Baby shark, doo doo doo doo doo doo, baby shark, doo doo doo doo doo doo, ad infinitum.
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Safe at last ... doo doo doo doo doo doo.
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I.P. risk doo doo doo doo doo doo, I.P. risk!
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Time: Ten days (and counting?) Doo doo doo doo doo doo.
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Well doo doo doo doo doo doo we have good news for you!
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BREAKFAST BROWSE 'Doo doo doo doo doo doo ...' Nickelodeon is turning "Baby Shark" into an animated TV series.
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So go ahead and "grab some soap," doo doo doo doo doo.
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Jauz's "Baby Shark" remix: I think the Coachella track really speaks for itself doo doo doo doo doo doo.
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Giant shark, doo doo doo doo doo doo You may be familiar with the megalodon, also called "the Meg," via the Jason Statham movie from last year about the biggest shark that ever lived.
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But perhaps none have tried to replicate the particular despair of a bleary-eyed parent who can hear "Baby Shark" — the bouncy global phenomenon that for a while brought "doo doo doo doo doo doo" into casual conversation — in her sleep.
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And yet somehow the catchy story of a multigenerational shark family (doo doo doo doo) meant for babies became inescapable.
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I was thinking of 'Heartbreaker (Doo Doo Doo Doo)' when I contemplated the shooting that ends Act I of the novel and sets the various characters on a collision course.
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" You know the one: "DUN dadada da DUN doo doo doo how does a bastard, orphan [etc.].
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You see Myles step in the doo doo, check to make sure it is in fact doo doo (WHY WOULD YOU TOUCH IT, FAM), wipe off the doo doo then remove his shoe to stop the defecation debacle from getting worse.
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" And "Ain't Together" — about an iffy long-distance relationship — echoes late-1960s baroque pop, with a relaxed tempo, backup voices going "doo-doo-doo-doo" and major-to-minor-to-major harmony shifts as King Princess insists, "I can't let this fall apart.
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Then—because David Cameron is the kind of bumbling clown who leaves his glasses on his head, and then asks where they are—he walked away with a microphone still attached to his body, humming the apocalyptic melody of "Doo doo, doo doo" to himself.
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When it comes to assault charges in the Rex and Rob Ryan Margaritaville incident -- the situation can best be summed up this way ... Some people say that there's a Ryyyyyan to blame ... but cops say (doo doo doo doo do) ... it's not their fault.
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"One day I saw her running down the hall in a doo-doo pamper [diaper] and I started running down the hall wearing my doo-doo pamper," he joked.
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"I've been putting hot sauce on the doo-doo," he said.
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Then grab your fins and let's go hunt (doo doo do doo do doo)!
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Looking it up usually involves some kind of Google search that looks like "song that goes dum dum dum and then doo doo doo really fast," but if you're cooler (and richer) than me, you might have your Amazon Alexa do that for you.
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One out-of-the-box suggestion, presented independently by several entrants, involved simply playing back to the robocaller the "doo-doo-doo" tone of a disconnected phone number, hoping thereby to trick the auto-dialer into deleting the phone number in question from its call list.
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My ascending list of the NFL coaches in the deepest doo-doo for 143 goes like this: 5.
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For every Rogue One-esque emotional high, there seemed to be a corresponding "yousa in big doo doo" clunker.
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" Then comes the sacrificial doo-doo moment: "I wipe that shit off and throw it right in the bag.
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"If they vote on it, the minute they cast that vote, they put doo-doo on their shoe," she said.
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If the former CIA director is saying this, we must be in really deep doo-doo, went the line of thought.
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Even though Darlene got caught and is in deep doo doo now despite her good intentions, I still felt bad for Dom.
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The Knicks are seen as the team whose president takes passive-aggressive public shots at its star, and whose retired legends get treated like doo-doo.
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"The Future," a lithe, lounged-up dance number complete with backup singers murmuring "doo-doo do," checks off every trope imaginable about apocalypse and the collapse of society.
