned in this manner not because of a lack of precision, but because of inharmonicity in the strings. Ideally, the overtone series of a note consists of frequencies that are integer multiples of the note's fundamental frequency. Inharmonicity as present in piano strings makes successive overtones higher than they "should" be.

In an interview with Video Metal Sheet in 1991, Jerry Cantrell said that the original idea for the album cover was "an embryonic-type thing" representing the birth of the band. But it ended up taking more of a scary overtone and fitting quite well with the music. The band discussed several ideas for the album art with photographer Rocky Schenck. One of those ideas was making it appear as if they were emerging from an eyeball.

By emphasizing certain harmonics from the overtone series, desired sounds (such as 'brass' or 'string') can be imitated. Generally, the older Hammond drawbar organs had only preamplifiers and were connected to an external, amplified speaker. The Leslie speaker, which rotates to create a distinctive tremolo, became the most popular. Though originally produced to replace organs in the church, the Hammond organ, especially the model B-3, became popular in jazz, particularly soul jazz, and in gospel music.

The imitation of natural sounds in various cultures is a diverse phenomenon. and can fill in various functions. In several instances, it is related to the belief system, for example, imitation of natural sounds can be linked to various shamanistic beliefs or practice (e.g. yoiks of the Sami,Szomjas-Schiffert 1996: 56, 76Szomjas-Schiffert 1996: 64Szomjas-Schiffert 1996: 74 some other shamanic songs and rituals,Hoppál 2006: 143 Diószegi 1960: 203Hoppál 2005: 92Lintrop overtone singing of some cultures).

The chant is also used in a number of songs. In 1998, Chumbawamba recorded the hit "Top of the World (Olé, Olé, Olé)" which include the "Olé, Olé, Olé" chant. In 1999, the chant was used in the chorus of "¡Olé!" by the Bouncing Souls on their album Hopeless Romantic. In 2009 the chant was recorded by Overtone and Yollandi Nortjie, which was used in the 2009 film Invictus and released in the soundtracks of the film.

In the late 1980s, Mark Deutsch began exploring North Indian classical music. The subtlety of this style, combined with his pursuits on the sitar, inspired him to delve deeper into the study of music. He started exploring the mathematics of sound, particularly music's underlying frequency structure. This search revealed nonlinear mathematical patterns that exist in sound and are found universally in the natural world, including the overtone series, fractals, the golden mean, seashells, and the Fibonacci series.

While continuing to appear on Dark Shadows, Astredo also performed the role of the Belgian doctor in Lorraine Hansberry's Les Blancs, produced on Broadway at the Longacre Theatre, and starring James Earl Jones, Lili Darvas, and Earle Hyman. It was a triumphant performance for him. Theater critic Walter Kerr called Astredo's performance "impressively dimensional, rich in overtone". Critic Clayton Riley praised his performance as "the finest work among the secondary players", and "splendidly conceived and executed".

This helps with proper intonation of the lower strings, improves string tension balance across the strings, improves harmonic overtones, overtone series, and improves inharmonicity. (See also inharmonicity in pianos). The bass strings on an 8 string typically require the saddle to be pulled back a bit more than the other strings to properly set the intonation. Some bridge designs accommodate this by offsetting back the 7th and 8th strings or providing a bit extra room for adjustment.

They use coins, keys, fingers and nails for playing on the strings and the body of the grand piano. The instrument sounds like a harpsichord, drums and occasionally as a synthesizer or electronic sounds generator. Music of IYOV combines minimalism and the avant-garde, neoclassicism and rock. Polyphonic choral episodes and instrumental interludes alternate with the parts that use a full range of the human voice: from classical, jazz and folk singing to breathing, screaming, whispering and overtone singing.

The largest Christmas beetle, the adult male is 30–32 mm long and 16–19 mm wide at its broadest, while the female is 28–34 mm long and 16-19.5 mm wide. It is predominantly red-brown with gold-green overtone. The head has rose highlights, while the pronotum, scutellum and elytra have a gold sheen. The pygidium, coxae, and abdomen are a bright green, while the legs are red-brown, and tarsi are black.

String resonance occurs on string instruments. Strings or parts of strings may resonate at their fundamental or overtone frequencies when other strings are sounded. For example, an A string at 440 Hz will cause an E string at 330 Hz to resonate, because they share an overtone of 1320 Hz (3rd harmonic of A and 4th harmonic of E). According to Grove Music Online (2007) article on Duplex Scaling, Steinway progressed a system of aliquot scaling to provide sympathetic resonance with the intention of enriching the treble register of the piano. In the 'octave duplex' piano by Hoerr of Toronto, each note had four strings, of which two, three or four could potentially be struck by the hammer depending on the depression of one of four pedals. Steinway’s duplex scale was precipitated a half century earlier by an experiment conducted by the German piano maker Wilhelm Leberecht Petzoldt, in which a small bridge was placed behind the standard larger one with the intention of maximizing the potential additional resonance of a sympathetically vibrating additional length of string.

This unintended connection to tonality can be explained by the harmonic series and musical phonology. First of all, tonality is innate, and twelve-tone music systematically fights with this innate process. Overtones are present whether the music is tonal or twelve-tone, so the importance of a perfect fifth within the overtone series, and by extension, the circle of fifths, is contrary to twelve-tone writing. Also, because of the natural hierarchy of musical pitches, truly equalizing all notes is impossible.

Tommasini picks up on the twenty-first century legacy of twelve-tone technique in order to examine its lingering significance. He uses language very similar to the Norton Lectures to explain tonality: "fundamental tonal mooring", "hierarchy of importance based on natural overtone relationships", and "crisis", in reference to the years before Schoenberg invented twelve-tone technique. This article makes evident that Bernstein's contributions to the mid-twentieth century debate about tonality, while sometimes unacknowledged, remain one of the largest contributions in the field.

Like other bugle calls, "recall" is a short tune that originated as a military signal announcing scheduled and certain non-scheduled events on a military installation, battlefield, or ship. Historically bugle calls indicated the change in daily routines of camp. A defining feature of a bugle call is that it consists only of notes from a single overtone series. This is in fact a requirement if it is to be playable on a bugle or equivalently on a trumpet without moving the valves.

Commercially, the plant is grown mainly for the production of lavender essential oil of lavender. English lavender (Lavandula angustifolia) yields an oil with sweet overtones, and can be used in balms, salves, perfumes, cosmetics, and topical applications. Lavandula × intermedia, also known as lavandin or Dutch lavender, yields a similar essential oil, but with higher levels of terpenes including camphor, which add a sharper overtone to the fragrance. The lavandins Lavandula × intermedia are a class of hybrids of L. angustifolia and L. latifolia.

Scooter Lee (born March 10, 1957) is an American singer-songwriter & line dance entertainer. Raised on St. Charles Avenue in New Orleans, Louisiana, her career started at age 14 when she was signed to Allen Toussaint's record label in New Orleans, recording with Irma Thomas, Jerry Lee Lewis and Fats Domino. There, she was labeled as 'the little lady with the big voice'; recording country blues for the label. She soon settled in on recording country music with a blues overtone.

"Dirty Sexy Money" peaked in the top-thirty in France, top- forty in the UK and top-ten on many dance charts. "Like I Do" was jointly released with Martin Garrix and Brooks on 22 February 2018. This is followed by the singles "Flames", with Sia, on 22 March, and "Don't Leave Me Alone", featuring Anne-Marie, on 27 July. The EDM track "Overtone" was released as a single from the Jack Back Mixtape via Beatport on 20 August 2018.

Kunjunni (10 May 1927 - 26 March 2006), popularly known as Kunjunni Mash (Mash is the Malayalam equivalent of teacher), was an Indian poet of Malayalam literature. Known for his short poems with a philosophical overtone, his works were popular among the children as well as the grown-ups. He received several honours including three awards from the Kerala Sahitya Akademi viz. Kerala Sahitya Akademi Award for Children's Literature, Kerala Sahitya Akademi Award for Poetry and Kerala Sahitya Akademi Award for Overall Contributions.

Overtones tunings for guitar select their six open-notes from the initial nine partials (harmonics) of the overtones sequence. The first eight partials on C, namely (C,C,G,C,E,G,B,C), are pictured. Among alternative tunings for the guitar, an overtones tuning selects its open-string notes from the overtone sequence of a fundamental note. An example is the open tuning constituted by the first six overtones of the fundamental note C, namely C2-C3-G3-C4-E4-G4.

The overtone sequence for a fundamental note is used by its open overtones-tunings. For many open-tunings, the open-string notes constitute a major chord, often a major triad that repeats its notes in different octaves. Of course, repeating notes (or pitch classes) strengthen such notes, often the root or third of the chord. In comparison with standard tuning, each major-chord open-string tuning reinforces different "overtones and can actually make the guitar sound louder and more resonant".

The first piece in the series is dedicated to David Tudor and was a belated birthday present. The score consists of six transparent squares: one with 27 points of four different sizes, five with five lines each. The squares are to be combined in any way, with points representing sounds, and lines used as axes of various characteristics of these sounds: lowest frequency, simplest overtone structure, etc. Said characteristics are obtained by dropping perpendiculars from points and measuring these perpendiculars.

New York: Cambridge University Press. p. 41. . The Belgian government urged the ageing and stubborn king to agree to the transfer of the Congo Free State to Belgium. The Belgian parliament started on an initial legislation for the future Belgian colony, a long and difficult process. A first draft of the Colonial Charter had already been written in 1901, but with an overtone of royal absolutism, the initial draft included provisions for Leopold II to hold on to a private Crown Domain.

Paolo and Francesca, whom Dante's Inferno describes as damned for fornication. (Jean-Auguste-Dominique Ingres, 1819) Fornication is generally consensual sexual intercourse between two people not married to each other. When one or more of the partners having consensual sexual intercourse is a married person, it is called adultery. For many people, the term carries an overtone of moral or religious disapproval, but the significance of sexual acts to which the term is applied varies between religions, societies and cultures.

In the song, Spears seems to be looking for a woman named Amy in a club. It has been suggested that Amy is either Amy Winehouse or an alter ego of Spears herself. The verses end with the hookline "Hahahehehahaho", which, according to Poppy Cossins of The Sun, is fitting to "the album's carnivalesque overtone". The chorus begins with the lines "Love me, hate me / Say what you want about me", a reference to the public's perception and fascination with Spears' life.

Near-infrared spectroscopy is, therefore, not a particularly sensitive technique, but it can be very useful in probing bulk material with little or no sample preparation. The molecular overtone and combination bands seen in the near-IR are typically very broad, leading to complex spectra; it can be difficult to assign specific features to specific chemical components. Multivariate (multiple variables) calibration techniques (e.g., principal components analysis, partial least squares, or artificial neural networks) are often employed to extract the desired chemical information.

23 Oct 2013 . The adult male orange chat is rarely mistaken for another species with its vivid orange colouration and black throat-patch. The male yellow chat is coloured almost as brightly as the orange chat but without such warm orange overtone, being rather an intense lemon yellow. The grey- brown mottled females and immatures have yellow uppertail-coverts and a yellow underbody distinguishing them from the crimson chat, but they are still rather similar in appearance to the female yellow chat.

Betelgeuse is listed in the General Catalogue of Variable Stars with a possible period of 2,335 days. More detailed analyses have shown a main period near 400 days, a short period of 185 days, and a longer secondary period around 2,100 days. The lowest reliably-recorded V-band magnitude of +1.614 was reported in February 2020. Radial pulsations of red supergiants are well-modelled and show that periods of a few hundred days are typically due to fundamental and first overtone pulsation.

The band departed from its straightforward hard rock sound and went in a different direction with Drop in 1995. Drop featured an alternative rock-oriented sound which included banjo and mandolin. Following recommendations of producer and friend John Elefante, the band went on to sign with Organic Records, another up and coming label that was eager to pick them up. In 1997, they released The Jesus Experience which continued their alternative style leanings, however, with a slight grunge and post-grunge overtone.

The natural trumpets of this era consisted of a single coiled tube without valves and therefore could only produce the notes of a single overtone series. Changing keys required the player to change crooks of the instrument. The development of the upper, "clarino" register by specialist trumpeters—notably Cesare Bendinelli—would lend itself well to the Baroque era, also known as the "Golden Age of the natural trumpet." During this period, a vast body of music was written for virtuoso trumpeters.

Tuvan music features Tuvan throat singing (khoomei), in which the singer sings a fundamental tone and an overtone simultaneously. This type of singing can be heard during performances by the Tuva National Orchestra, on events such as the 'International Khoomei Day', held at the National Tuvinian Theatre, Kyzyl. The singer Sainkho Namtchylak has an international following. Namtchylak is also very involved with Tuvan culture, every year inviting Western musicians to perform in Kyzyl and to learn about Tuva, its culture, and its music.

The next year, he participated in the Koshien tournament, which is the national tournament of the high school baseball. After he graduated from high school, he went on to Senshu University but soon after his entering university, his father died. In order to make up for the deficit in the living expenses of his family, he left the university and obtained a job. At the same time, his dream took on a financial overtone as well since baseball players' salaries were very high.

Manu Delago playing a first generation Hang The Hang is typically played resting on the player's lap. The Hang is generally played with the hands and fingers instead of mallets. This lighter means of playing produces an overtone-rich sound that could be considered softer and warmer than the bright sound of a mallet-based traditional steelpan. The top (Ding) side of the Hang, depending on how it is played, can sound like a harp, bells, or harmonically tuned steelpans.

Two-dimensional IR is also possible as discussed below. The infrared portion of the electromagnetic spectrum is usually divided into three regions; the near-, mid- and far- infrared, named for their relation to the visible spectrum. The higher-energy near-IR, approximately 14000–4000 cm−1 (0.7–2.5 μm wavelength) can excite overtone or combination modes of molecular vibrations. The mid-infrared, approximately 4000–400 cm−1 (2.5–25 μm) is generally used to study the fundamental vibrations and associated rotational–vibrational structure.

The name of this mode is misleading: it is given because in graphite, this mode is usually the second strongest after the G mode. However, it is actually the second overtone of the defect-induced D mode (and thus should logically be named D'). Its intensity is stronger than that of the D mode due to different selection rules. In particular, D mode is forbidden in the ideal nanotube and requires a structural defect, providing a phonon of certain angular momentum, to be induced.

The pulsating stars swell and shrink, affecting their brightness and spectrum. Pulsations are generally split into: radial, where the entire star expands and shrinks as a whole; and non-radial, where one part of the star expands while another part shrinks. Depending on the type of pulsation and its location within the star, there is a natural or fundamental frequency which determines the period of the star. Stars may also pulsate in a harmonic or overtone which is a higher frequency, corresponding to a shorter period.

On the guqin, the left end of the dotted scale is a mirror image of the right end. The instrument is played with flageolet tones (harmonics) as well as pressing the strings on the wood. The flageolets appear on the harmonic positions of the overtone series, therefore these positions are marked as the musical scale of this instrument. The flageolet positions also represent the harmonic consonant relation of the pressed string part with the open string, similar to the calculations Pythagoras did on his monochord.

