180 Sentences With "fancy free" | Random Sentence Generator

WORKERS are in a phase of being footloose and fancy-free.

Their geographical behaviour is limited and predictable, not footloose and fancy-free.

Again, I don't expect the internet to be fun and fancy free.

"Fancy Free" (1944) and "The Concert" (1956) are masterpieces of this Robbins style.

" She performed often in Jerome Robbins's early ballets, including "Fancy Free" and "Interplay.

" Anthony Carnevale, Georgetown University: "From 1946 through the 1970s, you could be pretty fancy free.

" Tuesday's opening night also includes "Barber Violin Concerto" and Jerome Robbins's sailor salute, "Fancy Free.

Imagine "Fancy Free," Robbins's 1944 ballet that eventually became "On the Town," only without the women.

Soon, Mila Kunis was appearing on the cover of Glamour magazine bare-faced and fancy free.

Though he occasionally shows women behaving badly (and men, too, as in "Fancy Free"), I disagree.

There was once a time not so long ago when teen television was pretty footloose and fancy free.

"Pretty Boy [is] getting his well deserved share of attention," said a comment posted by Operation Fancy Free.

Because if you start a successful startup, like, the footloose and fancy-free days of your life are over.

If you're feeling extra fun and fancy free, go ahead and add some white chocolate chips to these bad boys.

Now youngsters want to own little and have everything on demand, they want to be foot loose and fancy free.

" Mr. Covello said that she was the only dancer to perform each of the three female roles in "Fancy Free.

This May he was part of a new cast of sailors on shore leave that made "Fancy Free" young again.

Hoffman suggests those less financially footloose and fancy-free should look at British artists, such as Bridget Riley or Frank Auerbach.

Long before West Side Story, long before Fiddler on the Roof, long even before Fancy Free, the first ballet you choreographed.

Andris Nelsons, the music director of the Boston Symphony, will conduct a performance of "Fancy Free" danced by the Boston Ballet.

Jessica Biel , Demi Lovato and Amy Adams got footloose and fancy-free at the Vanity Fair Oscar party in Los Angeles Sunday night.

How marvelous that this genius, who burst into creative life with the immediately sensational comedy "Fancy Free," kept stretching himself over the decades.

"An enormous number of people are footloose and fancy free when it comes to their interactions with retailers over the holiday season," Levin said.

And so, a new nostalgia has formed around the fun and fancy free web, which maybe wasn't better, but had much less outside influence.

In an update to its page on Monday, Operation Fancy Free said that Copper is still in pre-labor and has yet to give birth.

But while the feeling of the festival may be footloose and fancy-free, we all know the actual effort that goes into those boho looks is anything but.

According to actor Naomi Scott, who'll play the princess of Agrabah, the new incarnation of everyone's favorite tiger-adjacent princess will be more fun-loving and fancy-free.

Saturday is the latest installment of Tanglewood's anniversary tribute to Leonard Bernstein, including a fully staged version of his ballet, "Fancy Free," in collaboration with the Boston Ballet.

"Fancy Free," Bernstein's first ballet and collaboration with the choreographer Jerome Robbins — whose centenary is also being celebrated this year — appears on programs at the Boston Ballet, Sept.

The orange feline is described as "the new age goat midwife/masseur" in a Facebook post written by Operation Fancy Free in West Virginia, where both animals currently reside.

Rennie was divorced—"footloose and fancy-free," she said, laughing—working as the Assistant Vice President for Academic Affairs at Columbia, while also teaching in the Political Science Department.

The only movement onscreen is traffic whizzing past ghostly, empty buildings that once played host to many a fancy-free dance-off, a sneaky pash and shot-induced hazy memories.

The first obvious change Mr. Litton has made is to the overture to "Fancy Free," which Bernstein set as a recorded vocal blues song, "Big Stuff" (lyrics and music by the composer).

The scene that backs Fritz and Otto's conversation, of 10 Aryan-looking young people rowing through the water while blonde men bark orders, doesn't exactly appear so footloose and fancy free anymore.

"Fancy Free," Bernstein's first ballet — a collaboration with the great Jerome Robbins, who would choreograph "On the Town" and "West Side Story" — came just several months later and couldn't be more different.

The season also pays tribute to the centennials of Jerome Robbins and Leonard Bernstein with performances of "Fancy Free," created for Ballet Theater in 1944, with choreography by Robbins to a Bernstein score.

After traveling back and forth to visit mom in Florida, while living footloose and fancy free, it became clear that it was time to move mom into my apartment and finally get some adult furniture.

For instance, several people on Twitter — which, for once, was comparatively lighthearted and fancy-free next to Slack — compared the 🙃 to the "This is fine" cartoon dog, who sips his coffee in a burning room.

The Pacers forward played footloose and fancy free in the second half, scoring 17 points in the third quarter and 10 more in the fourth, to lead his team to a 100-90 victory over the Raptors.

The exhibition explores the work of the choreographer Jerome Robbins, "who did so much to imprint an idea of New York, rough-edged and electric, in works like 'Fancy Free' and 'West Side Story,'" Ms. Harss said.

To many, age 30 is a milestone for women — the moment when, if they haven&apost already, they&aposre supposed to go from being footloose and fancy-free to thinking about marriage, a family, and a mortgage.

By the 1970s he was gripped by anxiety, self-doubt, lovesickness and bad dreams, all of which he sublimated into diaries, paintings and collage that put the joy of "Fancy Free" and "West Side Story" into relief.

The former First Lady and President Obama were the picture of casual chic Sunday in Washington, D.C., getting their dose of culture at the National Gallery of Art after their fun and fancy-free British Virgin Islands getaway.

The first song on the album, "Footloose and Fancy Free," finds her electrified rhythm section playing in a five-beat weave inspired by the pumping of the superior vena cava, the vein flowing from the brain to the heart.

When I look at the millennials — and they have what I call the footloose and fancy free 10 or 15 years on their own — or I look at the older voters — we have a record number of nonagenarians, which is unprecedented.

And in "Fancy Free," even if you've seen American Ballet Theater's generally more telling rendition, Amar Ramasar's account of the dominant sailor has a heart-catching vitality that does not pale beside memories of Marcelo Gomes in the same role.

Other highlights include the revival of George Balanchine's radiant "Symphonie Concertante"; Jerome Robbins's "Fancy Free" and "Other Dances," in tribute to the choreographer's 100th birthday; and the return of Alexei Ratmansky's "Songs of Bukovina," which is paired with music by Leonid Desyatnikov.

Robbins, born Jerry Rabinowitz, made creditable paintings and drawings as a teenager, and in his 20s he hit it big with "Fancy Free," set to a syncopated score by Leonard Bernstein, and evoked here through original footage and Robbins's sketches of jumping and prancing seamen.

This centenary exhibition — Robbins was born Jerome Wilson Rabinowitz, in October 403 — draws heavily on resources he bequeathed to the library, and swells with preparatory materials for ballets like "Fancy Free" and musicals like "West Side Story," as well as reams of anxious diary entries and notes to self.

Its 153 offerings include most of the best-loved classics from his long career: above all, "Fancy Free" (1944), "Afternoon of a Faun" (1953), "The Concert" (1956), "Dances at a Gathering" (1969), "Glass Pieces" (1983) and "West Side Story Suite" (1995, a one-act revision of his famous Broadway musical).

Held in a massive tent steps from the Santa Monica Pier, the Indie Spirits are the looser, fancy-free antecedent to Sunday's ultra-formal Oscars, and generally feature hip, youngish and irreverent hosts — this year it was Nick Kroll and John Mulaney — along with cameos from "Saturday Night Live" performers, past and present.

Currently available:"Fantasia" (20043)"The Reluctant Dragon" (1941)"Saludos Amigos" (1943)"The Three Caballeros" (1945)"Fun and Fancy Free" (1947)"Melody Time" (1948)"A Goofy Movie" (1995)"Ducktales: The Movie, Treasure of the Lost Lamp" (1990)"Mickey's Once Upon a Christmas" (1999)"Fantasia 2000" (2000)"An Extremely Goofy Movie" (2000)"Mickey, Donald, Goofy: The Three Musketeers" (2004)"Mickey's Twice Upon a Christmas" (2004)

His rejection notice, here, cites his "inadequate personality," presumably a code for homosexuality; Robbins had romances with men and women throughout his life.) That urban aim would come to fruition in "Fancy Free" (230), in which three sailors on shore leave — including Robbins as the third, swaggering soloist — engage in a dance-off to woo New York's street-smart single ladies.

Fun and Fancy Free was released in 1982 as 'Fun and Fancy Free' Featuring: Mickey and the Beanstalk, to capitalize on the best-known segment of the film.

"(I'm Settin') Fancy Free" (sometimes known as "I'm Setting Fancy Free" or simply "Fancy Free") is the title song written by Roy August and Jimbeau Hinson, and recorded by American country music group The Oak Ridge Boys. It was released in August 1981 as the second single from the album Fancy Free. The song reached No. 1 on the Billboard Hot Country Singles chart in November 1981, during The Oak Ridge Boys' peak of popularity, and it is considered one of their signature songs.