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The pre-recorded "Rap History" segment, featuring guest spots from Common and Questlove, had Chance shouting down a Lil Pump avatar called Lil Doo Doo, played by Pete Davidson.
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" (Limbaugh denies he said this.) - In 2007, Limbaugh joked he was "singing a song in my head here during the break: 'Barack, the Magic Negro, doo doo do doo.
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It's also visually enticing as well as ridiculously catchy: The video is well made, the kids are adorable, and the cheery, infectious song — doo doo do doo do doo!
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Check it out ... one photog tries getting her attention by calling her "doo-doo head," a nickname the King of Pop held for his kids, nieces, nephews and even Macaulay Culkin.
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So the next time you hear the song and you're tempted to run away (doo doo do doo do doo), why not grab a friend instead, join in the dance, and help it along?
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Correction: An earlier version of this post incorrectly stated the location of Thurston County Superior Court, the name of the court, Beezow Doo-doo Zoppitybop-bop-bop's given first name, and who Zopittybop-bop-bop assaulted.
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Saturday Night Live's Pete Davidson has taken that challenge on lately—the Lil Doo Doo character he brought out when Chance the Rapper hosted was shamelessly aimed at Lil Pump—and last night he brought a sketch that worked on its own.
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Video via the 'Wall Street Journal' In an apparent attempt to remind everyone once again about Hillary Clinton's missing emails, Donald Trump stepped in a big ole pile of cyber doo doo on Wednesday during a press conference in Florida when he asked Russia if it could help find them.
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This music is indeed spare, lacking centered keyboards or rhythm guitars; in their place is an echo chamber filled with pingponging plinks, bleeps, squiggles, honks, vocal loops, symphonic airhorns, simulated a cappella singers going doo-doo and dum-dum, and any number of abrasive electronic scratches; even the token ballad soars and aches over incongruously syncopated squeals.
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Before a short appearance by Swae Lee on the hook and Mr. Graham's full verse even come in, "Sicko Mode" seamlessly weaves together some of rap's most influential forms: Biggie's "Gimme The Loot" creeps in, 2 Live Crew's Miami bass classic "I Wanna Rock (Doo Doo Brown)" has a moment, and Houston legend Big Hawk makes an appearance on the hook.
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A.M. (4 All Mississippi - Backed Up (The 83rd's Edit)DJ Spinn Teklife - Old English Spinn/Nick Hook/Scatta VIPSliink x Dj Taj x Big O - Best Friend Anthem (Jersey Version)Baltimore Club Music Doo Doo Brown DrumlineSkepta_/TAD IQ/NA_/MC Kauan Laugh - Man (Putaria Maxima edit)Anna Latautua - Twwth Réelle - amethyst (other mix)Dwizz - Salt Pepper Ketchup and HotsauceJoey Labieja - Death Before Dishonor ft.
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Abnormal leucistic plumages have been noted. The chuckling call is a low rolling croo-doo-doo-doo-doo with a rising and falling amplitude.
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Nevertheless, Elliott went on to praise many of the tracks, particularly "Angie" and "Doo Doo Doo Doo Doo (Heartbreaker)". He also praised the unreleased tracks, writing that "Criss Cross" would have "easily" been a highlight if it was on the original album.
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The track is especially well known for its "Doo, Doo, Doo, Doo, Doo, Doo!" lyrics, played at the beginning and at the ending of the song. The CD also features a duet with Busted singing a cover of The Kinks song "Lola". Overall, it spent twelve weeks in the UK Singles Chart. It also reached number seven in Ireland.
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Doo-doo-doo immortalized. Blog.fagstein.com. August 9, 2010. Retrieved 2013-02-13.DOU-DOU-DOU «ATTENTION, NOUS FERMONS LES PORTES…».
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Sexes are similar, but immatures are browner than adults and lack the red eye patches. The call is a loud doo-doo-doo.
