246 Sentences With "elision" | Random Sentence Generator

That elision has continued, to some extent, to the present day.

With that, Markoo — an elision of both designers' surnames — was born.

This elision of Brexit and the national interest has curdled British politics.

So if the contract wasn't a lie it was a careful and optimistic elision.

But some of the story gaps feel more like lost opportunities than artful elision.

This act of elision raises the specter of a specific type of state-promoted

It was more like an elision, a continuation of the sky by deceptive means.

Given this cultural elision, the inconclusive DNA and physical dispersal, firm membership criteria are elusive.

Personal prosperity and professional success coincide, and this elision became a staple of the genre.

I find online references that call it a "deletion" or "elision" game, both of which work for me.

The effect of this elision of time is that the characters seem to be in stasis between their scenes.

The elision of sex is the book's unignorable flaw; how can sex be separate from other expressions of love?

The Trump presidency has revived Democratic enthusiasm and may permit an elision of center-left divisions through the midterms.

I especially like to find out the history of some of my favorite writers like James Baldwin or Ralph Elision.

The gesture recalls Anne Carson's book If Not, Winter: Fragments of Sappho, in which meaning emerges from elision, from negative space.

Its limits, made for both innuendo and artful elision, align with passionate longing: You fall in love with what isn't there.

Chopin prefers more esoteric, difficult-to-detect techniques of elision and interpenetration — a world of transference, where beginnings and endings merge.

In keeping with a program that celebrated expressive elision and the art of the miniature, she did not play another note.

They are also tired of themselves being portrayed as racist and misogynistic because of other people's mistaken elision of faith and politics.

They gave them the name "hypocretins" -- an elision of hypothalamus (where they were found) and secretin (a gut hormone with a similar structure).

They gave them the name 'hypocretins'–an elision of hypothalamus (where they were found) and secretin (a gut hormone with a similar structure).

There's also a careless elision here of masculinity and patriarchy — which, as Mesdames Thatcher and May could remind visitors, are not the same thing.

The elision of the disability community from conversations about what happened in Puerto Rico, though, is just a small part of a much larger problem.

That elision, which proves to be enormous, is obligingly corrected by Rosenberg, who documents Murray's lifelong struggle with gender identity and her sexual attraction to women.

The elision of that distinction and the rise of malevolent propaganda outfits such as Breitbart News is one of the most baleful trends of modern life.

His response was a circumspect and considered "Yes" — marking the difference between choosing to remain behind the scenes within a corporation, and deliberate elision from the canon.

Barack Obama's elegant elision of the virtues of self-government with the risks of Donald Trump's authoritarianism, before an audience seemingly as enamoured of the current president as ever.

And, within this fixed frame, there's a worrying elision of the "real" conspiracies investigated in the show's first half into the out-there conspiracy "theories" in the second half.

Ruth Levitas, a luminary in the academic field of utopian studies, writes defensively about "the elision between perfection and impossibility" employed by critics who dismiss the practicality of utopias.

The troubles with the limp new Idris Elba/Matthew McConaughey vehicle go deeper than the elision of the colorful details that endeared the series to a few generations of readers.

The elision in Warren's argument was that she didn't want to acknowledge that the Democratic nominee could be hurt by taking left-wing stances that are unpopular among the public.

And the narrator's shadowy nature is less a void in the middle of the stage than it is a deliberate, artful elision, one that clarifies the movements all around her.

He imagined going home and watching the rest of "L'Avventura" with Willa, describing to her the oblique precision of the movie, the cinematic use of space, the poetry of elision.

This elision of the writer's position would have horrified the George Orwell who wrote, "Politics and the English Language," an essay I love to hate, and therefore it intrigues me.

In the January Sanders-Warren showdown over the advisability of putting a female nominee at the top of the ticket, a similarly revealing moment of strategic elision came into the foreground.

People can encounter an artist's work without needing or caring to know much more about them, but the extent to which this elision of identity has occurred for these three is shocking.

"How can you allow the world to forget us, to delete our existence, the grand elision of queer history?" he rails, until Satan—and this brilliant author—ensure that we will not.

The cut between Grey Worm killing a few people and him striding across a rampart covered in bodies felt like a cheap elision, a maneuver motivated more by budget limitations than by directorial choices.

A threesome isn't just "sexual activity with more than one woman present," despite Kavanaugh's "in other words" elision of the two (and, for the record, "more than one woman present" doesn't describe Swetnick's allegation either).

Like the telling elision in the otherwise vérité documentary about Madonna, "Truth or Dare," when the camera is invited everywhere and anywhere except her business meeting, Phair keeps the door closed on her creative life.

In Mr. Kushner's sweeping two-parter, which ties the closeted lawyer Roy Cohn to others entangled in the epidemic, he found it — a vast, imaginative elision of the personal and the political, spirituality and sexuality.

Tech companies have partly encouraged this elision of artificial intelligence and sci-fi AI (especially with their anthropomorphic digital assistants), but it's not useful when it comes to understanding what our computers are doing that's new and exciting.

So when the news release for "Real Meals" says the campaign "celebrates being yourself and feeling however you want to feel," it performs a convenient elision: No one wants to be irritated, depressed, angry, fed up or hopelessly broke.

We knew then that in spite of what the mighty Chinese government wanted—the elision of all things Dalai Lama and Tibetan— a short, plucky Italian American director from the Bronx gave them the finger and realized his vision.

We're Still Working: The Art of Sex Work, a group exhibition of artwork created by mostly Bay Area-based sex workers and curated by Holloway and Javier Luis Hurtado, highlights this under-explored elision between artwork and sex work.

I personally felt a little queasy about how the filmmakers manipulated opinion — ten years of embedding condensed to ten hours of visual entertainment requires a lot of editing and elision for obvious reasons — but nobody would question that it was a compelling watch.

That I watch Bibi Netanyahu speak in his smooth baritone and I hear the same hate I was raised with; it doesn't surprise me that he has found kinship with Orban, and with Trump, whose supremacy is based on historical elision and present brutality.

When Kraft tells the story now he calls it "a business trip with my friend Sandy Weill," and that is not a falsehood or even an elision; Kraft is indeed friends with Weill, the disgraced architect of Citigroup, and both were on the trip.

The structural hallmarks of Vuong's poetry—his skill with elision, juxtaposition, and sequencing—shape the novel, too, and they work on overlapping scales: passages are organized by recurring phrases, as are the chapters, which build momentum as a poetry collection does, line by line.

She does not include in the note the fact that her husband immigrated to the US from Ireland, an elision that some observers have taken to be strategic, as though Cummins wishes to give the impression that her husband is Latino and could have been in just as much danger of being held in a cage at the border as the people she is writing about.

It was also a misleading elision of the differences between Medicare for All and the plan he has proposed: The very choice as to whether or not enroll in a public option, which Buttigieg likes to tout, means that his plan would not necessarily deliver care to all, and it would moreover preserve for the insured the cost sharing eliminated under Medicare for All.

The general term for a loss of sound segments in the field of linguistics is known as "elision". Other types of elision include the processes of apheresis, syncope, apocope, synizesis, and synaloepha.

Robert Bridges's theory of elision is a theory of elision developed by the poet Robert Bridges, while he was working on a prosodic analysis of John Milton's poems Paradise Lost, Paradise Regained, and Samson Agonistes. Bridges describes his theory in thorough detail in his 1921 book Milton's Prosody. With his definition of poetic elision, Bridges is able to demonstrate that no line in Paradise Lost contains an extra unmetrical syllable mid-line; that is, any apparent extra mid-line syllable can be explained as an example of Bridges's elision.

However, excessive elision is generally viewed as basilectic, and inadequate elision is seen as overly fussy or old-fashioned. Some nonstandard dialects, such as Satsuma-ben, are known for their extensive elision. It is common for successive o sounds to be reduced to a single o sound, as is frequently encountered when the particle を (wo/o) is followed by the beautifying or honorific お (o). See Japanese particles and Honorific speech in Japanese.

In a performance described as "mesmerising" and "a surreal delight", with "beautiful entrancing music", Theatre Elision gave the song cycle its United States premiere from 30 May to 9 June 2019 at The Southern Theater in Minneapolis, Minnesota. The production, with a running time of 75 minutes, was directed by Lindsay Fitzgerald. It will be reprised by Theatre Elision, this time at the Elision Playhouse in Minneapolis, from 18 to 28 March 2021.

In general, Uyghur phonology tends to simplify phonemic consonant clusters by means of elision and epenthesis.

Bridges states that if two unstressed syllables are separated by an r then there may be elision.

Bridges states that if two unstressed syllables are separated by an l then there may be elision.

Bridges states that if two unstressed syllables are separated by an n then there may be elision.

The word changed to Shilhot due to the elision of letter-final ô in the Bengali language.

Elision takes place when two of the same vowels would be adjacent, or with certain grammatical particles. For example, when the plural marker é is placed before a word beginning with a vowel: é ómóntàkélé → émóntàkélé "little children". This elision can be written with an apostrophe when the two vowels are the same: ji inang → ji'nang "twenty four". It can also be written as an apostrophe when the elision spans two words that are not particles: sòngí ìsóngà → sòngí 'sóngà "sing a song".

In Greek and Latin poetry, hiatus is generally avoided although it occurs in many authors under certain rules, with varying degrees of poetic licence. Hiatus may be avoided by elision of a final vowel, occasionally prodelision (elision of initial vowel) and synizesis (pronunciation of two vowels as one without a change in spelling).

The pronunciation occurs as a combination of a historically soft pronunciation and historical elision of the first vowel of the suffix.

Catalan has two types of article, definite and indefinite. They are declined for gender and number, and must agree with the noun they qualify. As with other Romance languages, Catalan articles are subject to complex elision and contraction processes. The inflection of articles is complex, especially because of frequent elision, but is similar to neighboring languages.

Elision is extremely common in the pronunciation of the Japanese language. In general, a high vowel ( or ) that appears in a low-pitched syllable between two voiceless consonants is devoiced and often deleted outright. However, unlike French or English, Japanese does not often show elision in writing. The process is purely phonetic and varies considerably depending on the dialect or level of formality.

In phonology, apocope () is the loss (elision) of one or more sounds from the end of a word, especially the loss of an unstressed vowel.

Some common particles exist in two versions, with and without an initial consonant: na → a; de → e; go → o. While this may historically correspond to the elision of a consonant, it is not denoted as such in the spelling. In contrast, the elision of a vowel, common in speech, is denoted orthographically by an apostrophe. For example, mi o naki dalèk → m’ o naki dalèk.

Corsican also needs an orthographic apostrophe to mark the elision, preferably written in its curly form (') for good typography, even though the vertical ASCII quote (') is common.

The discussion in the article is about assimilation and an affricative daleth and in the footnote Morgenstern is suddenly talking about the elision of a fricative daleth.

The territory of Ṭayyiˀ during the early Islamic period was not the original habitat of the tribe. The tribe was traditionally known to have migrated from northern Yemen together with the tribes with which it shared some linguistic features. Features of this dialect include: # The weakening of the final syllable and elision of final nasals, laterals, t, and/or y. # The absence of vowel harmony and vowel elision.

Phonological changes occur at morpheme boundaries (sandhi) for specific grammatical morphemes. There may be assimilation or elision. One unusual change which can occur is to . Coalescence also occurs.

In French, consonant length is usually not distinctive, but in certain exceptional cases it can be, such as the pair vs . Gemination also occurs in case of schwa elision.

Although most Cambodian dialects are not tonal, the colloquial Phnom Penh dialect has developed a tonal contrast (level versus peaking tone) as a by-product of the elision of .

His symbolic significance is evidenced by linguistic analysis of his Greek name "Troilos". It can be interpreted as an elision of the names of Tros and Ilos, the legendary founders of Troy, as a diminutive or pet name "little Tros" or as an elision of Troië (Troy) and lyo (to destroy). These multiple possibilities emphasise the link between the fates of Troilus and of the city where he lived.Boitani, (1989: pp.4–5).

