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6 Sentences With "harmoniousness"

How to use harmoniousness in a sentence? Find typical usage patterns (collocations)/phrases/context for "harmoniousness" and check conjugation/comparative form for "harmoniousness". Mastering all the usages of "harmoniousness" from sentence examples published by news publications.

Whoever violates these rules is bound to fail, and a nation that neglects them will not survive.” Chiang later extended the four virtues to eight by the addition of “Promptness”, “Precision,” “Harmoniousness,” and “Dignity”. These elements were summarized in two basic forms: “cleanliness” and “discipline” and were viewed as the first step in achieving a “new life”. People were encouraged to engage in modern polite behaviour, such as not to spit, urinate or sneeze in public.
Henze rescued one of the cuts - the music from the finale to the second act - and derived his fourth symphony from it. In its original operatic context the music was to accompany a scene in which the king, magically transformed into a white stag, has fled into the forest and spends a year there contemplating his future before realising that he must return to the human world.Thomas Schulz (2011), liner notes for Wergo recording Henze wrote the symphony whilst he was teaching at the Darmstadt Summer School for New Music. Some of his composer colleagues reacted badly to the harmoniousness of Henze's composition.
Musicality (music-al-ity) is "sensitivity to, knowledge of, or talent for music" or "the quality or state of being musical", and is used to refer to specific if vaguely defined qualities in pieces and/or genres of music, such as melodiousness and harmoniousness."Musicality", Merriam-Webster.com. These definitions are somewhat hampered by the difficulty of defining music, but, colloquially, "music" is often contrasted with noise and randomness. Judges of contest music may describe a performance as bringing the music on the page to life; of expressing more than the mere faithful reproduction of pitches, rhythms, and composer dynamic markings.
The motivation and sources of the Greek term ἐναρμονικός (enarmonikós) are little understood. But the two roots are ἐν (en: "in") and ἁρμονία (harmonía: "good placement of parts", "harmony", "a scale, mode, or τόνος [in one sense; see notes above]"). So in some way the term suggests harmoniousness or good disposition of parts, but not in the modern sense of harmony, which has to do with simultaneous sounds. (See Solon Michaelides, The Music of Ancient Greece: An Encyclopaedia (London: Faber and Faber, 1978); Liddell and Scott; etc.) For more information, especially concerning the various exact tunings of the enharmonic tetrachord, see Enharmonic genus.
In particular, because it is issued before Beijing Olympic Games, the Chinese government is concerned about the spread of this book could disturb their requisite harmoniousness. Therefore, the poetry anthology peeved China authority and was banned in Mainland China during the process of compiling just as the Collection of June Fourth Poems. The Collection of Human Right Poems was edited and issued by American "June Fourth Heritage & Culture Association" in co-operation with Taiwan Foundation for Democracy About Taiwan Foundation for Democracy - Background. and the Taipei Economic and Cultural Office in Los Angeles About Taipei Economic and Cultural Office in Los Angeles .
The underlying principle behind these texts is that harmony sanctions harmoniousness (sounds that please) by conforming to certain pre-established compositional principles. Current dictionary definitions, while attempting to give concise descriptions, often highlight the ambiguity of the term in modern use. Ambiguities tend to arise from either aesthetic considerations (for example the view that only pleasing concords may be harmonious) or from the point of view of musical texture (distinguishing between harmonic (simultaneously sounding pitches) and "contrapuntal" (successively sounding tones). In the words of Arnold Whittall: The view that modern tonal harmony in Western music began in about 1600 is commonplace in music theory.

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