Fancy Free is a Canadian music variety television program which aired on CBC Television in 1960.

Disney used the story (now titled "Bongo") as part of its feature Fun and Fancy Free.

His other stage appearances included his own show Fancy Free and Pyjama Tops, My Fat Friend and Bedside Manners.

It is the fifth Disney package film following Saludos Amigos, The Three Caballeros, Make Mine Music, and Fun and Fancy Free.

Alturas Duo, A Far Cry,Eichler, Jeremy (10 March 2009). "Conductorless and fancy-free, a chamber orchestra takes flight". Boston Globe. Retrieved 24 November 2014.

Kansas City Ballet in Fancy Free Fancy Free is a ballet by Jerome Robbins, subsequently ballet master of New York City Ballet, made on Ballet Theatre, predecessor of American Ballet Theatre, to a score by Leonard Bernstein, with scenery by Oliver Smith, costumes by Kermit Love and lighting by Ronald Bates. The premiere took place on Tuesday, 18 April 1944 at the old Metropolitan Opera House, New York. The NYCB premiere took place Thursday, 31 January 1980. Fancy Free was the inspiration for a successful musical, On the Town, and a portion of the score was also used in the opening scenes of Alfred Hitchcock's Rear Window.

She read a statistic that one in five British women aged over forty were not mothers and wanted to represent the "footloose and fancy-free" minority.

A small portion of Fancy Free was apparently recycled from "Riobamba", a theme song Bernstein had written for a short-lived New York City nightclub of the same name.

This hour-long program was broadcast on Mondays at 9:30 p.m. from 18 July to 19 September 1960. In October 1960, Swing Gently became the regular season series Fancy Free.

With Fancy Free, Robbins created a dance that integrated classic ballet, 1940s social dancing, and a screwball plotline. Later that year, Robbins conceived and choreographed On the Town (1944), a musical partly inspired by Fancy Free, which effectively launched his Broadway career. Bernstein wrote the music and Smith designed the sets. The book and lyrics were by a team that Robbins would work with again, Betty Comden and Adolph Green, and the director was the Broadway legend George Abbott.

Worrall, Frank (2008). "Celtic United". Mainstream Publishing, 2008 The inner sleeve to the album Foot Loose & Fancy Free also pictures artwork with the names Glasgow Celtic and Manchester United drifting out of a car stereo.

On August 12, 2014, the full-length feature version of The Reluctant Dragon was released in HD as a bonus feature on The Adventures of Ichabod and Mr. Toad/Fun and Fancy Free Blu-ray set.

The Foot Loose & Fancy Free Tour was a 1977 United States concert tour by the British singer-songwriter Rod Stewart. The tour began on 1 October 1977 in Vancouver and ended on 20 December 1977 in Daly City, California.

The story was acquired by Walt Disney Productions in 1940 for a possible feature film. World War II sidetracked those plans until 1947. Disney adapted the story as part of its feature Fun and Fancy Free and is narrated by Dinah Shore.

A great loss because he would have introduced the now-classic song "You Make Me Feel So Young." His replacement was non-singer/dancer, minor-player Charles Smith (actor). The New York Public Library has archival films of Lang's work in Fancy Free and Interplay.

Foulfellow is portrayed as an eccentric ham actor, whereas Gideon's mannerisms resemble Harpo Marx of the Marx Brothers. It was up for consideration to use the characters again in the Disney film Fun and Fancy Free (1947) as the owners of the Magic Beans that Mickey Mouse acquires in exchange for his cow, but the idea was dropped."The story behind Fun and Fancy Free", Disney VHS, 1997 In the video game of Pinocchio, Foulfellow appears as an enemy during the first stage. The duo were also set to make an appearance in the RPG video game Kingdom Hearts 358/2 Days (2009) but were cut for space restrictions.

This same year, the Oak Ridge Boys also made a brief cameo appearance on The Dukes of Hazzard (season 2, "Granny Annie"). The group's sixth album, Fancy Free, released early in 1981, contained the Dallas Frazier-penned song "Elvira". This remains the group's most widely known song, and Fancy Free is their best-selling album. "Elvira" had been recorded by other artists, including Frazier himself in the late 1960s and The First Edition in 1970, but the Oak Ridge Boys were the first to have a hit with it. Their version of the song was a number-one country hit, and in July 1981 reached No. 5 on the pop charts.

Edwards (as Jiminy) performed the narration for several 78 RPM children's records. Two of them were Bongo (originally part of the animated feature Fun and Fancy Free) and The Littlest Outlaw. He also made some children's records simply as Cliff Edwards, including "Old MacDonald Had a Farm".

Boyle did a lot of work for the Disney studios in the late 1940s and 1950s, including the live-action sections of Fun and Fancy Free (1947), Davy Crockett, King of the Wild Frontier (1955), and his last film, Old Yeller (1957). He died in Los Angeles in 1968.

Other film roles for the team include Look Who's Laughing (1941) and Here We Go Again (1942), both with Fibber McGee and Molly. Charlie McCarthy wore a US Army uniform in Stage Door Canteen (1943) with Mortimer Snerd. Bergen, McCarthy and Snerd were also featured in Walt Disney's Fun and Fancy Free (1947).

He was the costumer for the Agnes de Mille ballet Rodeo (1942), for the Kurt Weill musical One Touch of Venus (1943), and for Merce Cunningham's The Wind Remains (1943) and Jerome Robbins's ballet Fancy Free (1944). For George Balanchine he designed, amongst other items, a marionette giant for Don Quixote (1965).

During the 2010 season Ramasar has gotten rave reviews. The Saratogian called Ramasar "hard-working" for his roles in Fancy Free and Who Cares? at the New York City Ballet summer season at the Saratoga Performing Arts Center."Review: New York City Ballet's sterling 'Source' springs with joy at SPAC," Saratogian, July 12, 2010.

Angie Debo Oklahoma Footloose and Fancy-free page 203. The first wagon bridge across the Cimarron River was built during the summer of 1891. On September 22, 1891, the Sac and Fox and Iowa reservations officially opened. By January 1900, the Eastern Oklahoma Railway began service, establishing the town as an agricultural trade center.

The film was the artistic predecessor to later Disney films such as Gulliver Mickey (1934), Brave Little Tailor (1938), and Fun and Fancy Free (1947). It also marked the animated debut of Mickey's nephews, although the large number of them is inconsistent with Mickey having only two nephews (Morty and Ferdie Fieldmouse) in the comic strip.

"Hot Legs" is a single by Rod Stewart. Stewart included the song on his 1977 album Foot Loose & Fancy Free. The 1977 single performed moderately well on the United States Hot 100 (#28), and well on the UK Singles Chart (#5). In the UK, "Hot Legs" and "I Was Only Joking" charted together as a double A-side.

Abhes Balaiya (Suriya), the guide conman thief, is footloose and fancy-free. He and his acolyte Sathyaraj (Sathyan) have no hangups in life. He is also a huge fan of actor Ajith Kumar. Balaiya’s problems start when he and Sathyaraj land up in a huge villa on the beachfront. It is actually actress Jyothika’s (Jyothika) house.

Their first Broadway effort teamed them with Bernstein for On the Town, a musical romp about three sailors on leave in New York City that was an expansion of a ballet entitled Fancy Free on which Bernstein had been working with choreographer Jerome Robbins. Comden and Green wrote the lyrics and book, which included sizeable parts for themselves.

Launched by Honey magazine founder Audrey SlaughterWorld Who's Who of Women 1992-93, Volume 11, Taylor & Francis, 1992 and subtitled 'For the young and fancy free' on its original masthead, Petticoat responded to the emergence of a more liberal teenager and young woman.Kaminer, Wendy (1994-04-10). Women, Passion and Celibacy. In The New York Times Book Review. p168.

His other offspring have included Blazing Speed (Queen Elizabeth II Cup), Dylan Mouth, Nymphea (Grosser Preis von Berlin) and Tannery (E. P. Taylor Stakes). Pether's Moon's dam Softly Tread was a high- class filly who won three of her seven races including the Tyros Stakes and the Gladness Stakes. She was a distant, female-line descendant of the influential British broodmare Fancy Free.

Bernstein conducting the New York City Symphony (1945) In 1946, he made his overseas debut with the Czech Philharmonic in Prague. He also recorded Ravel's Piano Concerto in G as soloist and conductor with the Philharmonia Orchestra. On July 4, 1946, Bernstein conducted the European premiere of Fancy Free with the Ballet Theatre at the Royal Opera House in London.

Rune Enok Halvarsson (30 July 1911 - 3 August 1969) was a Swedish actor. Halvarsson appeared in over 30 films between 1939 and 1965. When Walt Disney's Fun and Fancy Free (1947) was dubbed into Swedish Halvarsson gave his voice to Mickey Mouse and when One Hundred and One Dalmatians (1961) was dubbed into Swedish, he gave his voice to Horace.