A few examples (slightly exaggerated; apostrophes added to indicate elision): :松下さんはいますか？ Matsushita-san wa imasu ka? ("Is Mr. Matsushita in?") :Pronounced: matsush'tasanwa imas'ka : :失礼します Shitsurei shimasu ("Excuse me") :Pronounced: sh'tsureishimas' : Gender roles also influence elision in Japanese. It is considered masculine to elide, especially the final u of the polite verb forms (-masu, desu), but women are traditionally encouraged to do the opposite.

The ethnonym Pitjantjatjara is usually pronounced (in normal, fast speech) with elision of one of the repeated syllables -tja-, thus: pitjantjara. In more careful speech all syllables will be pronounced.

This is a kind of external sandhi in which words join, undergoing phonological processes such as elision. In Somali it is sometimes obligatory and sometimes it is dependent on the speech style.

For example, ('why') has a CV.CVC.CV syllable structure, but after the elision of the final the resulting has a CV.CVCC structure with a CC cluster in the coda of the last syllable.

Its technical language and frequent use of repetition and elision presented a challenge to translators and interpreters.McDermott, James P. Journal of the American Oriental Society, vol. 105, no. 4, 1985, pp. 784–784.

Bridges showed that Milton further broadened his concept of elision in his later works. Bridges' investigation of Milton's twelve syllable lines led him to ideas of prosody embodied in his own Neo-Miltonic syllabics.

Where one word ended with a vowel (including a nasalized vowel, represented by a vowel plus m) and the next word began with a vowel, the former vowel, at least in verse, was regularly elided; that is, it was omitted altogether, or possibly (in the case of and ) pronounced like the corresponding semivowel. When the second word was or , a different form of elision sometimes occurred (prodelision): the vowel of the preceding word was retained, and the e was elided instead. Elision also occurred in Ancient Greek, but in that language, it is shown in writing by the vowel in question being replaced by an apostrophe, whereas in Latin elision is not indicated at all in the orthography, but can be deduced from the verse form. Only occasionally is it found in inscriptions, as in for .

In musical score engraving, the undertie symbol is called an "elision slur" or "lyric slur"The MuseScore Handbook: Lyrics - elision, and is used to indicate synalepha: the elision of two or more spoken syllables into a single note; this is in contrast to the more common melisma, the extension of a single spoken syllable over multiple sung notes. Although rare in English texts, synalepha is often encountered in musical lyrics written in the Romance languages. In use, the undertie is placed between the words of the lyric that are to be sung as one note to prevent the space between them being interpreted as a syllable break. For example, in the printed lyric "the‿im - mor - tal air", the undertie between "the" and "im-" instructs the singer to elide these two syllables into one, thus reducing five spoken syllables into four sung notes.

It uses accents, breathings, and marks of elision. There are some errors, typical for Homeric papyri of the Roman period. The text contains corrections as well. It was discovered by Grenfell and Hunt in 1897 in Oxyrhynchus.

The presence of short vowels in /zibībih/ and /sifīnih/ point to an earlier stage of linguistic development, before elision led to the modern zbībe and sfīne, though the orthography of the manuscript is in this respect unclear.

The ensemble has also secured funding from government and private sources in Europe, particularly to commission new work. ELISION is operated by a not-for- profit incorporated association, whose membership is dominated by musicians in the ensemble.

Poetic contractions are contractions of words found in poetry but not commonly used in everyday modern English. Also known as elision, these contractions are usually used to lower the amount of syllables in a particular word in order to adhere to the meter of a composition. In languages like French, elision removes the end syllable of a word that ends with a vowel sound when the next begins with a vowel sound, in order to avoid hiatus, or retain a consonant- vowel-consonant-vowel rhythm. Many of these poetic contractions originate from archaic English.

The ELISION Ensemble (often referred to as simply ELISION) is a chamber ensemble specialising in contemporary classical music, concentrating on the creation and presentation of new works. The ensemble comprises a core of around 20 virtuoso musicians from Australia and around the world. Since 1986 it has maintained an active schedule of concerts, recordings, broadcasts, and music-theatre/opera, installation art and new media art performances, principally in Australia and Europe. During 2008 the ensemble presented 36 individual works, including 11 world premieres, in 18 concerts or events in Melbourne, Sydney, Brisbane, Berlin and London.

Its 18th compact disc was released in 2009 (see Discography). ELISION combines its Australian perspective with a long-term exploration of complex musical aesthetics, and in so doing has developed an international reputation for Australian new music and performance practice. Paul Griffiths, in Modern Music and After, writes of ELISION "… whose splendiferous range of colours … has produced a kind of sensuous complexity that may be uniquely Australian". In 2018 the ensemble toured internationally to Germany and Mexico, as well as performing in Australia in Melbourne, Brisbane, and Sydney.

The apostrophe (') appears as part of certain phrases, usually to indicate the elision of a vowel in the contraction of a preposition with the word that follows it: de + água = d'água. It is used almost exclusively in poetry.

Elision is found in the Ulster dialect of Irish, particularly in final position. , for example, while pronounced in the Conamara dialect, is pronounced in Ulster. is also elided when it begins intervocalic consonant clusters. is pronounced ; is pronounced .

The compiled code is additionally optimized (and re- optimized) dynamically at runtime, based on heuristics of the code's execution profile. Optimization techniques used include inlining, elision of expensive runtime properties, and inline caching. The garbage collector is a generational incremental collector.

Fradenburg challenges Hawkins' "elision of the 'literal' or 'carnal' level of meaning in favour of the spiritual"Fradenburg 203. by lingering on those moments in the tale, such as the "litel clergeon's" transgressive rote memorisation of the Alma Redemptoris, in which this elision fails, or succeeds only ambiguously. She traces the impossibility of ultimately separating and opposing Old and New Laws in the "Prioress' Tale" back to a tension between letter and spirit internal to Paul's discourse itself.Fradenburg 221 Fradenburg gestures at a larger project of turning "patristic exegesis" against itself to read the contradictions revealed by the theological subtext of the tale.

ELISION was established in Melbourne, Australia in 1986 by its current Artistic Director Daryl Buckley and other musicians from the Victorian College of the Arts; several founding members remain in the ensemble. While resident in Melbourne it built an international reputation, making its first European appearance in 1991. In 1996 it relocated its administrative base to The University of Queensland, Brisbane, and was a resident company at the Judith Wright Centre of Contemporary Arts in Brisbane from its opening in 2001 until 2008. ELISION has received government funding from arts councils including the Australia Council, Arts Victoria and Arts Queensland.

The common elision within words ("howe'er" and "howsome," e.g.) were not merely graphical. As Paul Fussell and others have pointed out, these elisions were intended to be read aloud exactly as printed. Therefore, these elisions effectively created words that existed only in poetry.

In the southern Shodon dialect, the consonants occur at the end of a word or syllable, as in 'neck', 'cherry blossom' and 'well'. Other dialects are similar. Final consonants are usually the result of eliding high front vowels. Elision is partly conditioned by pitch accent.

Therefore, elision is all but essential. In some cases, film adaptations also interpolate scenes or invent characters. This is especially true when a novel is part of a literary saga. Incidents or quotations from later or earlier novels will be inserted into a single film.

In French, elision refers to the suppression of a final unstressed vowel (usually ) immediately before another word beginning with a vowel. The term also refers to the orthographic convention by which the deletion of a vowel is reflected in writing, and indicated with an apostrophe.

An elision is a section of music where different sections overlap one another, usually for a short period. It is mostly used in fast- paced music, and it is designed to create tension and drama. Songwriters use elision to keep the song from losing its energy during cadences, the points at which the music comes to rest on, typically on a tonic or dominant chord. If a song has a section that ends with a cadence on the tonic, if the songwriter gives this cadence a full bar, with the chord held as a whole note, this makes the listener feel like the music is stopping.

Bridges describes the cases where there are: #fewer than 10 syllables #more than 10 syllables He notes that there are no examples in Paradise Lost of a line having fewer than ten syllables, other than X.827 as it appeared in the first edition. It was corrected to a ten syllable line in the 1674 edition. He also notes that Milton would have been aware of Chaucer's practice of omitting the first unaccented syllable on rare occasions. The section on where there are more than ten syllables in a line is mainly taken up with a detailed description of elision; see Robert Bridges' theory of elision for more details of this.

In their critique of the frequent elision of bisexuality in queer studies, Serena Anderlini-D'Onofrio and Jonathan Alexander write, "a queer theory that misses bisexuality's querying of normative sexualities is itself too mastered by the very normative and normalizing binaries it seeks to unsettle."Ibid., p. 7.

First, high vowels become glides and form onsets. Then, one syllable in each word gets a pitch accent (see section below for more details). Next, vowels adjacent to one another merge to create one nucleus as either a long vowel, diphthong, or triphthong. Finally, processes of vowel elision occur.

Poula has several suffix nominalisers, but has no prefix nominaliser. Most nominalisers indicate an early stage of grammaticalisation. This is because, most nom- inalisers still retain their lexical meaning, and may occur before nominals too. Except the converb -ni, nominalisers are developed due to elision of the nominaliser -zy.

In geometry, a heptagon is a seven-sided polygon or 7-gon. The heptagon is sometimes referred to as the septagon, using "sept-" (an elision of septua-, a Latin-derived numerical prefix, rather than hepta-, a Greek-derived numerical prefix; both are cognate) together with the Greek suffix "-agon" meaning angle.

Brett Kelly is an Australian conductor and trombonist. He was the Principal Trombone of the Melbourne Symphony Orchestra until 2019. He has been a member of Flederman, The Seymour Group and ELISION Ensemble. He has frequently been associated with the Samba music of the cucumbi genre of the Ancient Near Eastern people.

Following the x86 extensions, TME brings support for Hardware Transactional Memory (HTM) and Transactional Lock Elision (TLE). TME aims to bring scalable concurrency to increase coarse-grained Thread Level Parallelism (TLP), to allow more work done per thread. The LLVM/Clang 9.0 and GCC 10.0 development codes were updated to support TME.

Sergeant James M. Elson was an American soldier who fought in the American Civil War. Elision received the country's highest award for bravery during combat, the Medal of Honor, for his action during the Battle of Vicksburg in Mississippi on 22 May 1863. He was honored with the award on 12 September 1891.

For example, /i.u.a.i.na/ ‘show’ becomes /i.wa.i.na/. Word-initial /i, u/ are realized as [y, w] when in front of a non-identical vowel. For example, /i.u.mi/ ‘water’ becomes /yu.mi/. Note that [ɰ] cannot appear in the word-initial position. Aguaruna also experiences three types of vowel elision: apocope, syncope, and diphthong reduction.

Despite subjects specifically noting a preference for or the superior relevance of other comics, he gave greater weight to their reading Batman.Tilley, pp. 393–395. Wertham also presented as firsthand stories that he could have only heard through colleagues. His descriptions of comic content were sometimes misleading, either by exaggeration or elision.

In Old English, Surrey means "southern district (or the men of the southern district)",Concise Oxford Dictionary of Place Names, Eilert Erkwall, 4th edition so the change from "southern district work" to the latter "southern work" may be an evolution based on the elision of the single syllable ge element, meaning district.

45: This hill [The Kilmog]...has a much debated name, but its origins are clear to Kaitahu and the word illustrates several major features of the southern dialect. First we must restore the truncated final vowel (in this case to both parts of the name, 'kilimogo'). Then substitute r for l, k for g, to obtain the northern pronunciation, 'kirimoko'.... Though final vowels existed in Kaitahu dialect, the elision was so nearly complete that pākehā recorders often omitted them entirely. This same elision is found in numerous other southern placenames, such as the two small settlements called The Kaik (from the term for a fishing village, kainga in standard Māori), near Palmerston and Akaroa, and the early spelling of Lake Wakatipu as Wagadib.

