This is all you are to her: a faceless, depthless music-liker.
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The backdrop is usually the bright gray or depthless black of the ocean.
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Seriously, it's time to retire the depthless, boy-crazy character once and for all.
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On an island bursting with nature's most remarkable creatures, humanity's depthless capacity for loneliness crows most keenly.
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There's only the depthless consideration of the hazy, ever-darkening national situation, and the sharpening personal one.
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In the depthless, two-dimensional realm of the TV screen, appearances and emotions do most of the work.
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His hand at the small of her back, On the depthless roses painted On her old black dress.
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And the next, I was stepping into a steampunk fairy-tale world all underneath a soaring depthless black.
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The speculative fiction of Shalev's writing certainly has the alluring airs of political intrigue — but like air, it's depthless.
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During Borman's reading, the novelist William Styron later recalled, there was a "depthless and inexpressible" look on Bernstein's face.
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His massive bowler hat shifts perception, elongating the viewer's sense of height reaching toward the depthless vacuum of dark space.
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The lack of macro comparison — and the depthless consideration of where this all leads — also extends into the micro level.
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In 1929, she completed "Antropofagia," which seems to draw equally on "Abaporu" and "A Negra" and shows a depthless background of foliage.
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I went back to the yard, to where Bob was sitting in his own shit, staring at the wall with a depthless, catatonic gaze.
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He can be gruff, too, but also solicitous and generous, amusing like his prose, with a seemingly depthless appetite for new ideas and people.
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But before you dismiss her as a depthless fad, remember that she, too, does spark important conversations, specifically about slut-shaming and high-risk pregnancies.
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There's no beholding distance from their monotonously compact, rounded breasts and thunderous thighs, smushed into depthless landscapes and interiors, and thus no imaginable approach to intimacy.
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In time, both essay and photo merged into an astonishing portrait: the gibbous Earth, radiantly blue, floating in depthless black space over a barren lunar horizon.
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The light tan color is flat and depthless, which makes sense, because it's supposed to be mixed into a delicious hot drink, not blended onto human skin.
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Descent Into Limbo debuted years before Vantablack was announced to the public, and was instead created using a dark paint that produces the same depthless, black hole effect.
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I strongly advise against this, especially if the loved one still thinks VR is a depthless, nauseating grain you peer at through a cardboard box, duct-taped to an iPhone.
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Inside New York City courthouses—or indeed almost anywhere else in the country, including most jails—ICE agents often need only ask before ushering immigrants into the depthless void of deportation proceedings.
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The form — which ranges from transparent planes in "Amerika" to a severely angled, relief-like structure in "Shrinking Corners" (both 2016) — defines a compressed space or overlays one that is depthless and dusty.
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Ash sounds like if the Ramones had frontal lobotomies; you can hear Coldplay being born in the Verve's depthless self-importance; and a surprising number of these bands sound like the Goo Goo Dolls.
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The slopes of the volcano rose around us in pleated folds of utter, impenetrable green, falling away beside us in the depthless ravines the creases made, slick and dazzling with a wet emerald gloss.
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"For lo, I have endowed him with a winning, likable personality and know of a certainty that your apprehension of my depthless profundities will by aided by his offbeat charm," as God-in-the-person-of-Mr.
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In a banalized and depthless American postmodernity, he saw Miltonian struggle: devils swarming into classrooms, the slow gears of ancient conspiracies churning beneath the surface of everyday life, a world so much grander and more cosmic than it actually is.
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And almost depthless compassion for mistake Often standing outside their spiral bodies as they made mistakes to watch ice floes separate as rear defroster began to work finally, Sun cast to a hole in the ground aside begging for it.
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The short, repeated flights, while jump-starting the book's enormous vitality, exchange depths for heights; up there, the points on the arc (to use the author's words) glitter brightly but briefly, in a depthless universe, because one can't see the arc that holds them aloft.
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A side note, I'll have some wet fibres of our being better with which to speak in whistle register Elizabeth Grosz says art is autonomous sensation, and I buy it Where self and world unfold simultaneously for the sensing subject, cradling In step are two hunters in general sufficiently remote from hurt or inroad Almost depthless is a way to say we all have our limits, no?
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Dillbohner's paintings adhere loosely to the genre of landscape but "oscillate between abstraction and representation." Often painted using encaustic techniques, they evoke flowing water, massed clouds, ice fields, sedimentary rock, and other natural forms. Recent series of paintings include Lost Coast (2014) and Glacial Sea (2011-12). Projecting a sense of being both depthless and expansive, they hearken back to the spirit of German Romanticism.
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Haim performing at the Way Out West in 2013 Critical reaction to Haim has mostly been positive. PopMatters Matt James wrote "It'd be hard to truly dislike Haim. They're an eminently likeable, albeit slightly kooky, trio whose story already bears the frisson of legend." Writing for The Guardian, Alexis Petridis praised the band's songwriting abilities, saying it "has a certain kind of glossily depthless pop perfection down pat".
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D'Est , translated into English as From the East, is a 16-mm experimental documentary film, shot in Poland, Russia and the former East Germany. The film investigates the stories of people’s lives in an unstable time after the collapse of the Eastern Bloc through the idea of memory. The film has no commentary or dialogue and instead documents landscapes and residents in an observational manner. Okwui Enwezor, curator, art critic and writer, describes the characters in the film as “bewildered, anachronistic and depthless in the harsh flare of history”.