He dresses in the manner of a 19th- or early 20th-century gentleman, characteristically wearing a blue top hat and carrying a burgundy umbrella. Since his debut in Pinocchio, he has become an iconic Disney character, making numerous other appearances, including in Fun and Fancy Free (1947) as the host and in Mickey's Christmas Carol (1983) as the Ghost of Christmas Past.

After Pinocchio, Jiminy appeared in Fun and Fancy Free as the host of the cartoon segments. The character also hosted a one-hour segment ABC Radio special in 1947, improbably concerning the year 1960. He also hosted many Disney television specials. Additionally, in a recurring segment of the children's television series The Mickey Mouse Club, he taught a generation how to spell "encyclopedia".

These began with Saludos Amigos in 1942 and continued during the war with The Three Caballeros in 1944 and after the war with Make Mine Music in 1946, Fun and Fancy Free in 1947, Melody Time in 1948 and The Adventures of Ichabod and Mr. Toad in 1949. For the feature films Mickey and the Beanstalk, Bongo and Wind in the Willows, he condensed them into the package films Fun and Fancy Free and The Adventures of Ichabod and Mr. Toad since Walt feared that the low- budget animation would not become profitable.Barrier, Michale (1999) Hollywood Cartoons: American Animation in its Golden Age, Oxford University Press, UK The most ambitious Disney film of this period was the 1946 film Song of the South, a musical film blending live-action and animation which drew criticism in later years for accusations of racial stereotyping.

A similar concept was used in the opening sequence of The Barkleys of Broadway (1949). The second is "No Strings (I'm Fancy Free)". On retiring to his hotel suite, Horton advises him to get married. Astaire declares his preference for bachelorhood and the song – this number was the brainchild of scriptwriter Dwight Taylor and is found in his earliest drafts – emerges naturally and in mid-sentence.

"Somewhere in the Night" is a song originally recorded by The Oak Ridge Boys on their 1981 album Fancy Free. The song was later recorded by American country music group Sawyer Brown. It was released in August 1987 as the first single and title track from the album Somewhere in the Night. The song reached #29 on the Billboard Hot Country Singles & Tracks chart.

At the beginning of the set, a line of chorus girls came out singing a song called "Riobamba", which had been written by Leonard Bernstein and which the club had purchased for $50; Bernstein recycled the musical trope in his 1944 ballet "Fancy Free". Floor shows were held at 8:30 pm, 12 am, and 2 am, while dance troupes and relief bands performed at other times.

Blue Peter (1936–1957) was a British bred Thoroughbred racehorse whose career was cut short by the outbreak of World War II. He won The Derby and was later a Leading broodmare sire in Great Britain & Ireland. Bred and owned by Lord Rosebery, his sire was the good racehorse, Fairway and his dam Fancy Free was by Stefan the Great, a son of The Tetrarch.

Fancy Free is the fifth country studio album by the Oak Ridge Boys, released on March 26, 1981. It featured their biggest hit "Elvira". "Somewhere in the Night" was covered by Sawyer Brown in 1987 from their album of the same name. The title of the album was suggested by longtime Oak Ridge Boys personal assistant Charles Daunis, and he is thanked for this contribution in the liner notes.

In earlier drafts, Bongo had a chimpanzee as a friend and partner in his circus act. She was first called "Beverly" then "Chimpy", but the character was ultimately dropped when condensing the story. Bongo and Chimpy also encountered two mischievous bear cubs who were dropped. Originally, the designs for the characters were more realistic, but when paired for Fun and Fancy Free the designs were simplified and drawn more cartoony.

Footloose and fancy-free bachelor Drew needs to find a wife to impress a visiting rich uncle. The uncle has made it clear Drew will only inherit his business when he's married and respectable. Drew's friends Tom and Jenny agree to help him out by allowing Jenny to pose as his wife. Tom is a struggling insurance salesman, and Drew promises him a big insurance deal to add incentive.

The Oak Ridge Boys also topped the chart for the first time in 1981. The group had originated as a gospel act which first recorded in 1947 before switching to country music in the 1970s and reaching its commercial peak in the first half of the 1980s. Fancy Free was the first of three chart-topping albums which the group achieved in this period and the biggest-selling of its career.

Somewhere in the Night is the fourth studio album by American country music band Sawyer Brown. Its title track was a single, as were "This Missin' You Heart of Mine" and "Old Photographs". All three singles charted on the Hot Country Singles charts. The title track, which is not related to Barry Manilow's hit song, was previously recorded by The Oak Ridge Boys on their 1981 album, Fancy Free.

"You're in My Heart (The Final Acclaim)" is a song written and recorded by Rod Stewart for his 1977 album Foot Loose & Fancy Free. The song proved a popular single, reaching the top ten of many national charts, including number 4 on the US Billboard Hot 100, number 2 in Canada, and number 1 for one week in Australia.Whitburn, Joel (2006). The Billboard Book of Top 40 Hits.

Smith designed dozens of Broadway musicals, films (Guys and Dolls, The Band Wagon, Oklahoma!, Porgy and Bess), and operas (La Traviata). His association with the American Ballet Theatre began in 1944, when he collaborated with Robbins and Bernstein on Fancy Free, which served as the inspiration for On the Town. The following year, he became Co-Director of ABT with Lucia Chase, a position he held until 1980.

During the song "Rockin' All Around the World" (in melody of Status Quo's "Rockin' All Over the World"), Muppets inspired by the Audio-Animatronic children characters from the "It's a Small World" attraction appear. Costumed characters from Snow White and the Seven Dwarfs (1937), Brer Bear from Song of the South (1946), Bongo and Lulubelle from Fun and Fancy Free (1947), and the Country Bear Jamboree attraction have cameos.

In 1947's Fun and Fancy Free "Mickey and the Beanstalk", the cartoon ends with Willie the Giant's stomping through Hollywood looking for Mickey Mouse. Before the scene closes, Willie notices The Brown Derby restaurant and picks up the restaurant looking for Mickey. Willie notices the restaurant looks like a hat, places it on his head, and stomps off with the HOLLYWOOD lights blinking in the background. In September 1980, the restaurant closed without warning.

The Oak Ridge Boys is an American musical group. Originally a gospel group, The Oak Ridge Boys switched its focus to country music in the mid-1970s, releasing a string of hit albums and singles that lasted into the early 1990s. Their discography comprises thirty-one studio albums and fifty-six singles. Their highest-selling album is 1981's Fancy Free, which is certified double- platinum by the Recording Industry Association of America (RIAA).

Of The Oak Ridge Boys' singles, seventeen reached Number One on the Billboard country singles charts. Two of these songs, "Elvira" and "Bobbie Sue", were also Top 40 pop and Adult Contemporary hits, and the former is certified platinum as a single. Four additional singles ("Sail Away", "Dream On", "Heart of Mine", and "Fancy Free") also entered the AC charts, while "So Fine" and "American Made" both made the 70s on the pop charts.

Randy Henderson is a Writers of the Future Golden Pen Award winner and first place quarterly winner in 2014. He's an alumnus of Clarion West Writers Workshop, a member of SFWA and Codex, and has published short stories in Penumbra, Escape Pod, and Realms of Fantasy. His urban fantasy series from TOR (US) and Titan (UK) includes Finn Fancy Necromancy, and Bigfootloose and Finn Fancy Free, and has been described as "dark and quirky".

During the late 1940s, Columbia released on 78 rpm, The Land of the Lost, as a three- record album. In 1950, Columbia Records issued the LP, Bongo and the Land of the Lost (Columbia JL-8503). Side one featured Dinah Shore and a supporting cast in a tale about Bongo from Walt Disney's Fun and Fancy Free. Side two, written and produced by Hewson, was a journey to the Magic Sea Kingdom.

With the advent of Mickey's color films, the shorts were always red. When Mickey is not wearing his red shorts, he is often still wearing red clothing such as a red bandmaster coat (The Band Concert, The Mickey Mouse Club), red overalls (Clock Cleaners, Boat Builders), a red cloak (Fantasia, Fun and Fancy Free), a red coat (Squatter's Rights, Mickey's Christmas Carol), or a red shirt (Mickey Down Under, The Simple Things).

On a teacher friend's recommendation, Howes took singing lessons—not only to bring out her natural talents, but in an effort to lower her speaking voice, which was quite high. While still in her teens, she made her first musical-comedy stage appearance in Fancy Free. In late 1950, she starred in a BBC TV version of Cinderella. The same year, Howes accepted her first professional stage role in the Sandy Wilson musical Caprice.

Fancy Free is an Australian music variety television program that aired in 1961 on ABC. The show was hosted by Peter Smith, and featured vocalist Penny Loveday, The Dominoes and Janet Keyte. Guests in the first episode included Gaynor Bunning, Johnny Bohan, and Tony Jenkins. The weekly series aired on Fridays, with the final episode broadcast 6 October 1961, though ABC series of the 1950s and 1960s tended to have short seasons.

