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After the second World War, real estate, nationalized, fell into ruin. In the 1970s, Przyrzecze street was considered as one of the ugliest in the city, primarily because it did not give onto the Brda river. In 1974, a city authorities decided to reconstruct this area, as part of the overall plan to "renovate Old Town old buildings". Works started first with Jezuicka and Przyrzecze streets and the first modernized buildings were completed by 1980.
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The grand central room thus enclosed is frescoed with trompe-l'oeil niches, columns, balustrades, and flanked by symmetrically arranged smaller and lower barrel-vaulted rooms that are linked by generous arched openings. Thus, there is an articulated central reception space in the form of a Greek cross. The vestibules give onto more intimate spaces, in a series of cubes, double cubes and "golden mean" rectangles characteristic of cinquecento villa floor plans.See Rudolf Wittkower, Architectural Principles in the Age of Humanism, The Warburg Institute, London, 1949.
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The famous name of the bridge dates from the Romantic period and was supposed to refer to the sighs of prisoners who, passing from the courtroom to the cell in which they would serve their sentence, took a last look at freedom as they glimpsed the lagoon and San Giorgio through the small windows. In the mid-16th century it was decided to build a new structure on the other side of the canal to the side of the palace which would house prisons and the chambers of the magistrates known as the Notte al Criminal. Ultimately linked to the palace by the Bridge of Sighs, the building was intended to improve the conditions for prisoners with larger and more light- filled and airy cells. However, certain sections of the new prisons fall short of this aim, particularly those laid out with passageways on all sides and those cells which give onto the inner courtyard of the building.
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The oldest wings of the palazzo nuovo maggiore, whose porticos are now walled up, give onto the west and south sides of the large southern courtyard, which has a fountain in the center. There are fine capitals in the style of Antelami on the mullioned windows on the first floor, above all, those of the four-mullioned window on the left, which has a round lobate window in the lunette, with twelve figures representing the months of the year. Another thing to notice is the reconstruction of the ancient wooden staircase, which in medieval times led to the great hall of the Maggior Consiglio (the organ of government) on the first floor. The palazzo nuovo minore is on the east side of the courtyard and bears this name because it was finished later (1232) than the first building on the west side. During the first 20 years of the 15th century a loggia was added by the Malatestas with four elegant slightly pointed arches and ribbed cross-vaults.
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