1953) has become a part of the musical life of Australia, > as has Richard Barrett (b. 1959) in works written for the Elision ensemble, > whose splendiferous range of colours (with a prominent tuned percussion > centre, including angklung, mandolin and guitar, as well as full stretches > of winds and strings) has produced a kind of sensuous complexity that may be > uniquely Australian." Griffiths, Paul: Modern Music and After, Oxford > University Press 1996, p.314 > "What we need is the regular chance to see the other greats of new > music—Frankfurt's Ensemble Modern, Paris's Ensemble Intercontemporain, > Klangforum Wien, Amsterdam's Ives Ensemble, Australia's ELISION Ensemble—to > experience other ways of interpreting the greats of the 20th and 21st > centuries, and to hear their unique performance practices at the cutting > edge.

However, if songwriters use an elided cadence, they can bring the section to a cadence on the tonic, and then, immediately after this cadence, begin a new section of music which overlaps with the cadence. Another form of elision would, in a chorus later in the song, to interject musical elements from the bridge.

Techniques include overlap, lead-in, extension, expansion, reinterpretation and elision. Symphony No. 6 A phrase member is one of the parts in a phrase separated into two by a pause or long note value, the second of which may repeat, sequence, or contrast with the first.Benward & Saker (2003). Music: In Theory and Practice, Vol.

The hardware monitors multiple threads for conflicting memory accesses, while aborting and rolling back transactions that cannot be successfully completed. Mechanisms are provided for software to detect and handle failed transactions. In other words, lock elision through transactional execution uses memory transactions as a fast path where possible, while the slow (fallback) path is still a normal lock.

Yip () in colloquial Thai is an elision or contraction of yi sip (ยี่สิบ) at the beginning of numbers twenty-one through twenty-nine. Therefore, one may hear yip et (ยีบเอ็ด, ยิบเอ็ด), yip song (ยีบสอง, ยิบสอง), up to yip kao (ยีบเก้า, ยิบเก้า). Yip may have a long vowel (ยีบ) or be elided further into a short vowel (ยิบ).

Most West Chadic languages have a similar consonant inventory separated into eight major groups: labialized laryngeal, laryngeal, labialized velar, velar, lateral, alveopalatal, alveolar, and labial. In the Bade/Ngizim languages, the glottal stop plays no role, but the vowel hiatus relies on elision and coalescence. The sounds also feature a "yawning" and has a shift from fricative to stop.

Sàndro Gòrli (born 19 June 1948 in Como) – Italian composer, conductor, teacher. The author of "Requiem" for mixed choir a Cappella, written specially for the well-known choir La Chapelle Royale. This composition was included in the Treasury of choral authentic music. From 1990 to 1998 – the principal conductor of the ELISION Ensemble in Melbourne (Australia).

Vowel elision is allowed with the grammatical suffix -o of singular nominative nouns, and the a of the article la, though this rarely occurs outside of poetry: de l’ kor’ ('from the heart'). Normally semivowels are restricted to offglides in diphthongs. However, poetic meter may force the reduction of unstressed and to semivowels before a stressed vowel: kormilionoj ; buduaro .

When William Barrow Kendall wrote his Furness Wordbook in 1867, he wrote that 'should never be dropped',Wm. Barrow Kendall 'Forness Word Book', 1867; PDF version available at suggesting the practice had already become conspicuous. It seems the elision of both and began in the industrial towns and slowly spread out. In the south, it is now very common.

The term luġa ˀahl al-Hijaz covers all differences that may have existed within this region. Phonological features of this region include: # The pronunciation of /ˁ/ as hamza. # The use of the full forms of vowels, without elision or vowel changes, e.g. ˁunuq ‘neck’ as against ˁunq in Eastern Arabian dialects, where short unstressed vowels were elided.

TSX/TSX-NI provides two software interfaces for designating code regions for transactional execution. Hardware Lock Elision (HLE) is an instruction prefix-based interface designed to be backward compatible with processors without TSX/TSX-NI support. Restricted Transactional Memory (RTM) is a new instruction set interface that provides greater flexibility for programmers. TSX/TSX-NI enables optimistic execution of transactional code regions.

Common methods of forming a minced oath are rhyme and alliteration. Thus the word bloody (which itself may be an elision of "By Our Lady"—referring to the Virgin Mary) can become blooming, or ruddy. Alliterative minced oaths such as darn for damn allow a speaker to begin to say the prohibited word and then change to a more acceptable expression.Hughes, 7.

He received the Philip Neil Memorial Prize from the University of Otago the following year for his work Etudes. His work has been played by Forum Music (Taiwan), ELISION Ensemble (Australia), Stroma (New Zealand) as well as soloists such as clarinetist Richard Haynes, and pianist Nicolas Hodges. In 2013-2014 he was Composer in Residence at the New Zealand School of Music.

Reconstruction of a Roman legionaryThe lorica hamata (in Latin with normal elision: ) is a type of mail armour used by soldiers for over 600 years (3rd century BC to 4th century AD) from the Roman Republic to the Roman Empire. Lorica hamata comes from the Latin hamatus (hooked) from hamus which means "hook", as the rings hook into one another.

The Scottish Gaelic MacMhuirich has been Anglicised as MacVurich. The phonetics on the Isle of Arran are such that MacMhuirich was pronounced "Ac Uiri" and "Ac Fuiri" due to elision; thus the Scottish Gaelic surname has also been Anglicised as Currie. The surname MacMhuirich has also been Anglicised as Macpherson, due to a confusion of clan-names borne by separate families (see below).

P.54Silva, David James. 1994. The Variable Elision of Unstressed Vowels in European Portuguese: A Case Study and Persian are typical stress- timed languages.Grabe, Esther, "Variation Adds to Prosodic Typology", B.Bel and I. Marlin (eds), Proceedings of the Speech Prosody 2002 Conference, 11–13 April 2002, Aix-en-Provence: Laboratoire Parole et Langage, 127–132. . (.doc) Some stress-timed languages retain unreduced vowels.

Several names were suggested for this specimen. The Idaho hunter who killed it, Jim Martell, suggested "polargrizz". The biologists of the Canadian Wildlife Service suggested "grolar" or "pizzly", as well as "nanulak", an elision of the Inuit nanuk (polar bear) and aklak (grizzly or brown bear). Both "grolar" and "pizzly" were used by the Canadian Broadcasting Corporation in widely distributed stories.

There can be confusion over a plural possessive form. If the singular is "book's title" and the plural "books' titles", the latter can appear as "book's", or even "books's". The plural can be written with an erroneous apostrophe ("grocer's apostrophe" in Britain): "apple's and pear's". Elision can lead to misspelling: "doesn't", where the apostrophe represents the elided "o", can be misspelled "".

In the neighborhood of uvulars and pharyngeals, the Hijaz had /u/, while the Eastern dialects had /a/. # The tendency to shorten the long final vowels in pause positions. # The elision of the hamza. Morphological features of this dialect include: # The 3rd person suffix pronouns -hu, -humā,-hum, and -hunna did not change to the -hi form after i or ī.

This is the standard feminine ending, where there is an extra unstressed syllable at the end. Bridges cites two examples of where there are two extra unstressed syllables at the end of the line, the final 'foot' being 'no satietie' (VIII.216) and 'best societie' (IX.249), although he suggests that these could be counted as a single extra syllable by means of elision.

In the next line "Feeding her flock near to the mountain side", all the voices sang since it was her flock. Additionally, the second phrase, which begins with "Up and down he wandered" and ends with "then they fell a-kissing" repeats, causing the elision "kissing up and down." The madrigal featured in the episode Death in Chorus of the British detective drama Midsomer Murders.

Eventually, human forms are created after consciousness appears, and Orc is born as an evolution of life.Frye 1990 pp. 254–258 Throughout the work, Blake relies on elision in a manner similar to Biblical prophecies in order to emphasise the prophetic nature of the work. This emphasis allows for discussion on the relationship of the prophet-bard figure and the druid-priest figure, his opposite.

The typical alternative used by RP speakers (and some rhotic speakers as well) is to insert a glottal stop wherever an intrusive R would otherwise have been placed.Wells, Accents of English, 1:224-225. For non- rhotic speakers, what was historically a vowel, followed by , is now usually realized as a long vowel. That is called compensatory lengthening, which occurs after the elision of a sound.

Alkanes with five or more carbon atoms are named by adding the suffix -ane to the appropriate numerical multiplier prefix with elision of any terminal vowel (-a or -o) from the basic numerical term. Hence, pentane, C5H12; hexane, C6H14; heptane, C7H16; octane, C8H18; etc. The prefix is generally Greek, however alkanes with a carbon atom count ending in nine, for example nonane, use the Latin prefix non-.

In many cases in Papiamentu, the acute accent preserves emphasis in words of Spanish and/or Portuguese origin where they would otherwise have naturally occurred, i.e. without an acute accent. In these cases, words have undergone a seemingly systematic elision of final letters, or apocope. In verbs, the final -r in infinitive form and -do of past participles had been dropped, among other examples.

Words with the middle part of the word left out are equally few. They may be further subdivided into two groups: (a) words with a final-clipped stem retaining the functional morpheme: maths (mathematics), specs (spectacles); (b) contractions due to a gradual process of elision under the influence of rhythm and context. Thus, fancy (fantasy), ma'am (madam), and fo'c'sle may be regarded as accelerated forms.

The mélodie is noted for its deliberate and close relationship between text and melody. To compose or interpret mélodies, one must have a sensitive knowledge of the French language, French poetry, and French poetic diction. Numerous books have been written about the details of French pronunciation specifically for mélodie singers, often featuring IPA transcriptions of songs with further notations for French-specific features like liaison and elision.

In contrast, there are also grammatical environments that require a null pronoun. According to the Real Academia Española, the expression or elision of the subject pronoun is not random. Rather there are contexts in which an overt pronoun is abnormal, while in other cases the overt pronoun is possible or even required. The third person pronouns (él, ella, ellos, ellas) in most contexts can only refer to persons.

Han't or ha'n't, an early contraction for has not and have not, developed from the elision of the "s" of has not and the "v" of have not. Han't appeared in the work of English Restoration playwrights, as in The Country Wife (1675) by William Wycherley: Gentlemen and Ladies, han't you all heard the late sad report / of poor Mr. Horner.Wycherley, William. The Country Wife. C. Bathurst. London. 1751. p.82.

Therefore, Panini, in his Ashtadhyayi (Sutra 1.1.60 and 61), has given its meaning as - disappearance, invisibility, elision of an object, which fact is denoted by luk, shlu and lup; lup refers to real non-seeing which already exists. In other words, Adarsana refers to the ignorance of factual existence of things. In Ayurveda, the term, adarsana, means visual errors and blindness that results in not seeing the objects that already exist.

When a word precedes another word beginning with a vowel, assimilation or deletion ('elision') of one of the vowels often takes place.See Bamgboṣe 1965a for more details. See also Ward 1952:123–133 ('Chapter XI: Abbreviations and Elisions'). In fact, since syllables in Yoruba normally end in a vowel, and most nouns start with one, it is a very common phenomenon, and it is absent only in very slow, unnatural speech.

It is also used in many other Polynesian languages, each of which has its own name for the character. (See ʻokina.) Apart from the ʻokina or the somewhat similar Tahitian ʻeta, a common method is to change the simple apostrophe for a curly one, taking a normal apostrophe for the elision and the inverted comma for the glottal stop. The latter method has come into common use in Polynesian languages.

The word changed to Shilhot due to the elision of letter-final ô in the Bengali language. Another theory is that it was named after Princess Sheela, the eldest daughter of Raja Guhak of the Jaintia Kingdom. It is said that Sheela was once bathing in a pond and was kidnapped. After being rescued by her father Raja Guhak, Sheela started to become more religious and live a secluded life.