He hides in Lord Sedgemouth's tent, where the courtesan Fancy Free is also present. O'Flynn persuades Fancy to help him get the invading plans, but before they can, Lord Sedgemouth walks in on them and tries to shoot O'Flynn, who again manages to escape. Lady Benedetta learns that Fancy is with lord Sedgemouth and goes to see O'Flynn. They kiss and O'Flynn goes on to claim that Lord Sedgemouth is a traitor who must be treated as such.

Hallmark labeled their early 1950s line Fancy Free, and American Greetings called theirs Hi Brows. In its official history, American Greetings acknowledges Hi Brows were published in 1957 because the earlier studio cards were a cartooning breakthrough: :Beatniks launched the anti-establishment movement in the 1950s, and Americans began to question tradition. Building on this counterculture momentum, American Greetings introduced a new kind of greeting card - Hi Brows. These irreverent, witty cards were slim and tall.

Fun and Fancy Free was first released on VHS in 1982. It was re-released on VHS and LaserDisc in 1997 as part of the Walt Disney Masterpiece Collection. The film was re-released on VHS and made its DVD debut on June 20, 2000 as part of the Walt Disney Gold Classic Collection. The film was released in a 2-Movie collection Blu-ray with The Adventures of Ichabod and Mr. Toad on August 12, 2014.

She appears in five episodes and is mentioned in other episodes. Because she once gave Wally and Beaver umbrellas, she is called "their umbrella aunt." Uncle Billy (Edgar Buchanan, December 30, 1960-March 21, 1963) is Wally and Beaver's fancy-free, globe- trotting, story-telling great-uncle. June does not trust him completely because he fills her sons' heads with tales of irresponsible living, but she does respect him enough to send him copies of the boys' school pictures.

During the promotional period of Fun and Fancy Free, he did multiple radio appearances from May to September 1947, with one of those appearances starring Disney himself. He voiced Donald for 1950's TV commercials. Nash's Donald Duck voice was achieved by what is called buccal speech: an alaryngeal form of vocalization which uses the inner cheek to produce sound rather than the larynx. also published as He first discovered it while trying to mimic his pet goat Mary.

James MacDonald did the first test yodeling for the dwarfs in Snow White and the Seven Dwarfs (1937) before they brought in professional yodelers as well as doing some sounds for Dopey such as his hiccuping and sobbing. By 1947, Walt Disney was getting too busy and too hoarse from smoking to continue voicing Mickey Mouse, so he was replaced by MacDonald after the film Fun and Fancy Free (1947). MacDonald voiced Mickey Mouse until 1977, when he was replaced by his sound effects protégée, Wayne Allwine, for The New Mickey Mouse Club MacDonald was the original voice actor for Chip, one half of the duo Chip and Dale. He provided the voice of Lumpjaw in Fun and Fancy Free, Jaq and Gus the mice and Bruno the dog in Cinderella (1950), the Dormouse in Alice in Wonderland (1951), Humphrey the Bear, the howling of the dogs at the pound (along with Thurl Ravenscroft) in Lady and the Tramp (1955), the Wolf in The Sword in the Stone (1963), and the hyena in Bedknobs and Broomsticks (1971).

O'Flynn is attracted to Lady Benedetta, and when he finds out that her fiancé, Lord Sedgemouth, is in favor of Napoleon, he challenges his rival to a duel. Being a swordsman, he wins the duel quite easily, and decides to win Lady Benedetta's heart. The lord counters by letting Lady Benedetta believe that O'Flynn is involved with a courtesan named Fancy Free, which leads the lady to denounce him. In battle, O'Flynn disguises himself as a deserter to get behind enemy lines.

In addition to becoming known as a conductor, Bernstein also emerged as a composer in the same period. In January 1944, he conducted the premiere of his Jeremiah Symphony in Pittsburgh with the Pittsburgh Symphony Orchestra. His score to the ballet Fancy Free choreographed by Jerome Robbins commissioned by American Ballet Theatre in New York in April 1944, which was later developed into the musical On the Town with lyrics by Comden and Green that opened on Broadway in December 1944.

In 1974, Millie Jackson released her version of the song which received two Grammy Award nominations. In 1978, Barbara Mandrell's version topped the U.S. country chart, reached number 31 on the Billboard Hot 100 (number 27 Cashbox), and was nominated for Single of the Year at the 1979 CMA (Country Music Association) Awards. Rod Stewart recorded the song for Foot Loose & Fancy Free (1977), his eighth album; as a single it peaked at number 23 on the UK Singles Chart in 1980.

Clayton debuted on stage as a professional as a member of the chorus in a production at the Chicago Opera House. After that, she worked with stock theater companies in Milwaukee and Minneapolis. On stage, Clayton appeared mainly in musicals or musical revues such as The Ziegfeld Follies of 1911. In addition to that production, her Broadway credits include Fancy Free (1918), You're in Love (1917), Nobody Home (1915), The Red Canary (1914), The Brute (1912), and His Name on the Door (1909).

The b-side was another Bernstein song from the ballet, without Holiday: "Fancy Free (Galop Variation And Finale)" performed by the Ballet Theatre Orchestra Under Direction of Leonard Bernstein. "You Can't Lose A Broken Heart" and "My Sweet Hunk O' Trash" were collaborations with Louis Armstrong. "Guilty" was the only track not originally released as a 78rpm record, first appearing on the much later compilation LP The Blues Are Brewin' (Decca – DL 8701) in 1958.The Blues Are Brewin', Discogs.

Vance DeBar Colvig Sr. (September 11, 1892 – October 3, 1967), professionally Pinto Colvig, was an American vaudeville actor, voice actor, newspaper cartoonist and circus performer, whose schtick was playing the clarinet off- key while mugging. Colvig was the original performer of the Disney characters Pluto and Goofy, as well as Bozo the Clown. In 1993, he was posthumously made a Disney Legend for his contributions to Walt Disney Films, including Snow White and the Seven Dwarfs and Fun and Fancy Free.

In the U.S. state of Washington, near Mt. Olympus, at the turn of the 20th century, the small town of Angel's Roost is thrown into confusion when old Menelaus's fancy-free wife, Helen, runs off with a traveling salesman named Paris who is visiting the community to judge an apple pie baking contest. Ulysses, who has just returned from military service in the Spanish–American War, leaves his wife Penelope as he joins in a ten-year expedition to get Helen to return.

Shakespeare makes a more direct reference, probably to V. tricolor in A Midsummer Night's Dream. Oberon sends Puck to gather "a little western flower that maidens call love-in-idleness". Oberon's account is that he diverted an arrow from Cupid's bow aimed at "a fair vestal, throned by the west" (supposedly Queen Elizabeth I) to fall upon the plant "before milk- white, now purple with love's wound". The "imperial vot'ress" passes on "fancy-free", destined never to fall in love.

Other important roles has included Prince in Peter Martins' "Swan Lake", the Prince in Alexei Ratmansky's The Nutcracker, Puck in John Neumeier's A Midsummer Night's Dream, Mercutio and Benvolio in John Neumeier's Romeo and Juliet, Harald Lander's ballets Études and Festpolonaisen, Bim in Maurice Béjart's Gaité Parisienne; King Christian VII in Flemming Flindt's Caroline Mathilde, the Teacher in Flindt's "The Lesson", Jerome Robbins’ Tarantella and Fancy Free, George Balanchine's Symphony in C (3rd movement) and Jewels (2nd movement, Rubies), Peter Martins' Zakouski and as Lensky in Onegin.

After retiring from the stage in 1966, Kriza served for several years as assistant to American Ballet Theatre's directors. He continued to coach revivals of ballets for various companies and to teach. During the 1970s, he was on the dance faculty of the Indiana University at Bloomington. His last public appearance was at American Ballet Theatre's thirty-fifth- anniversary gala in January 1975, when he joined Jerome Robbins and Harold Lang on stage after a performance of Fancy Free, bringing the three original Sailors together again.

Accessed July 12, 2010. The official review from the Times Union wrote that Fancy Free, "Played with ample swagger by Tyler Angle, Joaquín De Luz and Amar Ramasar ... set the bravura tone for the entire night."Joseph Dalton, "City Ballet launches summer season with grace, brilliance," Times Union, July 8, 2010. Found at Albany Times Union website. Accessed July 12, 2010. In May 2010, TheArtsDesk.com noted that "the spectacularly bare-chested Amar Ramasar" had sex appeal.Roslyn Sulcas, "Wayne McGregor & Alexei Ratmansky premieres, New York City Ballet," TheArtsDesk.

The Fleet's In!, painted by Paul Cadmus, 1934, the inspiration for the ballet, Fancy Free (1944) West Side Story is a contemporary version of Romeo and Juliet, set in Hell's Kitchen. The show, with music by Leonard Bernstein, marked the first collaboration between Robbins and Stephen Sondheim, who wrote the lyrics, as well as Arthur Laurents, who wrote the book. Because book, music, and dance were envisioned as an organic whole, the cast, in a Broadway first, had to be equally skilled as actors, singers, and dancers.