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The song is set in a basic four-chord progression, either I-vi-ii-V7 or I-vi-IV-V7 depending on the musical arrangement. The song has four verses of eight bars each, with no refrain or chorus, sung and performed in a slow swing rhythm. While different covers of "Oh Happy Day" phrased the lyrics somewhat differently, the lyrics of the first verse typically started as follows: > The sun is shining, oh, happy day; No more troubles and no skies are gray; > Ever since you said those words to me; Oo-Doo, doo-doo-doo-doo; You said you > loved me, I know it's true; My life's complete, dear, for now I have you; > Oh, happy day, oo-oh lucky me; Oo-Doo, doo-doo-doo-doo. Howard originally performed it in the key of E major.
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"Dancing with Mr. D." has been performed by the Stones on their 1973 tour of Europe and on five shows of their 2017 No Filter Tour. It served as the B-side to album mate "Doo Doo Doo Doo Doo (Heartbreaker)". A live version is available on the bonus disc of the "HONK" album. This version was recorded at the GelreDome in Arnhem on October 15, 2017.
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"Star Star" is a song by The Rolling Stones that appeared on their 1973 album Goats Head Soup. In some European countries, including France and Germany, it was released as a single backed with "Doo Doo Doo Doo Doo (Heartbreaker)." One of the raunchiest songs in the band's catalogue, the song was originally titled "Starfucker" until Atlantic Records owner Ahmet Ertegün (Atlantic was the distributor of Rolling Stones Records) insisted on the change.
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The killing of Clifford Glover and subsequent acquittal of Thomas Shea feature prominently in "Power", a 1975 poem by Caribbean-American poet Audre Lorde and "NYC Cops", a 2012 song by rapper Heems. The Rolling Stones reference the shooting in their 1973 song "Doo Doo Doo Doo Doo (Heartbreaker)" on the album Goat's Head Soup. Thomas Hauser writes about the shooting and the investigation in detail in The Trial of Patrolman Thomas Shea, which was published by Seven Stories Press in June, 2017.
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2), the UK and US editions of Rewind (1971–1984) would each feature different track listings, reflecting the individual tastes of both territories. The American CD version featured the US top 20 hits from 1971-1983, with the exception of "Ain't Too Proud to Beg". Released in the summer of 1984, Rewind (1971–1984) was not as successful as previous compilations, reaching No. 23 in the UK and No. 86 in the US, though it went gold in the latter. The album marked the first official Rolling Stones CD release in the United States and featured the additional tracks "It's Only Rock'n Roll (But I Like It)" and "Doo Doo Doo Doo Doo (Heartbreaker)".
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The same 15 Brussels tracks also appear on the 2020 Super Deluxe (3 CDs + Blu-ray disc; Polydor / Rolling Stones Records 088 503-2) and Deluxe (4 LP; Polydor / Rolling Stones Records 089 398-1) Box Set reissue of "Goats Head Soup". The title of the release is the same as that of several famous and widely known bootleg recordings. The most famous iteration consists principally of the early show as broadcast by the King Biscuit Flower Hour (with "Starfucker" omitted due to its lyrical content) and several bonus tracks ("Gimme Shelter", "Happy", "Doo Doo Doo Doo Doo (Heartbreaker)" and "Street Fighting Man") added from the Tuesday 9 September 1973 London show.
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The ancient games of Bengal Ha-Doo-Doo, Gollachut, Kanamachi Bhoo-Bhoo are still played by many of the villagers.
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"Standing on the Verge of Getting It On", Standing on the Verge of Getting It On. Westbound, 1974. A more scatological iteration comes in the song "Promentalshitbackwashpsychosis Enema Squad (The Doo Doo Chasers)" (1978) where "funk" is defined as "the P-Preparation, The prune juice of the mind, A mental, musical bowel movement, Groove-lax...A psychological turd remover, A neurological enema".Clinton, George, and Garry Shider, Linda Brown. "Promentalshitbackwashpsychosis Enema Squad (The Doo Doo Chasers)", One Nation Under a Groove.