The last aspect to examine is the abstractness of linguistic syntax and its correlate in music. There are two contradicting points of views. The first one claims that the foundation for musical scales and for the existence of a tonal centre in music can be seen in the physical basis of overtone series or in the psychoacoustic properties of chord in tonal music respectively. But in recent time there is strong evidence for the second point of view that syntax reflects abstract cognitive relationships.

In early 1945 the farm was raided by Nazi authorities and Kimel was sent to Westerbork transit camp where he remained until the liberation of the camp on 12 April 1945. In 1960 he obtained his PhD in physics from the University of Amsterdam under professor Jan Ketelaar with a thesis titled: "Optical dispersion of gases in the infrared region : the dispersion through the first overtone band of HCI". Kimel was elected a corresponding member of the Royal Netherlands Academy of Arts and Sciences in 1989.

The adapted screenplay was written by Vaughn and screenwriter Jane Goldman, who had been recommended by Gaiman. When asked how the book inspired his vision for the film, Vaughn said that he wanted "to do Princess Bride with a Midnight Run overtone." One of the difficulties with adapting the novel was its earnest and dark nature: an adult fairy tale in which sex and violence are presented unflinchingly. With Gaiman's blessing given to the screenwriters, the movie version has a greater element of whimsy and humour.

A unique form of music exists in Tuva – commonly known as throat singing or as khoomei. There are various techniques of khoomei, some giving the effect of multiple tones by emphasizing overtones. Some famous groups from Tuva who feature throat-singing are Yat-Kha, Huun-Huur-Tu, Chirgilchin and the Alash Ensemble. A documentary called Genghis Blues was made in 1999 about an American blues/jazz musician, Paul Pena, who taught himself overtone singing and traveled to Tuva to compete in a throat-singing competition.

Later in life, her elder son Marvin is shown to have been the good and loyal son all along, despite the lack of his mother's favour, It is he at the age of 64 along with his wife Doris who takes care of her. As a 90-year-old woman, Hagar goes on an unexpected adventure into the woods alone. Given her age, there is an overtone that this event will be the last chapter of her life. In the woods, she meets another wanderer.

Karen and Meehan, in an interview on BBC Radio 4's Today programme on 12 March, were questioned about suggestions by her parents that Meehan had been violent towards Shannon, and on Karen having seven children by at least five fathers (two of the children were registered as having unknown fathers). Commenting on the interview, The Independent said that the case had developed a cruel overtone and that such questions went far beyond necessity and lifted the lid on an uncomfortable hypocrisy in British society.

"Sonny Landreth, Keith Richards and other open-G masters often lower the second string slightly so the major third is in tune with the overtone series. This adjustment dials out the dissonance, and makes those big one-finger major-chords come alive." Repetitive open-tunings are used for two non-Spanish classical-guitars. For the English guitar the open chord is C major (C-E-G-C-E-G); for the Russian guitar which has seven strings, G major (G-B-D-G-B-D-G).

For resonant modes the appropriate amplitude equations have additional terms that describe the resonant coupling among the modes. The Hertzsprung progression in the light curve morphology of classical (singly periodic) Cepheids is the result of a well-known 2:1 resonance among the fundamental pulsation mode and the second overtone mode. The amplitude equation can be further extended to nonradial stellar pulsations. In the overall analysis of pulsating stars, the amplitude equations allow the bifurcation diagram between possible pulsational states to be mapped out.

When a string is plucked or bowed normally, the ear hears the fundamental frequency most prominently, but the overall sound is also colored by the presence of various overtones (frequencies greater than the fundamental frequency). The fundamental frequency and its overtones are perceived by the listener as a single note; however, different combinations of overtones give rise to noticeably different overall tones (see timbre). A harmonic overtone has evenly spaced nodes along the string, where the string does not move from its resting position.

Robert Keith McFerrin Jr. (born March 11, 1950) is an American jazz vocalist. He is known for his vocal techniques, such as singing fluidly but with quick and considerable jumps in pitch—for example, sustaining a melody while also rapidly alternating with arpeggios and harmonies—as well as scat singing, polyphonic overtone singing, and improvisational vocal percussion. He is widely known for performing and recording regularly as an unaccompanied solo vocal artist. He has frequently collaborated with other artists from both the jazz and classical scenes.

A sarod The sarod or sarode is a stringed instrument, used mainly in Hindustani music on the Indian subcontinent. Along with the sitar, it is among the most popular and prominent instruments. The sarod is known for a deep, weighty, introspective sound, in contrast with the sweet, overtone-rich texture of the sitar, with sympathetic strings that give it a resonant, reverberant quality. It is a fretless instrument able to produce the continuous slides between notes known as meend (glissandi), which are important in Indian music.

She achieves her goal with the assistance of a French marquis, whom she first meets at the house of Dior during an afternoon showing and who becomes a long-term friend as do a series of other characters revealed to have hidden hearts. The comic tale takes on a final poignant overtone when the dress is loaned to an up-and- coming actress, with disastrous consequences. Initially devastated, Mrs. Harris reflects that the experiences she had in pursuit of the dress were worth its loss.

In addition to releasing four quintet albums on ECM, Holland debuted his Big Band, which released What Goes Around in 2002. The album won Holland his first Grammy as a leader, in the Best Large Jazz Ensemble Album category. The second Big Band recording, Overtime (2005), again won the Grammy in the Best Large Jazz Ensemble Album category; it was released on Holland's Dare2 label, which he formed that year. In 2009, Holland was a co-founder of an all-star group called the Overtone Quartet.

The fingering schema arises from the length of each valve's tubing (a longer tube produces a lower pitch). Valve "1" increases the tubing length enough to lower the pitch by one whole step, valve "2" by one half step, and valve "3" by one and a half steps. This scheme and the nature of the overtone series create the possibility of alternate fingerings for certain notes. For example, third-space "C" can be produced with no valves engaged (standard fingering) or with valves 2–3.

A lo divino () is a Spanish phrase meaning "to the divine" or "in a sacred manner". The phrase is frequently used to describe a secular work, rewritten with a religious overtone, or a secular topic recast in religious terms using metaphors and symbolism. These types of adaptations were most popular during the 16th and 17th centuries, the Golden Age of Spanish literature. Marcelino Menéndez y Pelayo, a Spanish literary scholar felt the adaptations were of little note, calling them a short-lived whim of the pious.

This is a traditional explanation, however the positions of the hui represent just intoned harmonic positions derived from the natural overtone series and form the basic system of universal consonance related to the fundamental tone.The harmonic scale of Guqin described in the essay 3rd Bridge Helix by Yuri Landman on furious.com The surface board is round to represent Heaven and the bottom board flat to represent earth. The entire length of the qin (in Chinese measurements) is 3 chi, 6 cun and 5 fen (approx.

If the finger is placed at the midpoint of the string, the first overtone is heard, which is an octave above the fundamental note which would be played, had the harmonic not been sounded. When two additional nodes divide the string into thirds, this creates an octave and a perfect fifth (twelfth). When three additional nodes divide the string into quarters, this creates a double octave. When four additional nodes divide the string into fifths, this creates a double-octave and a major third (17th).

With waveforms containing many overtones, complex transient timbres can be achieved by assigning each overtone to its own distinct transient amplitude envelope. Unfortunately, this has the effect of modulating the loudness of the sound as well. It makes more sense to separate loudness and harmonic quality to be parameters controlled independently of each other. To do so, harmonic amplitude envelopes are frame-by-frame normalized to become amplitude proportion envelopes, where at each time frame all the harmonic amplitudes will add to 100% (or 1).

Energy becomes available to increase the thermal energy (temperature) only after enough hydrogen bonds are broken that the ice can be considered liquid water. The amount of energy consumed in breaking hydrogen bonds in the transition from ice to water is known as the heat of fusion. As with water, ice absorbs light at the red end of the spectrum preferentially as the result of an overtone of an oxygen–hydrogen (O–H) bond stretch. Compared with water, this absorption is shifted toward slightly lower energies.

He was responsible for the music of the multi-nominated 2016 documentary 13th. In addition to recordings under his own name, Moran has recorded with a range of other musicians including Greg Osby, Steve Coleman, Charles Lloyd, Cassandra Wilson, Joe Lovano, Christian McBride, Von Freeman, Francisco Mela, and Don Byron. He also performed with Marian McPartland,Rochester, 2002Monterey, 2004: Lee Konitz, Wayne Shorter (as substitute), Robert Glasper, violinist Jenny Scheinman, The Bad Plus, guitarist Mary Halvorson and trumpeter Ron Miles, drummer Herlin Riley, Dave Holland (Overtone Quartet), and Bill Frisell.

Continuing to identify the overtones, he points out that the fourth overtone, the next pitch whose class differs from that of the fundamental, is two octaves plus a major third above the fundamental. The overtones C, G, and E comprise a major triad. Moving on to later overtones, A (it's actually somewhere between a well-tempered A and B-flat, but A is the usual choice), he constructs a major pentatonic scale. This scientific aspect of pitches, Bernstein says, makes music universal, or a "substantive universal" (p. 27).

The anharmonicity of a vibration can be read from the spectra as the distance between the diagonal peak and the overtone peak. One obvious advantage of 2DIR spectra over normal linear absorption spectra is that they reveal the coupling between different states. This for example, allows for the determination of the angle between the involved transition dipoles. The true power of 2DIR spectroscopy is that it allows following dynamical processes such as chemical exchange, motional narrowing, vibrational population transfer, and molecular reorientation on the sub-picosecond time scale.

After a few months, Karam had completed the rest of her new album, Shu Mghaira..!. Like Saharni, it was distinctly Lebanese, but it was more of a modern adaptation, with a reflective and sad overtone. Najwa continued her many live appearances to promote the album, and a notable event for 2004 was her sell-out concert in Carthage, Tunisia where she performed to thousands of enthusiastic fans. The tracks Bi Hawak (In your love) and Shu Mghaira (How you've changed) were shot in an expensive duel video clip which was riddled with special effects.

By the 1920s, the samaj had established strong roots among the rural masses in Western Maharashtra and Vidarbha and took a strong economic overtone in its message. At that time the organization styled itself the representative of the Bahujan samaj. It also defined the Brahmins, merchants and moneylenders as the oppressors of the masses. The Samaj also conducted activities in Satara District, Kolhapur State and other places in this area that were designed to harass Brahmins, and to drive them from their positions as priests, government officials, money-lenders, and teachers in the rural areas.

This had a profound effect on Hyder and Hodgkinson. What interested them was the improvisational and musical aspects of the ritual, because it raised questions as to whether the psychological state of a performer is more important than musical technique. They began working with shamans from Tuva, Altay and Khakassia, and meet the musicians of Biosintes, "a kind of Tuvan Sun Ra band" which included Gendos Chamzyryn. Chamzyryn, a shaman from Tuva, played a variety of traditional Tuvan instruments and used the deep-vocal Kargiraa style of overtone-singing.

Using a high C rather than the high G of the overtone-series, the open-C tuning :C-C-G-C-E-C was used by Mick Ralphs for the songs "Can't get enough" and "Movin' on" on Bad Company's debut album. The lowest and second lowest C's differ by an octave; even when the lowest C-string is not struck, its sympathetic resonance improves the sound. Ralphs stated that "It needs the open C to have that ring" and that "it never really sounds right in standard tuning".

The second major overhaul of the opening happened in season seven, when the whole layout and font used were completely changed to mark the revamp of the show and its change of focus to the Emergency Department. The basic undertone of the theme was still there, however another saxophone overtone was added tho give the theme more authenticity. The images were also upgraded to include ambulances, surgical equipment and people rushing around in the background. The font changed and actors and characters were now in the font Imprint MT Shadow.

Delta Cephei lightcurve A Cepheid light curve is typically asymmetric with a rapid rise to maximum light followed by a slower fall to minimum (e.g. Delta Cephei). This is due to the phase difference between the radius and temperature variations and is considered characteristic of a fundamental mode pulsator, the most common type of type I Cepheid. In some cases the smooth pseudo-sinusoidal light curve shows a "bump", a brief slowing of the decline or even a small rise in brightness, thought to be due to a resonance between the fundamental and second overtone.

The Gyuto monks are known for their tradition of overtone singing, also described as "chordal chanting" which is said to have been transmitted by their founder. It achieved renown in the West following the release of recordings made by David Lewiston in 1974 and in 1986 by Windham Hill Records. In 1995, a group of Gyuto Monks travelled to the United States and performed during a series of concerts with the Grateful Dead.Grateful Dead Live at Shoreline Amphitheatre on 1995-06-02 : Free Download & Streaming : Internet Archive. Archive.org.

Gassendi's concept was closer to classical atomism, but with no atheistic overtone. Pierre Gassendi (1592-1655) was a Catholic priest from France who was also an avid natural philosopher. He was particularly intrigued by the Greek atomists, so he set out to "purify" atomism from its heretical and atheistic philosophical conclusions (Dijksterhius 1969). Gassendi formulated his atomistic conception of mechanical philosophy partly in response to Descartes; he particularly opposed Descartes' reductionist view that only purely mechanical explanations of physics are valid, as well as the application of geometry to the whole of physics (Clericuzio 2000).

Abel's predecessor at the Philadelphia Orchestra, James Valerio, had a custom-made triangle which was coveted by his peers. After lending it to Abel for the first two years, Abel devised a way to recreate the sound and created the "Alan Abel triangle", which uses a piece of chromed brass. Used because of its overtone-rich sound, the triangle has been manufactured since 1963. Abel also invented the "suspended" bass drum stand in the early 1960s, which he manufactured himself until 2013, when he handed manufacturing to Andrew Reamer, who had previously supplied the drums.

Sul tasto Sul ponticello ("on the bridge") refers to bowing closer to the bridge, while sul tasto ("on the fingerboard") calls for bowing nearer the end of the fingerboard. (While reading music, "tasto" can also mean to play with the bow in normal position when having been playing "ponticello") Ponticello calls for more bow weight and slower bow speed, and produces a "harder" sound, with strong overtone content. Sul tasto, in extreme cases called "flautando," produces a more flute-like sound, with more emphasis on the fundamental frequency of the note, and softer overtones.

The released tracks as a whole have the archaic Latin chorus and dark orchestral music, while the track "Meditation Begins" features a kind of Saltarello with a very ominous, dark, ambient overtone with men whispering in Latin. The atmosphere in these tracks is what Jesper Kyd is known for and is effective in situ. The soundtrack is available from various online music stores. While the song "The Chosen (Assassin's Creed)" by Intwine featuring Brainpower was made contributing to the game, it was not featured in the game nor its soundtrack.

After his doctorate, Klenerman went to Stanford University as a Fulbright scholar to work on high-overtone chemistry, with Richard Zare. After his postdoctoral research at Stanford, he returned to United Kingdom to work in BP Research for seven years. Then, in 1994, he joined the University of Cambridge, as a faculty member of the Department of Chemistry and a fellow of Christ's College. Klenerman, along with Shankar Balasubramanian, invented a method of next-generation DNA sequencing which is commonly known today as the Solexa sequencing or Illumina dye sequencing.