At the age of three she was a young model and later was hired by Walt Disney. Patten made her first film appearance in the 1946 musical Song of the South with Bobby Driscoll. They also appeared together in Song of the South's sister film So Dear to My Heart. She appeared again with Bobby Driscoll in the Pecos Bill segment of Disney's Melody Time. In 1947, she appeared with Edgar Bergen, Charlie McCarthy, and Mortimer Snerd during the live action scenes in Fun and Fancy Free.

In 1966, she had a small part as Nora White, the new bride of the reformed "Whitey" played by Kurt Russell, in Follow Me, Boys!. She also appeared in Fun and Fancy Free, A Thunder of Drums, and the Rawhide episode "Incident of the Druid Curse" on CBS. That year she also appeared on Perry Mason as defendant Cynthia Perkins in "The Case of the Scarlet Scandal". She retired from the film industry in 1968 except for a brief cameo in the 1988 film Grotesque.

Ted Jensen started working making tape copies at Sterling Sound in 1976. Soon after, he became an apprentice to owner Lee Hulko and mastering engineer, George Marino, taking over much of Hulko's mastering workload while Hulko focused more on management duties. In his first year at Sterling Sound, Jensen mastered the Eagles album, Hotel California and the Climax Blues Band's Gold Plated. The following year, Jensen mastered Billy Joel's The Stranger, Rod Stewart's Foot Loose & Fancy Free, Cat Stevens' Izitso and Bob Marley & The Wailers' Exodus.

Willie the Giant is a giant that appeared in the Disney cartoons Mickey and the Beanstalk (from the film Fun and Fancy Free, voiced by Billy Gilbert) and Mickey's Christmas Carol (voiced by Will Ryan). He has also made cameo appearances in Disney's House of Mouse and Mickey Mouse Clubhouse. He is incredibly powerful, demonstrating amazing magic powers such as flight, invisibility and shapeshifting. Despite this, he is portrayed as immature and dimwitted, given his fondness for toys and inability to pronounce certain words, such as "pistachio".

Clifton Avon "Cliff" Edwards (June 14, 1895 – July 17, 1971), nicknamed "Ukulele Ike", was an American musician, singer and actor, who enjoyed considerable popularity in the 1920s and early 1930s, specializing in jazzy renditions of pop standards and novelty tunes. He had a number one hit with "Singin' in the Rain" in 1929. He also did voices for animated cartoons later in his career, and he is best known as the voice of Jiminy Cricket in Walt Disney's Pinocchio (1940) and Fun and Fancy Free (1947), and Dandy (Jim) Crow in Walt Disney's Dumbo (1941).

Bernstein wrote and conducted the musical score for the production Davidson mounted of Aristophanes' play The Birds in the original Greek. Bernstein reused some of this music in the ballet Fancy Free. After completing his studies at Harvard in 1939 (graduating with a B.A. cum laude), he enrolled at the Curtis Institute of Music in Philadelphia. At Curtis, Bernstein studied conducting with Fritz Reiner (who anecdotally is said to have given Bernstein the only "A" grade he ever awarded), piano with Isabelle Vengerova, (Bernstein complained later that she taught him an incorrect piano technique).

"Stone Free" is a song written by Jimi Hendrix and the second song recorded by the Jimi Hendrix Experience. It has been described as a "counterculture anthem, with its lyrics praising the footloose and fancy-free life", which reflected Hendrix's restless lifestyle. Instrumentally, the song has a strong rhythmic drive provided by drummer Mitch Mitchell with harmonic support by bassist Noel Redding. "Stone Free" was issued on December 16, 1966, as the B-side of the Experience's first UK single "Hey Joe" and later included on the Smash Hits compilation album.

By 1944, he had become General Musical Director at Disney Studios on films such as Saludos Amigos, The Three Caballeros, Make Mine Music, Song of the South and Fun and Fancy Free. In 1950, he transferred to MGM Studios as Associate General Musical Director, and in 1958 became General Musical Director.The Creative Circle: Art Literature and Music in Baha'I Perspective By Michael Boynton Fitzgerald, Michael Fitzgerald, Published 1989, Kalimat Press, , pages x-xx (Foreword) Wolcott had US hit singles in 1944: "Tico-Tico", and 1960: "Ruby Duby Du".

Disney had provided the voice for Mickey Mouse since his debut in 1928, and Fun and Fancy Free was the last time he would voice the role regularly, as he no longer had the time or energy to do so. Disney recorded most of Mickey's dialogue in the spring and summer of 1941. Sound effects artist Jimmy MacDonald would become the character's new voice actor, starting in 1948. Disney, however, did reprise the role for the introduction to the original 1955–59 run of The Mickey Mouse Club.

In Wednesday's Fancy Free he danced his solo with a sudden instinct for continuity of phrasing that showed very sharply his rich real gifts as a dancer."Edwin Denby, "Ballet Theatre's Season," in Dance Writing and Poetry (1998), p. 161. Of a 1956 revival of Billy the Kid, New York Times critic John Martin wrote "John Kriza's ever the ingratiating personality, the expert partner, and the delightful actor-dancer when he has a role that will allow. His Billy the Kid this season was fresh once more and full of authority.

The double album Into the Electric Castle followed in 1998, continuing the Ayreon storyline from The Final Experiment. The album features eight singers, each playing a role of a single character, and eleven instrumentalists. Arjen has stated that he wanted this particular album to be a more flight-and-fancy-free record, or "pure escapism" than the previous albums' more serious tones, and portrayed his characters in more of a B movie light. The album was a huge success and is widely regarded as one of Ayreon's best albums.

She was cast as the Second Passerby in Jerome Robbins' maiden ballet Fancy Free in 1944. Reed danced in the premiere of Interplay in 1945, and appeared in Kidd and Tudor's On Stage the following year and then in Robbins' Broadway play Look Ma, I'm Dancing in 1948. That same year, she joined the New York City Ballet (NYCB), after accepting an invitation from Blanchine. Reed was cast by Blanchine in Neo-Classical ballets, such as Symphony in C and Serenade, and created the final act of Bourrée Fantasque for her.

180 Kinney served as a sequence director on 10 of the Disney theatrical feature films. His credits in that role included Pinocchio (1940), Dumbo (1941), Saludos Amigos (1942), Victory Through Air Power (1943), The Three Caballeros (1944), Make Mine Music (1946), Fun and Fancy Free (1947), Melody Time (1948), and The Adventures of Ichabod and Mr. Toad (1949)Lenburg (2006), pp. 180 Beginning in 1939, Kinney was promoted to the position of director for animated short films. He was one of the main directors of the Donald Duck series, along with Jack King.

These films were Make Mine Music (1946), Fun and Fancy Free (1947), Melody Time (1948), and The Adventures of Ichabod and Mr. Toad (1949). The studio also produced two features, Song of the South (1946) and So Dear to My Heart (1948), which used more expansive live-action stories which still included animated sequences and sequences combining live-action and animated characters. Shorts production continued during this period as well, with Donald Duck, Goofy, and Pluto cartoons being the main output accompanied by cartoons starring Mickey Mouse, Figaro, and in the 1950s, Chip 'n' Dale and Humphrey the Bear.

On the Town is a musical with music by Leonard Bernstein and book and lyrics by Betty Comden and Adolph Green, based on Jerome Robbins' idea for his 1944 ballet Fancy Free, which he had set to Bernstein's music. The musical introduced several popular and classic songs, among them "New York, New York", "Lonely Town", "I Can Cook, Too" (for which Bernstein also wrote the lyrics), and "Some Other Time". The story concerns three American sailors on a 24-hour shore leave in New York City during wartime 1944. Each of the three sailors meets and quickly connects with a woman.

She laps up the male attention that her good looks bring her but playing footloose and fancy- free with the men in her life has gained her a bit of a reputation." Jenny Cockle, writing for the Sunday Mirror, has similarly observed that during the character's duration on the show, Maria has evolved from a "dowdy kennel maid" to a "sexy siren". Reflecting on her early days at the programme, Ghadie said: "I thought I'd do my three months and then I'd be off. I was a jobbing actress when I joined and was really pleased to have a job for three months.

Dag Achatz is a Swedish virtuoso pianist and composer. His recording for BIS of his own transcription for solo piano of Igor Stravinsky's The Rite of Spring is widely acknowledged to be one of the great recordings of the 20th century. Leonard Bernstein asked him to transcribe his ballet Fancy Free, which Achatz then recorded along with his own transcription of Bernstein's Symphonic Dances from West Side Story. Born in Stockholm in 1942 of a Swedish mother and a Viennese father, both musicians, he was raised in Switzerland, where he entered the Geneva Conservatory at age of 8.

The Oak Ridge Boys, who were fans of Rodney Crowell's version of "Elvira", decided to include the song on their 1981 album Fancy Free. Their rendition featured Joe Bonsall on lead vocals, as well as bass singer Richard Sterban's deep-voiced vocal solo on the chorus ("giddy up ba-oom papa oom papa mow mow"). "Elvira" quickly climbed the Billboard Hot Country Singles chart, and over Memorial Day weekend it became the group's fourth number one country hit. It was also their biggest pop hit, peaking at number five on the Billboard Hot 100 that July and August.

