The French philosopher Jacques Rancière would link this space to a concept called dissensus.
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Gzesh took the opportunity to highlight dissensus, or "being comfortable with the existence of different narratives and different points of view," as she put it.
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These dramas of politics — each involving the high court's first black justice — arrive at a singularly contentious political moment in an atmosphere of angry, sometimes violent dissensus.
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It would be fair to say that, in the course of planning the game, the design team was gripped by dissensus about what they wanted The Parasite to accomplish.
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So they built the game on the principle of "dissensus"—the idea that people can and should be comfortable reaching an impasse and allowing clashing views to thrive in the same place.
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If Trump's presidency has ushered in an era of dissensus where the border between fact and fiction has become imperceptible, then the level of risk associated with asserting any opinion (through art, writing, performance, etc.) has substantially increased.
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150:855 (January 2002).Kreimer, Seth F. "Territoriality and Moral Dissensus: Thoughts on Abortion, Slavery, Gay Marriage and Family Values." Bridgeport Law Review/Quinnipiac Law Review. 16:161 (Spring/Summer 1996).
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This provides "exit options" for individuals who had previously been bounded to their nation of birth.Hooghe, Liesbet, and Gary Marks. "A postfunctionalist theory of European integration: From permissive consensus to constraining dissensus." British Journal of Political Science 39, no.
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Turning to metaphilosophy in 2013, he completed a short manuscript, entitled 'Dissensus and the Value of Philosophy', on the value of philosophy to the non- philosopher'. It is currently under consideration at publishers. He is currently co-editor of Philosophical Papers, published by Routledge.
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Murtaza Ali Khan is an Indian film critic and journalist. He is the Film Editor of the New York-based magazine Café Dissensus. He currently contributes to leading publications like The Hindu and The Sunday Guardian. He has also written for DailyO, Huffington Post India, Newslaundry, and The Quint.
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Ewa Ziarek is the Julian Park Professor of Comparative Literature at The State University of New York at Buffalo (SUNY Buffalo). She has a major interest in engaging with other scholars on their own terms, and believes that a model of dissensus in philosophy, rather than the traditional consensus model, may produce highly valuable results.
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Soon he decided to follow his passion and pursue his career as a film critic. From June 2015 to February 2018 he contributed to the Huffington Post India as a freelancer. Since November 2017, he has been doing features and contributing to the interview section for The Hindu. He started working as the Film Editor for the New York-based magazine Café Dissensus from July 2018.
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Ziarek's research brings together literary modernism, aesthetics, ethics, feminism, psychoanalysis, critical race theory, and political philosophy. Her work addresses democracy, freedom, oppression, power structures, and intersubjectivity in relation to literary modernism. Ziarek has written extensively on the idea of slavery from a feminist standpoint, challenging Giorgio Agamben's views on the subject. Ziarek believes that a model of dissensus (where scholars hold distinctly different viewpoints from each other), rather than the consensus model traditionally used in philosophy, may produce significant results.
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Isabelle Dussauge is a science, technology and society (STS) researcher at the Department of History of Science and Ideas, Uppsala University, Sweden and former assistant professor at the Department of Thematic Studies (technology and social change), Linköping University, Sweden.Bluhm, Robyn; et al. (2014), "Contributors", in She is also the co-founder, with Anelis Kaiser, of The NeuroGenderings Network,Kraus, Cynthia (2016), "What is the feminist critique of neuroscience? A call for dissensus studies", in :See also: and acted as guest editor, again with Kaiser on the journal Neuroethics.
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There are at least 8 known synagogues in Kerala in recorded history, even though most of them are not operating anymore. One of these belonged to the White Jews of Cochin, while the other 7 belonged to the Malabari (Brown or Black) Jews. Each of these is quite unique in its construction and architecture; nevertheless, they retain very similar aesthetics, blending in both the Jewish and Keralite traditions rarified over centuries.India’s Synagogue Variety: Architecture, History, and Context, Jay A. Waronker, Café Dissensus, 31 December 2014 Only the Paradesi Synagogue in Mattancherry still functions as a synagogue and is a popular tourist destination.
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In March 2010, the first conference – NeuroGenderings: Critical Studies of the Sexed Brain – was held in Uppsala, Sweden.Kraus, Cynthia (2016), "What is the feminist critique of neuroscience? A call for dissensus studies (notes to page 100)", in Organisers Anelis Kaiser and Isabelle Dussauge described its long terms goals "to elaborate a new conceptual approach of the relation between gender and the brain, one that could help to head gender theorists and neuroscientists to an innovative interdisciplinary place, far away from social and biological determinisms but still engaging with the materiality of the brain." The NeuroGenderings Network was established at this event, with the group's first results published in a special issue of the journal Neuroethics.
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According to Henry Farrell and John Quiggin, by late 2009 the previous apparent consensus for Keynesian policy among prominent economists began to dissolve into "dissensus". There was no reversal to the previous free market consensus, but the apparent unity of the previous year had gone. In part this was due to objections from anti-Keynesians like Robert Barro attracting wider attention, in part to the intervention of elite economists who had previously kept out of the debate (specifically from the ECB, but also others, including Jeffery Sachs). The lack of consensus among expert opinion made policy makers vulnerable to calls for abandonment of Keynesian policy in favour of fiscal consolidation. In April 2010 a communiqué from the Washington meeting of finance ministers called for continuation of the stimulus policies until the recovery is firmly entrenched with strong private sector activity, though it accepted that some countries had already begun to exit from the policies.
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By mid-2010, the earlier global consensus for ongoing Keynesian stimulus had fractured, mirroring the "dissensus" that had emerged among prominent economists. Especially in Europe, there was an increase in rhetoric calling for immediate fiscal tightening, following events such as the Greek debt crisis and the displacement of the UK Labour government with a coalition dominated by the Conservatives after the May 2010 elections. While some high level officials, particularly from the US and India, continued advocating sustained stimulus until the global recovery is better established, a communiqué from the G20, issued after their June 2010 meeting of finance ministers in Busan, welcomed the trend towards fiscal consolidation rather than further deficit financed stimulus. The G20 did reiterate that forceful government intervention had been the correct response in 2008 and 2009. Then IMF managing director Dominique Strauss-Kahn, who had been a leading advocate for stimulus spending from as early as January 2008, said he was comfortable with the reversal.
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Lockheart is also director and co-ordinator of Writing- PAD – short for Writing Purposefully in Art and Design – an online academic and research network connecting over 100 institutions. Writing-PAD grew out of Lockheart's interest in a correct interpretation and implementation of the Coldsteam Reports and in academic literacies, and was specifically set-up "to support and disseminate the range of genres associated with writing in art and design;" and also "to promote discussion about the necessary balance of consensus and dissensus that art and design fields require to remain vibrant." Lockheart is also co-editor of the Journal of Writing in Creative Practice, which she co-founded with Goldsmiths' Emeritus Professor and University of Wales Trinity Saint David's Professor of Practice, John Wood. The JWCP, too, grew out of the contentious re-reading of the Coldstream Reports, and also out of the Writing-PAD international network, and is its "published voice" – as did the later project "DreamsID" (see below).
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