The strings of a piano In bowed instruments, the bow is normally placed perpendicularly to the string, at a point halfway between the end of the fingerboard and the bridge. However, different bow placements can be selected to change timbre. Application of the bow close to the bridge (known as sul ponticello) produces an intense, sometimes harsh sound, which acoustically emphasizes the upper harmonics. Bowing above the fingerboard (sul tasto) produces a purer tone with less overtone strength, emphasizing the fundamental, also known as flautando, since it sounds less reedy and more flute-like.

Weeks would throw demo CDs onto the stages of bigger bands that toured through Corinth. After shopping the album around for almost a year, and a member change as original bassist Daniel Dwight left the group, they picked up bassist and long time friend Eric Taylor. "Addicted" was heard by former Virgin A&R; consultant Scott Frazier, President of Overtone Music Group. Scott e-mailed the song to CEO of Virgin Music Company Jason Flom who liked what he heard and sent Kim Stephens to watch the band perform in Jackson, Tennessee.

Yuri Landman's Home Swinger, 12 string 3rd bridge zither Landman's 2006 Moodswinger, a 12 string overtone zither. Different possible shapes of a third bridge: "a common six-sided pencil [4mm contact], a round dowel [more focused contact], and an L-shaped bracket [even more fine]." The pencil creates, "a damping effect and also prevents energy from transferring across the bridge to the opposing string segment," with the dowel, "resulting in greater sustain and cross-string resonance," and the bracket, "offers even more sustain than a [round] dowel."Frengel, Mike (2017).

Silent Sanctuary's second album Fuchsiang Pag-ibig, was released under Universal Records in 2007. They did this with the help of their manager Kerwin Rosete who has worked for Parokya ni Edgar, and is now the person behind One Big Family Artist Management. He also manages other OPM bands including Itchyworms, Ciudad, Soapdish, Overtone, Wandering Dew, and Concrete Sam. The same year in 2007, Silent Sanctuary also covered their 1st remake single of original APO's classic hit, Tuyo Ng Damdamin for APO Hiking Society's tribute compilation album KaminAPOMuna Ulit.

After the securalization of Turkey, Turkish Kurdistan became the only remaining place where traditional Islamic institutions were preserved in the country, and many Turkish Muslim scholars went to Kurdistan in order to obtain the Islamic education. Sunni Islam among Kurds is characterized by a strong overtone of mysticism and its scholars’ affiliation with Sufi orders. In Kurdish society these constitute a hierarchical system, in which the leaders (sheikh) deploy their influence onto the localities through their deputies (khalifa), who mediate between sheikhs and common people. Today, Naqshbandiya and Qadiriyya are the most active tariqas.

The present-day mellophone has three valves, operated with the right hand. Mellophone fingering is the same as the french horn or trumpet, depending on which key it is in. It is typically pitched lower, in the key of F or E. The overtone series of the F mellophone is an octave above that of the F horn. The tubing length of a mellophone is the same as that of the F-alto (high) single horn or the F-alto (high) branch of a triple horn or double-descant horn.

Nao also observed that Fukunaga may have a crush on Akiyama. After Fukunaga's identified-as-male-at-birth identity is revealed, the Japanese text deliberately avoids referring to "her" by gender. (In the live version this character is still male, but with a vaguely homosexual overtone). Alternates between personas - an ultra-feminine cold and superior mature femme fatale; a bullheaded boisterous and physically intimidating man in obvious drag; a seemingly none-too-bright loud young delinquent girl; and gradations in between - whichever currently best suits Fukunaga's own needs, both in-game and outside of it.

In 2012 Chisholm was featured in the feature documentary Sound of Heimat – Deutschland singt directed by Arne Birkenstock and Jan Tengeler. In the film, Chisholm travels through Germany and explores authentic forms of German folk music. In 2013 he released a 13-CD Box set 13 Views of the Heart's Cargo which presents his most important recordings dating back to 2001. The first CD in this box, Love in Numbers, features works for saxophone in which Chisholm explores the Fibonacci series as it manifests in the overtone series.

David Hykes (born March 2, 1953, Taos, New Mexico) is a composer, singer, musician, author, and meditation teacher. He was one of the earliest modern western pioneers of overtone singing, and has developed since 1975 a comprehensive approach to contemplative music which he calls Harmonic Chant (harmonic singing). After early research and trips studying Mongolian, Tibetan, and Middle Eastern singing forms, Hykes began a long series of collaborations with traditions and teachers of wisdom and sacred art, including the Dalai Lama and the Gyuto and Gyume monks.Bellamy and MacLean (2005) p.

In the jazz field, he has also worked with Wolfgang Lackerschmid, Bill Molenhof, Claus Stötter, Jörg Widmoser, and many others. As a musician/producer, he has collaborated on numerous CD releases and has participated in countless international music festivals with a variety of artists. In 2014 he started working with the overtone singer Anna-Maria Hefele as a producer, composer and percussionist. From 2006 to the present, Stephan is the drummer and programmer of the world-renowned Scottish band Middle of the Road, and he is currently touring with this band throughout Europe.

Kaigal-ool Khovalyg Kaigal-ool Kim-oolovich Khovalyg (Russian: Ховалыг Кайгал- оол Ким-оолович, Chovalyg Kajgal-ool Kim-oolovič, Tuvan: Ховалыг Кайгал-оол Ким-оол оглу, Chovalyg Kajgal-ool Kim-ool oglu, , born 20 August 1960) is a Tuvan throat singer and co-founder of the Tuvan music group Huun-Huur-Tu. A self-taught overtone singer, Khovalyg worked as a shepherd until the age of 18. His musical career began when he was invited to join the Tuvan State Ensemble in 1979. He settled in Kyzyl and started teaching throat singing and igil.

Rudwick The Meaning of Fossils pp. 124–125 By 1830, a scientific consensus had formed around his ideas as a result of paleobotany and the dinosaur and marine reptile discoveries in Britain.Rudwick The Meaning of Fossils pp. 156–157 In Great Britain, where natural theology was very influential in the early 19th century, a group of geologists that included Buckland, and Robert Jameson insisted on explicitly linking the most recent of Cuvier's catastrophes to the biblical flood. Catastrophism had a religious overtone in Britain that was absent elsewhere.Rudwick The Meaning of Fossils pp.

Sergei Starostin Sergey Nikolaevich Starostin (Russian: Сергей Николаевич Старостин; born 1 January 1956 in Moscow) is a Russian folk and jazz composer and performer, famous for his modern interpretations of archaic Russian (as well as Sámi and Tuvan) folk music. In his compositions, he sings, plays folk flutes (kalyuka overtone flute, svirel, pyzhatka), reed instruments (clarinet, zhaleyka, berben) and gusli.Startostin at Voklov-Trio pageВечера на хуторе близ Крымского Вала - "Ведомости", 16.01.2007, 5 (1779), Михаил Визель (in Russian) In his early childhood, Starostin started to sing in a boys choir led by Vadim Sudakov.

In 1979, the blue magnitude of HR 8768 was reported to vary by about 0.025 every 28 minutes. Such variability was not known for any class of variable, but the position in the Hertzsprung–Russell diagram at the main sequence (low luminosity) end of the same instability strip as the β Cephei stars would make high-overtone radial pulsations the likely cause. Follow-up studies failed to find the same rapid variations, or any significant variations in brightness. However, HR 8768 was added to the General Catalogue of Variable Stars as LN Andromedae.

Duplessy started playing the guitar at age 6 and began appearing on stage from the age of 18, playing as a guitarist with artists from the French and international scene including Sophia Charai, Bevinda, Monica Passos, Nico Morelli, Dikès, Omar Pene, Ameth Male, Sarah Alexander, and Pop Nadeah. For ten years, he has also done Mongolian overtone singing and played the morin khuur, a Mongolian fiddle. In early 2016, Duplessy released a new album, Crazy Horse, co-composed by Enkhjargal Dandarvaanchig. He has three albums to his name and has participated in thirty soundtracks.

The Blazhko effect, which is sometimes called long-period modulation, is a variation in period and amplitude in RR Lyrae type variable stars. It was first observed by Sergey Blazhko in 1907 in the star RW Draconis. The physics behind the Blazhko effect is currently still a matter of debate, with there being three primary hypotheses. In the first, referred to as the resonance model, the cause of the modulation is a non-linear resonance among either the fundamental or the first overtone pulsation mode of the star and a higher mode.

The play was written by Chen Liting, then a 21-year-old primary school teacher in Nanhui County outside of Shanghai, drawing inspiration from Tian Han's play Meiniang. Chen did not put his name on the script, however, because of the strong anti-government overtone in the original play. The play was a failure when it debuted on 10 October 1931 in Nanhui. But after its adaptation to a patriotic anti-Japanese play, it became the most influential street play of the Sino-Japanese War, and was performed countless times throughout China during the war.

The title track asks the listener to remember "that the earth is our mother".Mari Boine Persen, Gula Gula lyrics. Boine described in an interview with Norwegian American how the songs came about: Boine sings in a traditional Sami style, using a "jojk" voice, with a range of accompanying instruments and percussion. The instruments used are drum, guitar, electric bass clarinet, dozo n'koni, ganga, claypot, darboka, tambourine, seed rattles, cymbal, clarinet, piano, frame drum, saz, drone drum, hammered dulcimer, bouzouki, overtone flute, bells, bass, quena, charango and antara.

Occasionally on a guitar, violin, or other stringed instrument, nodes are used to create harmonics. When the finger is placed on top of the string at a certain point, but does not push the string all the way down to the fretboard, a third node is created (in addition to the bridge and nut) and a harmonic is sounded. During normal play when the frets are used, the harmonics are always present, although they are quieter. With the artificial node method, the overtone is louder and the fundamental tone is quieter.

Over time, different overtones may decay at different rates, causing the relative intensity of each overtone to rise or fall independent of the overall volume of the sound. A carefully trained ear can hear these changes even in a single note. This is why the timbre of a note may be perceived differently when played staccato or legato. A driven non- linear oscillator, such as the vocal folds, a blown wind instrument, or a bowed violin string (but not a struck guitar string or bell) will oscillate in a periodic, non-sinusoidal manner.

A few days thereafter they were contacted and asked to record a demo song for the soundtrack of the film. Eastwood asked Overtone to do additional songs which led them to do the majority of the soundtrack. Dina Eastwood kept contact with the group and shortly before the release of Invictus brought them to the United States to help promote the film. During one of the scheduled promotional appearances on The Late Late Show with Craig Ferguson, Dina Eastwood ran into rock band OneRepublic, whom she knew from a previous philanthropic project, and introduced them to her band.

The story is built along the lines of the Gospel (The Advent of Mayakovsky, the Life of Mayakovsky, the Rise of Mayakovsky, et cetera). Back on Earth after one thousand years the Poet discovers the street he's lived on and shot himself at, "by the door of the beloved," bears his name. This detail acquired a sinister overtone after Mayakovsky committed suicide in 1930, troubled love life cited as one of the reasons. According to biographer A. Mikhaylov, the poem's protagonist is an oversensitive young man who suffers from social injustice and longs for social upheaval.

It was not safe to fire the customary three > volleys over the grave, on account of the proximity of the enemy, and it > occurred to Capt. Tidball that the sounding of Taps would be the most > appropriate ceremony that could be substituted. While not necessarily addressing the origin of "Taps", this does represent the first recorded instance of "Taps" being sounded as part of a military funeral. Until then, while the tune had meant that the soldiers' day of work was finished, it had little to none of the connotation or overtone of death, with which it so often is associated today.

The word tenore, itself, is not to be confused with the word "tenor" as a simple description of vocal register; it refers to the actual style of folk singing and is distinguished from other similar styles called by different names in different places on the island, such as taja in Gallura and concordu in Logudoro . In the Barbagia region on the island of Sardinia, there are two different styles of polyphonic singing: cuncordu, usually a form of sacred music, sung with regular voices, and tenore, usually a form of profane music, marked by the use of overtone singing.

The second way of improving the detection limit of LAS is to employ transitions with larger line strength, either in the fundamental vibrational band or electronic transitions. The former, which normally reside at ~5 μm, have line strengths that are ~2–3 orders of magnitude higher than those of typical overtone transition. On the other hand, electronic transitions have often yet another 1–2 orders of magnitude larger line strengths. The transitions strengths for the electronic transitions of NO, which are located in the UV range (at ~227 nm) are ~2 orders of magnitude larger than those in the MIR region.

L. S. Ma, J. Ye, P. Dube, and J. L. Hall, "Ultrasensitive frequency-modulation spectroscopy enhanced by a high-finesse optical cavity: theory and application to overtone transitions of C2H2 and C2HD", Journal of the Optical Society of America B-Optical Physics 16 (12), 2255–2268 (1999) It is clear that this technique, correctly developed, has a larger potential than any other technique for trace gas analysis.A. Foltynowicz, F. M. Schmidt, W. Ma, and O. Axner, "Noise-immune cavity-enhanced optical heterodyne molecular spectrometry: Current status and future potential", Applied Physics B 92, 313–326 (2008).

Lightly touching the string with a fingertip at a harmonic node while bowing close to the bridge can create harmonics. Instead of the normal solid tone a wispy-sounding overtone note of a higher pitch is heard. Each node is at an integer division of the string, for example exactly halfway along the length of the string, or exactly one-third along the length of the string. The pitch produced in these two cases will be an octave higher in the case of halves, and an octave and a fifth higher in the case of the string vibrating in thirds.

The apparent magnitude of TX Piscium varies between +4.9 and +5.5 and it is classified as a slow irregular variable. Photometry has shown some periodicity in the brightness of 224 days, and some spectral variation over 450 days, suggesting the star is not entirely irregular. The star apparently lies on the period-luminosity relation corresponding to fundamental mode pulsations, unusual for a low-amplitude semi-regular or irregular variable which usually pulsate in an overtone. The angular diameter has been measured at around 10 mas, although this varies depending on the observed wavelength and the atmosphere appears to be highly asymmetric.

In January 2005, as part of an anti-racism initiative in Ligue 1, Paris Saint-Germain's players wore all- white jerseys and the opposing Lens players wore all-black during a French league match. The move backfired after racist elements among PSG's crowd in the Kop of Boulogne sung "Come on the whites". The racist overtone was exacerbated by monkey chants from the Boulogne crowd whenever a Lens player touched the ball. On 23 November 2006 in a game between Paris Saint-Germain and Haopel Tel Aviv, a police officer, as well as many players on the field were targets of racial slurs.

The dissonances (ubiquitous minor seconds, major sevenths and ninths) are precisely chosen for their degree of "shock value". While working on the Piano Variations, Copland cultivated a tautness and clarity of form and texture that became a precursor to the style of his other works. Copland also experimented with the potential of the physical instrument, as he did with microtones on the stringed instruments in Vitebsk. In the Piano Variations, some notes are held down silently while pitches selected from their overtone series are struck, which produces an effect of ringing resonances without hammering the tones directly.

