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"ordure" Definitions
  1. solid waste from the body of a person or an animal

36 Sentences With "ordure"

How to use ordure in a sentence? Find typical usage patterns (collocations)/phrases/context for "ordure" and check conjugation/comparative form for "ordure". Mastering all the usages of "ordure" from sentence examples published by news publications.

She combines glamour and ordure in a manner that can resemble the prose of Ottessa Moshfegh.
Well done to whoever left the lights on; it at least distracted us from the ordure on the pitch.
"It is I, Abigail," she says, standing there with ordure on her dress, having been booted out of a carriage.
In 2013, researchers looked at 47 WWTPs in 21 European countries, analyzing the narcotic laced ordure of nearly 25 million people.
In gardens, the scent of frangipani carries on the damp breeze; in cities, that unmistakably Indian blend of ordure, asphalt and spice.
The alternative — trying to cram all this ordure back into its closet and forget we ever saw it — is, I hope, unthinkable.
Government entomologists imported dozens of species of beetles to address several problems, among them fouled pastures, slowing decomposition and disease-carrying flies in ordure.
The grotesque swearwords had concrete referents; using them meant dragging down whichever lofty prick you hated so much into the true and ordinary world of piss and ordure.
Recent news suggests a deeply unsettled U.S. intelligence community, constitutionally bound to serve a president who drops them in the ordure to back up a claim that no one but he believes.
On that subject, he explains to the Deep Thinkers that he prefers order to ordure, though they are more or less the same thing, only because "order" is easier to spell and don't sound so foreign.
At least once in his adult life, he seemed to suffer an episode of psychosis; as a young boy, images both psychedelic and profane would rudely obtrude on his thoughts, including a vision of God seated on a throne high above a cathedral and shattering its roof with a well-aimed bullet of ordure.
He is also a board member of the UK Museum of Ordure, an ongoing collaborative art project with Stuart Brisley and Geoff Cox.
Santa Claus Is a Stinker or Le père Noël est une ordure is a French comedy play created in 1979 by the troupe Le Splendid and turned into a film directed by Jean-Marie Poiré in 1982.
The two writers had met in 1876 through a mutual friend Gustave Flaubert. ;Critics Émile Zola wrote a review calling it a "chef-d’œuvre" (a masterpiece). Zola's review was published in Le Figaro. But another critic, Léon Chapron, disagreed calling it "ordure" (i.e.
Now he started telephoning the media. "I'm the one who's killed this piece of shit. I have a message for you" (" C'est moi qui ai tué cette ordure, j'ai un message à vous délivrer.") Journalists from Le Monde and Le Parisien were among the first to arrive, followed by representatives from Libération, Television France 1 and Radio Monte Carlo.
Dyer's pessimistic view of the world is stressed by his view of it as a "dunghill" attracting flies: "I saw the Flies on this Dunghil Earth, and then considered who their Lord might be."Hawksmoor, p. 16 Ironically the occultist Dyer compares the rationalistic members of the Royal Society with flies: "The Company buzzed like Flies above Ordure".Hawksmoor, p.
From the early 17th century onwards the larger towns and cities began to employ scavengers, as they became known, to remove waste and ordure from the streets. Much of this effluent came from overflowing privies and dunghills, or from chamber pots emptied into the streets from upstairs windows. By 1615 the town of Manchester was employing nineteen under-scavengers, or rakers, managed by two scavengers.
The film received generally negative reviews from film critics. Review aggregator Rotten Tomatoes gives it a score 17% based on reviews from 6 critics. Peter Bradshaw of The Guardian gave the film one star out of five and called Scorched "a bigger and more disagreeable waste of time than rolling an enormous ball of solid ordure up a steep hill"Bradshaw, Peter. Scorched, The Guardian.
Milichiidae attending Rhinocoris bugs mating as the female feeds Neophyllomyza sp. on bee killed by ambush bug The larval stage generally lasts about 2–3 weeks in temperate climates. Larvae primarily feed on rotting vegetable matter or decaying wood or bark and may be reared from manure or decaying plant materials. At least some are coprophagous and feed on human ordure and other detritus, hence the common name "filth flies".
Bruno Moynot (born 20 December 1950, Bois-Colombes, Hauts-de-Seine, France ) is a French actor and theatre director. Part of the famous French comedy group Le Splendid, he is best known for his roles in Patrice Leconte's Les Bronzés and its sequels, and as Zedko Preskovitch in Le Père Noël est une ordure. He is actually the owner of Le Splendid and the Théâtre de la Renaissance with Christian Spillemaecker.
