A scene where Buchanan, alone in his dressing room, schemes with Gollum-like multifariousness as himself, a cockney beggar, and Hamlet, could be Grant's showreel for the next stage of his career.
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The author, a poet and critic, is less interested in poetry—the "myth" that "poetry is one thing"—than in poems, whose multifariousness, she posits, makes up a unified, ever-expanding system, like the subway, or Pokémon.
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Appropriately, the first live shows that Lopatin and his supergroup play are called MYRIAD—a name that is both a backronym for "My Record = Internet Addiction Disorder," and in general a bold statement on the multifariousness of the work that he's made.
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This, though necessary, is not sufficient to account for the multifariousness of the work. The scheme of the allegorical satire not only overlaps with the narrative scheme of the romance or history, but with the epistolary novel as well, the parody of which is but the first external frame inside which many other genres are parodied. The story of the squabble is just half the work. The other half is a "subjoined" key to the allegory and two other letters.
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Menéndez Pelayo y los Caballeritos de Azcoitia (1925), see hiru service available here The key feature of Urquijo's work is its great multifariousness, as his contribution falls into a number of areas: general linguistics, comparative linguistics, paremiology, onomastics, ancient songs and stories, origin of the Basque language, folklore, archaeology, heraldry, etymology, music, literature including poetry, invented universal languages and commercial history of Bilbao, not to count single pieces representing odd and isolated subjects.like Bolchevismo y vascólogía or El terrible ruso Jakovlev, Lizundia Askondo 2007, p. 110 Another fundamental characteristic is scholarly discipline,Hurch, Kerejeta 1997, p. 10 especially as opposed to sometimes extravagant and highly hypothetical theories pursued by other vascophiles of the early 20th century.
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In fact, it is a reality in which people of various denominations – class backgrounds, religious affiliations, kinship and family ties, gender, and ethnic and linguistic differences – do not only experience conflict, but also practice cooperation in everyday life. Thus when one inserts ideal-types into this concrete dynamic process one does categorical violence to multifariousness of the population and similarly reduces feeling, emotions, non-economic social standing such as honor, and status, as Weber describes, to economism. Moreover, the ideal-types should also be treated relevant to a context that defines and delimits the former's parameters. Weber's intervention came at the right moment when Marxism – particularly vulgar Marxism – reduced "non-economic" practices and beliefs, the superstructure, to a determined base, the mode of production.
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Mellor's work was represented in the first National Indigenous Art Triennial in 2007, with the elaborate (and elaborately named) sculpture The contrivance of a vintage Wonderland (A magnificent flight of curious fancy for science buffs, a china ark of seductive whimsy, a divinely ordered special attraction, upheld in multifariousness) featuring a diorama that included sculpted kangaroos made with blue and white crockery fragments (evoking Spode bone china), real kangaroo skin (used for the ears and paws), and synthetic eyeballs; stuffed birds sat in a life-sized mixed- media tree overhead. The work featured in media reports of the exhibition, including by The Adelaide Advertiser, The Canberra Times, The West Australian and the Australian Broadcasting Corporation. Since graduating, Mellor has won several awards, including the Canberra Critic's Choice Award in 2006, and the $15,000 John Tallis National Works on Paper Acquisitive Award in 2008.
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