Kasuien, Miyako Hotel, Kyoto, 1959 Murano designed this annex to the Miyako Hotel in Kyoto in a sukiya style. The site plan of Kasuien is laid out to enclose a garden and was inspired by Kyoto's Daigo-ji. The annex is set out as a series of pavilions set within the sloped landscape and connected by enclosed walkways. Although the overtone of the design is one of the Sukiya tradition, ordered by the principles of the tea ceremony, Murano grafted onto this his own modern interpretation by the use of materials like steel and concrete as the primary structure.

Buchanan taught himself various playing techniques, including "chicken picking". He sometimes used his thumb nail rather than a plectrum, and also employed it to augment his index finger and pick. Holding the pick between his thumb and forefinger, Buchanan also plucked the string and simultaneously touched it lightly with the lower edge of his thumb at one of the harmonic nodes, thus suppressing lower overtones and emphasising the harmonic, sometimes referred to as pinch harmonics, though Buchanan called it an "overtone." Buchanan could play harmonics at will, and could mute individual strings with free right-hand fingers while picking or pinching others.

Kiva has released three solo CDs featuring original compositions and her own style of overtone singing and recorded albums with a diverse range of artists. Kiva's solo recordings include 1998's 'The Ladder', featuring thirteen originals by Kiva, one song co-written with Gary Taylor and one cover of a Bob Fuhr/ Larry Hicock song. Her 2004 album 'Pulse' features ten originals, including co-writes with Rhys Fulber, Nii Tettey Tetteh, John Hudson, Jay Stoller and Jordan Hanson. The third album, 'The Quality of Light', released December 2013 (with artist name adjusted to 'Kiva Simova') contains ten originals.

The French horn bugle, often called a "Frenchie," was first designed in a G and D single piston configuration in the early 1940s. The Frenchie became popular due to the overtone series allowing many more notes than other bugles could play. The Frenchie followed the design changes of the soprano, including slip-slide configurations, piston/rotor, two piston, and three piston configurations. The Frenchie in a two piston or F/F# piston/rotor configuration was a highly popular instrument as a bridge between baritone and soprano voices due to the near-chromatic nature of the instrument in this range.

By 1941 over half of the grammar schools in the United States had adopted the Tonette as standard pre-band equipment. The Tonette's pleasant flute-like sound was also used for special novelty effects in radio, television and film. As a closed pipe (with all tone holes closed), the Swanson Tonette's pitch (in Hz) is approximately half that of a recorder (an open pipe) of comparable length. Although the cavity appears to be conical, the overblown (1st overtone) of the low C4 is G5, an octave and a fifth above, indicating a cylindrical pipe such as the clarinet.

The Morse potential, named after physicist Philip M. Morse, is a convenient interatomic interaction model for the potential energy of a diatomic molecule. It is a better approximation for the vibrational structure of the molecule than the quantum harmonic oscillator because it explicitly includes the effects of bond breaking, such as the existence of unbound states. It also accounts for the anharmonicity of real bonds and the non-zero transition probability for overtone and combination bands. The Morse potential can also be used to model other interactions such as the interaction between an atom and a surface.

The New Internationalist in 1999 found Nargis's acting "exemplary", and noted "a clever interplay—artistically and politically—between the traditional and the radical" evident in Mother India. In a 2002 article in The Village Voice, film critic J. Hoberman described the film as "an outrageous masala of apparently discordant elements." He characterised it as a mixture of "indigenous versions of Soviet- style tractor-opera, Italian neo-realism, Hollywood kiddie-cuteness, a dozen Technicolor musical numbers, and, most significantly, a metaphoric overlay of pop Hinduism." Hoberman criticised the acting as "broad", and also wrote about the "vaguely left-wing" nationalist overtone of the film.

These colourations are made in the lower instruments (horns, violas, cellos) by overtone glissandos, in the middle register by natural- harmonic glissandos in the violins, and in the highest register by arpeggios on five triangles and a set of glass chimes . Each note of this melody is accompanied by a chord, and these chords fluctuate in density between two and five notes according to a serial distribution: 2 3 4 5 5 4 3 2 3 4 5 5 4 3 2 notes per chord. These chords collectively form a harmonic double "wave", whose chord densities rise and fall twice.

He is best remembered as a novelist. His first novel, Tjerita Oeij Se, was published in 1903 and followed a young trader named Oeij Se who, after acquiring extensive wealth, was corrupted by it. The novel had a distinctly anti-Islamic overtone, as Oeij Se's punishment for his transgressions is that his daughter converts to Islam (the religion of the Javanese majority). In the novel, Indonesian scholar of literature Jakob Sumardjo finds a condemnation of ethnic Chinese assimilation along the matrilineal line (with the wife as Chinese and husband is of another race), placing such persons in a state of ambiguity.

Others who held the same opinion also commented on the pointless ending, where many fans felt that the series of events used in the conclusion of the story did not match the general overtone exhibited throughout the majority of the anime series. Anime reviewers such as the Anime News Network and Mania stated that Magikano has potential. However, Anime News Network joined viewers who disliked the anime, commenting that "it seems devoid of any ambition at all". This same network criticized the ending as "pointless and stupid" reflecting on the abrupt conclusion that changes in tone suddenly.

If he was to refuse, the Italian communist party delegation at the conference had the full mandate to represent the Communist Party of Fiume .In Mihael Sobolevski, Luciano Giuricin, Il Partito Comunista di Fiume, (1921–1924): Documenti-Građa, Centro di ricerche storiche Rovigno, Fiume: Centar za historiju radničkog pokreta i NOR-a Istre, 1982, pp. 150–152. The pseudonym of the press office was always signed with "schiavo ardito". The ironic reference with the D’Annunzian arditi was obvious to which an ethnic and class overtone schiavo (in the Adriatic designated the Slavs by Venetians) was added.

When octaves are stretched, they are tuned, not to the lowest coincidental overtone (second partial) of the note below, but to a higher one (often the 4th partial). This widens all intervals equally, thereby maintaining intervallic and tonal consistency. All western music, but western classical literature in particular, requires this deviation from the theoretical equal temperament because the music is rarely played within a single octave. A pianist constantly plays notes spread over three and four octaves, so it is critical that the mid and upper range of the treble be stretched to conform to the inharmonic overtones of the lower registers.

The distinction between the Lambda Boötis stars as a class of stars with peculiar spectra, and the delta Scuti stars whose class describes pulsation in low-overtone pressure modes, is an important one. While many Lambda Boötis stars pulsate and are delta Scuti stars, not many delta Scuti stars have Lambda Boötis peculiarities, since the Lambda Boötis stars are a much rarer class whose members can be found both inside and outside the delta Scuti instability strip. Lambda Boötis stars are dwarf stars that can be either spectral class A or F. Like BL Boötis-type stars they are metal-poor.

His musical circle included William Albright, Joseph Byrd, Douglas Leedy, Richard Grayson, Paul Reale, and others. Following an appointment at the University of Michigan School of Music, he served as Professor of Music at California State University, Fullerton from 1972 through 2016, where he created and directed the university's electronic music studio for many years. He was a proactive, demanding and often unconventional teacher. His introduction to counterpoint and tuning and temperament lessons often began at the hardware store, gathering materials to construct a monochord, which he referred to as "The God Machine," to explore the overtone series and tunings.

The frequency stability is determined by the crystal's Q. It is inversely dependent on the frequency, and on the constant that is dependent on the particular cut. Other factors influencing Q are the overtone used, the temperature, the level of driving of the crystal, the quality of the surface finish, the mechanical stresses imposed on the crystal by bonding and mounting, the geometry of the crystal and the attached electrodes, the material purity and defects in the crystal, type and pressure of the gas in the enclosure, interfering modes, and presence and absorbed dose of ionizing and neutron radiation.

Non-western wind instruments also exploit overtones in playing, and some may highlight the overtone sound exceptionally. Instruments like the didgeridoo are highly dependent on the interaction and manipulation of overtones achieved by the performer changing their mouth shape while playing, or singing and playing simultaneously. Likewise, when playing a harmonica or pitch pipe, one may alter the shape of their mouth to amplify specific overtones. Though not a wind instrument, a similar technique is used for playing the jaw harp: the performer amplifies the instrument's overtones by changing the shape, and therefore the resonance, of their vocal tract.

In his early compositions Mostad is moving from a linear-expressionist style to a more timbre-oriented line of thinking where both modernist and romantic music are inspiring his work. From around 1975 the timbre/harmonic aspect of his music becomes more related to the harmonic series. During the 1980s and 1990s he combines this with other types of modal and free compositional techniques, sometimes utilising modal techniques as well as more overtone-oriented harmonic spectra within the same composition. At the same time he has also been experimenting with untraditional structuring of his material, both in works of one movement and in cyclical works.

A member of the galactic halo, it has a retrograde orbit around the center of the Milky Way, and has an extremely high peculiar velocity of . From its movement through space, it can be a member of the Kapteyn group, a moving group of stars with a similar movement as Kapteyn's Star. Discovered to be variable by Olin J. Eggen in 1952, SX Phoenicis has been targeted in many studies of its light curve and spectrum. These observations revealed that SX Phoenicis has two pulsations periods of 0.055 and 0.043 days, which correspond to radial pulsations in the fundamental mode and in the first overtone, respectively.

Speaking about the video, Cook said, "We're trying to portray something in this video to where there's a constant catalyst, or a constant obstacle, in between the guy and the girl. We're kind of doing some of it tongue-in-cheek, so it's hard to miss the actual point. [We are] making it kind of in a humorous light and some of it's more serious, but really the main overtone of this whole thing is whenever there's an obstacle between the guy and a girl in a relationship, what happens when that's taken away."Forever the Sickest Kids - Nikki - Behind the Scenes By rennoc9524.

Because these chords occur frequently in much music, the perfect fifth occurs just as often. However, since many instruments contain a perfect fifth as an overtone, it is not unusual to omit the fifth of a chord (especially in root position). The perfect fifth is also present in seventh chords as well as "tall tertian" harmonies (harmonies consisting of more than four tones stacked in thirds above the root). The presence of a perfect fifth can in fact soften the dissonant intervals of these chords, as in the major seventh chord in which the dissonance of a major seventh is softened by the presence of two perfect fifths.

De Villiers is known for his rather colourful comments, which have landed him in hot water on many occasions. One of his more controversial comments featured a decidedly racial overtone. In June 2009 shortly after the first test between the Springboks and British and Irish Lions at Loftus Versveld in Pretoria, De Villiers was quoted as saying: > What I've learned in South Africa is that if you take your car to a garage > where the owner is a black man and he messes up then you'll never go back to > that garage again. If the owner's a white man you say, 'ah, he made a > mistake', and you go back.

The last to lock into place are the contrabasses which alight on a low A in bar 103. At this stage the whole ensemble is playing an A minor chord very very loudly, and this continues for five bars, then on the second beat of the last bar they suddenly stop. At that moment the bell is struck very quietly (pianissimo) so that the striking itself is not heard, but only the reverberations as it dies away. As the final bell toll reverberates, with all other instruments silent, the overtones of the bell become prominently audible – in particular, the fourth overtone (fifth partial), which is the note C-sharp, i.e.

The Leningrad Cowboys In 1993, the ensemble became an item of pop culture by performing with the Finnish band Leningrad Cowboys in Helsinki, Finland where they performed on the Senate Square in front of 70,000 listeners, and in Berlin. In the German capital, the concert of the Leningrad Cowboys with the ensemble took place on the central Lustgarten and gave the former Red Army's farewell to Berlin and the whole Germany an optimistic overtone. The Finnish concert was made into a rockumentary Total Balalaika Show by film director Aki Kaurismäki. That year they also made a CD and played a concert with French singer Jean-Jacques Goldman.

Researching the supposed beneficial properties of the voice since 1968 and having spent time with the Gyutö monks before going to Germany in 1971, Purce later continued her studies in the Himalayas with the chantmaster of the Gyutö Tibetan Monastery, Tenpa Gyaltsen, and with the Mongolian Khöömii master, Yavgaan, in order to explore the Tibetan and Mongolian methods of overtone chanting. Purce's research, lectures, and workshops, have attempted to demonstrate how the human voice might be used to bring about positive psychological, emotional, and physical changes through acting as a link between body and mind, as described in Buddhist and other Eastern traditions.Polly Samson. "Getting Those Good Vibrations".

In June 1993, Purce gave a lecture and seminar for the English National Opera titled The Healing Power of Opera, as part of the Covent Garden Music Festival, London. She later led the audience in a chanting meditation before the first performance of Jonathan Harvey's opera Inquest of Love for ENO. In 2003, she was invited to work with nuns and monks in a number of enclosed Christian monastic communities who sing Gregorian chant, particularly Burnham Abbey and Fairacres, Oxford, to teach overtone chanting and other methods to explore ways of reinvigorating and rediscovering the contemplative aspects of chant in Christian traditions.van Tongeren, M.C. (2006).

Niblock's music is an exploration of sound textures created by multiple tones in very dense, often atonal tunings (generally microtonal in conception) performed in long durations. The layering of long tones only very slightly distinct in pitch creates a multitude of beats and generates complex overtone patterns and other fascinating psychoacoustic effects. The combination of apparently static surface textures and extremely active harmonic movement generates a highly original music that, while having things in common with early drone-based Minimalism, is utterly distinct in sound and technique. Niblock's work continues to influence a generation of musicians, especially younger players from a variety of musical genres.

Alexander Lauterwasser (born 1951 in Überlingen) is a German researcher and photographer who based his work on work done by Ernst Chladni and Hans Jenny in the field of Cymatics. In 2002, Lauterwasser published his book Wasser Klang Bilder (Water Sound Images) with imagery of water surfaces set into motion by sound sources ranging from pure sine waves to music by Ludwig van Beethoven, Karlheinz Stockhausen and even overtone chanting. In 2006, MACROmedia Publishing published the English version of the Lauterwasser book titled Water Sound Images. It is a 176-page hardcover edition with hundreds of color photos, presenting the art, science and mystical side of Cymatics.

Dornacker built on her early experience as an actor throughout her career, notably in works by Sam Shepard including the 1977 jazz opera Inacoma at San Francisco's Magic Theatre. Leslie Goldberg ‘They Laughed When Leila t. Snake Sat Down to Play Piano’, SF Sunday Examiner & Chronicle Datebook section 26 August 1979 p. 36 She was featured in, and created, other works for the Overtone Theater including Jane Door and the Five or Four Children, which was staged in October 1980 alongside work by two men who were important to her career: Shepard, creator of a "percussion event", and Wes "Scoop" Nisker's The Last News Show.

Marching B horns do use a horn mouthpiece and have a more French horn-like sound but are more difficult to play accurately on the field. Another factor in the greater use of mellophones is its ease of use as compared to the difficulty of playing a French horn consistently well. In a French horn, the length of tubing (and the bore size) make the partials much closer together than other brass instruments in their normal range and, therefore, harder to play accurately. The F mellophone has tubing half the length of a French horn, which gives it an overtone series more similar to a trumpet and most other brass instruments.

