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"donnée" Definitions
  1. the set of assumptions on which a work of fiction or drama proceeds

18 Sentences With "donnée"

How to use donnée in a sentence? Find typical usage patterns (collocations)/phrases/context for "donnée" and check conjugation/comparative form for "donnée". Mastering all the usages of "donnée" from sentence examples published by news publications.

And with that donnée , as Henry James would have called it, the excitement begins.
Il est vrai que ceux-ci ne représentaient, même à leur apogée, qu'une partie de la population : habitants de villes et régions en cours de désertification ; couches moyennes ou populaires en chute, ou menacées de l'être, ou tout simplement peinant à finir le mois ; automobilistes pour qui le prix du carburant est une donnée vitale.
The painting bears the inscriptions “Villa Escarras Cannes 1874” (bottom left), and “P. van Elven” (bottom right). On the back of the panel, it carries the inscription “Musée de la Castre. Fête donnée par le baron Lycklama à Nijeholt à Cannes.
Alphonse Amédée Trémeau de Rochebrune was a French botanist, malacologist and a zoologist. He was born on 18 September 1836L'année 1834 est souvent donnée dans la littérature, nous suivons ici Jaussaud et Brygoo (2004) : 453 et Adler (2007) : 106. in Saint-Savin, and died on 23 April 1912 in Paris.
"On était alors en carême, et Thomas observait avec une scrupuleuse exactitude les jeûnes et les abstinences de l'Église, jeûnes et abstinences dont la rigueur était doublée et par ses autres souffrances, et par l'insuffisante nourriture donnée aux prisonniers." Charles Dallet, Histoire de l'Église de Corée, p. 561. In the same way, nothing could make him omit any of his ordinary practices of piety. He was severely tortured with amazing constancy and gladness.
The Death of the Lion has enjoyed generally favorable criticism over the decades. Reviewers have admired the tale's sardonic, tartly comic view of literary "lionization" by unknowing and careless admirers, who may have only the slightest (if any) acquaintance with the lionized author's works. Frank Kermode, for instance, in his introduction to a Penguin collection which includes the story, appreciated James' "achievement of rendering a tragic donnée in the mode of irony and even, at moments, of farce."Frank Kermode, editor (1988).
Tune of La Parisienne La Parisienne (French: the Parisian) is a famous song by Casimir Delavigne. It was composed after the July Revolution and in homage to it, and served as the French national anthem during the July Monarchy (1830-1848). It is sung to the tune of "Ein Schifflein Sah Ich Fahren", a German military march, and was harmonized by Daniel Auber.Précision musicale donnée par Robert Brécy, Florilège de la chanson révolutionnaire de 1789 au front populaire, Les Éditions Ouvrières, Paris 1990, page 37.
In 1988, he created the "Scientific and Technical College" bringing together the best experts from Thomson-CSF.Erich Spitz et Claude Weisbush, IMPLIQUER LES EXPERTS DANS LE PILOTAGE DE LA R&D; : Le collège scientifique et technique de Thomson-CSF, conférence donnée dans le cadre des amis de l’École de Paris, le 15 janvier 1997, 10 pages, Since 1995, he has been "Advisor to the Chairman ". In addition, from 2001 to 2009, Erich Spitz was Chairman and Chief Executive Officer of Thales Avionics LCD SA, a subsidiary of Thales Avionics S.A.
While they require one more engine burn than a Hohmann transfer and generally requires a greater travel time, some bi-elliptic transfers require a lower amount of total delta-v than a Hohmann transfer when the ratio of final to initial semi-major axis is 11.94 or greater, depending on the intermediate semi-major axis chosen. The idea of the bi-elliptical transfer trajectory was first published by Ary Sternfeld in 1934.Sternfeld A., Sur les trajectoires permettant d'approcher d'un corps attractif central à partir d'une orbite keplérienne donnée. - Comptes rendus de l'Académie des sciences (Paris), vol.
The year after, the Société des gens de lettres (SGDL) awarded him the Grand Prix of poetry for his whole work. Painting remained for him a major interest. In 1991, he received the France Culture Prize for Soleil dans une pièce vide (Sun in an empty Room), poetic narrations inspired by Edward Hopper's paintings. He continued to write essays on art and published some luminous approaches of Velázquez, Goya, El Greco, Claude Lorrain, Rembrandt, Murillo..., until his last essay dedicated to Caravaggio, L'Ordre donnée à la nuit (The Order given to the Night), in which he draws the outlines of his art approach.
The Anticorrida Alliance implements legal remedies against any bullfighting activity contrary to legislation in force. It creates informative work with the publication of four-monthly reviews and the edition of three works, La Mort donnée en spectacle (1998), On est toujours le taureau de quelqu'un (2003), and La Face cachée des corridas (2006). In the summer season, it conducts 4 × 3 poster campaigns in large cities and displays air-towed banners on the Mediterranean coast. The Anticorrida Alliance organized events bringing together between 1,800 and 3,000 participants in Nîmes in 2010 and between 2,000 and 3,000 people in 2012.
According to Martha Strom's interpretation of this poem, "Stevens locates the bucks in Oklahoma, which firmly situates the poem in the 'local' school of writing, but he imbues the localist donnée—a particular landscape, some bucks, and a cat in Oklahoma—with the motion of his imagination, and the flat 'local' scene acquires texture and life". When Stevens was a student at Harvard he was interested in the local-color-movement in American writing, but that interest grew into a lifelong philosophical study of imagination and reality and how their intersection could lead to poetry. Those terms are ones that apply more usefully to "Earthy Anecdote" than "local color".
