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"impalpable" Definitions
  1. that cannot be felt physically
  2. very difficult to understand opposite palpable

31 Sentences With "impalpable"

How to use impalpable in a sentence? Find typical usage patterns (collocations)/phrases/context for "impalpable" and check conjugation/comparative form for "impalpable". Mastering all the usages of "impalpable" from sentence examples published by news publications.

Amid the fog of war, an impalpable greyness settled over America's moral standing.
"The wonderful thing about the bean is that its skin is impalpable," Mr. Hazan said.
While laws are officially passed and recorded, our democratic norms are more impalpable and harder to codify.
The idea is to recognize and preserve unique and impalpable rituals that are passed down through generations.
The word impalpable has appeared in two New York Times articles in the past year, including on Jan.
Among those threads, Christo built new ones…To say that these saffron walkways embody the impalpable connections between people might be bizarre.
Reviewing the 2014 production in The New York Times, Ben Brantley likened it to "a precise worldly expression of something impalpable and divine."thewoostergroup.
The cloud beneath Gabriel that Titian depicted as smoke has turned an impalpable white, while the column and pediment to Mary's right have vanished into fuzziness.
Allí, Trump visitó una organización llamada Promujer, una empresa textil llamada Pachamama Moda y, en la panadería Grace, la emprendedora Graciela Alcocer la invitó a espolvorear azúcar impalpable sobre un pan relleno de dulce de leche.
Trump is going to be what the law considers President tomorrow, and rest assured that whatever semblance of a speech he gives will be an embarrassing, inflammatory, unprecedented feat heretofore impalpable by even the most rigorous of bullshit theorists.
It is to be endowed with a soul, which — even if it is immaterial, without expanse or density, even if it is perfectly invisible, impalpable and inconsistent — acts as a passport out of nature and into our human essence.
In this regard, it adds depth and resonance to what I regard as the shadowy, impalpable world of numbers and data: empirical notations that have no interest nor purchase in interiority, in values; notations that offer the heart no foothold.
Working with projections on prints, the works will synthesize Murphy's digital architectural spaces with Ratté's glitchy abstractions to depict "an impalpable reality where architectures and interlocking lattices are continuously evolving, transforming and morphing into new environments, thus unfolding a constantly shifting perspective between dimensions," according to the gallery.
Instead of enjoying a flux of content on various music-related topics—things that, to listeners who experienced music solely through mainstream means, and fleeting, impalpable moments (a phone call into a radio or TV show, a text message confined the screen of your phone)—forum participants united and created online communities endowed with their own values, communication codes, and musical tastes that were constructed collectively over time. Last.
It corresponds to diastolic blood pressure. A low tension pulse (pulsus mollis), the vessel is soft or impalpable between beats. In high tension pulse (pulsus durus), vessels feel rigid even between pulse beats.
In common with other bursae, it is impalpable and contains only a very small amount of fluid in its normal state, and fulfills the function of facilitating the joint's movement by enabling anatomical structures to glide more easily over each other.
A stoichiometric ratio of three parts KNO3 to two parts Mg is close to ideal and provides the most rapid burn. The magnesium powder should be smaller than 200 mesh, though up to 100 mesh will work. The potassium nitrate should be impalpable dust.
The apex beat is found approximately in the 5th left intercostal space in the mid-clavicular line. It can be impalpable for a variety of reasons including obesity, emphysema, effusion and rarely dextrocardia. The apex beat is assessed for size, amplitude, location, impulse and duration. There are specific terms to describe the sensation such as tapping, heaving and thrusting.
She said the book's "impalpable apprehension", Andrei's conflict between his doctor's instinct to heal and his "panic- stricken desire" to protect his family, "is chillingly described". But Shilling felt that once apprehension turns to horror, Dunmore's "power to disturb weaken[s]". What happens to Andrei "has become so familiar that it is hard to find original ways to write about it".
Nadar's ex-mistress Jeanne Duval became Baudelaire's mistress around 1842. Baudelaire became interested in photography in the 1850s, and denouncing it as an art form, advocated its return to "its real purpose, which is that of being the servant to the sciences and arts". Photography should not, according to Baudelaire, encroach upon "the domain of the impalpable and the imaginary".Hyslop (1980), p. 63.
In Constantinople, Gregory took issue with the aged Patriarch Eutychius of Constantinople, who had recently published a treatise, now lost, on the General Resurrection. Eutychius maintained that the resurrected body "will be more subtle than air, and no longer palpable". The dictionary account is apparently based on Bede, Book II, Chapter 1, who used the expression "...impalpable, of finer texture than wind and air." Gregory opposed with the palpability of the risen Christ in .
She has also modeled for Chromat and Richie Rich. In June 2009, she made an Internet video with fourfour titled "Fake Blood", and was "interviewed" by Winston, the resident cat at fourfour. Harvard is the face of Michael Cinco's "Impalpable" perfume, with international male model Tierry Vilson and walked in the Philippine Fashion Week 2012 with fellow All-Stars contestant Dominique Reighard in the Michael Cinco and Rajo Laurel for Bench fashion shows.
11-year-old Leo reads a bedtime story to his younger sister Lily. He shares a special secret with her: Leo possesses the ability to separate his spirit from his physical body, allowing him to hover and fly through the air in an intangible, invisible, and impalpable form, with his body remaining mostly asleep. He refers to this state as a "Phantom". Leo cannot spend too much time away from his body, as he will begin to fade away before disappearing entirely.
