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15 Sentences With "inconsequentiality"

How to use inconsequentiality in a sentence? Find typical usage patterns (collocations)/phrases/context for "inconsequentiality" and check conjugation/comparative form for "inconsequentiality". Mastering all the usages of "inconsequentiality" from sentence examples published by news publications.

The advantage of investing in these companies is the inconsequentiality of regional volatility on company performance.
But that inconsequentiality is part of the sly beauty of the Housewives franchise, where the draw is precisely that nothing too serious ever happens.
But sometimes the opposites just cancel each other out, and we're left in a bland middle zone of competent inconsequentiality, an artful execution of not much.
Directed by Silas Howard from a screenplay by Daniel Pearle, who adapted his own stage play, "A Kid Like Jake" is humane, compassionate and strangely detached, almost to the point of inconsequentiality.
"The great technical ambition of this work is the attempt to reconstruct the rich inconsequentiality of our quotidian experience in prose stripped of the usual novelistic devices," Daniel Mendelsohn writes in his review.
And if, at barely more than an hour, the movie initially seems slight, its inconsequentiality might be better viewed as polemical: "Fort Buchanan" takes place in a geopolitical alternative universe, where bucolic military outposts are the sites of huge love-ins, and the greatest danger comes from gardening spray.
Tigges, "Anatomy," p. 101. Light verse, which is generally speaking humorous verse meant to entertain, may share humor, inconsequentiality, and playfulness, with nonsense, but it usually has a clear point or joke, and does not have the requisite tension between meaning and lack of meaning.Tigges, "Anatomy," pp. 104–105 Nonsense is distinct from fantasy, though there are sometimes resemblances between them.
"reviewing the film in England, author Graham Greene was pleased to find the film "quite earnestly bawdy" and took satisfaction in how this had escaped the British censor. cf Mueller (1986), p.80. Of his role in the creation of Top Hat, Taylor recalled that with Sandrich and Berlin he shared "a kind of childlike excitement. The whole style of the picture can be summed up in the word inconsequentiality.
From 1961 through 1966, it launched numerous unsuccessful attacks on the Phou Khout ridgeline positions of People's Army of Vietnam (PAVN) troops overlooking FAN positions at Muang Soui. On occasion, Kong Le assumed the robes of Buddhist monkhood while his subordinates led the assaults. Resentment grew among both his subordinates and his troops concerning his leadership, and they mutinied and forced Kong Le into exile on 16 October 1966. After his departure, the Forces Armées Neutralistes were subsumed into the Royal Lao Army and faded into inconsequentiality.
Tom Cruise saw positive reviews for his performance as Stacee Jaxx, with critics making parallels to his previous work in the films Interview with the Vampire and Magnolia. The film received mixed reviews from critics, and has a critical score of 42% on Rotten Tomatoes based on 228 reviews, with an average rating of 6/10. The site's consensus states: "its exuberant silliness is almost enough to make up for its utter inconsequentiality, but Rock of Ages is ultimately too bland and overlong to justify its trip to the big screen." Metacritic reports a 47 out of 100 rating, based on 42 critics, indicating "mixed or average reviews".
After 1929, with the adoption of Surrealism, Tzara's literary works discard much of their satirical purpose, and begin to explore universal themes relating to the human condition. According to Cardinal, the period also signified the definitive move from "a studied inconsequentiality" and "unreadable gibberish" to "a seductive and fertile surrealist idiom." The critic also remarks: "Tzara arrived at a mature style of transparent simplicity, in which disparate entities could be held together in a unifying vision." In a 1930 essay, Fondane had given a similar verdict: arguing that Tzara had infused his work with "suffering", had discovered humanity, and had become a "clairvoyant" among poets.
Godzilla 1985 was negatively received by critics. Roger Ebert, who gave the film one star in the Chicago Sun-Times, argued that a film can only succeed as a "so bad it's good" experience if the filmmakers have made a sincere effort to create a good film, and pointed out evidence that the makers of Godzilla 1985 were instead deliberately trying to create a "so bad it's good" film, such as how the dialogue is consistently rather than occasionally awful, the conspicuous lack of synchronization in the lip-synching, and the inconsistency of Godzilla's size. He also derided Raymond Burr's scenes due to his character's lack of dramatic involvement with the plot. Tom Long of the Santa Cruz Sentinel similarly derided the inconsequentiality of Burr's role.
Some of the episodic quality of Argonautica can be put down to its genre, as a voyage narrative. Homer's Odyssey also features some disunity, as a set of adventures, with surprising discoveries waiting around every headland. Thus Longinus contrasted the Odyssey unfavourably with the Iliad: in the former, he thought the mythical element predominates over the action, whereas he thought the Iliad gains dramatic tension through the development of a single, great contest.Longinus, De subl. 9.13 Voyage narratives don't fit in well with Aristotelian notions of dramatic unity, or, as one modern scholar recently put it: "It is precisely this inherent inconsequentiality, the episodic partition imposed by the very nature of travel, which can be seen at the heart of the Western tradition of romance, as opposed to the harsh teleologies of epic."R. Hunter, The Poetics of Narrative in the Argonautica, 140-41 Argonautica however goes beyond Homer's Odyssey in its fragmentation of the action.
Morton states, "by bringing the work of these two men together Cruzvillegas not only expands the notion of 'influence' so that it might include the micro-stuff of specific domestic context alongside the macro-stuff of art history, but also casts into doubt the purity of the ready-made – which is to say, its inconsequentiality, its mute object- hood.", Frieze Magazine, 'Found and Lost, October 2006 retrieved 22.1.15 at 15.17 Chris Sharp, writing in Art Review in January 2013, wrote: "his works are often united by an identifiable formal sensibility, whose predominantly found-object or poor-material aesthetic influence is as indebted to Robert Rauschenberg, David Hammons and Jimmie Durham as it is to Gabriel Orozco. The difference between them and Cruzvillegas, however, is the highly personal, specific and inherently protean programme to which his cultural and material universe adheres." Discussing his works, Niamh Coglan, writing for Aesthetica Magazine in February 2013, notes that "Works such as Aeropuerto Alterno (2002), A.C. Mobile (2008) or Sin Título / Untitled (1999), which directly references Duchamp's Bicycle Wheel (1913), exhibit a strong Duchampian element, not just for their aesthetic form but for appropriative elements", and goes on to state "Cruzvillegas does with material what Marcel Broodthaers and René Magritte did with words and linguistics".
In Teheran, neither Churchill nor Roosevelt objected to Stalin's suggestion that the Polish government in exile in London was not representing Polish interests; as historian Anita Prażmowska noted, "this spelled the end of that government's tenuous influence and raison d'être." After the Teheran Conference, Stalin decided to create his own puppet government for Poland, and a Committee of National Liberation (PKWN) was proclaimed in the summer of 1944. The committee was recognized by the Soviet Government as the only legitimate authority in Poland, while Mikołajczyk's Government in London, was termed by the Soviets an "illegal and self-styled authority." Mikołajczyk would serve in the Prime Minister's role until 24 November 1944, when, realizing the increasing powerlessness of the government in exile, he resigned and was succeeded by Tomasz Arciszewski, "whose obscurity", in the words of historian Mieczysław B. Biskupski, "signaled the arrival of the government in exile at total inconsequentiality." Stalin soon began a campaign for recognition by the Western Allies of a Soviet-backed Polish government led by Wanda Wasilewska, a dedicated communist with a seat in the Supreme Soviet, with General Zygmunt Berling, commander of the 1st Polish Army in Russia, as commander-in-chief of all Polish armed forces.

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