Keltner's approach to touch turns on the deeper idea that consciousness itself is "exteriorized"—that we are alive in relation to others, not in relation to some imagined inner self, the homunculus in our heads.
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Thus, Necroplasm probably means "dead cells" or "formed of dead tissue." The word is a play on the term ectoplasm, which denotes a substance or spiritual energy that is "exteriorized" by physical mediums and said to be associated with the formation of ghosts.
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For this reason, this handshake transfer of the haptic between the two glued IOL forceps is continued till the tip of the haptic is caught by the forceps on the side to which the haptic is to be exteriorized. This technique thus allows easy intra-ocular maneuvering of the entire haptic or IOL within a closed globe system.
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Helen Duncan was well known for using dolls and other props as ectoplasm in her séances. Ectoplasm (from the Greek ektos, meaning "outside", and plasma, meaning "something formed or molded") is a term used in spiritualism to denote a substance or spiritual energy "exteriorized" by physical mediums. It was coined in 1894 by psychical researcher Charles Richet.Blom, Jan Dirk. (2010).
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After completing his doctorate, Pavlov went to Germany where he studied in Leipzig with Carl Ludwig and Eimear Kelly in the Heidenhain laboratories in Breslau. He remained there from 1884 to 1886. Heidenhain was studying digestion in dogs, using an exteriorized section of the stomach. However, Pavlov perfected the technique by overcoming the problem of maintaining the external nerve supply.
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The exteriorized section became known as the Heidenhain or Pavlov pouch. Ivan Pavlov In 1886, Pavlov returned to Russia to look for a new position. His application for the chair of physiology at the University of Saint Petersburg was rejected. Eventually, Pavlov was offered the chair of pharmacology at Tomsk University in Siberia and at the University of Warsaw in Poland.
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Like that of Louise, the plot of Julien is semi-autobiographical and requires many characters and chorus roles; in Julien, the female lead portrays four smaller characters in addition to the role of Louise. The opera integrates elements of an earlier composition, La vie du poète, a symphony-drama of 1888–1889. The chorus consists largely of filles du rêve ("girls of the dream"), fairies, and chimeras as well as various men's roles, mainly different kinds of working class men. Charpentier stated that, except in the prologue, "Louise and the various characters who surround Julien are not so much real people as an exteriorized realization of their inner souls".
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Boyce Davies has also established herself as a major scholar of Caribbean women writers. Along with Elaine Savory Fido, she coedited Out of the Kumbla: Caribbean Women and Literature, the first collection of critical essays on Caribbean women’s literature. The book not only created a field of literary criticism which engaged the absence of women writers from the Caribbean literary canon as it established the presence of these writers historically. But by expanding the narrow terms of Western feminist discourse, it also revitalized Caribbean literature and criticism. Using the metaphor of the "Kumbla" or "calabash" used to protect precious objects, first used by writer Erna Brodber, coming “Out of the Kumbla” then signified a movement from confinement to visibility, articulation, and activism, a process which allowed for a multiplicity of moves, exteriorized, no longer contained and protected or dominated.
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