"The sick, the dying, and the dead were indiscriminately mingled together. The ordure and other evacuations of the sick, were allowed to remain in the most offensive state imaginable... It was, in fact, a great human slaughter-house." On September 15, Peter Helm, a barrel maker, and Stephen Girard, a merchant and shipowner born in France, volunteered to personally manage the hospital and represent the Mayor's Committee.Minutes, p. 18.
Jugnot met Christian Clavier, Thierry Lhermitte, and Michel Blanc when attending the Lycee Pasteur de Neuilly-Sur-Seine. Together, they formed the comedy group Le Splendid. He made his debut on the big-screen in Les Valseuses (1974) and Le Juge et l'Assassin (1976). Jugnot's career kick-started when he starred in Les Bronzés (1978), and Le Père Noël est une ordure (1982), which were two acts from Le Splendid adapted for cinema.
Mixed Nuts is a 1994 American Christmas comedy film directed by Nora Ephron, based on the 1982 French comedy film, Le Père Noël est une ordure. Co-written by Ephron and her sister Delia, the film features an ensemble cast which includes Steve Martin, Madeline Kahn, Rita Wilson, Anthony LaPaglia, Garry Shandling, Juliette Lewis, Adam Sandler and, in his first film role, Liev Schreiber. The film was released theatrically on December 21, 1994 and was both critically and commercially unsuccessful.
Thierry Lhermitte (; born 24 November 1952) is a French actor, director, writer and producer, best known for his comedic roles. He was a founder of the comedy troupe Le Splendid in the 1970s, along with, among others, Christian Clavier, Gérard Jugnot, and Michel Blanc. The group adapted a number of its stage hits for the cinema, and scored major successes with films such as Les Bronzés (1978), Les Bronzés font du ski (1979), Le Père Noël est une ordure (1982) and Un indien dans la ville (1994).
Dzu endorsed five tickets, but none were successful. Along with two other failed presidential candidates, Sửu and Hoang Co Binh, Dzu held a media conference accusing Thiệu and Kỳ of engaging in election fraud. Kỳ had not hidden his distaste for democracy or his opponents during the campaign and had "described the civilian candidates as 'ordure' [dirt, filth, excrement], 'traitors', and 'destroyers of the national interest'". Kỳ went on to say that if his opponents continued to attack him, he would cancel the poll.
Gérard Jugnot (; born 4 May 1951) is a French actor, film director, screenwriter and film producer. Jugnot was one of the founders of the comedy troupe Le Splendid in the 1970s, along with, among others, his high-school friends Christian Clavier, Thierry Lhermitte, and Michel Blanc. Then Josiane Balasko and Marie-Anne Chazel joined them. The group adapted a number of its stage hits for the cinema and was extremely successful in films such as Les Bronzés (1978), Les Bronzés font du ski (1979) and Le Père Noël est une ordure (1982).
Born in Paris, Anémone is associated with "Le Splendid", a group of actors and filmmakers who have been a force in French film and theatre since their beginnings in the 1970s, and she appeared in film Le Père Noël est une ordure (1982), although this was at the end her association with the group.Paris Match, 9–15 March 2006 p. 20 In 1988, she was awarded a César Award for Best Actress for her role in Le Grand Chemin, directed by Jean-Loup Hubert. She won one César Award of five nominations.
"For centuries, the Miao, particularly Miao women", writes , "have been feared for their mastery of the so-called gu poison, which is said to inflict death from a distance with excruciating slowness." quotes a Song Dynasty description. > a gold caterpillar is a caterpillar with a gold colour, which is fed with > silk from Shuh (Szĕ-ch‘wen). Its ordure, put in food or drink, poisons those > who take it, causing certain death. It can draw towards a man the > possessions of such victims, and thus make him enormously rich.
Peter Bazalgette is the great-great-grandson of Victorian civil engineer Sir Joseph Bazalgette. A third cousin is Edward Bazalgette who directed and produced the 2003 documentary The Sewer King which charted Sir Joseph Bazalgette's design and engineering of the London sewers. Peter Bazalgette presented a later television show for Five, called The Great Stink, and chaired the Crossness Engines Trust raising £4.5 million to restore the magnificent Victorian pumping station built by his ancestor. An old joke is that where Joseph Bazalgette was responsible for removing ordure from London's homes, his grandson has reversed the process.