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" Jody Rosen of Rolling Stone commented that the album "places [Goulding's] vocals and minor-key melodies against producer Starsmith's club-ready mix of synths and brisk, busy electro rhythms. The results are moody [...], pretty [...] and uniformly catchy." In a mixed review, Claire Allfree of Metro viewed the album as "undeniably pretty aerated synthpop", but felt that "Goulding's girly, heartfelt voice is oddly depthless, while the electronic vapour and four-to-the-floor house beats swoop in a wash of perfectly calibrated bland sound." Mark Beaumont of NME expressed that "there's nothing here groundbreaking enough to justify the critical frothing.
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Venus Verticordia, Dante Gabriel Rossetti, 1864-8, Rossetti Archive, Retrieved 18 December 2011. Despite Rossetti's record of serial liaisons with his models, there is little or no evidence of a romantic attachment between Wilding and Rossetti. Characteristics of the painting that are commonly noted include the overt flower symbolism, and the unreal, crowded, depthless space, perhaps best shown by the bizarre mirror that reflects both the candles in the "room" and an exterior garden scene. The white roses may indicate cold, sensuous love and reflect the tradition that roses first "blushed" or turned red upon meeting Eve.
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In summing up her voice, Entertainment Weekly wrote: "There's an immense emotional intelligence behind the way she uses her voice. Almost never does she overwhelm a song with her vocal ability, recognizing instead that artistry is to be found in nuance rather than lung power." Gaga's songs have been called "depthless" by writer Camille Paglia in The Sunday Times, but according to Evan Sawdey of PopMatters, she "does manage to get you moving and grooving at an almost effortless pace". Gaga believes that "all good music can be played on a piano and still sound like a hit".
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This lonely hill was always dear to me, and this hedgerow, which cuts off the view of so much of the last horizon. But sitting here and gazing, I can see beyond, in my mind’s eye, unending spaces, and superhuman silences, and depthless calm, till what I feel is almost fear. And when I hear the wind stir in these branches, I begin comparing that endless stillness with this noise: and the eternal comes to mind, and the dead seasons, and the present living one, and how it sounds. So my mind sinks in this immensity: and foundering is sweet in such a sea.
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In the collaborative photographic/public intervention Last Days (2009, with Chen Zhong), he mounted newspaper on outside walls to create temporary monument/ruins throughout the Chinese city of Kaixian, which was razed, flooded and rebuilt on a different site as part of the Three Gorges Dam project. Transience (2011) is a slow-motion color video showing ancient Chinese tomes and books by modernist thinkers in several languages floating against a depthless black ground as if tossed into the air; a warm glow from beneath suggests fire, the history of book burning, and the perishability of knowledge.Baker, Kenneth. "Wilson-Ryckman and Xie," San Francisco Chronicle, September 7, 2013, p. E-2.
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The departure from his master's style is reflected in his way of shaping people and things by highlights which flash the pictorial image towards the surface of the painting, even from the background. As a counterbalance, an explicit, even emphatic, perspective design marks out the spatial confines of the composition, making it appear squarish. A further departure from Velázquez is his luxurious depiction of detail or incident which he achieved with brilliant, depthless strokes, whether on the figure of a sitter, a curtain on a wall, a floor, the surface of a river, or on plain earthen grounds. These stylistic traits reveal Mazo’s own personality as an artist. For centuries, Mazo’s paintings were attributed to Velázquez, but modern art criticism, techniques, and knowledge have been able to separate their works.
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As with The Last Hurrah, it is not a roman à clef but the clan is certainly reminiscent of the Kennedy family. "Edwin O'Connor, the author of The Last Hurrah, summed up the era in his final novel, All in the Family: 'Corruption here had a shoddy, penny-ante quality it did not have in other states....Here everything was up for grabs and nothing was too small to steal....In our politics there seemed to be a depthless cushion of street-corner cynicism, a special kind of tainted, small-time fellowship which sent out a complex of vines and shoots so interconnected that even the sleaziest poolroom bookie managed, in some way, however obscure, to be in touch with the mayor's office or the governor's chair.'"Howie Carr (2013), The Brothers Bulger: How They Terrorized and Corrupted Boston for a Quarter Century, with a new afterword, New York: Grand Central, p. 41, .
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Darkfall has been well received by critics. Eidolon Magazine describes the work as “outstanding in its evocation and control of an invented world and society” and that “her narration presents with equal precision the menace and emotional isolation that threaten her typical victim-heroes”. The Age portray it as a "dramatic narrative [with] vivid characters on an enormous canvas”. InCite praises the work and calls it a "testament to Carmody’s depthless imagination”. She goes on to say that Carmody has avoided the “hackneyed clichés and absolutes common in fantasy novels" and that it "offers believable heroines in a landscape of moral ambiguity”. Magpies magazine says that the “huge cast of characters, events and the intricacies of religion, philosophy and politics keeps readers thinking and puzzling over each chapter”. In the analysis of Foster, Finnis and Nimon, they describe the work as “high fantasy at one level, but on another... a work of social realism, a combination with a variety of different quests and unlikely... heroes”. They also point out the feminist cast of the work, given the protagonists and most of the antagonists are female.
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