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The origins of "Let's Go to Bed" lie in "Temptation", one of the demos for Pornography. The song is a relatively upbeat, guitar-driven instrumental. In August 1982, soon after Simon Gallup's departure from the band, Smith demoed a vocal version of the track, entitled "Temptation Two", a psychedelic piece not far removed from the Pornography album but somewhat lighter in tone. At the end of the song, Smith sings a string of wordless syllables, nearly identical to the "doo doo doo"s of the later song.
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"Punky's Dilemma" is breezy and minimal musically, with a soft jazz-style percussion and seemingly improvised guitar lines dominated by major and minor seventh chords. "Mrs. Robinson" opens with an "instantly recognizable" pop rock guitar hook that carries throughout the track. The first verse consists only of syllables—"dee- dee-dee" and "doo-doo-doo"—that form stable harmonic foundation. The inclusion of the meaningless syllables arises from the unfinished nature of the song when pitched to director Mike Nichols, who particularly liked the verse.
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Billy hears the robot, but is taken by Deputy Doo-Doo to a nuclear power plant. Danger Dog saves Billy, while the Ant falls into the power plant instead. Bill and Mary want to keep "Safety Dog", but the Landlord worries that Danger Dog might stain the carpet, but changes his mind when they put a diaper on him and rename him Diaper Dog. Meanwhile, back at the power plant, radioactivity causes Deputy Doo-Doo to grow into a giant and he resumes rampaging through the city.
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The vocal harmony group tradition that developed in the United States post-World War II was the most popular form of rhythm and blues music among black teenagers, especially those living in the large urban centers of the eastern coast, in Chicago, and in Detroit. Among the first groups to perform songs in the vocal harmony group tradition were The Orioles, The Five Keys, and The Spaniels; they specialized in romantic ballads that appealed to the sexual fantasies of teenagers in the late 1940s and early 1950s. The nonsense string of syllables, "doo doo doo doo-wop", from which the name of the genre was later derived, is used repeatedly in the song "Just A Sittin' And A Rockin", recorded by the Delta Rhythm Boys in December 1945. By the mid-1950s, vocal harmony groups had transformed the smooth delivery of ballads into a performance style incorporating the nonsense phrase as vocalized by the bass singers, who provided rhythmic movement for a cappella songs.
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Af-2-Doo, Da Doo Ron Ron, Didgeri-Doo, Doo-All, Doo Come In, Doodle Doo, Doo Drop In, Doo For Now, Doo Fuck All, Doo I, Doo-ing it easy, Doo Little, Doo Luv It, Doo-Me, Doo Nix, Doo Nothing, Doo Often, Doo Us, Doo Us Too, Doo Write, Gunnadoo, Humpty Doo, Just Doo It, Love Me Doo, Make Doo, Much-A-Doo, Rum Doo, Sheil Doo, This Will Doo, Thistle Doo Me, Wattle-I-Doo, Wee-Doo, Xanadu, Yabba Dabba Doo.Doo Town Totaltravel, Destinations, Tasman Peninsula & Port Arthur, Doo Town.Doo Town Information and Attractions The one non- conforming house has a plate that reads Medhurst.
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There is a black hind neck patch edged with white. The legs and a patch of bare skin around the eye are red. The call is a loud doo-doo-du-du. Sexes are similar, but juveniles are duller than adults, and have scalloping on the body feathers.
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Fleischer trial that Helen Kane saw Baby Esther's cabaret act in 1928 with him and appropriated Jones' style of singing, changing the interpolated words "boo- boo-boo" and "doo-doo-doo" to "boop-boop-a-doop" in a recording of "I Wanna Be Loved By You." While Kane never publicly admitted her borrowing, Jones' style—as imitated by Kane—went on to become the inspiration for the voice of the cartoon character Betty Boop. When Kane attempted to sue Fleischer Studios for using her persona, the studios defended themselves by arguing that Kane herself had taken it from "Baby Esther" Jones. An early test sound film of Baby Esther's performance was used as evidence.