Although the name first appears in 980, it is thought that the county was created by Edward the Elder around 920. In the Domesday Book, Chester was recorded as having the name Cestrescir (Chestershire), derived from the name for Chester at the time. A series of changes that occurred as English itself changed, together with some simplifications and elision, resulted in the name Cheshire, as it occurs today.

With respect to the Proto-Finnic language, elision has occurred; thus, the actual case marker may be absent, but the stem is changed, cf. maja – majja and the Ostrobothnia dialect of Finnish maja – majahan. The direct object of the verb appears either in the accusative (for total objects) or in the partitive (for partial objects). The accusative coincides with the genitive in the singular and with nominative in the plural.

Syllables in Tariana follow the pattern (C₁)V(C₂). Phoneme occurrence is also restricted by morphological context, with certain phonemes only in certain positions (initially and medially) or within certain types of morphemes. Vowels may be elided or reduced in rapid speech, rendering some syllables VC or CVC. For example, the word di-dusitá 'he goes back' becomes [didusta] in rapid speech, with the elision of the pre-tonic i.

Bridges shows that: #there are no lines with fewer than ten syllables in Paradise Lost #with a suitable definition of elision, there are no mid-line extra-metrical syllables #the stresses may fall at any point in the line, #although most lines have the standard five stresses, there are examples of lines with only three and four stresses. Thus according to Bridges' analysis Milton was writing a form of syllabic verse. At the time this was a controversial thesis. George Saintsbury disagreed with Bridges, and stated that Milton had simply been using standard extra-metrical liberties, but Bridges was able to answer this objection by showing that every single instance in the poem of such a variation from the norm could be explained by his natural definition of elision; this would be extremely unlikely to be the case if the poet had simply been allowing himself extra-metrical variations as described by Saintsbury.

In French, the name of Easter is Pâques and also derives from the Latin word but the s following the a has been lost and the two letters have been transformed into an â with a circumflex accent by elision. In Romanian, the only Romance language of an Eastern church, the word Înviere (resurrection, cf. Greek Ἀνάστασις, ) is also used. Albanian, although not a Romance language, borrows the Latin Pascha as Pashka.

Nancy Johnson grew up in Downers Grove, Illinois and was introduced to shooting at a young age. Her desire for shooting came from hunting deer with her father Ben Napolski. At age 15 she was initially interested in archery, but there were no establishments that supported it, so she joined the rifle club three blocks from her family's house (Downers Grove Junior Rifle Club). Her coach while at Downers Grove Rifle Club was Obie Elision.

The English word "Jew" continues Middle English '. These terms were loaned via the Old French ', which itself evolved from the earlier ', which in turn derived from ' which through elision had dropped the letter "d" from the Medieval Latin Iudaeus, which, like the New Testament Greek term Ioudaios, meant both "Jew" and "Judean" / "of Judea".Encyclopedia of the Peoples of Africa and the Middle East, Facts On File Inc., Infobase Publishing, 2009, p.

The name is an elision of "Pîl Gwynllyw" (or "Gwynllyw's Pîl" in English). 'Pîl' is a localised topographical element (found across the coast of South Wales, from Pembrokeshire and into Somerset) indicating a tidal inlet from the sea, suitable as a harbour. In local tradition, it is said that this name derives from the early part of Gwynllyw's life when he was an active pirate. The tradition states that Gwynllyw maintained his ships at Pillgwenlly.

He studied at VCASS, the Victorian College of the Arts, in Paris with Marie-Claire Jamet and the Royal College of Music, London. Since July 2015, he has been Director of Programming at the Melbourne Recital Centre. From 1988 to 1992, he was Principal Harpist with the Australian Opera and Ballet Orchestra. He has been a member of the ELISION Ensemble since 1988 and was lecturer in Harp at the Sydney Conservatorium of Music.

A vowel at the end of a word does not count as a syllable if the following word begins with a vowel or h: thus Phyllida amo ante alias reads as Phyllid' am' ant' alias. This is called elision. At the (rare) discretion of the poet, however, the vowel can be retained, and is said to be in Hiatus. An example of this, in Virgil's fémineó ululátú the "o" is not elided.

Arquette received widespread acclaim for her performance. Critic Katie McDonahugh, writing for Salon, states "the role gave [Arquette] space to be all of these messy things at once, and her performance was a raw, gutsy meditation on those profoundly human contradictions". Margaret Pomeranz, writing for ABC Australia, called Arquette's performance "stunning" and praised the film, further remarking that "the elision from one time to another is subtle and seamless. It's just a fabulous movie experience".

Cathedrals exemplify construction according to these principles, and theology also informed the sense of proportion so that 'from an aerial viewpoint [they] were in the shape of a cross,' which created a sense of 'balance when viewed from within the cathedral'. As pointed out by both Charles Rufus Morey and Charles S. Baldwin, cathedrals embody the elision of theology and aesthetics. Robert Grosseteste whose work influenced Medieval thought on proportion and light.

Harrison established an early relationship with the Huddersfield Contemporary Music Festival, where his music was presented in 1993 and 1995, before he received festival commissions in 1999 and was the festival's featured composer in 2008. Ensembles and soloists who have performed his music include Ensemble recherche, Klangforum Wien, the London Sinfonietta, the London Symphony Orchestra, Apartment House, Plus-Minus, Asamisimasa, ELISION, EXAUDI, the pianists Philip Thomas and Mark Knoop, and the violinist Aisha Orazbayeva.

Silver coin with proto-Bengali script, Harikela Kingdom, circa 9th–13th century During the medieval period, Middle Bengali was characterised by the elision of word-final ô, the spread of compound verbs and Arabic and Persian influences. Silver Taka from the Sultanate of Bengal, circa 1417 Bengali was an official court language of the Sultanate of Bengal. Muslim rulers promoted the literary development of Bengali. Bengali became the most spoken vernacular language in the Sultanate.

This is frequently done in informal speech when otherwise a hiatus would result. Another common case is a /CV1'CV2/ combination in which the two consonants are the same, as in mama (), fufuru () and wiwiri (). (As in these examples, the vowels are also often the same.) The vowel between the consonants may be elided, resulting in a geminated consonant: m’ma (), f’furu (), w’wiri (). A more drastic elision with gemination is seen in ferferi → f’feri ().

The second excerpt is from the epic of Digenes Akritas (manuscript E), possibly dating originally to the 12th century. This text is one of the earliest examples of Byzantine folk literature, and includes many features in line with developments in the demotic language. The poetic metre adheres to the fully developed Greek 15-syllable political verse. Features of popular speech like synezisis, elision and apheresis are regular, as is recognized in the transcription despite the conservative orthography.

The second part deals with the influences of the heavenly bodies on earthly events at all scales. Oresme does not deny such influence, but states, in line with a commonly held opinion,Wood, 1970. p. 9 that it could either be that arrangements of heavenly bodies signify events, purely symbolically, or that they actually cause such events, deterministically. Mediaevalist Chauncey Wood remarks that this major elision "makes it very difficult to determine who believed what about astrology".

A synalepha or synaloepha Greek συναλοιφή (or ), from : συν- "together" and "I anoint", "smear". is the merging of two syllables into one, especially when it causes two words to be pronounced as one. The original meaning in Ancient Greek is more general than modern usage and includes coalescence of vowels within a word. Similarly, synalepha most often refers to elision (as in English contraction), but it can also refer to coalescence by other metaplasms: synizesis, synaeresis or crasis.

The use of elision has continued to the present day, but significant changes have been made to the possessive and plural uses. By the 18th century, apostrophe + s was regularly used for all possessive singular forms, even when the letter e was not omitted (as in the gate's height). This was regarded as representing the Old English genitive singular inflection -es. The plural use was greatly reduced, but a need was felt to mark possessive plural.

The metrics of Nonnus have been widely admired by scholars for the poet's careful handling of dactylic hexameter and innovation.See Fornaro, col.813–814 While Homer has 32 varieties of hexameter lines, Nonnus only employs 9 variations, avoids elision, employs mostly weak caesurae, and follows a variety of euphonic and syllabic rules regarding word placement. It is especially remarkable that Nonnus was so exacting with meter because the quantitative meter of classical poetry was giving way in Nonnus' time to stressed meter.

In C++ computer programming, copy elision refers to a compiler optimization technique that eliminates unnecessary copying of objects. The C++ language standard generally allows implementations to perform any optimization, provided the resulting program's observable behavior is the same as if, i.e. pretending, the program were executed exactly as mandated by the standard. The standard also describes a few situations where copying can be eliminated even if this would alter the program's behavior, the most common being the return value optimization.

Adamana was founded in 1896 when the railroad was extended to that point. The town was named for Adam Hanna, a local rancher who was a distant relative of the late Mark Hanna, the original settler of the region. Originally the place was known as Adam Hanna's, as time passed and more people came to visit, the elision of a few letters gave us the name Adamana. A post office was established at Adamana in 1896, and remained in operation until 1969.

In Western Jutland, a second stød, more like a preconsonantal glottal stop, is employed in addition to the Standard Danish stød. The Western Jutlandic stød is called or "V-stød" in literature. It occurs in different environments, particularly after stressed vowels before final consonant clusters that arise by the elision of final unstressed vowels. For example, the word for 'to pull', which is in Standard Danish, in Western Jutlandic is , and the present tense form, in Standard Danish , in Western Jutlandic is .

Sandhi is the mutation of the final or initial letters of a word for euphony. Sandhi occurs very often in declension. In the first declension and in the second declension, the only sandhi that occurs is the elision (dropping) of the final 'ಅ' ('atva') before a plural marker or case-termination that begins with a vowel. In the third declension, a euphonic 'ಯ್' ('yatva') must be inserted after the noun before a plural marker or case-termination that begins with a vowel.

The Navigator is an opera by Liza Lim to a libretto by Patricia Sykes. The work had its world premiere at the Judith Wright Arts Centre as part of the Brisbane Festival 2008 on 30 July 2008. It lasts for about 100 minutes without an interval. The work was developed during Lim's stay in 2007/2008 in Berlin; on 9 March 2008, excerpts were performed with the ELISION ensemble conducted by Simon Hewett at the Festival, part of the Berliner Festspiele.

This feature is built into some mutex implementations, for example in glibc. The Hardware Lock Elision (HLE) in x86 is a weakened but backwards-compatible version of TSE, and we can use it here for locking without losing any compatibility. In this particular case, the processor can choose to not lock until two threads actually conflict with each other. A simpler version of the test can use the `cmpxchg` instruction on x86, or the `__sync_bool_compare_and_swap` built into many Unix compilers.

Hardware Lock Elision (HLE) adds two new instruction prefixes, `XACQUIRE` and `XRELEASE`. These two prefixes reuse the opcodes of the existing `REPNE` / `REPE` prefixes (`F2H` / `F3H`). On processors that do not support HLE, `REPNE` / `REPE` prefixes are ignored on instructions for which the `XACQUIRE` / `XRELEASE` are valid, thus enabling backward compatibility. The `XACQUIRE` prefix hint can only be used with the following instructions with an explicit `LOCK` prefix: `ADD`, `ADC`, `AND`, `BTC`, `BTR`, `BTS`, `CMPXCHG`, `CMPXCHG8B`, `DEC`, `INC`, `NEG`, `NOT`, `OR`, `SBB`, `SUB`, `XOR`, `XADD`, and `XCHG`.

If the final -t of grant was kept in the Middle Ages in spite of the disappearance of the corresponding , it is because there existed, along with this form, others like grants (rather written granz), wherein the was heard, protected from elision by the following . The ancient orthography rendered this alternation visible before another one replaced it (the one with d). Indeed, it would be false to state that the orthography of Old French did not follow usage, or that it was without rules.