" Procuration donnée par G.-J. de Cazaux de Saint-Androny à Pierre Lacour, peintre d’histoire ", Archives historiques du département de la Gironde, 1887 Online During the Revolution, he was a drawing teacher at the École centrale and maintained the old municipal drawing school at his personal expense. His first exhibit at the Salon came in 1796; the same year he was named a corresponding member of the Académie des beaux-arts. Three years later, he was elected to the Academy of Sciences.. In 1801, he founded the Musée des beaux-arts de Bordeaux and became its first Curator."L’un des quinze musées français créés par Bonaparte", Presentation of the Musée des beaux-arts de Bordeaux @ culture.
She explains the position of the poem at the beginning of Harmonium as signifying Stevens' departure from the dominant 'local' school, which enjoined the poet to stay close to his roots and locale. She writes, > Stevens locates the bucks in Oklahoma, which firmly situates the poem in the > "local" school of writing, but he imbues the localist donnée — a particular > landscape, some bucks, and a cat in Oklahoma — with the motion of his > imagination, and the flat "local" scene acquires texture and life.Strom, p. > 429 She quotes from an editorial on 'Local Color' that Stevens wrote in 1900 while an undergraduate at Harvard and president of The Harvard Advocate, proposing that Stevens' interest in overcoming locality can be traced back to those days.
Genesis 5:18-22 as published by Jean Morin in 1631 in the first publication of the Samaritan Pentateuch The Histoire de la délivrance de l'Église chrétienne par l'empereur Constantin, et de la grandeur et souveraineté temporelle donnée a l'Église romaine par les rois de France (1630) gave great offence at Rome, and a Declaration (1654), directed against faults in the administration of the Oratory, was strictly suppressed. Morin is best known for his biblical and critical work. By his editing of the Samaritan Pentateuch and Targum, in the Paris Polyglott, he gave the first impulse in Europe to the study of this dialect, which he acquired without a teacher (framing a grammar for himself) by the study of manuscripts newly brought to Europe. Not unnaturally, he formed a very exaggerated view of the value of the Samaritan tradition of the text (Exercitationes ecclesiasticae in utrumque Samaritanorum Pentateuchum, 1631).
'Michel Barthélemy Ollivier, Fête give by le Prince Louis François de Conti in honour of Charles William Ferdinand, Hereditary Prince of Brunswick-Lüneburg in 1766 : the deer take the water in front of the château.Fête donnée par le Prince Louis François de Conti en l'honneur de Charles Guillaume Ferdinand, prince héréditaire de Brunswick-Lunebourg en 1766 : Le cerf pris dans l'eau devant le château de L'Isle-Adam Maquette du chateau de Conti. The Château de L'Isle-Adam, now destroyed, could be found in the town of L'Isle-Adam in the department of Val-d'Oise; it was built on an island called the Île du Prieuré The building was connected with many illustrious families; the Lords of Adams, the Dukes of Villiers, the Dukes of Montmorency, the Princes of Condé and finally the Princes of Conti. It was under the Princes of Conti that the building had its golden age.
That year he succeeded his brother, William V, as count of Angoulême. The marriage produced one surviving child, Isabella ( 1188 – 1246). Aymer on 16 June 1202 and was succeeded by their daughter, Isabella. Isabella married King John of England in 1200. Alice died on 12 February 1218 at the age of about 58.[see Molinier, Obituaires de la Province de Sens 1(1) (Recueil des Historiens de la France, Obituaires 1) (1902): xxxi–xxxii (“On peut affirmer maintenant qu’elle se nommait Alais ou Alix. Elle est mentionnée en trois des nécrologes que renferme le présent volume. Son décès est inscrit au 11 février dans l’obituaire de Saint-Victor, au 12 du même mois en celui de l'Hôtel-Dieu de Provins, et au 22 janvier, autrement dit au 11 des calendes de février dans l’obituaire de la léproserie sénonaise du Popelin. J’en conclus qu'elle mourut le 11 février, la date du 11 des calendes de février donnée par le nécrologe du Popelin résultant certainement d’une confusion avec le 11 février.”), 542 (Abbaye de Saint-Victor de Paris: “III id. febr. [11 February].
Life and Nothing More..., he argues, is neither representation nor reportage, but rather "evidence": > [I]t all looks like reporting, but everything underscores (indique à > l'évidence) that it is the fiction of a documentary (in fact, Kiarostami > shot the film several months after the earthquake), and that it is rather a > document about "fiction": not in the sense of imagining the unreal, but in > the very specific and precise sense of the technique, of the art of > constructing images. For the image by means of which, each time, each opens > a world and precedes himself in it (s'y précède) is not pregiven (donnée > toute faite) (as are those of dreams, phantasms or bad films): it is to be > invented, cut and edited. Thus it is evidence, insofar as, if one day I > happen to look at my street on which I walk up and down ten times a day, I > construct for an instant a new evidence of my street.Jean-Luc Nancy, "On > Evidence: Life and Nothing More, by Abbas Kiarostami," Discourse 21.1 > (1999), p.82.

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