Dock Street Theatre, Charleston, SC Lyons worked as a theatre teacher in Buffalo, New York, and East Aurora before moving to Charleston, South Carolina in 1961. She founded the Little Theatre School in the Dock Street Theatre with her partner Dorothy D’Anna. She was the co-director and costume designer at the Theatre for Children in the Footlight Players Workshop for 25 years, eventually progressing to manager of the main Footlight Players. In addition to her work at the Footlight Players, she worked at the Charleston Dog Training Club and performed with the Fancy Free Cloggers.

It is also speculated that his cigarette habit had damaged his voice over the years. After recording the Mickey and the Beanstalk section of Fun and Fancy Free, Mickey's voice was handed over to veteran Disney musician and actor Jimmy MacDonald. Walt would reprise Mickey's voice occasionally until his passing in 1966, such as in the introductions to the original 1955–1959 run of The Mickey Mouse Club TV series, the "Fourth Anniversary Show" episode of the Walt Disney's Disneyland TV series that aired on September 11, 1957 and the Disneyland USA at Radio City Music Hall show from 1962.

Comden and Green's first Broadway show was in 1944, with On the Town, a musical about three sailors on leave in New York City that was an expansion of a ballet entitled Fancy Free on which Bernstein had been working with choreographer Jerome Robbins. Comden and Green wrote the book and lyrics, which included sizable parts for themselves (as "Claire" and "Ozzie"). Their next musical, Billion Dollar Baby in 1945, with music by Morton Gould was not a success, and their 1947 show Bonanza Bound closed out-of-town and never reached Broadway."Betty Comden and Adolph Green" pbs.

When The Gremlins failed to materialize, the title was changed to Two Fabulous Characters. Then, The Legend of Happy Valley was cut from the project in favor of pairing it with Bongo in which the two shorts were incorporated under the title Fun and Fancy Free, which was eventually released in 1947. In late 1947, Disney decided to pair The Legend of Sleepy Hollow with The Wind in the Willows into a singular package film as neither part was long enough to be a feature film. The new film was later given its final title The Adventures of Ichabod and Mr. Toad.

Foot Loose & Fancy Free is Rod Stewart's eighth album, released in November 1977 on Riva Records in the UK and Warner Bros in the US. The album is the final album in a string of Stewart's acclaimed 1970s albums, beginning with Atlantic Crossing and ending with A Night On The Town. The album contains elements of hard rock ("Hot Legs"), funk rock ("You're Insane"), and progressive rock via Motown ("You Keep Me Hanging On"), as well as Stewart's usual ballads ("You're In My Heart"). "I Was Only Joking", a tale about regret and the care-free minds of the young, has become one of Stewart's most loved compositions.

Another version had a scene where Mickey gave the cow to the Queen (played by Minnie Mouse) as a gift, and in return she gave him the magic beans. However, both scenes were cut when the story was trimmed for Fun and Fancy Free and the film does not explain how Mickey got the beans. Shortly after the rough animation on Dumbo was complete in May 1941, The Legend of Happy Valley went into production, using many of the same cast, although RKO doubted it would be a success. Since it was a simple, low-budget film, in six months, fifty minutes had been animated on Happy Valley.

During this lengthy tenure, Charlie's guest roster was filled by many of the biggest stars of the day, including Henry Fonda, the Andrews Sisters, Rosemary Clooney, Roy Rogers, Frank Sinatra, Carol Channing, Groucho Marx, Dinah Shore, Liberace, Bergen's wife Frances Bergen, and in occasional appearances, Charlie's "sister" Candice Bergen. Bergen and McCarthy also co- starred with Mickey Mouse in the 1947 Disney film Fun and Fancy Free. McCarthy also had a cameo in the 1938 Disney cartoon Mother Goose Goes Hollywood, tormenting W.C. Fields, who appeared as Humpty Dumpty. In 1977, Charlie appeared with Bergen and Mortimer Snerd on Episode 207 of The Muppet Show.

From 1941 through 1944, Robbins was a soloist with the company, gaining notice for his Hermes in Helen of Troy, the title role in Petrouchka, the Youth in Agnes de Mille's Three Virgins and a Devil, and Benvolio in Romeo and Juliet; and coming under the influence of the choreographers Michel Fokine, Antony Tudor, and George Balanchine. Robbins created and performed in Fancy Free, a ballet about sailors on liberty, at the Metropolitan Opera as part of the Ballet Theatre season in 1944. One of Fancy Free's inspirations was Paul Cadmus' 1934 painting The Fleet's In! However, Robbins' scenario was more lighthearted than the painting.

Heaney's work is used extensively in the school syllabus internationally, including the anthologies The Rattle Bag (1982) and The School Bag (1997) (both edited with Ted Hughes). Originally entitled The Faber Book of Verse for Younger People on the Faber contract, Hughes and Heaney decided the main purpose of The Rattle Bag was to offer enjoyment to the reader: "Arbitrary riches." Heaney commented "the book in our heads was something closer to The Fancy Free Poetry Supplement." It included work that they would have liked to encountered sooner in their own lives, as well as nonsense rhymes, ballad-type poems, riddles, folk songs and rhythmical jingles.

By explicitly marking the album as having a "fast side" and a "slow side", Stewart continued the trend started by Atlantic Crossing. "The First Cut Is the Deepest", a cover of a Cat Stevens song, went number one in the UK in 1977, and top 30 in the US. "The Killing of Georgie (Part 1 and 2)", about the murder of a gay man, was also a Top 40 hit for Stewart during 1977. Foot Loose & Fancy Free (1977) featured Stewart's own band, the original Rod Stewart Group that featured Carmine Appice, Phil Chen, Jim Cregan, Billy Peek, Gary Grainger and John Jarvis. It continued Stewart's run of chart success, reaching number two.

By 1969's Fancy Free, Byrd was moving away from the hard bop jazz idiom and began to record jazz fusion and rhythm and blues. He teamed up with the Mizell Brothers (producer-writers Larry and Fonce) for Black Byrd (1973) which was, for many years, Blue Note's best-selling album. The title track climbed to No. 19 on Billboard′s R&B; chart and reached the Hot 100 pop chart, peaking at No. 88\. The Mizell brothers' follow-up albums for Byrd, Street Lady, Places and Spaces and Stepping into Tomorrow, were also big sellers, and have subsequently provided a rich source of samples for acid jazz artists such as Us3.

Aaron Copland wrote Dance Panels in 1959 on a commission from Jerome Robbins and his "Ballets: U.S.A." company. This company was sponsored through the American National Theatre and Academy (ANTA), a United States government agency set up to represent American art abroad. According to Pollack, Robbins had wanted to work with Copland on a ballet since 1944, following his Broadway success with Leonard Bernstein's ballet Fancy Free, and had a proposed a similar scenario to Copland at that time. In Copland Since 1943, the composer dates their desire to collaborate on a ballet at 1954, when Robbins directed the premiere of his opera The Tender Land at the New York City Opera.

During this same period, Holiday began performing in concert halls rather than nightclubs, and her live performances became more theatrical than jazz, with many of these dramatic songs becoming centrepieces of her set. Holiday continued to record for Decca throughout the 1940s, before again switching to Norman Granz's Clef label (later Verve) in the next decade. The orchestras Holiday recorded with while at Commodore and Decca were variously led by Toots Camarata, Bob Haggart, Bill Stegmeyer, John Simmons, Buster Harding, Sy Oliver, and Gordon Jenkins. "Big Stuff" was a Leonard Bernstein single, with Billie doing a new vocal to a song Bernstein had written as the prologue to his 1944 ballet Fancy Free.

Other hits during her four years at Columbia included "Laughing on the Outside (Crying on the Inside)", "I Wish I Didn't Love You So", "(I Love You) For Sentimental Reasons", "Doin' What Comes Natur'lly", and "Dear Hearts and Gentle People". She was a regular with Jack Smith on his quarter-hour radio show on CBS. Shore was a musical guest in the films Thank Your Lucky Stars (1943), Follow the Boys (1944), and Till the Clouds Roll By (1946) and had starring roles in Danny Kaye's debut Up in Arms (1944) and Belle of the Yukon (1944). She lent her musical voice to two Disney films: Make Mine Music (1946) and Fun and Fancy Free (1947).

Together during their trips to Bariloche they worked on the creation of characters for the 1942 animated film, Bambi. His contribution to the film can be recognized in the style of the animals and trees in the film that reproduces the wild life of Victoria Island on Nahuel Huapi Lake, in Argentina's Patagonia. As an artistic consultant with the Disney studios he also contributed in the creation of inexpensive package films, containing collections of cartoon shorts, and issued them to theaters during this period. The most notable and successful of these were Saludos Amigos (1942), its sequel The Three Caballeros (1945), Fun and Fancy Free (1947) and in the original movie poster of Alice in Wonderland (1951).