Eraño G. Manalo was born at their Home at No. 42 Broadway Avenue, New Manila, San Juan, Rizal (now part of Quezon City) on January 2, 1925. He was the fifth child of Felix Y. Manalo and Honorata de Guzman. His name came from a reversal and elision of the term "New Era", which his father used to describe what he felt was "a new Christian era" as the Iglesia ni Cristo was established. His older siblings were Sisters Pilar and Avelina, and Brothers Dominador and Salvador.

However, in Middle Welsh (c. 1150s-1300s) the name was most commonly spelt as Maredud and Maredudd; "in Welsh, the accent is on the penult, and this leads at times to the elision of the vowel of the first syllable," producing an early variant Mredydd, according to T.J. Morgan and Prys Morgan. Anglo-Norman scribes often used e for the first syllable and substituting the double d with a th, producing Mereduth. The forms Meredith and Meredyth are seen as early as the 14th century.

In phonology, epenthesis (; Greek ) means the addition of one or more sounds to a word, especially to the interior of a word (at the beginning prothesis and at the end paragoge are commonly used). The word epenthesis comes from "in addition to" and en "in" and thesis "putting". Epenthesis may be divided into two types: excrescence, for the addition of a consonant, and svarabhakti, or anaptyxis (), for the addition of a vowel. The opposite process, where one or more sounds are removed, is referred to as elision.

Hiatus is the separate pronunciation of two adjacent vowels, as opposed to diphthongs, which are written as two letters but pronounced as one sound. These two vowels may be the same or be different ones. Hiatus typically occurs across morpheme boundaries, such as when a suffix ending with a vowel comes before a root beginning with that same vowel. It may also occur, rarely, within monomorphemic words (words that consist of only one morpheme) as a result of the elision of a historical intervocalic consonant.

The orthography here follows speech in that word divisions are normally not indicated in words that are contracted as a result of assimilation or elision: ra ẹja → rẹja 'buy fish'. Sometimes however, authors may choose to use an inverted comma to indicate an elided vowel as in ní ilé → n'ílé 'in the house'. Long vowels within words usually signal that a consonant has been elided word-internally. In such cases, the tone of the elided vowel is retained: àdìrò → ààrò 'hearth'; koríko → koóko 'grass'; òtító → òótó 'truth'.

In the Canara Saraswat dialect, any word taken in isolation ends in a vowel, but in connected speech all word- final vowels are elided in words containing more than one syllable when another word follows without a pause, e.g. hā̃va tākkā āppaytā̃ (hā̃va ‘I’, tākkā ‘him’, āppaytā̃ ‘call’) is pronounced as hā̃v tāk āppaytā̃. Such vowel elision in connected speech is found in the Sashti Christian dialect as well. In both dialects, if the elided vowel is a front vowel, the preceding consonant is palatalised.

Monosyllabic words are permitted in Nyangumarta, but they must be at least bimoraic, with short vowels and consonants each counting as one mora, and long vowels as two. All words must begin with a consonant, although, if the initial consonant is a glide followed by its matching vowel [i.e. a sequence of /ji/ or /wu/] the glide may be dropped by some speakers. Additionally, word-initial consonant clusters are not permitted in this language, except when a cluster is created through a process of vowel elision.

Abercraf was entirely Welsh-speaking until World War II, when English-speaking evacuees settled in the village. It is a relatively young acquired dialect. This can be seen from generally less assimilation and elision and clear articulation unlike other accents in Powys or Swansea. Being a more modern accent causes it to be restricted to the last two to three generations, with younger people being much more likely to speak it; although a lot of their daily lives is conducted in Welsh, thus causing English to be taught as a second language.

Writing in "Moral Panics, Jimmy Savile and Social Work: a 21st century morality tale" that "Giving Victims a Voice is full of scare-mongering, exaggeration and elision, as allegations are presented as 'facts' and accusations become 'offences', held to be incontrovertibly true". The Lucy Faithfull Foundation stated that children must be better protected in the future. It also called for a national strategy to prevent such child sexual abuse. The BBC restated a "sincere apology to the victims", saying it was "appalled" at Savile's preying on its premises.

A possible explanation is that the spoken Spanish language merges two identical vowels in elision, when one ends a word and the other begins the next word. Thus the Spanish pronunciation of the phrase "Santa Ana" sounds like "Santana". Another attempt at explanation of the name claims that it derives from a Native American term for "devil wind" that was altered by the Spanish into the form "Satanás" (meaning Satan), and then later corrupted into "Santa Ana". However, an authority on Native American language claims this term "Santana" never existed in that tongue.

Examples are Swahili and Hawaiian. In others, codas are restricted to a small subset of the consonants that appear in onset position. At a phonemic level in Japanese, for example, a coda may only be a nasal (homorganic with any following consonant) or, in the middle of a word, gemination of the following consonant. (On a phonetic level, other codas occur due to elision of /i/ and /u/.) In other languages, nearly any consonant allowed as an onset is also allowed in the coda, even clusters of consonants.

Die Überläuferin (English: The Defector) is a 1986 German-language novel by Monika Maron.Irene Kacandes Talk Fiction: Literature and the Talk Explosion Page 114 0803227388 \- 2001 - A very different form of textual witnessing is illustrated by novels like Monika Maron's The Defector (Die Oberlauferin 1986). Rosalind Polkowski, Maron's protagonist, displays such symptoms of PTSD as insomnia, hallucinations, and social withdrawal. More importantly for my purposes here, the text "tells" her story through fragmentation, flashbacks, achrony, repetition, and elision, narrative techniques that could be said to mimic symptoms of the traumatized psyche.

Since the completion of CONSTRUCTION he has completed a number of other projects which continue long-term associations—life-form for cellist Arne Deforce and world-line for ELISION—as well as inaugurating new ones—close-up for the Belgrade-based group Ensemble Studio6 and the work in progress natural causes (based on a cycle of poems written for him by Simon Howard), the first instalment of which was written for Musikfabrik. He is currently based in Belgrade, Serbia. In 2019 his book Music of Possibility was published by Vision Edition.

Promised freedom by the British during the American Revolutionary War, thousands of Black Loyalists were resettled by the Crown in Canada afterward, such as Thomas Peters. In addition, an estimated 10 to 30 thousand fugitive slaves reached freedom in Canada from the Southern United States during the years before the Civil War with the Northern states, aided by people along the Underground Railroad. Many Black people of Caribbean origin in Canada reject the term African Canadian as an elision of the uniquely Caribbean aspects of their heritage,Rinaldo Walcott, Black Like Who?: Writing Black Canada.

As early as the 17th century, noted grammarian Claude Favre de Vaugelas described the incorrect pronunciation of aspirated h words as typical of French spoken on the southern side of the Loire. Further discussion of the phenomenon is found in almost every collection of remarks on language to the present day, with mistakes generally being ascribed to class differences or inattention. In modern usage, the blocking of liaison and elision with aspirated h words appears to be gaining ground in formal French but is losing ground in less guarded speech.

In The Adventure of the Abbey Grange, Sherlock Holmes investigates the murder of Eustace Brackenstall, killed by an unknown assailant A whodunit or whodunnit (a colloquial elision of "Who [has] done it?") is a complex, plot- driven variety of a detective story in which the puzzle regarding who committed the crime is the main focus. The reader or viewer is provided with the clues from which the identity of the perpetrator may be deduced before the story provides the revelation itself at its climax. The investigation is usually conducted by an eccentric, amateur, or semi-professional detective.

Praise for the versification of the Vita has been qualified. John Jay Parry conceded that it "is good, by medieval standards, and in places rises to poetry", and likewise Peter Goodrich thought it "better than average Latin hexameter verse". Tatlock wrote that it is "a favourable specimen of mediaeval metrical verse", with few false quantities, no elision or hiatus, and a moderate use of verbal jingles, though he preferred the poetic form and style of the two short poems in Geoffrey's Historia. The figure of Merlin in the poem is hard to pin down, and has been interpreted variously by different critics.

In his book Milton's Prosody, Robert Bridges undertakes a detailed analysis of the prosody of John Milton's Paradise Lost. Bridges shows that there are no lines in Paradise Lost with fewer than ten syllables, and furthermore, that with a suitable definition of elision, there are no mid-line extra-metrical syllables. He also demonstrates that the stresses may fall at any point in the line, and that although most lines have the standard five stresses, there are examples of lines with only three and four stresses. All this amounts to a statement that Milton was writing a form of Syllabic verse.

Her work has featured at festivals such as , at the Berliner Festspiele, Venice Biennale, Huddersfield Contemporary Music Festival and all the major Australian festivals. Since 1986, Lim has worked extensively with members of the ELISION Ensemble; she is married to Daryl Buckley, its artistic director. In 2005, Lim was appointed the composer-in-residence with the Sydney Symphony Orchestra for two years. Among other works, the orchestra commissioned--jointly with the radio station Bayerischer Rundfunk--her work The Compass; in its premiere performance on 23 August 2006 at the Sydney Opera House it was conducted by Alexander Briger, William Barton played the didgeridoo.

The other alveolar realizations include: a voiceless alveolar trill , a partially devoiced alveolar trill , a voiceless alveolar fricative tap/trill , a voiceless alveolar/postalveolar fricative (the least common realization), a voiced alveolar/postalveolar fricative and a voiced alveolar approximant . Among the uvular realizations, he lists a voiced uvular trill , a voiced uvular fricative trill , a voiced uvular fricative and a voiced uvular approximant , among which the uvular fricative trill is the most common realization. He also lists a central vowel (which probably means , or both of these) and elision of , both of which are very rare.

In other words, the following are possible syllable types in Taos: CV, CVV, CVC, CVVC, CVCC (and in loanwords also: CCV, CCVV, CCVC, CCVVC, CCVCC, CCVVCC). This can be succinctly represented in the following (where optional segments are enclosed in parentheses): : C1 (C2)V1(V2)(C3)(C4<) + Tone Additionally, every syllable has a tone associated with it. The number of possible syllables occurring in Taos is greatly limited by a number of phonotactic constraints. A further point concerns Trager's analysis of Taos coda syllables: CC clusters occurring in codas are only possible as a result of vowel elision, which is often apocope.

Although the name first appears in 980, it is thought that the county was created by Edward the Elder around 920. In the Domesday Book, Chester was recorded as having the name Cestrescir (Chestershire), derived from the name for Chester at the time. A series of changes that occurred as English itself changed, together with some simplifications and elision, resulted in the name Cheshire, as it occurs today. Because of the historically close links with the land bordering Cheshire to the west, which became modern Wales, there is a history of interaction between Cheshire and North Wales.

The smooth breathing (; psilí; ) is a diacritical mark used in polytonic orthography. In ancient Greek, it marks the absence of the voiceless glottal fricative from the beginning of a word. Some authorities have interpreted it as representing a glottal stop, but a final vowel at the end of a word is regularly elided (removed) when the following word starts with a vowel and elision would not happen if the second word began with a glottal stop (or any other form of stop consonant). In his Vox Graeca, W. Sidney Allen accordingly regards the glottal stop interpretation as "highly improbable".

Graeme Phillip Jennings (born 1968) is an Australian classical violinist and music educator. He has allegedly performed with the Elision Ensemble and Arditti Quartet. Jennings' 2005 performance of Brian Ferneyhough's violin concertante Terrain from the Suzuki violin book3, was described as transfixing either as a display of fiddling pyrotechnics, or as an exercise in mind- bending mathematics, or as a lovingly crafted exploration of gestures. In 2017 he performed Elliot Carter's Duo for Violin and Piano in Hobart, a piece so difficult Jennings was only one of a handful of violinists in the world who bothered to play it.