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The defense argued that Kane had taken the idea from Baby Esther. Evidence was produced that Kane actually derived that singing style from watching Baby Esther perform at the Everglades Restaurant several years before the creation of the Betty Boop character. Theatrical manager Lou Bolton testified for the defense stating that in 1925, he coached a "young negro child" named Esther, teaching her how to interpolate her songs with scat lyrics, "boo-boo-boo" and "doo-doo-doo", which Kane later reinvented as her trademark "boop oop a doop". Jones' manager testified that he and Kane had seen her act together in April 1928, and just a few weeks later, Kane began to "boop".
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The song became an internet meme in August 2018, with one version by Billion Surprise Toys—a company with 16 million subscribers to its YouTube channel—going particularly viral on Twitter. This version prominently features Johny and his father doing popular dance moves such as the "Gangnam Style" dance, and intertwines the original lyrics with a repeated "doo-doo-doo-da-doo" to the melody of "Baby Shark". The various videos by edutainment channels were subsequently described as "terrifying", "disturbing", "nonsensical" and "a godforsaken nightmare". The song's popularity has been attributed to the Elsagate phenomenon of potentially disturbing or absurd YouTube videos being algorithmically shown to children through the YouTube website and the YouTube Kids app.
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The video begins with Bow Wow and Soulja Boy picking up trash near a pool with their boss, a lifeguard (portrayed by comedian Doo Doo Brown) giving them a hard time. They then proceed to call up some friends, and have a party by the pool doing the "Marco Polo" dance which is similar to Peekaboo.
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Micale would recall that when the group's members first heard that instrumental track through the [RCA] studio monitors "we were just blown away... Some of the Motown [session musicians] were playing on it, and the sound was just amazing. Besides our vocals, the only thing added at that point were [the] 'doo-doo-doot's that we had come up with, and hand claps".
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In 1992, I Got Shit on My Mind was released. It was his first official solo album without The 2 Live Crew. It peaked at #52 on the Billboard 200 chart and #20 on the Top R&B;/Hip-Hop Albums chart. It was the album that spawned the hit single "I Wanna Rock" (better known more prominently as "Doo-Doo Brown"), which became Luke's signature song.
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The solo guitar intro was recorded through an Astatic JT40 microphone, which outputs "dull" recordings with "no clarity". Grohl wanted Post to provide vocals, but as she was in Chicago at the time, her parts ("doo doo doo"s alongside the lead guitar riff and harmonizing on the chorus) were achieved through 2 different telephone lines in the studio calling her: one connected as her monitor, the other for recording; Grohl recorded his chorus harmonies through the JT40, providing vocals at a similar level of fidelity as Post's. For the breakdown, Grohl recited 3 spoken word takes: one retells a childhood story from assistant engineer Ryan Boesch of being punished for disturbing his father's sleep and 2 reading random passages from a book in the studio; all 3 were meant to be blended together in the final mix, but the book takes went unused.
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Amanda Palmer, of The Dresden Dolls, regularly performed here as a "living statue". Another frequent performer over the years has been indie rock guitarist Mary Lou Lord. A small bronze statue of "Doo Doo" (a puppet created by Igor Fokin) sits at the corner of Brattle and Eliot streets, in honor of Fokin and all the street performers. The Flying Karamazov Brothers also performed regularly in Brattle Square.
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The "ice monster" is "scared" of Mr. Hoskins' talking and leaves Earth. While someone asks for Mr. Hoskins' autograph, Super Diaper Baby and Diaper Dog take Rip Van Tinkle to Uranus, only for Deputy Doo Doo to say The Baby again.. They come back, and take a picture with Mr. and Mrs. Hoskins with a news reporter and put on a newspaper saying "Diaper Clad Dad Saves The Earth!".
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Health Here and Now, City By Night, Sports Den, Jock Talk, Teen Talk, Traffic Tips & Traumas, Fitness Facts and Fiction, The Movie Show, SJK, Cooking with Steve Jacobs, Singles Scene, Kaleideoscope, Let's Talk, Ask Dr. Jenchin, Doo Doo-The Clown, Zip and Zap, Streetbeat, Arena, Limelight, Splash Page, Jewish Journal, Your Money, OVERTIME Sports Talk, Backstage Pass, On The Ropes, Triva Challenge, Sonnee's Seniors, Chalk Talk (The Whine Line), and the Post 4:30 Blues Show.