Under the common law rule that prevailed before Roth, articulated most famously in the 1868 English case Regina v. Hicklin, any material that tended to "deprave and corrupt those whose minds are open to such immoral influences" was deemed "obscene" and could be banned on that basis. Thus, works by Balzac, Flaubert, James Joyce and D. H. Lawrence were banned based on isolated passages and the effect they might have on children. Samuel Roth, who ran a literary business in New York City, was convicted under a federal statute criminalizing the sending of "obscene, lewd, lascivious or filthy" materials through the mail for advertising and selling a publication called American Aphrodite ("A Quarterly for the Fancy-Free") containing literary erotica and nude photography.

Clum, John, "The Works of Arthur Laurents: Politics, Love, and Betrayal" Soon after being discharged from the Army, Laurents met ballerina Nora Kaye, and the two became involved in an on-again, off-again romantic relationship. While Kaye was on tour with Fancy Free, Laurents continued to write for the radio but was becoming discontented with the medium. At the urging of Martin Gabel, he spent nine consecutive nights writing a play In 1962, Laurents directed I Can Get It for You Wholesale, which helped to turn then-unknown Barbra Streisand into a star. His next project was the stage musical Anyone Can Whistle, which he directed and for which he wrote the book, but it proved to be an infamous flop.

They were "financially (and artistically) lightweight productions meant to bring in profits [to allow the studio to] return to fairy tale single-narrative feature form", an endeavour which they successfully completed two years later with Cinderella. While the shorts "contrast in length, form, and style", a common thread throughout is that each "is accompanied by song[s] from musicians and vocalists of the '40s" – both popular and folk music. This sets it apart from the similarly structured Fantasia, whose segments were set to classical music instead. As opposed to Fun and Fancy Free, whose story was bound to the tales of Bongo and Mickey and the Beanstalk, in this film "Walt Disney has let his animators and his color magicians have free rein".

Ultimately, Sinatra did not find the success on television for which he had hoped. Santopietro writes that Sinatra "simply never appeared fully at ease on his own television series, his edgy, impatient personality conveying a pent up energy on the verge of exploding". In 1953, Sinatra starred in the NBC radio program Rocky Fortune, portraying Rocco Fortunato (a.k.a. Rocky Fortune), a "footloose and fancy free" temporary worker for the Gridley Employment Agency who stumbles into crime-solving. The series aired on NBC radio Tuesday nights from October 1953 to March 1954. Dean Martin and Frank Sinatra on The Dean Martin Show in 1958 In 1957, Sinatra formed a three- year $3million contract with ABC to launch The Frank Sinatra Show, featuring himself and guests in 36 half hour shows.

Fun and Fancy Free is a 1947 American animated musical fantasy package film produced by Walt Disney and released on September 27, 1947 by RKO Radio Pictures. It is the ninth Disney animated feature film and the fourth of the package films the studio produced in the 1940s in order to save money during World War II. The Disney package films of the late 1940s helped finance Cinderella (1950), and subsequent others, such as Alice in Wonderland (1951), and Peter Pan (1953). The film is a compilation of two stories, the first of which, Bongo, is hosted by Jiminy Cricket and narrated by Dinah Shore. Based on the tale Little Bear Bongo by Sinclair Lewis, Bongo tells the story of a circus bear cub named Bongo who longs for freedom from captivity.

Dell Comics also published a Silly Symphonies anthology comic book, with nine issues released at irregular intervals between September 1952 and February 1959. The series printed adaptations of a few of the Silly Symphony shorts that weren't adapted in the Sunday comic strip -- The Grasshopper and the Ants, The Golden Touch and The Country Cousin -- as well as stories featuring Silly Symphony characters, including Bucky Bug, Little Hiawatha, Elmer Elephant, Toby Tortoise and Spotty the Pig. There were also adaptations of non-Symphony Disney shorts like Lambert the Sheepish Lion, Morris the Midget Moose, and Chicken Little, and a large number of stories featuring characters from other projects, including Jiminy Cricket, Dumbo, Thumper, the Seven Dwarfs, Humphrey the Bear, and Bongo the Wonder Bear from Fun and Fancy Free.

Miller appeared in New York City for the Shuberts in the 1914 and 1915 editions of The Passing Show, a Broadway revue at the Winter Garden Theatre, as well as in The Show of Wonders (1916) and Fancy Free (1918). It was, however, Florenz Ziegfeld who made her a star after she performed in his Ziegfeld Follies of 1918 in Manhattan at the New Amsterdam Theatre on 42nd Street, with music by Irving Berlin. Sharing billing with Eddie Cantor, Will Rogers and W.C. Fields, she brought the house down with her impersonation of Billie Burke, Ziegfeld's wife, in a number titled "Mine Was a Marriage of Convenience". Miller followed as a headliner in the Follies of 1919, dancing to Berlin's "Mandy" and reputedly became Ziegfeld's mistress, though this was never proven.

Houghton's first productions were The Intrigues at the Athenaeum Society, Manchester on 19 October 1906, The Reckoning at the Queen's Theatre, London on 22 July 1907, and The Dear Departed at the Gaiety Theatre, Manchester on 2 November 1908, the first of many to be produced at the Gaiety Theatre, Britain's first regional repertory theatre. This theatre was owned and managed by Annie Horniman who encouraged local writers. Other plays to receive their premières at the Gaiety were Independent Means on 30 August 1909, The Younger Generation on 21 November 1910, The Master of the House on 26 September 1910, and Fancy-Free on 6 November 1911. For a time, Houghton was the honorary secretary of the Manchester Athenaeum Dramatic Society, and frequently gave his services as a producer.

The Adventures of Ichabod and Mr. Toad is a 1949 American animated package film produced by Walt Disney Productions and released by RKO Radio Pictures. The film consists of two segments—the first of which is based on the 1908 children's novel The Wind in the Willows by British author Kenneth Grahame, and the second is based on the 1820 short story "The Legend of Sleepy Hollow", called Ichabod Crane in the film, by American author Washington Irving. The film is the 11th Disney animated feature film, and the last of the studio's package film era of the 1940s, following Saludos Amigos, The Three Caballeros, Make Mine Music, Fun and Fancy Free, and Melody Time. Disney would not produce another package film until The Many Adventures of Winnie the Pooh in March 1977.

8a playing the Prince in the pantomime Cinderella at the King's Theatre, Edinburgh (1906), The King's Theatre, Edinburgh on arthurlloyd.co.ukCinderella (1906) University of Glasgow Special Collection Millie Mostyn in The Girl Behind the Counter at Wyndham's Theatre (1906–07),Englefield on the Theatrical website the lead role of Bess Moore in The Bad Girl of the Family at the Elephant and Castle Theatre (1909) followed by a Christmas season of the same play at the Aldwych Theatre.Scene from The Bad Girl of the Family - Victoria and Albert Museum Collection On Broadway her appearances included Gussie Pope in Fancy Free (1918), The Passing Show of 1918 at the Winter Garden Theatre (1918), part of the Rigoletto QuartetteOpening Night Cast on Playbill Vault website in The Passing Show of 1921 at the Winter Garden Theatre (1920–21), and Mrs.

Walt Disney (left) and Billy Bletcher recording voice- overs for Mr. Mouse Takes a Trip Mr. Mouse Takes a Trip is unique among Disney shorts in that film footage exists of the voice-over session, which included Walt Disney and Billy Bletcher. According to film historian Leonard Maltin, the footage was not known to exist and only discovered (as of 2004) "not too many years ago."Quoted from "Walt Disney Treasures: Mickey Mouse in Living Color, Volume Two," disc 1 The black-and-white film, which is about ten minutes in length, is the only known footage of Disney performing as Mickey Mouse. It was included as an extra on the 1997 VHS and 2000 DVD of Fun and Fancy Free, and on the 2004 DVD release "Walt Disney Treasures: Mickey Mouse in Living Color, Volume Two" as an easter egg.

Alicia Graf in Robert Garland's "Return" After graduation from Juilliard, he joined Dance Theatre of Harlem (DTH) as an apprentice. Under the tutelage of Arthur Mitchell, Dance Theatre of Harlem's founder and Artistic Director, he rose through the ranks to become a Principal Dancer, featured in a wide variety of roles and repertory, including George Balanchine (Four Temperaments, Agon, Serenade, Allegro Brillante), Jerome Robbins (Opus Jazz, Fancy Free), Garth Fagan (Footprints Dressed in Red), Alvin Ailey (The River), Alonzo King (Signs and Wonders), and Billy Wilson (Concerto in F). After creating a work for the Dance Theatre of Harlem School Ensemble, Mitchell invited Garland to create a work for the Dance Theatre of Harlem Company. Upon Mitchell's retirement from the stage, Garland was appointed by him to run the Dance Theatre of Harlem School, and also became the organization’s first Resident Choreographer.