By the middle of the 20th century, it had become "evident that triadic structure does not necessarily generate a tone center, that non- triadic harmonic formations may be made to function as referential elements, and that the assumption of a twelve-tone complex does not preclude the existence of tone centers" . For the composer and theorist George Perle, tonality is not "a matter of 'tone-centeredness', whether based on a 'natural' hierarchy of pitches derived from the overtone series or an 'artificial' pre compositional ordering of the pitch material; nor is it essentially connected to the kinds of pitch structures one finds in traditional diatonic music" .

A pair of peep-toe shoes A peep-toe shoe is a woman's shoe (usually a pump, slingback, bootie, or any other dress shoe) in which there is an opening at the toe-box which allows the toes to show. Peep-toe shoes were popular beginning in the 1940sCritchell, Samantha (11 March 2007). This spring, wear a heel of a shoe, Tuscaloosa News (Associated Press story) ("There were open toe shows before the 1940s but that's when they started to be called peep-toe shoes to imply a sexual overtone")(8 October 2005). Peep-Toe Pumps Step Out, Wall Street Journal but disappeared by the 1960s.

Many early kaiso or calypso were performed in the French creole language and led by a griot or chantwell. As Trinidad became a British colony, the chantwell became known as the calypsonian. The British government tried to ban the celebration of carnival due to its aggressive overtone; this led to canboulay Riots between the Afro-creoles and the police, which banned the use of Stick fighting and African percussion music in 1881. They were replaced by bamboo "Bamboo-Tamboo" sticks beaten together, which were themselves banned in turn. In 1937 they reappeared, transformed as an orchestra of frying pans, dustbin lids and oil drums.

The work is divided into four movements: In the first movement, Brahms emphasizes the simplicity of the opening theme by abandoning the structure of sonata form in favour of three slow sections offset by two shorter, more rhapsodic segments. Brahms also deviates from classical practice by adopting a slow–fast–slow–fast order of movements, perhaps looking back to the old sonata da chiesa form. The Scherzo represents a lighter side of grief; since the work as a whole simulates the stages of mourning, the Scherzo serves as the reminder of happy memories. As in the first movement, Brahms uses the pitches of the E overtone series to establish the theme.

She eventually settles in a remote ranch set high in the mountains of New Mexico, near Taos. Lawrence wrote most of this brief novel whilst spending five months of the summer of 1924 at what is now known as the D. H. Lawrence Ranch, a property which he and wife, Frieda, acquired from Mabel Dodge Luhan earlier that year. St Mawr first appeared in St Mawr and Other Stories which, in addition to the novella, consists of two short stories 'The Overtone' and 'The Princess', and two unfinished stories 'The Wilful Woman' and 'The Flying Fish'. All these works were written during Lawrence's stay in America between 1922 and 1925.

A defining feature of a bugle call is that it consists only of notes from a single overtone series. This is in fact a requirement if it is to be playable on a bugle or equivalently on a trumpet without moving the valves. (If a bandsman plays calls on a trumpet, for example, one particular key may be favored or even prescribed, such as: all calls to be played with the first valve down.) Bugle calls typically indicated the change in daily routines of camp. Every duty around camp had its own bugle call, and since cavalry had horses to look after, they heard twice as many signals as regular infantry.

Unlike most other brass instruments in an orchestral setting, the trombone is not usually considered a transposing instrument. Prior to the invention of valve systems, most brass instruments were limited to playing one overtone series at a time; altering the pitch of the instrument required manually replacing a section of tubing (called a "crook") or picking up an instrument of different length. Their parts were transposed according to which crook or length-of-instrument they used at any given time, so that a particular note on the staff always corresponded to a particular partial on the instrument. Trombones, on the other hand, have used slides since their inception.

Because the server is controlled using Open Sound Control (OSC), a variety of applications can be used to control the server. SuperCollider language environments (see below) are typically used, but other OSC-aware systems can be used such as Pure Data. "Third-party" clients for the SuperCollider server exist, including rsc3, a Scheme client, hsc3, based on Haskell, ScalaCollider, based on Scala, Overtone, based on Clojure, and Sonic Pi. These are distinct from the development environments mentioned below because they do not provide an interface to SuperCollider's programming language, instead they communicate directly with the audio server and provide their own approaches to facilitating user expression.

Many early kaiso or calypso were performed in the French creole language and led by a griot or chantwell. As Trinidad became a British colony, the chantwell became known as the calypsonian. The British government tried to ban the celebration of carnival due to its aggressive overtone; this led to canboulay Riots between the Afro-creoles and the police, which banned the use of Stick fighting and African percussion music in 1881. They were replaced by bamboo "Bamboo-Tamboo" sticks beaten together, which were themselves banned in turn. In 1937 they reappeared, transformed as an orchestra of frying pans, dustbin lids and oil drums.

Cascading the MLIS stages is more difficult than with other methods because the UF5 must be fluorinated back to UF6 before being introduced into the next MLIS stage. Alternative MLIS schemes are currently being developed (using a first laser in the near-infrared or visible region) where an enrichment of over 95% can be obtained in a single stage, but the methods have not (yet) reached industrial feasibility. This method is called OP-IRMPD (Overtone Pre-excitation—IR Multiple Photon Dissociation). Finally, the 'Separation of isotopes by laser excitation' (SILEX) process, developed by Silex Systems in Australia, has been licensed to General Electric for the development of a pilot enrichment plant.

Harmonics of a string showing the periods of the pure-tone harmonics (period = 1/frequency) A harmonic series (also overtone series) is the sequence of frequencies, musical tones, or pure tones in which each frequency is an integer multiple of a fundamental. Pitched musical instruments are often based on an acoustic resonator such as a string or a column of air, which oscillates at numerous modes simultaneously. At the frequencies of each vibrating mode, waves travel in both directions along the string or air column, reinforcing and canceling each other to form standing waves. Interaction with the surrounding air causes audible sound waves, which travel away from the instrument.

Wind instruments manipulate the overtone series significantly in the normal production of sound, but various playing techniques may be used to produce multiphonics which bring out the overtones of the instrument. On many woodwind instruments, alternate fingerings are used. "Overblowing", or adding intensely exaggerated air pressure, can also cause notes to split into their overtones. In brass instruments, multiphonics may be produced by singing into the instrument while playing a note at the same time, causing the two pitches to interact - if the sung pitch is at specific harmonic intervals with the played pitch, the two sounds will blend and produce additional notes by the phenomenon of sum and difference tones.

Rather, water ice is blue for the same reason that large quantities of liquid water are blue: it is a result of an overtone of an oxygen–hydrogen (O−H) bond stretch in water, which absorbs light at the red end of the visible spectrum. In the case of oceans or lakes, some of the light hitting the surface of water is reflected back directly, but most of it penetrates the surface, interacting with its molecules. The water molecule can vibrate in different modes when light hits it. The red, orange, yellow, and green wavelengths of light are absorbed so that the remaining light is composed of the shorter wavelengths of blue and violet.

An increasing sectarian overtone to the conflict became more visible, as most of the insurgents were Sunni Arab and the vast majority of the recruits to the Iraqi security forces came from the Shia regions of the southern Iraq. Al-Anbar province, the westernmost and largest province of Iraq (containing the cities of Fallujah and Ramadi) was where the largest amount of combat continued to take place, with U.S. soldiers routinely suffering casualties in military operations against insurgents. At the same time, the insurgency within al-Anbar was increasingly being dominated by the Islamist insurgent group al-Qaeda in Iraq. Militants from the group had increasingly been asserting control over the major cities and towns of the province.

Strauss was Music Director for the South African a cappella group Overtone when they were discovered by Dina Eastwood. They went on to perform the soundtrack to Clint Eastwood's feature film Invictus (film). Strauss has musically directed many full-scale theatre productions, including Sweeney Todd (FrenchWoods, New York City), South African Best New Musical 2003 award winner Mercury Rising,Durban City Government Gazette, April 21st, 2006, page 4 Big Top Burlesque, Somebody To Love,MonteCasino Theatre Shows Jacques Brel Is Alive And Well And Living in ParisDie Burger Newspaper, January 19, 2010, page 13 and Divas of Music and Dance. In addition, Strauss conducted Disney's The Lion King (musical) in South Africa (2008), Taiwan (2009) and Singapore (2011).

Tenores di Bitti "Mialinu Pira" The Tenores di Bitti are a traditional folk music group from Bitti, Sardinia who employ a polyphonic vocal style, often described as a type of overtone singing, whose oral tradition dates back to 3000 BC.Liner notes, S'amore 'e mama. The Tenores di Bitti are considered one of the best and most traditional groups in Sardinia. They extemporize or perform poems with each singer taking one of four parts: boke, bassu, contra, or mea'oke. Boke is the soloist and provides melody, bassu is the root and provides the tonic, contra provides the fifth, and mea'oke provides the octave above the fifth, filling out a chord in just intonation.

While searching for a Korean language lesson on shortwave radio on December 29, 1984, Pena was intrigued by an example of Tuvan throat singing he heard on a Radio Moscow broadcast. At the same time he heard an interview with the English musician Jill Purce, one of the pioneers of overtone chanting in the West, on KPFA radio in Berkeley, California, and obtained her recording. Seven years later he found a Tuvan record at a local record store called Tuva: Voices From the Center of Asia, and listened to it "continuously". Based on that record and extended experimentation, he was able to teach himself the vocal techniques called Khoomei, Sygyt and Kargyraa: Pena also taught himself Tuvan.

Despite the influence of the early missionaries and despite recent national trends, the Republican party in Hawaii steadily lost its Christian overtone over time. After annexation, Christians proselytized to new, incoming immigrants contracted to work on Hawaii's growing sugar industry. This was, in large part, brought on by Farrington v. Tokushige (1927), a Supreme Court case brought by approximately 100 Japanese, Korean, and Chinese language schools, a number of which were also Buddhist religious schools, against Republican Governor Wallace R. Farrington and the Republican government for passing laws limiting the material taught in private schools, including Buddhist philosophy.Encyclopedia of women and religion in North America, Volume 2 by Rosemary Skinner Keller p.

Haas's style recalls that of György Ligeti in its use of micropolyphony, microintervals and the exploitation of the overtone series; he is often characterized as a leading exponent of spectral music. His aesthetics is guided by the idea that music is able "to articulate a human being's emotions and states of the soul in such a way that other human beings can embrace these emotions and states of the soul as their own" ("Emotionen und seelische Zustände von Menschen so zu formulieren, daß sie auch von anderen Menschen als die ihren angenommen werden können").Georg Friedrich Haas, 'These shadows of memory'. Über das Finale des ersten Abschnitts meiner Oper die schöne Wunde, in Andreas Dorschel (ed.), Resonanzen.

The English guitar used a repetitive open-C tuning (with distinct open notes C–E–G–C–E–G) that approximated a major-thirds tuning. The C-G-C-G-C-E tuning was used by William Ackerman for his "Townsend Shuffle" and by John Fahey for his tribute to Mississippi John Hurt. The C–C–G–C–E–G tuning uses some of the harmonic sequence (overtones) of the note C. This overtone- series tuning was modified by Mick Ralphs, who used a high C rather than the high G for "Can't Get Enough" on Bad Company. Ralphs said, "It needs the open C to have that ring," and "it never really sounds right in standard tuning".

Death metal band Cannibal Corpse performing in 2009. Death metal vocals are referred to as death growls; hoarse roars/snarls. Death growling is mistakenly thought to be a form of screaming using the lowest vocal register known as vocal fry, however vocal fry is actually a form of overtone screaming, and while growling can be performed this way by experienced vocalists who use the fry screaming technique, "true" death growling is in fact created by an altogether different technique.Interview with Samuel Deschaine, Death Metal Vocal Instructor 2011 The three major methods of harsh vocalization used in the genre are often mistaken for each other, encompassing vocal fry screaming, false chord screaming, and "true" death growls.

In vibrational spectroscopy, an overtone band is the spectral band that occurs in a vibrational spectrum of a molecule when the molecule makes a transition from the ground state (v=0) to the second excited state (v=2), where v is the vibrational quantum number (a non-negative integer) obtained from solving the Schrödinger equation for the molecule. Generally, in order to study the vibrational spectra of molecules, chemical bond vibrations are assumed to be approximable as simple harmonic oscillators. Thus a quadratic potential is used in the Schrödinger equation to solve for the vibrational energy eigenstates and their eigenvalues. These energy states are quantized, meaning they can assume only some "discrete" values of energy.

She was co-owner of Silicon Music Publishing and many of her compositions have been recorded by various artists. Her songs and published works have appeared on Capri Records, Tear Drop Records, Charay Records, Mister Rock Records, Enviken Records, Le Cam Records, Country Disco Records, Rollercoaster Records, Primo Records, Crystal Clear Sound Records, Collector Records, Collectable Records, Big Beat Records, Lake County Records, Domino Records, Front Row Records, Maridene Records, Helvis Records, W&G; Records, Overtone Records. In 1977 she wrote "Goodbye Priscilla (Bye Bye Baby Blue)" as a tribute to Elvis Presley and Priscilla Presley. The song was issued by Tear Drop Records in 1977 and became one of her most popular compositions.

The imitation of natural sounds in various cultures is a diverse phenomenon and can fill in various functions. In several instances, it is related to the belief system (yoiks of the Sami,Szomjas-Schiffert 1996: 56, 76Szomjas- Schiffert 1996: 64Somby 1995 Szomjas-Schiffert 1996: 74 some other shamanic songs and rituals,Diószegi 1960: 203Hoppál 2005: 92Lintrop overtone singing of some cultures). It may serve also such practical goals as luring in the hunt; or entertainment (katajjaqs of Inuit). Among some peoples of the Altai-Sayan region, including Tofa, the ability to mimic sounds of the environment includes hunting calls, and is present also in a traditional singing tradition preserved only by some old people.

One of the most expensive strobe tuners is the Peterson Strobe Center, which has twelve separate mechanical strobe displays; one for each pitch of the equally tempered octave. This unit (about US$3,500) can tune multiple notes of a sound or chord, displaying each note's overtone sub-structure simultaneously. This gives an overall picture of tuning within a sound, note or chord that is not possible with most other tuning devices. (The TC Electronic Polytune can display the pitch accuracy of up to six pre-selected notes.) It is often used for tuning complex instruments and sound sources, or difficult-to-tune instruments where the technician requires a very accurate and complete aural picture of an instrument's output.

Voiced to develop both maximum fundamental tone (as in the Bombarde) and overtone series (as in the Posaune), if the classic voicing technique and use of terminology are followed, the Ophicleide and Contra Ophicleide are among the most powerful and loudest organ stops. Generally the only types of stop more powerful are the various forms of Trompette en chamade. However, the Ophicleides require an extremely large instrument to balance their sound, and so are rarely built today, except into the largest of organs (about one hundred ranks and up). The Grand Ophicleide in the Boardwalk Hall Organ, Atlantic City, New Jersey, is recognized as the loudest organ stop in the world, voiced on 100″ of wind pressure.