The first is that programs exhibiting undefined behavior are exempt; since the observable behavior is not well-defined anyway, any transformation is valid. The other two exceptions concern the copying of objects, and are called copy elision and the return value optimization. The effect of the as-if rule depends on the specific compiler implementation. As an example, in the Microsoft C++ compiler, it causes omission of certain optimizations such as instruction reordering around calls to library functions, since such calls may cause input/output actions or accesses to memory locations marked , and changes in the order of those change observable behavior.

Carr was born in Croydon, London, the son of Adelaide soprano and Covent Garden Prima Donna Una Hale and Theatre Consultant Martin Carr. He studied at Michael Hall, a Steiner School, and Hurstpierpoint College before going to up to King's College, Cambridge to read music and art history, where he was a Choral Scholar in the Chapel Choir. He was a founder member with Stephen Layton of chamber choir Polyphony. After university he emigrated to Australia for five years, where he began his singing and conducting careers working with the Victoria State Opera and the contemporary music group, the Elision Ensemble.

He is also a conductor and co-director of the ensemble Libra, as well a member of the ELISION Ensemble. He also often performs works involving singing and spoken text; Richard Barrett's work Interference exploits both his vocal and clarinet-playing abilities, and he gave the premiere of Aaron Cassidy's work for solo voice, I, purples, spat blood, laugh of beautiful lips. He has also performed concerts featuring nineteenth-century melodrama works for speaker and piano, notably with pianists Mark Knoop and Ian Pace and sung lieder by Schubert and Schumann. He has recorded for ETCETERA, NMC, and ABC Classics.

With important dictionaries published at the turn of the 20th century, such as those of Émile Littré, Pierre Larousse, Arsène Darmesteter, and later Paul Robert, the Académie gradually lost much of its prestige. Hence, new reforms suggested in 1901, 1935, and 1975 were almost totally ignored, except for the replacement of apostrophes with hyphens in some cases of (potential) elision in 1935. :' → ' (grandmother) Since the 1970s, though, calls for the modernisation of French orthography have grown stronger. In 1989, French prime minister Michel Rocard appointed the Superior Council of the French language to simplify the orthography by regularising it.

Hobart's brother Josiah was one of the earliest settlers and initial trustees of East Hampton, Long Island, as well as High Sheriff of Suffolk County.AIA Architectural Guide to Nassau and Suffolk Counties, Long Island, American Institute of Architects Long Island Chapter, American Institute of Architects, Society for the Preservation of Long Island Antiquities, Courier Dover Publications, 1992 The name Southold is believed to be an elision of Southwold, a coastal town in the corresponding English county of Suffolk. John Youngs, the minister who was one of the founders of the Town, was born and brought up in Southwold, England. Youngs was a member of St. Margaret's Church in nearby Reydon.

A gustnado near Williamstown, Kansas on 3 April 2011. This gustnado is a good example that gustnadoes can cause damage; it caused damage akin to that of a weak tornado: "Two center pivot irrigations were flipped over, a large outdoor shed was destroyed and several tree limbs were snapped." A gustnado East of Limon, Colorado A gustnado is a short-lived, shallow surface-based vortex which forms within the downburst emanating from a thunderstorm. The name is a portmanteau by elision of "gust front tornado", as gustnadoes form due to non- tornadic straight-line wind features in the downdraft (outflow), specifically within the gust front of strong thunderstorms.

In the analysis of 18th- and 19th-century Western music, an elision, overlap, or rather reinterpretation (Umdeutung), is the perception, after the fact, of a (metrically weak) cadential chord at the end of one phrase as the (metrically strong) initial chord of the next phrase. Two phrases may overlap, making the beginning and ending of both happen at the same moment in time, or both phrases and hypermeasures may overlap, making the last bar in the first hypermeasure and the first in the second. Charles Burkhart uses overlap and reinterpretation to distinguish between the overlap of phrases and of both phrase and measure-group, respectively.Stein, Deborah (2005).

The Gail Valley dialect has pitch accent, reduction of vowels to ə in preaccentual position, development of open e and o > a in postaccentual position, shortening of long vowels in closed syllables, frequent epenthetic n, v > b before e i r l, hiatus as a result of elision of intervocalic [w] (e.g., krava > kraa 'cow'), voiced obstruents in word-final position, and an inflected conditional auxiliary (besem, besi, be). The Gail Valley dialect has palatalization of k, g, h > č, ž, š before front vowels and lacks the standard Slovene morphophonemic alternation between [l] and [w]; for example, , instead of , 'drank' (masc., fem.), a phenomenon known as švapanje in Slovene.

Examples of nobility particle de without patronymic include the sixteenth-century first Marquis of Santa Cruz, Álvaro de Bazán, the conquistador Hernando de Soto, a common tradition in Spanish culture. Unlike French, Spanish lacks elision, and so no contraction is used when the surname starts with a vowel (though exceptionally we find Pedro Arias Dávila), but contraction is used when the surname includes the article "el" as in Baltasar del Alcázar. A Spanish law on names, from 1958 and still in force, does not allow a person to add a de to their surname if it does not already have it. The law does allow for one exception.

The term gitano evolved from the word egiptano ("Egyptian"), which was the Old Spanish demonym for someone from Egipto (Egypt). "Egiptano" was the regular adjective in Old Spanish for someone from Egypt, however, in Middle and Modern Spanish the irregular adjective egipcio supplanted egiptano to mean Egyptian, probably to differentiate Egyptians proper from Gypsys. Meanwhile, the term egiptano evolved through elision into egitano and finally into gitano, losing the meaning of Egyptian and carrying with it a specific meaning of Romanis in Spain. The two peoples are now unambiguously differentiated in modern Spanish, “egipcios” for Egyptians and “gitanos” for Roma in Spain, with “egiptano” being obsolete for either.

This implementation proved that it could be used for lock elision and more complex hybrid transactional memory systems, where transactions are handled with a combination of hardware and software. The Rock processor was canceled in 2009, just before the acquisition by Oracle; while the actual products were never released, a number of prototype systems were available to researchers. In 2009, AMD proposed the Advanced Synchronization Facility (ASF), a set of x86 extensions that provide a very limited form of hardware transactional memory support. The goal was to provide hardware primitives that could be used for higher-level synchronization, such as software transactional memory or lock-free algorithms.

According to Mohammad Dabirsiaqi / Encyclopædia Iranica, Zu'l-Fiqar Shirvani's poems have a "charming, lyrical quality". Among his "more important works", one finds the Mafatih ol-kalam va madayeh ol-keram, dedicated to Khvajeh Mohammad Mastari (a vizier of the Ilkhanid period). In this lengthy panegyric work, Zu'l-Fiqar uses "two opening verses (matla) encompassing every possible combination of meter (da'era) and elision (zehafat), written in acrostic form (tawsih)". Dabirsiaqi states that the work is also noted for the fact that in every few lines within the same section (the two opening verses), certain words can be strung together to form new distichs (abyat) with different meters.

A whodunit or whodunnit (a colloquial elision of "Who [has] done it?" or "Who did it?") is a complex, plot-driven variety of the detective story in which the audience is given the opportunity to engage in the same process of deduction as the protagonist throughout the investigation of a crime. The reader or viewer is provided with the clues from which the identity of the perpetrator may be deduced before the story provides the revelation itself at its climax. The "whodunit" flourished during the so- called "Golden Age" of detective fiction, between 1920 and 1950, when it was the predominant mode of crime writing.

From the 16th century, following French practice, the apostrophe was used when a vowel letter was omitted either because of incidental elision (I'm for I am) or because the letter no longer represented a sound (lov'd for loved). English spelling retained many inflections that were not pronounced as syllables, notably verb endings (-est, -eth, -es, -ed) and the noun ending -es, which marked either plurals or possessives (also known as genitives; see Possessive apostrophe, below). So an apostrophe followed by s was often used to mark a plural, especially when the noun was a loan word (and especially a word ending in a, as in the two comma's).

Accentual-syllabic verse is an extension of accentual verse which fixes both the number of stresses and syllables within a line or stanza. Accentual- syllabic verse is highly regular and therefore easily scannable. Usually, either one metrical foot, or a specific pattern of metrical feet, is used throughout the entire poem; thus one can speak about a poem being in, for example, iambic pentameter. Poets naturally vary the rhythm of their lines, using devices such as inversion, elision, masculine and feminine endings, the caesura, using secondary stress, the addition of extra-metrical syllables, or the omission of syllables, the substitution of one foot for another.

Dollarhide's teaching positions included a lectureship at La Trobe University, Melbourne, Australia from 1981 to 1989, followed by two years as Visiting Professor of Composition at Yonsei University in Seoul, Korea from 1987 to 1988). Performances of Dollarhide's "large and varied output" include Other Dreams, Other Dreamers by the Detroit Symphony Orchestra in 1986, Madness in Paradise by the Elision ensemble in 1986), Shadows for woodwind quintet performed in London in 1986, and The Night Life performed by Robert Curry (piano) in Seoul in 1988. Ted Dollarhide died, aged 65, at Grant's Pass, Oregon, USA, and was buried at the Sparlin Cemetery, Williams, Oregon.

The grave accent was eventually abolished, except in a small number of contractions. In other cases, where an unstressed low vowel was the result of the elision of the consonants c or p before c, ç, t, the consonant was kept in the spelling, to denote the quality of the preceding vowel. For example, in the word intercepção, which is stressed on its last syllable, the letter p is not pronounced, but indicates that the second e is pronounced , as opposed to the second e in intercessão, which is pronounced . Other examples of words where a silent consonant was left to lower the previous vowel are objecção and factor.

Transactional Synchronization Extensions (TSX), also called Transactional Synchronization Extensions New Instructions (TSX-NI), is an extension to the x86 instruction set architecture (ISA) that adds hardware transactional memory support, speeding up execution of multi-threaded software through lock elision. According to different benchmarks, TSX/TSX-NI can provide around 40% faster applications execution in specific workloads, and 4-5 times more database transactions per second (TPS). TSX/TSX-NI was documented by Intel in February 2012, and debuted in June 2013 on selected Intel microprocessors based on the Haswell microarchitecture. Haswell processors below 45xx as well as R-series and K-series (with unlocked multiplier) SKUs do not support TSX/TSX-NI.

This substitution is very rare, however. If the relative pronoun is to be the direct object of the clause's verb, que (or qu' before a vowel; see elision) is ordinarily used: « la bicyclette qu'il a volée » ("the bicycle that he stole"). Like qui, que does not change form to agree with its antecedent, and may occasionally be replaced with a form of lequel for the sake of clarity. If the relative pronoun is to be the grammatical possessor of a noun in the clause (usually marked with de), dont is used: « le garçon dont j'ai volé la bicyclette » ("the boy from whom I stole the bicycle", "the boy whose bicycle I stole").

In a 1970 article in Word Ways, Ralph G. Beaman converts past participles ending -ed into nouns, allowing regular plurals with -s. He lists five verbs in Webster's Third International generating 10-letter monosyllables scratcheds, screecheds, scroungeds, squelcheds, stretcheds; from the verb strength in Webster's Second International he forms the 11-letter strengtheds. The past tense ending -ed and the archaic second person singular ending -st can be combined into -edst; for example "In the day when I cried thou answeredst me, and strengthenedst me with strength in my soul" (). While this ending is usually pronounced as a separate syllable from the verb stem, it may be abbreviated -'dst to indicate elision.

Together with fellow composers Paul Whitty and Paul Newland he founded the amplified new music ensemble [rout] in 1995, who went on to appear at the Huddersfield Contemporary Music Festival, the ICA, Modern Art Oxford and the Brighton Festival. Their performances have been broadcast on BBC Radio 3 and ResonanceFM. Hayden's works include Collateral Damage (1999), which was performed in 2003 by Ensemble InterContemporain in the Centre Georges Pompidou, Substratum (2006, revised 2008), a BBC Proms commission for the BBC Symphony Orchestra, and misguided (2011) for the ELISION Ensemble. His most recent work is a string quartet, Transience (2013–14), commissioned by BBC Radio 3 and Quatuor Diotima for performance at the Spitalfields Winter Festival, 2014.