X-ray-guided stereotactic biopsy is used for impalpable lesions that are not visible on ultrasound. A stereotactic biopsy may be used, with x-ray guidance, for performing a fine needle aspiration for cytology and needle core biopsy to evaluate a breast lesion. However, that type of biopsy is also sometimes performed without any imaging guidance, and typically, stereotactic guidance is used for core biopsies or vacuum-assisted mammotomy. Stereotactic core biopsy is necessary for evaluating atypical appearing calcifications found on mammogram of the breast.
Fifty Cents an Hour: The Builders and Boomtowns of the Fort Peck Dam, by Montana author Lois Lonnquist, published in 2006, is an overall history of the Fort Peck dam and spillway construction. Built by the Army Corps of Engineers, PWA Project #30 provided thousands of jobs during the Great Depression. The book includes the history of the boomtowns that sprang up in the area, and the "project people" who lived and worked at Fort Peck during the "dam days." M.R. Montgomery, Personal History, "Impalpable Dust," The New Yorker, March 27, 1989, p.
Panthea describes how the spirit was once close to Asia, and Asia and the spirit begin to talk to each other about nature and love. The Hour comes and tells of a change: "Soon as the sound had ceased whose thunder filled/ The abysses of the sky and the wide earth,/ There was a change: the impalpable thing air/ And the all-circling sunlight were transformed,/ As if the sense of love dissolved in them/ Had folded itself round the sphered world."Shelley 1820 p. 116 He then describes a revolution within mankind: thrones were abandoned and men treated each other as equals and with love.
Herniography, in which contrast medium is introduced into the peritoneal cavity, has been successfully used to reveal previously unsuspected inguinal hernias in patients with groin pain of uncertain origin and to detect impalpable interparietal lesions such as Spigelian hernias. Rib tip syndrome is characterized by pain along the costal margin and is caused by hypermobility of the eighth, ninth and tenth ribs. These ribs do not articulate with the sternum but instead are bound to each other by a thin band of fibrous tissue. If this fibrous attachment becomes divided, the rib(s) may ride up and irritate the intercostal nerve(s) causing pain.
ATM is one of the DNA repair genes frequently hypermethylated in its promoter region in various cancers (see table of such genes in Cancer epigenetics). The promoter methylation of ATM causes reduced protein or mRNA expression of ATM. More than 73% of brain tumors were found to be methylated in the ATM gene promoter and there was strong inverse correlation between ATM promoter methylation and its protein expression (p < 0.001). The ATM gene promoter was observed to be hypermethylated in 53% of small (impalpable) breast cancers and was hypermethylated in 78% of stage II or greater breast cancers with a highly significant correlation (P = 0.0006) between reduced ATM mRNA abundance and aberrant methylation of the ATM gene promoter.
Laura Miller, contributor to The New York Times books section, commented how Rennes-le-Château "had become the French equivalent of Roswell or Loch Ness as a result of popular books by Gérard de Sède." Christiane Amiel commented in 2008 that the treasure of Rennes-le-Château "seems to elude all the investigations that people make into it. Like the fairy gold which, in the popular fables, turns into manure as soon as a human being touches it, it remains impalpable. It can only exist as long as it remains on the distinctive level of the dream, between the real and the imaginary."Article by Christiane Amiel entitled "L’abîme au trésor, ou l’or fantôme de Rennes-le-Château" in, Claudie Voisenat (editor), Imaginaires archéologiques, page 84 (Ethnologie de la France, Number 22, Paris: Éditions de la Maison des sciences de l’homme, 2008). .
A review by Pierre de Bréville in the Mercure de France has been translated as saying: "It is pure music, conceived beyond the limits of reality, in the world of dreams, among the ever-moving architecture that God builds with mists, the marvelous creations of the impalpable realms." For several years after their publication, almost until the day he died, Debussy continued to tinker with the composition, at first making corrections to dozens of errors in his copy of the published score, then moving on to adjusting small passages and fundamentally revising the orchestration. Debussy made many subtle changes to Sirènes to integrate the wordless singing of the women's chorus with the orchestra. Two of these scores exist with Debussy's changes in different colors of pencils and inks, and often these changes are contradictory or simply alternate versions.
After two centuries in which Monteverdi had been largely forgotten as a composer of opera, interest in his theatrical works revived in the late 19th century. A shortened version of Orfeo was performed in Berlin in 1881; a few years later the Venice score of L'incoronazione was rediscovered, leading to a surge of scholarly attention.Carter (2002), p. 5 In 1905, in Paris, the French composer Vincent d'Indy directed a concert performance of L'incoronazione, limited to "the most beautiful and interesting parts of the work." D'Indy's edition was published in 1908, and his version was staged at the Théâtre des Arts, Paris, on 5 February 1913, the first recorded theatrical performance of the work since 1651.Carter (2002), p. 6 The work was not received uncritically; the dramatist Romain Rolland, who had assisted d'Indy, wrote that Monteverdi had "sacrifice[d] freedom and musical beauty to beauty of line. Here we no longer have the impalpable texture of musical poetry that we admire in Orfeo."Carter (2002), p. 10 J. W. Waterhouse) In April 1926 the German-born composer Werner Josten directed the opera's first American performance, at Smith College, Massachusetts where he was professor of music.

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