Despite being well-rewarded, the role of gong farmer was considered by historians on television series The Worst Jobs in History to be one of the worst of the Tudor period. Those employed at Hampton Court during the time of Queen Elizabeth I, for instance, were paid sixpence a day—a good living for the period—but the working life of a gong farmer was "spent up to his knees, waist, even neck in human ordure". They were only allowed to work at night, between 9pm and 5am. They were permitted to live only in specified areas, and were sometimes overcome by asphyxiation from the noxious fumes produced by human excrement.
Chase played basketball at the local YMCA and attended Wichita Collegiate School. In his teens, he worked on his family's ranches. His first job, at age 15, was at Koch's feed yard in Syracuse, Kansas, where he spent the summer digging post holes and shoveling bovine ordure. He later said that although “I hated Koch Industries at the time,” the experience taught him “a critical life lesson about the importance of hard work.” In September 1993, at the age 16, Koch ran a red light in Wichita as twelve-year-old Zachary Seibert, who was listening to music on his headphones, crossed the street.
However, after being ordered to lay down his arms by Colonel Palmer, Nicholson was forced to watch in tears as his sepoys were slaughtered after refusing to convert to Islam. The British camp outside Kabul in 1842, where Nicholson was released from six months of Afghan imprisonment. Nicholson — together with 10 other British officers — was held captive at Ghazni in a filthy, ordure-ridden, lice- infested cell between 10 March and 19 August 1842. With the approach of the British "Army of Retribution", the captive officers began to receive considerably better treatment and they were taken to join other British prisoners in Kabul on 24 August where they dined with the leader of the revolt, Akbar Khan.
Gong farmers usually employed a couple of young boys to lift the full buckets of ordure out of the pit and to work in confined spaces. After being dug out, the solid waste was removed in large barrels or pipes, which were loaded onto a horse-drawn cart. As privies spread to the residences of ordinary citizens they were often built in backyards with rear access or alleyways, to avoid the need to carry barrels of waste through the house to the street. Much of what is known about London's privies during the 17th and 18th century comes from witness statements describing what had been discovered among the human excrement, such as the corpses of unwanted infants.
This has deterred some of opera's most distinguished exponents; Maria Callas, though she recorded the part, never performed it on stage. The musicologist Hugh Macdonald observes that "French opera never produced another femme as fatale as Carmen", though she may have influenced some of Massenet's heroines. Macdonald suggests that outside the French repertoire, Richard Strauss's Salome and Alban Berg's Lulu "may be seen as distant degenerate descendants of Bizet's temptress". Bizet was reportedly contemptuous of the music that he wrote for Escamillo: "Well, they asked for ordure, and they've got it", he is said to have remarked about the toreador's song—but, as Dean comments, "the triteness lies in the character, not in the music".
However, when Curll prays to Cloacina, Pope provides more motivation for her hearing his prayer: Further, Cloacina aids Curll win the race herself, and not by intercession with Jove, and Pope here explains how she propels him to victory: she makes the ordure nourishment to Curll, and he "Imbibes new life, and scours and stinks along" (B II 106). Again, the phantom poet, More, vanishes. The game for Eliza Heywood's person and poetry is the same as the previous version, except that the promised gift for the victor is a chamber pot. Curll here competes with Thomas Osborne, a bookseller who had claimed to sell Pope's subscription edition of Iliad at half price, when he had merely pirated it, cut the size of the book to octavo, and printed on low quality paper.
" Porter reserved his sole criticism for the book's subtitle, as he felt that the truth "hasn't yet" caught up with Rupert Murdoch; the subsequent reorganization of News Corporation in the wake of the scandal left the company and the Murdoch family substantially enriched. Peter Wilby also positively reviewed Hack Attack in The Guardian. John Lloyd gave a largely positive review in the Financial Times, writing that "What is revealed here, in painful, careful detail, is a journalism that held power in contempt – and, together with power, held in contempt people both famed and obscure, dominant and meek," and that Davies in "his exhumation of this trove of journalistic ordure, done a colossal service to Britain’s democracy." Lloyd ends his review by describing Hack Attack as "the book of a very bold reporter about a passage of arms that he won, to our great benefit." David Carr in the New York Times wrote that Davies was "...just the kind of person you don't want to have on your tail...He wages a ground war to get at the truth, which comes less in one single “aha” moment than as a slow drip of facts penetrating a tissue of lies.

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