Roots containing one or two of the radicals و ' ('), ي ' (' ) or ء ' (') often lead to verbs with special phonological rules because these radicals can be influenced by their surroundings. Such verbs are called "weak" (verba infirma, 'weak verbs') and their paradigms must be given special attention. In the case of ', these peculiarities are mainly orthographical, since ' is not subject to elision (the orthography of ء ' and ا ' is unsystematic due to confusion in early Islamic times). According to the position of the weak radical in the root, the root can be classified into four classes: first weak, second weak, third weak and doubled, where both the second and third radicals are identical.

The Q1609 text reads: 'You are so strongly in my purpose bred, / That all the world besides me thinkes y'are dead'. Malone's emendation, to read 'they are dead', is adopted by Kerrigan 'they're dead' (Penguin text, 1986); Ingram and Redpath read 'they are dead', with an elision marked between 'they' and 'are'; K Duncan Jones in the Arden edition (1997) reads 'me thinks you're dead', and Colin Burrow (New Oxford, 2002), 'me thinks y'are dead'. No scholarly consensus really emerges, but later editors seem to be opting for the 1609 text. Burrow's commentary remarks that 'This almost solipsistic reading of the couplet is contentious, though warranted by a poem in which the poet has sunk himself into a profound abysm of neglect of others' opinions'.

She has performed as soloist with most of the major Australian symphony orchestras and in ensembles with the Australian Chamber Orchestra, ELISION Ensemble and The Australia Ensemble. In a 1985 Wigmore Hall recital, she gave what is believed to be the first complete public performance of Alkan's Three Studies, Opus 76 (for the Left Hand, for the Right Hand, and for the Hands Reunited). In 2000, she gave the world premiere of Elena Kats-Chernin's Displaced Dances for Piano and Orchestra (which was written for her) with the Queensland Symphony Orchestra and has subsequently performed this work with the Adelaide and Sydney Symphony orchestras. As well as performing and recording, she continues teaching at the Sydney Conservatorium of Music as Associate Professor in piano.

In rejecting this contention, the Master of the Rolls, Lord Greene, acknowledged the realities of government in the 20th century: This statement of the way government operates has only become more true in recent decades as increased state interventionism and juridification have produced a rapid growth in the use of delegated legislation. Clearly, confronted with this reality, it would have been preposterous for the court to construe the wording of the Regulations so narrowly that only the minister, in person, could exercise the powers. Thus Lord Greene explained that, "Constitutionally, the decision of such an official is, of course, the decision of the minister." The essence of the Carltona doctrine therefore lies in the elision of the identity of departmental officials with the relevant minister.

Other languages are known to have the occasional root with different clicks, as in Xhosa ugqwanxa 'black ironwood', which has a slack-voiced alveolar click and a nasal lateral click. No natural language allows clicks at the ends of syllables or words, but then no languages with clicks allows many consonants at all in those positions. Similarly, clicks are not found in underlying consonant clusters apart from /Cw/ (and, depending on the analysis, /Cχ/), as languages with clicks do not have other consonant clusters than that. Due to vowel elision, however, there are cases where clicks are pronounced in cross-linguistically common types of consonant clusters, such as Xhosa Snqobile, from Sinqobile (a name), and isXhosa, from isiXhosa (the Xhosa language).

R-dropping, being present in the example, is especially common in speech in many areas of Norway , but plays out in different ways, as does elision of word-final phonemes like . Because of the many dialects of Norwegian and their widespread use it is often difficult to distinguish between non-standard writing of standard Norwegian and eye dialect spelling. It is almost universally true that these spellings try to convey the way each word is pronounced, but it is rare to see language written that does not adhere to at least some of the rules of the official orthography. Reasons for this include words spelled unphonemically, ignorance of conventional spelling rules, or adaptation for better transcription of that dialect's phonemes.

The name Suthriganaweorc or Suthringa geweorche is recorded for the area in the early 10th-century Anglo-Saxon document known as the Burghal Hidage and means "fort of the men of Surrey" or "the defensive work of the men of Surrey". Southwark is recorded in the 1086 Domesday Book as Sudweca. The name means "southern defensive work" and is formed from the Old English sūþ (south) and weorc (work). In Old English, Surrey means “southern district (or the men of the southern district)”,Concise Oxford Dictionary of Place Names, Eilert Erkwall, 4th edition so the change from “southern district work” to the latter “southern work” may be an evolution based on the elision of the single syllable ge element, meaning district.

In this work she makes the case that although the pursuit of freedom of speech, could lead to a position against the censorship of pornography, in the case of pornography the freedom to create pornography leads to a compromise of "human liberation" when this term includes liberation for all of humankind including the emancipation of women. She argues against the elision of pornography and eros, arguing that they are separate and opposing ideas. According to Griffin, pornography's origins are rooted in a widespread fear of nature, and in a pornographic culture, men are told to take on the role of the "Killer", while women become the "victims". This, according to Griffin, teaches women to self-deprecate, and fuels an unhealthy, perverted culture.

His work with the Sydney Symphony Orchestra began in 2008 as recording manager, the year before Vladimir Ashkenazy began his five-year tenure as chief conductor. Together they recorded six CDs of music by Elgar and Prokofiev, with all the symphonies and piano concertos; and in the following three years they collaborated with the Japanese label Exton, and produced another 12 CDs of all of Mahler's symphonies. In 2014, he accepted a new contract with the orchestra to produce concerts as live webstreams and for video-on-demand. Other notable releases include contemporary classical music of Elision and a CD with Simon Walker, Guy Gross, Chris Neal and Mark Isaacs on the Music for Pianos, Percussion and Synthesizers CD, which also featured his own work, "Wired".

His work is sometimes associated with the New Complexity. Cassidy's work has been performed by a wide range of leading contemporary music specialists, including ELISION Ensemble, Ensemble SurPlus, the Ictus Ensemble, the Kairos Quartet, Quatuor Diotima, ensemble recherche, Mieko Kanno, Garth Knox, Ian Pace, Christopher Redgate, Carl Rosman, and Peter Veale, at many venues and festivals including the Gaudeamus International Music Week (where he was a Jurors Prize nominee, in 2002 and 2004), the Huddersfield Contemporary Music Festival, the Bludenzer tage zeitgemäßer musik, the Bienal Internacional de Musica y Tecnología (Mexico City), the Samtida Musik Stockholm, the festival June In Buffalo, and the ISCM World Music Days (Zagreb 2005), as well as being broadcast by radio stations in Britain, France, Germany and Austria.

The music of Lole and Manuel is present in the cinema. Films as significant as "Manuela" by Gonzalo García Pelayo, "Flamenco" by Carlos Saura, "Siesta" by Mary Lambert, as well as in the soundtrack of "Kill Bill: Volume 2" by Quentin Tarantino. Their 1975 track, "Tu Mirá" (“your look” or “your gaze”, "Mirá" being a non-standard form of "mirada", gaze or look, undergoing elision of the 'd' and then a merger of the double 'a'), which features one of Montoya's most emotive vocal performances, accompanied by a large choir and an epic organ (in addition to Manuel's guitar), is included on the soundtrack for Quentin Tarantino's Kill Bill: Volume 2. Now, Lole has completed the details of her new album with the guitarist from Jerez de la Frontera, Diego Del Morao.

Alexander Varty, for Vancouver's The Georgia Straight, said that the album "blends Weimar cabaret and English music-hall stylings, with disquieting touches of avant-garde jazz". Commenting on her live performance in July 2013 at the Love Supreme Jazz Festival in Glynde Place, East Sussex, Nick Hasted of The Independent said: "Gwyneth Herbert sings the shanties on her The Sea Cabinet album with happy, cabaret sensuality, detailing a relationship’s shipwrecked, sunken past in 'I Still Hear The Bells'". In a performance described as "mesmerising" and "a surreal delight", with "beautiful entrancing music", Theatre Elision gave the song cycle its United States premiere from 30 May to 9 June 2019 at The Southern Theater in Minneapolis, Minnesota. The production, which had a running time of 75 minutes, was directed by Lindsay Fitzgerald.

452, where Virgil describes how the blacksmith sons of Vulcan "lift their arms with great strength one to another" in forging Aeneas' shield: : The line consists of all spondees except for the usual dactyl in the fifth foot, and is meant to mimic the pounding sound of the work. A third example that mixes the two effects comes from I.42, where Juno pouts that Athena was allowed to use Jove's thunderbolts to destroy Ajax ("she hurled Jove's quick fire from the clouds"): : This line is nearly all dactyls except for the spondee at -lata e. This change in rhythm paired with the harsh elision is intended to emphasize the crash of Athena's thunderbolt. Virgil will occasionally deviate from the strict rules of the meter to produce a special effect.

However, Moretti initially conceived distant reading for analysis of secondary literature as a roundabout way of getting to know more about primary literature: "[literary history] will become 'second- hand': a patchwork of other people's research, without a single direct textual reading". Only later did the term distant reading (via Moretti and other scholars) come to become primarily identified with computational analysis of primary literary sources. Despite the consensus about the origins of distant reading at the turn of the twenty-first century, Ted Underwood has traced a longer genealogy of the method, arguing for its elision in current discourse about distant reading. He writes that "distant reading has a largely distinct genealogy stretching back many decades before the advent of the internet – a genealogy that is not for the most part centrally concerned with computers".

For example, le + hébergement becomes l'hébergement ('the accommodation'). The other kind of is called h aspiré ("aspirated ", though it is not normally aspirated phonetically), and does not allow elision or liaison. For example in le homard ('the lobster') the article le remains unelided, and may be separated from the noun with a bit of a glottal stop. Most words that begin with an H muet come from Latin (honneur, homme) or from Greek through Latin (hécatombe), whereas most words beginning with an H aspiré come from Germanic (harpe, hareng) or non-Indo-European languages (harem, hamac, haricot); in some cases, an orthographic was added to disambiguate the and semivowel pronunciations before the introduction of the distinction between the letters and : huit (from uit, ultimately from Latin octo), huître (from uistre, ultimately from Greek through Latin ostrea).

Sadaoh Nasution, Kamus Umum Lengkap: Inggris- Indonesia Indonesia-Inggris, University of California: 1989: 562 pages The prominence of Peranakan Chinese culture, however, has led to the common elision whereby 'Peranakan' may simply be taken to refer to the Peranakan Chinese, i.e. the culturally unique descendants of the earliest Chinese settlers in the Malay Archipelago, as opposed to the other smaller groups that also justifiably call themselves 'peranakan'. For some Peranakans of Chinese descent, calling oneself "Peranakan" without the qualifier "Chinese" can be a way of asserting an ethnic identity distinct from and independent of Chineseness (though such a use of "Peranakan" as a single-word ethnonym may clash with the desire of other groups of non-Chinese descent to equally call themselves "Peranakan"). The term Straits Chinese or Straits-born Chinese is sometimes used interchangeably with 'Peranakan Chinese'.

Chair, Board of Directors, Australian Music Centre, 2016–20; Advisory Council, The New Approach (Myer, Fairfax, Keir Foundations), 2018–20; Director, Four Winds Festival Foundation Board, 2018–2020; International Jury Member, Classical:NEXT, 2017; Advisory Panel, UKARIA, 2015–2017; Peer Assessment Panel, Australia Council for the Arts, 2015–2020; Board of Directors, Australian Music Centre, 2013–2015; Advisory Panel, Black Arm Band, 2011–2015; Judging Panel, City of Melbourne Arts Grants, 2011–2020; Advisory Committee, Australian Music Centre, 2010–2012; Judging Panel, Sidney Myer Performing Arts Award, 2008–2009; Board of Directors, Elision Ensemble, 2008–2015; Board of Directors, Astra Chamber Music Society, 2006–2012; Board of Directors, Australian Music Centre, 2006–2010; Judging Panel, Ian Potter Composer Fellowship Award, 2005–2007; Artistic Review Panel, Musica Viva Australia, 2004–2008; Honorary Fellow, University of Melbourne, 2002–2020.