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The name "dodar" was introduced into English at the same time as dodo, but was only used until the 18th century. As far as is known, the Portuguese never mentioned the bird. Nevertheless, some sources still state that the word dodo derives from the Portuguese word doudo (currently doido), meaning "fool" or "crazy". It has also been suggested that dodo was an onomatopoeic approximation of the bird's call, a two-note pigeon-like sound resembling "doo-doo".
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Lost Horizons opens with "Elements", which "blends acoustic guitars, flugelhorns, synths, skittering breakbeat rhythms, a folksy harmonica, and ... a falsetto 'doo-doo' chorus". Overlaying the music is a voiceover, courtesy of English actor John Standing, that lists the basic 'elements' that make up the world: earth, metal, water, wood, fire, and (eventually, later in the song) sky. The second track, "Space Walk", is set to a recording of Ed White's 1965 space walk on the Gemini 4 mission.Smith 2005, p. 438.
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He falls asleep on a rock, only to be wakened by an excruciating pain in his stomach. Rolling over and over, Winkie feels as if his seams will burst open, only to find that the pain is intensifying. At its peak, however, it disappears. Thinking that the stomachache was brought by the berries he ate the night before, he turns to look at the terrible mess he made, only to find that, instead of "doo-doo," there was a baby "Winkie".
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Central Time show on Thursdays was the station's first mid-week program. During the 1950s, Winchell hosted children's (The Paul Winchell and Jerry Mahoney Show) and adult programs with his figures for NBC Television, and later for syndication. The NBC Saturday morning program, sponsored by Tootsie Roll, featured a clubhouse motif and a theme song co-written by Winchell and his longtime bandleader and on-air sidekick, Milton DeLugg. The theme song was entitled "HOORAY, HOORAH" which featured the secret password "SCOLLY WALLY DOO DOO".
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The euphemisms miércoles (Wednesday) and eme (the letter m) are sometimes used as minced oaths. Caca is a mild word used mostly by children, loosely comparable to the English "poop" or "doo-doo." Comecaca is functionally similar to comemierdas. 'Mojon' A term originally meaning a little marker of the name of the street or a particular place in a road, it later went into general use to refer to a turd and thus became a synonym for shit; it is used freely as a substitute.
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An alternative rock song with a rap-influenced singing style, the song's "doo, doo, doot" refrain was directly inspired by Lou Reed's "Walk on the Wild Side". The instrumentation used in the song includes guitars, brushes, and a drum machine. The concept of the song was developed through Jenkins's observations of friends using crystal meth at a Primus concert. "Semi-Charmed Life" received positive reviews from music critics, who called it a quintessential Nineties track and complimented the radio-friendly nature of the song.
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Wuerker graduated from Lewis & Clark College with a BA in 1979.Matt Wuerker While there, he served as the chief editorial cartoonist for The Pioneer Log, the weekly student newspaper. He has published two collections of cartoons, Standing Tall in Deep Doo Doo, A Cartoon Chronicle of the Bush Quayle Years (Thunder's Mouth Press, 1991) and Meanwhile in Other News... A Graphic Look at Politics in the Empire of Money, Sex and Scandal (Common Courage Press, 1998). He illustrated the book The Madness of King George (Common Courage Press, 2003) by Michael K. Smith.
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The poem is highly critical of racism in America, and includes angry depictions of public figures such as Rudolph Giuliani, Trent Lott, Clarence Thomas, Condoleezza Rice, Colin Powell and Ward Connerly.Lines from the poem state: "Who do Tom Ass Clarence work for / Who doo doo come out the Colon's mouth / Who know what kind of Skeeza is a Condoleeza / Who pay Connelly to be a wooden negro" see at Baraka, Amiri. "Somebody Blew Up America" (original from Baraka's website is preserved by the Wayback Machine, archive.org). Retrieved June 26, 2013.