Ruth has a strained relationship with Apphuamy, the principal servant, whose real master continues to be the late "Governor" – to whose tomb, in the garden, Appuhamy regularly speaks, expressing his dislike of the new mistress. A room containing a very stern, larger than life portrait of "The Governor" is kept in his room, which has not been changed since the old man died – and which is always kept locked. Appuhamy gives a sinister overtone to much of the otherwise genteel story. Ruth learns from John that Elephant Walk is so named because his father, Tom Wiley, deliberately built it across the path of migration used by a herd of elephants to reach a water source.

" Bloch went on to write: "as a low, thunderous bass enters [the listener's] speakers, the whole thing slowly grows. Distinctive African percussion is leisurely incorporated into the bass overtone—it's the darkness in a thunderstorm, the pure, simple fury that comes before a glorious lightning streak." At 0:52 Albarn's lead vocals come in, repeating the lyrics "I ain't got nothin' to be scared of" in a "gauzy" falsetto. This is accompanied by a "languid" bass groove and backing vocals described by Bloch as "gospel-twinged", as well as a baritone sax line described by Powers as "[cutting] underneath the back-up singers, at an angle—so quirky it feels like Morphine could have played it.

When the tuning fork is struck, little of the energy goes into the overtone modes; they also die out correspondingly faster, leaving a pure sine wave at the fundamental frequency. It is easier to tune other instruments with this pure tone. Another reason for using the fork shape is that it can then be held at the base without dampening the oscillation. That is because its principal mode of vibration is symmetric, with the two prongs always moving in opposite directions, so that at the base where the two prongs meet there is a node (point of no vibratory motion) which can therefore be handled without removing energy from the oscillation (dampening).

Some of the songs on the album take a political overtone. The album debuted at number one on the US Billboard 200, selling 429,000 copies in its first week; unlike Ludacris' previous albums, the album achieved success outside the United States, charting in several European territories; including Germany and the United Kingdom. Upon its release, Chicken-n-Beer received positive reviews, with critics praising Ludacris' technical rapping abilities and production choices, although some criticized the adult humor in the lyrics as excessive. It was supported by four singles that were released from the album, two of which – "Stand Up" and "Splash Waterfalls" – became Ludacris' first to peak in the top 10 on the US Billboard Hot 100.

Soriah (born Enrique Ugalde, April 1971) is an American overtone singer, performance artist, multi-instrumentalist, and shamanic ritualist headquartered in Portland, Oregon and The Tuvan Republic. His music is a synthesis of traditional forms such as Tuvan throat singing, Shamanic music, Raga, and pre-Columbian Mexica music and language; with avant garde musical styles like Industrial, Ambient, Noise, and Goth. Likewise, his live performance is a fusion of costume and ritual from Tuva, Mexico, North American Native cultures, and Western Ceremonial Magic traditions; as well as chaos magic, butoh, and modern primitive movements of the 20th century. His lyrics, when there are any, are often written in the Nahuatl or traditional Tuvan languages.

The 'High' and 'Low' buttons on the front panel select which group is selected, or both can be mixed for a thicker octave overtone on each note. The 'Low' must be on to hear anything on the highest octave because there are not enough frequency divisions to layer the two across the whole 61-key keyboard. Because all tones are present all the time, it had no restrictions on how many notes could be played at once, unlike most synthesizers at the time, which were often monophonic. (Aside from the duophonic ARP Odyssey for instance.) The Ensemble effect invokes the TOS rank to add the additional thickness to the other two 'ranks' of oscillators.

Taddy Porter was initially envisioned as the duo of Andy Brewer and Doug Jones, but after taking guitar lessons from Selby, Brewer decided to bring him on as lead guitarist and the three invited Jones' brother, Kevin, to fill out the quartet. The name of the band was chosen after Andy noticed it on a bar beer list and believed it fit the band. The band originally began building their act at Dirty's Tavern, a local bar in their hometown of Stillwater. In December 2007 they recorded a 4-track EP, Monocle, produced by Trent Bell at Bell Labs Recording Studio in Norman, Oklahoma. In late 2009 Scott Frazier of Overtone Music Group was sent to Oklahoma City to see another band.

Katajjaq (also pirkusirtuk and nipaquhiit) is a type of traditional competitive song, considered a game, usually held between two women. It is one of the world's few examples of overtone singing, a unique method of producing sounds that is otherwise best known in Tuvan throat-singing. When competing, two women stand face-to-face and sing using a complex method of following each other, thus that one voice hits a strong accent while the other hits a weak, melding the two voices into a nearly indistinguishable single sound. They repeat brief motifs at staggered intervals, often imitating natural sounds, like those of geese, caribou or other wildlife, until one runs out of breath, trips over her own tongue, or begins laughing, and the contest is then over.

The reason for this half scale is because the left half creates the same tones as the right half when played as a flageolet tone and therefore the extra dots on the left half are useless for how this instrument is played. The scale of harmonics was, together with the book of Helmholtz an inspiration for Harry Partch to switch to just intonation and alternate tuning systems to create more consonant music than possible with the equal temperament. Partch's tone selection otonality from his utonality and otonality concept are the complement pitches of the overtones. For instance: the frequency ratio 5:4 is equal to of the string length and is the complement of , the position of the fifth harmonic (and the fourth overtone).

Early spectral composers were centered in the cities of Paris and Cologne and associated with the composers of the Ensemble l'Itinéraire and the Feedback Group, respectively. In Paris, Gerard Grisey and Tristan Murail were the most prominent pioneers of spectral techniques; Grisey’s “Espaces Acoustiques” and Murail’s “Gondwana” were two influential works of this period. Their early work emphasized the use of the overtone series, techniques of spectral analysis and ring and frequency modulation, and slowly unfolding processes to create music which gave a new attention to timbre and texture. The German Feedback Group, including Johannes Fritsch, Mesias Maiguashca, Peter Eötvös, Claude Vivier, and Clarence Barlow, was primarily associated with students and disciples of Karlheinz Stockhausen, and began to pioneer spectral techniques around the same time.

Instead, the vocational training had a dominant racial overtone that stressed African training for skills fitting with their assumed social and mental inadequacy. Notably, the Belgians under King Leopold prohibited access to higher education in their colonies whereas other colonial powers put in barriers in infrastructure or access such as limiting language of instruction to the language of the colonizer, limits on teaching curriculums, and ensuring the curriculum did not reflect any Afro-ethnicity. By demanding that communities create physical schools with strict curriculum, the foreign powers were able to dictate what the people learned, adjusting it to further their agenda. This not only forced new form and content to education, but abandoned the knowledge gained from the largely informal education.

He began his address with a philosophical overtone, describing the rational faculties of man. Porter stated that man is only able to conceive of rational thought from existing rational thought; the same holds true for perceptions of objects. Porter then expressed his discontent towards the mental ability of man, stating, "... without the aid of divine revelation, how utterly incapable is the mind of man, much we boast of its powers ..." Although Porter was skeptical of the mental capability of man, he did acknowledge the intellectual prowess of a select few individuals in the earlier time period of mankind. Moving on to the subject of religion, Porter stated that religion has actually aided learning throughout even the earliest of monastic systems.

The conventional English usage is that the word "serial" applies to all twelve-tone music, which is a subset of serial music, and it is this usage that is generally intended in reference works. Nevertheless, a large body of music exists that is called "serial" but does not employ note-rows at all, let alone twelve-tone technique, e.g., Stockhausen's Klavierstücke I–IV (which use permuted sets), his Stimmung (with pitches from the overtone series, which is also used as the model for the rhythms), and Pousseur's Scambi (where the permuted sounds are made exclusively from filtered white noise). When serialism is not limited to twelve-tone techniques, a contributing problem is that the word "serial" is seldom if ever defined.

Shaw was noted for his mastery and innovative use of "wide" intervals, often fourths and fifths, which are considered relatively unnatural to the trumpet and difficult to employ skillfully due to (a) the technical facility required to do so, (b) the architecture of the instrument, (c) the trumpet's inherent harmonic tendencies based on the overtone series, and (d) its traditional association with intervals based more commonly on thirds and diatonic relationships. In both his improvisations and his compositions, Shaw frequently used polytonality, the combination of two or more tonalities or keys (i.e. multiple chords or harmonic structures) at once. In his solos, he often superimposed highly complex permutations of the pentatonic scale and sequences of intervals that modulated unpredictably through numerous key centers.

Javārī, (also: 'joārī', 'juvārī', 'jvārī' (alternately transcribed 'jawārī', 'jowārī', 'joyārī', 'juwārī', and 'jwārī')) in Indian classical music refers to the overtone-rich "buzzing" sound characteristic of classical Indian string instruments such as the tanpura, sitar, surbahar, rudra veena and Sarasvati veena. Javari can refer to the acoustic phenomenon itself and to the meticulously carved bone, ivory or wooden bridges that support the strings on the sounding board and produce this particular effect. A similar sort of bridge is used on traditional Ethiopian lyres, as well as on the ancient Greek kithara, and the "bray pins" of some early European harps operated on the same principle. A similar sound effect, called in Japanese sawari, is used on some traditional Japanese instruments as well.

It has been called "... the psychoacoustician's multidimensional waste-basket category for everything that cannot be labeled pitch or loudness," but can be accurately described and analyzed by Fourier analysis and other methods because it results from the combination of all sound frequencies, attack and release envelopes, and other qualities that a tone comprises. Timbre is principally determined by two things: (1) the relative balance of overtones produced by a given instrument due its construction (e.g. shape, material), and (2) the envelope of the sound (including changes in the overtone structure over time). Timbre varies widely between different instruments, voices, and to lesser degree, between instruments of the same type due to variations in their construction, and significantly, the performer's technique.

Rasmussen speaking at a pre-concert panel discussion at Other Minds 18 in 2013 Rasmussen’s music always has a natural complexity, combining his jazz background with a rich tradition of Faroese folk music and electroacoustic and spectral music. He transforms folk music themes using spectral and serial techniques, using intervals in the original melody to generate rhythmic segments and harmonic overtone spectra to determine the melodic and timbral material; the result is an abstraction from Faroese traditional music, even though none of the original melodies can be discerned in the finished composition. He also draws much inspiration from the Faroese author and artist William Heinesen (1900-1991), using both the text and the mood of Heinesen's poetry in his music. The result is highly evocative, beautiful, and not difficult to listen to.

R. W. Fox, C. W. Oates, and L. W. Hollberg, "Stabilizing diode lasers to high finesse cavities", in Cavity-Enhanced Spectroscopies, R. D. van Zee and J. P. Looney, eds. (Elsevier Science, New York, 2002)J. L. Hall and T. W. Hansch, "External dye-laser frequency stabilizer", Optics Letters 9 (11), 502–504 (1984) It has been shown by that also electronically locked CEAS can be used for sensitive AS on overtone lines.K. Nakagawa, T. Katsuda, A. S. Shelkovnikov, M. Delabachelerie, and M. Ohtsu, "Highly Sensitive Detection of Molecular Absorption Using a High Finesse Optical Cavity", Optics Communications 107 (5–6), 369–372 (1994)M. Delabachelerie, K. Nakagawa, and M. Ohtsu, "Ultranarrow (C2H2)-C-13 Saturated-Absorption Lines at 1.5 Mu-M", Optics Letters 19 (11), 840–842 (1994)G.

Stockhausen himself attributes a month spent walking among ruins in Mexico as his primary influence, Stimmung recreating that 'magic' space. On the other hand, he also describes the snow on frozen Long Island Sound in February and March 1968 (when he was composing Stimmung in Madison, Connecticut), as "the only landscape I really saw during the composition of the piece" . In a letter to Gregory Rose written on 24 July 1982 (printed in the liner notes to Hyperion CDA66115), he describes how, in the small house his wife Mary had rented it was only possible for him to work at night because their two small children needed quiet during the day. He could not sing aloud, as he had done initially, but began to hum quietly, listening to the overtone melodies.

Cowell's interest in harmonic rhythm, as discussed in New Musical Resources, led him in 1930 to commission Léon Theremin to invent the Rhythmicon, or Polyrhythmophone, a transposable keyboard instrument capable of playing notes in periodic rhythms proportional to the overtone series of a chosen fundamental pitch. The world's first electronic rhythm machine, with a photoreceptor-based sound production system proposed by Cowell (not a theremin-like system, as some sources incorrectly state), it could produce up to sixteen different rhythmic patterns simultaneously, complete with optional syncopation. Cowell wrote several original compositions for the instrument, including an orchestrated concerto, and Theremin built two more models. Soon, however, the Rhythmicon would be virtually forgotten, remaining so until the 1960s, when progressive pop music producer Joe Meek experimented with its rhythmic concept.

The regular behavior of the Cepheids has been successfully modeled with numerical hydrodynamics since the 1960s, and from a theoretical point of view it is easily understood as due to the presence of center manifold which arises because of the weakly dissipative nature of the dynamical system. This, and the fact that the pulsations are weakly nonlinear, allows a description of the system in terms of amplitude equations and a construction of the bifurcation diagram (see also bifurcation theory) of the possible types of pulsation (or limit cycles), such fundamental mode pulsation, first or second overtone pulsation, or more complicated, double- mode pulsations in which several modes are excited with constant amplitudes. The boundaries of the instability strip where pulsation sets in during the star's evolution correspond to a Hopf bifurcation.

Originally written by Jerome Kern as a duet, sung by Linda Scott in this rendition by herself, Gans suggests it takes on a homosexual overtone in Mulholland Drive. Unlike "Sixteen Reasons", however, portions of "I've Told Ev'ry Little Star" are distorted to suggest "a sonic split-identity" for Camilla. When the song plays, Betty has just entered the sound stage where Adam is auditioning actresses for his film, and she sees Adam, locks eyes with him and abruptly flees after Adam has declared "This is the girl" about Camilla, thereby avoiding his inevitable rejection. At the hinge of the film is a scene in an unusual late night theater called Club Silencio where a performer announces "No hay banda (there is no band) ... but yet we hear a band", variated between English, Spanish and French.

The Völkisch movement emerged in the late 19th century, drawing inspiration from German Romanticism and the history of the Holy Roman Empire, and what many saw as its harmonious hierarchical order. The delayed unification of the German-speaking peoples under a single German Reich in the 19th century is cited as conducive to the emergence of the Völkisch movement. Despite the previous lower-class connotation associated to the word Volk, the Völkisch movement saw the term with a noble overtone suggesting a German ascendancy over other peoples. Thinkers led by Arthur de Gobineau (1816–1882), Georges Vacher de Lapouge (1854–1936), Houston Stewart Chamberlain (1855–1927), Ludwig Woltmann (1871–1907) or Alexis Carrel (1873–1944) were inspired by Darwin's theory of evolution in advocating a "race struggle" and a hygienist vision of the world.