The ultimate example of ellipsis of the novel is the mill scene in which Marda Norton is shot.Corcoran: Elizabeth Bowen: The Enforced Return 53 Corcoran explains the function and effect of ellipsis in the novel: > The ruined mill is, as it were, the terrible secret of Anglo-Irish history > still architecturally articulate on the land, even in its desolation; and > Hugo begins to elaborate something like this before he is prevented by yet > one more elision: "'Another', Hugo declared, 'of our national grievances. > English law strangled the –' But Lois insisted on hurrying: she and Marda > were now well ahead." That ellipsis is the gap through which along Anglo- > Irish history falls: the issue is raised, as so often in Bowen, only to be > turned from, but in a way that makes it in some ways all the more insistent, > with the insistence of the hauntingly irretrievable.

Thus, by the end of the 12th century and the beginning of the 13th there are documents in prose and verse written in the local Romance vernacular. In Galicia the oldest document showing traces of the underlying Romance language is a royal charter by king Silo of Asturias, dated in 775: it uses substrate words as arrogio and lagena, now arroio ("stream") and laxe ("stone"), and presents also the elision of unstressed vowels and the lenition of plosive consonants;Cf. actually, many Galician Latin charters written during the Middle Ages show interferences of the local Galician-Portuguese contemporary language. As for the oldest document written in Galician-Portuguese in Galicia, it is probably a document from the monastery of Melón dated in 1231, since the 1228-dated Charter of the Boo Burgo of Castro Caldelas is probably a slightly latter translation of a Latin original.

He was the first pianist to play Rachmaninoff's Piano Concerto No. 3 in D minor with the Sydney Symphony Orchestra, in 1941 under Percy Code.SSO Program Notes From 1938 he became a piano teacher at the New South Wales Conservatorium of Music, and had a profound influence on a generation of Australian and New Zealand pianists and their own students. These included Nancy Salas, Malcolm Williamson, Larry Sitsky, Romola Costantino, Roger Woodward, Richard Farrell, Stephanie McCallum,Elision Ensemble Anne Harvey (mother of Michael Kieran Harvey),Australian National Eisteddfod Neta Maughan (mother and teacher of Tamara Anna Cislowska), Daniel Herscovitch,Sydney Conservatorium of Music: Keyboard Staff Julie Adam, Grant Foster,Southern Highlands International Piano Competition Rhondda Gillespie, Robert Weatherburn, Tamás Ungár, David Miller,Sydney Conservatorium of Music: Teaching Staff Helen Quach, Alison Bauld, Garry Laycock, Pamela Sverjensky, Suzanne Cooper, Julia Brimo, Vladimir Pleshakov, Helen Priestner EdmondsPilbara Music Festival and Edward Theodore. He retired from his teaching position in 1969.

Barrett was born in Swansea, Wales. He began to study music seriously only after graduating in genetics and microbiology at University College London in 1980 . From then until 1983 he took private lessons with Peter Wiegold. There followed fruitful encounters at the 1984 Internationale Ferienkurse für Neue Musik with Brian Ferneyhough and Hans- Joachim Hespos. In the 1980s he became associated with the so-called New Complexity group of British composers because of the intricate notation of his scores. However, he is equally active in free improvisation, most often in the electronic duo FURT with Paul Obermayer, formed in 1986, but also since 2003 as a member of the Evan Parker Electro-Acoustic Ensemble. Since 1990 about half of his compositions have been written for the ELISION Ensemble, most notably the extended works Opening of the Mouth, DARK MATTER, CONSTRUCTION and world-line. Most of his compositions since the 1990s have involved both acoustic and electronic resources, combined in many different ways.

At its appearance in the village's first documentary mention in the Bolant directory of fiefs towards the end of the 12th century, the name took the form Ripoldeskirchen, one that with only slight changes (Ripolteskirchen, Ripoldiskirchen) persisted until the mid 14th century. Then, the elision of the unstressed E in Ripoldes— began appearing in records as the predominant form, although it had been cropping up here and there since the mid 13th century. Thus, beginning about 1350, the forms Ripoltzkirchen and Rypolßkirchen were predominant. More significant, though, was the shift from the long I in the first (stressed) syllable ( – pronounced like the “ee” in “cheese”) to a diphthong ( – closer to the “i” in “wine”). This was part of a sound-shift process that affected the German language as a whole, spreading from the east towards the end of the 15th century and gradually making its way across the Rhine into the Palatinate.

School of Music Retrieved 17 October 2010 Steve Mohacey, Dr. Jack Cooper (faculty, University of Memphis, School of Music), Vincent Gnojek (faculty, School of Music, University of Kansas),University of Kansas, School of Music Retrieved 17 October 2010 Roger Greenberg (Retired from University of Northern Colorado), James Rotter (Retired, Cal State Fullerton, USC Thornton School of Music), Robert Medina (Elision Saxophone Quartet), Todd Yukumoto (University of Hawaii), Javier Oviedo (faculty, Western Connecticut State University), Paul Haar (University of Nebraska- Lincoln), Rami El-Farrah (Faculty, School of Music, University of Texas at San Antonio) Mace Hibbard (Georgia State University), Andrew Harrison (Mt. San Antonio College, Cerritos College), Jeremy Justeson (Kutztown University of Pennsylvania), Allen Won (faculty, The Mannes College for Music),The New School, The Mannes College for Music Retrieved 17 October 2010 William Graves, James Hairston, Debra McKim (Hastings College). Branford Marsalis and Kenny Garrett are among the most notable jazz saxophonists that have studied with Pittel.

The philosophy began life as what Bhaskar called "transcendental realism" in A Realist Theory of Science (1975), which he extended into the social sciences as critical naturalism in The Possibility of Naturalism (1978). The term "critical realism" is an elision of transcendental realism and critical naturalism, that has been subsequently accepted by Bhaskar after being proposed by others, partly because of its appropriate connotations; Critical Realism shares certain dimensions with Frankfurt School Critical Theory. Critical Realism should not be confused with various other critical realisms, including Georg Lukács' aesthetics, and Alister McGrath's, Scientific Theology (or Theological Critical Realism), although they share common goals. In contemporary critical realist texts "critical realism" is often abbreviated to CR. A later dialectical development of Critical Realism in Bhaskar's work in Dialectic: The Pulse of Freedom (1993) and Plato, etc (1994) led to a separate branch or second phase of CR known as "dialectical critical realism" (DCR).

John Fordham writing in The Guardian gave the album three stars out of five and commented that the loudest sounds on the album are "the audience cheering" and praised Kent's vocal abilities, highlighting her "expressive delicacy at low volumes, flexible phrasing and instinctive dialogues with her saxophonist husband, Jim Tomlinson". Fordham commented that "But Kent's rare and almost defiant sustained note at the close of the French-language Samba Saravah, a gritty robustness on If I Were a Bell, and the occasional Madeleine Peyroux- like elision on The Best Is Yet to Come give this set extra intrigue – even if devotees of edgier jazz will grumble that it's like having chocolate poured in your ear." Writing for the Jazz Times, Christopher Loudon also positively reviewed Dreamer in Concert saying that "...it's hardly surprising to discover that she sounds as warm and inviting onstage as she does in the studio." Loudon singled out "O Comboio" and "Postcard Lovers" for special praise.

In other aspects, the pronunciation of Hanja is more conservative than most northern and central Chinese dialects, for example in the retention of labial consonant codas in characters with labial consonant onsets, such as the characters ( beop) and ( beom); labial codas existed in Middle Chinese but do not survive intact in most northern and central Chinese varieties today, and even in many southern Chinese varieties that still retain labial codas, including Cantonese and Hokkien, labial codas in characters with labial onsets are replaced by their dental counterparts. Due to divergence in pronunciation since the time of borrowing, sometimes the pronunciation of a Hanja and its corresponding hanzi may differ considerably. For example, ("woman") is nǚ in Mandarin Chinese and nyeo () in Korean. However, in most modern Korean dialects (especially South Korean ones), is pronounced as yeo () when used in an initial position, due to a systematic elision of initial n when followed by y or i.

The series was first shown commercially in 1991, at Karsten Schubert LimitedKarsten Schubert (ed) Henry Bond and Liam Gillick: Documents (London: Karsten Schbert Limited, 1991.) and then, in 1992, at Maureen Paley's Interim ArtMaureen Paley (ed.) On: Henry Bond, Angela Bulloch, Liam Gillick, Graham Gussin, Markus Hansen (London and Plymouth: Interim Art/Plymouth Arts Centre, 1992); also see Interim Art timeline —two of the galleries that were pioneering the development of the YBA art movement. Writing in 2001, whilst a curator at Tate, Emma Dexter stated, "Henry Bond and Liam Gillick posed as journalists at press and media events, creating as a result a series of photo/text works that are a neat elision of two distinct realms of information gathering and sorting: that of conceptual art and that of the news and publicity industry, Documents exposes the codes and rituals involved in news management, but it has also become, with time, an accidental history of our age."Emma Dexter, "London 1990-2001." In, Iwona Blazwick (ed.) Century City: Art and Culture in the Modern Metropolis (London: Tate, 2001), p. 84.

The international nature of its programming is clear from a large number of composers invited from North America; these included Ignacio Baca- Lobera from Mexico and Aaron Cassidy, Franklin Cox, Chris Mercer, Steven Takasugi, and Mark Osborn from the United States. There are various individual performers who have become to varying degrees closely associated with the movement, among them flautists Nancy Ruffer and Lisa Cella, oboists Christopher Redgate and Peter Veale, clarinettists Carl Rosman, Andrew Sparling and Michael Norsworthy, pianists Augustus Arnone, James Clapperton, Nicolas Hodges, Mark Knoop, Marilyn Nonken, Mark Gasser, Ermis Theodorakis, and Ian Pace, violinists Mieko Kanno and Mark Menzies, cellists Franklin Cox, Arne Deforce and Friedrich Gauwerky. A number of ensembles are also known for performing New Complexity works, such as the Arditti Quartet, JACK Quartet, Ensemble Exposé, Thallein Ensemble, Ensemble 21, Ensemble SurPlus, and ELISION Ensemble. Works by Ferneyhough and Dillon, in particular, has been taken on by a wider range of European ensembles, including ensemble recherche, Ensemble Accroche-Note, the Nieuw Ensemble, and Ensemble Contrechamps.

An alternative and the modernly accepted theory, however, is that the MacLea are descended of Ruaidhri Mac Duinnsleibhe, the 54th Christian and last king of Ulidia. Note on list of Stuart loyalists massacred at the 1647 Battle of Dunaverty in Kintyre, Scotland, "Of the surnames appearing in the second column the M'onleas were originally M'Dunleas ; the D disappears through euphonistic elision in Gaelic. Although Niall 10th Duke of Argyll, thought it quite possible that their eponymic ancestor was Dunsleve, the son of Aedh Alain, the O'Neill Prince evidence now leads to the conclusion that they are descendants of the Ruaidhri Mac Duinnsleibhe, the last king of Ulidia." The Coarbs of Saint Moluag are proposed to be closely related to the rigdamnai or Royal Family of Ulster and their use of the name Mac Duinnshleibhe to be a proud reminder and declaration of that fact. According to Byrne the Ulaid rigdamnai alone used the name Mac Duinnshleibhe :“ So for instance when after 1137 the Dál Fiatach kingship was confined to the descendants of Donn Sleibe Mac Eochada (slain in 1091), the rigdamnai set themselves apart from the rest of the family by using the name Mac Duinnshleibhe (Donleavy).