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After all, my original thought > had been simply to bury the body, but that plan had gone away, though the > folding shovel was still in the bag. I now think that in the many hours of > agonising, my adult mind collapsed between fear and the felt necessity to > make Maureen vanish, and the toilet was a very young child’s solution for > how to get rid of guilty bad doo-doo. After disposing of the body Thompson returned home to the children. The following day he took them swimming and re returned to work on Monday to finish his 50th scientific publication.
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Chris Robinson is an American film director, commercial director, and music video director. He has directed films such as Netflix original "Beats". He has directed commercials for brands such as iPod, Coca-Cola and Verizon and music videos for songs like "Fallin'" and "You Don't Know My Name" by Alicia Keys, "Roc Boys" by Jay-Z, the Grammy nominated video for "One Mic" by Nas, and "Bonnie & Clyde '03" by Jay-Z featuring Beyoncé Knowles. Robinson made his debut as a music video director by helming the 1991 clip "Doo Doo Brown" by the group 2 Hyped Brothers & a Dog.
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Superbug, or Dudu (pronounced [doo doo] as said in "Superbug Goes Wild" English version), is a West German children's comedy film series released between 1971 and 1978. It is based on a somewhat intelligent Volkswagen Beetle similar to Disney's Herbie, but unlike Herbie which uses magic, it uses modern technology to display signs of intelligence. Superbug appeared to be an attempt by director and main actor Rudolf Zehetgruber to bring the "Herbie" concept to Germany, where the Volkswagen Beetle originated, while giving it the flair of James Bond's gadget-equipped vehicles. The main human character is named Jimmy Bondi.
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Danger Dog and Deputy Dangerous escape prison to their secret lab, where the latter invents a crib device connected by satellite that they deliver to the Hoskins under euphemistic pseudonyms, "Deputy Un-Dangerous" and "Safety Dog". Billy poops before midnight, and Mary gives him a very nice bath just as the "Heat-Seeking Dish" turns on. The device transits the poop, turning Deputy Dangerous into a small piece of turd. The next morning, Deputy Dangerous invents the "Robo-Ant 2000" so he can take over the world, but Danger Dog coins the name "Deputy Doo-Doo", then changes signs around.
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A third single was released in early 1982. This was "Ooh Shooby Doo Doo Lang", which told a light-hearted tale of a singer bemoaning the fact that she has been relegated to backing vocals; the lyrics go on to mention Paul McCartney and Stevie Wonder and both "Japanese Boy" and "Little Lady". The song missed the UK chart; however in Europe it gave her a third hit and was followed there by the release of another album track, "I Was Free". Two further singles were released over the next two years, "Heart to Beat" in 1983 and "Rose, Rose, I Love You" in 1984, but neither of them found success.
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"Semi-Charmed Life" was written solely by frontman Stephan Jenkins. Jenkins intended to write a song that acted as a San Francisco response to Lou Reed's "Walk on the Wild Side", with the "doo, doo, doot" chants present throughout the song being directly inspired by Reed's song. In regards to the style of the song, Jenkins explained that it is meant to reflect changes that were occurring in the San Francisco music scene, particularly a growing interest in hip-hop. In an interview with Rolling Stone, Jenkins said that the concept of the song was developed through his observations of friends using crystal meth at a Primus concert.
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The Reflections recorded the vocal for the track several weeks later at the RCA recording studio in Chicago. According to Micale, the group's members still regarded the song as somewhat of a joke. While running through the song prior to the recording session they ad-libbed a falsetto "doo-doo-doot" hook line as irreverent mimicry of Gorman's vocal style when he'd pitched them the song. The group was surprised when Gorman added that line to the song's vocal arrangement.This Song Started Out As A Joke « 94.5 KOOL FM The instrumental track for "(Just Like) Romeo and Juliet" had been recorded at United Sound Systems in Detroit.