The Easter show on 27 March was a three handed international - Leslie Crowther with Peter Glaze and from Paris Maurice Chevalier introducing clips from Fantasia, Bambi, Follow Me, Boys !, In Search of the Castaways, Monkeys Go Home starring Maurice Chevalier, Wind in the Willows, The Gnome-Mobile, Peter Pan and Song of the South. Tommy Steele presented the August Bank Holiday show on 28 August with excerpts from Peter Pan, Treasure Island, Fun and Fancy Free, The Gnome-Mobile, The Million Dollar Collar, Three Little Pigs, Robin Hood, Jungle Book, Bullwhip Griffin and The Happiest Millionaire (starring Tommy Steele). The Christmas Day show was introduced by Dick Van Dyke with clips from Snow White and the Seven Dwarfs, Fantasia, Bear Country, Mary Poppins starring Dick Van Dyke, The Happiest Millionaire, Blackbeard's Ghost, Never a Dull Moment also starring Dick Van Dyke, and Jungle Book.

He danced leading roles in La Bayadére, Diana and Acteon, Don Quixote, Paquita, The Sleeping Beauty, and Swan Lake, as well as Allegro Brillante, Theme and Variations, and Who Cares? while performing with Pennsylvania Ballet. In 1997 De Luz left Pennsylvania Ballet and joined American Ballet Theatre, (ABT) as a member of the corps de ballet. He was then promoted to soloist in 1998 where he performed roles in the Bronze Idol in La Bayadére (choreographed by Natalia Makarova after Marius Petipa), the Red Cowboy in Billy The Kid (Eugene Loring), the first sailor in Fancy Free (Jerome Robbins), Benno in Swan Lake (Kevin McKenzie after Marius Petipa and Lev Ivanov), and leading roles in Bruch Violin Concerto No. 1 (Clark Tippet) and Theme and Variations (George Balanchine),Bruch Violin Concerto No. 1 (Clark Tippet), Black Tuesday (Paul Taylor), Diversion of Angels (Martha Graham), Clear (Stanton Welch), and Gong (Mark Morris).

By keeping our > grades up at school, we began to lead successful double lives as Philippine- > American girls by day, budding rockers at night, except we didn't do rock as > much as we did girl group songs and Motown, which meant "He's So Fine" and > "Heatwave," with "The Night Before" and "You Really Got Me" thrown in. If > people danced to it, we did it. They were all great songs to cut your teeth > on and learn compositionally.June Millington, in Wayne Riker,"June > Millington: “Play Like a Girl”", San Diego Troubador (November 2012). Later, Terry was replaced on drums by Filipino American Brie Berry (born August 9, 1949),Wayne Riker,"June Millington: “Play Like a Girl”", San Diego Troubador (November 2012). who was a student at Folsom High School (class of 1967). Before their senior year, Millington and her sister Jean performed during the summer of 1965 as a duo. In September 1965, they copyrighted their song "Footloose and Fancy-Free".27Sep65; EU904739 in Library of Congress.

Though the address given in the film is 125 W. Ninth Street in New York's Greenwich Village, the set was actually based on a real courtyard located at 125 Christopher Street. In addition to the meticulous care and detail put into the set, careful attention was also given to sound, including the use of natural sounds and music that would drift across the courtyard and into Jefferies' apartment. At one point, the voice of Bing Crosby can be heard singing "To See You Is to Love You", originally from the 1952 Paramount film Road to Bali. Also heard on the soundtrack are versions of songs popularized earlier in the decade by Nat King Cole ("Mona Lisa", 1950) and Dean Martin ("That's Amore", 1952), along with segments from Leonard Bernstein's score for Jerome Robbins' ballet Fancy Free (1944), Richard Rodgers' song "Lover" (1932), and "M'appari tutt'amor" from Friedrich von Flotow's opera Martha (1844), most borrowed from Paramount's music publisher, Famous Music.

Born in Van Nuys, California, Saddler studied dance at an early age to regain his strength after a bout of scarlet fever. He spent his school vacations at the MGM studios, eventually dancing in the chorus of movie musicals such as The Great Ziegfeld (1936), Rosalie (1937), Broadway Melody of 1938 (1937), Babes in Arms (1939), and The Wizard of Oz (1939) . Saddler was an original member of the American Ballet Theatre, appearing in Giselle, Pillar of Fire, and Fancy Free before heading overseas to serve in World War II. When he returned, he decided to forego ballet in favor of Broadway musicals, appearing in High Button Shoes (1947) and two 1950 revues, Dance Me a Song and Bless You All, before winning his first assignment as a choreographer for Wonderful Town in 1953, for which he won the Tony Award for Best Choreography. In 1958, Saddler won critical acclaim for his choreography for a Jacob's Pillow Dance Festival "dance drama" adaptation of Sherwood Anderson's Winesburg, Ohio, in which he also performed.

De Luz then joined New York City Ballet (NYCB) as a soloist in 2003, and in January 2005, he was promoted to the rank of principal dancer. His featured roles since joining New York City Ballet include: George Balanchine's Ballo della Regina, Coppelia (Frantz), "Divertimento" from Le baiser de la fée, Donizetti Variations, The Nutcracker ("Cavalier", "Tea", and "Candy Cane"), Harlequinade (Harlequin and Pierrot), Jewels ("Rubies"), A Midsummer Night's Dream (Oberon), Symphony in C (Third Movement), Tarantella, Theme and Variations, Tschaikovsky Pas de Deux, Valse-Fantaise, Vienna Waltzes, Peter Martins' Jeu de cartes, Octet, The Sleeping Beauty (Bluebird), Swan Lake (Pas de Quatre), Jerome Robbins' Andantino, Brandenburg, Dances at a Gathering, Dybbuk, Fancy Free, Four Bagatelles, The Four Seasons (Fall), The Goldberg Variations, Other Dances, Piano Pieces, and Christopher Wheeldon's Mercurial Manoeuvres. De Luz originated a featured role in, Jorma Elo's Slice To Sharp, Peter Martins' Romeo + Juliet (Tybalt), and Christopher Wheeldon's Shambards and Alexei Ratmansky's Concerto DSCH. In 2003, De Luz became a permanent guest faculty member of The Rock School in Philadelphia.

Woetzel joined New York City Ballet in 1985, and was a principal dancer from 1989 until his retirement from the stage in 2008. At New York City Ballet, Woetzel had works created for him by Jerome Robbins, Eliot Feld, Twyla Tharp, Susan Stroman and Christopher Wheeldon among others, and danced more than 50 featured roles in the Company's repertory, including: George Balanchine's: Agon, Coppélia, The Prodigal Son, Slaughter on Tenth Avenue, Stars and Stripes, Swan Lake; and Jerome Robbins': Afternoon of a Faun, Fancy Free, Dances at a Gathering, A Suite of Dances, and West Side Story Suite. Woetzel originated featured roles in: Jerome Robbins' Ives, Songs and Quiet City, Eliot Feld's The Unanswered Question and Organon, Twyla Tharp's The Beethoven Seventh, Christopher Wheeldon's An American in Paris, Carousel, Evenfall, Morphoses, and Variations sérieuses, Peter Martins' Jeu de cartes and The Sleeping Beauty, and Susan Stroman's "The Blue Necklace" from Double Feature. Woetzel also originated roles in ballets by Kevin O'Day, Richard Tanner and Lynne Taylor-Corbett, among others.

For the 2-LP set originally released on the Verve label in 1958: Verve MGV 4019-2. Side One: #"Let's Face the Music and Dance" – 2:57 #"You're Laughing at Me" – 3:18 #"Let Yourself Go" – 2:20 #"You Can Have Him" – 3:47 #"Russian Lullaby" – 1:55 #"Puttin' On the Ritz" – 2:18 #"Get Thee Behind Me Satan" – 3:49 #"Alexander's Ragtime Band" – 2:43 Side Two: #"Top Hat, White Tie and Tails" – 2:36 #"How About Me?" – 3:17 #"Cheek to Cheek" – 3:48 #"I Used to Be Color Blind" – 2:34 #"Lazy" – 2:40 #"How Deep Is the Ocean?" – 3:11 #"All by Myself" – 2:29 #"Remember" – 3:26 Side Three: #"Supper Time" – 3:19 #"How's Chances?" – 2:48 #"Heat Wave" – 2:25 #"Isn't This a Lovely Day?" – 3:29 #"You Keep Coming Back Like a Song" – 3:35 #"Reaching for the Moon" – 2:18 #"Slumming on Park Avenue" – 2:24 Side Four: #"The Song Is Ended (but the Melody Lingers On)" (lyrics by Beda Loehner) – 2:30 #"I'm Putting All My Eggs in One Basket" – 3:01 #"Now it Can Be Told" – 3:12 #"Always" – 3:09 #"It's a Lovely Day Today" – 2:28 #"Change Partners" – 3:18 #"No Strings (I'm Fancy Free)" – 3:03 #"I've Got My Love to Keep Me Warm" – 3:00 Bonus Track; Issued on the Verve 2000 2CD re-issue, Verve 830533-2 32.