CCS can be a ligand. It can form an asymmetrical bridge between two molybdenum atoms in Mo2(μ,σ(C):η2(C′S)-CCS)(CO)4(hydrotris(3,5-dimethylpyrazol-1-yl)borate)2 In this one carbon atom has a triple bond to a molybdenum and the other has a double bond to the other molybdenum atom, which also has a single bond to the sulfur atom. The ultraviolet spectrum shows absorption bands between 2800 and 3370 Å and also in the near infrared between 7500 and 10000 Å. CCS can react with CCCS to form C5S. The infrared spectrum in solid argon shows a vibration band at 1666.6 cm−1 called v1 and another called v2 at 862.7 cm−1. The 2v1 overtone is at 3311.1 cm−1.

In the meantime, Area recorded and released their second studio album, Caution Radiation Area. In 1975, Stratos was involved with compared musicology and studied the problems of ethnic vocality, the vocal methods in East Asian music, and—in particular—the overtone singing techniques. He gradually became more and more deeply involved in the mysterious world of vocal sounds, widening his immense work on the importance of the voice in the Asian and Middle Eastern civilizations. Also in 1975, Area released their third studio album, Crac!. In 1976, Stratos released his first studio album as a solo artist, Metrodora, which was the result of his vocal studies and research. Its title and the single lyric that was included were inspired by Metrodora, a Byzantine woman physician of the 6th century.

Old Friends and New Fancies is set in the same time as Austen's own novels and is similarly structured, with a focus on the challenges of matchmaking among pairs of lovers kept apart by various social and economic tensions. It has something of a postmodern overtone in that it mixes together characters from all six of Austen's major novels, creating an enormously extended network of friends, relations, and acquaintances. For example, Elizabeth (Bennet) Darcy (of Pride and Prejudice), Elinor (Dashwood) Ferrars (of Sense and Sensibility), and Anne (Elliot) Wentworth (of Persuasion) are all friends. Despite the fact that Brinton provides a full list of characters (sorted by their source books), keeping the cast straight is something many readers complain about, since quite a few of the characters are only mentioned in passing.

The quartz crystal microbalance functions as a vibrational viscometer by the piezoelectric properties inherent in quartz to perform measurements of conductance spectra of liquids and thin films exposed to the surface of the crystal. From these spectra, frequency shifts and a broadening of the peaks for the resonant and overtone frequencies of the quartz crystal are tracked and used to determine changes in mass as well as the viscosity, shear modulus, and other viscoelastic properties of the liquid or thin film. One benefit of using the quartz crystal microbalance to measure viscosity is the small amount of sample required for obtaining an accurate measurement. However, due to the dependence viscoelastic properties on the sample preparation techniques and thickness of the film or bulk liquid, there can be errors up to 10% in measurements in viscosity between samples.

The defining characteristic of the barbershop style is the ringing chord, one in which certain overtones of the four voices reinforce each other, sometimes so strongly that the overtone is perceived by the listener as a distinct tone, even though none of the voices are perceived as singing that tone. This effect occurs when the chord, as voiced, contains intervals which have strongly reinforcing overtones (fifths and octaves, for example) that fall in the audible range; and when the chord is sung in perfect just tuning without excessive vibrato. Both of these characteristics are important in many styles of singing, but in Barbershop there is an extreme emphasis on them that tends to override other musical values. For example, favored chords in the jazz style are characterized by intervals which don't audibly ring, such as diminished or augmented fifths.

The settlement is not mentioned in the Domesday Book, but was first recorded in 1195, via a 14th-century source, as Ouerton.Overton Historic Settlement Survey, Clwyd- Powys Archaeological Trust Its name was also recorded as Overtone in 1201, Awtun, in the 14th century and Ortyn in the 15th, all of which are forms of a name meaning "settlement on the bank [of the Dee]". A castle was built here in the 12th century by Madog ap Maredudd, a prince of Powys: Overton was granted the right to a weekly market and annual fair in 1279 by the English king and became a borough by royal charter in 1292, at which time 56 taxpayers lived there. One of Overton's earliest appearances in history was as one of the first targets of the revolt of 1294–95, led by Madog ap Llywelyn.

Wolfe's second album Montagu Square was conceived and recorded at 34 Montagu Square – the former home of Jimi Hendrix, Ringo Starr, Paul McCartney, John Lennon & Yoko Ono – and the album's single "Take Me Home" was recorded in the room where McCartney wrote ‘"Eleanor Rigby" & Hendrix penned "The Wind Cries Mary." Montagu Square received positive reviews with The Independent newspaper calling the album "absolutely gorgeous" and praising Wolfe for being a "pioneering songwriter", Forbes calling it "extraordinary," The Huffington Post highlighting its "strong percussive sound with a bluesy overtone" and praising its "refreshingly low fi and honest" sound and Monocle Magazine describing the album as: "pure and simple; a short, sharp flip-it-over-and-listen-again LP of well-made, expertly played, beautifully sung chamber pop." Following Montagu Square's release, Wolfe was nominated for Google Play Music's "Best Digital Artist" alongside the 1975.

The last essay was delayed because of the French and Indian War.Thoms, 100 The essay on iron-making was published in 1763. The first three essays were published in New London, Connecticut; essays four and five were published in New York. The sixth agricultural essay was published in New Haven, Connecticut and the iron- making essay was again published in New York. The fact that the essays were published near his home enabled his neighbors and friends to share his accomplishments; “Jared is best seen as a thoughtful and convincing writer”.Thoms, 90 Jared wrote his essays in a flowing, easily understandable style, describing farming in the light of science. He added a religious overtone, asserting that his creatures were working for the “fulfillment of the kingdom”. Each essay had a different topic, ending with an appropriate Biblical verse.

Debates in Parliament, Samuel Johnson. Columbia and an early rendition of Uncle Sam in an 1869 Thomas Nast cartoon having Thanksgiving dinner with a diverse group of immigrants An 1872 painting titled American Progress which depicts Columbia as the Spirit of the Frontier, carrying telegraph lines across the Western frontier to fulfill manifest destiny By the time of the Revolution, the name Columbia had lost the comic overtone of its Lilliputian origins and had become established as an alternative, or poetic name for America. While the name America is necessarily scanned with four syllables, according to 18th-century rules of English versification Columbia was normally scanned with three, which is often more metrically convenient. For instance, the name appears in a collection of complimentary poems written by Harvard graduates in 1761 on the occasion of the marriage and coronation of King George III.

The overtone-rich sound and the audible movement in the inner resonances of tone is achieved by applying the principle of jivari which creates a sustained "buzzing" sound in which particular harmonics will resonate with focused clarity. To achieve this effect, the strings pass over a table-shaped, curved-top bridge, the front of which slopes gently away from the surface of the strings. When a string is plucked, it has an intermittent periodical grazing contact with the bridge. When the string moves up and down, the downward wave will touch a far point on the curve of the bridge, and as the energy of motion of the string gradually diminishes, these points of contact of the string on the bridge will gradually shift as well, being a compound function of amplitude, the curvature of the bridge, pitch, string tension and time.

While superficially resembling in its pitch-jumping effect the overblowing of other (beating-reed, aerophone, brass) wind instruments, harmonica overblowing is completely unrelated from the standpoint of the underlying physics. It does not induce the sounding reed to sound a higher overtone – free reed overtones do not even begin to approximate the harmonic series nor are they particularly musical – nor does it induce a higher vibrational mode in air in a pipe or other resonator – harmonicas generally have no such resonator. Rather, it silences the sounding reed while eliciting sound from the formerly silent one – the one that normally responds to air flowing in the opposite direction. A key fact for understanding both overblowing and bending on such an instrument: a free reed mounted over a reedplate slot will normally respond to air flows that pull it initially into the slot, i.e.

For example the Mixolydian mode (root note is the second draw or third blow), produces a major dominant seventh key that is frequently used by blues players because it contains the harmonically rich dominant seventh note, while the Dorian mode (root note is four draw) produces a minor dominant seventh key. Harmonica players (especially blues players) have developed terminology around different "positions," which can be confusing to other musicians, for example the slang terminology for the most common positions (1st being 'straight', 2nd being 'cross', 3rd being 'slant', etc.). Another technique, seldom used to its full potential, is altering the size of the mouth cavity to emphasize certain natural overtones. When this technique is employed while playing chords, care must be taken in overtone selection as the overtones stemming from the non- root pitch can cause extreme dissonance.

This view is largely based on the fact that the overtone series has been accepted because it can be explained by materialistic science, while the prevailing conviction about the undertone series is that it can only be achieved by taking subjective experience seriously. For instance, the minor triad is usually heard as sad, or at least pensive, because humans habitually hear all chords as based from below. If feelings are instead based on the high "fundamental" of an undertone series, then descending into a minor triad is not felt as melancholy, but rather as overcoming, conquering something. The overtones, by contrast, are then felt as penetrating from outside. Using Rudolf Steiner’s work, Jackson traces the history of these two series, as well as the main other system created by the circle of fifths, and argues that in hidden form, the series are balanced out in Bach's harmony.

Stopping a note on one string, for example first finger "E" on the D string, and having another finger just touching the string a fourth higher, in this case on the position of the note "A", produces the fourth harmonic of the "E," sounding a tone two octaves above the note that is stopped, in this case, E. Finger placement and pressure, as well as bow speed, pressure, and sounding point are all essential in getting the desired harmonic to sound. The "harmonic finger" can also touch at a major third above the pressed note, or a fifth higher. These harmonics are less commonly used because they are more difficult to make sound well. In the case of the major third, the harmonic is higher in the overtone series, and does not speak as readily; in the case of the fifth, the stretch is greater than is comfortable for many violinists.

Ahir intelligensia "rewrote" certain historical documents to prove this connection, forming a national Yadav organization that continues to coordinate and promote the mobility drive of the caste. Integral to this movement are retelling of caste history that reflect its martial character; ..." however, the overall tenor of their movement has not been overtly egalitarian in the context of the larger Indian caste system. Quote: "Rather, the low caste movements can more pertinently be regrouped in two broader categories: first, the reform movements situating themselves within the Hindu way of life, be they relying on the mechanisms of Sanskritisation or on the bhakti tradition; and second those which are based on an ethnic or western ideology with a strong egalitarian overtone. The Yadav movement—and to a lesser extent the Ezhavas—can be classified in the first group whereas all the other ones belong to the second category.

Giacinto developed expertise in atomic force microscopy (AFM) to study surface structure and more recently, tip induced surface modification using the nanografting technique [16,17] which had been previously developed by his former student Gang Yu Liu. In collaboration with Steve Bernasek, Giacinto has also studied the influence of vibrational excitation (again for the first time in the first C-H overtone region) on the sticking probability of a molecule (methane) on a metal surface [18]. Starting in 2003, Scoles returned part-time to Italy, taking appointments at the Trieste Synchrotron Elettra and the International School for Advanced Studies (SISSA), In SISSA he joined the Condensed Matter group where he began collaborating on theoretical problems dealing with helium nanodroplets and with physisorption. At the same time, he started an experimental group in Elettra, focusing on nanoscience, with particular attention to self-assembled monolayers and their properties [19,20].

Marco was born in Madrid where he later studied violin and composition, while at the same time pursuing the study of law (he received his licenciate in law in 1963). He turned to composition in 1958, and in 1962 began attending the Darmstädter Internationale Ferienkurse, where he furthered his studies with Bruno Maderna, Pierre Boulez, Karlheinz Stockhausen, György Ligeti, Gottfried Michael Koenig, and Theodor W. Adorno. In 1967 he participated in Stockhausen’s collective composition project Ensemble at Darmstadt. His compositional style is rooted in the music of the Darmstadt School. For example, Transformación (1974) strongly recalls Ligeti’s Lux aeterna (1966)—both are composed for 16 solo voices—as well as the harmonic overtone-singing of Stockhausen’s Stimmung (1968). In 1965 he began a brief association with the neo-Dada composers’ group Zaj, founded the previous year by Walter Marchetti, Juan Hidalgo, and Ramón Barce .

The name "acoustic scale" refers to the resemblance to the eighth through 14th partials in the harmonic series (). Starting on , the harmonic series is , , , , , , , , , , , , , , , ... The bold notes spell out an acoustic scale on . However, in the harmonic series, the notes marked with asterisks are out of tune: () is almost exactly halfway between and , () is closer to than , and is too flat to be generally accepted as part of an equal tempered scale. The acoustic scale may have formed from a major triad (C E G) with an added minor seventh and raised fourth (B and F, drawn from the overtone series) and major second and major sixth (D and A). Lendvai described the use of the "acoustic system" accompanying the acoustic scale in Bartók's music, since it entails structural characteristics such as symmetrically balanced sections, especially periods, is contrasted with his use of the golden section.

Both works have craftsmanship and musical ideas that build into a large, consistent form...They combine direct expressive impact with an overtone of broader vision.”"Enthusiasm Greets Leplin's Tone Poems," by Alexander Fried, S.F. Examiner, May 6, 1960 The conductor was Enrique Jorda. Jorda also conducted Leplin's next piece, Symphony No. One, which was commissioned by Agnes Albert and other friends of the Symphony for its 50th Anniversary season."Talent and Courage Give Birth to a Symphony—A Painter-Composer Holds a Dual Premiere" by Alexander Fried, S.F. Examiner, 1/2/1962"A Pianist and a Composer Join the Symphony's Jubilee," by Alexander Fried, S.F. Examiner, January 4, 1962 SFS premiered it on 3, 4, 5 of January 1962.San Francisco Symphony 50th Season - Fifth Program, January 3,4,5, 1962 Subtitled "Of the Twentieth Century," it has a title for each movement: Illumination, Consternation, Contemplation and Adaptation.

However, some overtones in some instruments may not be of a close integer multiplication of the fundamental frequency, thus causing a small dissonance. "High quality" instruments are usually built in such a manner that their individual notes do not create disharmonious overtones. In fact, the flared end of a brass instrument is not to make the instrument sound louder, but to correct for tube length “end effects” that would otherwise make the overtones significantly different from integer harmonics. This is illustrated by the following: Consider a guitar string. Its idealized 1st overtone would be exactly twice its fundamental if its length were shortened by ½, perhaps by lightly pressing a guitar string at the 12th fret; however, if a vibrating string is examined, it will be seen that the string does not vibrate flush to the bridge and nut, but it instead has a small “dead length” of string at each end.

Torg is designed to allow players to derive enjoyment from how characters, equipment, and environments of the various realities interact, such as having Terminator-style futuristic cyborgs adventure alongside Dungeons & Dragons-style mages in an Indiana Jones-style pulp setting. It also allows playing a game with an explicitly epic or 'cinematic' overtone (as in Star Wars or Buffy the Vampire Slayer, as opposed to RPGs like Vampire: The Masquerade or Dungeons & Dragons). Torg provides a unified mechanics system suitable for any setting; character attributes and game mechanics use a single sliding scale ('18' can equally mean an hour of time, a truckload of weight, an expert marksman's skill, or $4,000) and a unified method of task resolution involving a d20. At the same time it provides an open-ended die mechanic: one twenty-sided die roll, read through a bonus chart, gives the bonus to a character's skill for that attempt.