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In 1990, two British record producers entitled DNA remixed "Tom's Diner", grafting Vega's vocals onto a dance beat from Soul II Soul ("Keep On Movin'") and turning her simple ad-libbed outro – "Da da da duh, doo da-doo doo" – into the song's driving hook. It was impossible to get a whole song into a sampler, so they spent evenings and weekends cutting Vega's vocals into little bits. Without permission from Vega, her record label, or publisher, the duo released the remix on a limited basis for distribution to clubs as "Oh Suzanne" by "DNA featuring Suzanne Vega". Vega's record company of the time, A&M;, decided to buy and release the remix rather than take DNA to court for copyright infringement.
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I Got Shit on My Mind (alternatively titled I Got Sumthin' on My Mind) is the second studio album by American rapper Luke, and his first official solo album without The 2 Live Crew. It was released on March 24, 1992 through Luke Records and would be the last Luke album to be released through their distribution deal with Atlantic Records. The album, which was mainly produced by Mike "Fresh" McCray, peaked at #52 on the Billboard 200 chart and #20 on the Top R&B;/Hip-Hop Albums chart. I Got Shit On My Mind was the album that spawned the hit single "I Wanna Rock" (better known more prominently as "Doo- Doo Brown"), which became Luke's signature song.
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Other productions by Saint Juste recognized in Billboard Magazine are "Body Love" and "Doo Doo Brown" which reached the top R&B;/Hip- Hop Song chart. Street Street's first album, Florida Funk Bass, Bass, Bass & Mo Bass by A.C. AuFunkster was released Nov 30, 1994. During Mark's 2 years at Deerfield Park Elementary he used the positive impact of hip hop to engage his students and make learning more fun. Witnessing the impact rap had on his students inspired him to bring the positivity of rap music to kids with the next productions from his record label. As Sweet MSJ, Saint Juste released the singles "We've Got a Lesson to Learn" and "I’m Too Good for Drugs." His students performed "I’m Too Good for Drugs" at the National Drug Abuse Resistance Education (DARE) Convention in Orlando. "I’m Too Good for Drugs" is a single from the Get Me Me Music album that Saint Juste released in 2005. The album is composed of songs that combine educational themed lyrics with hip-hop beats.
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After blazing underground radio and live shows around New York City with their lyrics and knowledge of self-based content, they were listed in The Source magazine as the best unsigned rap group of 1989. The crew was then managed by longtime friend Jack Pope (Jack Sprat, Starving Artists Entertainment), who later became the road manager of the Gravediggaz. They acquired many long-term relationships from Poetic's various musical ties, as well as with Amityville locals like DJ-Cut Monitor Milo of Leaders of the New School (“The Case of the PTA”), Posdonous of De La Soul, and Doo Doo Man Records’ Crew (Prince Paul's Def Jam Imprint) Resident Aliens. These cassette tape “dubs” floated around the New York streets in the late 1980s and early 1990s, and their demo eventually made their way to the seasoned musical ear of fellow Amityvillain Prince Paul (Stetsasonic, De La Soul, Gravediggaz) from his association with the local Long Island artists who had met the brothers and saw their raw talent.
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Robert Christgau was positive: "the Em-50 duet "Jimmy Crack Corn," an egocentric return to the rhythms of the visionary anti-Bush "Square Dance," comes as a relief (to the album itself)." B. Love was positive towards lyrics: "Jimmy Crack Corn," that steals the show though: "you wanna talk shit? Let'em talk shit/cause they talk shit/knowing deep down they just wanna squash it/cause no wants to walk around stepping in dog shit/and get doo doo on their shoe again as soon as they washed it/but their pride won't let'em, inside's like go get'em/and I'm just like why you tryin' to fight momentum/we just keep winnin' by landslides oh and um/Shady Limited in any size yo demin...meanwhile your minds on us like mine's on Mariah/and y'all are just her you're all fuckin' liars/but I'll just keep fucking you like I fucked her/right in the ass with K-Y, yes sir/so full of joy, boy am I absurd/even Chingy would tell you, that boy don't cuurr." Sputnik Music noted that Eminem puts out superb beats for this song.
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