Other important articles from this period include "Elektronische und Instrumentale Musik" ("Electronic and Instrumental Music", 1958), "Musik im Raum" ("Music in Space", 1958), "Musik und Graphik" ("Music and Graphics", 1959), "Momentform" (1960), "Die Einheit der musikalischen Zeit" ("The Unity of Musical Time", 1961), and "Erfindung und Entdeckung" ("Invention and Discovery", 1961), the last summing up the ideas developed up to 1961. Taken together, these temporal theories > suggested that the entire compositional structure could be conceived as > "timbre": since "the different experienced components such as colour, > harmony and melody, meter and rhythm, dynamics, and form correspond to the > different segmental ranges of this unified time", the total musical result > at any given compositional level is simply the "spectrum" of a more basic > duration—i.e., its "timbre", perceived as the overall effect of the overtone > structure of that duration, now taken to include not only the "rhythmic" > subdivisions of the duration but also their relative "dynamic" strength, > "envelope", etc.

7 is the seventh studio album by French DJ and record producer David Guetta, released on 14 September 2018 by What a Music, Parlophone and Big Beat Records. Released as a double album, the collection features commercial pop collaborations on the first disc, whilst disc two features underground house music akin to Guetta's starting roots as a DJ. The latter is credited to Jack Back, which Guetta revealed to be his alias and as a means to release more dance music alongside his pop collaborations. This side of the album is known as the Jack Back Project and was also released independently as a mixtape titled the Jack Back Mixtape, preceded by the release of the song "Overtone". 7 was made available to pre-order on 23 August 2018 via Guetta's official website with options to pre-save the album stream on Apple Music, Spotify and Deezer, as well as purchase via Amazon as either a digital download, CD or vinyl.

The Guide to British Theatres describes Emden's early work as "the epitome of architectural illiteracy" betraying his lack of formal training in architecture. He benefited from his collaborations and the Guide describes a "well behaved, precise quality to Emden's later work which properly reflects his social achievements in the world of affairs" Sadly, theatre and music-hall design was not accorded the same accolades accorded to civic and church architecture when they were built, it was not until the late 20th century that they were accorded any importance and many of Emden's surviving buildings have now been listed as being of architectural significance. He formally retired in 1906, passing the practice to Emden, Egan and Co., a partnership formed from his four principal assistants; Stephen H. Egan, William S. Emden, A. J. Croughton and T. C. Overtone. They remained in offices in Lancaster Place, off the Strand and designed many suburban London cinemas and hotels, including the iconic "State Cinema" (1910) in Leytonstone.

The gifts repaid the entire cost of the expedition, provided large annuities (carefully doled out by expedition status and rank) for the widows and survivors, and left a substantial surplus for eventual use as the startup endowment of the Scott Polar Research Institute (SPRI), part of Cambridge University. Under these conditions, Ponting's Antarctic work took on a tragic overtone and became a memorial to Scott and his companions rather than a celebration. It was, however, used extensively in the press and exhibited at the Fine Art Society, Bond Street, shown in venues all over Britain and used in numerous lectures by Ponting and other expedition members (including at Buckingham Palace and the Royal Albert Hall). When World War I began Ponting tried, unsuccessfully, to persuade the War Office to make use of his skills as a photographer and war correspondent, but his age was cited as a reason for his being rejected for war service.

One of the founders of the JACS Long Island branch explained why Jewish Alcoholics, Chemical Dependents and Significant Others was formed, rather than direct people to Alcoholics Anonymous: "to an observant Jew who has to meet in a church basement ... not always going to work." Another co-founder added that even to"help save one life .. one of the highest commandments." One Jewish doctor was anonymously quoted by The New York Times as saying that > Most 12-step programs have a religious overtone, and it's difficult for > people who were raised Jewish to feel initially comfortable with mainstream > ideology that is Christian-oriented. The Serenity Prayer, attributed to the theologian Reinhold Niebuhr and recited at the end of A.A. meetings ... God is mentioned directly or indirectly in five of the Twelve Steps: JACS also has a unit called Teen Network, and, like the parent organization, it focuses across various degrees of regligiousity.

Before valves were invented in the 19th century, horns and trumpets could play only the notes of the overtone series from a single fundamental pitch. (Exceptions included slide-bearing versions such as the sackbut and finger-hole horns like the cornett and serpent.) Beginning in the early 18th century, a system of crooks was devised in Germany, enabling this fundamental to be changed by inserting one of a set of crooks between the mouthpiece and the lead pipe of the instrument, increasing the total length of its sounding tube. As a result, all horn music was written as if for a fundamental pitch of C, but the crooks could make a single instrument a transposing instrument into almost any key. Changing these lead-pipe crooks was time-consuming, and even keeping them from falling out while playing was a matter of some concern to the player, so changing crooks could take place only during substantial rests.

The novel is set in the far future, where interplanetary and alternate-dimension travel is possible. In addition, an Internet-like information system, known as "Granny Nanny", dominates daily life, with each person being injected with nanomites that allow mental access to Granny Nanny at birth. This access takes the form of an eshu, a mental voice within the head that provides information upon request and operates as a sort of sixth sense. The use of Granny Nanny is so widespread that the word has somewhat of a religious overtone (characters will often swear to Granny Nanny, for example). The story is eventually revealed to be narrated by Granny Nanny, speaking to Tan-Tan’s child as he is being born. The book’s protagonist is Tan-Tan Habib, a seven-year-old girl living in Cockpit County on the Carib- colonized planet of Toussaint (named for Toussaint Louverture), with her father Antonio and mother Ione.

He then gathers his chief knights, including some of his former enemies who joined him, at his capital Camelot and establishes the Round Table fellowship as all swear to the Pentecostal Oath as a guide for knightly conduct. The first volume also tells "The Tale of Balyn and Balan", of the treason of Arthur's half-sister, the sorceress-queen Morgan le Fay, and of the begetting of his incestuous son Mordred by one of his other royal half-sisters, Morgause (though Arthur did not know her as his sister). On Merlin's advice, Arthur takes every newborn boy in his kingdom and all but Mordred, who miraculously survives and eventually indeed kills his father in the end, perish at sea (this is mentioned matter-of-fact, with no apparent moral overtone). In this first book, Malory addresses his contemporary preoccupations with legitimacy and societal unrest, which will appear throughout the rest of the work.

Academics have noted that the alleged racial overtone of the ad was a key aspect of the way the ad was remembered and later studied. On October 22, in an attempt to counter- attack, Dukakis' campaign ran an ad about a convicted heroin dealer named Angel Medrano who raped and killed a pregnant mother of two after escaping from a federal correctional halfway house. In 1990, the Ohio Democratic Party and a group called "Black Elected Democrats of Ohio" filed a complaint with the Federal Election Commission alleging that NSPAC had coordinated or cooperated with the Bush campaign in airing the ad, which would make it an illegal in kind campaign contribution. Investigation by the FEC, including deposition of officials from both organizations, revealed indirect connections between McCarthy and the Bush campaign (such as his having previously worked for Ailes), but found no direct evidence of wrongdoing, and the investigation reached an impasse and was eventually closed with no finding of any violation of campaign finance laws.

The New York State Council on the Arts funded event in collaboration Mr. Hykes and his Harmonic Choir used the two-thousand-year-old tradition of Mongolian overtone chanting, practiced by these musicians, to control the visual phenomena created by the system of scanning lasers, video displays and computer processor. Working in the later '90s, Mr. Rocco explored the potential of web based projects in works like Rabinal Achi/Zapatista Port Action of 1997, a collaboration with Ricardo Dominguez, for the M.I.T /List Center Gallery's exhibition PORT/Navigating Digital Culture, and Communicating Vessels with Dutch artist Arnold Schalks. Rabinal Achi/Zapatista Port Action, was a fusion of drama and social commentary into a work spanning eight hundred years of Mayan History. Eight broadcast events were produced (via Pseudo Media in New York), bringing together news clips, interviews and discussion groups from Chiapas, Mexico, and the U.S. along with Mayan theater, for the List Gallery exhibition and the Internet.

S. Taubman, T. L. Myers, B. D. Cannon, and R. M. Williams, "Stabilization, injection and control of quantum cascade lasers, and their application to chemical sensing in the infrared," Spectrochimica Acta Part A-Molecular and Biomolecular Spectroscopy 60 (14), 3457-3468 (2004)J. Bood, A. McIlroy, and D. L. Osborn, "Measurement of the sixth overtone band of nitric oxide, and its dipole moment function, using cavity-enhanced frequency modulation spectroscopy," Journal of Chemical Physics 124 (8)(2006)F. M. Schmidt, A. Foltynowicz, W. Ma, and O. Axner, "Fiber-laser-based noise-immune cavity- enhanced optical heterodyne molecular spectrometry for Doppler-broadened detection of C2H2 in the parts per trillion range," JOSA B 24 (6), 1392-1405 (2007)F. M. Schmidt, A. Foltynowicz, W. Ma, T. Lock, and O. Axner, "Doppler- broadened fiber-laser-based NICE-OHMS - Improved detectability," Optics Express 15 (17), 10822-10831 (2007) However, although the NICE-OHMS technique has shown to possess an extremely high detectability, it has so far only sparsely been developed towards trace gas analysis.

Noel Sharkey, A 13th Century Programmable Robot (Archive), University of Sheffield. Rhythmicon (1932) and Joseph Schillinger, a music educator ;Rhythmicon (1930–1932) In 1930–32, the innovative and hard-to-use Rhythmicon was developed by Léon Theremin at the request of Henry Cowell, who wanted an instrument which could play compositions with multiple rhythmic patterns, based on the overtone series, that were far too hard to perform on existing keyboard instruments. The invention could produce sixteen different rhythms, each associated with a particular pitch, either individually or in any combination, including en masse, if desired. Received with considerable interest when it was publicly introduced in 1932, the Rhythmicon was soon set aside by Cowell and was virtually forgotten for decades. The next generation of rhythm machines played only pre-programmed rhythms such as mambo, tango, or bossa nova ;Chamberlin Rhythmate (1957) In 1957, Harry Chamberlin, an engineer from Iowa, created the Chamberlin Rhythmate, which allowed users to select between 14 tape loops of drum kits and percussion instruments performing various beats.

Namtchylak is an experimental singer, born in 1957 in a secluded village in the south of Tuva. She is proficient in overtone singing; her music encompasses avant-jazz, electronica, modern composition and Tuvan influences. In Tuva, numerous cultural influences collide: the Turkic roots and culture it shares with Central Asian states, the Xinjiang Uyghur Autonomous Region, Bashkortostan and Tatarstan; the strong Mongolic cultural influence and traditions it shares with Mongolia, Inner Mongolia, Buryatia and Kalmykia; the cultural influences from the various Siberian nomadic ethnic groups such as Samoyeds, Yeniseians, Evenks and from the Russian Old Believers, the migrant and resettled populations from Ukraine, Tatarstan and other minority groups west of the Urals. All of these, to extents, impact on Namtchylak's voice, although the Siberian influences dominate: her thesis produced while studying voice, first at the University of Kyzyl, then in the Gnesins Institute in Moscow during the 1980s focussed on Lamaistic and cult musics of minority groups across Siberia, and her music frequently shows tendencies towards Tungus-style imitative singing.

The political overtone and historical background when it was created means that communist propaganda was added in inevitably, and the most obvious example was the added portion of happy ending and the protagonists joining the communist force, which did not happen in real life. Along with Red Detachment of Women, the ballet is regarded as one of the classics of revolutionary China, and its music is familiar to almost everyone who grew up during the 1960s. It is one of the Eight Model Operas approved by Jiang Qing during the Cultural Revolution.The White-Haired Girl also intentionally showed the political meaning by creating a figure of diligent and beautiful country woman who was under the oppression of the evil landowner. As it aroused an emotion to against the “old ruling class”, it satisfied “moral ideas of the left-wing literary and artistic intelligence, the popular social and cultural values of rural and urban audiences”. The film presented “the traditional Chinese agricultural lifecycle”, which the poor lived in poverty no matter how hard they have trying.

Equivalent instruments in the key of BB and CC were produced by instrument manufacturers for marching bands who wished to possess the sound of these contrabass bugles, generally regarded as "darker", without losing hornline sonority by having the basses in a different overtone series from the rest of the hornline (or requiring marching tubists to learn another set of fingerings for tuba parts originally written for BB and CC instruments). In the 2000s, contrabass bugles often have three or four valves, as is common on concert tubas. Like most of their concert counterparts, they are pitched in either C or BB♭, although within the dwindling number of drum corps still using older instruments, they are, like the rest of the traditional bugle line, pitched in the key of G (or GG, depending on which naming convention is used). Instruments in any of these keys are generally larger in modern times compared to their older counterparts, although improved materials and construction techniques in the manufacture of instruments allows them to be made stronger and lighter than before.

He would only open his mouth for jokes and soundtracks on France Musique on the occasion of certain firsts of Aprils where he sometimes embodied a soprano with a troubled past, Marguerite Spinrad, sometimes a Tibetan monk follower of the overtone singing, parody the piano music of Olivier Messiaen (an "unpublished" of the Catalogue d'oiseaux : La Roupette des Carpathes - sic !), sang a fake melody by Francis Poulenc on a real text by Marguerite Duras, and pastiched Steve Reich, Giacinto Scelsi or Gérard Pesson. He has been artistic director of the ensemble of Contemporary classical music Musique oblique (1986–1992) as well as festivals such as the Festival estival de Paris (1989-1992) and the series Paris-New York at the French Institute/Alliance française of New York (1998–1999). In 1987, he wrote his first criticisms for Le Monde de la musique. He was also responsible for the classic music page of the monthly magazine Paris Capitale before collaborating, since 1990, with the daily Le Monde, first as an irregular freelancer (1990–1994), then, from 1994, as a freelancer. Since July 1999, he has been a salaried editor of the daily culture series, in charge of classical music.

The word tonality may describe any systematic organization of pitch phenomena in any music at all, including pre-17th century western music as well as much non-western music, such as music based on the slendro and pelog pitch collections of Indonesian gamelan, or employing the modal nuclei of the Arabic maqam or the Indian raga system. This sense also applies to the tonic/dominant/subdominant harmonic constellations in the theories of Jean-Philippe Rameau as well as the 144 basic transformations of twelve-tone technique. By the middle of the 20th century, it had become "evident that triadic structure does not necessarily generate a tone center, that non-triadic harmonic formations may be made to function as referential elements, and that the assumption of a twelve-tone complex does not preclude the existence of tone centers" . For the composer and theorist George Perle, tonality is not "a matter of 'tone-centeredness', whether based on a 'natural' hierarchy of pitches derived from the overtone series or an 'artificial' pre compositional ordering of the pitch material; nor is it essentially connected to the kinds of pitch structures one finds in traditional diatonic music" .